National Portrait Gallery historian David C. Ward discusses images of Abraham Lincoln that document his life in the White House (Anika Gupta, Beth Py-Lieberman, Jesse Rhodes and Ryan Reed). Read more at http://www.smithsonianmag.com/history-archaeology/life-of-lincoln.html

Television reporter Shannon LaNier is a direct descendant of the third President of the United States. (Credit: Drew Gardner)

The Huichol people of west-central Mexico have designed the Vochol—a car turned work of art

Credit: Cade Martin / © & ™ Lucasfilm Ltd

African cuisine has always been well represented in the United States, particularly in dishes characterized as “Southern” in origin, like gumbo or hoppin’ john. But even before chef Serigne Mbaye’s New Orleans eatery Dakar NOLA was named (https://www.eater.com/24175309/james-beard-awards-2024-winners-restaurant-and-chef-awards) the Best New Restaurant of 2024 at the James Beard Awards this week, the contributions of the African diaspora to the American diet had at last begun to enjoy a long-overdue reappraisal via reality television, Netflix docuseries and, most important, a number of widely praised dining establishments: If you want to book a table at Tatiana (https://www.tatiananyc.com/story/) in Manhattan, Dept of Culture (https://www.deptofculturebk.com/) in Brooklyn or Kann (https://kannrestaurant.com/) in Portland, you’d better plan ahead, because their tables are often booked up well in advance. In this episode, Smithsonian contributor Rosalind Cummings-Yeates explains how the ascendancy of pan-African cuisine from “auntie” restaurants into the rarefied fine dining sphere is part of a larger and more meaningful campaign of cultural reclamation. And Mbaye tells us why it was so important to him to make Dakar NOLA (https://www.dakarnola.com/) a showcase of the distinctive flavors of Senegal, where he spent his formative years. Read Rosalind's Smithsonian story about the rise of West African fine dining in the U.S. here (https://www.smithsonianmag.com/arts-culture/these-chefs-are-elevating-african-and-caribbean-cuisines-from-carryouts-to-fine-dining-180984466/) . See the full list of 2024's James Beard Award winners here (https://www.jamesbeard.org/blog/the-2024-james-beard-award-winners) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz / photography by Katherine Kimball, Joshua Brasted, and Jeremy Tauriac Music by APM Music.

Book-banning might seem like a relic of less enlightened times, but the practice is back in a big way. The American Library Association reports (https://www.smithsonianmag.com/smart-news/american-library-association-names-2022s-most-banned-books-180982048/) that 2022 saw more attempts to have books removed from public libraries than in any prior year this century — indeed, it documented more than twice as many attempted bans in 2022 than in 2021. In schools, attempts to keep certain books out of the hands of students have been even more aggressive and draconian. What’s new about these efforts is the subject that binds the most-challenged titles: Most of them address themes of LGBT+ identity or gender expression. In this episode, we talk with journalist Colleen Connolly about Thomas Morton’s New English Canaan, the first book ever to be suppressed in North America. What did the Puritans find so threatening about it, and how has this book echoed through subsequent centuries? Then we’re joined by Dr. Carla Hayden, Librarian of Congress, for a wide-ranging conversation about the history of book bans in the United States, how a resurgent wave of book bans in many states differs from those of prior eras, and why organized attempts to prevent specific people from reading specific books usually fail. A transcript of this episode can be found here (http://smithsonianmag.com/history/a-brief-history-of-banned-books-in-america-180983011) . Read Colleen’s Smithsonian story about New English Canaan here (https://www.smithsonianmag.com/history/how-americas-first-banned-book-survived-and-became-an-anti-authoritarian-icon-180982971/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

