In his The Case for Progressive Web Apps presentation at An Event Apart in Chicago, Jason Grigsby walked through the process of building Progressive Web Apps for your Web experiences and how to go about it. Here's my notes from his talk:

• Progressive Web Apps (PWAs) are getting a lot of attention and positive stories about their impact are coming out. PWA Stats tracks many of these case studies. These sorts of examples are getting noticed by CEOs who demand teams build PWAs today.
• A PWA is a set of technologies designed to make faster, more capable Web sites. They load fast, are available online, are secure, can be accessed from your home screen, have push notifications, and more.
• But how can we define Progressive Web Apps? PWAs are Web sites enhanced by three things: https, service worker, and a manifest file.
• HTTPS is increasingly required for browsers and APIs. Eventually Chrome will highlight sites that are not on https as "insecure".
• Service Workers allow Web sites to declare how network requests and the cache are handled. This ability to cache things allows us to build sites that are much faster. With service workers we can deliver near instant and offline experiences.
• A Web manifest is a JSON file that delivers some attributes about a Web site. Browsers use these files to make decisions on what to do with your site (like add to home page).
• Are PWAs any different than well-built Web sites? Not really, but the term helps get people excited and build toward best practices on the Web.
• PWAs are often trojan horses for performance. They help enforce fast experiences.

Feels Like a Native App

• Does your organization have a Web site? Do you make money off your Web site? If so, you probably need a Progressive Web Site.
• Not every customer will have your native app installed. A better Web experience will help you reach people who don't. For many people this will be their first experience with your company, so you should make it as good as possible.
• Getting people to install and keep using native apps is difficult. App stores can also change their policies and interfaces which could negatively impact your native app.
• The Web can do much more than we think, the Web has APIs to access location, do fast payments using fingerprint identification, push notifications, and more.
• What should we use to design PWAs? Native app styles or Web styles? How much does your design match the platform? You can set up PWAs to use different system fonts for iOS and Android, should you? For now, we should define our own design and be consistent across different OSs.
• What impact does going "chrome-less" have on our PWAs? You loose back buttons, menu controls, system controls. Browsers provide us with a lot of useful features and adding them back is difficult. Especially navigation via the back button is complex. So in most cases, you should avoid going full screen.
• While not every person will add your PWA to their home screen, every person will "install" your PWA via the service worker.
• An app shell model allows you put your common UI (header, footer, nav, etc.) into the app cache. This makes the first loading experience feel a lot faster. Should you app shell or not? If you have architected as a single page app, this is possible but otherwise might not be worth the effort.
• Animating transitions can help with way-finding and polish on the Web. This gives Web sites even more personality.

Installation and Discovery

• Using a Web manifest file, allows you specify a number of declarations for your app. In addition to name, icon, and even theme colors.
• Once you have a PWA built and a manifest file, browsers will being prompting people to install your Web site. Some Browsers have subtle "add" actions. Other use more explicit banner prompts. "Add to home screen" banners are only displayed when they make sense (certain level of use).
• Developers can request these banners to come up when appropriate. You'll want to trigger these where people are mostly likely to install. (like checkout)
• Microsoft is putting (explicitly and implicitly) PWAs within their app store. Search results may also start highlighting PWAs.
• You can use Trusted Web Activity or PhoneGap to wrap native shells around your PWA to put them into Android and iOS app stores.

Offline Mode

• Your Web site would benefit from offline support. Service Workers enable you to cache assets on your device to load PWAs quickly and to decide what should be available offline.
• You can develop offline pages and/or cache pages people viewed before.
• If you do cache pages, make it clear what data hasn't been updated because it is not available offline.
• You can give people control over what gets cached and what doesn't. So they can decide what they want available for offline viewing.
• If you enable offline interactions, be explicit what interactivity is available and what isn't.

