Created by Zaha Hadid Architects, this innovative project demonstrates the possibilities of using KnitCrete technology for creating curved concrete shells efficiently.

The discussion of implementing proactive environmental consciousness starts with our youth, who have the most influence on the trajectory of our eco-infrastructure.

These fascinating works explore how folding might push the frontiers of flexible photovoltaics, self-assembling materials and nano-forms.

The rock band won't be touring its newest album until it can figure out a greener way of doing it.

The U.S.’s top nutritional panel has recommended that Americans eat less meat, both for their health and to help protect the planet.

An event on Lake Tahoe promises "world class minds, radical innovation and kickass rock 'n roll". And solutions to the biodiversity crisis, too.

It’s not perfect, but it is pretty impressive.

New technologies can be a powerful tool in the fight against climate change. But they can also be a distraction.

Getting people out of cars and rebuilding our main streets is not going to be easy, and cannot be oversimplified.

The EPA pledged new regulations after the TVA coal ash spill, but has been sitting on two proposals for two years now, and the problems that led to TVA are still rampant nationwide.

Whenever we talk about the production of cocaine fueling rainforest destruction, or the electricity consumption of indoor marijuana growing, many commenters decry that it is prohibition that causes these negative impacts, not the drug itself. There is,

Did you know honey has its own sound? Using honey and other tools, this bee enthusiast wants to raise awareness about bee colony collapse disorder through music.

A new paper compares eggs, dairy, poultry, beef and pork to determine which has the biggest environmental impact.

Recommendations to eat less meat for environmental reasons won’t be included in the final 2015 dietary guidelines.

A green, sustainable future awaits us all as the United Nations proposal for sustainable development becomes the law of the land.

Wendell Berry is a fount of wisdom and inspiration, so it was great to see that Bill Moyers spoke with the farmer, poet, eco-philosopher about the role of activism and spirit in creating positive change.

We need a new approach to making and buying clothes because the current system is unsustainable.

Sustainability matters, but so does hypocrisy.

A new website aims to gather data on pollution in China.

Clayton Homes’ building process enables them to build efficient, high-quality homes.

A new study reveals that murder rates of environmental defenders have spiked in recent years.

Six people who have been affected by suicide talk about finding strength after their suicide attempt. Video produced by the American Foundation for Suicide Prevention.

Several big firms, including Danish wind turbine manufacturer Vestas, are involved in the project.

"We're going to return to a different economic environment. We're going to return to different business models," AT&T President and COO John Stankey told CNBC.

Dr. Simon Rego, Montefiore Health System in New York, on the mental health crisis spurred by the coronavirus pandemic.

Weekly patterns from nearly two years of oil trading show how the market has assessed fundamentals that point to higher prices ahead.

Advice about how to treat handling your mental health differently than you would during a normal crisis

The growls from the caged hyena reverberate through the room as Mohamed Sheikh Yakub slumps silently in a chair nearby, hoping the animal will frighten away the evil spirits he says have troubled him since his divorce.

Lessons learned from natural disasters and the military can help guide our responses to help people's mental health during the covid-19 pandemic

We are already seeing the pandemic's effects on mental health, and we need to act urgently to avoid a full-blown crisis, says Sam Howells  

As many as 86 per cent of people meet the criteria for a psychiatric diagnosis by middle age – and in many cases, a different diagnosis at some other time

Government continues to greenlight projects despite reduced oversight

If your workplace is supporting its employees by reducing their job strain, it may boost in preventing new cases of common mental illness from occurring up to 14 per cent, a new study suggests.

The findings, published in the journal Lancet Psychiatry, confirm that high job strain is associated with an increased risk of developing common mental disorders such as depression and anxiety amongst middle-aged workers.

Job strain is a term used to describe the combination of high work pace, intensity, and conflicting demands, coupled with low control or decision-making capacity.

"The results indicate that if we were able to eliminate job strain situations in the workplace, up to 14 per cent of cases of common mental illness could be avoided," said lead author Samuel Harvey, Associate Professor at the Black Dog Institute in Australia.