After five people perished on a controversial submersible dive to the wreckage of the Titanic in June, we got to thinking about what genuine undersea exploration looks like. In this episode, we speak with Tony Perrottet, who profiled the late OceanGate CEO Stockton Rush for Smithsonian magazine in 2019, about our ancient fascination with exploring hostile environments. Then we’re joined by Susan Casey, who has written four best-selling books about the ocean and its creatures, the newest of which is The Underworld: Journeys to the Depths of the Ocean. Susan tells us why understanding the ocean is key to humanity’s survival, and how, while serious research and shipwreck tourism may have some overlap, they remain two very different things. Read Tony Perrottet’s June 2019 (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) Smithsonian (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) profile (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) of Stockton Rush. Learn more about Tony and his work at his site (http://tonyperrottet.com/) . Read an excerpt from Susan Casey’s new book, The Underworld: Journeys to the Depths of the Ocean (https://www.smithsonianmag.com/science-nature/inside-the-nerve-racking-dive-to-an-active-submarine-volcano-180982687/) . Learn more about Susan and her work at her site (https://susancasey.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz (contains elements by Madelgarius (https://commons.wikimedia.org/wiki/File:Titan_(mod%C3%A9lisation_sketchup_-_twilight_render_-_Gimp).jpg) , via Wikimedia Commons under CC BY-SA 4.0) Music by APM Music.

Watch this commercial for Stopette spray deodorant from 1952

Stanley Feder, founder of Simply Sausage, walks us through what it takes to make truly outstanding links.

Four hundred years ago, escaped slaves formed the village of Palenque. The town’s younger generations have reconnected with their African roots through cultural traditions handed down from their ancestors (Kenneth Fletcher/SmithsonianMag.com). Read more at http://www.smithsonianmag.com/travel/colombia-dispatches.html

This relic from ancient Persia had a profound influence on the Founding Fathers. More on the Cyrus Cylinder: https://www.smithsonianmag.com/smithsonian-institution/the-cyrus-cylinder-goes-on-view-at-the-sackler-gallery-1334866/

The American Ingenuity Award winner describes what it takes to tell a great story

Video by David VanZandt

The past hundred years have seen more than one high-profile prosecution branded as the “crime of the century.” The shocking 1924 crime that was among the first to carry the title turned out to be a harbinger of how public mania around criminal cases could influence the legal system, and how psychiatry would be used and abused by prosecutors and defense attorneys alike as the 20th century wore on and gave way to the 21st. Smithsonian editor Meilan Solly introduces us to teens Nathan Leopold and Richard Loeb and their botched, but still deadly, effort to perpetrate “the perfect crime.” (https://www.smithsonianmag.com/history/why-leopold-and-loeb-committed-cold-blooded-murder-in-the-crime-of-the-century-180984345/) What happened next was also surprising: After confessing to the abduction and murder of 14-year-old Bobby Franks, they were spared capital punishment thanks to their famed attorney Clarence Darrow. True-crime historian Kate Winkler Dawson then tells us how public interest in Leopold and Loeb’s fate helped solidify true crime as a durable subject of fascination. She also tells us about the tools used by the prosecution that were in their infancy during the famed case. Read Meilan Solly's Smithsonian story about Leopold and Loeb here (https://www.smithsonianmag.com/history/why-leopold-and-loeb-committed-cold-blooded-murder-in-the-crime-of-the-century-180984345/) . Learn more about Kate Winkler Dawson, her books, her podcasts, and her work at her site (https://www.katewinklerdawson.com/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz / photography by Katherine Kimball, Joshua Brasted, and Jeremy Tauriac Music by APM Music.

[Harry Carney Home Movies], Ruth Ellington Collection, Archives Center, National Museum of American History

Read more at http://blogs.smithsonianmag.com/aroundthemall/2008/12/music-of-the-tropics-balinese-drum-troupe-performs-at-the-sackler/ Bells and gongs are the sounds behind Gamelan music, which has different variants from one Indonesian island to the next.

Alexander Nemerov looks back at the artist's life and how earlymisfortunes shaped his interpretation of the 1940s

Senior historian Sid Hart discusses the highlights of the National Portrait Gallerys Hall of Presidents. (Filmed and Edited by Ryan Reed / Produced by Beth Py-Lieberman, Megan Gambino and Jesse Rhodes). Read more at https://www.smithsonianmag.com/smithsonian-institution/tour-the-portrait-gallerys-hall-of-presidents-on-presidents-day-39165669/

The latest version of BirdCast creates live migration maps and dashboards that show the number of birds passing over the United States. (Credit: Dokter, A. 2023. BirdCast, live migration map; September 3 18:00 E.T.-September 4 13:40 E.T. Cornell Lab of Ornithology. Accessed September 4, 2023.)

