Today, I recorded a story from Weird Tales, first published in 1936. I loved it. It’s supernatural in a way that reminded me of Hyperion, with just enough science fiction […]

Last night, during dinner, my son did the math and figured out we’ve been staying home together for seven weeks. That’s a long time, but it also feels like we […]

A Modest Proposal is brilliant, biting, hilarious satire, that is as horrifyingly relevant in 2020 as it was in 1729. This reads like one of those brilliant editorials from The […]

Artist Cotton Valent has created a brilliant cat comic series called, "Creepy Cat."

Creepy Cat is the purrfect combination of creepiness and cats! Honestly, what more can you want in life? The story begins when Flora, the human, moves into an old house. Turns out, the old house is occupied by a "creepy cat." And that is where their story begins! 

You can follow the amazing series on Manga Mutiny! We love "Creepy Cat!"

Climate models show that as the world warms, tropical cyclones will travel more slowly, dumping more rain in one place and making high-speed winds batter buildings for longer

Slow-moving underwater currents are leading to build ups of microplastics in biologically rich areas on the sea floor

At React Conf 2019 we announced an experimental release of React that supports Concurrent Mode and Suspense. In this post we’ll introduce best practices for using them that we’ve identified through the process of building the new facebook.com.

This post will be most relevant to people working on data fetching libraries for React.

It shows how to best integrate them with Concurrent Mode and Suspense. The patterns introduced here are based on Relay — our library for building data-driven UIs with GraphQL. However, the ideas in this post apply to other GraphQL clients as well as libraries using REST or other approaches.

This post is aimed at library authors. If you’re primarily an application developer, you might still find some interesting ideas here, but don’t feel like you have to read it in its entirety.

Talk Videos

If you prefer to watch videos, some of the ideas from this blog post have been referenced in several React Conf 2019 presentations:

• Data Fetching with Suspense in Relay by Joe Savona
• Building the New Facebook with React and Relay by Ashley Watkins
• React Conf Keynote by Yuzhi Zheng

This post presents a deeper dive on implementing a data fetching library with Suspense.

Putting User Experience First

The React team and community has long placed a deserved emphasis on developer experience: ensuring that React has good error messages, focusing on components as a way to reason locally about app behavior, crafting APIs that are predictable and encourage correct usage by design, etc. But we haven’t provided enough guidance on the best ways to achieve a great user experience in large apps.

For example, the React team has focused on framework performance and providing tools for developers to debug and tune application performance (e.g. React.memo). But we haven’t been as opinionated about the high-level patterns that make the difference between fast, fluid apps and slow, janky ones. We always want to ensure that React remains approachable to new users and supports a variety of use-cases — not every app has to be “blazing” fast. But as a community we can and should aim high. We should make it as easy as possible to build apps that start fast and stay fast, even as they grow in complexity, for users on varying devices and networks around the world.

Concurrent Mode and Suspense are experimental features that can help developers achieve this goal. We first introduced them at JSConf Iceland in 2018, intentionally sharing details very early to give the community time to digest the new concepts and to set the stage for subsequent changes. Since then we’ve completed related work, such as the new Context API and the introduction of Hooks, which are designed in part to help developers naturally write code that is more compatible with Concurrent Mode. But we didn’t want to implement these features and release them without validating that they work. So over the past year, the React, Relay, web infrastructure, and product teams at Facebook have all collaborated closely to build a new version of facebook.com that deeply integrates Concurrent Mode and Suspense to create an experience with a more fluid and app-like feel.

Thanks to this project, we’re more confident than ever that Concurrent Mode and Suspense can make it easier to deliver great, fast user experiences. But doing so requires rethinking how we approach loading code and data for our apps. Effectively all of the data-fetching on the new facebook.com is powered by Relay Hooks — new Hooks-based Relay APIs that integrate with Concurrent Mode and Suspense out of the box.

Relay Hooks — and GraphQL — won’t be for everyone, and that’s ok! Through our work on these APIs we’ve identified a set of more general patterns for using Suspense. Even if Relay isn’t the right fit for you, we think the key patterns we’ve introduced with Relay Hooks can be adapted to other frameworks.

Best Practices for Suspense

It’s tempting to focus only on the total startup time for an app — but it turns out that users’ perception of performance is determined by more than the absolute loading time. For example, when comparing two apps with the same absolute startup time, our research shows that users will generally perceive the one with fewer intermediate loading states and fewer layout changes as having loaded faster. Suspense is a powerful tool for carefully orchestrating an elegant loading sequence with a few, well-defined states that progressively reveal content. But improving perceived performance only goes so far — our apps still shouldn’t take forever to fetch all of their code, data, images, and other assets.

The traditional approach to loading data in React apps involves what we refer to as “fetch-on-render”. First we render a component with a spinner, then fetch data on mount (componentDidMount or useEffect), and finally update to render the resulting data. It’s certainly possible to use this pattern with Suspense: instead of initially rendering a placeholder itself, a component can “suspend” — indicate to React that it isn’t ready yet. This will tell React to find the nearest ancestor <Suspense fallback={<Placeholder/>}>, and render its fallback instead. If you watched earlier Suspense demos this example may feel familiar — it’s how we originally imagined using Suspense for data-fetching.