"These findings serve as a wake-up call for the role workplace initiatives should play in our efforts to curb the rising costs of mental disorders," Harvey added.

To determine levels of job strain, 6,870 participants completed questionnaires at age 45 testing for factors including decision authority, skill discretion and questions about job pace, intensity and conflicting demands.

The researchers also accounted for non-workplace factors including divorce, financial problems, housing instability, and other stressful life events like death or illness.

The models developed in this study controlled for individual workers' temperament and personality, their IQ, level of education, prior mental health problems and a range of other factors from across their early lives.

The final modelling suggested that those experiencing higher job demands, lower job control and higher job strain were at greater odds of developing mental illness by age 50, regardless of sex or occupational class.

"Workplaces can adopt a range of measures to reduce job strain, and finding ways to increase workers' perceived control of their work is often a good practical first step. This can be achieved through initiatives that involve workers in as many decisions as possible," Harvey, who is also affiliated with the University of New South Wales in Australia, noted.

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Social distancing and lockdown may have impacted each one of us mentally, emotionally and psychologically but it is the children and teenagers who have had to cope with sudden closure of schools, cancellation of exams and a prohibition of face-to-face interaction with their friends and teachers.

Anusha Manjani, Manager, Counseling Services at Akanksha Foundation, says, "Children are acutely aware of the sudden changes and panic in the environment around them. Younger children can feel confused, uneasy and scared; older children express feelings of anxiety, sadness and helplessness."

She added, "The uncertainty and chaos of the pandemic impacts all aspects of children's lives- it is not just a threat to their physical health- but to their learning, their home environment, their interaction with peers, their emotional well-being. Moreover, economic hardships, the overcrowding in homes, the lack of access to resources in low income communities can lead to higher incidence of neglect, violence and abuse- making staying at home itself a risk to some children's safety."

In such a time, it is crucial that children have support of their parents and teachers to help them in having a routine and structure to their day. Anusha says, "Parents and teachers can be key caregivers and anchors during this time to support the mental well-being of children- by reassuring them of their safety, creating a space to share feelings and using art, play, fun learning activities to engage with them."

Akanksha Foundation has started a helpline number called 'The Listening Space' for all the stakeholders such as students, teachers and parents to express themselves or just discuss about what's happening. While younger children have more questions about whats happening outside, older  children are venting out their frustration, their anxiety about their parents etc.

Parents and teachers are also coming up with interactive tasks and new ways of learning. Worksheets are sent to the students everyday and once the child solves it and shares it, the teacher reverts with the corrections as well. 

It is not just academics that are taken care of amid lockdown, things such as maintaining gratitude journals and 'doing a good deed everyday' are also being imbibed in the children to maintain their mental and emotional health.

A creative snakes and ladders

"At Akanksha, teachers, counsellors, social workers and parents are working together to support the children- whether it is checking in for the child's well being, spreading awareness of safety measures, encouraging learning through low-cost tech or doing parent-child activities- we are keeping the lines of communication and connection open and strong to navigate these difficult times together," says Anusha.

