Junglee
U/A: Action
Director: Chuck Russell
Cast: Vidyut Jammwal, Pooja Sawant, Atul Kulkarni, Akshay Oberoi
Ratings: 

There may be a relevant message lying at the heart of Junglee's story, but the wafer-thin plot renders director Chuck Russell incapable of translating it into a thought-provoking film. Poor execution and bad acting makes this Vidyut Jammwal-starrer a mere comedic watch.

This wildlife adventure revolves around Raj (Jammwal), a vet working in Mumbai. He shows his extraordinary Kalaripayattu skills by taking on a bunch of goons who are torturing a stray dog. While his relationship with his father may be strained, the two harbour a shared passion - their love for elephants. Raj's trip to the elephant sanctuary owned by his father turns all the more interesting when he meets female mahout Shankara (Pooja Sawant) and a journalist-animal rights activist (debutante Asha Bhat). However, our mighty hero has little time for romance - trouble looms large over him as he has to protect the elephants from poachers (led by Atul Kulkarni) who trade their ivory tusks for moolah. How Raj saves the pachyderms from the hunters forms the crux of the story.

Watch the trailer here:

Russell appears to be well-acquainted with the strengths and weaknesses of his protagonist. So, you have a script that has little plot and more frills. You will be sold at the good ol' hand pummeling, as Jammwal spices up the desi maar dhaar with mixed martial arts. As for the rest of the cast, Kulkarni's poker-faced bad guy act is something one doesn't expect from a seasoned actor. Sawant is convincing while Bhat as the babe in the jungle is completely wasted. Akshay Oberoi as the forest ranger and Makrand Deshpande are sincere.

On the upside, Mark Irwin's cinematography keeps you hooked to the screen. He captures every moment in the lush jungles with sincerity. But that doesn't save the film from sinking. With a runtime of 115 minutes, this thriller feels longer than it should. You will miss the deft direction that Russell displayed in his previous outings, The Mask and The Scorpion King.

Also Read: Chuck Russell on Junglee: Made film keeping Vidyut Jammwal in mind

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The Tashkent Files
U/A; Drama, Mystery, Thriller
Director: Vivek Agnihotri
Cast: Mithun Chakraborty, Naseeruddin Shah, Shweta Basu Prasad, Mandira Bedi, Pallavi Joshi, Rajesh Sharma, Vinay Pathak, Pankaj Tripathi, Vishwa Mohan Badola, Prakash Belawadi, Achint Kaur, Prashant Gupta
Ratings: 

Based on true incidents, director Vivek Agnihotri's Tashkent Files, is a fictionalised film with cinematic liberties. In form, it is a blend between a courtroom drama and an online game with different task levels. In purpose, while seeking answers to the mysterious death of India's second Prime Minister, Lal Bahadur Shastri, who died on January 11, 1966, in Tashkent, it implores you, as a citizen of the nation, to question for, "your right to truth".

The film has a kind of stark simplicity: Apart from a brief set-up and a briefer epilogue, a major portion of the film takes place within the four walls of an inquiry commission which is so akin to a jury room, as nine prominent and responsible citizens headed by politician Shyam Sundar Tripathi (Mithun Chakarobarty) debate on the "common conspiracy theory", that surrounds Shastri's demise.

It is an open fact, and no denying it, that there have been various theories surrounding the mysterious death. The Shyam Sundar Tripathi Commission is set up after the investigative journalist Raagini Phule (Shweta Basu Prasad) is coerced by an anonymous well-wisher cum source, into writing an article that digs into the nation's past.

The well-wisher dishes out nuggets of information via a telephonic conversation which appear like stages of an online game.

Soon, Raagini is also roped into the Commission for being a journalist who has done a lot of investigation on the subject. She propels the narrative and drives home her point based on the Mitrokhin Archive II, which is a collection of handwritten notes made secretly by the Russian KGB defector Vasili Mitrokhin.

Dedicated to the journalists of India, the film, on the face of it appears balanced, but the tone and texture of the narrative definitely appear slanted. Sample this; "Gau bhakt, topi pehnewala baba, kaun the?" This question subtly and surely ignites a sense of underlying brotherhood that forces an ignorant viewer to seek the truth.

And so, on the pretext of speaking the truth, the narrative digs out the bitter and indigestible political history of our country. Also, while smirking at our democracy and our education system, the film makes each one of us feel guilty as it opens a Pandora's Box but shows us nothing that we are not aware of. And the last frame, stating that the facts mentioned in the Mitrokhin Archives have not been proved or verified till date, clearly shows that the plot along with the dialogues, is clever and manipulative.

This is a film where tension comes from personality conflict, dialogue and body language, not action. The drama within the confines of the claustrophobic room appear forced and staged.

On the performance front, the film is Shweta Basu Prasad's canvas. She is effective as the ambitious, yet vulnerable Raagini. She holds her steady against the dynamic Mithun Chakraborty, who gives an equally new and varied dimension to his Shyam Sundar Tripathi.

The duo are aptly supported by an ensemble cast which includes; Pankaj Tripathi as Gangaram Jha, Mandira Bedi as the social activist Indira Joseph Roy, Pallavi Joshi on a wheelchair as the historian Aiysha Ali Shah, Rajesh Sharma as a prominent government contractor Omkar Kashyap, Vishwa Mohan Badola as the aging Justice Kurian Abraham, Prakash Belawadi as the senior bureaucrat GK Anantha Suresh and Prashant Gupta as Vivendra Pratap Singh Rana, all members of the commission.

Naseeruddin Shah as the master brain politician PKR Natrajan and Vinay Pathak with a scarred visage as Mukhtar, the person who helps Shweta unearth the mystery in Tashkent, have their moments of onscreen glory.

Mounted with ace production values, the visuals of the film do not boast of any cinematic brilliance. The songs with the lyrics, "saare jahan se achcha" and "sach jalta hain" are lost in the narrative.

Overall, with aggressive pacing, the film is well-researched and potent in nature. But with the timing of its release and the undertones in its messaging, this film appears to be a propaganda film that neither ignites any patriotic fervour nor journalistic appeal.

Also Read: Vivek Agnihotri's The Tashkent Files lands in legal trouble

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Rishi Kapoor became a heartthrob and a sensation after the blockbuster success of Bobby, his launchpad in Hindi Cinema that was made by his father and the legendary filmmaker Raj Kapoor. It was the year 1973 and the songs of this film are as fresh in 2020! One of the romantic saga's most memorable melodies was Main Shayar Toh Nahin, which he paid homage to in 2004 in the film HumTum.