Push Notifications

• Push notifications can help you increase engagement. You can send notifications via a Web browser using PWAs.
• Personal push notifications work best but are difficult to do right. Generic notifications won't be as effective.
• Don't immediately ask people for push notification permissions. Find the right time and place to ask people to turn them on. Make sure you give people control, if you'd don't they can kill them using browser controls.
• In the next version of Chrome, Google will make push notification dialogs blocking (can't be dismissed) so people have to decide if they want notifications on or off. This also requires you to ask for permissions at the right time.

Beyond Progressive Web Apps

• Auto-login with credential management APIs allows you to sign into a site using stored credentials. This streamlines the login process.
• Apple Pay on the Web converged with the Web Payment API so there's one way to use stored payment info on the Web.
• These next gen capabilities are not part of PWAs but make sense within PWAs.

How to Implement PWAs

• Building PWAs is a progressive process, it can be a series of incremental updates that all make sense on their own. As a result, you can have an iterative roadmap.
• Benchmark and measure your improvements so you can use that data to get buy-in for further projects.
• Assess your current Web site's technology. If things aren't reasonably fast to begin with, you need to address that first. If your site is not usable on mobile, start there first.
• Begin by building a baseline PWA (manifest, https, etc.) and then add front-end additions and larger initiatives like payment request and credential api later.
• Every step on the path toward a PWAS make sense on their own. You should encrypt your Web sites. You should make your Web site fast. These are all just steps along the way.

In his Putting the 'Design' in Design Systems presentation at An Event Apart in Seattle, Dan Mall talked about the benefits of design systems for designers and how ensure they can be realized. Here's my notes from his talk:

• Most content in design systems are not for designers but for developers. This helps to scale design efforts when there's a lot more developers than designers (typical in many companies).
• But where does design and designers fit within a design system? Are they no longer required?
• Design can be part of strategy and big picture thinking but most designers are good at making designs and iterating them, not working across the company on "big D" design.
• When it comes time to make a design system, most people start with "let's make some components!". This is problematic because its missing "for ____". What's the purpose of our design system? Who is it for?
• Design systems need a focus. One company's design system should not work for another company. A good "onlyness" statement can only apply to one company, it would not work for other companies.
• Design system principles can guide your work. Some are universal like: accessible, simple. Others should be very specific so you can focus on what matters for you.
• An audit of common components in design systems shows the coverage varies between companies; the components can focus on their core value.
• Instead of starting with making design components, think about what components you actually need. Then make some pilot screens as proofs of concept for a design system. Will you be able to make the right kinds of things?
• Don't start at the abstract level, start at the extract level. Take elements from within pilot designs and look for common components to pull out for reuse. Don't try to make it cover all use cases yet. As you work through a few pilots, expand components to cover additional use cases you uncover.
• The most exciting design systems are boring. About 80% of the components you're making can be covered by your design system. They allow you to remake product experiences quickly. The remaining 20% is what designers still need to do: custom design work.
• A good design system takes care of the stuff you shouldn't reinvent and allows you to spend time on where it matters.
• Creative people are driven by autonomy, mastery, and purpose. A good design system will enable all of these.
• The most common benefits of design systems are greater efficiency and consistency. But another important one is relief from having to do mundane design work. (editor's note: like maintaining & updating a design system!)
• The real value of a design system is to help us get back to our real work.

In his Move Fast and Don’t Break Things presentation at An Event Apart in Seattle, Scott Jehl shared a number of resilient patterns and tools to help us establish and maintain performant access to our Web sites. Here's my notes from his talk:

• For successful Web design, people used to suggest we move fast and break things. Today we've become more responsible but things can still break for our users if we're not mindful.
• So many factors that can compromise the delivery of our Web sites are out of our control. We need to be aware of these in order to build resilience into our designs.
• We used to use browser detection and feature detection to ensure our sites were supported across Web browsers. Progressive enhancement's importance ballooned as a wide range of new devices for accessing the Web, touch interactions, and more browsers became popular.
• Trying to make a Web site look and work the same across devices was broken, we realized this was the wrong goal and we need to adapt to varying screens, networks, input types, and more.
• Some practices stay good. Progressive enhancement and accessibility prepared us for many of these changes but it is also a performance enhancement on its own.
• Figuring out how to make Web sites faster used to be hard but the tools we have for measuring performance have been improving (like PageSpeedTest and WebPageTest).

