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BEETHOVEN, L. van: Piano Pieces and Fragments (Gallo) (8.574131)

Including premiere recordings, this programme provides us with a privileged opportunity to engage with 36 of Ludwig van Beethoven’s rarely heard sketches, variations and briefest of compositions, even the earliest of which have much to teach us about the emergence of his unique voice and style. The range of Beethoven’s musical experimentation reveals a lasting interest in counterpoint, as well as practical pages such as cadenzas for a Mozart concerto, an incomplete sonata and a second version of the famous bagatelle Für Elise. A significant supplement to his greatest works, these miniatures bring the full arc of Beethoven’s singular genius into ever clearer focus.




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ZÁDOR, E.: Sinfonia Technica / Music for Clarinet and Strings / Trombone Concerto (Sólyomi, Fejér, Budapest Symphony Orchestra MÁV, Smolij) (8.574108)

The music of Eugene Zádor is both warmly expressive and colourful. The composer took great delight in writing for overlooked solo instruments, as his Trombone Concerto, garnished with elements of Hungarian folklore, clearly shows. The easy-going, gypsy-influenced Music for Clarinet and Strings is a beautifully proportioned quasi-concerto. The Sinfonia Technica, composed much earlier when he was living in Vienna, and something of a one-off, is an enchanting and exuberantly orchestrated example of ‘industrial music’.




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Wind Band Music - MASLANKA, D. / PERRINE, A. / WALCZYK, K. (Freedom from Fear) (University of Kansas Wind Ensemble, Popiel) (8.574169)

Contemporary American music for wind band continues to offer a rich combination of colour and variety. David Maslanka was one of the most prolific and admired of all wind band composers, and in Liberation he utilises plainchant in a moving exploration of death, the afterlife and the continuance of hope. Inspired by Walt Whitman, Aaron Perrine’s In the Open Air, In the Silent Lines creates a rich sense of space, while Kevin Walczyk’s moving Symphony No. 5: Freedom from Fear – Images from the Shoreline is unified by its themes of adoption, segregation and immigration.




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WEINBERG, M.: Clarinet Music - Clarinet Concerto / Clarinet Sonata / Chamber Symphony No. 4 (Oberaigner, Schöch, Michail Jurowski) (8.574192)

Mieczysław Weinberg was familiar with the clarinet from his youth, given its prominent place in klezmer bands and theatre ensembles, and he wrote three works specifically for the instrument. In the Clarinet Concerto he draws a wide range of textures from the accompanying strings, over which the soloist explores the clarinet’s extremes of register in virtuosic fashion. Despite having been written when Weinberg was still in his mid-twenties, the Clarinet Sonata is a mature work with Romantic and folkloric elements. His last completed work was the Chamber Symphony No. 4, an impassioned piece with a wrenching chorale theme and role for obbligato clarinet.




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STRAUSS II, J.: Blindekuh [Operetta] (R. Davidson, Kunkle, Bortolotti, Sofia Philharmonic Chorus and Orchestra, Salvi) (8.660434-35)

Blindekuh (‘Blind Man’s Buff’) was Johann Strauss II’s sixth operetta and his least known. Neglected for well over a century, it was revived by Dario Salvi and the forces on this album in January 2019. The work’s initial lack of success is hard to explain but it may have been caused by a confusing libretto—the music itself is vibrant and captivating with waltzes, polkas, mazurkas, marches and bel canto arias. Performed in a concert version without dialogue, and in accordance with performing traditions, this production restores the work to the status of one of Strauss’s most melodically seductive works.




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SCHUMANN, R.: Arrangements for Piano Duet, Vol. 5 (Eckerle Piano Duo) - Symphonies Nos. 1 and 4 (8.572881)

The insatiable demand for sheet music for domestic use in the 19th century meant that popular works were widely disseminated in piano duet form. Robert Schumann’s own arrangements of the ‘Spring’ Symphony (in collaboration with his wife Clara Schumann) and the Fourth Symphony balance playability and fidelity to the original with tremendous skill. Clara considered the Fourth Symphony to be ‘another work from the innermost depths of Robert’s soul’, a symphony that has become one of the most quintessential of the Romantic era.