It turns out that this approach has some limitations. Consider a page that shows a social media post by a user, along with comments on that post. That might be structured as a <Post> component that renders both the post body and a <CommentList> to show the comments. Using the fetch-on-render approach described above to implement this could cause sequential round trips (sometimes referred to as a “waterfall”). First the data for the <Post> component would be fetched and then the data for <CommentList> would be fetched, increasing the time it takes to show the full page.

There’s also another often-overlooked downside to this approach. If <Post> eagerly requires (or imports) the <CommentList> component, our app will have to wait to show the post body while the code for the comments is downloading. We could lazily load <CommentList>, but then that would delay fetching comments data and increase the time to show the full page. How do we resolve this problem without compromising on the user experience?

Render As You Fetch

The fetch-on-render approach is widely used by React apps today and can certainly be used to create great apps. But can we do even better? Let’s step back and consider our goal.

In the above <Post> example, we’d ideally show the more important content — the post body — as early as possible, without negatively impacting the time to show the full page (including comments). Let’s consider the key constraints on any solution and look at how we can achieve them:

• Showing the more important content (the post body) as early as possible means that we need to load the code and data for the view incrementally. We don’t want to block showing the post body on the code for <CommentList> being downloaded, for example.
• At the same time we don’t want to increase the time to show the full page including comments. So we need to start loading the code and data for the comments as soon as possible, ideally in parallel with loading the post body.

This might sound difficult to achieve — but these constraints are actually incredibly helpful. They rule out a large number of approaches and spell out a solution for us. This brings us to the key patterns we’ve implemented in Relay Hooks, and that can be adapted to other data-fetching libraries. We’ll look at each one in turn and then see how they add up to achieve our goal of fast, delightful loading experiences:

1. Parallel data and view trees
2. Fetch in event handlers
3. Load data incrementally
4. Treat code like data

Parallel Data and View Trees

One of the most appealing things about the fetch-on-render pattern is that it colocates what data a component needs with how to render that data. This colocation is great — an example of how it makes sense to group code by concerns and not by technologies. All the issues we saw above were due to when we fetch data in this approach: upon rendering. We need to be able to fetch data before we’ve rendered the component. The only way to achieve that is by extracting the data dependencies into parallel data and view trees.

Here’s how that works in Relay Hooks. Continuing our example of a social media post with body and comments, here’s how we might define it with Relay Hooks:

// Post.js
function Post(props) {
  // Given a reference to some post - `props.post` - *what* data
  // do we need about that post?
  const postData = useFragment(graphql`
    fragment PostData on Post @refetchable(queryName: "PostQuery") {
      author
      title
      # ...  more fields ...
    }
  `, props.post);

  // Now that we have the data, how do we render it?
  return (
    <div>
      <h1>{postData.title}</h1>
      <h2>by {postData.author}</h2>
      {/* more fields  */}
    </div>
  );
}

Although the GraphQL is written within the component, Relay has a build step (Relay Compiler) that extracts these data-dependencies into separate files and aggregates the GraphQL for each view into a single query. So we get the benefit of colocating concerns, while at runtime having parallel data and view trees. Other frameworks could achieve a similar effect by allowing developers to define data-fetching logic in a sibling file (maybe Post.data.js), or perhaps integrate with a bundler to allow defining data dependencies with UI code and automatically extracting it, similar to Relay Compiler.

The key is that regardless of the technology we’re using to load our data — GraphQL, REST, etc — we can separate what data to load from how and when to actually load it. But once we do that, how and when do we fetch our data?

Fetch in Event Handlers

Imagine that we’re about to navigate from a list of a user’s posts to the page for a specific post. We’ll need to download the code for that page — Post.js — and also fetch its data.

Waiting until we render the component has problems as we saw above. The key is to start fetching code and data for a new view in the same event handler that triggers showing that view. We can either fetch the data within our router — if our router supports preloading data for routes — or in the click event on the link that triggered the navigation. It turns out that the React Router folks are already hard at work on building APIs to support preloading data for routes. But other routing frameworks can implement this idea too.

Conceptually, we want every route definition to include two things: what component to render and what data to preload, as a function of the route/url params. Here’s what such a route definition might look like. This example is loosely inspired by React Router’s route definitions and is primarily intended to demonstrate the concept, not a specific API:

// PostRoute.js (GraphQL version)

// Relay generated query for loading Post data
import PostQuery from './__generated__/PostQuery.graphql';

const PostRoute = {
  // a matching expression for which paths to handle
  path: '/post/:id',

  // what component to render for this route
  component: React.lazy(() => import('./Post')),

  // data to load for this route, as function of the route
  // parameters
  prepare: routeParams => {
    // Relay extracts queries from components, allowing us to reference
    // the data dependencies -- data tree -- from outside.
    const postData = preloadQuery(PostQuery, {
      postId: routeParams.id,
    });

    return { postData };
  },
};

export default PostRoute;

Given such a definition, a router can:

• Match a URL to a route definition.
• Call the prepare() function to start loading that route’s data. Note that prepare() is synchronous — we don’t wait for the data to be ready, since we want to start rendering more important parts of the view (like the post body) as quickly as possible.
• Pass the preloaded data to the component. If the component is ready — the React.lazy dynamic import has completed — the component will render and try to access its data. If not, React.lazy will suspend until the code is ready.