Making Web Sites Fast

• First meaningful content: how soon does a page appear to be useful to a user. Progressive enhancement is about starting with meaningful HTML and then layering additional enhancements on top of it. When browsers render HTML, they look for dependencies in the file (CSS and Javascript) before displaying anything.
• CSS and Javascript are most often the render-blockers on sites, not images & videos. Decide if they need to load at high priority and if not, load async or defer. If you need them to run right away, consider server push (HTTP2) to send files that you know the browser needs making them ready to render right away.
• If your server does not support push, you can inline your critical CSS and/or Javascript. Inlining however is bad for caching as it does not get reused by other pages. To get around this you can use the Cache API to inline content and cache it as a file for reuse.
• Critical CSS tools can look over a series of files and identify the common CSS you need across a number of different pages for initial rendering. If you inline your critical CSS, you can preload the rest of your CSS (not great browser support today).
• Inlining and push are best for first time visits, for return visits they can be wasteful. We can use cookies for checking for return visits or make use of Service Worker.
• Time to interactive: time it takes a site to become interactive for the user. We should be aiming for interactivity in under 5seconds on a median mobile phone on 3G. Lower end phones can take a long time to process Javascript after it downloads.
• More weight does not mean more wait. You can prioritize when things load to make pages render much faster.

Keeping Web Sites Fast

• Making a web site fast is easier than keeping it fast. Over time, Web sites will add a number of third party services with unknown performance consequences.
• We can use a number of tools, like Lighthouse, to track performance unfriendly dependencies. Speed Curves will let you set performance budgets and see when things are over. This allows people to ask questions about the costs of what we're adding to sites.
• Varying content and personalization can increase optimizations but they are costly from a performance perspective since they introduce a second meaningful content render. Moving these features to the server-side can help a lot.
• Cloudflare has a solution that allows you to manipulate pages on their server before it comes down to browser. These server-side service workers allow you to adjust pages off the client and thereby avoid delays.
• Homepages and landing pages are often filled with big images and videos. They're difficult to keep performant because the change all the time and are often managed outside of a central CMS.
• For really image heavy pages, we can use srcset attributes to define multiple sizes of images. Writing this markup can be tricky if written by hand. Little helper apps can allow people to write good code.
• Soon we'll have a native lazy load feature in browsers for images and iframes. Chrome has it in testing now and can send aspect ratios before actual images.

In his Third-Party Software and the Fate of the Web presentation at An Event Apart in Denver, Trent Walton talked through the impact of third party scripts on Web sites and how to ensure they don't degrade performance and user experience. Here's my notes from his talk:

• With most client work, no one is paying attention to the impact of third parties on Web sites.
• Third parties are requests on a Web page coming from an external URL. Examples: TypeKit, Google Analytics, etc. People use third parties to get data to make product decisions, earn income (ads, marketing), add content (videos, fonts), add functionality (comments, chat, etc.).
• But third parties can also create issues. Loading scripts and files can really slow things down or provide an inconsistent UI and create privacy issues based on how they handle user data.
• If you care about the final deliverable for a Web site, you need to be aware of the impact of third parties on your product. All the work we do on optimizing images, code, and designs can be quickly outweighed by the addition of third party scripts to a site.
• Starting with the categories of 3rd party scripts helps you get a good sense of why people are using them: Advertising, A/B testing Tools, Analytics, Social Media, CDN, Customer Interaction, Comments, Essential.
• Looking at the top third party requests across the Alexa top 46 sites in the United States shows 213 different domain sources. The average site has 22 different domains. News sites have the most third party domains.
• Several tools can help you understand what's happening with third party scripts on a site. Request Map Generator can help you create a visualization of the different third parties on your Web site to help create awareness of what's happening on your site. Chrome's Lighthouse tool has a similar set of capabilities.
• How do third parties impact end users? Does your site depend on third parties to function? As more people block these components, will it break? Re-marketing can create creepy experiences as content begins "follow" you online.
• Web builders are on the front lines. We can advocate for the right approaches to privacy and data management. Though some of these conversations may be hard, it's our responsibility to end users.
• Web browsers now have tools to help you manage third party scripts like cookies and cross-site tracking. But most people are likely not turing on the stricter versions of these features.
• If you control a site, you can decide what third parties you want to include. But what about sites you don't control? Consider the perspective of your clients/companies and present data that explains the impact of third party on conversion and user experience.
• Establish some standards for third party integrations: determine the value, avoid redundant services, work with a performance budget, comply with privacy policies.
• Audit the third parties on your site and include data that illustrates how they perform against your standards. Compare this audit to competitors in order to set benchmarks or comparisons.
• Get specific insights: there's usually a few instances of third parties that have become redundant, unnecessary, or are blocking page rendering. These wins create credibility and illustrate impact.
• Maintain ongoing conversations with teams to make effective decisions about third parties on your sites.

In his Slow Design for an Anxious World presentation at An Event Apart in Denver, Jeffrey Zeldman espoused the benefits of design that aims to increase comprehension and intentional use. Here's my notes from his talk:

• We live in fast times and care a lot about making things faster for people. In this world, "slow" is often associated with friction. But some things are better slow.
• Fast is best for transactional customer-service designs. We optimize our checkout flows for efficiency and our code for performance. Likewise, service-oriented content must be designed for speed of relevancy. Getting to content like driving directions, return policies, and more should be quick and easy for customers.
• Slow is best for comprehension. Reading slowly helps us understand more of what we read and even transactional sites have some content that we want people to understand more deeply.
• There's lots of resources for site optimization but few for slowing people down so they appreciate and understand our content.
• Legibility means you can read what's on the page. Readability is where the art comes in. You don't need to be a graphic designer to improve readability. When focusing on readability you're focusing on absorption not conversion.
• Improving readability means putting the focus on content and removing distractions. The service Readability optimized Web pages for this by removing ads, third party widgets, and more.
• Considering different reading modes like in bed, at breakfast, on your lap, etc. can trigger ideas for layout and type for sites. For example, big fonts can help you lean back and take in content vs. leaning in and squinting.
• Big type used to be a controversial design choice on the Web but now has been adopted by a number of sites like Medium, Pro Publica, and the New Yorker.
• To be readable: use big type (16px should be your smallest size); use effective hierarchy for type; remove all extraneous elements in your layout; art direction helps you call attention to important content; make effective use of whitespace.
• Art direction can bring unique emotion and resonance to articles online. In a world of templates and scalability, distinct art direction can help people take notice of intentional high value content.
• Macro-whitespace is the bigger columns and padding around content we often associate with high-end luxury brands. Micro-whitespace is the space in between letter forms and between the lines of type. Consider both in your designs
• Ensure your content is branded so it stands out. When all content looks like the same it all appears to have equal value. Have a brand that sticks out to be more trusted.
• With all these techniques we're trying to get people to lean back and have a good "readable" experience on the Web.

In his The New Design Material presentation at An Event Apart in Denver, Josh Clark outlined how designers can integrate Machine Learning and other new technologies into their product designs. Here's my notes from his talk:

• Designers and front-end developers have a role to play in Machine Learning and new technologies overall. But how?
• Sometimes we get fascinated with the making of the product instead of enabling the service of the product (the end user experience). We sometimes care more about using the latest frameworks or technologies than making meaningful experiences.
• The last decade of digital design was shaped by mobile, the next one is already being shaped by machine learning. Machine learning is our new design material, how can/should it be used?
• When you encounter a new design material, ask: what can it do? how does it change us (both makers and society)?
• How can machine learning help us? If we could detect patterns in anything, how can we act on them? Recommendation (ranking results that match a context); Prediction (most likely result); Classification (grouping items into defined categorization); Clustering (discover patterns/categories based on item attributes); Generation (machines can make something).
• Get comfortable with casual (almost mundane uses of machine learning) uses of machine learning. We can add a little intelligence to many of our products using these techniques.
• While there are some early attempts at using machine learning to create Web designers, machines are really best at time-consuming, repetitive, detail-oriented, error-prone, and joyless tasks.
• How can we let people do what they do best and let machines do what they do best. How do we amplify our potential with machines vs. trying to replace things that we can do? Machines can help us focus our time and judgement on what matters (via pattern matching and clustering).
• What can machine learning amplify for us: be smarter with questions we already ask; ask entirely new kinds of questions; unlock new sources of data; surface invisible patterns.
• The job of user experience designers and researchers is to point machine learning at problems worth solving.

Characteristics of Machine Learning

• Machine learning is a different kind of design material. It has different characteristics we can learn.
• Machines try to find patterns in what we do but we're unpredictable and do weird things, so sometimes the patterns machines find are weird. Yet these results can uncover new connections that would otherwise be invisible.
• We need to design for failure and uncertainty because machine learning can find strange and sometimes incorrect results. This is different than designing for the happy path (typical design work), instead we need to design for uncertainty and cushion mistakes by setting the right expectations. Match language and manner to system ability.
• It's better to be vague and correct than specific and incorrect. Machines focus on narrow domains and don't understand the complete world. It's not real intelligence but scaled "interns" or "infinite tem year olds".
• Narrow problems don't have to be small problems. We can go deep on specific medical issue identification or identify patterns in climate change.
• We don't always understand how machine learning works, the systems are opaque. To help people understand what signals are being used we can give people some feedback on what signals inform recommendations or clustering.
• Because the logic is opaque, we need to signal our intention. Designers can help with adding clarity to our product designs. Make transparency a design principle.
• Machine learning is probabilistic. Everything is a probability of correctness, not definitive. We can surface some of these confidence intervals to our end users. "I don't know" is better than a wrong answer.
• Present information as signals, not as absolutes. Point people in a good direction so they can then apply their agency and insights to interesting insights.
• What do we want form these systems? What does it require from us? Software has values embedded in it (from its makers). We don't want to be self-driven by technology, we want to make use of technology to amplify human potential.
• We're inventing the future together. We need to do so intentionally.

How H&M, Zara and Marks & Spencer are buying viscose from highly polluting factories in Asia. By Natasha Hurley.

Revenue from operations stood at Rs 15,711 crore, up 4.69 per cent against Rs 15,006.3 crore in the corresponding quarter of the previous fiscal.

Net profit for January-March was $376 million, far below than expectations

See the best, most relevant frontend courses online to take to succeed as a frontend developer in 2019 and beyond.

GlaxoSmithKline (GSK) is creating a data-focused culture and a global machine-learning team.

London : Routledge, 2017.

Edmonton, Alberta : Brush Education Inc., 2020

Dordrecht, the Netherlands : Springer, [2007]

Dordrecht : Springer, 2006

London ; San Diego, CA : Academic Press, [2020]

New Haven : Yale University Press, [2016]

[U.K.] : 20th Century Fox Home Entertainment, [2016]

[U.S.A.] : Warner Home Video, [2013]

London : Bloomsbury Academic, 2018.

Tuesday, September 24, 7:00 PM
NATIONAL BOOK FESTIVAL PRESENTS: EDWIDGE DANTICAT

Author Edwidge Danticat will discuss her new short story collection, Everything Inside. This event is free and open to the public. Free tickets required; signed copies are also available for pre-purchase. Presented in partnership with National Book Festival Presents.

