West Indies all-rounder Dwayne Bravo has revealed that he has never received the family type atmosphere that he gets at the Indian Premier League franchise Chennai Super Kings' camp. Bravo was doing an Instagram live chat with CSK when he said the team welcomes you like an 'extended family'.

"From the very first day when I joined the team, I got that sense of family atmosphere. Every player who joins CSK feels the same way," said Bravo. "You are welcomed here like an extended family. I have played a lot of cricket, but I don't think you can get another team or environment like in CSK," he added.

The right-handed batsman has led Caribbean Premier League (CPL) franchise Trinbago Knight Riders to three titles. The all-rounder said he has tried to inculcate the CSK culture into the TKR side.

"It's important that you have a management team, the owners, the captain's everyone understands you. They understand its a sport and you don't perform every time but they give you that opportunity to bounce back," said Bravo.

"The good thing with CSK is that it allows everybody to be themselves. We all enjoy each other's success, whoever is performing, we celebrate all performances together," he added.

CSK have won the IPL three times in 2010, 2011, and 2018 respectively.

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India badminton coach Pullela Gopichand on Thursday emphasized on the need for physical literacy as people around the world are fighting against the COVID-19 pandemic. Gopichand along with Margaret Whitehead, who is an esteemed philosopher and stalwart of the modern interpretation of physical literacy, also highlighted the importance of support from the top leadership to promote the need for Physical Literacy and see it as a key pillar for the national level development.

"Physical literacy is a very important part of our life. I think physical activity needs to take centre stage. Health, fitness and all of these things are important especially in these days of COVID-19. We see the need for it more and more," Gopichand told reporters via video conferencing during ELMS Sports Foundation webinar. "We need a healthy and happy country during these challenging times. Our vision to improve physical literacy, sporting excellence in India has received a huge fillip with the involvement of stalwarts like Gopichand and Whitehead interacting on the subject," ELMS Sports Foundation's co-promoter Vita Dani said.

"A healthier and happier nation is truly the need of the hour, not just during the challenging times we're living in currently, but also in the future as we look to bounce back," she added, in the webinar that was widely attended by government officials, heads of private institutions, leading faculty from Physical Education and the media.

Mentored by two of India's most popular sports legends -- two-time Olympic medal-winning coach Gopichand and Olympic champion shooter Abhinav Bindra -- ELMS Sports Foundation has been making a huge impact highlighting the subject of physical literacy in the country.

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In a shocking case, a teenage girl jumped off a moving train after her mobile phone slipped from her hand and fell on the platform at Khoparkhairane. The girl, a class 11 student has suffered severe head injuries and has been admitted to Mathadi Kamgar hospital in Koparkhairane.

Turbhe RPF’s inspector Lokesh Sagar said, "The incident occurred around 11.45am on platform number 1. The collegian, her friends and some of their teachers were on their way to Nerul for an event. As the group boarded the Nerul-bound train, Tejashri’s mobile slipped from her hand and fell on the platform. By then, the train had picked up speed but still, the girl jumped off to get the phone. Her friends alighted at Turbhe and returned to Koparkhairane to help her but she had already been taken to a hospital."

An RPF constable who was deployed at khoparkhairane station saw the incident and rushed the girl to Mathadi Kamgar hospital near bus depot in an auto, without waiting for an ambulance reported Times of India.

Lokesh Sagar added, "Doctors treating Tejashri said that she was administered eight stitches and is out danger. We handed over her mobile to her family members when they came to the hospital."

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On the basis of the specific input, the NCB Mumbai unit seized 2.9 kg white crystalline powder suspected to be ephedrine, from a courier hub in Navi Mumbai on March 2, 2019. The two parcels which contained ephedrine concealed in them were booked by a lady who was arrested on last Saturday in connection with a seizure of 280 gm of amphetamine.

The said consignments were destined for New Zealand and Zambia. Further investigations are under process to identify the source of the seized drugs.

Ephedrine is a controlled substance in India which has legitimate industrial usage, however, it can also be used in the illicit drug market for the manufacturing an illicit drug.

Dealing in drugs may attract punishment of rigorous imprisonment up to 20 years and a financial penalty of up to Rs. 2 lakhs and even can even lead, to being awarded a death penalty.

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If you find yourself feeling bored and at a loss for what to do next while you're quarantined at home, you only have to head on to Karan Johar's Instagram page and check out videos of his twin babies. His kids, Roohi and Yash Johar are super adorable, and they keep entertaining themselves and everyone else with their shenanigans. From calling papa KJo's clothes 'girl clothes' to annoying mama Hiroo Johar, Yash and Roohi will surely bring a smile to your face.

Recently, Karan Johar shared another sweet video of his babies trying to play a game and it ended up on a hilarious note. In the video, he is seen asking his daughter, "Roohi, if you were an animal, what would you be?" "Peppa Pig," answers Roohi. When he asked the same question to Yash, he said, "Peppa Pa". When he came back to Roohi and asked which animal would he be? she answered "Elephant", with a broad smile.

Sharing the video, the director-producer wrote, "Well guess which animal I remind them of #lockdownwiththejohars #toodles #season 2 @officialpeppa (sic)". Watch the playful banter of Karan Johar and his kids Yash and Roohi:

 

 

 

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A post shared by Karan Johar (@karanjohar) onApr 24, 2020 at 5:53am PDT

Earlier the filmmaker had shared a video in which his kids were seen sitting on a sofa with a guitar in their hand and trying really hard to sing in their adorable voices.

 

 

 

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Clearly singing is not in our genes! Apologies in advance ! #lockdownwiththejohars #toodles

A post shared by Karan Johar (@karanjohar) onApr 22, 2020 at 12:19am PDT

Before this, Yash and Roohi had hilariously mocked their filmmaker dad's designer kurta in a video shot in KJO's walk-in closet.

 

 

 

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Now they think I am wearing my mothers clothes!!!! #lockdownwiththejohars #season2 #toodles #weareback

A post shared by Karan Johar (@karanjohar) onApr 20, 2020 at 3:57am PDT

If this video doesn't pull at your heartstrings, we don't know what will! Several of Karan Johar's fraternity friends and social media followers couldn't help but laugh out loud at his predicament.

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The reticent Sunny Deol could not resist sharing a picture from the family album like most of his colleagues, who are keeping fans entertained by uploading throwback photographs. He posted a snapshot from his younger days with father Dharmendra.

The actor wrote, "Flashback... dad, my sister and me (sic)." He is seen indulging in a pillow fight and trying to beat the two 'into pulp'.

 

 

 

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Flashback Dad my sister and me #life

A post shared by Sunny Deol (@iamsunnydeol) onApr 22, 2020 at 11:53pm PDT

Netizens found the picture amusing. They wondered if his trademark 'dhai kilo ka haath' was in action even during his childhood days. But looking at his scrawny frame, one user quipped, "Uss time haath 50 gm ka tha aur aab dhai kilo ka (sic)." Sunny paaji could only laugh out loud.

On the work front, Sunny Deol has given his nod to a thriller, which will be helmed by South director Hanu Raghavapudi. "It's not a remake of any South film. It's an interesting subject, loaded with action and suspense. The character is different from what I have done till date. Though it's too early to say anything about my role, it requires me to put in some extra efforts," Deol told mid-day.

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Veteran actor Anil Kapoor has shared a few fitness tips, revealing how has maintained a fit physique over the years -- that too without consumption of supplements. "I made this post not to show off or talk myself up, but to pass on some simple advice on. When it comes to body building, nothing is beyond us. At different ages we can work differently to achieve great results. If you're asking if you need to spend a lot of money on supplements to achieve this, the answer is no. I have not taken any kind of supplements in this process," he wrote on Instagram.

 

 

 

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A post shared by anilskapoor (@anilskapoor) onApr 25, 2020 at 1:52am PDT

The 63-year-old-star also shared that he has been working on his body for six years to achieve the best results. And now when the world is going through major health crisis, the actor urges people to pay proper attention to physical health.

"My trainer Marc and I have been talking about doing this kind of rebuild of my body for as many years as we have been together, which is 6 years! Time was always a stumbling block, or filming requirements, endorsements, social obligations or family time. Every year we would say we - this year for sure.

"Now in these very difficult circumstances, time is something we all seem to have a great deal of, so why not use this time to do the things you always promised yourself you would do. Strengthen your body, build muscle, build immunity, build flexibility. Respect your body. We might never have this much time available to us ever again," Kapoor added.

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Actress Sobhita Dhulipala, who has been accused of making false claims of 'self-timing' a magazine photoshoot, has issued a statement in self-defence.

A few days ago, Sobhita had posted a few of her pictures claiming she had clicked the images with a self-timer. However, the authenticity of her claim came under scrutiny after snapshots, showing Sobhita being clicked on her terrace by a man, went viral on social media. Seeing the viral images, many followers started questioning her and accused her of lying.

 

 

 

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A post shared by Sobhita Dhulipala (@sobhitad) onApr 24, 2020 at 9:42am PDT

Sobhita then penned a lengthy note, explaining that the man had just offered to help. "Quite a few people have written to me about the image I last posted. It is upsetting and I am little taken aback by how urgently many have jumped to unkind conclusions, this is also a moment for me to learn something deeper," she wrote.