This approach can be generalized to other data-fetching solutions. An app that uses REST might define a route like this:

// PostRoute.js (REST version)

// Manually written logic for loading the data for the component
import PostData from './Post.data';

const PostRoute = {
  // a matching expression for which paths to handle
  path: '/post/:id',

  // what component to render for this route
  component: React.lazy(() => import('./Post')),

  // data to load for this route, as function of the route
  // parameters
  prepare: routeParams => {
    const postData = preloadRestEndpoint(
      PostData.endpointUrl, 
      {
        postId: routeParams.id,
      },
    );
    return { postData };
  },
};

export default PostRoute;

This same approach can be employed not just for routing, but in other places where we show content lazily or based on user interaction. For example, a tab component could eagerly load the first tab’s code and data, and then use the same pattern as above to load the code and data for other tabs in the tab-change event handler. A component that displays a modal could preload the code and data for the modal in the click handler that triggers opening the modal, and so on.

Once we’ve implemented the ability to start loading code and data for a view independently, we have the option to go one step further. Consider a <Link to={path} /> component that links to a route. If the user hovers over that link, there’s a reasonable chance they’ll click it. And if they press the mouse down, there’s an even better chance that they’ll complete the click. If we can load code and data for a view after the user clicks, we can also start that work before they click, getting a head start on preparing the view.

Best of all, we can centralize that logic in a few key places — a router or core UI components — and get any performance benefits automatically throughout our app. Of course preloading isn’t always beneficial. It’s something an application would tune based on the user’s device or network speed to avoid eating up user’s data plans. But the pattern here makes it easier to centralize the implementation of preloading and the decision of whether to enable it or not.

Load Data Incrementally

The above patterns — parallel data/view trees and fetching in event handlers — let us start loading all the data for a view earlier. But we still want to be able to show more important parts of the view without waiting for all of our data. At Facebook we’ve implemented support for this in GraphQL and Relay in the form of some new GraphQL directives (annotations that affect how/when data is delivered, but not what data). These new directives, called @defer and @stream, allow us to retrieve data incrementally. For example, consider our <Post> component from above. We want to show the body without waiting for the comments to be ready. We can achieve this with @defer and <Suspense>:

// Post.js
function Post(props) {
  const postData = useFragment(graphql`
    fragment PostData on Post {
      author
      title

      # fetch data for the comments, but don't block on it being ready
      ...CommentList @defer
    }
  `, props.post);

  return (
    <div>
      <h1>{postData.title}</h1>
      <h2>by {postData.author}</h2>
      {/* @defer pairs naturally with <Suspense> to make the UI non-blocking too */}
      <Suspense fallback={<Spinner/>}>
        <CommentList post={postData} />
      </Suspense>
    </div>
  );
}

Here, our GraphQL server will stream back the results, first returning the author and title fields and then returning the comment data when it’s ready. We wrap <CommentList> in a <Suspense> boundary so that we can render the post body before <CommentList> and its data are ready. This same pattern can be applied to other frameworks as well. For example, apps that call a REST API might make parallel requests to fetch the body and comments data for a post to avoid blocking on all the data being ready.

Treat Code Like Data

But there’s one thing that’s still missing. We’ve shown how to preload data for a route — but what about code? The example above cheated a bit and used React.lazy. However, React.lazy is, as the name implies, lazy. It won’t start downloading code until the lazy component is actually rendered — it’s “fetch-on-render” for code!

To solve this, the React team is considering APIs that would allow bundle splitting and eager preloading for code as well. That would allow a user to pass some form of lazy component to a router, and for the router to trigger loading the code alongside its data as early as possible.

Putting It All Together

To recap, achieving a great loading experience means that we need to start loading code and data as early as possible, but without waiting for all of it to be ready. Parallel data and view trees allow us to load the data for a view in parallel with loading the view (code) itself. Fetching in an event handler means we can start loading data as early as possible, and even optimistically preload a view when we have enough confidence that a user will navigate to it. Loading data incrementally allows us to load important data earlier without delaying the fetching of less important data. And treating code as data — and preloading it with similar APIs — allows us to load it earlier too.

Using These Patterns

These patterns aren’t just ideas — we’ve implemented them in Relay Hooks and are using them in production throughout the new facebook.com (which is currently in beta testing). If you’re interested in using or learning more about these patterns, here are some resources:

• The React Concurrent docs explore how to use Concurrent Mode and Suspense and go into more detail about many of these patterns. It’s a great resource to learn more about the APIs and use-cases they support.
• The experimental release of Relay Hooks implements the patterns described here.

• We’ve implemented two similar example apps that demonstrate these concepts:

  • The Relay Hooks example app uses GitHub’s public GraphQL API to implement a simple issue tracker app. It includes nested route support with code and data preloading. The code is fully commented — we encourage cloning the repo, running the app locally, and exploring how it works.
  • We also have a non-GraphQL version of the app that demonstrates how these concepts can be applied to other data-fetching libraries.

While the APIs around Concurrent Mode and Suspense are still experimental, we’re confident that the ideas in this post are proven by practice. However, we understand that Relay and GraphQL aren’t the right fit for everyone. That’s ok! We’re actively exploring how to generalize these patterns to approaches such as REST, and are exploring ideas for a more generic (ie non-GraphQL) API for composing a tree of data dependencies. In the meantime, we’re excited to see what new libraries will emerge that implement the patterns described in this post to make it easier to build great, fast user experiences.

Ayushmann Khurrana and his filmmaker wife Tahira Kashyap Khurrana have prepped for their daughter Varushka's sixth birthday in the loveliest way possible. 