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SCARLATTI, D.: Keyboard Sonatas (Complete), Vol. 23 (Monteiro) (8.574075)

Domenico Scarlatti’s distinguished career included a royal post in Rome where he competed against Handel, the latter being declared the better organist and Scarlatti the better harpsichordist. Written for his pupil the Infanta Maria Bárbara, Scarlatti’s legacy of hundreds of single-movement keyboard sonatas forms a valuable resource for performers today. This collection includes a wealth of Spanish dances with virtuoso leaps, unusual modulations, flourishes and ornamentation, as well as Scarlatti’s irrepressible verve and energy.




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JOLIVET, A.: Flute Works (Complete), Vol. 2 (Boulègue, Tulliez, L. Warnier, Gimeno) (8.574079)

In this second volume of André Jolivet’s complete works for flute (Volume 1 is on 8.573885), Kobe International Flute Competition winner Hélène Boulègue explores further examples of some of the most individual and important of all 20th-century works for the instrument. The Flute Concerto No. 1 exemplifies Jolivet’s genius for liquid melodic lines and frenetic bravura. The intricately scored Suite en concert for flute and four percussionists is one of the most fascinating in the repertoire, whilst the Sonatine is both trance-like and rhapsodic.




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GOULD, M.: Symphonettes Nos. 2-4 / Spirituals for Orchestra (Vienna Radio Symphony, Fagen) (8.559869)

Morton Gould was an American musical phenomenon, equally at home in classical, crossover and film genres, and the recipient of both GRAMMY and Pulitzer awards during his long and distinguished career. The Symphonettes represent Gould’s best crossover work—the Symphonette No. 4 deriving its character from Latin-American dance forms to make it one of his most popular compositions. The first movement of Symphonette No. 3 has been described as “a collection of dance band licks, full of bent notes and syncopations” and the central Pavanne of Symphonette No. 2 with its bluesy trumpet motif is one of Gould’s biggest hits. Spirituals for Orchestra utilizes the strings as a choir, with antiphonal responses in the rest of the orchestra.




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EŠENVALDS, Ē.: Choral Music (Translations) (Portland State Chamber Choir, Sperry) (8.574124)

The multi-award-winning Latvian composer Ēriks Ešenvalds’ 21st-century choral sound is both exquisite and angular, and in this album he explores ideas of ‘translation’, legend and the divine. With his expanded tonality and employment of shimmering singing handbells in Translation, and the angelic use of the viola and cello in In paradisum he creates music of ravishing refinement. In Legend of the Walled-In Woman Ešenvalds transcribes and employs an authentic Albanian folk song.




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BROUWER, L.: Guitar Music, Vol. 5 - Danzas Rituales y Festivas, Vol. 2 / Guitar Sonatas Nos. 3, 4, 5 (P.M. González) (8.574016)

Leo Brouwer is universally acclaimed as an innovative composer, and this fifth volume of his complete guitar works contains some of his longest and most ambitious pieces. Danzas Rituales y Festivas Vol. 2 covers the gamut of virtuosic techniques and includes a movement dedicated to Pedro Mateo González, while Brouwer considers the Sonata del Pensador to be ‘one of my most valuable pieces’. Rich in Cuban rhythms, introspection and astonishing virtuosity, Brouwer’s work is the result of a lifetime of musical exploration alongside a passion for music of the past.