She added: "I stand by the flow of events I'm sharing with complete transparency:

1. I style myself, go to the terrace with a coffee mug and a couple of tools to prop up my phone to take pictures.

2. There are people on the terrace and one kind gentleman upon learning that I'm trying to shoot my pictures, offers help.

3. After he graciously shoots a few pictures in the frame I wanted, I thank him and we depart.

Neither was the picture shot by him used by Cosmopolitan (It doesn't belong with the magazine's mandate) nor am I anything but proud of this wonderful collaboration with the magazine.

I only posted it along with the official ones because I like it. I recognise that I should have altered the caption text to mention that the second image was not part of the magazine shoot. I wish I had a more exciting, dramatic story but alas, truth often wears plain robes! Stay home and stay safe," concluded the model-turned-actress, best known for her roles in the web shows "Made In Heaven" and "Bard Of Blood".

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Actor Randeep Hooda on Saturday shared a glimpse from his Hollywood debut in the upcoming Netflix film 'Extraction' with a safety slogan 'Don't step out' amid lockdown to curb the spread of coronavirus.

The 43-year-old actor took to Instagram and shared a glimpse from the film where Hooda is seen in commando mode to save a boy while holding a gun in his hand. The 'Highway' actor is seen dressed in black commando dress while he runs for safeguarding a boy.

 

 

 

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Only if this boy hadn’t stepped out! Don’t step out or.... . #Extraction #Lockdown @Netflix_in @netflix @netflixfilm @thesamhargrave @therussobrothers @agbofilms @chrishemsworth @rudhrakshjaiswal1

A post shared by Randeep Hooda (@randeephooda) onApr 25, 2020 at 2:27am PDT

The 'Sarabjit' star captioned the post as, "Only if this boy hadn't stepped out! Don't step out or... #Extraction #Lockdown."

Earlier this week, Hooda shared a video from the movie's shooting in India and announced its streaming date as April 24.'Extraction also stars Australian actor Chris Hemsworth and some of the parts have also been filmed in India. In the video, the production staff of 'Extraction,' along with Randeep and Hemsworth are seen talking about India and how different the feeling was to shoot in the country.

 

 

 

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India isn't just about heat, but a lot of warmth too.. here's a glimpse into shooting #Extraction in India Streaming on Netflix from 24th April @Netflix_in @netflix @thesamhargrave @therussobrothers @agbofilms @chrishemsworth @tsigel @ptnewall @leecleary1 @outthayr @danielstevens1 @artoflegitsu @rostacosta @rudhrakshjaiswal1 @dkharbour @golfarahani @priyanshupainyuli @battlecat_stunts_inc @dargan_fire @danlawsonjohnston @matteo__silvi @luca_vannella @tessjosephcasting @indochinaproductions @luca_vannella @tessjoseph19 #joewhelan #tomharrison

A post shared by Randeep Hooda (@randeephooda) onApr 20, 2020 at 11:40pm PDT

The Netflix film also marks the 'Kick' actor's Hollywood debut.

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Embarking on a promotional spree, Sanya Malhotra had a fun interaction with real-life photographers clicking pictures against Gateway of India as well as with the photographers. Sharing her picture from the visit Sanya Malhotra says,

"Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega."

 

 

 

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Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega. . . Smile please!📸 #photograph #gatewayofindia @photographamzn #9daystogo

A post shared by Sanya Malhotra💥 (@sanyamalhotra_) onMar 6, 2019 at 12:39am PST

The film brings to the screen the story of a photographer at Gateway of India who convinces a stranger to act as his love interest to help his ailing grandmother. Nawazuddin Siddiqui will essay the role of the photographer, while Sanya Malhotra plays his muse.

Earlier, Sanya Malhotra who had a working birthday took out time and celebrated the special occasion with the paparazzi. Recently, National Award-winning filmmaker Ritesh Batra hosted a special screening of Photograph for film students prior to its theatrical release. Post the screening, the director interacted with the students and engaged in a discussion about films and their making.

Sanya garnered immense love and appreciation for her performance in Photograph when the film premiered at Sundance Film Festival and the Berlin International Film Festival 2019. The trailer brings to screen a sweet, innocent, and refreshing chemistry with Nawazuddin Siddiqui and Sanya Malhotra's first association.

Written and directed by Ritesh Batra, Photograph is presented by Amazon Studious in association with The Match Factory and is slated to release in India on March 15, 2019.

Also read: Team Photograph shares a video on Nawazuddin Siddiqui's character

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Akash Ambani and Shloka Mehta's 'mala and mehendi' function in Mumbai was a fun event that had dance, music. Since the families have urged guests to let the private events remain as private as possible, the social networking world gave just a glimpse into Thursday's celebrations at the Dome, NSCI, Worli.

One video doing the rounds with the wedding's hashtag #AkuStoleTheShlo shows the bride's family dancing away on a fancy stage to "Iski uski" from "2 States". The stage was quite elaborately decorated according to the images that surfaced on social media.

 

 

 

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Glimpses of the decor last night for the #Mala&Mehndi of #AkashAndShloka at NSCI Dome ! âÂœ¨

A post shared by Akash Ambani Weds Shloka Mehta (@akashwedsshloka) onMar 7, 2019 at 10:10pm PST

 

 

 

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Glimpses of the decor last night for the #Mala&Mehndi of #AkashAndShloka at NSCI Dome ! #BigFatIndianWedding . . . #akashambani #shlokamehta #nitaambani #ishaambani #anantambani #radhikamerchant #antilia #ambani #akashwedsshloka #akashambanipreweddingbash #mukeshambani #india #bigfatindianwedding #richindian #akashshlokawedding #akustoletheshlo #luxurylifestyle #royalwedding #antilia #Decorgoals #weddingdecoration #ambaniwedding #shlokamehtamehndi #shlokaakashmehendi #nscidome #mehendi #mehndi

A post shared by Akash Ambani Weds Shloka Mehta (@akashwedsshloka) onMar 7, 2019 at 10:14pm PST

Pre-wedding celebrations have been on in full swing at the Ambani and Mehta houses. Akash is the son of Reliance Industries Chairman and Managing Director Mukesh Ambani, while Shloka is the youngest daughter of diamond merchant Russell Mehta. There is huge interest in the wedding, especially after the scale at which the industrialist's daughter Isha got married last year.

A dandiya night in Mumbai was followed by a three-day star-studded celebration for Akash and Shloka in St. Moritz, Switzerland, last month. Functions have been on in Mumbai since the beginning of March.

They reportedly had a Harry Potter-themed party where Guru Randhawa took the stage, as well as a musical night concert with Shreya Ghoshal behind the mic. An 'Anna Sewa' was also organised on Wednesday night at the Jio World Centre, which is the venue for all three forthcoming functions.

After the wedding on March 9 is a celebration on March 10, followed by a reception on March 11. The main galas are likely to attend to be attended by a slew of guests from the Bollywood, political and sports world.

Check out the photos and videos here...

 

 

 

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Shloka’s fam, #TeamBride killing it at the dance floor at the Mehendi Night! 🕺🏻💃🏻 . . #AkashAmbani #ShlokaMehta #AkuStoleTheShlo #MukeshAmbani #NitaAmbani #IshaAmbani #AnandPiramal #KokilaBenAmbani #AnantAmbani #RadhikaMerchant #AmbaniWedding #India #Celebrations #IndianWedding #AkashShloka #AkaShloka #RoyalWedding #BigFatIndianWedding #Mehendi #MehendiNight #Dance #DancePerformance

A post shared by Akash Ambani 💍 Shloka Mehta (@akustoletheshlo) onMar 7, 2019 at 11:48am PST

 

 

 

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First glimpse of how grand the “Mala & Mehendi” function of Akash Ambani & Shloka Mehta is! ♥ï¸Â Love it. Also, zoom into the first picture as much as you can, because, the bride to be, Shloka is sitting right there in the centre! 😍🤩 . Follow @akustoletheshlo for all the latest updates about the Ambani Wedding. ðŸ¤Â— . . #AkashAmbani #ShlokaMehta #AkuStoleTheShlo #MukeshAmbani #NitaAmbani #IshaAmbani #AnandPiramal #KokilaBenAmbani #AnantAmbani #RadhikaMerchant #AmbaniWedding #India #Celebrations #IndianWedding #AkashShloka #AkaShloka #RoyalWedding #BigFatIndianWedding #Mehendi #MehendiNight #WeddingRituals #BrideToBe

A post shared by Akash Ambani 💍 Shloka Mehta (@akustoletheshlo) onMar 7, 2019 at 6:10am PST

 

 

 

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Shloka Mehta’s Mala & Mehndi to take place today at NSCI Dome 5.15 pm onwards!

A post shared by Akash Ambani Weds Shloka Mehta (@akashwedsshloka) onMar 7, 2019 at 4:50am PST

Ahead of the wedding of his son, industrialist Mukesh Ambani has sent boxes containing sweets to the around 50,000 police personnel in the metropolis. Every police station in Mumbai is receiving the boxes from the family of the Reliance Industries chairman, whose son Akash Ambani is getting married here on March 9, an official said.