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<strong>EXPECTATIONS</strong> For a film which is a quirky comedy, you expect a trippy soundtrack. Moreover, it has to be something different instead of being quintessentially Bollywood as the stage, mood and theme is altogether different. With these kind of expectations in mind, you play on the soundtrack of <em>Judgementall Hai Kya</em> which has a different composers, lyricists and singers coming together to create five distinct songs. <img class="aligncenter size-full wp-image-996689" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/07/The-Wakhra-Song-Judgemental-Hai-Kya-Kangana-Ranaut-Rajkummar-Rao.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> Well, first things first, despite the unique theme of the film, it is apparent that the makers wanted to bring on a quick-fire hit to kick-start the proceedings. That's the reason why Badshah and Navi Kamboz's non-film chartbuster <em>'Wakhra'</em> is presented in a 'filmy andaaz' as <strong><em>'The Wakhra Song'</em></strong>. The song stays on its chartbuster route with the man for the job, Tanishk Bagchi, getting it right all over again. As a composer-lyricist, he brings in his own 'tadka' to this Navv Inder, Lisa Mishra and Raja Kumari number which gets your feet tapping all over again. It's time to bring on some 60s/70s retro back with <strong><em>'Para Para'</em></strong> which has Rachita Arora and MuzikFactory (OmDixant) bring singer Arun Dev Yadav behind the mike. The entire team does an R.D. Burman piece here, reminding one of a similar experiment that Vishal-Shekhar had done for the title song of Jhankaar Beats many years back. A song which has Prakhar Varunendra pretty much introduce the character of Kangana Ranaut to the audiences, this one has a good situational appeal to it and may he aided by some quirky picturisation too. Next to arrive is the title song <strong><em>'Judgementall Hai Kya'</em></strong> which again has composer Rachita Arora pair up with lyricist Prakhar Varunendra, and together they carry forward the spirit of <em>'Para Para'</em>. This time around it is time to bring on a piece of the Hollywood musicals that step into this genre, and one has to admit that the core hook is quite intoxicating. Just an extended piece of this hook could well keep many a DJ happy, though for the Bollywood version it is the team of Jaspreet Jasz, Rachita Arora and Nivedita Padmanabhan who create a unique outing. The manner in which Surabhi Dashputra sings Kumaar written <strong><em>'Kis Raste Hai Jana'</em></strong>, you are reminded of quite a few songs that Jasleen Royal has sung in Hindi movies. Nonetheless, this one is a different set up and it has composer and singer Arjuna Harjai doing well to come up with an outing that should make a good situational appeal in the film. As is the case with such songs though, one just hopes that the song is aided by good picturisation so that it doesn't slow down the pace of the film's narrative. Last to arrive is <strong><em>'Kar Samna'</em></strong> which lasts just 80 seconds and appears to be a piece that may appear towards the film's pre-climax or climax. Daniel B. George comes up with a sound that briefly hints of Alfred Hitchcock's <em>Psycho</em>, though overall the song is so short that it ends before you actually hear much for it. A chorus track by Amir Khan, Brijesh Shandilya, Protijyoti Ghosh and Daniel B. George that could well appear at a situation in the film when Kangana Ranaut is all fired up and is out for revenge, it is put to words by Prakhar Vihaan. <strong>OVERALL</strong> As expected, the music of <em>Judgementall Hai Kya</em> is largely situational and is in line with the trippy theme of the film. When seen in context of the film's narrative, it could well hook your attention. <strong>OUR PICK(S)</strong> <em>‘The Wakhra Song’</em>, <em>‘Para Para’</em>, <em>‘Judgementall Hai Kya’</em>

This year has brought so many firsts and new experiences and this year’s Earth Day, April 22, will certainly be among them. While people can’t get outside and participate in the same outdoor and collective experiences in person, they are celebrating the Earth on Twitter this year.

 The conversation on Twitter has spiked 285% around the discussion of 'action' and 'innovation' in sustainability and there have been more than 1 million Tweets tying this period of COVID-19  to impacts on the environment and 20 million unique Tweets about the environment since last Earth Day.

Ahead of Earth Day, Twitter has launched a new #EarthDay2020 emoji to encourage environmental conversations. To commemorate the 50th Earth Day, Twitter India (@TwitterIndia), Let Me Breathe (@LetMeBreathe_In) and Earth Day Network (@EarthDay_India) are partnering for #FightForFifty: a campaign that highlights 50 years of Earth Day and gives a common platform to 50 crowdsourced steps that we can take in our daily life to combat climate change and live sustainably.

Noted environmental activists and celebrities are joining the environmental conversation.

 Actress Dia Mirza (@deespeak) and singer-actor Monica Dogra (@MonicaSDogra) too participated in a Live Twitter Panel on April 21, 2020, to talk about 50 years of #EarthDay2020 and climate action. You can also watch the chat from last night to take a few points that Dia Mirza (@deepspeak) has advised for sustainable living #EarthDay.