But just imagine for once that the song features Karan Johar instead of Kapoor and he is the one who's coyly singing. The filmmaker, judiciously, and hilariously using the face-swapping feature, uploaded a video on Instagram where we could see his face plastered on Rishi Kapoor's body.

See what happened then:

 

 

 

View this post on Instagram

... Raj Kapoor was one of my all time favourite film makers!!!! and Rishi Kapoor is my all time favourite actor!! This is a present to me by Sandeep @2ouringsandy I’d like to thank him for this gift, one that I will always treasure!!!! I also want to tell all of you to please go ahead and laugh!!! You are totally allowed to!!!! artist @sanjaytrimbakkar

A post shared by Karan Johar (@karanjohar) onApr 27, 2020 at 3:01am PDT

Not being able to control and contain their laughter and excitement, a lot of his friends from Bollywood came out with their comments on his post. First in line was Abhishek Bachchan, who commented with a face-palm emoji, Aditi Rao Hydari had her heart for him, Maheep Kapoor called the video fab and also had some laughing emojis, Tahira Kashyap wrote- "See your father always knew about your talent and looks! You should have listened to him." (sic)

That's not all, there were some more comments! Karan Wahi wrote- "What a debut KJO." (sic) Pooja Hegde had this to say- "Woahhhh...that's amaze." (sic) Ranbir Kapoor's sister Riddhima Kapoor shared the laughing and the clapping emoji. Good friend Kajol left as many as seven laughing emojis and three clapping emojis in the comments section. Shilpa Shetty wrote- "Faaaaaaabbbbbb!" (sic) Manish Malhotra commented- "This is so good and Raj Kapoor was my favourite film maker to." (sic) Also commenting with laughing emojis was Preity Zinta but she couldn't help but amalgamate it with the clapping emojis too.

This has to be his best and the most commented video to date and let's see which Bollywood classic and Hindi film hero he puts his face on next! And given Rishi Kapoor himself has a great and sometimes a wicked sense of humour, how would he respond and react to this?

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Irrfan Khan, who was undergoing treatment for Neuroendocrine tumour for the last two months, passed away at the age of 53 on April 29, 2020. The talented actor was admitted to Kokilaben Hospital for a colon infection, and on Wednesday he breathed his last.

Irrfan in an interview on the chat show Son of Abish opened up about his 1993-release Karamati Coat. "I was very happy because one just wants to work in cinema. Everyone kept appreciating me in television but I wanted to become a cinema actor. No one was offering me roles, even though everyone was appreciating me. But I got this part. So I was very happy and I thought that this is my big break," the actor was quoted by Hindustan Times.

The Piku actor had even designed his own outfit for the film. "For this, I got so excited that I made my own costume, chose the colours and everything. And the film had a walking shot; out of the three minutes, one and a half minutes was just the walking shot," he said.

Irrfan then went on to give stellar performances in films such as Haasil, Maqbool, Paan Singh Tomar, The Lunchbox, Piku and Hindi Medium. His international projects include Slumdog Millionaire, The Namesake, The Amazing Spider-Man, Jurassic World and Life of Pi. His last release Angrezi Medium too gathered critical acclaim.

It's not just Bollywood, but Irrfan Khan also took over the West with his talent and impeccable acting. In his almost three-decade career, the actor established himself as one of the most dependable performers in the Indian film industry as well as in Hollywood.

You'll be truly missed, Irrfan!

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On January 9, 2018, producer Honey Trehan along with debutant director Hitesh Bhatia reached at the residence of Rishi Kapoor for a script-narration of their upcoming film, "Sharmaji Namkeen". The legendry actor is excited on hearing the script, he decides to sign the film.

"I am that youngster who watched, admired and loved Rishiji on-screen. There are several films that I call my favourite, and 'Chandni' always topped the list. So it was nostalgia and excitement rolled into one when I went to narrate the film and cast him in the project," recalled Honey, one of the producers of the film along with Farhan Akhtar and Ritesh Sidhwani, while speaking to IANS.

Trehan recalls that Kapoor fell sick within a few days after the start of shooting, and he flew to the US for his treatment.

"We stopped the film and waited for him to come back. He is the DNA of the film and we cannot imagine anyone else to play Sharmaji. They stayed in touch with him and he was so eager to come back and get on to the film set. So naturally, when things started rolling, his energy and high professionalism were driving us," said the producer.

After Kapoor returned to India, shooting was scheduled to resume on January 15, 2020, in Delhi. Unfortunately, Kapoor lost his sister Ritu Nanda, and on January 14 had to travel to Delhi to attend to his family amid emotional crisis.

Keeping the situation in mind, the producers decided to reschedule the shooting.

"However Rishiji said, 'bakwas maat karo, what happened is personal but work is my profession. I am equally responsible for both. The show must go on. This is what my father taught me'. You see, under such circumstances where he lost his sister, he did not forget the high professional value that he learnt from Raj Kapoor saab. Rishi sir knew that the responsibility of the film is on his shoulder as he played the title role of the film. He knew that the unit will suffer if we stop the shooting and there comes his spirit and energy to encourage us saying, 'the show must go on, mujhe call time bataao'," Trehan recalled.

Remembering the affectionate nature of the legendry actor, he added: "On January 15 in the Delhi winter, our call time was 9 am. When I reached the set around 8:45 am, I find him ready -- not even sitting in his vanity but standing there, on the set! He smiled at me saying, 'Tu T-shirt pehna hai, thand nehi lagti? Jacket kyun nahin pehna?' That's Rishi Kapoor for you. Loving, affectionate towards everyone around him."

"Sharmaji Namkeen" also features Juhi Chawla.

Does he feel the pressure of the fact that this will be counted as Rishi Kapoor's last film? "A film with Rishi Kapoor is always special. But this one is 'sadly' special, and this is not why a film should be special. Hitesh and I are really not in the frame of mind to think about how we will finish the film. We need time. We are sad, deeply sad" Honey signed off.

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Actress Adah Sharma says she is picky when it comes to signing films and that she tries to pick something that is different from what she has done before. "Yes, I am picky when it comes to choosing films. I try to be part of films that I would want to watch. I also try to pick different roles from what I have done. I started with '1920'. I am very fortunate, the actresses in our industry for years don't get a chance to do what I got to do in my debut," Adah told IANS.