The boxes are accompanied by a small card carrying the names of Mukesh Ambani, his wife Nita and their children and messages seeking blessings and good wishes, said a police constable, who recently received one such box. "I got the box of sweets from police station and came to know it has been sent by Ambani's family on the occasion of his son's wedding," he said.

Also Read: Akash Ambani-Shloka Mehta wedding: Here's all that you need to know

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I guess it happens to everyone at some point," remarks Ranjeet Adkar about mid-life crisis. The 45-year-old mechanical engineer quit his corporate job to pursue his passion for photography in April this year, after working in the profession for two decades. And in May, he started PhotoWorks, an organisation that conducts photography workshops and walks, and provides basic and advanced training to enthusiasts.

a photograph of schoolchildren from the village

This Saturday, Adkare will be conducting a walk around the colourful Asalpha village, a locality situated in Ghatkopar, which has often been compared to Positano, a popular holiday destination and quaint cliff-side village on southern Italy's Amalfi Coast. But Asalpha wasn't always Positano. Some time ago, it was much like any other slum in Mumbai, morbid with its crumbling walls, and homes as weathered as a book left out in the rain for too long. In 2017, an NGO started a campaign inviting volunteers to re-imagine the village and together, they painted close to 175 walls in the area, as well as murals, transforming the erstwhile slum into a vibrant village, and thereby making it an automatic option for photography.

Ranjeet Adkar

Resounding this, Adkare tells us, "I think there are two reasons why Asalpha attracts people. Firstly, the community is extremely open-minded and welcoming unlike some other places where people tend to say,'Please don't take our photograph.' They are chatty and forthcoming, so it's a fun place to be in.

And secondly, from a photography point of view, it's a place that allows you to truly explore street photography."
Elaborating on why Asalpha is a fertile ground for camera addicts, he shares, "There are narrow lanes, so it is apt for wide-angle photographs. The colours are simply brilliant despite being worn out a little. Then there are children on their way back from schools who are eager to pose, as is the rest of the community. So it's great for candid portraits as well."

On: September 22, 8 am
At: Asalpha village, Ghatkopar West.
Log on to: thephoto.works
Cost: Rs 750

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Thane Crime Branch Unit I on Wednesday arrested a man along with two others for allegedly procuring the Call Detail Records (CDR) of his wife's phone while the couple's divorce case is on. The victim has also alleged that a police officer has been helping her husband get the call records of her and her friend's phones.

According to the police, Ketan Bundela married Surjit Kaur in 2011, and filed for a divorce in the same year. He later began harassing Kaur, who sought help from her friend Vishal Patane. Bundela was also aided by his brother Kunal and brother-in-law Farooq Shaikh in harassing Kaur.

Bundela and Kaur worked together in a well-known company, where the two fell in love and decided to get married. "My nightmare began right from the second day of our marriage. They made me participate in some horrible rituals. My husband also asked me to maintain relations with his brother Kunal. I soon left that house and returned to Mumbai from Pune. He then sent me a divorce notice. He also influenced my lawyer which is why the case is still on," said Kaur.

Along with her friend Patane, Kaur recently caught hold of Shaikh's phone when they found the CDR and thus approached the Crime Branch. "We have arrested the accused and secured their custody. There is so far no involvement of any police officer," said a Crime Branch officer.

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A pod of dolphins was spotted in the Ragodi beach in Nalsopara West in north Mumbai. Janardan Alonghe, a lifeguard deployed by the VVMC at Rajodi beach said, "I was on duty and suddenly noticed some movement in the sea. I thought someone was drowning in the water so I immediately took the help of a guard and rushed to the spot on a rider boat. There we saw a bunch of dolphins swimming and enjoying in the water."

He further said that this is not the first time when a dolphin appeared on the beach. Alonghe said, "Dolphins are seen here but mostly far away from the seashore. This is the first time when dolphins were this seen close to the seashore. Dolphins are usually seen at the seashore when the days are cold and then they go to the deep sea around 11:30 am when it is hot and sunny. Since it was cold for the last few days, the dolphins must have come closer to the seashore."

Nikhil Tandel, 'Blue life Adventure' guard deployed at Rajodi beach said that he has seen several dolphins in the past but he had seen them this close for the first time. He said, "There were ten to twelve dolphins jumping and swimming in the water. As soon as the people heard about them, they started visiting the seashore to witness the pod," he added. 

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While speculations of Malaika Arora and Arjun Kapoor getting married in April were rife, the former was seen making the most of summer nights by partying with her girl squad - Kareena Kapoor Khan, Amrita Arora Ladak, Delnaz Daruwala, Mallika Bhat and Vahbiz Mehta. Amrita Arora's husband Shakeel Ladak and fashion designer-producer Vikram Phadnis were also part of the bash, which was held at Shakeel-Amrita's residence.

Well, the terrace party seemed to be one crazy night, and the pictures that the celebs shared from the bash, doing rounds on social media, are proof enough!

Malaika Arora posted this picture on her Instagram account and captioned: "Summer nights .... terrace nights @amuaroraofficial @shaklad @vahbizmehta @delnazd @mallika_bhat @vikramphadnis #bebo#ammusterrace [sic]"

Shakeel Ladak with wife Amrita Arora and her best friend Kareena Kapoor Khan. Bebo looked stunning in a black crop top and high waisted jeans, Amrita opted for a black crop top and printed shorts.

Group picture - (L to R) Malaika Arora, Amrita Arora Ladak, Vahbiz Mehta, Kareena Kapoor Khan, Vikram Phadnis, Delnaaz Daruwala and Shakeel Ladak

Malaika and Vahbiz Mehta posed for a selfie. Vahbiz had also accompanied Malla to her Maldives vacation.

Well, this picture of Amrita Arora kissing her husband, shared by Vahbiz Mehta on her Instagram stories caught everyone's attention. Isn't it romantic? 

This one too stole our hearts! Amrita Arora and Shakeel Ladak completed ten years of their marriage on March 4, 2019. The couple tied the knot on March 4, 2009. The two have been inseparable. They have two sons, Azaan (9) and Rayaan (7).

 

 

 

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Summer nights...... #bebo♥ï¸Â#ammusterrace

A post shared by Malaika Arora (@malaikaaroraofficial) onApr 18, 2019 at 11:03am PDT

Looking at the pictures, this indeed looked like one perfect summer night!

Also Read: Malaika Arora and Arjun Kapoor spotted at a hospital in Bandra, see photos

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More than a quarter of India's population or 337 million people would use a smartphone in 2018 -- a 16 per cent growth which is the highest rate of any country in the world -- market research company eMarketer said on Thursday.

Since its last forecast, eMarketer increased its estimate for the smartphone audience in India by more than 31 million people.

This uptick is thanks to the growth in smartphone usage in urban areas, where affordable smartphones are becoming widely available, the research firm said in a statement.

"India still faces technological challenges that are holding back mass smartphone adoption. "Mobile Internet speeds are among the slowest in the world, around two-thirds of the population still lives in rural areas and feature phones are by no means obsolete," said Chris Bendtsen, Senior Forecasting Analyst, eMarketer.

Advertisers can still be optimistic about the future.

"Smartphones are getting cheaper, mobile data prices have fallen and urbanisation continues. Over the next four years, as speeds and rural reach improve, eMarketer expects the smartphone audience to reach close to half a billion users," Bendtsen noted.

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San Francisco: Facebook has announced a new tool for website owners and developers that will alert them about phishing attacks on their platforms. "We are extending the capabilities of our 'Certificate Transparency Monitoring' tool to make it easier for developers to learn about new domains that are maliciously created to implement phishing attacks," security engineer David Huang and software engineers Bartosz Niemczura and Amy Xu said in a blog post late on Wednesday.

Phishing websites try to trick people into revealing their passwords, credit card numbers, or other sensitive information.

The tool, announced during the F8 annual developer conference in San Jose, alerts website owners of these scams so that they can take action to protect their domain and the people who use their websites.

"Certificate Transparency Logs" are designed to keep a record of all valid security certificates issued by publicly-trusted Certificate Authorities.

"We have been using these logs to monitor certificates issued for domains owned by Facebook and have created tools to help developers take advantage of the same approach," the post said.

Using these tools, developers can learn about certificates that are mis-issued for the domains they control.

"We are extending the capabilities of our tool to send alerts when certificates are issued for potential phishing domains," the post added.

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YouTube has begun rolling out support for high dynamic range (HDR) video content for iPhone X, the media reported.

For iOS users, YouTube videos in HDR can be viewed on the iPhone X, but the feature does not yet appear to be working on the latest iPad Pro models, MacRumors reported late on Thursday.

HDR videos provide a broader range of colours and also supports quality video playback on a variety of screen sizes. YouTube has platforms like "The HDR Channel" that provides HDR videos for iOS.

Apple debuted HDR support last year with the "Super Retina" display in the iPhone X, which became the first HDR OLED display incorporated into one of Apple's smartphones, the report added.

On the iTunes Movies Store on Apple TV 4K, select films also support 4K, HDR10, and "Dolby Vision" when paired with compatible 4K television sets, the report added.