Since it's a quarantine birthday for little Varushka, the star parents created the birthday decor from scratch, as nothing was available in the market. In fact, this creative time turned out to be quite a bonding moment for the family of four. 

Right from creating streamers from newspapers, painting paper fans, to making a cute birthday banner for Varushka, the family did everything together. Ayushmann Khurrana also decided to entertain them by playing the guitar and piano to bring in the birthday cheer.

 

 

 

View this post on Instagram

This is a unique lockdown birthday for our 6 year old! We @ayushmannk tried our best to make it special! Sharing the joy with you ❤️ #daughter #daughtersarespecial #lockdownbirthday #recycle

A post shared by tahirakashyapkhurrana (@tahirakashyap) onApr 20, 2020 at 11:07pm PDT

Isn't that adorable?

Tahira Kashyap revealed, "We have been doing birthday preparations for the past 10 days. Since there weren't any balloons or streamers available in the market we started making some homemade decorations. There was so much joy in recycling newspapers and painting paper sheets. While I'm making six small cakes, Ayushmann is helping me organise a treasure hunt for the kids, and he is also keeping us entertained with his music. It's going to be the four of us enjoying and playing games. I've also curated a special video which has birthday wishes from her classmates and our relatives. It's going to be a special one."

Varushka turns six today and we are sure she's having an amazing birthday!

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Alaya F made an everlasting mark in the heart of the audiences with her debut in Jawaani Jaaneman. The audiences and critics alike loved how she aced her character. Being stuck at home in lockdown, Alaya being a learner and lover of consuming things that make her grow as an actor is making the most of her time watching films to grasp more knowledge.

Alaya is a lover of old school classics and is watching films that have where she can learn a lot in terms of acting, feel, speech delivery, body language and much more. This will certainly help the actress in refining her skills. Some of the classics that Alaya is watching include:

The film 'Platform' has radical and thought-provoking content. It's a socially relevant and extremely well-made film. Next, is the 1955 classic 'Devdas' by Bimal Roy, followed by Sanjay Leela Bhansali's Devdas. Adding to it is Anurag Kashyap's Dev D. What's interesting here is how one subject has been treated in such unique and different ways, in terms of direction and performance.

The next one being Sanjay Leela Bhansali's 'Black' which received a lot of critical acclaim for its intriguing storyline and the phenomenal performances by the actors. Another one being Super Deluxe, which is the perfect blend of nuanced performances and impeccable writing. Vijay Sethupathi is a treat to watch and Raasukutty's character shines throughout the movie.

The list ends with Chalti Ka Naam Gaadi, Howrah Bridge and other Madhubala classics. Clearly, the girl of the moment is enriching herself with all these films and learning as much as possible. Apart from seeing films, Alaya is making the most of her time staying indoors and indulging in a variety of activities.

Alaya F made her silver screen debut this what which hit the screens on 31st January 2020 where she shared the screen worn Saif Ali Khan and Tabu, yet moved all the audience and the Indian film industry with her performance.

I have watched everything that was pending on my must-watch list over the years," laughs Tahir Raj Bhasin, echoing the sentiment of many who have turned to digital entertainment to escape the lockdown ennui. A movie aficionado, the actor has been making the most of the stay-at-home period by acquainting himself with the works of the masters — from Russian director Andrei Tarkovsky to Oscar-winner Bong Joon-ho."

"My first recommendation would be Shoplifters on Netflix. It's a 2018 Japanese drama by Hirokazu Koreeda that traces the story of a dysfunctional family. It has a slow pace, but the lockdown is the perfect time to widen your horizon when it comes to movie consumption," says Bhasin. For those fascinated by crime thrillers like he is, the actor has a suggestion. "The 2002 HBO series, The Wire, was the first show that I had binged on. It was the first time that film budgets [were commissioned] for long-format storytelling on television, making it a path-breaking series. Being a fan of House of Cards, I revisited Borgen, the Danish political thriller that is said to be the inspiration for the American drama. I also relished the animation series, Love Death + Robots."

A still from Stalker

The movie that left an indelible impact on his mind was Tarkovsky's sci-fi offering, Stalker (1979). "It's available on YouTube. In Stalker, Tarkovsky is talking about an apocalyptic world where there are few human beings around and they have to stay away from each other. I was able to relate to it as it almost mirrors our current situation."

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Counterfeit notes with a face value of Rs 15.76 lakh were seized from three persons in Mumbra area here in the early hours of Saturday, police said.

Assistance Commissioner of Police Ramesh Dhumal said the police had received a tip-off that some persons were going to arrive in Kismat Colony, carrying counterfeit notes with them.

Jainkumar Chunnulal (41), Mohammad Dilshad (26), both from Uttar Pradesh, and local resident Javed Ahmed Ansari (30) were arrested and a bag of counterfeit notes in Rs 2,000 denomination was seized from their possession, he said.

Jainkumar and Dilshad had allegedly procured the notes from Asansol in West Bengal by paying Rs 3.50 lakh, the ACP said. Police were probing if the contraband had any link with the ongoing election campaign, he said.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

The Roman Forum in the center of Rome. Pic Courtesy/Rosalyn D'mello

I did not account for what now seems like the inevitable consequence of so much travel: the blurring of existential categories that define my raison d'etre as I continue my Italian sojourn. What am I first, writer, tourist, traveller or pilgrim? To which of these vocations do I owe my primary allegiance?