Adah made her Bollywood debut 2008 with the film "1920". She was later seen in films like "Hum Hai Raahi Car Ke", the "Commando" franchise, "Bypass Road" and "Phhir". She also worked in the southern film industry. Adah says she likes to surprise the audience.

"I try with each film to do something different because the audience also waits to see 'what different is Adah Sharma going to do' and if I do the same then they are like 'anyone can do that!'. So nowadays even if it is a short film like I just did 'Tindey', 'moh' or a music video... I try to pick something that is different from what I have done and others have done as well," she said.

She will next be seen in "Man To Man".

The film revolves around actor Naveen Kasturia's character falling in love with and marrying Sharma's character, only to realise she was biologically a man who became a woman after surgery.

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Last week, after Irrfan Khan, Bollywood lost another gem, as veteran actor Rishi Kapoor passed away after fighting leukaemia for two years. The actor was back home and shooting for his next flick "Sharmaji Namkeen" which is a production by Ritesh Sidhwani and Farhan Akhtar's Excel Entertainment and saw Rishi Kapoor play the lead.

The movie was almost complete with a couple of days of shoot remaining and we have exclusive news from a trusted source on the proceedings of the film. The source shared, "Rishi Kapoor was the main protagonist of the film and major part was already shot with only a few days of shooting remaining for the actor. Being that it was Rishi Kapoor's last project that was near completion, Ritesh and Farhan are determined to make sure that the film gets released."

The source further shares, "The microscopic details of how Ritesh and Farhan intend to bring the film to completion are in the works but rest assured that the film will get completed and see a theatrical release."

Sharmaji Namkeen will see Rishi Kapoor in the lead along with Juhi Chawla. The film is produced by Excel Entertainment in association with Honey Teheran and Abhishek Choubey. The film will also mark Hitesh Bhatia's debut as the director.

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Mrs. Serial Killer
On: Netflix
Director: Shirish Kunder
Cast: Manoj Bajpayee, Jacqueline Fernandez, Mohit Raina
Rating:

Forget everything! Forget that filmmaker Shirish Kunder's last feature film was Joker, forget that the leading lady of his fresh film, Mrs. Serial Killer, is Jacqueline Fernandez. And just read this premise- A helpless and hapless wife takes the suicidal decision of going on a murderous rage and becoming a serial killer when her husband is arrested on the charges of brutally killing six unmarried and pregnant women. In short, a woman will go to any lengths to save her husband.

Any film with this plot can amalgamate its narrative with both thrill and tragedy. You first feel a sense of sympathy for the man who has been wrongly accused and unfairly imprisoned. You feel empathetic towards the woman who now has to fight what could be the most traumatic battle of her life. And then you feel the tension and thrill of wanting to know how she would execute all her murders! What unfolds is your perfect Bollywood potboiler, driven by drama and fueled by unpredictability. But what we see in Mrs. Serial Killer is a puerile and almost-preposterous telling of an unseen and unknown CID episode.

The performances are all ham-and-cheese, and not even worthy of being your enjoyable and entertaining guilty pleasure stuff. It's juvenile and joyless from start to finish. If Manoj Bajpayee played your perfect hero in The Family Man, Fernandez plays your loyal family woman in this film who readily agrees to become Mrs. Serial Killer to save her husband. Kunder does what no other filmmaker even imagined he would, he gives her more screen time than Bajpayee and let her have her moment of glory. To say she falters would be an understatement, she collapses ever before her mission has begun.

Watch the trailer of Mrs. Serial Killer

Her performance is both annoying and alarming and makes you smile more than scared and that too in all the incorrect ways and at the incorrect moments. Look how she reacts when a gatekeeper refuses to let her in, look how she reacts when a receptionist refuses to let her meet a gynecologist, look how she reacts when she successfully unlocks her husband's laptop, and look how she reacts when she's about to drug and almost kill her prey. And after a while, you stop looking at all. Kunder has certainly been unwise while casting someone deadpan for a deep role.

There's barely anything that works, not even Manoj Bajpayee. He's hardly there and dedicates all his screen time in hamming. A languid Mohit Raina nearly puts you off to sleep, and the climatic twist suggests nothing but the sheer limitations and lunacy of everyone involved in this Netflix nonsense. Kunder's debut, Jaan-E-Mann, although a commercial failure, was earnest in its craftsmanship and entertaining in its moments, but his repertoire has deteriorated ever since. Mrs. Serial Killer is his weakest film to date, worsened by its frustratingly limited leading lady. It does deliver unintentionally comical moments and there are plenty of them. Watch out for the implausible and innocuous climax where Bajpayee snarls, "Comedy Kahaan Hai?" It's right there, sir!

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With the lockdown having put the brakes on his plans of filming Bhoot Police, director Pavan Kripalani has gone back to the writing desk. The filmmaker, who had given Bollywood one of its few psychological thrillers with Phobia (2016), is giving finishing touches to the sequel. However, keeping the current scenario in mind, Kripalani has decided to develop it as a web-film.

"The current situation has changed the way the entertainment business functions. I am guessing that over the next one year, smaller films will [benefit] by having a direct-to-web release. So, Phobia 2 will most likely release directly online," he explains.

Pavan Kripalani

Close on the heels of the Radhika Apte starrer hitting the screens, it was heard that a male protagonist would take centre-stage in the second instalment. However, the director has had a change of heart. "I had written a male-centric story, but now, I [am pursuing] a different idea with a female lead."

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Hina Khan is the classic example of been there, done that. In a career spanning over a decade, the actor has dabbled in fictional shows, reality TV and web series. Now, she has appeared in her first short film, Smartphone, available on the Ullu App. The short film has her essaying the role of a homemaker. The actor believes the film's message of women empowerment drew her in. "Suman [her character] showcases true women power. The film highlights how one should not underestimate anybody," she says.

If the story struck a chord with her, working with Akshay Oberoi and Kunaal Roy Kapoor was an enriching experience as they fed off each other's creative energies. "There's always something interesting to pick up from the way your co-actor works on himself during a shoot. We all learnt something from one another whether it was during our rehearsals or over conversations about our respective characters."

Hina Khan

Few actors can boast an easy transition from legacy television to streaming, but Khan believes every medium has been instrumental in helping her grow as a performer. "Every medium has been kind to me. After television where I was a part of some amazing shows [including Yeh Rishta Kya Kehlata Hai and Kasautii Zindagii Kay], digital entertainment and films gave me a grand welcome with Damaged 2 and Hacked respectively. At the moment, OTT platforms are producing impressive content. The diversity [they offer] is enriching for an actor."