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Aiming to disrupt India's mid-segment smartphone market, Samsung is set to launch four new smartphones -- two each in Galaxy "A" and Galaxy "J" series -- this month.

The upcoming Galaxy A6 and Galaxy A6+ smartphones could be priced between Rs 20,000 and Rs 25,000 while the devices in Galaxy "J" series could cost customers Rs 15,000 to Rs 20,000, industry sources told IANS on Friday.

Two of the four smartphones in the upcoming line-up would come with dual camera set-up, the sources added.

All of them will be made at the company's Noida facility. The smartphones will feature Samsung's super AMOLED "Infinity Display" -- bezel-less screen that creates an immersive viewing experience.

Notably, Samsung's flagship smartphones such as Galaxy Note 8 and Galaxy S9 series feature the "Infinity Display". Now, with the upcoming devices, the display feature would be introduced at lower price points in the Indian market.

The South Korean giant first introduced the "Infinity Display" in Galaxy S8 series in 2017.

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Targeted at millennials, Chinese smartphone maker OPPO on Tuesday debuted its sub-brand "Realme 1" smartphone in India for Rs 8,990 (3GB RAM and 32GB internal storage model).

The 6GB RAM and 128GB internal storage variant is priced at Rs 13,990.

The smartphone comes with the world's first 12-nm Artificial Intelligence-based MediaTek Helio P60 chipset with "AI shot" technology.

"Realme 1 is focused at young online consumers and is primed to be a market disruptor with a stylish design," Madhav Seth, Chief Executive Officer, Realme India, said in a statement.

The device will be available on Amazon India, starting May 25, in diamond black and solar red colour variants.

A third variant with 4GB RAM and 64GB onboard storage, in moonlight silver and diamond black colours for Rs 10,990 will go on sale in June.

Realme users will have access to over 500 OPPO service centres across the country with guaranteed 90 per cent repair cases resolved within an hour.

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Illustration/Amit Bandre

New Delhi: On an average, a college student in India checks his mobile phone over 150 times a day, according to a study conducted by Aligarh Muslim University and the Indian Council of Social Science Research (ICSSR).

The research, titled "Smartphone Dependency, Hedonism and Purchase Behaviour: Implications for Digital India Initiatives", has been conducted in 20 central universities, where 200 students each were interviewed.

"Anxiety and fear of missing out on information make university students check their mobile devices as many as 150 times a day on an average, an activity which can have adverse effects on the students' health as well as academics. "Only 26 per cent of the respondents said they use smartphones primarily to make calls. The remaining respondents use smartphones for other purposes such as accessing social networking sites, Google searches and for entertainment such as watching movies," said Mohammed Naved Khan, the Project Director.

At least 14 per cent of the students use smartphones for three hours or less in a day while around 63 per cent of them use it for four to seven hours daily.

"It came as a shock to us that around 23 per cent (of students) use the devices for more than eight hours a day," Khan added.

According to the study, eighty per cent of the students own a mobile phone and most of them prefer smartphones owing to convenience in the installation of applications, host of features, and ease of use and also work as affordable substitutes for a computer. The study conducted by researchers at AMU has been funded by the ICSSR with an aim to understand various facets of smartphone dependency and addiction among college-going students.

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Surgeons are developing a new smartphone-based tool that can detect urethral or urine blockage, potentially making it easier for patients to test themselves for the condition from the comfort of their own homes.

The novel technique could take high-speed photography which could capture subtle differences between a normal steady stream of liquid and a stream of liquid with an obstruction.

Urethral strictures are a slowing or blocking of the natural flow of urine due to an injury or infection. It is normally diagnosed by uroflowmetry, a test administered at a physician's office.

"The problem is that patient follow-up after we treat this condition is very poor," said Matthew Gretzer, Associate Professor at the University of Arizona in the US.

"But we need patients to come back to our clinic for a uroflow test to determine if the obstruction is still present," he added.

In order to test Gretzer's hypothesis on high-speed photography, the team created a model of a urethral structure using tubing hooked to a saline bag that could drain through.

Saline fluid was passed through the tubing with and without blockages, created using 3D printed strictures,placed within the tubing. High-speed photography captured both the regular and blocked stream of liquid exiting the tube.

Gretzer contended that photos can be a medium to diagnose blockages and he hopes that patients could send him these images to analyse and make the diagnosis. He plans to create a mobile app which can be downloaded by the patients.

"All patients would need to do is take high-speed images of their urine flow using a strobe light," Gretzer said.

"Strobe light apps are readily available right now for people to use on their phones".

According to the researchers, as fluid exits an opening, a natural breakpoint occurs where the liquid stream forms droplets, but with obstructions in place, it changes.

The results showed that by analysing photos, they could measure the length to this point of droplet formation. This length then directly related to the presence of an obstruction in the tube.

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Illustration/Devdutt Pattanaik

In the beginning, people said homosexuality is unnatural. Then scientists showed them that hundreds of species of animals do indulge in homosexuality. So people started saying homosexuality may be natural, but it is best restricted to animals. Amongst humans, it is a social disease. This unscientific understanding is popularised by many religious leaders, who are clueless about science, though they insist that the Vedas/Quran/Agama/Tripitaka/Talmud are essentially scientific.

These religious leaders fall into two categories. The first category is the 'liberal' guru who says sex is great for spirituality, provided it is heterosexual. The second category is the 'conservative' guru who says sex is not great for spirituality, and if you must indulge in it, do it for babies.

A gay man heard how a broad-minded Indian guru presented sexuality as an integral part of spirituality, and so decided to read a bit more of the guru's writings. He was suitably impressed, there was a lot of talk of how exploring sexual desires authentically enhances spiritual growth. But then came the horror! When the guru spoke of sexuality, he was referring only to heterosexuality and was essentially promoting orgies as a tool to liberate yourself. He saw homosexuality as a social disease resulting from heterosexuality being suppressed when men are locked with men in monasteries and prisons and women are locked with women in nunneries. This was his fantasy, which he marketed as mystical knowledge of the East!

A lesbian woman came upon a guru who gave her a sympathetic ear, and who confidently asserted that ancient mystical sages (all male, of course) had revealed to him that natural sexual activity is for making babies only, and that pleasure is just nature's way of incentivising you to make more babies. It is the human perversion to bypass the baby-making and focus on pleasure. Such value placed on pleasure comes from stress, hormones, and a lack of spiritual grounding. He insisted that homosexuality is a social pathology, not a natural physiology. She could stay a single woman if she did not wish to be a man's wife, but she had to engineer her life towards spirituality rather than sexuality if she sought fulfilment and happiness. Her libido, he insisted, was in dire need of fixing!

Most of these gurus do oppose the criminalising of homosexuality, and so appear to be modern. However, they do see homosexuality as a deviance (or its Sanskrit equivalent), or a 'fluidity' that needs explanation, management and re-alignment. They mirror the homophobia directed at queer people (pandakas, napunsakas) that we find in ancient monastic orders such as Buddhism and Jainism. Their discomfort with queerness is similar to their well-disguised discomfort with gender equality: 'Women are as good as men, provided they put the man's needs first.' Essentially, these gurus preach qualified equality, where their personal comfort zone (heterosexuality, celibacy, masculinity) remains privileged.

It is important to recognise gurus as political figures. They are today clearly political vote banks, with a vast number of followers who do whatever the guru tells them to do. Hence the power of their spiritual discourses to influence social and political direction needs to be acknowledged.

We must also recognise the power of followers over gurus. Gurus are expected to be superhuman, and 'pure and pious'. We don't mind them dancing to Bollywood songs or playing golf. But if they were to talk too much in favour of sex and pleasure, we will see them as less than spiritual. In our hearts, many of us are convinced spirituality is an adversary of sexuality. We see Shiva who burnt Kama to ash. We refuse to see Shiva who was enchanted by Kamakshi and Mohini.

The author writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com

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Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

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When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."

Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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(From left) Muazzam and Rizwan

While most Indian music aficionados consider Rahat Fateh Ali Khan as legendary Pakistani Sufi singer Nusrat Fateh Ali Khan's only successor, his nephews Rizwan and Muazzam are also making a mark across the world. The Rizwan-Muazzam Qawwali Group, which comprises the brothers (lead singers), five secondary vocalists, two harmonium players and a tabla player, performed at the recently concluded Gold Coast 2018 Commonwealth Games.

To take their family's five-century-old legacy forward and shoulder the responsibility of being Nusrat Fateh Ali Khan's nephews is no mean feat for the musician duo. "Nusrat saab's music was great. The expectations motivate us to work hard and keep up with his legacy," says Muazzam, as he talks about their greatest learning from their uncle-guru, Khan. "The fact that we can perform in front of a huge audience and impress them with our recitals is because of him. His teachings have helped us master the art of ghazals and qawwalis. Besides being an amazing artist, he was also an amazing teacher and person. Whatever we are today is because of his teachings."

Nusrat Fateh Ali Khan

Though they perform different genres, their specialisation lies in qawwali and ghazals. "We also perform spiritual and contemporary music, and collaborate with musicians from across the world, but qawwalis and ghazals are our first love," says Rizwan.