This #EarthDay , join us for #FiftyForFifty Live with @deespeak, @MonicaSDogra, @EarthDay_India and @Tamseel_h to discuss what each one of us can do to save the planet. https://t.co/vkSUXPQ90o

— Twitter India (@TwitterIndia) April 21, 2020

A small step for sustainability 🌱
Our planet is a lot more beautiful when it's green.
Let's keep it that way...#EarthDay2020#StayAtHomeSaveLives pic.twitter.com/BxKdEMsFqP

— Ajinkya Rahane (@ajinkyarahane88) April 22, 2020

When you realize “Heart” and Earth are spelt with the same letters, it all starts to make sense! Happy 50th #EarthDay!

#EarthDay2020 #WorldEarthDay2020 #EarthDayAtHome pic.twitter.com/bUs68xpOON

— Sonakshi Sinha (@sonakshisinha) April 22, 2020

Nature is healing: Of late, as the COVID-19 pandemic is keeping people indoors, reduced industrial and human activities have led to the rejuvenation of nature. Twitter has been witnessing volumes of discussions around how the lockdown has given the environment a chance to revive its lost glory.

This #EarthDay, we are sharing with you a few pictures of guests from the wild coming out on the streets of India during the COVID19 lockdown. This includes a special visit by two peahens to the house of the U.S. Ambassador to India as well! #EarthDay2020 pic.twitter.com/F9hD46YX0k

— U.S. Embassy India (@USAndIndia) April 22, 2020

Earth is healing by itself.
#EarthDay #EarthDay2020 #EarthDayAtHome
Shot with @Sony @SonyAlpha @sony_india 77 Mark 2.
Post Processing: @SkylumSoftware pic.twitter.com/kUmePoP5x8

— Madhusudhan Reddy (@imMadhu1) April 22, 2020

Tweet, Tweet! It’s a bird: While people continue to spend time at home, they are taking up #BalconyBirding and reading books on nature.

I could speak to you about the importance of a single tree, but I will show you instead.

Flowering Neem tree, Delhi. pic.twitter.com/F2CMXGvLPN

— Neha Sinha (@nehaa_sinha) April 20, 2020

Last evening’s #balconybirding helped me make these photos, with a stunning sunset in the backdrop!

Parakeets, a kite and a crow, and an egret?

Nature is beautiful, even in cities! 🌇ðŸ¦Âœ#BirdWatching @sonyalpha pic.twitter.com/uh2lYLCvCS

— Isha (@ishaachitnis) April 20, 2020

Feed the #birds and they'll feed your soul with a look of gratitude.🥰🥰

Let's not forget to keep water & food for them in our balcony/terrace.

Celebrate #EarthDayAtHome by watching beautiful birds & squirrels enjoying their meal.

I enjoy this everyday.😇#EarthDay2020 pic.twitter.com/4XyfAPizr0

— Manu Gulati (@ManuGulati11) April 22, 2020

Reading Nature (@ReadingNature), a book club on Twitter, asked its followers to talk about their favourite #naturebooks on #EarthDay, and people are sharing some interesting reads through videos.

For #EarthDay, we asked you to tell us about the #nature books📚you have loved over the years & WOW! We are thrilled to share your stories thru the day!
We begin with Editor Scissorhands @bijal_v (who gave us the idea for this #thread) reading us some delightful kid-lit (1/n) pic.twitter.com/bwMtvu0r7p

— ReadingNature (@ReadingNature) April 22, 2020

To bring out more focused conversations on sustainability, Let Me Breathe (@LetMeBreathe_In) has also launched three #FiftyForFifty Twitter Lists on topics like Balcony Birders, Climate Activists and Sustainable Fashion. A Twitter List is a curated group of Twitter accounts. You can create your own Lists or subscribe to Lists created by others. Viewing a List timeline will show you a stream of Tweets from only the accounts on that List, usually around a particular topic of your choice.

Organisations such as the UNESCO MGIEP (@UNESCO_MGIEP), WWF India (@WWFINDIA) and Earth Day Network India (@EarthDay_IN) are organising virtual concerts with performances from the finest musicians as a tribute to the Earth.

