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The case of the three sided dream / music by Rahsaan Roland Kirk ; directed, produced & written by Adam Kahan

Browsery DVD ML419.K584 C37 2016




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The jazz loft, according to W. Eugene Smith / WNYC Studies presents ; in association with Lumiere Productions ; written, produced, and directed by Sara Fishko ; producer, Calvin Scaggs

Browsery DVD ML3508.8 N49 2018




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Chasing Trane: the John Coltrane documentary / Meteor 17 in association with Crew Neck Productions presents ; a film by John Scheinfeld ; produced by Spencer Proffer, John Beug, Scott Pascucci, Dave Harding ; written and directed by John Scheinfeld

Browsery DVD ML419.C645 C43 2017




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Score / an Epicleff Media production ; written and directed by Matt Schrader ; produced by Robert Kraft, Trevor Thompson ; produced by Nate Gold, Kenny Holmes

MEDIA DVD ML2075.S367 2017




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Thank you for smoking (2005) / written and directed by Jason Reitman [DVD].

[U.K.] : 20th Century Fox, [2007]




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Roma (2018) / written and directed by Alfonso Cuarón [DVD].

[U.K.] : The Criterion Collection, [2020]




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Right now, wrong then (2015) / written and directed by Hong Sangsoo [DVD].

[U.S.A.] : Grasshopper Film, [2017]




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Mandy (2018) / written and directed by Panos Cosmatos [DVD].

[U.K.] : Universal Home Entertainment, [2018]




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The insult (2017) / written and directed by Ziad Doueiri [DVD].

[U.S.A.] : Cohen Media Group, [2018]




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The hateful eight (2015) / written and directed by Quentin Taratino [DVD].

[U.K.] : Entertainment in Video, [2016]




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Friday Night Lights. The first season (2006) / created, written and directed by Peter Berg [DVD].

[U.K.] : Universal Studios Home Entertainment, [2019]




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The dead don't die (2019) / written and directed by Jim Jarmusch [DVD].

[U.K.] : Universal Home Video, [2019]




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Un couple (1960) / written and directed by Jean-Pierre Mocky [DVD].

[France] : Pathé, [2005]




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Carmen comes home (1951) / written and directed by Keisuke Kinoshita [DVD].

[South Korea] : YDM DVDVideo, [2006]




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Capernaum (2018) / written and directed by Nadine Labaki [DVD].

[U.K.] : Picturehouse Entertainment, [2019]




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Burning (2018) / written and directed by Lee Chang-Dong [DVD].

[U.K.] : Thuderbird Releasing, [2018]




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Blue is the warmest colour (2013) / written and directed by Abdellatif Kechiches [DVD].

[U.K.] : Artifical Eye, [2014]




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Black Venus (2010) / written and directed by Abdellatif Kechiche [DVD].

[U.K.] : Arrow Films, [2018]




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Bait (2019) / written and directed by Mark Jenkin [DVD].

[U.K.] : BFI, [2020]




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Standards for Writing Accessibly

Writing to meet WCAG2 standards can be a challenge, but it’s worthwhile. Albert Einstein, the archetypical genius and physicist, once said, “Any fool can make things bigger, more complex, and more violent. It takes a touch of genius—and a lot of courage—to move in the opposite direction.”

Hopefully, this entire book will help you better write for accessibility. So far, you’ve learned:

  • Why clarity is important
  • How to structure messages for error states and stress cases
  • How to test the effectiveness of the words you write

All that should help your writing be better for screen readers, give additional context to users who may need it, and be easier to parse.

But there are a few specific points that you may not otherwise think about, even after reading these pages.

Writing for Screen Readers

People with little or no sight interact with apps and websites in a much different way than sighted people do. Screen readers parse the elements on the screen (to the best of their abilities) and read it back to the user. And along the way, there are many ways this could go wrong. As the interface writer, your role is perhaps most important in giving screen reader users the best context.

Here are a few things to keep in mind about screen readers:

  • The average reading time for sighted readers is two to five words per second. Screen-reader users can comprehend text being read at an average of 35 syllables per second, which is significantly faster. Don’t be afraid to sacrifice brevity for clarity, especially when extra context is needed or useful.
  • People want to be able to skim long blocks of text, regardless of sight or audio, so it’s extremely important to structure your longform writing with headers, short paragraphs, and other content design best practices.

