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Posted by Victoria Strauss for Writer Beware®

Two issues involving Audible's ACX have come across my desk recently.

Rights Fraud

I've heard from several self- and small press-pubbed authors who report that they've found their books listed on ACX as open to narrator auditions...except that they, or their publishers, didn't put them there. This appears to be an attempt to steal authors' audio rights.

Below is one listing. Here's another and another and another. (All of these listings have been invalidated by ACX.)


See "Comments from the Rights Holder" at the bottom. The purported company, Publishing D LLC, does not show up on any searches.

The fraud seems pretty elaborate. Here's what one of the authors who contacted me told me:


These comments from a freelance audiobook narrator illustrate that "Publishing D" is not an isolated incidence.

Promotional Code Shenanigans

Multiple authors have contacted me to report that they've received an email from ACX withdrawing their promotional codes. The cited reason: "unusual activity," with no explanation of what that means.

The authors say that they have not used the codes improperly or violated ACX guidelines; in some cases, they've used the codes only a handful of times or not at all. See, for instance, blog posts by authors G. Michael Vasey and Adam Piggott. Per discussions on the KBoards and Reddit, a lot of authors seem to be affected.

Is this one of Amazon's (Audible's parent company) periodic crackdowns on misuse or fraud that has inadvertently ensnared innocent authors? According to author and self-publishing expert David Gaughran, ACX promo code scamming is a major problem, and Amazon's anti-abuse sweeps often involve a lot of collateral damage. Or could it be an error--a glitch or rogue algorithm?

So far, authors' efforts to get a fuller explanation have run up against the black box that is Amazon:


If I hear anything further, I'll update this post.

UPDATE 11/27/19: One of the authors who alerted me to the promo code withdrawal has received a notice saying that their codes are reinstated--however, they say that the promo code tab has yet to appear in their dashboard.


UPDATE 2/25/29: More about ACX scams, from a comment left by a narrator:

About the ACX thing...I was contacted by ACX to narrate three books, however, the person who offered the contracts kept emailing and frantically telling me to send them my book codes. I got leary and called ACX. They said unfortunately there are many scams taking place where if a book is "unclaimed" in their system, someone may grab it and offer it as an audiobook contract. Then they keep the codes and blackmarket sell them. They do not pay the narrators. Many other authors are experiencing it, they said, but they have no way to regulate it.

I declined the offers and got a nasty note from the contract holder. I was also told that since I corresponded with them, they had my email that is associated with Amazon..the same one. So, ACX said I had to go change my email on Amazon or they would have access there too. Geez.

Posted by Victoria Strauss for Writer Beware®

The enormous digital archive that is the Internet Archive encompasses many different initiatives and projects. One of these is the Open Library Project, a huge repository of scanned print books available for borrowing in various digital formats.

Unlike a regular library, the IA does not purchase these books, but relies on donations to build the collection. Nor are permissions sought from copyright holders before creating the new digital editions. And although the IA claims that the project includes primarily 20th century books that are no longer widely available either physically or digitally, the collection in fact includes large numbers of 21st century books that are in-copyright and commercially available--and whose sales the Open Library's unpermissioned versions have the potential to harm.

Most professional writers' groups consider the Open Library to be not library lending, but massive copyright violation. Many have issued alerts and warnings (you can see SFWA's alert here), and many authors have contacted the IA with takedown requests (to which the IA was not always terrific at responding; you can see my account of my own frustrating experience here).

In the fall of 2018, a novel (and disputed) legal theory was created to justify the Open Library and similar initiatives, called Controlled Digital Lending (CDL). CDL's adherents present it as "a good faith interpretation of US copyright law for American libraries" seeking to conduct mass digitization projects, and invoke as support the "exhaustion" principle of the first sale doctrine (the idea that an authorized transfer of a copyrighted work "exhausts" a copyright holder's ability to subsequently control the use and distribution of  that copy; this is what allows used book sales, for example) and the fair use doctrine (a complex principle that permits the copying of a copyrighted work as long as the copying is limited and transformative). As long as the library restricts its lending in ways similar to restrictions on the lending of physical books (for instance, allowing only one user at a time to access each digital format), CDL holds that creating new digital editions of in-copyright books and lending them out is fair use, and copyright holders' permission isn't necessary.

Libraries in particular have embraced CDL. Publishers' and writers' groups...not so much, especially in light of a recent legal decision that rejected both the first sale doctrine and fair use as basis for re-selling digital content. Here's the Authors Guild:

CDL relies on an incorrect interpretation of copyright’s “fair use” doctrine to give legal cover to Open Library and potentially other CDL users’ outright piracy—scanning books without permission and lending those copies via the internet. By restricting access to one user at a time for each copy that the library owns, the proponents analogize scanning and creating digital copies to physically lending a legally purchased book. Although it sounds like an appealing argument, the CDL concept is based on a faulty legal argument that has already been rejected by the U.S. courts.

In Capitol Records v. ReDigi, the Second Circuit held that reselling a digital file without the copyright holder’s permission is not fair use because the resales competed with the legitimate copyright holder’s sales. It found that market harm was likely because the lower-priced resales were sold to the same customers who would have otherwise purchased new licenses. In this regard, the court emphasized a crucial distinction between resales of physical media and resales of digital content, noting that unlike physical copies, digital content does not deteriorate from use and thus directly substitutes new licensed digital copies.