Starting out in the northern region of Bolzano, within which I somehow managed to ensconce myself, thanks to my residency at Eau&Gaz, within exactly 30 days I have found myself in the deep south - the autonomous Mediterranean island of Sicily; a lived repository of continuous histories dating two millennia. I accessed the regions of Tuscany, Veneto, Neapolitan and Lazio through my explorations of Firenze, Venezia, Napoli and Roma, before taking a flight to Palermo, from where I am transcribing this dispatch. By the time you will have read this, I will already have returned to Roma where I will spend another night before I make my way to Ortona and Assisi, thereby initiating the more pilgrim end of my travel. I am deeply aware that I now have less than two weeks left in Italy, and I am struggling (really, really struggling) to make sense of everything I have encountered through my witness. How to distil the vast everything-ness of my recent realities into bottled significance; something that is easier to swallow, digest, imbibe, share?

I was grateful to land in Palermo; grateful to have found a cheap flight that got me here from Rome in under an hour, grateful to avoid what would otherwise have been a 14-hour journey. But, mostly, I discovered I was grateful to be in a city that felt like the opposite of Rome; un-pretentious, unabashed about its past, non-ostentatious and aesthetically more austere. Here I felt I could allow my body to recover from the sensual assault of the spectacle that is that city of grand beauty, magnificence, un-mindful excess. No guide I'd perused had prepared me for my sensory dyslexia, particularly on the perceptual front, like the difficulty I would experience in simply focussing my gaze.

As a sightseeing tourist, one is mentally prepared to encounter a monument; a spectacle; a historic site. In Rome, however, you are condemned to stumble upon multiple. You walk into a street and your eyes rest first on a fountain, then naturally zoom out to witness the larger frame, except you spot, next door, an opulent church façade, and across from it another, but perhaps from another century altogether, and for a moment you feel like you're experiencing a glitch in a time-travelling machine. You walk later at night to catch your bus back to your Airbnb and come upon a vast excavation site bearing just a two-paragraph description and you empathise with the historians and archaeologists who seem themselves to be struggling with this excess; this dense populace of relic, debris, pagan vestige and Catholic worship sites.

Each night my feet, exhausted and overwhelmed from walking, cried themselves to sleep as my mind, unable to still my still-restless body, tried to make sense of what I'd seen, thought, remembered, and referenced: the Sistine Chapel, the wonders of Bernini, the cinematic odes by Fellini, Rosselini, Passolini and Sorrentino; and the more obscure works of writers like Malcolm Lowry. I had to re-read one of his protagonist's visit to the Keats and Shelley Memorial Museum next to the Spanish Steps as I sat by the side of The Pantheon, after having been to that museum, and in preparation for the next day's visit to the Non-Catholic cemetery containing both poets' tombs. Had I not had the sense of mind to seek solace in relatively more obscure churches and smaller chapels, both to escape the madding crowd of tourists and to offer my body an indulgent moment of pause, I'm sure I would have been defeated by that city.

It was the only reason why, despite being drained of all energy, I could make one final schlep towards the Coliseum and also convince Mona to meet me there. After a very leisurely stroll at what felt like perfect timing, when the final rays of the sun hit the millennia-old façade, we found a corner to park ourselves for a while. I couldn't help, but show her a clip from Sorrentino's The Great Beauty; of Sister Maria on the balcony of the protagonist's home in front of the Coliseum, gathering the flamingos in the thick of night, then blowing into the air to gesture at them to fly away. I felt as though I'd finally 'got' Sorrentino's film, despite having seen it a while ago. I had to come to Rome to solve its mystery.

I cannot shake off this lingering feeling that something beyond my own free will is designing my itinerary, is customising each imprint my feet make. Whether I am either or interchangeably a writer, tourist, traveller or pilgrim has become inconsequential. All that matters now is that I willingly surrender in order to be remade.

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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The casting couch is a dark and depressing reality of the Hindi film industry that has time and again exposed the grime tucked beneath the glamour. Some of the most successful actors and actresses have gone through this horrific process and exposed this brutal truth. The latest one to do the same is someone who's currently going through the best phase of his career - Ayushmann Khurrana.

Talking to Pinkvilla about facing the casting couch during the initial days of his struggles in Bollywood, he made some shocking revelations. He said, "A casting director had told me, 'I'll give you the lead role if you showed me your tool.' I told him I'm straight and I politely refused his offer." He also shed some light on how the process of auditions began to change as years passed by and how it was accompanied by rejections.

He stated, "Initially, there used to be auditions where they would take your solo test. Then suddenly, the number started increasing and there would be 50 people in the same room. When I protested, they asked me to leave. So I have faced rejections. Also, I'm well equipped to handle failure now because of the failures I saw at the very beginning of my career. Had I never witnessed the lows, I don't think I would be able to handle it if it came now."

Today, the actor, who's become a bonafide movie star, has eight consecutive hits in a row and will be now seen in three films very soon, which include Gulabo Sitabo with Amitabh Bachchan, an untitled crime thriller directed by Anubhav Sinha, and a comedy with Alaya F directed by Anurag Kashyap's sister Anubhuti Kashyap.