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BRETÓN, T.: String Quartets Nos. 1 and 3 (Bretón String Quartet) (8.573037)

Tomás Bretón’s distinguished career as an opera composer and leading figure in Madrid’s musical life at the turn of the 20th century has tended to overshadow the significant contribution he made to Spanish chamber music. He remained true to the historic roots of the string quartet genre—his First String Quartet being a tribute to the Viennese tradition in its Classical poise. The Third String Quartet exudes Mendelssohnian inspiration in its first movement with overtly Spanish idioms, the Allegro no mucho third movement also having been turned into a version for piano trio as the Scherzo andalou. This is the first of two albums of the complete string quartets.




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BEETHOVEN, L. van: Cantata on the Death of Emperor Joseph II / Cantata on the Accession of Leopold II (Chorus Cathedralis Aboensis, Segerstam) (8.574077)

By the time of Emperor Joseph II’s death in 1790 Beethoven was a member of the court musical establishment in Bonn. To mark the occasion, Beethoven was commissioned to write two cantatas, one to mourn Joseph’s death and the other to celebrate the accession to the throne of Emperor Leopold II. Although Beethoven was only 19 years old at the time, both works show the embryonic marks of his greatness: intense expression and control of structure in one, and an almost operatic panache in the other. Neither piece was performed during Beethoven’s lifetime.




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BEETHOVEN REIMAGINED (G. Prokofiev, BBC National Orchestra of Wales, Segal) (8.574020)

2020 is the 250th anniversary of Beethoven’s birth, and this album presents three works that reshape the composer’s awe-inspiring music for the 21st century. The Sonata for Orchestra considers how the Violin Sonata No. 7 would sound had it been written for orchestra, while A Fidelio Symphony transforms vocal lines into symphonic textures to take us through the entire arc of the composer’s sole opera. Based on the famous Ode to Joy of Beethoven’s final symphony, BEETHOVEN9 Symphonic Remix uses loops, grooves and musical transformations to create a contemporary tribute to Beethoven’s universal message.




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WIDOR, C.-M.: Organ Symphonies (Complete), Vol. 2 - Nos. 3 and 4 (Rübsam) (8.574195)

Charles-Marie Widor was a hugely influential and venerated musician in his day, and his innovative organ symphonies are both a pinnacle of the repertoire and a testament to his creative and technical mastery of the instrument. These spectacular works are in the grand Romantic manner, but Widor was keenly aware of his musical ancestry, referring to music of the past such as Bach’s St Matthew Passion in the opening of the Third Symphony. The Scherzo of the Fourth Symphony is one of Widor’s finest symphonic movements, exploring the organ’s sonic beauties. The original E major Scherzo from the Symphony No. 2, which Widor subsequently replaced with a Salve Regina (see Volume 1: 8.574161), can be heard on Track 6.




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WEILAND, D.: String Quartets Nos. 4 and 5 (Melbourne Quartet) (8.574028)

British composer Douglas Weiland has long been acclaimed as one of contemporary music’s most outstanding composers for the string quartet medium, and his evolving cycle has won much admiration. Composed between 2011 and 2012 the Fourth and Fifth Quartets show him at the height of his artistic powers, where he seeks connections across time, and shows a Classical commitment to form, invention and melodic beauty. His conceptions can be Schubertian in scale and scope, while also displaying the influence of Haydn and Bartók.




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SPUCK, C.: Nutcracker and Mouse King [Ballet] (after P.I. Tchaikovsky) (Zürich Ballet, 2018) (NTSC) (ACC-20449)




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SPUCK, C.: Nutcracker and Mouse King [Ballet] (after P.I. Tchaikovsky) (Zürich Ballet, 2018) (Blu-ray, Full-HD) (ACC-10449)




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SHACKLETON, E.: South (Unabridged) (NA0401)

On 8 August 1914, five days after the outbreak of World War One, the Endurance, a wooden-hulled, coal-fired icebreaker, set sail for the South Pole, in a bid to complete the first-ever trans-Antarctic expedition, which would cross the continent from the Weddell Sea to Scott’s base at Cape Evans, via the Pole. However, despite the best planning, the ship succumbs to the ice floes of the Weddell Sea, and is subjected to months of uncontrollable drifting before its crew makes a scramble for Elephant Island, where they battle constant cold and starvation. Faced with the most fearsome terrain and extreme conditions, it is up to Ernest Shackleton, commander of the Endurance, to lead his men back to safety and save them from the horrors of the ice.