SOUND ON 🔊

What better way to kick off this #EarthDay2020 than listening to @EarthDay_India's Ambassador, Dr. L Subramanium's "Earth song".#EarthDay #EarthSong pic.twitter.com/XTOKG7Iae7

— Earth Day Network (@EarthDayNetwork) April 22, 2020

Celebrate this 50th #EarthDay & #ShineYourLight with
🎼5 Grammy Award Winners
🎵40+ artists
🎧With @rickykej @baabamaal @ElsieLaura @wouterkellerman @VishwaMBhatt1 @LonniePark
🗓ï¸Â Wed. 22 April
⏰8:00 pm IST

RSVP your attendance now:https://t.co/k65HTgKft4 pic.twitter.com/gqEuQAehLT

— WWF India (@WWFINDIA) April 19, 2020

Let’s come together this #EarthDay to pledge our solidarity to the planet and collectively work for sustainability.

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In a rare video appearance, actor Emma Stone is raising mental health awareness while practising social distancing during the coronavirus pandemic. May is Mental Health Awareness Month and the Oscar winner announced the Child Mind Institute's #WeThriveInside campaign, a digital initiative that will help those struggling right now and beyond with tele-health and online resources.

"Many of us are dealing with isolation, anxiety and uncertainty during this COVID-19 crisis, and this includes the 17 million kids and teens in America that's one in five who have a mental health disorder. We're inviting you to be part of our team," she said in the clip. According to The Hollywood Reporter, the institute will release self-recorded videos daily featuring notable names sharing stories of how they stay mentally fit while encouraging families and kids to check out its COVID 19-related resources. Videos will be distributed across all social media platforms of Child Mind Institute. Stone, who is a board member of the organisation, opened up what she likes to do when she is struggling with anxiety.

"What I do is just write down anything that I'm worried about. I just write and write and write and I don't think about it and I don't read it back. "I find it's really, really helpful for me to get it all out on paper. I hope you're staying safe, you're staying strong and healthy and I'm sending you lots of love," she said. Other Hollywood names such as Jonah Hill, Margot Robbie, Andrew Garfield, Octavia Spencer, Zoey Deutch, Nicole Scherzinger, Sarah Michelle Gellar, are also part of the drive. Donations are also being accepted, and courtesy one anonymous donor, matched up to USD 150,000.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