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Even as Lockdown 3.0 has been implemented, it is clear that the Govt is keen to get the economy back on track. Jackky Bhagnani commits to a completely sanitized film set to ensure the safety and health of its cast and crew whenever film shoot is allowed by the Govt after the lockdown is completely over.

Veteran producer Vashu Bhagnani believes that the new normal is here to stay and the sooner the fraternity readies itself for change, the better. "The film industry has come to a halt, whether in India or outside. Yes, parts of the world are showing signs of recovery from the virus and while India has done remarkably well to flatten the curve and keep fatalities low, we must now get ready to be back on the set. As and when the lockdown is lifted, we want to be in a position to resume work immediately. But this resumption will be as per health guidelines stipulated by the Govt. We don't want to take any chances."

Some of the ground rules Jackky Bhagnani is mulling include using larger tents with portable ACs for shooting, limiting people on the sets, sanitizing all common areas, making masks and gloves compulsory for all staff, continuously disinfecting equipment, medical assistance on the sets at all times among other things.

Jackky Bhagnani says that it is imperative that stringent measures are put in place. "If there is one thing the lockdown has taught us it is to value human life and our health. Nothing comes before that. Every person on the set will be looked after and given the same attention. We are also mulling closed door studios for those of our films that will go on the floors immediately. While it is available abroad, we need to see if the same can be replicated in India."

Deepshikha Deshmukh adds, "It is only natural that we take care of the team who are our family and ensure their safety while on the sets. I am quite sure we are not alone in realizing the first big lesson from this lockdown - health comes first. Every parameter will be double-checked before the cameras start rolling."

Pooja Entertainment has a slew of movies on its roster. From Coolie No 1 starring Varun Dhawan and Sara Ali Khan which is complete and ready for release; it is also going to go on the floors with Bell Bottom with Akshay Kumar. There are many other projects that the production house is waiting to announce. With so much in store for the production house, prompting a set of guidelines in the current pandemic is not only vital but also judicious. Echoing the words of the Prime Minister, the founder of the ace production house, Vashu Bhagnani says, 'Jaan hai toh Jahan Hai' - perhaps indicating the thought process behind the charter.

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There is an offer to all the "risk-taking" casting directors! Ace filmmaker Karan Johar on Tuesday said that he is available to play "father roles." "I know my acting stint was scarier than the current virus but there is no harm in hoping for a second chance!" the 48-year-old director wrote on Instagram.

 

 

 

View this post on Instagram

I know my acting stint was scarier than the current virus but there is no harm in hoping for a second chance! So to all enterprising casting directors ,to all risk taking filmmakers , to critics with a high threshold of pain and to easy to please audiences I have an announcement to make!!!! I AM AVAILABLE FOR FATHER ROLES! ( at 48 with a poor track record I promise i can’t afford to be choosy)

A post shared by Karan Johar (@karanjohar) onMay 5, 2020 at 8:02am PDT

Sharing a selfie with his signature pout and with some visible grey hair, the director further wrote, "So to all enterprising casting directors, to all risk-taking filmmakers, to critics with a high threshold of pain and to easy to please audiences I have an announcement to make!!!!"

"I AM AVAILABLE FOR FATHER ROLES!," he added.

Wrapping up the post on a funny note, the 'Kuch Kuch Hota Hai' director also said that: "at 48 with a poor track record I promise I can't afford to be choosy."

The hilarious post grabbed several Bollywood celebrities' attention, who took to the comment sections to share their thoughts about the offer.

"Mere pet pe kyon laat mar rahe ho sir ..," wrote actor Anil Kapoor. Meanwhile, actor Kriti Sanon noted: "Father with the perfect pout!"

On the other hand, actor Shilpa Shetty is quite "liking" the director's new look. "Actually liking this look on you @karanjohar," Shilpa wrote in the captions.

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Saif Ali Khan may be a big name in the film industry today, but as a newcomer, he too had to experience rejection and struggle to get where he is today. Today, he is one of the most bankable stars in Bollywood, but when he first started out, he was kicked out of what could have been his first film! Don't believe us? Here's what Khan has to say!

In an interview with Mumbai Mirror, Saif recalled how he was thrown out of a film, Bekhudi, and how it was quite difficult to find his footing in the industry as a newbie who was just out of boarding school. He shared, "I have a vague memory of my first day on a film set. I was shooting a song for Bekhudi, with Rahul Rawail (director) and Kajol (co-star). I had to tear through fake cobwebs and emerge, singing a line that went, 'Chaahat Ki Raahon Mein, Kyun Itna Darti Hai'. I might just about pull it off today, but, back then, straight out of a boarding school in England, I was petrified."

Saying that he must have performed badly, Saif added, "Soon after, Rahul Rawail threw me out of the film, complaining I wasn't showing enough interest. That shot, I have to admit, was particularly appalling."

While Saif lost Bekhudi to Kamal Sadanah, he landed another project, a film titled Parampara. Speaking about technicalities in a film and how he is much better at the smaller details now than he was back then, Saif said, "I was pretty bad in Parampara, too, and my voice didn't help. Fortunately, there were several big names in the film, so either I must have stood out like a sore thumb or simply gone unnoticed. I still don't know which."

Well, it's hard to believe that Saif, the star that he is today, was quite the anxious newcomer back then! On the work front, the Laal Kaptaan actor was last seen in the comedy Jawaani Jaaneman, co-starring Alaya F and Tabu. The film did good business at the box office.

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Bollywood actor Rahul Bose has been foraying the digital entertainment space with a couple of projects lately, and he says his parameter as an actor to give his nod to a story has not changed. For him, it is important that the story should have the essence of humanism and not the glorification of hatred. "Honestly speaking, my rules of saying yes to a project do not change. For me, the story matters and not the length of my character. I think by now people know that. I am not the person running after fame or concern about how many people are watching my work. For me, the story has to be important enough to engage, as an actor and as an audience," Rahul told IANS.

The actor has worked in the Netflix original "Bulbul", besides the web series "Bombay Begums" directed by Alankrita Srivastava. He is also a part of the much-awaited web series, "Baahubali: Before The Beginning". Rahul's film choices have been as varied as "Mr And Mrs Iyer", "Jhankaar Beats", "Chameli", "Shaurya", "The Japanese Wife", "I Am", and "Dil Dhadakne Do". There is an important element he looks for in a film, before committing to it.