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HARDY, T.: Two on a Tower (Unabridged) (NA0400)

Deep in the grounds of Welland House lies an ancient memorial tower, surrounded by a prehistoric wilderness that isolates it from the rest of the land. When one day Viviette Constantine, the wife of the estate’s owner, investigates the tower, she there discovers Swithin St Cleeve, a young astronomer who introduces her to the majesty and wonders of the night sky. Instantly drawn to Swithin, and with her husband abroad, Viviette offers him use of the tower and becomes a kind of apprentice to him, and then, eventually, a lover. Guarded by the tower’s safe seclusion, the two star-crossed lovers ‘sweep the heavens’ and create their own private world, away from the judgement of society… Will they keep their secret, and escape the forces set to drive them apart?




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COLLINS, W.: Haunted Hotel (The) (Unabridged) (NA0403)

When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry’s former fiancé Agnes, still harbouring feelings for him, and Henry Westwick, Montbarry’s younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry’s death begin to unravel…




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BRONTE, C.: Professor (The) (Unabridged) (NA0402)

Unpublished at the time of her death, The Professor is the first novel written by Charlotte Brontë, and the seed of her later books, Jane Eyre and Villette. The narrator of the tale, William Crimsworth, tells a story of courage and ambition among jealousy and envy: orphaned from a young age, William rejects life in the clergy, and then as a tradesman, to the chagrin of his cruel uncles and elder brother. Instead he pursues a career in education and ends up in Brussels, where he meets student/teacher Francis Evans Henri, a half-English Swiss orphan, with whom he falls in love. However, their union is prevented by the jealousy of headmistress Mademoiselle Reuter, who has accidentally fallen in love with William herself…




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ST. TERESA OF AVILA: Interior Castle (The) (Unabridged) (NA0405)

In The Interior Castle, Carmelite nun, mystic and patron saint of Spain Teresa of Ávila uses the metaphor of a giant crystal castle to explain her theory of the soul and the various stages it passes through as it progresses towards God. Beginning in the outer rooms, where demons are fought and vices are purged, the soul must reach the inner chambers, where it will enter betrothal and intimate union with God. Prayer is central to the journey, as the soul is guided by its practice and each phase represents a different category of devotion. Originally written as counsel for the sisters in her convent, The Interior Castle is a poignant and poetic reflection on prayer, humility and self-knowledge, and the path towards a deeper communion with God.




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O'BRIEN, F.: At Swim-Two-Birds (Unabridged) (NA0476)

More preoccupied with drinking, sleeping and writing, an unnamed student neglects his studies and invents three separate openings for a novel. The first introduces the Pooka MacPhellimey, ‘a member of the devil class’, the second involves Mr John Furriskey, a character belonging to another of the student’s creations (writer Dermot Trellis), while the final opening features legendary Irish heroes Finn Mac Cool and Mad King Sweeny. Soon, Trellis’s creations rebel against him, doing as they like while he sleeps, and the characters from each story begin wandering in and out of each other’s tales. Published in 1939, At Swim-Two-Birds is a madcap exploration of Irish literature and mythology, and the unending possibilities of fiction.




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JAMES, H.: Roderick Hudson (Unabridged) (NA0404)

Roderick Hudson and Rowland Mallet are like two sides of the same coin: while the whimsical and egotistical Roderick recklessly follows his passions in the name of art, altruistic Rowland lives with restraint and measure. The two are bound together almost immediately when Rowland is shown a striking bronze statuette in his cousin’s garden, which moves him to meet and support its creator, Roderick. They abandon their provincial New England lives for Rome, where the young sculptor perfects his craft and flourishes among Italy’s great masters, while Rowland lives vicariously through Roderick, patiently hoping that the artist’s fiancée, Mary Garland, might one day share his feelings.