From decorative urns and plates to chandeliers, the Corning Museum of Glass features glass blown items from today to as far back as ancient Egypt.

Over the years, the mail has been delivered by train, donkey, bus, truck and even rocket (Produced by: Boaz Frankel )

After reviewing more than 30,000 photos, the editors of Smithsonian Magazine are proud to announce the Grand Prize Winner. #shorts

The 6888th Central Postal Directory Battalion was the only unit comprised entirely of Black women to have been deployed overseas during World War II, and it had served a critical function: clearing the backlog of mail that marked the only line of communication between American soldiers in Europe and their loved ones back home. In this episode, we speak with retired Army Colonel Edna Cummings, who made it her business to get the 6888 their belated recognition, and with Smithsonian magazine senior writer Jennie Rothenberg Gritz, who wrote about Col. Cummings' quest (https://www.smithsonianmag.com/history/how-all-black-female-WWII-unit-saved-morale-battlefield-180981540/) for the March 2023 issue of Smithsonian. NOTE: In the interval since we recorded our interview with Col. Cummings, another veteran from the 6888 has died. With the passing of Crescencia J. Garcia last month at the age of 103, there are now five women who served in the 6888 during World War II who remain alive. Learn more about the women of the 6888th Central Postal Battalion at the Women of the 6888th site (https://www.womenofthe6888th.org/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Marc Edwards and Leeanne Walters | Smithsonian Magazine’s 2016 American Ingenuity Award Winners for Social Progress The duo joined forces to protect tens of thousands of people during the disastrous water crisis in Flint, Michigan. Walters, a Flint resident, grew suspicious when her tap water changed color and her family suffered odd maladies. Officials insisted that the problems were limited to her household, but she refused to accept that answer and sought out Edwards, a Virginia Tech civil engineering professor and a veteran of municipal water wars. Combining political action and scientific credibility, the testing initiative undertaken by Walters and Edwards showed that the city’s water supply was contaminated with toxic chemicals—an explosive finding that finally forced state and local officials to address the dangers. Read more about their work: http://smithmag.co/D4dIHy | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

The grandson of Gen. George S. Patton shares his family's home movies

The facts of Sojourner Truth’s life are inspiring: Born into slavery in the late 1790s, she became an influential abolitionist and Pentecostal preacher, transfixing audiences from the mid 1840s through the late 1870s with her candid and powerful voice, not to mention her singing. Tall and strong, Truth was physically formidable, too. No one was using the term “intersectionality” in the 19th century, but Truth embodied this idea, declaring that her Blackness and her womanhood were equally essential facets of her identity. But many people, both in Truth’s lifetime and in the approximately 140 years since her death, have found it useful to recast Truth as they wish to remember her instead of as she was. There’s no better example of this than “Ain’t I a woman?,” the hypothetical that Truth supposedly put to the audience when she addressed a women’s rights convention in 1851 in Akron, Ohio—the city where a public plaza will be dedicated in her honor this spring. There’s reason to doubt she said that, or at least that she said it in that way. In this episode, we speak with two historians who’ve dug into Truth’s complicated legacy and challenged much of what’s been written about this American icon. Cynthia Greenlee reported on recent efforts to honor Truth (https://www.smithsonianmag.com/history/remarkable-untold-story-sojourner-truth-180983691/) for the March 2024 issue of Smithsonian. Nell Irvin Painter wrote the groundbreaking 1996 biography Sojourner Truth: A Life, A Symbol, and she’s hard at work on a follow-up volume titled Sojourner Truth Was a New Yorker and She Didn’t Say That. Together, Greenlee and Painter help us understand us who Sojourner Truth really was, and why several generations of activists have claimed her as a symbol — at the expense of our understanding of her as a person. Read Cynthia Greenlee’s March 2024 Smithsonian story about Sojourner Truth here (https://www.smithsonianmag.com/history/remarkable-untold-story-sojourner-truth-180983691/) . You can learn more about Dr. Greenlee and her work at her site (https://www.cynthiagreenlee.com/) . You can learn more about Dr. Nell Irvin Painter’s work as an author, artist, and historian at her site (http://www.nellpainter.com/) . And read more here for the history of Mar-a-Lago (https://www.smithsonianmag.com/history/history-mar-a-lago-180965214/) mentioned in our dinner party fact. Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Do you ever wonder what secrets lie beneath the sands of Egypt? Prepare to be astonished as we unveil the untouched tomb of King Tutankhamun. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