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Ayushmann Khurrana has enrolled himself for an online course on Indian history. The actor-singer considers learning a life-long process. "I'm a seeker of knowledge," he says. Being a history buff, he decided to make the most of the current time on hand.

"We have a fascinating history; it's rich and diverse. I want to learn more about our past. The session will be an enriching and fulfilling experience," he adds. It will also come in handy if Khurrana is roped in for a historical in the future.

Recently, Ayushmann, accompanied by Virat Kohli, Kriti Sanon and Sara Ali Khan joined hands for a new initiative called 'Mat Kar Forward'. Sharing the same on Instagram, Ayushmann wrote, "No one thought they'd catch it, no one thought it would become a pandemic. But we can change this and the change begins with you. #MatKarForward @indiatiktok"

 

 

 

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A post shared by Ayushmann Khurrana (@ayushmannk) onMay 4, 2020 at 1:25am PDT

The initiative urges people to not share any unverified message, picture or video, on any social networking sites.

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Ayushmann Khurrana and Tahira Kashyap's love story isn't less than a dream or a Bollywood film. And since the lockdown has completely stopped us from going out, Bollywood celebrities are ensuring they keep their fans entertained by sharing their unseen and throwback pictures.

Taking to her Instagram Account, Tahira Kashyap shared a rather romantic and rare picture with Khurrana when they were in their first year of dating and already strong believers of social distancing.

Have a look right here:

 

 

 

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First year of dating and we were strong believers of social distancing!! #futuristic #throwbackthursdayontuesday #throwbackthursday #throwbacktuesday #samething #lockdown #kitnabadalgayainsaan

A post shared by tahirakashyapkhurrana (@tahirakashyap) onMay 5, 2020 at 12:04am PDT

The post attracted a lot of comments and attention from the industry people. Dia Mirza commented with a heart and a laughing emoji. Aparshakti Khurana had six hearts in the form of his comment. Yami Gautam wrote- "Hahaha...this is so sweet." (sic) Ekta Kapoor wrote- "Wowwwwwwwwwwww" (sic), followed by a bunch of hearts. And Bhumi Pednekar also had her heart for the couple.

And of course, Tahira has been keeping all her fans and followers entertained and enlightened by sharing what she calls as The Lockdown Tales, something unique and refreshing to see amid this crisis. Coming to Khurrana, the actor has become a bonafide movie star and has eight consecutive hits in a row, and will be now seen in three films very soon, which include Gulabo Sitabo with Amitabh Bachchan, an untitled crime thriller directed by Anubhav Sinha, and a comedy with Alaya F directed by Anurag Kashyap's sister Anubhuti Kashyap.

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On Wednesday, Kajol took to Instagram and wondered what day of the week it was. Known for her stellar performances and expressive eyes, Kads shared a picture to match and reveal her mood.

The star captioned it, "When Sunday and Monday are just the same. Wayback Wednesday."

 

 

 

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When Sunday and Monday are just the same... #lockdownstories #WaybackWednesday

A post shared by Kajol Devgan (@kajol) onMay 6, 2020 at 12:47am PDT

Netizens got what she was trying to put across. As everyone is staying put at home, the days of the week almost feel irrelevant. And the actor can't post her different moods depending on what day it is.

Kads has been keeping herself busy knitting. She has completed a dress for daughter Nysa and is now making a shirt for son Yug. What's she making for hubby Ajay Devgn?

On the work front, Kajol was recently seen in the short film Devi, which received wide acclaim from the audience and critics alike. Devi also starred Neha Dhupia, Neena Kulkarni, Mukta Barve, Shivani Raghuvanshi, Yashaswini Dayama, Sandhya Mhatre and Rama Joshi. It can be viewed on YouTube.

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The stay-at-home period has given Ayushmann Khurrana a breather from his acting commitments to pursue other creative hobbies. Over the past few weeks, he has often shared poems about life during the lockdown, the valour of the frontline workers and other subjects he holds close to his heart. The actor has lined up a special surprise for moms on Mother's Day tomorrow — he will be launching the single, Maa, that he created with friend and frequent collaborator Rochak Kohli.

Though the duo had developed the song years ago, they rendered it only recently amidst the lockdown. "The spirit of motherhood has always amazed me, and I am glad to celebrate this ever-nurturing force through the song. Rochak and I will be singing this track together. It is an honour to dedicate it to mothers who selflessly shape our lives," says Khurrana. The number has been penned by Gurpreet Saini.

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Director Shoojit Sircar has been hinting about it for some time. Now his latest film Gulabo-Sitabo which features Amitabh Bachchan and Ayushmann Khurrana as a squabbling landlord and tenant is said to be going straight to the digital platform

While director Sircar is more than happy to facilitate a quick release of his corona-stuck project we gather from sources close to Mr Bachchan that he and his co-star Khurrana are none too pleased with the swift deal that the producers of Gulabo Sitabo have cut with Amazon.

Says the source, “Both Bachchan Saab and Khurrana are keen to wait until the situation normalizes. But the producers are in an advanced stage of negotiation with Amazon.”