The same rationale applies to the unauthorized resale or lending of ebooks. Allowing libraries to digitize and circulate copies made from physical books in their collection without authorization, when the same books are available or potentially available on the market, directly competes with the market for legitimate ebook licenses, ultimately usurping a valuable piece of the market from authors and copyright holders.

For a more detailed deconstruction of CDL's arguments, see this statement from the Association of American Publishers.

Flash forward to 2020, and the coronavirus pandemic crisis. Last week, the IA announced the debut of the National Emergency Library--really just the Open Library, but with some new provisions.

To address our unprecedented global and immediate need for access to reading and research materials, as of today, March 24, 2020, the Internet Archive will suspend waitlists for the 1.4 million (and growing) books in our lending library by creating a National Emergency Library to serve the nation’s displaced learners. This suspension will run through June 30, 2020, or the end of the US national emergency, whichever is later.

During the waitlist suspension, users will be able to borrow books from the National Emergency Library without joining a waitlist, ensuring that students will have access to assigned readings and library materials that the Internet Archive has digitized for the remainder of the US academic calendar, and that people who cannot physically access their local libraries because of closure or self-quarantine can continue to read and thrive during this time of crisis, keeping themselves and others safe.

What this boils down to, under all the high-flying verbiage: the IA is ditching the one-user-at-a-time restriction that is one of the key justifications for the theory of controlled digital lending, and allowing unlimited numbers of users to access any digitized book in its collection.

The Authors Guild again, on how this harms authors:

IA is using a global crisis to advance a copyright ideology that violates current federal law and hurts most authors. It has misrepresented the nature and legality of the project through a deceptive publicity campaign. Despite giving off the impression that it is expanding access to older and public domain books, a large proportion of the books on Open Library are in fact recent in-copyright books that publishers and authors rely on for critical revenue. Acting as a piracy site—of which there already are too many—the Internet Archive tramples on authors’ rights by giving away their books to the world.

Here's just one concrete example. Katherine Harbour's Nettle King is available for borrowing in the National Emergency Library as a scan, an EPUB, and a PDF (the IA's EPUB versions are OCR conversions full of errors). Published in 2016, it's also "in print" and available on Amazon and other online retailers as an ebook, in addition to other formats. The IA, which never bought a digital license to Ms. Harbour's book and scanned and uploaded it without permission, now is proposing to allow unlimited numbers of users to access it, potentially impacting her sales. How is this any different from a pirate site?

Announcement of the National Emergency Library has been greeted rapturously by the press and by libraries. Less regarded has been the flood of protest and criticism from authors and professional groups. In situations like these, authors and publishers tend to be dismissed as greedy money-grubbers who are putting profits ahead of the march of progress and the noble dream of universal access to content...despite the fact that authors' right to make money from their work--and, just as important, to control the use of it--springs directly from the US Constitution, and has been enshrined in law since 1790.

In response to the outcry over the National Emergency Library, the IA has issued a justification of it, citing the "tremendous and historic outage" of COVID-19-related library closures, with "books that tax-paying citizens have paid to access...sitting on shelves in closed libraries, inaccessible to them." This noble-sounding purpose conveniently ignores the fact that those libraries' (legally-acquired and paid-for) digital collections are still fully available.

If your book is included in the National Emergency Library, and you don't want it there, the IA will graciously allow you to opt out (another inversion of copyright, which is an opt-in system).


Hopefully they'll be more responsive than they were in 2018, when I sent them DMCA notices that they ignored. Or later, when they began rejecting writers' takedown requests by claiming that the IA "operates consistently with the Controlled Digital Lending protocol.”


I've covered this question above, but I want to highlight it again, because it's such a persistent objection when this kind of infringement occurs: Brick-and-mortar libraries lend out books for free, so how are the IA's "library" projects any different?

A few reasons.

- Brick-and-mortar libraries buy the books they lend, a separate purchase for each format (hardcover, paperback, ebook, audiobook, etc.). The author gets a royalty on these purchases. The IA seeks donations, and lends those. Authors get nothing.

- Brick-and-mortar libraries lend only the books they purchase. They don't use those books to create new or additional, un-permissioned lending formats. That's exactly what the IA does. Moreover, one of its additional lending formats is riddled with OCR errors that make them a chore to read. Apart from permission issues, this is not how authors want their books to be represented to the public.

- People who advocate for looser copyright laws often paint copyright defenders as greedy or mercenary, as if defending copyright were only about money. It's worth remembering another important principle of copyright: control. Copyright gives authors not just the right to profit from their intellectual property, but to control its use. That, as much as or even more than money, is the principle the IA is violating with its library projects.

UPDATE: It appears that the IA--on its own initiative--is removing not just illegally-created digital editions in response to authors' takedown requests, but legally-created DAISY editions as well, even where authors don't ask for this (DAISY is a format for the visually impaired, and like Braille, is an exception in copyright law and is also permissioned in publishing contracts).