Staff writer Abigail Tucker recounts the scene of a beach littered with horseshoe crabs and a sky filled with red knots. Read more at http://www.smithsonianmag.com/science-nature/Return-of-the-Sandpiper.html

The Ouija board might seem like a simple game that sparks spooky childhood memories, but have you ever pondered its mysterious history? Even more importantly, does it actually…work? Uncover the fascinating truth behind the game and its unusual origins. ___ A little more information: In the late 19th century, Americans were captivated by Spiritualism, the belief that the dead could communicate with the living. Charles Kennard saw the commercial potential in this trend, leading to the creation of the Ouija board. Yet, the backstory behind its invention, its rules, and even its name are all wrapped up in uncertainty. One thing is certain: the more turbulent the times, the more popular the game became – particularly during World War II and the social upheaval of the late 1960s. Ultimately, the allure of the Ouija board lies in its ability to tap into human imagination and curiosity. Whether regarded as a nostalgic artifact or a mystical tool, the Ouija board is here to stay. #OuijaBoard #Ouija #history #Smithsonianmagazine Subscribe: https://www.youtube.com/@SmithsonianMagazine Read more about the history of the Ouija Board here: https://www.smithsonianmag.com/history/the-strange-and-mysterious-history-of-the-ouija-board-5860627/ Did you know that US Navy Officers rely on a system called the “ouija board” to track the movement of airplanes on a carrier? Learn more here: https://www.smithsonianmag.com/air-space-magazine/how-things-work-the-ouija-board-10048217/ For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Get More Smithsonian Magazine: Official Site: https://www.smithsonianmag.com/ Facebook: https://www.facebook.com/smithsonianmagazine/ X: https://x.com/smithsonianmag Instagram: https://www.instagram.com/SmithsonianMagazine/ Digital Editorial Director: Brian Wolly Director of Programming: Nicki Marko Manager of Programming: Michelle Mehrtens Scriptwriter: Dan Wolf Video Editor: Adam Benavides

Read more about Thomas Jefferson: http://j.mp/w07Y8G At the turn of the 18th century, Americans learned what their leaders looked like through paintings and drawings, explains a historian at the National Portrait Gallery

On June 6, 1944, allied troops landed on the beaches of Normandy, France to fight Nazi Germany

He is (K)enough… or is he? With filmmaker Greta Gerwig's Barbie breaking box-office records—and devoting much of its story to Ken's existential crisis—we wondered if there's any more to Barbie's perennial plus-one. Journalist and lifelong Barbie fan Emily Tamkin talks us through Ken’s development, or lack thereof, over the decades. Read Emily’s “A Cultural History of Barbie,” and Chris’s brief Ken history “Not Your Average Beau,” here (https://www.smithsonianmag.com/arts-culture/cultural-history-barbie-180982115/) or in the June 2023 issue of Smithsonian. Emily is the author of The Influence of Soros: Politics, Power, and the Struggle for an Open Society and Bad Jews: A History of American Jewish Politics and Identities. Learn more about Emily and her work here (https://www.emilytamkin.com/) , or subscribe to her Substack newsletter (https://emilyctamkin.substack.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Genevieve Sponsler, Adriana Rozas Rivera, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Henry Ford spent the majority of the war as a pacifist. By 1917, however, his state-of-the-art assembly line was churning out vital engine parts to feed the war machine.