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ZOLA, E.: Masterpiece (The) (Unabridged) (NA0417)

Perhaps the most autobiographical of Zola’s Rougon-Macquart cycle of novels, The Masterpiece is a hard, bleak and raw portrait of unrecognised artistic genius. Claude Lantier, brother to Nana and son of Gervaise, is a struggling painter who dreams of conquering Paris’s art scene with his revolutionary ‘open air’ style of painting. Discouraged and mocked, Claude retreats to the countryside with a young woman from Clermont, with whom he has fallen in love, before returning to Paris, where he continues to experience rejection at every turn. Zola’s depiction of a frustrated artist is said to have drawn heavily on the real-life experiences of Édouard Manet and Paul Cézanne, the latter of whom broke off his friendship with the author upon reading the novel.




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XENOPHON: Persian Expedition (The) (Unabridged) (NA0414)

In The Persian Expedition (also known as The March of the Ten Thousand and Anabasis), Xenophon, a disciple of Socrates, relates his experiences of fighting with the Greek mercenary army ‘The Ten Thousand’ in Persia, and how he led them back to the safety of the Black Sea coast. Seeking to depose his brother Artaxerxes and take his place upon the Persian throne, Cyrus the Younger leads the 10,000 mercenaries on a dangerous campaign deep into the heart of Persia. There Cyrus is killed and his generals overthrown, leaving a young Xenophon to lead the army on its treacherous journey home. Snowy mountains, wide rivers, violent blizzards and hostile tribes obstruct their way, testing Xenophon’s leadership and his soldiers’ perseverance to the extreme.




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SMITH, A.: Wealth of Nations (The) (Unabridged) (NA0407)

It was Adam Smith (1723–1790) who first established economics as a separate branch of knowledge, and many would say his work has never been surpassed. The Wealth of Nations, which appeared in 1776, is the definitive text for all who believe that economic decisions are best left to markets, not governments. At the heart of Smith’s doctrine is an optimistic view of the effects of self-interest. Though each individual seeks only personal gain, the collective result is increased prosperity, which benefits society as a whole.




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MULLEY, C.: Woman Who Saved The Children (The) (Unabridged) (NA0477)

This is an unconventional biography of an unconventional woman. Eglantyne Jebb moved from drawing rooms to war zones, often defying expectation and at times breaking the law. Although not fond of individual children, she founded Save the Children and originated the revolutionary concept of children’s human rights. Clare Mulley brings to life the brilliant, charismatic, passionate and compassionate woman, whose work has saved millions of lives and permanently changed the way the world treats children. Save the Children ambassador Joely Richardson narrates this extraordinary story.




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MUIR, J.: Yosemite (The) (Unabridged) (NA0410)

For two years Scots-born John Muir lived in a small cabin along the Yosemite creek, observing the valley’s natural beauty and reading Emerson under the stars. The experience forged a lifelong affinity with the site, which would result in its establishment as a national park in 1890. Originally written as a guidebook to the park, The Yosemite describes every aspect of wildlife and landscape that one might encounter there. In exuberant and reverent language, Muir presents its scaling peaks, winding rivers and thunderous creeks, and gives observations on nearly every plant, animal, and geological feature. With childlike awe he rides in avalanches, rushes to witness floods, and climbs rocks under waterfalls. The Yosemite is Muir’s ode to nature and the magnificence of the outdoors.




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LENNOX, C.: Female Quixote (The) (Unabridged) (NA0406)

Young, wealthy Arabella is obsessed with French romances: brought up by a reclusive widowed father in an isolated castle, she has educated herself through their pages, and been led to believe that their dramas and absurdities are reality. She blindly adheres to their example and interprets her everyday life through their lens, thinking that life consists of uncontrollable passions and murderous violence, and that any man would die for her. Thus she embarks on a series of hilarious misadventures, insistent on the reality of her imaginary world, like Don Quixote before her.