It did the same thing in 2018, even where the takedown requests specifically exempted DAISY editions. I don't know if the current removals reflect expediency or possibly are just a kind of FU to writers (and, indirectly, to disabled readers), but if you send a removal request to the IA, you might consider specifically asking them not to remove any editions for the blind and disabled (which, again, are legal for the IA to distribute).

UPDATE 4/2/20: The Authors Guild has issued a statement encouraging writers to demand that the Internet Archive remove their books from its National Emergency Library. The statement includes instructions on what to do, along with a sample DMCA notice in the proper legal form.

UPDATE 4/8/20: SFWA has issued a statement on the National Emergency Library, describing the legal theory of Controlled Digital Lending as "unproven and dubious". (A link to SFWA's DMCA notice generator is included.)

[U]sing the Coronavirus pandemic as an excuse, the Archive has created the “National Emergency Library” and removed virtually all controls from the digital copies so that they can be viewed and downloaded by an infinite number of readers. The uncontrolled distribution of copyrighted material is an additional blow to authors who are already facing long-term disruption of their income because of the pandemic. Uncontrolled Digital Lending lacks any legal argument or justification.

UPDATE 4/9/20: The Chairman of the US Senate Subcommittee on Intellectual Property, Thom Tillis, has sent a letter to the Internet Archive, pointing out the many voluntary initiatives by authors, publishers, and libraries to expand access to copyrighted materials, and expressing concern that this be done within the law. 

I am not aware of any measure under copyright law that permits a user of copyrighted works to unilaterally create an emergency copyright act. Indeed, I am deeply concerned that your "Library" is operating outside the boundaries of the copyright law that Congress has enacted and alone has the jurisdiction to amend.

The letter ends by punting "discussion" until "some point when the global pandemic is behind us." So, basically, carry on and maybe at some point we'll talk.

UPDATE 4/15/20: Internet Archive founder Brewster Kahle has responded to Sen. Tillis's letter, claiming that the National Library is needed because "the entire physical library system is offline and unavailable" (even though libaries' legally acquired digital collections are still fully available) and that "the fair use doctrine, codified in the Copyright Act, provides flexibility to libraries and others to adjust to changing circumstances" (there's no such language in the actual Fair Use statute).

Kahle also notes:

In an early analysis of the use we are seeing what we expected: 90% of the books borrowed were published more than ten years ago, two-thirds were published during the twentieth century. The number of books being checked out and read is comparable to that of a town of about 30,000 people. Further, about 90% of people borrowing the book only looked at it for 30 minutes. These usage patterns suggest that perhaps that patrons may be using the checked-out book for fact checking or research, but we suspect a large number of people are browsing the book in a way similar to browsing library shelves.

But this is hardly a compelling argument. Large numbers of these books are certainly still in copyright, and many are likely still "in print" and commercially available (in digital form as well as hardcopy). Just because a book was published more than ten years ago or prior to 2000 doesn't magically cause it to become so hard to find it must be digitized without permission in order to save it. "But they're older books" sidesteps, rather than addresses, the thorny copyright issues raised by the IA's unpermissioned scanning and digitizing.

This passage also tacitly confirms the IA's abandonment of the one-user-at-a-time restriction that is a key feature of the rationale for the Controlled Digital Lending theory. If the basis for your enterprise is a legal theory whose strictures can be jettisoned at will, how credible is that theory really?

Kahle also claims that "No books published in the last five years are in the National Emergency Library". As it happens, the example I provide above (Katherine Harbour's Nettle King) handily disproves this statement: it was published in 2016, and was digitized by the IA in 2018 (you can see the scan here). I seriously doubt it's the only instance. Either Kahle is being disingenuous, or he doesn't know his own collection.

As a sop to creators, Kahle reiterates that concerned authors "need only to send us an email" and their books will be removed. As I've pointed out above, this is yet another inversion of copyright law, which explicitly gives creators control over the use of their work. In other words, it's the IA, not authors, who should be the petitioners here.

UPDATE 4/16/20: This terrific, comprehensive article from the NWU's Edward Hasbrouck examines the multiple ways the Internet Archive is distributing the page images from its unpermissioned scanning of print books--"[o]nly one of [which] fits the Internet Archive’s and its supporters’ description of so-called Controlled Digital Lending (CDL)."

Cleo Sol “When I’m In Your Arms” Cleo Sol made her new record with the producer Inflo, who also produced the two Sault albums from last year. There’s a very similar aesthetic to this music – classic soul rendered with warm, foregrounded bass and ample negative space that highlights the precision of all other instruments […]

Last month, Senator Bernie Sanders spoke in a notably all-white panel at a Sanders Institute conference, and reiterated a frequent talking point of his, as well as many in his sect of often white, male progressive thinkers who reject what they call “identity politics” and “social issues.” According to Sanders, the experiences of rural Trump […]

As we watch right-wing agitators, Fascists, media personalities, and the impeached president howl about ending Stay at Home before the public health experts say we should, remember that, as a […]

I was so mad at myself and also pleased with myself when I came up with that song concept

American Revolution 2.0, which presents itself as bipartisan, has been assisted by far-right individuals – some with extremist links

Leaked audio recordings and online materials obtained by the Guardian reveal that one of the most prominent anti-lockdown protest groups, American Revolution 2.0 (AR2), has received extensive assistance from well-established far-right actors, some with extremist connections.