Location: Coolidge Auditorium, ground floor, Thomas Jefferson Building
Contact: specialevents@loc.gov

Tickets are still available for these upcoming events in the National Book Festival Presents series:

Nov. 6 – Karen Armstrong discusses her new book, “The Lost Art of Scripture: Rescuing the Sacred Texts.” Armstrong is the author of numerous groundbreaking works on world religions and speaks often on how faith shapes civic conversation. Click here for ticket information.

Nov. 8 – Brad Meltzer & Chris Eliopoulos present their new PBS KIDS series, “Xavier Riddle and the Secret Museum,” based on their books for children, “Ordinary People Change the World,” featuring the newest titles, “I Am Walt Disney” and “I Am Marie Curie.” The PBS KIDS series, premiering Nov. 11, will introduce kids to inspiring historical figures and the character virtues that helped them succeed. Click here for ticket information.

Nov. 13 – André Aciman discusses his new book, “Find Me,” the sequel to his bestselling “Call Me By Your Name,” which was made into an Academy Award-winning film. Click here for ticket information.

Request ADA accommodations five business days in advance at (202) 707-6362 or ADA@loc.gov.

Thursday, January 16, 10:30 AM
NATIONAL AMBASSADOR FOR YOUNG PEOPLE’S LITERATURE INAUGURATION: JASON REYNOLDS

Award-winning author Jason Reynolds will be inaugurated as the 2020-2021 National Ambassador for Young People’s Literature, the seventh writer to hold this position. Librarian of Congress Carla Hayden will lead a conversation with Reynolds during the ceremony, which will also include a special appearance by 2018-2019 National Ambassador Jacqueline Woodson.

Tickets are not required for this event, which is free and open to the public. This event will also be livestreamed from both the Library's Facebook page and the Library's YouTube site (with captions).

Co-sponsored by Every Child a Reader and the Children’s Book Council, with additional support from Dollar General Literacy Foundation.

Location: Coolidge Auditorium, ground floor, Thomas Jefferson Building <view map>
Contact: (202) 707-5394

To learn more about Jason Reynolds and his activities as National Ambassador, visit his Library of Congress resource guide. 

The Library of Congress' partner, Every Child a Reader, is currently accepting proposal submissions from libraries, schools, community centers, and organizations interested in hosting an event with Jason Reynolds, the 7^th National Ambassador for Young People's Literature.

Reynolds will travel to rural/small underserved communities across the country during his two-year term to have meaningful discussions with young people. Through his platform, “GRAB THE MIC: Tell Your Story,” he will connect with, listen to, and empower students to share their stories and start their journey as storytellers.

Organizations are encouraged to put together proposals that support and align with Jason's platform and the mission of the program. 

To learn more about the National Ambassador for Young People's Literature program click here. To learn more about Reynolds’ tenure as Ambassador click here.

Submit your proposal here: https://everychildareader.net/ambassador/

On Thursday, March 12, the Library of Congress closed all Library buildings to the public until April 1. On Tuesday, March 17, the Library announced that all public events are canceled until May 11 to reduce the risk of transmitting COVID-19 coronavirus. Whenever possible, the Library will reschedule the public programs that have been canceled. Please read the Library's public statement, and see the Poetry and Literature Center's event updates below.

Thursday, March 19, 7:00 PM
NATIONAL BOOK FESTIVAL PRESENTS JEFFREY ROSEN AND DAHLIA LITHWICK

This event has been CANCELED.
We sincerely apologize for any inconvenience this may cause.

Author Jeffrey Rosen will discuss his new book, Conversations with RBG: Ruth Bader Ginsburg on Life, Love, Liberty and Law, with Dahlia Lithwick, a senior editor at Slate. This event is free and open to the public. Co-sponsored by the Law Library of Congress and presented in partnership with National Book Festival Presents.

Location: LJ-119, first floor, Thomas Jefferson Building <view map>
Contact: specialevents@loc.gov

Thursday, April 2, 7:00 PM
NATIONAL BOOK FESTIVAL PRESENTS RICHARD FORD

This event has been POSTPONED to a later date.
Note: Once a date has been confirmed, the Library of Congress will alert all those who registered for the original event date via their email addresses. We sincerely apologize for any inconvenience this may cause and look forward to seeing you, your family and friends very soon.