While Rahat has explored Hindi film music and enjoys a huge fan base in India, the duo is also keen to do more work here. "We enjoyed visiting India a couple of years ago for a multi-city tour. We performed in seven cities, including Mumbai. It was an enriching experience as the audience in every city was warm," says Rizwan, adding that the duo counts Ustad Zakir Hussain, Ranjit Barot, Sivamani and L Subramaniyam among their favourite Indian musicians.

Expressing their wish to venture into Hindi film music, Muazzam says that they would love to collaborate with Indian composers. "Since Bollywood welcomes budding artistes warmly and gives them opportunities, we want to explore Hindi film music soon. In fact, Pritam da reached out to us and expressed an interest in getting us on board for his films. We are looking forward to working with him," he says.

Meanwhile, they are currently exploring the indie music space in India and working on an independent track with an Indian artist — they won't tell us who. "We are also in talks with a few music labels in India," says Muazzam.

Also Read: Rahat Fateh Ali Khan Backs Out Of Recording Fearing Pakistan Backlash

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A frame from the series, Music for Everyone. Pic/Yuyang Liu

The town of Siem Reap in Cambodia is a fascinating blend of history, modernity and culture. While the magnificent temple complex of Angkor Wat is no more than 6 km away from the picturesque location, it is also home to artisan collectives and Cambodian Cultural Village that gives a glimpse of the country's diverse cultural heritage. Since 2005, the city has also been the venue for Angkor Photo Festival & Workshops (APFW), a non-profit cultural association founded by noted names in photography from across the world - including members of Magnum Photos - to nurture Asia's photographic community by providing an affordable and self-sustainable platform for professional training.

From the series, Two Eyes Good, Four Eyes Bad. Pic/Rebecca Chew

Over the years, emerging photographers from India, Bangladesh, Pakistan, Iran, Indonesia, Japan and Cambodia among other Asian countries have attended tuition-free professional workshops, worked on a photo story inspired by their surroundings and showcased their project at the end of the festival. The APFW alumni community is a thriving one, where collaborations and creative exchange is common. Photographers from Mumbai, too, have participated in the festival, and to introduce emerging lensmen from the city to its upcoming edition in December, APFW alumni will conduct an interactive session this Saturday. The session, being held in Mumbai for the first time, is part the Angkor Hangover series of events organised across Asia.

From the series, Bokator, on young Cambodians trying to resurrect a traditional form of martial arts. Pic/Zishaan A Latif 

"The mentors are people whose work I admire. And when a group of 30 individuals with eclectic practices and realities specific to their countries come to learn from them, they also learn from each other," says freelance photographer and filmmaker Aishwarya Arumbakkam, who participated in the festival in 2016 and is one of the organisers of the Mumbai session. Multimedia projections by photographers from the 2016 batch are also a part of the evening.

From the series, Ahp. Pic/Aishwarya Arumbakkam

While applications are shortlisted on the basis of merit, freelance photographer and alumna Karen Dias explains that to keep the programme accessible and inclusive, there is no upper age limit for applicants. Fellow alumnus of the 2009 batch, Zishaan Akbar Latif, recalls, "As a budding photographer, you are terrified of showing your work, but you realise that others are in the same boat, too. Being in that quaint part of the world at a workshop that's different from its uptight counterparts helps you loosen up," he shares.

APFW organising committee member Andrea Fernandes, who has been associated with the festival for five years, sums up its nature, "This event is initiated by alumni and this is the direction we want the festival to go in - where every person associated can have a space to speak about their work and collaborations."

ON: May 12, 5 pm to 7 pm
AT: Trilogy by the Eternal Library, Raghuvanshi Mills Compound, Senapati Bapat Marg, Lower Parel.
CALL: 8080590590

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While many polling stations were bereft of facilities for the physically challenged and senior citizens, the situation was refreshingly different in Palghar district, where arrangements were made to bring in physically challenged voters and drop them back to their homes.

The voters had a car to take them to the polling stations, where they didn't have to wait in queue to cast their votes, and drop them back home once they were done. This process had begun as a part of the run-up to the polls.

Explaining the same, the district's social development officer Vibha Jadhav said, "We had conducted a survey and made a list of physically challenged voters before the election. Now, we have been calling them to know when they would be able to come to the polling stations to vote."

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

The voters had a car to take them to the polling stations, where they didn’t have to wait in queue to cast their votes, and drop them back home once they were done

Virar resident Suresh Pawar, 43, thanked the government for the initiative, "I am visually challenged person, as is my wife. Until last year, we had to take an auto rickshaw to reach the polling booth. But this time, the government has given us relief by arranging vehicles for us.

The polling booths also had representatives stationed to help physically challenged voters. Jidnyasa Polekar, from the National Service Scheme, who was one of the assistants, said, "We kept wheelchairs for physically challenged and senior citizens. We also assisted visually challenged voters to understand the process of voting so that they can cast their ballot sans any hassle."

Bolstering voter turnout

Palghar collector Dr. Prashant Narnaware told mid-day that they had taken a number of initiatives to bolster voters' turnout in the district. "We had carried out campaigns to spread awareness among voters. We reached out to 13 lakh voters during our 25-day campaign titled 'I Shall Vote.' We also involved school students in the initiative by asking them to write letters to their parents, urging them to cast their vote," said Narnavare. On voting day, however, the district was hit with a slight EVM glitch. "There are 2,170 polling booths in Palghar, out of which the EVMs of 50 booths faced glitches. But they were changed within 10 minutes, as all the zonal officials were given additional EVMs to tackle the crisis," said Narnavare.

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

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The 'No Mobile Phones' diktat issued by the Election Commission for voters at polling centres had a rather ambiguous implementation. While some carried it along inside the polling booth, others were asked to keep it out. With directions about phones not being allowed in the 100 meters vicinity of polling stations, the Election Commission had not made any provisions for safekeeping of phones.

Also Read: Election 2019: Mumbai scrapes through in voting report card

The rule ended up confusing voters across the city. Many were unaware of the 'no phone' policy and were left waiting outside the polling centres. The EC had issued such orders after some voters were found clicking pictures while voting during the last elections.

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

While most polling stations had police officials preventing voters from carrying their phones inside, there was no security checking of the bags that some voters carried, "thus making it difficult to ascertain if they were carrying a phone or not," said officials. Some centres also saw the police asking voters to hand over their phones to people standing behind them in the queue.

Dhanraji Yadav, who was at the Manohar Joshi Mahavidyalaya in Dharavi along with her family, said that police officials at the gate asked them if they were carrying any phones. "I waited with all the phones while my family voted. But while I was waiting there, the same police officials allowed other people to carry them by switching them off," Yadav said. An official said that the directives had come from the Election Commission of India. "We couldn't be responsible for everyone's phones and asked them to not bring them."

Also Read: Elections 2019: Regular voters find their name missing at polling booths

100m
Distance around polling booth where phones were not allowed

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

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Despite the Election Commission (EC) announcing several initiatives to help the physically challenged and senior citizens during the voting process, no such arrangements were visible at many of the polling centres on Monday. Contrary to claims made by EC, no volunteers were present to guide the physically challenged or senior citizens to their polling booths, leaving them to either find a way on their own or rely on their family members.

No one came to help

Bagubai Shirwale, 70, who has a hunched back, had to inch forward using her walking stick as she tried to find her polling booth. She only had the help of her brother, Trimbak Shirwale, 72, who, like her relies on a walking stick. "We come to vote every time without fail. But I have diabetes, due to which I am not able to walk properly. My sister has chronic backache and can't walk much either. No one came to help us; we had to find the way around ourselves," he said.

They had to walk nearly 1 km to reach the polling station. Even after they successfully reached their venue, SK Pantwalkar Madhyamik Vidyalaya in Kurla west, finding the booth took some time. After asking around, they were pointed in the right direction.

In the absence of a wheelchair at the St Judes High School in Malad West, local Antony Roasario, who is physically challenged, is forced to crawl over a gutter under the burning sun. Pics/Suresh Karkera

Despite the sweltering heat, Sayaji Mokashi, 50, a visually challenged man, walked to his polling station, the Mahatma Gandhi Vidya Mandir in Bandra east, along with his wife Prajakta who also has problems with her eyesight, and their seven-year-old son. Mokashis, residents of the government colony in Bandra east, recall walking to their booth back in 2014 as well.

"It is our responsibility to vote and we take it seriously. We don't mind the walk but it would help if EC could arrange for some transportation," said Sayaji. Sudha Shantaram Nadkar, 75, who requires a walking aid, is thankful that her polling station is just across the road from her building in Kurla. However, she too has to rely on her neighbours to help her reach her booth.

"I have been voting since I turned eligible and I don't miss any election. But I fell three years ago, which made it difficult for me to walk. There is no one to help us find the booth and no one came forward to help me walk in either," she said.

Where are the ramps?

EC had also promised to provide ramps at all polling stations, as well as dolis (chairs with poles). Many of the polling stations across the city neither had any ramps for wheelchairs nor dolis. The police personnel stationed at the Central Railway Social Welfare Centre in Kurla east said no volunteers had showed up at the venue and no dolis were sent either.