Related: Armed protesters demonstrate against Covid-19 lockdown at Michigan capitol

Continue reading...

While we don't always have the intended answers, we can at least be smart asses about things. Technically correct jokes have the benefit of making the teller feel smart while there's not really any new information needed. These silly puns and clever jokes are technically accurate, so you can't say they're completely wrong.

The Iranian president said Wednesday that lifting a U.N. arms embargo on Tehran would be an “obvious right” and added a veiled warning of unspecified steps Iran could take if the embargo is extended, as the United States wants.

An investigation details how extremists are trying to exploit the pandemic via the social network.

Philipp travels to a conference on men’s issues in Chicago, shedding light on the controversial movement.

The opening scene of Aladdin

We are caught in this familiar tussle between a perfect past and a future of possibilities as the curtains for the Disney Broadway-style musical Aladdin open. As 90s kids, for some of us who just adored Aladdin and his entourage, there was trepidation in our hearts last week — will this musical live up to the 1992 animation film?

As the first scene unfolds on stage, we were not disappointed, not in the least bit. A resplendent multi-level market scene in Agrabah, reminiscent of souks that spell 'Middle Eastern' with projected skies overheard, becomes the playground for a chase during which our daring street rat, Aladdin, enters. Directed by Shruti Sharma, who had formerly assisted in Disney's Beauty and the Beast, the re-imagined production with an all-Indian cast begins on a power-packed note, which is sustained through the course of the evening. Watch out for scenes in The Cave of Wonders and the flying carpet. Simply magical.

Mantra excels as Genie

Aladdin, played by Taaruk Raina in the production we saw, ably captures the complex range of human emotions scripted for the part, from flirtatious lover to contrite prisoner. His triad of friends, especially Keith Sequeira as Kassim, is an energetic foil to the character. And, the role of Iago, villain Jafar's sidekick, brings in the much-needed cheekiness and irreverence to this romance. But, the character that will truly steal your hearts is, as always, Genie, played by Puranjit Dasgupta, who goes by the name Mantra. Through him, the musical conveys a local flavour in an international production, the spicy tang of bhel puri amidst clean hummus and pita. It may seem more Bollywood than Broadway at times, also thanks to a heavy dose of melodrama, but, it got the security guards breaking into chuckles as much as the kids in the front row, so that can only be a good thing.

So, what of Jasmine, played by the beautiful Kira Narayanan? The musical does its best to push gender norms, and its stress on themes of personal freedom, especially through this character and Genie, come as gentle reminders to the audiences. Despite this, Aladdin doesn't pass the Bechdel test, and we wish Jasmine and her friends had half as much fun as Aladdin and his bawdy bunch. Jasmine's character is poorly scripted, and it doesn't match up to the original film's feisty, smouldering princess.

It's impossible not to comment on the songs, for this is a musical after all. Some are entertaining, while some, occasionally moving — Aladdin's got the right mix. What may happen for the adults, if not with the kids, is that you may be left wanting a quiet moment in between songs, for there is just far too much excitement on stage. You need to cool off from all that Genie energy.

Aladdin verges on PG at times, though it says suitable for 4+, with lip-locks and some spirited filmi jhatkas. Nothing that should stop your kid, niece or nephew from watching, but we are just putting it out there. Oh, and did we mention that the actors wear shiny sneakers? The kids will want those for school, and that's a conversation you will need to have with them.

WHERE: Jamshed Bhabha Theatre, NCPA, Nariman Point
WHEN: Till May 13. 7.30 PM
ENTRY: Rs 1,250 - Rs 8,250
CALL: 66223737

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

Make your summer stylish and comfortable by teaming up your right dress with apt jewellery and perfect accessory. Shreyasi Pathak, Stylist, Vajor and Sonal Sahrawat, Creative Director, Sonal's Bijoux & Adawna list some tips to look stylish this summer.

1. Jumpsuit: Jumpsuits are the most effortless and sought-after choice when you want to dress up effortlessly in this scorching heat. Sleeveless with floral prints along with a flared silhouette is what will keep you going throughout the day. Wear it with a pair of flats, sunglasses and statement earrings to walk the streets in style.

2. Dress: A casual summer dress is a must during bright sunny days. Whether you opt for solid colours or for soothing prints, nothing can come to your rescue in this heat other than a nice breezy dress. Keep the look chic and boho and style it well with a pair of sandals, tassel earrings and candy pop sunglasses.

3. Top and bottom: For someone who loves to keep their looks effortless, minimalist yet full of class, for someone who loves to explore places when on a vacation, a fun top with a pair of bottoms is your go-to choice! Complete your look with a slip-on and a sling and you're ready with your on-the-go look.

4. Bright coloured stones: Go colour-crazy with your wardrobe and try mixing in some vibrant coloured stone jewellery. Dare to rock a more-is-more look and brighten up your summer outfits with unique coloured jewellery pieces.