Also Read: Shoojit Sircar open to releasing Amitabh Bachchan and Ayushmann Khurrana starrer Gulabo Sitabo on digital platform

<em>Chicken Curry Law</em> is the story of rape of a foreigner in India and the court drama that follows. The film stars with Maya Johnson (Natalia Janoszek), who is a foreigner who works as a belly dancer in India. One day, after a performance in a hotel, she is sitting in the bar where Makrand Joshi (Ganesh Pai), son of an influential politician, Sharad Joshi (Zakir Husain), spikes her drink and takes her in his car. Accompanying him is his cousin, Nana Patil (Anirudh Sharma). The two men rape her in their bungalow and keep her captive for two days. They inject her with drugs with the aim of killing her. But she manages to escape. She is found by the police in a condition that makes it clear that she has been brutally raped. Social activist Satya Deshmukh (Nivedita Bhattacharya) takes up her case and convinces lawyer Sitapati Shukla (Ashutosh Rana) to fight her case in court. Shukla had given up his law practice after being convinced that the legal system in India was not for honest people like him. While Sharad Joshi appoints Muthu Swamy (Makarand Deshpande) to argue the case of his son and nephew, Maya is represented in court by Sitapati Shukla. The police are on the side of the rapists as Sharad Joshi is very influential. They try to prove that Maya is a girl of easy virtues and hence it was not a case of rape. Along the way, the rapists eliminate Satya Deshmukh. The aim had been to kill Sitapati Shukla but the bullet hits Satya who dies. Shukla gets lucky when he gets evidence of Makrand Joshi raping the wife of his own employee. He manages to record the evidence on his cell phone and also convinces the employee to give his witness in court. He also manages to convince the waiter in the bar, who had seen Maya’s drink being spiked by Makrand Joshi, to change his false evidence in court. But both the prospective witnesses are found dead before the date of the hearing. Sitapati Shukla is at his wits’ end. Maya is dejected and loses hope of getting justice. But Shukla makes a promise to her that he would get her justice. Does Sitapati Shukla win the court case? Or do Sharad Joshi, his lawyer and the police manage to fool the court? Is Shukla able to keep his promise to Maya about getting the rapists jailed?

British tennis star Jamie Murray, 33, believes that he's the most fashionable person in his family. Jamie, the elder brother of former British No. 1 Andy Murray, 32, recently signed on as the brand ambassador for Edinburgh-based Andrew Brookes Tailoring.

Jamie hailed England football legend David Beckham's fashion sense. "David Beckham is my style icon. He always has his game face on. I'm sure a lot of effort goes into making sure he looks on point," said Jamie in an interview to The Herald Scotland.

About his own style, Jamie said: "[My style is] Pretty casual. With travelling so much, there's a limit to what you can take in your suitcase. I tend to keep it quite simple with jeans and sneakers, some t-shirts and hoodies."

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British tennis ace Andy Murray won the Virtual Madrid Open title on Thursday after a semi-final walkover, when opponent Diego Schwartzmann, logging in from Argentina, suffered a connection glitch.

Andy beat Belgium's David Goffin in the final, but the drama of the online tournament was in the semis. Diego kept winning points even though Andy was hitting winners.

Andy exclaimed: "This is madness," following which Diego withdrew. "I don't deserve to be in the final you play the final," Diego told Andy. "Due to technical problems with @dieschwartzman's connection that prevented him from competing normally in his semi-final match, the players have agreed that @andy_murray should progress to the #MMOPEN Virtual Pro final," the organisers tweeted. Later, Andy said he would donate a part of his prize money to UK's National Health Services (NHS): "I'll be donating half of the USD 45,000 prize money to the NHS and the other half to the tennis players relief fund."

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How one can buy cryptocurrency? What is its legal status in India ?..

The current crop of players cannot be compared to the likes of Rahul Dravid, Sachin Tendulkar and other past stars, according to former Pakistan batsman Mohammad Yousuf.

Yousuf, who faced the Indian team a number of times in bilateral series across formats and in the World Cup in his playing days, said that in the past, all teams had a few players who were of high quality.

"In the past, teams, such as India, Australia and South Africa, had three-four quality players in the side. India, for example, had players like (Rahul) Dravid, Sachin (Tendulkar), (Virender) Sehwag, (Sourav) Ganguly, (VVS) Laxman and Yuvraj Singh. These six batsmen were playing in a single team," said Yousuf during a TV show as quoted by Cricket Pakistan.

"The current Indian team does not have such batsmen. You can't compare the current players (such as Virat Kohli and Rohit Sharma) with the class of Sachin and Dravid," he said.

Kohli is constantly rated as the best batsman in the world. In ODIs, he is the second highest run-scorer for India of all time with 11,867 runs in 248 matches at an average of 59.33. He is only behind Sachin Tendulkar who scored 18426 runs in 463 ODIs and is ahead of the likes of Dravid, Sourav Ganguly and Yuvraj Singh despite having played far lesser ODIs than them.

Rohit Sharma has scored 9115 runs at an average of 49.27. In Tests, Kohli is the sixth highest run-scorer of all time with 7240 runs at an average of 53.62 in 86 matches.

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BCCI president Sourav Ganguly is deeply saddened and intimidated by the devastation caused because of the COVID-19 pandemic and has equated the unprecedented crisis to playing a Test match on a dangerous wicket. The decorated former player opened up on life under lockdown due to the novel coronavirus pandemic that has claimed over 2.40 lakh lives across the world while infecting more than 34 lakh people. "This situation is a Test match on a very dangerous wicket. The ball is seaming and spinning as well - the batsman has very little margin of error," Ganguly said while speaking on '100 Hours 100 Stars', an initiative started by Fever Network.