"We are allowing senior citizens to go in directly; they don't have to wait in line. But their family members are helping them," said a policeman. Similarly, at L S Raheja College, an elderly man with an amputated leg walked to his booth with the help of crutches and his relative. Another aged man at the same venue had been brought inside by his family on a wheelchair, but had to walk the rest of the way with the help of his walking stick, while leaning on his son for support.

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U/A: Drama romance
Dir: Ritesh Batra
Cast: Nawazuddin Siddiqui, Sanya Malhotra
Ratings: 

Ritesh Batra's The Lunchbox, achieved international success six years ago, and despite two international projects (one with Robert Redford and Jane Fonda) along the way, Batra comes home again, to his comfort zone. He has on offer here, a rather chaste story of kinship, bordering on romance between two acutely lonely souls. Sounds familiar, doesn't it?

While the construct here is similar to The Lunchbox, it doesn't garner a matched significance because of the inherent familiarity in the set-up. This time around he takes on an unlikely pairing of opposites — Sanya Malhotra as Miloni, a CA foundation-course topper from a typically repressed middle class gujarati home, and Nawazuddin Siddiqui as Rafiq, an impoverished photographer, overburdened with familial responsibilities.

Romance for Batra is not about heavy emotion and carnality. It is a process of revealing your innermost fears without putting them into words for someone you can share them with. Both Rafiq and Miloni experience loneliness in varying degrees, and for diverse reasons. Rafiq is impoverished, shares his one-room tenement in a slum colony with fellow photography peddlers.

Check out the trailer here:

In comparison, Miloni is well-heeled; on her way to being considered successful in life. They come from different social strata, and if they spent time thinking about it, they would never have entertained the fanciful notion of getting together. It's a random connection at best, which is made further intriguing by the lie it gets embroiled in. Repressed emotions find an outlet for Miloni in this covertly rebellious action. For Rafiq, they become an aspirational pursuit bordering on hope.

Batra focuses his viewfinder on the warmth that develops between the two characters. It is quite clear that they are drawn to each other based on their individual needs. The timely play of Bollywood songs heightens the possibility of romance for a bit. Peter Raeburn's sweetly compelling score lends nuance to some of the quietly definite moments in the film.

The narrative is an assemblage of beautiful events shot with breath-taking lucidity — by cinematographers Tim Gillis and Ben Kutchins. Mumbai beckons hauntingly as the two central characters make this seemingly fleeting tryst last a lot longer than what seems possible in real life. Photograph is the emblematic representation of that connection we seek in these disconnected times. It speaks to us, but not as much in words as in the moments that warm our hearts.

Also Read: Ritesh Batra's Photograph gets a thumbs up from critic

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The Maharashtra Jail Administration has allowed prisoners to talk to their families over landlines. as family visits to jails have been disallowed due to the lockdown. 

There are a around 36,000 prisoners across jails in Maharashtra, out of which 8,500 prisoners have been convicted. The total capacity of these jails is 24,000 so most jails in the state are overpopulated. In an attempt to create social distancing within the prisons, 4,611 accused who were serving jail sentences for non-serious crimes, were released on bail. However, the state administration continues to keep those involved in serious crimes behind bars.

According to a jail official, allowing inmates to communicate over phone was allowed so that they could be in touch with their families. The officer said, "We have details of all the accused and on the basis of those, we call their houses and allow them to speak to their families." Otherwise the accused could meet their families once a month.

The phone call facility between the accused and their family members are being allowed in every jail in the state. Around 25 accused are able to talk to their families every day. Every accused gets to make a phone call once a month.

IG Prisons, Deepak Pandey told mid-day, "The jailer first confirms that the person on the other side of the phone is a member of the family of the accused, only then the call is allowed. A duration of 5 minutes is given for each conversation between the inmate and their family."

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Mid-day online journalists interact with the frontline workers in a new series 'Real heroes of coronavirus'. Media photographers, reporters, railway staff and medical workers tell their stories of grit, determination and every-day challenges in times of the pandemic.

Mid-day senior photographer Shadab Khan is out on the field capturing striking photos of people, health-workers, the police and the city as part of his daily assignment at a time when coronavirus pandemic is spreading rapidly in Mumbai and the entire nation is under lockdown.

 

 

 

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Alhamdulillah just got to know that my covid-19 swab test report is Negative by the grace of god. I tested my self 2 days ago during the special covid-19 test for Media persons who are on field by BMC medical team in Mumbai as our services comes under essential services during this pandemic we have to work on field and visit to all over the city for relentlessly bringing out timely good pictures, news and updates daily, through all the perils and under the most trying conditions. Special thanks to @my_bmc @cmomaharashtra_ @middayindia

A post shared by Shadab Khan (@photographer_shadab) onApr 25, 2020 at 3:53am PDT

We spoke to Shadab Khan about his work and what it's like to be a news photographer in times of pandemic.

Here's an excerpt from the interview.

How has the global pandemic impacted your work?

The coronavirus outbreak hasn't affected our work as such. Since we come under the essential service providers and ours is a field job, it's the same daily routine. The focus is more on pandemic photos as we visit sensetive areas and try to get pictures of people who may have broken lockdown rules and also capture shots of how the police are handling the situation. Nowadays, we also visit contaminated areas to get photos of medical staffs conducting COVID-19 tests and get visuals of the epidemic situation in Mumbai. For us, the work has only increased due to the outbreak of the global pandemic.

Nowadays, do you prepare yourself mentally before going out on assignments?

To be honest, there is no mental preparation as such. But I offer prayers five times a day and pray that I go safely and come back home safely. As a media-person, I also consume a lot of news and keep reading about the International guidelines laid down for photojournalists as to what precautions should be taken. I do this as it helps me to stay motivated in the fight against coronavirus. It is the first time that I am experiencing a pandemic which has changed our lives. I have never covered something like this ever before. Although I have covered riots and other sensetive events, a pandemic that takes place only once in 100 years is a different experience. I have been following international reports and guidelines to take precaution and prepare mentally to fight the COVID-19 crisis.

Shadab makes sure that his equipment, bag and mobile are sanitised in order to take precautions against COVID-19

How do you protect yourself?

Face mask, hand sanitisers and hand gloves are mandatory when I am leaving the house. With the increasing number of cases in Mumbai, we have to take extra precautions as our camera equipment is metal. While shooting, we are constantly handling the camera with our hands and our eyes are exposed when we are focusing to click the pictures. To ensure our safety, we sanitise the camera every two to three hours. Besides the equipment, I also sanitise my mobile phone with a spray sanitiser that I carry with me. After completimg a shooting assignment in a contaminated area, I make sure that the camera equipment is sanitised before keeping them in the bag.

Do you take any precaution while heading back home after doing on-field reporting?

Though it is risk to be outside during the pandemic, the real challenge begins when we get back home to be with our families. Since the outbreak of the coronavirus, I have isolated myself to another room and make sure that I maintain social distancing with my family members. While leaving for work and after coming back home, I don't hug my children. Since day one, I am practising self-quarantine to keep my family safe and away from any risk. Infact, I take more precautions at home than I do while I go out. The epidemic is so dangerous that one cannot be sure how the infection will strike.

 

 

 

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A man sleeping outside his house during lockdown to prevent the spread of new coronavirus at Vakola in Mumbai, Wednesday, April 15, 2020. Indian Prime Minister Narendra Modi on Tuesday extended the world's largest coronavirus lockdown to head off the epidemic's peak, with officials racing to make up for lost time. PIC/SHADAB KHAN Paparazzi#Fashion#bollywood#lovemyjob#photography#Mumbai#India#middayindia#covid19#fightagainstcorona

A post shared by Shadab Khan (@photographer_shadab) onApr 16, 2020 at 8:09am PDT

During the COVID-19 coverage did you face scary moments? Which has been your scariest moment?

It is scary to visit crowded localities nowadays to cover the pandemic. In the beginning it was not a problem but since the police have imposed strict rules in these areas, we are facing issues. On few occasions, people in these localities have attacked and abused us, blaming the media for the strict police action. But all localities are not the same. We keep calm and ensure that we don't fight back or argue with the people when faced with a hostile situation. To ensure our own safety, we move out of the place quickly if we are confronted by the crowd.

Did you face challenges from the police while covering the COVID-19 pandemic?

In the beginning the police officials were not aware that the media comes under the essential services list and stopped us from entering certain areas which led to arguments sometimes. But gradually they understood and let us do our jobs. When they see the cameras and we show them our press cards, they ask us where we are going and all, that's it.

How is your department and the organisation supporting you?

We are getting the support of our department and the organisation in every possible way. I have been working in mid-day for 15 years and the organisation has been always supportive, our managers do not pressurise us for assignments. My reporting officer calls twice a day and inquires about my whereabouts and tells me to be extra careful while visiting contaminated zones and avoid going to sensitive areas frequently. We are always told to ensure safety first before work.