5. Stylish pearls: Pearls are something that never goes out of style and this year is no exception. Wear it as a stud or as a dangling earring, this style will never fade away. Opt for long dangling style pearl earrings for any parties, weddings or social events and make a style statement to rock your gorgeous look this year.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

A day after most Maharashtra ministers rued the flip-flop on COVID-19 policies, indecisiveness and lack of coordination between empowered bureaucrats, Chief Minister Uddhav Thackeray received suggestions, objections and full cooperation at an all-party meet on Thursday.

The common sentiment was that everything wasn't right and needed timely correction at medical, social, economic and agricultural fronts, among others.

Thackeray told the leaders that the lockdown has been effective so far. "If all cooperate, we should be able to control the pandemic," the CM said during the video-conference attended by ex-CM and Assembly opposition leader, Devendra Fadnavis, Council opposition leader Praveen Darekar, MNS president Raj Thackeray, Prakash Ambedkar (BVA), Jogendra Kavade (RPI), Rajendra Gavai (RPI), Vinay Kore (Jansurajya Party), Mahadev Jankar (Samaj Paksh), Ashok Dhawale (CPM), Imtiaz Jalil (AIMIM), Kapil Patil (JD), Jayant Patil (PWP), DCM Ajit Pawar, senior ministers Ashok Chavan and Balasaheb Thorat.

Senior minister Chhagan Bhujbal and other ministers had raised voices against the bureaucracy which enjoys unlimited powers under Disaster Management and Epidemic Diseases Acts. Bhujbal said that bureaucrats at the top and district-level were unwilling to accept sane advice from political leaders and ministers. The minister's strong views were endorsed by his cabinet colleagues and junior ministers during the online meeting on Wednesday. Similar concerns were expressed in the all-party meeting too.

'Healthcare gone for a toss'

Former chief minister Fadnavis demanded Thackeray's urgent attention towards the healthcare system. He said the situation in Mumbai is serious and needed special, focused efforts. He added that hospital management isn't good and cited the incident of bodies kept around patients in a Sion hospital ward. He demanded timely and quality treatment for non-COVID-19 patients and better food and facilities at quarantine centres.

"Patients should know of beds available and other information on a dashboard. More and more healthcare staff are getting infected," he said, adding that contact-tracing was stopped for no reason and asymptomatic people were not tested. "Hiding the number of patients and dead is serious. The political leadership should enforce much-needed coordination between various arms of the government," he said.

Fadnavis protested against the growing attacks on police, which he said is demoralising the force already under duress. "The police force is increasingly getting infected but isn't getting adequate treatment," he said.

Council opposition leader Darekar said that in many cases test reports came after patients died of COVID-19. "It is wrong if people die without getting treated. The quarantine centres don't have proper facilities," he said.

Give jobs to locals: Raj

Asking for a lockdown exit plan, MNS chief Raj Thackeray said it was the right time to give local skilled and unskilled workers jobs as migrants are leaving the state. He also asked to register migrants to ease their return, if any. "Also ensure that migrant workers are screened when they return home. I had told earlier that these people would leave us in difficult times. We should have strong control over the entry and exit of migrant workers. A human approach doesn't work every time," he said.

Raj added that he had never seen Mumbai in such a state. "Please ensure that additional forces like SRPF relieve police personnel who have been on duty for two months. The containment zones need more police presence," he said.

Catch up on all the latest Mumbai news, crime news, current affairs, and a complete guide from food to things to do and events across Mumbai. Also download the new mid-day Android and iOS apps to get latest updates.

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Wedding always brings a smile on your face and why not? After all, it also gives you a chance to shop till you drop. But have you ever realised that long hours of makeup, excessive consumption of oily food and sweets and lack of sleep can result in dull, parched skin that is easily acne prone and pigmented? So, this wedding season, be a little smart, say experts. Sangeeta Velaskar, Vice President and Head, Medical Services and R&D, Kaya Limited gives you some easy tips to put your beauty anxieties to rest:

1. Besides opting for a skin detox or a facial, it is crucial to take care of your skin as we embark on the winter season. Therefore, limit the use of makeup products as much as possible and opt for a clean, minimalistic look

2. Incorporate the basic regime of cleansing, toning and moisturizing

3. Once or twice a week, use a gentle exfoliator and massage your face in a slow, circular motion to ensure good blood circulation and remove dead skin cells

4. Moisturize your skin at all times and even when you go out, do not forget to apply sunscreen

5. If possible, incorporate a night time regimen that includes Vitamin C to renew face cells and restore skin elasticity

7. Use products that have ingredients such as marine extracts, tea tree oil and mulberry extracts. They are a rich source of proteins and a powerhouse of nutrients that reverse the effects of ageing

8. A good facial is of course, the perfect way to detox, restore and rejuvenate your skin whether you're tired, run-down, stressed or in need of a quick fix

9. It is rightly said, that you are what you eat so consume lots of fruits, nuts and sprouts in your diet. Drink enough water to keep the body hydrated and include fruits and vegetables that have high water content such as watermelons, cucumbers, strawberries and peaches. If possible, drink at least one glass of vegetable juice to increase the fiber intake

Also, Blatrix Marion, Eau Thermale Avène Sensitive Skin Expert, lists some easy detox tips to give a fresh start to your skin:

1. While cleansing should be a daily habit, you should prefer certain products when undertaking a skin detox: choose a soap-less and gentle formula.