"So, the batsman has to score runs and keep his wicket safe with this little margin of error, and win this Test match," he added. A winner of innumerable fierce battles during his playing days when there was no dearth of fearsome fast bowlers and quality spinners, Ganguly was tempted to draw a parallel between the tough moments in the sport and the health crisis. "This is very difficult, but we hope that we will win this match together," he added. Ganguly expressed his sadness at the number of lives lost in the pandemic and the irreparable damage that it has caused. "I am really upset seeing the current situation, because so many people are suffering outside. We are still struggling to understand how to stop this pandemic," he said. "This atmosphere all over the world has really bothered me. We don't know how, when and where it came from - we all were unprepared for this," he added. Not just upset, Ganguly conceded he cannot help feeling a big scared of what's unfolding because of the disease. "People are being affected by this so much. There have been so many deaths. This situation upsets me, and I also feel scared," he said.

"People come to my house to deliver groceries, food, so I feel a little scared as well. So it's a mixed feeling. I just want this to end as quickly as possible," he added, He said cricket has taught him to face tough situations in life and the importance of staying alert at all times. Asked how he keeps himself positive, the former captain said: "Cricket has taught me a lot. I faced real life, high-pressure situations. You have to make runs and there is just one ball left. "If you make one wrong move, one wrong footwork, you will not get another chance. These kind of situations make you alert and aware about real life situations," he said. The BCCI chief, though, also added that he is getting to spend a lot of time with his family after a long time. "It's been a month into the lockdown. I didn't mind it earlier. Earlier, I wouldn't get time at home like this. My lifestyle involved travelling for work everyday. "For the past 30-32 days, I have been at home with my family, spending time with my wife, daughter, my mother and my brother. "I have got a time like this after long, so I am enjoying myself," he said.

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All-rounder Dwayne Bravo is in awe of the current West Indies T20 team's batting depth, saying it is better than the 2016 World Cup-winning side and can intimidate any opposition. "In the last series in Sri Lanka, we had a team meeting, and coach Phil (Simmons) put the team down, the list, and he put it down in batting order, and he had my name down at No. 9," Bravo told ESPNcricinfo. "And I said to the guys, I said listen, I don't think I was ever involved in a T20 team when I am down to bat at No. 9. "I'm just in awe of our batting line-up, and I said to the guys, I said listen, I think this team is actually better than our World-Cup-winning team, and that is no joke, because at the end of the day, you have batting all the way down to No. 10.

Bravo, who returned from international T20 retirement in December last year to strengthen West Indies' title defence, said the batting resources of this "intimidating" team has reduced his role to a specialist bowler. "It's an intimidating team, it's a team to intimidate the opposition, and that excites me. So I will just do my part as a bowler, try to control the back end of the innings, especially closing off the innings with death bowling, which has been, in the past, a bit of a concern for us," said Bravo, who made his international comeback in January against Ireland. "You saw how Oshane Thomas did with his pace in Sri Lanka. Then you have Sheldon Cottrell, now a leader of the attack, Kesrick Williams on the bench, so things starting to look bright again, things starting to look good again."

Bravo also was effusive in his praise for skipper Kieron Pollard, who had taken over the reins of limited over teams last year. "He loves to win (Pollard). That's the most important thing, and as a captain, he'll do anything to win, in the right way and the right spirit, and he's very determined to win, to make a difference," he said. "I remember when they approached him to take over, I said to him, it's going to be a good challenge, a big one, a tough one, but now is the best time. You get both teams at the bottom of the table. There's only one way you can go, which is up, right? "I said now is the right time, you build a team and you create a dressing-room environment where everyone is on the same page."

Pollard has represented West Indies in 113 ODIs and 73 T20Is, scoring 3619 runs and taken 88 wickets. The 32-year-old all-rounder remains a huge figure in limited over cricket, having played in several leagues across the globe, including the IPL. Bravo described Pollard as a "figurehead" and someone who commands respect across the globe for his achievements. "I think what Pollard has is his honesty, which is the most important thing. You have leaders in the past sometimes that said, okay, well, I don't get involved in selection, I had no say, you know, they give all types of excuses and stuff, and the system will be able to manoeuvre them and control them, but Pollard, you can't control him," Bravo said. "...

The players also respect him, because of whatever he has done and achieved in the white-ball format, especially in T20 cricket. So if someone like Pollard is speaking in the dressing room about T20 cricket, we all have to listen, because he's played the most games, he's had success, and he's highly respected around the world."' The 36-year-old also had words of appreciation for for coach Phil Simmons. "And that relationship we have with Phil Simmons as well, it's another good thing. Captain, coach - always have to have a good relationship," Bravo said.

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The Indian Central Board of Direct Taxes has issued a statement to defer the filing obligation on surrogate parent entities with regards to country-by-country reporting.

The South African Revenue Service on April 6, 2018, warned taxpayers that they are expected to declare cryptocurrency gains or losses in calculating their taxable income.

On July 5, 2019, Singapore's tax agency released a draft guide that includes proposals for more favorable GST rules for virtual currencies.

Citizens from the United Arab Emirates (UAE) will newly be able to claim refunds for the VAT they incur when building their own home.

Highlights: Excessive belly fat could increase the risk of recurrent heart attacks and strokes Occurs due to

The United States Internal Revenue Service has recently updated its list of frequently asked questions and answers on the tax treatment of transactions involving virtual currencies.