"In past, there were films and projects that have been offered to me and I said no to them. You see, the story has to have some amount of humanism. You can show a character as the biggest evil (person) of the world and still can come up with the right message -- not one that is destructive or negative. A message cannot glorify hatred, and if it does, I do not want to be part of that. Of course, my character can be the villain but not the overall message of the film," Rahul said.

He explained: "In the recent past I am offered a film that shows a very, very narrow view of nationalism and it was quite a jingoistic story. I can never be part of that. I am the same actor who was part of a film like "Shaurya" that sent out an absolutely right message -- that is, no matter which religion, caste or region you are from, when you are a man in a uniform, all you are upholding is the security of your country."

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Bollywood! The only industry that doesn't ask for your qualifications but only for your skills and talent. Tiktok Star Rahul Megh Arya is soon going to make his first debut in a Bollywood movie

Rahul upcoming Bollywood movie then there is a good communique for all his fans. In the year 2020, he is going to make a debut in his first-ever Bollywood project. It’s a good start along with a new opportunity for him because of his skills and ability.

Rahul happens to fall under the latter category of influencers, and his lifestyle videos on Instagram already reach thousands of young and impressionable followers on his Instagram page. Most of his followers belong to India, a country of 1.3 billion people.

Talking about his upcoming Bollywood movie then there is a good communiqué for all his admirer. In 2020 he is going to make a debut in his first ever Bollywood project it's a good start along with a new opportunity for him because of his skills and talent. The way he presents and influences other through his lifestyle video content, gave him a golden ticket to Bollywood. Now soon he'll be a part of silver screen. It's an electrifying news for his fans.

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On the fifth anniversary of the film Piku, Deepika Padukone remembered her late co-star in the film, Irrfan Khan, who passed away on April 29. "Piku" released on May 8, 2015, and on Friday Deepika shared a message on Facebook along with a still from the film's shoot. Tagging the film's writer Juhi Chaturvedi and director Shoojit Sircar, the actress shared the lyrics of the song "Lamhe guzar gaye" from "Piku".

At the end of the message, she wrote: "Rest in Peace my Dear Friend... #rana #piku #bhaskor #ShoojitSircar #JuhiChaturvedi."

 

 

 

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लम्हे गुज़र गये चेहरे बदल गये हम थे अंजानी राहो में पल में रुला दिया पल में हसा के फिर रह गये हम जी राहो में थोड़ा सा पानी है रंग है थोड़ी सी छावो है चुभती है आँखो में धूप ये खुली दिशाओ में और दर्द भी मीठा लगे सब फ़ासले ये कम हुए ख्वाबो से रस्ते सजाने तो दो यादो को दिल में बसाने तो दो लम्हे गुज़र गये चेहरे बदल गये हम थे अंजानी राहो में थोड़ी सी बेरूख़ी जाने दो थोड़ी सी ज़िंदगी लाखो स्वालो में ढूंधू क्या थक गयी ये ज़मीन है जो मिल गया ये आस्मा तो आस्मा से मांगू क्या ख्वाबो से रस्ते सजाने तो दो यादो को दिल में बसाने तो दो -Piku Rest in Peace my Dear Friend...💔 #rana #piku #bhaskor @shoojitsircar @juhic3 #5yearsofpiku

A post shared by Deepika Padukone (@deepikapadukone) onMay 8, 2020 at 1:45am PDT

Her reference was to the characters in the film. While Irrfan was Rana, Deepika played Piku, and Amitabh Bachchan had essayed Bhaskor in Shoojit Sircar's slice-of-life romantic comedy. "Piku" was a box-office success, and the film won three National Awards -- for Bachchan as Best Actor, and Juhi Chaturvedi for Best Screenplay and Best Dialogues.

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"Dance India Dance 2" winner Shakti Mohan says dance-based reality shows have given opportunities to many dancers and choreographers to dream big. She feels that due to these shows, the level of dancing has gone up in films, too.

It's been about a decade that she was announced as the winner of "Dance India Dance 2". Since then a lot of dance-based shows have emerged.

Talking about the rise of dance reality shows, Shakti told IANS: "It's unbelievable how much it has grown in last 10 years. I feel it has given opportunities to so many dancers and choreographers to dream big. I feel the way India has loved and supported dancers is incredible."

"All channels today have big reality shows around dance that feature industry's biggest names as judges on the panel. To have these shows is the only way for dancers to showcase their talent to the world. Thanks to these reality shows, the level of dancing has gone higher in films as well. Even Bollywood actors are picking up tough routines for songs these days," she added.

On the differences between then and now shows, she shared: "Back then when I started off, I did not expect anything at all from myself. I just knew I wanted to dance. At that time there were no reality shows, we did not have platforms like YouTube where we could learn from."

"Nowadays dancers are very particular about what style they want to do. Kids today are learning from the best in the world and following them right from the time they start their journey. Back then we did almost everything. I used to watch Bollywood songs and learn choreographies from there."

Nevertheless, Shakti loves her journey. "I love doing it and I am very proud to call myself a dancer," she said. "Dance India Dance season 2" is back on Zee TV to get the viewers nostalgic.

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The year 2020 keeps getting worse. In another heartbreaking piece of news, Shehnaaz Gill's grandmother has been hospitalised due to liver ailment and this news was broken by her father Santokh Singh Sukh on his Instagram account.

Taking to his account, he shared a shattering image of his mother and wrote- "My mother hospital mein hai liver mein problem ho gayi hai God jaldi thik kar do." (sic)

Have a look right here:

 

 

 

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My mother hospital mein hai liver mein problem ho gayi hai God jaldi thik kar do

A post shared by SANTOKH SINGH SUKH (@santokhsukh1) onMay 6, 2020 at 4:43am PDT

If you all go through the comments, everyone, especially Shehnaaz's fans, are praying for her recovery and we also hope she gets well soon and comes back home! If you all followed Bigg Boss 13, the actress, on multiple occasions, used to share anecdotes of spending some special moments with her grandmother and how she is really funny.

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Actor Gurmeet Choudhary became a household name after playing Lord Ram in the 2008 TV show "Ramayan". If given a chance, he would like to revisit the character, but for a film. It's been a while since the audience saw him in a mythology show. Asked if the genre still interests him, Gurmeet told IANS: "I'd definitely like to do (a mythology project) if I like it. The audience saw me as TV's Ram, but I'd really like to do a film called 'Ramayan', and I'd like this film to reach all over the world." Looking back at the show, he shared that he didn't want to copy actor Arun Govil, who originally played the role in Ramanand Sagar's blockbuster mythological series "Ramayan" way back in the eighties.