2. Your skin needs a deep, exfoliating clean, but be very careful to be gentle! Choose a 3-in-1 mask-scrub is a clarifying clay that turns into a scrub to deeply cleanse and exfoliate the skin leaving the complexion fresh and matte.

3. Once a week indulge in a home spa ritual. Choose a quiet evening and get into the mood with nice soothing music and a cup of nettle tea. Do easy home masks with thermal spring water. It guarantees continuous and prolonged contact of water with skin, thus enabling skin to enjoy the water's soothing and anti-irritating properties more rapidly and recover instant comfort and well being.

4. Use cotton wool pads soaked with thermal spring water placed gently over the eyes to prevent dryness from allergies or use of contact lenses

5. Use SPF based products to protect your skin from external aggressions

6. Always remember that ‘Less is More'. Your skin needing a detox means you should be using as less products as possible for some time. Also prefer products with gentle and minimum number of ingredients

Style

<< Mantra: Always meet a trend half way.

Sonam Kapoor Pic/instagram

<< Pairing one holographic piece with another classic separate strikes the perfect balance without going overboard into categorical tacky.

<< For workwear, it's best to use this trend in accessories. A classic structured iridescent bag or clutch keeps things work-friendly yet on trend.

Wenda Nylon Rhea Kapoor, Pic/AFP

<< For a lunch date, pair a girly pleated metallic skirt with a classic white shirt and tie the shirt at the waist to give it more character.

<< For a night out, use this trend on boots. Pair a slip dress with statement metallic or crystal-studded boots.

Gucci Pic/Getty images

<< For those wary of too much metallic or just wanting to dress down, layer a metallic tank or tee with a chambray shirt and your fave pair of blue denims. Add a neaker of your choice.

- Tips from celebrity stylist
Devki Bhatt

Iridescent vs holographic

The Boxing Federation of India (BFI) asserted that the International Boxing Association (AIBA) acted in haste after the hosting rights of the 2021 men's world championship were taken away from the country for non-payment of host city fee. In a statement, AIBA handed over the championship, originally allotted to India in 2017, to Serbian capital Belgrade. The BFI acknowledged the delay in payment but blamed it on procedural complications arising out of the AIBA's failure to resolve issues with regards to the account in which the money was to be transferred.

Delay in payment

The payment of what is estimated to be USD 4 million was due to be made on December 2 last year. "After New Delhi didn't fulfill its obligations to pay host fee as mentioned in the Host City Agreement terms, AIBA has terminated the contract. Therefore, India would have to pay a cancellation penalty of USD 500," the AIBA said in a statement. The elite competition would have happened for the first time in the country.

The BFI, headed by Spicejet Airlines owner Ajay Singh, said the AIBA could not clearly tell where to transfer the money. "We have reason to believe that the decision to change the venue of WCH-2021 was taken in haste without due consultation with BFI...the penalty that is imposed is shocking and surprising. Both parties are working for an amicable solution. BFI is confident that the penalty will be waived off and we will host World Championships in future," the BFI statement read.

AIBA's account frozen

AIBA has been suspended by the International Olympic Committee (IOC) for administrative and financial mismanagement. "The AIBA account in Lausanne was frozen. The account of AIBA in Switzerland as mentioned in Host City Agreement is still inoperative. AIBA intended to have some previous payments through an account in Serbia. "As Serbia is in the Grey List of Financial Action Task Force (FATF) countries, Indian Banks do not normally send money to Serbia. AIBA could not resolve these issues," said the BFI.

"The account of AIBA in Switzerland, as mentioned in Host City Agreement, is still inoperative," it added.

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Bidding goodbye to the mundane question-answer routine while taking the excitement quotient up a notch north with fun segments such as lip sync battles, carpool karaoke, and weekend updates, we look at the most celebrated talk show hosts that get fans to witness the world's most-loved stars in their most quirky avatar.

Here are some of television's top-rated celebrity chat shows that one should definitely catch up on during this quarantine.

The Ellen Degeneres Show

Emmy Award-winning comedian and writer Ellen DeGeneres creates a stir with this leading talk show. Featuring a stellar lineup of celebrity interviews, a sensational mix of musical performances and tales of ordinary people with extraordinary stories, The Ellen DeGeneres Show appeals to audiences of all ages and can be viewed in India on Romedy Now.

The Tonight Show starring Jimmy Fallon

An instant stressbuster amongst the viewers' top-rated shows, The Tonight Show Starring Jimmy Fallon features comedy sketches, music parodies, celebrity interviews, ridiculous games, and, of course, Jimmy's thank you notes and hashtags! This show is a sure shot laughter riot. Fans in India can view this quirky new-age show on Comedy Central India airing Monday to Friday between 11 pm to 12:00 am.

My Next Guest Needs No Introduction With David Letterman

My Next Guest Needs No Introduction is an entertaining and inspiring talk show hosted by none other than ace comedian David Letterman. David has hosted global icons such as Barrack Obama, George Clooney and Jay-Z amongst others giving an insight into their lives and how they overcame all odds to become global icons. The show airs in the country on Netflix India and also features a special episode with the superstar Shahrukh Khan.