In an event titled “A Good Story Knows No Borders,” Library of Congress Prize for American Fiction winner Richard Ford will give a talk about the universality of fiction as well as participate in a discussion with his German translator, Frank Heibert. The discussion will be moderated by Library of Congress Literary Director Marie Arana. This event is free and open to the public. Presented in partnership with National Book Festival Presents.

Location: Coolidge Auditorium, ground floor, Thomas Jefferson Building <view map>
Contact: specialevents@loc.gov

Tuesday, April 21, 7:00 PM
LIFE OF A POET: KIMIKO HAHN

This event has been POSTPONED to a later date.
Note: Once a date has been confirmed, Hill Center will alert all those who registered for the original event date via their email addresses. We sincerely apologize for any inconvenience this may cause and look forward to seeing you, your family and friends very soon.

Poet Kimiko Hahn will discuss her work with Ron Charles, book critic at The Washington Post. This event is free and open to the public. Co-sponsored by Hill Center and The Washington Post.

Location: Hill Center at the Old Naval Hospital (921 Pennsylvania Ave. SE)
Contact: poetry@loc.gov 

Thursday, April 30, 7:00 PM
NATIONAL BOOK FESTIVAL PRESENTS JOY HARJO

This event has been CANCELED.
We sincerely apologize for any inconvenience this may cause.

Joy Harjo will participate in her closing event as the 23rd U.S. Poet Laureate, which will include a moderated discussion and special musical performance. This event is free and open to the public. Co-sponsored by the Library’s American Folklife Center and Music Division, and presented in partnership with National Book Festival Presents.

Location: Coolidge Auditorium, ground floor, Thomas Jefferson Building <view map>
Contact: specialevents@loc.gov

Thursday, May 7, 7:00 PM
NATIONAL BOOK FESTIVAL PRESENTS JOHN HESSLER

This event has been POSTPONED to a later date.
Note: Once a date has been confirmed, the Library of Congress will alert all those who registered for the original event date via their email addresses. We sincerely apologize for any inconvenience this may cause and look forward to seeing you, your family and friends very soon.

John Hessler, specialist in the Library of Congress’ Geography and Map division and author of the best-seller MAP: Exploring the World, will discuss his new book on pre-Columbian cultures, Collecting for the New World. This event is free and open to the public. Presented in partnership with National Book Festival Presents.

Location: LJ-119, first floor, Thomas Jefferson Building <view map>
Contact: specialevents@loc.gov

For more information about upcoming events, please visit the Poetry and Literature Center's website. 

Thursday, April 30, 7:00 PM
SPILLOVER: ANIMAL INFECTIONS AND THE NEXT HUMAN PANDEMIC

Prize-winning science writer David Quammen will discuss “Spillover,” in which he tracks the animal origins of human diseases through the centuries, with David Rubenstein. Presented in partnership with National Book Festival Presents.

Location: Online only—this event will be streamed from both the Library's Facebook page and its YouTube site (with captions), and will be archived as a webcast on the Library’s website. Contact: specialevents@loc.gov

Thursday, May 7, 7:00 PM
HOW ONE 21ST CENTURY PANDEMIC, SARS, PREDICTED ANOTHER, COVID-19

Author and journalist Karl Taro Greenfeld will discuss his prescient book on the SARS epidemic, which foreshadowed the more devastating COVID-19 pandemic, with the Library of Congress’s Roswell Encina, chief of communications. Presented in partnership with National Book Festival Presents.