"When I was very small, I had watched Ramanand Sagar's 'Ramayan'. But I remembered very less about it. As I grew up, my dad would narrate stories of 'Ramayan'. So story-wise I knew it. When finally 'Ramayan' was given to me, I had a thought that before doing another 'Ramayan' if I watch the 80s 'Ramayan' then as an actor...Arunji had acted really well. Had I seen his version of Ram again then there might have been chances of me copying him. Every actor can understand that he needs to do his own style, so I tried to act in my own style," he recalled.

And he gave a lot to playing Ram in his show, which has been brought back on the small screen by Dangal TV. "I had given many auditions and then mock shoot happened. During that duration, I got many ideas on how to play my version of Ram. While shooting for 12 hours, I used to be in that character only," he said. He focussed on his character's walking style and smile.

"Everyone used to tell me to switch on and off (the character) otherwise I'd become a brahmachari (celibate) or quit acting but I have always believed that as an actor, it was one character that very few people got the opportunity to play. I gave my 200 percent," said Gurmeet. "Ramayan" brought him fame but there was also a fear of getting typecast.

"It generally happens that when actors do mythology shows, they get typecast. But I got saved. I didn't get typecast. It didn't happen suddenly though. I had prepared myself," he said. Talking about moving on from the character, he said: "Once 'Ramayan' got over, I did some reality shows. So people saw me and said 'he is young, wears jeans, T-shirt, dances and does action. Then I won 'Jhalak Dikhhla Jaa' and participated in 'Nach Baliye', did 'Punar Vivaah' and then due to God's blessings, I got films. 'Khamoshiyan' was my first film. Mahesh Bhatt had launched me. My film journey started there," said the "Paltan" actor.

In fact, prior to the announcement of the lockdown in March, he was shooting for a film, which he would like to wrap up once work starts again.

"I really like black coffee. So I'll have that in a coffee shop. The shooting of my film 'The Wife' was happening in Jaipur. We had shot 50 per cent of the film. I really liked the film's script. So after coffee, I'd catch a flight and complete its shooting," he said.

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Indian cinema lost two icons, one week ago. On April 29, actor Irrfan Khan passed away after his prolonged battle with neuroendocrine tumour. Veteran actor Rishi Kapoor breathed his last on April 30 after two years of battle with leukemia. Tributes have been pouring in for the two actors who have made immense contribution to the cinema.

In the memory of two stars, Colors TV will be paying tribute to them with an event called Dard-e-Dil: A Tribute to the Legends. The virtual event will witness artists’ from films and TV who will celebrate the achievements of the actors and send in their pre-recorded videos. This will also be followed by some musical performances.

The line-up includes Maniesh Paul serving as the host of the event, comedian Bharti Singh, singers Sukhwinder Singh, Aditya Narayan, Abu Malik, and TV actors and former Bigg Boss contestants Hina Khan and Devoleena Bhattacharjee. Arjun Bijlani will be crooning ‘Om Shanti Om’ from Karz whereas Aditya Narayan is set to perform ‘Suit Suit Karda’ from Hindi Medium. Hina Khan has already recorded ‘Teri Umeed Tera Intezaar’ from Deewana.

The event is set to be aired this weekend!

ALSO READ: Irrfan Khan could have been part of Anand Gandhi’s pandemic movie Emergence

Mr. O.P Rai, Managing Director of Kala Niketan Entertainment India has been engaged in the business of entertainment since decades. Producing films, Music videos in various languages and even promoting all sorts of entertainment activities in India at Kala Niketan Channel.

His latest venture, the film Nobel Peace recently bagged the Best Film (Jury) award at 10th Dada Saheb Phalke Film Festival 2020. The Jury of the festival consisted of Mr. G.L Bhardwaj, National Award Winning film Director, Mr. Patrick, Renowned Filmmaker from France, Mr Niku from Japan, Mr. Fernando Merinero, Award Winning Director from Spain and Mr. Ruben Maria Soriquez, a Renowned  Director from Italy.

Alok Rai and Aina Rai who also happen to be the producers of this film, are unveiling the first poster of the movie. They both are US based Indians those who wish to serve their mother land with value based entertainment. Astik Dalai is a filmmaker with 16 plus years of experience in the field of cinema. He has directed research based documentaries, docudramas to music videos and this is his first feature film in Hindi.

The film Nobel Peace is about the journey of young boy Hayan Mir under the able guidance of a college professor Shlok Manhaas to eradicate hatred from the hearts of religiously biased individuals and to bring peace in the society.

The film’s cast comprises of Hiten Tejwani who is a well-known name in the entertainment industry and always known for his ability to act intensely. Here in this film too, he plays the role of the visionary professor, Mudasir Zafar plays the role of the young boy Hayan Mir who without fear attempts to propagate peace despite opposition from the society.

The Film is getting a very good response from the festivals around the globe for its wonderful storytelling, realist performances and overall making. The star cast consists of actors like Mayur Mehta, Aarti sharma and Rohit Raj also.

Apart from that half-producer Aina Rai who in spite of being a female managed to do wonders with her commendable efforts and ensured that the movie turns out to be capable enough to bag prestigious awards. Not only was she dedicated towards filmmaking which was naturally expected of her but was also the one keeping the morale of the crew and her better-half high in low times. Her passion for making films is admirable as she ensured every shot was handled with perfection and not for a moment gave up. As we say we put in more hard work for the things which we love. “I know you've heard it a thousand times before. But its true hard work pays off. If you want to be good, you have to practice, practice and practice. If you don’t love something then don't do it. Also it’s hard to beat a person who never gives up and Aina is a living example of this.

The two of the biggest superstars of Bollywood, Shah Rukh Khan and Salman Khan, also have an electrifying chemistry on screen. This was evident in Rakesh Roshan’s 1995 blockbuster Karan Arjun. Even in the romance saga Kuch Kuch Hota Hai, where Salman had a supporting part, the film went on another level whenever they came forward. Hum Tumhare Hain Sanam today is memorable chiefly because it starred both of them together. It’s been 18 years since they both came together, though they were sweet enough to do special appearances in each other’s films (Om Shanti Om, Tubelight and Zero). But to see them together in a two-hero flick is something that fans have been waiting for keenly. Their excitement did arise when reports emerged that Sanjay Leela Bhansali was planning to cast Shah Rukh Khan and Salman Khan in his next flick. But sadly, the project failed to take off.