The Graham Norton Show

Hosted by the Bafta award-winning and fan favourite comedian Graham Norton, this quintessential chat show has emerged to become the viewers' go-to destination for a joyous time. Fun segments, spontaneous games and candid confessions make this show like no other. The chat show returns with a special lockdown series this quarantine as Graham hosts the world's most iconic stars on his virtual sofa, April 26, 2020, 9 pm onwards on Comedy Central India.

Saturday Night Live

Saturday Night Live is television's longest-running chat show bringing together distinguished actors, quirky comedians and artists to discuss and perform hilarious skits on current and humorous topics. The show recently returned for a special edition, a home edition hosted by none other than the phenomenal Forrest Grump sensation, Tom Hanks, who from his kitchen held the first-ever remote episode of the famous talk show. Saturday Night Live airs on Comedy Central India.

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Since all of us have been locked inside our homes due to the nationwide lockdown after the Coronavirus pandemic, we all are majorly missing meeting our colleagues, friends, and even beaus. One of them is Bollywood singer Neha Kakkar. She seems to be really missing being with Aditya Narayan, on the sets of Indian Idol, and having tons of fun. At least her latest Instagram post suggests so!

Taking to her Instagram account, she shared a collage of some throwback photos from the sets of Indian Idol and the amount of fun she used to have with the entire team. And of course, there was some major missing happening between her and Aditya. These pictures might give you a nostalgic rush too.

Have a look right here:

 

 

 

View this post on Instagram

Me Right after #Lockdown is Over! 🌻 . #GoCorona 🙄 #NehaKakkar #JudgeSahiba #IndianIdol . Styled By @ritzsony @styledose1 😘 Outfit: @kamalsoodofficial 😘 Jewellery: @rimayu07 😘 . Make Up: @ritikavatsmakeupandhair 😘 . Hair: @deepalid10 😘 . Pics: @piyushmehraofficial 🤗 . Miss youu @thecontentteamofficial @sonytvofficial ♥️🤗 #IndianIdol11

A post shared by Neha Kakkar (@nehakakkar) onMay 3, 2020 at 10:38pm PDT

This is what Aditya commented on the post- "How lucky we are, to share these beautiful moments of life together along with the best team. I hope you are safe and healthy. Take care and see you soon Nehu." (sic) and this is what she replied- "Sooo truee aadi See you." (sic)

Well, Aditya and Neha have been a very loved couple and we are sure fans cannot wait to see them back on the screen!

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"The Transporter" franchise director Louis Leterrier might direct the sequel of Will Smith's "Bright". Streaming giant Netflix is in talks with Leterrier, also known for "Now You See Me", "Clash Of The Titans" and "Unleashed", to lend his touch to the fantasy actioner "Bright 2", in which Smith along with Joel Edgerton will be reprising their roles, reports variety.com.

The report also claimed that Netflix is "planning to begin shooting the sequel once it's able to start production" after the coronavirus pandemic. The script for "Bright 2" is written by David Ayer and Evan Spiliotopoulos, with a rewrite by TS Nowlin. Ayer directed the first part, which released in 2017.

"Bright" was an action-thriller that takes place in an alternate present-day south Los Angeles. For "Bright", Ayer picked up a story with modern day sensibilities set in the present day, but added mythological characters to give a fantastical touch to the story while addressing real issues.

Despite getting mixed response, "Bright" became one of Netflix's most streamed films thanks to its star cast. The streaming platform in 2018 announced plans to make a sequel but Ayer, best known for directing the 2014 war drama "Fury", opted out of helming "Bright 2".

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For the past five years more than 16 lakh speech and hearing-impaired people from across the state have been fighting for their basic rights, but the government seems to be completely oblivious of their concerns. So much so, that when thousands of them gathered outside the state social welfare department on Monday to get a response on their 16-point charter of demands, cops resorted to lathi-charge, which they claim was a 'mild' one.

Manoj Patwari, president of the State Level Association for the Deaf, which had organised the protest, said, "We have been demanding our rights for the past five years. There are schools only till Std VII for deaf and mute people, limiting the scope of education. They do not have designated colleges either. Even job opportunities are limited as compared to those for the visually impaired and other physically disabled people. The certificates given are also bogus."

Speaking through interpreter Atiya Hajee, some of the injured protesters said, "We arrived at the spot around 9 am, and had given time to the department till 2 pm to respond. The cops had barricaded us the way animals are kept in a zoo. When one of us tried to get up, he fell on a barricade and accidentally hurt a police officer. Without even understanding the situation, the cops started beating us with rods."

Senior Inspector M M Mujawar of Bund Garden police station said, "One of them had climbed onto a platform of the administration building and was trying to provoke the agitators through sign language. We were just hitting on the ground with lathis to scare them away. We didn't hurt anyone." He added, "One of the protesters asked the others to go towards the cops. Suddenly about 2,000 of them came forward. That is when we resorted to mild lathi-charge. To bring the situation under control, we had detained some of them, but they were later released." MNS Chief Raj Thackeray, who rushed to Pune, said, "I condemn the incident. The cops who provoked other officers and ordered such action should be punished. It's bad that no one from the government visited the spot."