Write Chronologically, Not Spatially

Writing chronologically is about describing the order of things, rather than where they appear spatially in the interface. There are so many good reasons to do this (devices and browsers will render interfaces differently), but screen readers show you the most valuable reason. You’ll often be faced with writing tooltips or onboarding elements that say something like, “Click the OK button below to continue.” Or “See the instructions above to save your document.”

Screen readers will do their job and read those instructions aloud to someone who can’t see the spatial relationships between words and objects. While many times, they can cope with that, they shouldn’t have to. Consider screen reader users in your language. Embrace the universal experience shared by humans and rely on their intrinsic understanding of the top is first, bottom is last paradigm. Write chronologically, as in Figure 5.5.

FIGURE 5.5 Password hint microcopy below the password field won’t help someone using a screen reader who hasn’t made it there yet.

Rather than saying:

  • Click the OK button below to continue.
  • (A button that scrolls you to the top of a page): Go to top.

Instead, say:

  • Next, select OK to continue.
  • Go to beginning.

Write Left to Right, Top to Bottom

While you don’t want to convey spatial meaning in your writing, you still want to keep that spatial order in mind.

Have you ever purchased a service or a product, only to find out later that there were conditions you didn’t know about before you paid for it? Maybe you didn’t realize batteries weren’t included in that gadget, or that signing up for that social network, you were implicitly agreeing to provide data to third-party advertisers.

People who use screen readers face this all the time.

Most screen readers will parse information from left to write, from top to bottom.1 Think about a few things when reviewing the order and placement of your words. Is there information critical to performing an action, or making a decision, that appears after (to the right or below) an action item, like in Figure 5.5? If so, consider moving it up in the interface.

Instead, if there’s information critical to an action (rules around setting a password, for example, or accepting terms of service before proceeding), place it before the text field or action button. Even if it’s hidden in a tooltip or info button, it should be presented before a user arrives at a decision point.

Don’t Use Colors and Icons Alone

If you are a sighted American user of digital products, there’s a pretty good chance that if you see a message in red, you’ll interpret it as a warning message or think something’s wrong. And if you see a message in green, you’ll likely associate that with success. But while colors aid in conveying meaning to this type of user, they don’t necessarily mean the same thing to those from other cultures.

For example, although red might indicate excitement, or danger in the U.S. (broadly speaking), in other cultures it means something entirely different:

  • In China, it represents good luck.
  • In some former-Soviet, eastern European countries it’s the color strongly associated with Communism.
  • In India, it represents purity.

Yellow, which we in the U.S. often use to mean “caution” (because we’re borrowing a mental model from traffic lights), might convey another meaning for people in other cultures:

  • In Latin America, yellow is associated with death.
  • In Eastern and Asian cultures, it’s a royal color—sacred and often imperial.

And what about users with color-blindness or low to no vision? And what about screen readers? Intrinsic meaning from the interface color means nothing for them. Be sure to add words that bear context so that if you heard the message being read aloud, you would understand what was being said, as in Figure 5.6.

FIGURE 5.6 While a simple in-app message warning a user to save their work before proceeding is more effective, visually, if it is red and has a warning icon, as seen on the left, you should provide more context when possible. The example on the right explicitly says that a user won’t be able to proceed to the next step before saving their work.

Describe the Action, Not the Behavior

Touch-first interfaces have been steadily growing and replacing keyboard/mouse interfaces for years, so no longer are users “clicking” a link or a button. But they’re not necessarily “tapping” it either, especially if they’re using a voice interface or an adaptive device.

Instead of microcopy that includes behavioral actions like:

  • Click
  • Tap
  • Press
  • See

Try device-agnostic words that describe the action, irrespective of the interface, like:

  • Choose
  • Select
  • View

There are plenty of exceptions to this rule. If your interface requires a certain action to execute a particular function, and you need to teach the user how their gesture affects the interface (“Pinch to zoom out,” for example), then of course you need to describe the behavior. But generally, the copy you’re writing will be simpler and more consistent if you stick with the action in the context of the interface itself.