From the Americas to Europe then back again, there's more to the potato than meets the eyes.

Read more at http://www.smithsonianmag.com/specialsections/womens-history/The-Writers-Eye.html Scholars and friends of Eudora Welty discuss how her hobby influenced her later works.

The science of earwax in under a minute

During the rut, or mating season, the male elk's distinctive call brings female elk and tourists alike to Estes Park, Colorado

Four decades ago, Pablo Escobar brought to his Medellín hideaway four hippopotamuses, the centerpieces of a menagerie that included llamas, cheetahs, lions, tigers, ostriches and other exotic fauna. After Colombian police shot Escobar dead in December 1993, veterinarians removed the animals—except the hippos, which were deemed too dangerous to approach. The hippos fled to the nearby Magdalena River and multiplied.  Today, the descendants of Escobar’s hippos are believed to number nearly 200. Their uncontrolled growth threatens the region’s fragile waterways. Smithsonian contributor Joshua Hammer joins us to recount this strange history and explain why Colombian conservationists have embarked upon an unusual program to sterilize these hippos in the wild via “invasive surgical castration,” a procedure that is, as he has written (https://www.smithsonianmag.com/science-nature/pablo-escobar-abandoned-hippos-wreaking-havoc-colombian-jungle-180984494/) for Smithsonian magazine, “medically complicated, expensive and sometimes dangerous for hippos as well as for the people performing it.” Then, ecologist Rebecca Lewison tells us how her long-term study of hippo populations in Africa offers hints of how these creatures will continue to alter the Colombian ecosystem—and what authorities can do about it. Let us know what you think of our show, and how we can make it better, by completing our There's More to That listener survey here (https://docs.google.com/forms/d/e/1FAIpQLSfS90zjBZ2oGa9JxVa-R5affKcOHaR2-ib1_KZeWm3HDQXJIA/viewform) . Read Josh Hammer's Smithsonian story about Escobar's hippos and their descendants here (https://www.smithsonianmag.com/science-nature/pablo-escobar-abandoned-hippos-wreaking-havoc-colombian-jungle-180984494/) . Learn more about Rebecca Lewison and her work here (https://cmi.sdsu.edu/rebecca-lewison/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz  Music by APM Music.

Silent film footage taken in 1909 by Thomas Edison at Mark Twain's estate

After his start capturing the horrors of the Civil War for Mathew Brady's studio, 19th century photographer Timothy O'Sullivan uncovered the beauty of the great expanses of the American west

Tensions intensified between Cuba and the United States in October 1962 as they appear destined to plunge the planet in global war

An exhibit about the first ladies reopens at the National Museum of American History, including dresses worn at inaugural balls.

Read more at http://www.smithsonianmag.com/arts-culture/Arcimboldos-Feast-for-the-Eyes.html The Hapsburg Dynasty's court painter's unique style of portraiture, using fruits, vegetables and animals to compose his faces -- has fascinated artists and the general public for centuries.

Discover how Ella Jenkins' joyful songs and storytelling have inspired generations of young listeners, while her commitment to advocacy has profoundly affected the world of music and beyond. --------- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Director of Programming: Nicki Marko Supervising Producer & Scriptwriter: Michelle Mehrtens Producer & Editor: Sierra Theobald Motion Designer: Ricardo Jaimes

The two discussed their ancestors’ legacy more than 150 years after the famous figures both attended the Seneca Falls Convention. (Credit: Drew Gardner)

Two titans of the era went head-to-head in a heated race for the presidency. The stakes were high. The very future of a young nation hung in the balance. Join us as we explore the revolutionary ideas that shaped this critical moment in American democracy. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

What did analysts find in the recon photographs from the Cuban Missile Crisis? http://j.mp/RwFMbj Former CIA analyst Dino Brugioni was one of the first to spot missiles in Cuba in October 1962.

Credit: Nathan Cooper