How will you define ‘normal’ human behaviour? And what is the criteria to be followed by a person that he/she can be considered as ‘normal’? We have seen in films like MY NAME IS KHAN [2010], TAARE ZAMEEN PAR [2007] etc. wherein the protagonists’ behaviour were such that they stood out and were even ostracized. But still they were special and earned respect in society after a long struggle. Now, writer Kanika Dhillon and director Prakash Kovelamudi bring us JUDGEMENTALL HAI KYA that tackles these issues but unlike the aforementioned films, this flick goes into an unconventional zone with even a murder occurring in the narrative. So does JUDGEMENTALL HAI KYA manage to entertain and thrill the audiences? Or does it fail to make the impact? Let’s analyse. <img class="aligncenter wp-image-1002336 size-full" title="Movie Review: Judgemental Hai Kya" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/07/Movie-Review-Judgemental-Hai-Kya.jpg" alt="Movie Review: Judgemental Hai Kya" width="720" height="450" /> JUDGEMENTALL HAI KYA is the story of a woman with mental issues trying to solve a supposed crime. Bobby Batliwala Grewal (Kangana Ranaut) is an orphan who has lost her parents at a young age. She is partly responsible for their demise. Bobby grows up as a disturbed individual and her grandfather (Lalit Behl) takes care of her. She stays separately from him and works as a dubbing artiste for South films. She is on medication for her mental condition but she doesn’t consume her pills. She is in a relationship of sorts with Varun (Hussain Dalal) who is desperate to get physical with her. But she doesn’t give him the opportunity. At this point, Bobby gets a new tenant – Keshav (Rajkummar Rao) and his wife Meena (Amyra Dastur). Both are deeply in love with each other. Bobby spies on them and she starts to imagine herself with Keshav. However, she also gets intrigued since Keshav seems mysterious. In front of Meena, he pretends to be a non-smoker and a vegetarian. But Bobby catches him smoking heavily and also relishing chicken. She starts to trouble them and then it reaches a point where Keshav and Meena decide to move to another place. Before that can happen, a gas explosion occurs in their kitchen and Meena dies. The cops (Satish Kaushik, Brijendra Kala) begin their investigation. Bobby makes it categorically clear to them that Keshav has murdered Meena but doesn’t have concrete proof. The police officers interrogate Kehsav as well but realize it was a case of accidental death. Hence, they decide to close the case. An enraged Bobby assaults Keshav and she’s sent to mental asylum for a brief period of time. Two years later, Bobby seems to be in control. She’s started regular medication and her grandfather sends her to her cousin Megha’s (Amrita Puri) place in London to help in a stage production on Ramayana. All is going fine when Bobby gets a jolt when she spots Keshav. What happens next forms the rest of the film. Kanika Dhillon’s story is unconventional and quite promising and entertaining. Kanika Dhillon’s screenplay is interesting but in some parts, she falters. This is particularly in the second half where the film goes into another zone and doesn’t seem convincing. She however raises some interesting points on the idea of ‘normal’ and even draws parallel with Ramayana. Only if all these things had come together well, the impact would have been manifold. Kanika Dhillon’s dialogues suit the film, especially the ones mouthed by Kangana. Prakash Kovelamudi’s direction is appropriate and he uses his technical knowledge well. The film is very stylishly narrated which goes with its theme and also the title. In a few scenes, he shows his brilliance but goes over the top in the second half’s pre-climax especially. Also, a few scenes might seem difficult to digest, particularly the scene where Bobby confronts Keshav. He was treading line with this film and sadly, he trips at places and this affects the impact. <span style="text-decoration: underline;"><strong>Judgemental Hai Kya | PUBLIC REVIEW | First Day First Show | Rajkummar Rao | Kangana Ranaut</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/video/judgemental-hai-kya-public-review-first-day-first-show-rajkummar-rao-kangana-ranaut/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> JUDGEMENTALL HAI KYA’s intro scene shows the disturbed childhood of Bobby in a brief and concise manner. Once Bobby grows up, it takes a while however to get in the film’s flow. This is because the character is unconventional and unlike anything that we have seen in Hindi films. Hence her mannerisms, actions, way of living life etc. are not exactly ‘normal’. Things get interesting once Keshav and Meena arrive to reside at her place as tenants. Keshav also seems mysterious and the scene where he is fixing the fuse at midnight is quite nicely done. The Lonavala sequence also is funny. But it’s when Meena passes away that things begin to heat up. The intermission point is a shocker. Post-interval, the interest level is maintained with some unexpected developments. But this is also the point where bizarre things start happening in the film. One can argue even the first half had its share of bizarre stuff but in the second half, the makers go completely overboard. The film is still unpredictable but the theme and execution will restrict its audience to only multiplexes of urban areas. Performance wise, Kangana Ranaut nails the part. This was probably her most challenging part yet and she delivers as per expectations. Any other actress in her place would have to put a lot of effort and it might have made her performance mechanical. But Kangana slips into the part with ease and takes it to another level. Rajkummar Rao also gets to shine. He’s too good as the mysterious Keshav. But he’s at his best in these two scenes wherein he begs Bobby to spare him and his wife. Amyra Dastur is cute and plays the supporting part well. Same goes for Amrita Puri. Satish Kaushik and Brijendra Kala are apt for their respective roles. Hussain Dalal is a talent to watch out. He’s very funny and adds a lot to the film. Jimmy Sheirgill (Shridhar) is endearing in the special appearance. Lalit Behl is decent. Kanika Dhillon (Sita), also the writer of the film, is stunning and gets to play a fine part in the film. Songs don’t really make an impact. The title song stands out but comes at a time when the film turns very bizarre. <em>‘Kis Raste Hai Jana’</em> is okay. <em>‘Wakhra Swag’</em> appears during the end credits. Daniel B George’s background score however is way better and is zany just like the film’s theme. Pankaj Kumar’s cinematography is conventional and yet works in a film like this. Sheetal Sharma’s costumes are quite quirky especially the ones worn by Kangana Ranaut and she looks great. In fact, costumes add a lot to her character. Ravi Shrivastav’s production design is praiseworthy, especially for the Ramayana play. After’s VFX is average and the cockroach shots could have been more realistic. Shweta Venkat’s editing (with additional editing by Prashanth Ramachandran and Shieeba Sehgal) is fine. The duration of the film is just 116 minutes and that’s a plus point. On the whole, JUDGEMENTALL HAI KYA is a well-made film with powerful performances from both Kangana Ranaut and Rajkummar Rao. At the box office, it will cater mainly to the multiplex frequenting audience.