After SRK’s Zero tanked, the star took a long time in deciding his next and finally, if reports are believed, he has given his nod to blockbuster filmmaker Rajkumar Hirani. However, as per a write-up by Rajeev Masand in Open magazine, Rajkumar Hirani had initially approached SRK with a different film. The article states that Rajkumar had the concept of a two-hero film in his mind. For this project, he wanted to cast both Shah Rukh Khan and Salman Khan. However, when he met SRK, he insisted that he’s keen on doing a solo-starrer. Hence, Rajkumar Hirani went back to the drawing board and he finally came up with an idea which was fine to both the filmmaker and the actor.

Rajkumar Hirani is writing the script with his regular colleague, Abhijat Joshi. As it is his style, Rajkumar Hirani is taking his own sweet time to write and fine-tune the script. He’s been sharing all the drafts with the superstar, who also provides his feedback and input to Rajkumar. However, an official announcement regarding this film will happen only when a fully satisfied Rajkumar Hirani locks the script. This is being done at the behest of the filmmaker and Shah Rukh Khan reportedly has no qualms in delaying the announcement.

Recently, SRK had got his fans excited when in a reply to a fan question on Twitter, he had hinted that his film with Rajkumar Hirani is indeed on.

Wow both are awesome and I have met them...but Raju apna sa lagta hai...nahi? https://t.co/EuSsrTHtx5

— Shah Rukh Khan (@iamsrk) April 20, 2020

Also Read: Rajkumar Hirani and Sri Sri Ravi Shankar to have an insightful conversation on the Heart To Heart Show

With the coronavirus lockdown forcing people to stay at home, they are turning to the internet to keep their spirits up such a turbulent time. The social media is flooded with hilarious memes, videos and other posts that not only kept the netizens entertained but also spread awareness about the importance of maintaining  social distance.

Not just new content, even old content is making rounds of social media which is being seen in pretext of the lockdown. Union Minister Smriti Irani has shared a video to explain the importance of staying at home during the lockdown.

The video originally posted by popular Youtuber Ashish Chanchlani  in his page, Ashish Chanchlani Vines shows what would happen if American films were made in India. Portraying as a thriller, the video shows a man being chased by a masked man dressing like a ghost. As the man reaches at the doorstep of his house, he stops to remove his shoes and socks before stepping in, which customary in Indian households. After being prompted by the man, the killer removes his shoes too.

The union minister for Women and Child Development and Textiles posted the video on Instagram and captioned it as, "Lockdown Humour. Stay Home, Stay Safe!

 

 

 

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A post shared by Smriti Irani (@smritiiraniofficial) onApr 12, 2020 at 9:54pm PDT

The post garnered 193,272 views and 23,209 likes on the photo-sharing app where many of her followers thanked her sharing the video along with posting hilarious reactions. One user said, "Culture with ever care vision (sic)." Another user said, "Kahani ghar ghar ki." A user said, "Nowadays, after entering the house both of them should wash their hands thoroughly too before continuing their run, otherwise donon ko corona mar degi!"

What do you think about this video?

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With France's ban on events with large gatherings until mid-July, a plan for a virtual version of the Cannes film market, the Marche du Film, might be going ahead in June. The Marche du Film is now setting up a full-on virtual market from June 22-28, confirmed Variety. According to Variety, Jerome Paillard, head of the Marche du Film, is to communicate details about the virtual market on Friday.

However, on April 8, The Cannes film festival director Thierry Fremaux has confirmed that the major event won't take the virtual route if it can't be hosted as a physical event. The film festival also works hand in hand with French distributors and exhibitors who are well represented on the board of the festival. Despite France's three-week lockdown, Fremaux maintains that the festival is carrying on with the selection of films while monitoring the evolution of the pandemic.

The festival recently stated that the key sales agents who represent the majority of titles in the competition have been submitting their films to Cannes' selection committee, and the dates for registration have been extended by a month and a half.

Also, the French culture ministry and the city's mayor are backing the Cannes, and they have announced the launch of a support cell for festivals scheduled for 2020.

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Actor Chris Hemsworth found shooting in India "overwhelming" because of the positivity and enthusiasm that he experienced while filming the upcoming Netflix film "Extraction" in the country.

"I loved shooting in India. The people were incredible. I didn't realise how popular the Marvel films were in India. So that was, at times, overwhelming," Hemsworth told IANS during a special video call before the release of his Netflix movie.

"There was such positivity and enthusiasm for all of us and our crew… During shooting, we had hundreds and thousands of people on certain days lining up on the streets and up on top of bridges and in buildings, you know, after every takes, cheering and applauding. I've never experienced anything like it. And as I said, I have such fond memories of India and the people there," he added while recounting his time in India.

Hemsworth shot for the Netflix film in India in 2018. He shot in Ahmedabad and Mumbai. The "Thor" star was scheduled to be in Mumbai on March 16 to promote the film that has been shot in India. The promotional tour was called off due to the global coronavirus outbreak.

Earlier in an interview to IANS, Hemsworth, whose daughter is named India, revealed the reason behind naming his daughter after the country.

"My wife (Elsa Pataky) spent a lot of time in India and that was where the name originally came from," Hemsworth said in that interview, adding: "I love the place and the people. It was sort of intimidating as it was exciting because there were so many people… We felt like rock stars in a stadium. But the warmth and support we got while shooting there, no matter how disruptive we were to their daily lives, it was so good. "

Originally titled "Dhaka", the film also stars Indian actors Randeep Hooda, Pankaj Tripathi, Priyanshu Painyulli, and Rudraksh Jaiswal. It revolves around Tyler Rake (essayed by Hemsworth), a fearless, black market mercenary, who embarks on the most deadly extraction of his career when he is enlisted to rescue the kidnapped son of an imprisoned international crime lord. The film, directed by Sam Hargrave, will release on Netflix on April 24.

Talking about working for a streaming platform for the first time, Hemsworth said: "It's my first time working on a streaming platform. I was excited to do it, strangely enough, you know, it's probably the best place to be at this point.

"We put in, you know, the same amount of commitment and passion and enthusiasm as we would with anything else, whether it was a cinema release or a streaming space. I am beyond proud of the film. From the very beginning, I loved the script. I love the story that we were able to tell and the opportunity to shoot action, unlike anything I'd certainly been a part of before."

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"Extraction" director and popular Hollywood stunt coordinator Sam Hargrave feels cinema has space for either "super big-budget movies like superheroes" or smaller movies, saying that it doesn't leave much room for mid-budget action movies.