Shadab feels that practicing social distancing in Dharavi where people are cramped in small houses is nearly impossible

Although he covers different areas every day, Shadab makes it a point to visit a contaminated area at least once a day to check if any new development has taken place. Speaking about Dharavi, which has emerged as one of the biggest contaminated zones in Mumbai, Shadab said, "I visit Dharavi to see how the labourers are doing and how the small scale industries are coping with the COVID-19 epidemic"

"Everyone is talking about social distancing but it is not possible in Dharavi. Most houses in the locality are 8X8 small houses with 8 to 10 people cramped inside. In order to click a picture, one has to stand at the door and shoot, social distancing in areas such as Dharavi is almost impossible. The lanes in Dharavi are so narrow that if people are coming from the other side it is impossible to walk past them without making physical contact," added Shadab.

Besides Dharavi, Shadab carries out his photo assignments in Bandra, Sion and Wadala.

What is your message to the general public?

We are out on the roads because we have a responsibility as essential service providers. I would request people to stay home as far as possible. Only by staying home will you be safe! Follow the guidelines laid down by the government and maintain social distancing.

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Disclaimer: Before I proceed to share this sonic timeline of an average day in my surroundings, I wish to state a few things to the folk who read this column: That these jottings have been recorded from a week's findings; that I live along the periphery of the Sanjay Gandhi National Park, and so all mentions of unusual fauna activity should be treated with calm."

7 am: It's a pleasant way to drift out of bed to the sounds of sparrows, mynas, coppersmith barbets and even the cacophony of crows. Strains from MS Subbulaxmi's voice and tunes of Rabindra Sangeet add a melodious lilt to these waking up hours.

9 pm: Sounds from the idiot box emerge. Opening credits, ad breaks; this is interspersed by the frenetic clanging of bartans in the kitchen and the odd head-spinning wail of a child. By now, the mobile phone-addicted species also surfaces, making WFH calls in full volume. Yes, we know you work for some Jap investment bank and they are suckers for deadlines; well, so are Indian companies. Cool off, dude.

10 am: More TV noise, of the epic kinds. It seems like deja vu from the 1980s when DD was our sole screen saviour. The morning ensemble of avian artistes departs; making way for the next lot. Some feathered folk, like the crows and mynas, and a few squirrels are permanent occupants of the badam tree and the palms that are prime locations for their activities. By now, maali kaka has surfaced and so the garden hose is also in full flow.

11 am to 12 noon: The churning of mixer-grinders, pressure cooker whistles going into a tizzy and whatnot take over. There's some chit-chat with fussy kids by the box-grilled 'balconies'. Cicadas take over our central garden with their sonnet-like symphony. In sync with the sound of the hose, it's quite a summery jugalbandi.

12.30 pm: "Ushaaaaaa! Jaldi neeche aa jao; van tees minute mein aane waala hai" With that one ear-shattering battle cry by a hustler-type aunty, she's managed to bring down half the population from their homes as they begin to scramble for a 'circle' [it's assumed a whole new meaning since geometry class] in the endless queue that worms through the inner square of the society. All of this is, of course, to wait for that harbinger of joy – the veggie-fruit truck.

Till 3 pm: "Tumne toh dye lagaya hai, Shalu? Godrej ka hai ki mehndiwala colour?"; "Suna…woh Colony wala Singh uncle off ho gaya; Kwo-vid tha ya heart fail?"; "Butter se he chalana padega; ghee-vee bandh. Good faar health?" With such gems floating around, the birdcalls take a backseat. Nilkamal chairs are arranged for 'sinior log' in the queue, and chai for all as they wait for their turn to reach Everest. A mini jam session ensues for the socially-depraved inmates.

4 pm (approximately; on another day): Meena aunty has managed to arrange for a farsan dealer to set up temporary shop inside the society; it's a mini stampede, as packets of all kinds of snacks, from pani puri, khakra and chaklis to chivda sell like hot cakes. Hottest selling item? Khari biscuits.

6 pm: It's surprisingly quiet. Wait. Our resident stray doggies — Romeo, Juliet and son, Cocoa — start barking wildly. The Bandar Lok is back. Yes, the simians do their version of The Swing Thing in the green, wooded environs; the cable wires and pipes attached to each wing also offer easy access from to the next, having a blast each time they spot a loose clothesline to tug at something. "Dekho mummy, monkey khel raha hai," and similar such squeals make for evening entertainment.

7 pm onwards: Some of the tween-teen brigade sneaks out of their homes to coax their pals for a game of cards or other board games. There's relief in their loud laughter, of meeting up to giggle over a meme on their phone or a heady new track that's topping charts. They revel in the momentary bliss until one of their parents calls them back home.

8 pm onwards: The telly sounds get louder — by now news channels vie for high-decibel bragging rights over the Balaji soap reruns and Hindi masala flicks. The show will go on, and the sounds rarely cease.

Now showing: The new normal.

mid-day's Features Editor Fiona Fernandez relishes the city's sights, sounds, smells and stones...wherever the ink and the inclination takes her. She tweets @bombayana
Send your feedback to mailbag@mid-day.com

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Dear Diana,
Of late, my husband has been hooked to his cell phone. His conversations are long and he always steps away to talk. I have even tried to eavesdrop, but he talks so softly that I cannot fathom anything. It is clear that he is looking at something more than just conversations with the caller. I feel he is attracted to another woman from the way he is all smiles after the conversation ends. My husband behaves as if nothing is amiss. A few days ago, we went to a party. Suddenly, he disappeared for an hour. He sent me a message saying that he had to attend an urgent call. On the way back home, I questioned him. He told me not to read too much into the calls. I don't know what to do. If I keep asking my husband, it will surely create problems between us. How do I know who the caller is?
— Roshni

Dear Roshni,
You need to know with whom he is indulging in such long conversations. Do not waste any further time in telling your hubby what is on your mind. More importantly, he needs to tell you the truth. He is hiding things from you which is strange. This is making you speculate. It could be a work related call and things could be hectic on his office front, but he needs to tell you. Or it could be someone else. You feel there is another woman in his life. Your hubby may have fallen for someone, but he should realise that he is married. Sooner or later, things could take an ugly turn if he gets more and more involved with these calls. He is ruining things by being secretive. It is time he spills the beans and told you what is going on. If you need help, speak to someone else from the family or a close pal.

Tiger Woods, Phil Mickelson and NFL quarterback legends Tom Brady and Peyton Manning are planning a charity golf match for May, the US media reported. The event would be held without spectators in Florida, airing live on TV with the proceeds going to help battle the COVID-19 pandemic, American broadcaster ESPN reported on Wednesday. Turner Sports said one possible date is Memorial Day weekend May 23-25.

Manning, now retired, told a Denver radio station on Wednesday that there had been talks about such an event anyway. "And now, to have a chance to have a major fundraising event for COVID-19 relief, almost like a telethon if you will... if that can take place, I'm all in for that." The Action Network reported that it is likely Woods and Manning will compete against Mickelson and Brady.

Florida's Republican Governor Ron DeSantis recently expressed support for the event featuring golf superstars and football icons. "I'd like to see Woods and Mickelson do the golf, or whatever, because that's social distance," DeSantis said last week. "You wouldn't have a gallery there. You wouldn't have crowds. But to put that on TV, I think people have been starved for content."

The PGA Tour said it hasn't officially endorsed the event but is evaluating health and safety concerns. One location said to be considered is Medalist Golf Club in Hobe Sound, Florida, located just north of Woods' home in Jupiter. The PGA Tour has suspended play since the first round of The Players Championship on March 12. The Tour's revised schedule released last Thursday would begin with a tournament June 11-14 in Fort Worth, Texas.

In addition to the Fort Worth event, the other June tournaments currently slated to be held without fans are the RBC Heritage and the Travelers Championship.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

WWE former Diva and superstar Nikki Bella is quite an active sports star on Instagram. Nikki Bella is currently engaged to her Dancing With The Stars partner Artem Chigvintsev, who is a Russian professional dancer during season 25.

Nikki Bella went on to share a picture of her cosied up in bed watching some television along with Artem after she put on her make-up. Nikki also went on to say that she was trying her hardest to seduce Artem into giving her a foot massage. Take a look at the fun post below on Instagram.

 

 

 

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Did my makeup in time to take a nap and watch some TV with my A. Trying my hardest to seduce my way into getting a foot massage lol 🤰🏽💋

A post shared by Nikki Bella (@thenikkibella) onApr 26, 2020 at 2:03pm PDT

Nikki Bella began dating Artem following her break-up from WWE superstar John Cena. John Cena and Nikki Bella got engaged in April 2017 but called off their wedding a year later in April, just a month prior to tying the knot.

Nikki Bella and Artem Chigvintsev began dating in January 2019 and a year later, the couple announced they were engaged. On 29 January, Nikki Bella announced that she and her twin sister Brie Bella were expecting a child, respectively.

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Bollywood star Irrfan was admitted in Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection on Tuesday and passed away on Wednesday April 29, 2020 at the age of 53. 

Many stars from the Indian sports fraternity took to social media to pay tribute to the late actor Irrfan Khan. From the likes of Sachin Tendulkar, Virat Kohli and Virender Sehwag, to Saina Nehwal and Sunil Chhetri, here are some of the heartfelt posts shared on Twitter.

"Sad to hear the news of #IrrfanKhan passing away. He was one of my favorites & I've watched almost all his films, the last one being Angrezi Medium. Acting came so effortlessly to him, he was just terrific. May his soul Rest In Peace. Condolences to his loved ones," tweeted cricket legend Sachin Tendulkar.