India pacer Shardul Thakur, 28, cannot remember when he last spent a summer break at his home in Palghar, where he is catching up with old neighbours and childhood friends thanks to the Coronavirus-caused lockdown. Thakur was in the Indian team for their last ODI series before the lockdown—three games in New Zealand—where the hosts won 3-0. In three games, Thakur claimed four wickets including 2-60 while opening the bowling in the second ODI at Auckland. It was in this game that he slammed a 15-ball 18 (3x4) at No. 8, but it couldn't help India cross their 274-run target; Virat Kohli's men falling short by 22 runs.

Thakur has played a solitary Test (against the West Indies at Uppal in 2018), but a groin strain restricted his participation to just 10 balls. He has played 15 T20 internationals but has yet to establish himself in the team, partly due to injuries.

Apart from providing a lowdown on his lockdown schedule, Thakur opened up on his batting evolution, his aim of becoming a bowling all-rounder, the hot debate about applying saliva on the ball and his views on social media trolls.

Edited excerpts from the interview.

How are you dealing with the lockdown?

I can do sprints in my backyard. There are certain workouts that can be done inside, which I do regularly. In my verandah, I practise my action from just one or two steps. The purpose is to ensure my body and mind do not forget what I have been doing. When I step on the field, these drills will make it a bit easier to start again. It will be very difficult if I don't do anything during the lockdown.

You played some useful knocks during the T20Is against Sri Lanka and the limited-overs series in New Zealand. How has your batting evolved?

I have either batted at No. 9 or 10 for Mumbai. There were some guys, who never believed in my ability but when I played under coach Chandrakant Pandit, I made some useful contributions with the bat. He encouraged me to focus on my batting. But unfortunately, he left. I kept telling the Mumbai team management that I can bat at No. 8, so we don't need an extra batsman to increase the depth in the batting. But there are a lot of other factors that determine that [playing XI]. Honestly, I always feel I got very less opportunity with the Mumbai team to prove my worth as a batsman. To be a bowling all-rounder, I expect my state team to promote me. During the injury period [foot surgery], I decided to make a conscious effort to bat. I would visualise various situations to bat in and what would be my approach. In the Indian team, they always back me and I've been told that I will bat at No. 8.

How did the Indian team management come to know about your batting ability?

I practised in the nets. The team management believed that I could bat and always encouraged me. They saw my potential, my hunger, and backed me. There was a conscious effort in the nets, genuinely wanting to contribute in other depart-ments for the Indian team.

Are you aiming for an all-rounder's role?

In my head, I am already a bowling all-rounder, but I have to dish out some strong performances for the people to recognise it. I will have to go out there and prove it. That's the plan.

What's your view on avoiding the use of saliva or sweat on the ball as a Coronavirus-related precaution?

I am pretty okay avoiding saliva on the ball for some time, till COVID-19 [pandemic] settles down completely. The dynamics of bowling will definitely change, there is no doubt about it. But the sport has always evolved, so I am sure some new ideas will come up; within the rules of the game of course.

You were trolled after going for 227 runs in the three ODIs v NZ. This happened after a decent performance in the T20I series [eight wickets in five matches v Kiwis]…

I am new to the international circuit; I'm learning. It has been an up and down curve, but what I get to learn from it is important. I have no problem with people criticising me, but there are our family members, near and dear ones on social media as well and they also read the abuse and harsh language against us [players]. The family gets affected the most as they are not used to it. So, they [trollers] should think twice before writing anything on social media.

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