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Voyager: travel writings / Russell Banks

Hayden Library - G465.B369 2016




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User-oriented appropriateness: a theoretical model of written text on Facebook for improved PR communication / Benjamin Gust

Online Resource




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A V Rajwade: Think before you write an option

Their pricing and hedging is arguably one of the most complex subjects in the theory and models of financial economics




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Le testament du Docteur Cordelier [videorecording] / Consortium Pathé présente un film de Jean Renoir ; written, directed and narrated by Jean Renoir




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The director's journey : the creative collaboration between directors, writers, and actors / Mark W. Travis

Travis, Mark W., 1943-




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2010 [videorecording] : the year we make contact / Metro-Goldwyn-Mayer presents a Peter Hyams film ; written for the screen, produced and directed by Peter Hyams




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Skywriting making radio waves / Robyn Ravlich

Ravlich, Robyn, 1949- author




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Summer 1955: a collection of small compositions written or rewritten in summer 1955: (1955) / Harry Partch

STACK SCORE Mu P257 sel




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Writers under surveillance: the FBI files / edited by JPat Brown, B. C. D. Lipton, Michael Morisy ; foreword by Cory Doctorow

Dewey Library - P129.W84 2018




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Counter-desecration: a glossary for writing within the Anthropocene / edited by Linda Russo and Marthe Reed

Hayden Library - P39.5.C67 2018




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Our war paint is writers' ink: Anishinaabe literary transnationalism / Adam Spry

Hayden Library - PM853.5.S67 2018




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Feminist Institutionalism and Gendered Bureaucracies: Forestry Governance in Nepal / by Radha Wagle, Soma Pillay, Wendy Wright

Online Resource




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Feminist institutionalism and gendered bureaucracies: forestry governance in Nepal / Radha Wagle, Soma Pillay, Wendy Wright

Online Resource




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The CLI Book: Writing Successful Command Line Interfaces with Node.js / by Robert Kowalski

Online Resource




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Burn it down: women writing about anger / edited by Lilly Dancyger

Dewey Library - BF575.A5 B87 2019




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Asemic: the art of writing / Peter Schwenger

Dewey Library - BF367.S39 2019




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[ASAP] The Fresh Air Wristband: A Wearable Air Pollutant Sampler

Environmental Science & Technology Letters
DOI: 10.1021/acs.estlett.9b00800




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2010 Second WRI Global Congress on Intelligent Systems (GCIS 2010) [electronic journal].

IEEE Computer Society




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Poverty, Inc. [videorecording] / Acton Media presents a Poverty Cure production in association with Coldwater Media ; producers, James F. Fitzgerald, Jr., Michael Matheson Miller ; written by Jonathan Witt, Michael Matheson Miller, Simon Scionka ; directe




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The Art of Writing Reasonable Organic Reaction Mechanisms

Online Resource




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Macromolecular protein complexes II: structure and function / J. Robin Harris, Jon Marles-Wright, editors

Online Resource




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Professor Marston and the Wonder Women [videorecording]/ Annapurna Pictures presents in association with Stage 6 Films ; a Topple Pictures & Boxspring Entertainment production ; produced by Terry Leonard, Amy Redford ; written and directed by Angela R

1 videodisc (approximately 108 minutes) : sound, color ; 4 3/4 in





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Interview: What Edith Blumhofer Taught Me on Writing About Strong Women

A tribute to a pathbreaking Pentecostal historian who also knew the value of a cannoli to a grad student.




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Writes Carol Adler

Writes Carol Adler - Do You Really Need To Write A Book?




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Writers Authors and Dream-Weavers

Writers Authors and Dream-Weavers: I Heard Your Call For Help!




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Plasma dynamics for aerospace engineering / Joseph J. S. Shang, Wright State University, Sergey T Surzhikov, Russian Academy of Sciences

Hayden Library - QC718.5.D9 S535 2018




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Girls can do it : interviews with thirty women in non-traditional occupations / Lucy Callaghan ; foreword by Helen Garner ; illustrations by Mary Leunig ; photographs by Ian Wright

Callaghan, Lucy




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How the west was lost [videorecording] / director, David Noakes ; writers, David Noakes, Paul Roberts ; producers, Heather Williams, David Noakes




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Now, write letters & send cards to Covid warriors

Writing letters may have become a passé, but thanks to the initiative of Patna postal division, many city residents are now thanking corona warriors by sending them personal handwritten letters or greeting cards.