Member of parliament and NCP leader Supriya Sule, who also visited the spot, said, "This is highly condemnable. The protesters should get their basic rights under the Constitution." Meanwhile, Minister of State for Social Justice Dilip Kamble spoke to the protesters over phone and asked them to withdraw the agitation. He asked five of them to go to Mumbai. However, the agitators have decided to continue with the protest till their demands are met.

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Arti Singh was one of the most popular contestants of Bigg Boss 13. The actress who is comedian Krushna Abhishek's sister had a rather interesting journey while inside the house and even made it to the top 5.

Arti's marriage was one of the most discussed topics on the show. She had expressed her desire to get married by the end of the year. The viewers started pairing her with some of the co-contestants and her sister-in-law Kashmera Shah also suggested that she explore her friendship with fellow contestant Sidharth Shukla.

Talking to a daily, Arti Singh said that she is searching for the right man. She said that she would prefer a love marriage but is open to an arranged match as well.

Arti said that she wishes to meet someone during the lockdown because they will then get ample time to chat with each other, even if they cannot physically meet.

ALSO READ: Arti Singh shares a jaw-dropping before and after picture of her physical transformation

Former Manchester United defender Gary Neville has accused Premier League clubs of being "frightened to death" to publicly back the plan to restart the season.

Premier League stakeholders met on Friday to debate how to finish the current campaign, with reports that some clubs want to abandon the season due to the pandemic and others are keen to play all remaining 92 fixtures.

Teams avoiding blame
Neville believes clubs do not want to be held liable should a player become ill with the Coronavirus if the English season resumes. The French and Dutch seasons have been called off because of the health crisis and while the Premier League have apparently ear-marked a June return, that date is far from set in stone.

Claiming there needs to be more public comment from clubs, Neville wrote on Twitter: "The PL are having a CV nightmare. They keep shouting health first but then brief constantly 'We have to Re-Start'. I'd respect them more if they said, 'We accept the increase in health risk but it's one we are willing to take'. They won't as they are frightened to death!"

When Neville was asked by a Twitter user what would happen if someone died as a result of the restart, he said: "That's why we haven't heard one single prominent CEO/Chairman/Owner or Executive open his mouth to back the re-start! Brief/Brief/Brief! Scared to death of the liability and blame."

No virus talk
Before making an exception for Brighton as the "only club willing to take a stand", Neville added: "It would be good for them to speak at least once. Any of them! Clubs included. They are bottling this virus on comms. Very Happy to tell us when they are delivering food parcels though." Brighton's chief executive Paul Barber voiced opposition to the idea of finishing the season at neutral venues.

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World No. 2 tennis star Rafael Nadal's wife Maria Francisca Perello has revealed that the media often misreport her name and date of birth.

Mrs Nadal indicated that Mery is her real name. Also, her birthday is not on July 7.

Mery has always stayed away from the media glare, but remains in the news for being Rafael's better half.

In a recent interview to Spanish daily La Vanguardia, she said: "Well, nobody around me calls me Xisca. And my birthday is soon, I will surely spend it in confinement. But it is not in July. There is still a little time left…" she was quoted as saying by essentiallysports.com website.

When asked about her interest in sports, she replied: "I exercise a lot, but always just for myself. Never seriously. I have played volleyball, done gymnastics, fitness and lately running. On vacation, I sometimes play paddle tennis with Rafael."

Mery, who is in self-isolation with Rafael in Mallorca, added: "We are confined like everyone else. We were very clear from Day One to train at home. We do rubber bands, push-ups, circuit…at least one hour a day in my case."

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Cricketer-turned-politician Gautam Gambhir has called upon all countrymen to stand united and adhere to the guidelines of the government amid the ongoing lockdown in place in order to win the battle against coronavirus pandemic. "We can only win this war if we stand together and the most important thing is to follow the guidelines," Gambhir said while speaking on Star Sports 'Cricket Connected' show. "If we have been asked to stay at home and not leave our house at any circumstance then it's really important for us to follow this, as it is for the betterment of our nation," he added while requesting people to stay indoors and maintain social distancing.

"Since we were talking about donations, according to me there's no limit, if a person gives one rupee with the right emotion, it's a very big contribution," the former Indian opener further said while calling on people to make a contribution in fight towards COVID-19 which has so far claimed more than 400 lives in the country. Gambhir, who is also a BJP MP from East Delhi, has donated Rs one crore to the Delhi Government for procurement of medical equipment and treatment of COVID-19 patients in the national capital.

Besides that, he has pledged to donate his two years' salary towards Prime Minister's Citizen Assistance and Relief in Emergency Situations Fund (PM CARES Fund) and has already released Rs one crore out of his MP Local Area Development Scheme (MPLADS) Fund towards the relief efforts amid the coronavirus outbreak. Speaking about how he spends time at home during the lockdown, the 38-year-old said: "I have been given a responsibility during this lockdown to maintain the plants and the lawn in our garden."

"But the interesting part is that I've been watering the lawn for three days, but there's still no grass growing. Just as (VVS) Laxman does not listen to me, so also does this grass not listen to me," he added.

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