Location: Online only—this event will be streamed from both the Library's Facebook page and its YouTube site (with captions), and will be archived as a webcast on the Library’s website. Contact: specialevents@loc.gov

Friday, May 8, 5:00 PM
BEYOND SUNRISE, THERE IS A SONG WE FOLLOW: U.S. POET LAUREATE JOY HARJO IN CONVERSATION

U.S. Poet Laureate Joy Harjo will discuss her poetry and her work in the laureate position with Rob Casper, head of the Poetry and Literature Center. Co-sponsored by The Association of Writers & Writing Programs (AWP).

Location: Online only—this event will be streamed from AWP’s website, where it will also be archived.
Contact: juanita@awpwriter.org

Thursday, May 14, 7:00 PM
ONCE UPON A TIME I LIVED ON MARS: SPACE, EXPLORATION AND LIFE ON EARTH

NASA astronaut and scientist Kate Greene lived in a simulated Martian environment located on the slopes of Mauna Loa in Hawai’i, where she spent several months in isolation, doing research. She will discuss the stress, loneliness and other challenges of sequestration with Library of Congress Literary Director Marie Arana. Presented in partnership with National Book Festival Presents.

Location: Online only—this event will be streamed from both the Library's Facebook page and its YouTube site (with captions), and will be archived as a webcast on the Library’s website. Contact: specialevents@loc.gov

Thursday, May 21, 7:00 PM
WHY IT’S HARD TO KNOW THINGS, LATELY. AND HOW COVID-19 WILL GO DOWN IN HISTORY

Bestselling historian and Harvard professor Jill Lepore will discuss how the current pandemic, its effects and our reaction to them say something very real about America in this moment and in the historical record that will emerge from it with John Haskell, director of the John M. Kluge Center at the Library of Congress. Presented in partnership with National Book Festival Presents.

Location: Online only—this event will be streamed from both the Library's Facebook page and its YouTube site (with captions), and will be archived as a webcast on the Library’s website. Contact: specialevents@loc.gov

For more information about upcoming events, please visit the Poetry and Literature Center's website.

A Tribute to Steve Jobs

Flosstradamus shows Wired how to make electronic music.

Want to survive the Hunger Games? No problem. Here are a few pro tips that will keep you in the game. It's all about getting the right equipment and having the correct form.

Engineering Manager Rob Wesson, gives us a inside look on Giro's latest helmet design

Game|Life gets an up-close look at the making of Skylanders Giants during a tour of Toys For Bob, the Novato, California-based developer, and its Hawaiian-themed offices.

Anthony Bourdain's comic book 'Get Jiro' is every chef's fantasy.  If a customer puts ketchup on their eggs, and ruins the chef's creation, they lose their head - literally.

For this indie-folk band reality is less fart jokes and drug-addled misadventure and more baked goods and early mornings.

Off the upcoming album Wheel. Out April 23rd.

The Brooklyn indie-folk singer and her band build in a little time for rest and recreation during their second time at the hectic music festival.

Spring Reveals Saturn's Hexagon Jet Stream

Find out how Tom and Gary throw a decentralized dance party.

What ever happened to food pills, sexbots and ray guns?  Will Ferrell reveals "The Future That Never Happened" for Wired Magazine.

Where are the ray guns we were promised?  Will Ferrell reveals "The Future That Never Happened" for Wired Magazine.

Where are the Roboservants we were promised?  Will Ferrell reveals "The Future That Never Happened" for Wired Magazine.

Where are the foodpills we were promised?  Will Ferrell reveals "The Future That Never Happened" for Wired Magazine.

Where are the jetpacks we were promised?  Will Ferrell reveals "The Future That Never Happened" for Wired Magazine.

Get up close and personal with the folks behind Barclays Center's spectacular overnight conversions. Learn what it takes for their 40-person crew to radically transform this hi-tech arena from a sold-out concert venue into the Brooklyn Nets' basketball stadium overnight.

Genius is everywhere - but we're wasting it. In the November issue of WIRED, we explore how to unleash the great minds of tomorrow. Plus 26 winter gear essentials, the Nest Protect, North Korean Instagrams, and much more! Online and on Tablets: 10.15.2013 On Newsstands: 10.22.2013