Aasif and Salman have worked in the 1995 movie Karan Arjun.

Val Kilmer has for the first time said that he did not enjoy playing Batman, and that a set visit by special guests led to this realisation.

On his 31st birthday, we take a look at the five best films Vijay has been a part of.

Actor Gurmeet Choudhary became a household name after playing Lord Ram in the 2008 TV show "Ramayan". If given a chance, he would like to revisit the character, but for a film.

'Murder Mystery' is an underwhelming time at comedy and an excruciating and limited attempt at storytelling.

There are moments in Anubhav Sinha’s Article 15 that are so disturbing they feel like a punch to the gut.

Mangesh Hadawale’s direction, unfortunately, lacks the finesse that we saw in his award-winning Marathi film Tingya.

Hrithik Roshan-starrer Super 30 is about Patna-based mathematician Anand Kumar who succeeds against all odds.

The film seems like a grim gangland saga that inadvertently becomes funny, and an attempted spoof of a gangland saga that is far from funny.

Diljit Dosanjh is affable but profoundly bland as Arjun Patiala. Varun Sharma as Arjun's side-kick Onida and Kriti Sanon as Ritu Randhawa are tolerable.

In 'Judgementall Hai Kya,' Kangana Ranaut is solid, and Rajkummar Rao brings a real element of mystery to his character, never allowing us to feel like we’ve entirely figured the guy out.

The movie makers stay true to their promise of, “The Only Sex Film for the Whole Family” and the film ends up being a straitjacketed one for it.

Planning to watch Uri: The Surgical Strike this weekend? Read our review of the film first.

Akshay Kumar's Mission Mangal recounts the story of this mammoth event in the tried and tested, personal anecdotal style.

If you’re in the mood for guilty pleasure, 'Crawl' is not a bad way to spend an evening. Read our review of 'Piranha 3D' director's new creature flick here.

Chhichhore is all about its characters, frankly, and the hoops they're made to jump. In them you'll likely find traces and memories of your own youth.

In Dream Girl, Ayushmann plays Karam, an unemployed young man in Gokul, Mathura, who takes a job at a call centre. Read our review of the film here.

Fortune favours the brave and this one with all the talent it's equipped with plus 'The Zoya Factor' certainly seems to hold the promise of box office success. Read our full review below.

Sonam Kapoor and Dulquer Salmaan's The Zoya Factor is not an unwatchable film by any measure. But it squanders the opportunity to say something about the world we live in, and our reliance on luck as both a crutch and an excuse.

Bulbul Can Sing unfolds unhurriedly, as if matching the pace of life in a small village. It can get testing especially in the later half, but stay with it.

Coming at a time when graphic and lurid on-screen violence are being questioned and and even condemned, Asuran would appear needlessly falling back to the old formula.

Having an almost picture perfect cast can sometimes get in the way of a natural storytelling style but this family scores well on that front.

In 'Laal Kaptaan', Saif Ali Khan's performance suffers for want of a tighter script. Read our full review of the latest Bollywood film below.

'Upstarts' is very contemporary and contemplative take on our times. Read our review of the new Netflix film below.

Had there not been Akshay Kumar, it would have become a really painful watch. He has barely managed to stop Housefull 4 from becoming another Tees Maar Khan.

'Saand Ki Aankh' is based on the amazing true story of two of the oldest sharpshooter champions in the world-- Chandro and Prakashi Tomar. Read our full review of the latest Bollywood film below.

Rajkummar Rao and Boman Irani's characters in 'Made in China' sell Magic Soup to men suffering from performance issues. Read our full review of the Diwali 2019 release below.

Despite a meaty premise, there are too many missed opportunities in 'Ujda Chaman'. Read our full review of the movie below.

The film is mounted with ace production values. The era is aptly recreated by production designer Jan Roelfs and captured by cinematographer Chung-Hoon Chung.

Last Christmas may not be remembered as one of the great holiday rom-coms – it’s no Love, Actually – but it’s a perfectly satisfying one-time watch.

House Arrest, the way we generally understand the term, is really not a nice word, and connotes horror in its most basic form.

'Motichoor Chaknachoor' could have been a blockbuster comedy. But alas, with its ambling laidback storytelling style, it falls short. Read our full review of the latest Bollywood film below.

Blame it on our perception but it seems Sidharth Malhotra needs more time to come out of his decent boy next door image.

Watching 'Marjaavaan', the stench of creative bankruptcy is hard to miss. Read our full review of the latest Bollywood film below.

Overall, the film, while speaking about "girl power", is wildly entertaining despite not letting you get emotionally invested. Read our full review of the latest Hollywood film below.

In the face of it, The Irishman is Scorsese's final farewell to those immigrant hitmen who ruled suburban America in the 1950s.

Vishal Jethwa as the villain of the piece is quite a find. He performs exceedingly well as the psychotic mercenary-on-hire with no redeeming qualities.

'Mardaani 2' holds up a mirror to our times when crimes against women are an unfortunate reality. Read our full review of the latest Bollywood film below.

Kareena Kapoor deserves special mention for rooting her character in believability. There's a lot to enjoy in the film despite its bumps. Not a bad way to end the year.

Tanhaji Movie Review: Ajay Devgn and Saif Ali Khan ensure that the viewers get enough dose of high-voltage dialogues, along with fascinating action scenes.

Though there are some funny one-liners but they aren’t capable of sustaining our interest for long. Navjot Gulati’s film must have looked better on paper.

Varun Dhawan and Shradha Kapoor's dance film struggles at crucial junctures. Here's our movie review of Remo D'Souza's Street Dancer 3D.

The film’s big success is in delivering its message without making a big noise about it. Panga is all about its little moments. It’s a film about love disguised as a sports-movie.

Malang starts with Disha Patani emerging out of the sea a la Ursula Andress and goes on to track the party scene in the city.

Shikara resembles a painting, a work of art with Rangarajan Ramabadran’s delicate cinematography accompanied by excellent production and costume design.

The world of Malang is dark and twisted, and Mohit Suri depicts the beach state as a Wasseypur-like badlands with rampant drug use.

Thanks to Vicky Kaushal and the screenplay, Bhoot serves the basic demands but it never rises beyond the obvious.

Thappad isn’t a film about a wife teaching her husband not to take her for granted. It’s about a woman rediscovering her sense of self, contemplating what is fair and what isn’t.

A foreign locale, bone-crunching scenes one after another and piling up choppers, instead of cars, do not make Baaghi 3 an entertaining film.

'Guilty' boasts of some fine performances by the cast -- Kiara Advani, particularly, deserves mention. But the actors are weighed down by mediocre storytelling and the film is a wasted attempt.