Sad to hear the news of #IrrfanKhan passing away. He was one of my favorites & I’ve watched almost all his films, the last one being Angrezi Medium. Acting came so effortlessly to him, he was just terrific.
May his soul Rest In Peace. 🙏🏼
Condolences to his loved ones. ☹ï¸Â pic.twitter.com/gaLHCTSbUh

— Sachin Tendulkar (@sachin_rt) April 29, 2020

Indian cricket captain Virat Kohli tweeted: "Saddened to hear about the passing of Irrfan Khan. What a phenomenal talent and dearly touched everyone's heart with his versatility. May god give peace to his soul"

Saddened to hear about the passing of Irrfan Khan. What a phenomenal talent and dearly touched everyone's heart with his versatility. May god give peace to his soul 🙏

— Virat Kohli (@imVkohli) April 29, 2020

"Khan sahab, you were brilliant at what you did and that will always live on. Thank you for bringing your art to us the way you did. Strength to those grieving," said Indian football captain Sunil Chhetri.

Khan sahab, you were brilliant at what you did and that will always live on. Thank you for bringing your art to us the way you did. Strength to those grieving.

— Sunil Chhetri (@chetrisunil11) April 29, 2020

"A great actor and a great talent. Heartfelt Condolences to his family and well - wishers #IrfanKhan," said former India batsman Virender Sehwag.

A great actor and a great talent. Heartfelt
Condolences to his family and well - wishers #IrfanKhan

— Virender Sehwag (@virendersehwag) April 29, 2020

"Saddened to hear the passing away of #IrfanKhan. Condolences to the entire family. An actor of great caliber! You will be cherished by us until eternity. RIP," tweeted fast bowler Mohammed Shami.

Saddened to hear the passing away of #IrfanKhan. Condolences to the entire family. An actor of great caliber! You will be cherished by us until eternity. RIP. pic.twitter.com/wLTWUz8w6Z

— Mohammad Shami (@MdShami11) April 29, 2020

Badminton star Saina Nehwal tweeted a picture of herself and Irrfan. "With the legend during one ad shoot ... great memories sir #RIPIrrfanKhan," she said.

With the legend during one ad shoot ... great memories sir 🙏🙏 #RIPIrrfanKhan pic.twitter.com/GOKyVjqAoR

— Saina Nehwal (@NSaina) April 29, 2020

The actor had been ailing ever since he was diagnosed with neuroendocrine tumour a while back, and has been under medical attention for the same. He even went abroad for treatment.

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The Mysore Race Club Trophy for maiden three-year-old horses is slated as the feature event of Saturday's race card which features eight races. There are seven runners in the fray, two of them--Grand Accord & Sagittarius--making their debut.

While a victory by one of the two first-timers cannot be ruled out, the fact remains that at least two of the experienced lot, namely Admo and Masquerade, have it in them to stake a serious claim for the winner's prize.

My vote goes to the Nosher Cama-trained Admo (PS Chouhan up) because he has had the benefit of a decent run on this track when finishing a noteworthy runner up to the good type Batteleur three weeks ago.

First race at 2 pm.
Selections:

Adam's Treasure Plate - Div II (For 4y&o, class V; 1200m)
Divine Spark 1, Arc Of Passion 2, Rising Concert 3.

Enaksi Plate (Class III; 1000m)
Wild Fire 1, Lincoln 2, Free Speech 3.

Eloise Plate (Class III; 1800m)
Daffodil 1, Unforgettable You 2, Comic Timing 3.

Mysore Race Club Trophy (For 3y, maidens; 1400m)
Admo 1, Masquerade 2, Grand Accord 3.

Yogender Singh Trophy - Div II (For 4y&o, class IV; 1400m)
Godsent 1, Frosted 2, Arabian Storm 3.

Adam's Treasure Plate - Div I (For 4y&o, class V; 1200m)
Headlines 1, Lilac Time 2, Royal Mews 3.

Alexandress Plate (For 3y, maidens; 1000m)
Excellent Gold 1, Hopeilicious 2, Kotor 3.

Yogender Singh Trophy - Div I (For 4y&o, class IV; 1400m)
Dibaba 1, Ame 2, Star Comrade 3.

Recommendations
Best bet: Excellent Gold (7-2)
Upset: Name Of The Game (6-3)

Today's pools
Super jackpot pool: 3,4,5,6,7,8
Jackpot pool: 4,5,6,7,8
Treble pool: I - 5,6,7; II - 6,7,8
Tanala pool: All races.

Veteran actor Anupam Kher on Tuesday shared an inspirational video message by Jackie Shroff talking about his life's philosophy amid the coronavirus outbreak.

The 65-year-old actor took to Twitter and shared the video in which he talks about the balance of life and said that he has his son and daughter with him, and lost his parents and brother, and "this is how life balances itself." He said, "If we have a look on people around us and the sorrow, the pain they are going through, we are very blessed."

The 'Saaho' star went on to add, "We shouldn't cry over little things, as things stay at their place," and gave an example of flowers in a pot and a bouquet saying, " these flowers were meant to be cut and formed as bouquet while the one in flower pot stays the same."

à¤Âœिस सादà¤Â—à¥Â€ à¤Â”र बिà¤Â‚दासपन सà¥Â‡ मà¥Â‡रà¥Â‡ दà¥Â‹सà¥Âत à¤Âœà¥Âˆà¤Â•à¥Â€ शà¥Âरà¥Â‰फ़ नà¥Â‡ à¤Âœà¥Â€वन à¤Â•à¥Â‡ फ़लसफ़à¥Â‡ à¤Â•à¥Â‹ यहा बताया हà¥Âˆ à¤Â•ि à¤Â‰सà¤Â•à¥Â€ मà¥Âˆ à¤Âœितनà¥Â€ तारà¥Â€फ़ à¤Â•रà¥Â‚à¤Â à¤Â‰तनà¥Â€ हà¥Â€ à¤Â•म हà¥Âˆ। à¤Âà¤Â• à¤Â‡à¤Â‚सान à¤Âœà¥Â‹ à¤Âœ़िà¤Â‚दà¤Â—à¥Â€ à¤Â•à¥Â€ भावनाà¤Â“à¤Â‚ à¤Â•à¥Â‹ महसà¥Â‚स à¤Â•रता हà¥Âˆ, à¤Â‰सà¤Â•à¥Â‡ हà¥Â€ à¤Â…à¤Â‚दर सà¥Â‡, à¤Â‰सà¤Â•à¥Â€ à¤Â…à¤Â‚तरà¤Â†तà¥Âमा सà¥Â‡ हà¥Â€ à¤Âसà¥Â€ फिलà¥Â‰सफà¥Â€ निà¤Â•ल सà¤Â•तà¥Â€ हà¥Âˆ। धनà¥Âय हà¥Â‹। à¤Âœ़रा सà¥Âनियà¥Â‡ @bindasbhidu à¤Â•à¥Â‹।🙏 pic.twitter.com/v2jHwVvLuW

— Anupam Kher (@AnupamPKher) April 28, 2020

Jackie added, "Everyone has sorrows in life, but we shouldn't be sad and crying." Shroff advised, " We should create positive energy around us so that people get inspired. Always keep a smile on your face and maintain your smile and health even in the toughest situations, and keep the spine straight."

The 'Devdas' actor asked people to stay tension free and to stay away from depressing and psychologically upsetting things.

Taking to the captions, Kher appreciated the 'Border' star's philosophy towards life and wrote, "Jis Saadgi aur Bindaspan se mere dost Jackie Shroff ne jeewan ke falsafe ko yaha bataya hai, uski main jitni tareef karu utni hi kam hai. Ek insaan jo zindagi ki bhawnao ko mehsus karta hai, uske hi andar se, uski antar atma se hi aisi philosophy nikal sakti hai. Dhanya ho. Zara Suniye, @bindasbhidu ko."

The post on the micro-blogging site garnered more than 8.2k likes within an hour of being posted.

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It's going to take a while before we can swallow the fact that Irrfan Khan is no more with us. He fought till his last breath and refused to give up. To be able to smile and spread happiness despite your own struggles is the very notion of any artist in the world, and Khan was one such gem that will always continue to shine.

He was admitted to the Kokilaben hospital last night due to colon infection and passed away today morning. Nearly all the Bollywood celebrities paid homage to the actor on their social media accounts by sharing messages and pictures. Shah Rukh Khan called him his friend, inspiration, and the greatest actor of their times.

However, Deepika Padukone, who shared screen space with him in Shoojit Sircar's Piku, shared a black picture that reflected the void that his unfortunate demise has left in Bollywood. She also shared a broken heart in the form of her caption.

Have a look right here:

 

 

 

View this post on Instagram

💔 #irrfankhan

A post shared by Deepika Padukone (@deepikapadukone) onApr 29, 2020 at 3:51am PDT

Irrfan Khan and Deepika Padukone were supposed to collaborate once again for a film that was to be directed by Vishal Bhardwaj, but due to the actor's illness, it was pushed indefinitely. May Irrfan's soul Rest In Peace!

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