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LEBLANC, M.: Arsène Lupin, Gentleman Burglar (Unabridged) (NA0411)

The first of Maurice Leblanc’s collections about his devilish, debonair rogue, Arsène Lupin, Gentleman-Burglar presents eight dazzling short stories that display some of Lupin’s greatest thefts and escapes. Lupin robs from within prison, leaves its walls with ease, steals priceless diamonds from the rich and outwits the greatest detective of all: Sherlock Holmes. Witty, cunning and taunting, Lupin is a genius on the wrong side of the law, although his noble code of ethics and Robin-Hood-like ways often see him use his talents for good.




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JAMES, H.: Beast in the Jungle (The) (Unabridged) (NA0416)

Bachelor John Marcher is haunted by the premonition that something terrible lies in store for him, like a ‘beast in the jungle’ lying in wait. So he spends his life in idleness, unable to carry out his dreams or desires, while his friend May Bartram, curious to see how this spectacular fate will manifest, helps watch out for the arrival of the beast. The two develop a strong platonic relationship, stoked by this mystery, and gradually the best years of their life roll by, unfulfilled—lost to John’s dread and fear of the unknown. Written soon after The Wings of the Dove, The Beast in the Jungle is a haunting story of crippling obsession and a life unlived.




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FONTANE, T.: Effi Briest (Unabridged) (NA0412)

Often compared to Madame Bovary and Anna Karenina, Theodor Fontane’s Effi Briest tells the poignant story of a passionate and spontaneous young woman who becomes trapped in a dull and restrictive upper-class existence. Married at the tender age of 17 to Geert von Innstetten, an ambitious nobleman and civil servant nearly 20 years her senior, unworldly Effi is whisked away to the quiet town of Kessin, on the Baltic coast of Prussia, where she is left to raise a daughter alone while her husband travels for work. Effi’s loneliness drives her into the arms of Major Crampas, a cunning womaniser who tempts her into adultery and lets her live out her passions. The affair is soon ended, and almost forgotten, until fate and negligence resurrect it, with devastating results.




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COLLINS, W.: Armadale (Unabridged) (NA0409)

Two young men linked by a familial murder mystery, a beautiful yet wicked governess who spins a web of deceit, and five individuals named Allan Armadale: Wilkie Collins’s follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?




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DOSTOYEVSKY, F.M.: House of the Dead (The) (Unabridged) (NA0408)

Completed six years after Dostoyevsky’s own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to ten years of hard labour for murdering his wife. He is little prepared for the cruel conditions and punishing temperatures, and struggles to integrate with the other prisoners, who claw for their sanity. Fettered, hungry and isolated, Alexandr Petrovitch must find faith and hope if he is to make his way out alive, and resurrect himself from the ‘dead house’.




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BURKE, E.: Philosophical Enquiry into the Sublime and Beautiful (A) (Unabridged) (NA0413)

In A Philosophical Enquiry… Edmund Burke sets out to define the nature of beauty and sublimity, and establish an objective criterion for discussing aesthetics. His definition of beauty as rooted in pleasure and sexuality, and the sublime in pain and survival, aligned him with the empiricists John Locke and David Hume, as he replaced the metaphysics of Plato’s aesthetics with a psychological and physiological perspective. According to Burke, the sublime and the beautiful are experiences that can be explained by biological and sensual factors; thus he proceeds to explain how smooth lines, sweet tastes and middle frequencies of sound can be considered beautiful, and the terror created by high mountains and dark forests can be sublime. These revolutionary ideas ushered in the age of Romanticism, and the Gothic genre of novels, with their delight in horror and fright, and continue to influence aesthetic theories today.




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WHARTON, E.: Ethan Frome (Unabridged) (NA0421)

Set deep in the remote countryside of Massachusetts, New England, in a world of small-town prejudice, pettiness and rural poverty, the story of Ethan Frome explores the crippling marriage of a young man to an older woman and his love for her vibrant young cousin, Mattie, who lives as a dependent in the Frome household. His feelings lead to a day of explosive emotions with tragic consequences. Published in 1911, two years before Wharton divorced her husband, the novel integrates the raw experiences of the author’s own life to create a powerful tale of the tragic destruction of innocent love, in a stark, compressed and unified form. Over time, the book has gained the reputation of being Edith Wharton’s best work.




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PIZAN, C. de: Book of the City of Ladies (The) (Unabridged) (NA0456)

Shocked and distressed by a male writer’s vilification of women, Christine de Pizan has a powerful dreamlike vision in which she is visited by three personified Virtues: Reason, Rectitude and Justice. They tell her she has been chosen to write a book which will be like a city, housing virtuous women and protecting them from feminist attack. Heroines past and present form the foundations of this city—biblical and mythical heroines, ruling queens, Christian saints, and inventors are among them. Partly myth, partly fact, The Book of the City of Ladies is an extraordinary, pioneering and impassioned defence of women that set out to shatter medieval misogynist clichés, and serve to instil self-worth in its female readers of the time.




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Podcast: Ludwig van Beethoven. Music from his late compositional period. (Apr 24, 2020)

BEETHOVEN, L. van: Celebrate Beethoven – Music from His Late Compositional Period (c.1815–1827) 9.30207 Raymond Bisha introduces the latest release in the Naxos Beethoven anniversary digital album series. Ranging from a solo piano to the huge resources required for his final symphony, the programme comprises ten works that define the last ten years of Beethoven’s creative life, exemplifying his ever more technically c ...more




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Podcast: Black History Month. Some musical notes. (Feb 14, 2020)

The guest host of this podcast is Ashley Jackson. She is an accomplished musician, who has studied the music of both Margaret Bonds and Florence Price, who composed and worked during the civil rights movement in the United States. In this podcast, Dr Jackson gives us both an historical and a personal perspective on how the struggles of these composers, and those of her grandmother, helped make possible what she does today. Harpist Ashley Jack ...more




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From the Naxos Blog: I can zing a rainbow (Jan 24, 2020)

I never tire of listening to the voice of Peggy Lee (1920-2002), the American jazz and popular music singer who was also a songwriter, composer and actress. And with an active career that spanned some six decades, it seems I’m not the only one in her fan club. Her unique vocal timbre was apposite to one of her hits, Sing a Rainbow. I wondered if the Naxos catalogue could similarly zing a rainbow and turn up an interesting collage of pieces reflecting the individual c ...more




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NIELSEN, C.: Flute Concerto / IBERT, J.: Flute Concerto / ARNOLD, M.: Flute Concerto No. 1 (Andrada, Frankfurt Radio Symphony, J. Martín) (ODE1340-2)

Review by Christian Hoskins
Gramophone, May 2020




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LISZT, F.: 3 Études de concert / Grandes Études de Paganini / 12 Études d'exécution transcendante (Hommage à Liszt) (A. Katz) (C990202)


Review by Jeremy Nicholas
Gramophone, May 2020




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KÕRVITS, T.: Hymns to the Nordic Lights / Silent Songs / Élégies of Thule (Vind, Estonian National Symphony, Joost) (ODE1349-2)

Review by Ivan Moody
Gramophone, May 2020




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GÓRECKI, H.M.: String Quartets (Complete), Vol. 2 - No. 3 / Sonata for 2 Violins (Tippett Quartet) (8.574110)


Review by Ivan Moody
Gramophone, May 2020




4

EŠENVALDS, E.: Choral Music (Translations) (Portland State Chamber Choir, Sperry) (8.574124)


Review by Malcolm Riley
Gramophone, May 2020




4

BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (NTSC) (2.110654)

Review by Jed Distler
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (NTSC) (2.110653)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (Blu-ray, HD) (NBD0104V)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020