Talking about his upcoming Netflix action film, Hargrave told IANS: "It seems that there's not as much space in the cinemas for these kinds of mid-budget action movies. It seems that it's mostly the super big-budget superhero movies or the kind of the smaller stuff."

Hargrave is glad that his first movie will reach a wider audience through Netflix.

"Netflix has carved out space for itself for movies like these to exist, which I think is really great… Because there are a lot of great stories out there… These kinds of movies, now, have a place to be seen, be viewed and be enjoyed," he said.

With "Extraction", Hargrave is graduating from being Chris Evans' stunt double in "Captain America: The Winter Soldier" for fight scenes and stunt coordinator in "Captain America: Civil War" to a feature director. Hargrave was an additional second unit director in "Avengers: Infinity War".

Hargrave continued: "I think that's a really great thing for audiences around the world. I'm happy that my first time directing (feature film) come out on a platform like Netflix where so many people can see this. It is a very unique experience and one that I'm looking forward to seeing how it all plays out when it comes out on April 24."

For his first film, Hargrave reunited with his "Avengers" family. He got "Thor" star Chris Hemsworth to lead the film, screenplay of which is done by Joe Russo. The film is produced by Russo Brothers (Joe and Anthony Russo), Mike Larocca, Chris Hemsworth, Eric Gitter, and Peter Schwerin.

Originally titled "Dhaka", the film also stars Indian actors Randeep Hooda, Pankaj Tripathi, Priyanshu Painyulli, and Rudraksh Jaiswal. It revolves around Tyler Rake (essayed by Hemsworth), a fearless, black market mercenary, who embarks on the most deadly extraction of his career when he is enlisted to rescue the kidnapped son of an imprisoned international crime lord. It has been shot extensively in India, along with other places around the world.

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Late actor Irrfan Khan not only proved his acting mettle in Bollywood but has also left a mark over Hollywood cinema with his class-apart acting skills. Several Hollywood filmmakers on Wednesday paid tribute to the legendary actor and mourned the loss.

Jurassic World director Colin Trevorrow took to Twitter and expressed his grief over Irrfan's demise. "Deeply sad to have lost #IrrfanKhan. A thoughtful man who found beauty in the world around him, even in pain. In our last correspondence, he asked me to remember "the wonderful aspects of our existence" in the darkest of days. Here he is, laughing," he wrote.

Have a look right here: 

Deeply sad to have lost #IrrfanKhan. A thoughtful man who found beauty in the world around him, even in pain. In our last correspondence, he asked me to remember “the wonderful aspects of our existence” in the darkest of days. Here he is, laughing. pic.twitter.com/8eAsSOO9Ie

— Colin Trevorrow (@colintrevorrow) April 29, 2020

American filmmaker Ava DuVernay also paid tribute to the late actor. "A grateful fan of #IrrfanKhan here. Gone too soon. When he is on screen, you can't take your eyes off of him. He lives on in his films," she said in a tweet. Take a look:

A grateful fan of #IrrfanKhan here. Gone too soon. When he is on screen, you can’t take your eyes off of him. He lives on in his films. pic.twitter.com/aA9RAjsxSl

— Ava DuVernay (@ava) April 29, 2020

Irrfan appeared in several international films such as Jurassic World, Inferno, Life of Pi, Slumdog Millionaire and others, over the years.

The actor passed away at Mumbai's Kokilaben Hospital on Wednesday while battling rare cancer. He was 53. Khan was last seen on screen in 'Angrezi Medium'. He was not a part of the film's promotions owing to his ill health.

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Hollywood stars Emily Blunt and Dwayne Johnson are set to reteam for a superhero film from The Big Sick co-scribe Emily V Gordon. According to The Hollywood Reporter, the project is an adaptation of the 1990s comic book "Ball and Chain" from writer Scott Lobdell.

Gordon, best known for co-writing 2017 romantic comedy The Big Sick with her husband Kumail Nanjiani, is adapting the script from the comic. Blunt and Johnson, who are currently looking forward to the release of their Disney movie Jungle Cruise, will play a bickering couple who receive superpowers that only work if they can learn to put aside their differences and work together.

Several studios are aggressively competing for the project with streamer Netflix being the frontrunner currently. The movie will be produced by Johnson through his Seven Bucks banner with Dany and Hiram Garcia. Blunt and Kevin Misher will also produce.

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Sanjay Mishra starrer Kaamyaab hit the screens on 6th March 2020. The film captured the journey of the character actors. Recently, The Alchemist author Paulo Coehlo praised the film and his performance.

Taking to Twitter, he said, “The producers thank you in the very 1st frame, @iamsrk. I am doing the same. 2 days ago a great Brazilian actor, Flavio Migliaccio, committed suicide, leaving a note on how the industry treats their artists. This movie, labeled as “comedy”, is in fact the tragedy of Art.”

Shah Rukh Khan was quick to respond to his tweet. As the presenter of the film, he said, “Saw the film when it was doing Festival rounds and it touched a chord with the whole team at @RedChilliesEnt Am so moved you appreciate. It’s a sad truth that character actors get forgotten. Look after yourself my friend and be safe & healthy.”

Sanjay Mishra recently spoke to a daily and said that when the emotions of a film connect, language is not the issue. He said that though neither he nor his mother have read Paulo’s books, he told her that he is a well-known author. She said to Sanjay that his father would be proud of him. He said that he received congratulatory messages from his father’s civil services colleagues too.

As Paulo mentioned how a Brazilian actor committed suicide, Sanjay revealed that many of his friends are currently jobless due to lockdown. He said that those who have jobs could lose it one day but some of them didn’t even have it to begin with. He further said this goes for the senior artistes who get written off irrespective of their contribution to the cinema. Sanjay Mishra said that an actor is also society’s responsibility.

The story revolves around how a character actor after his retirement is all set to make a record of 500 films and continue his hustle. Sanjay Mishra and Deepak Dobriyal starred n the film as Mishra had undergone a prosthetics transformation for every character shown on-screen.

Kaamyaab had its world premiere at the Busan International Film Festival followed by screenings at Festival du film d'Asie du Sud Paris, New York City South Asian Film Festival, Indian Film Festival of Melbourne, Shanghai International Film Festival, as well as the MAMI Mumbai Film Festival.

ALSO READ: Author Paulo Coelho appreciates Shah Rukh Khan for Kaamyaab; actor reveals why he produced it

Casting couch is a reality in the film industry and time and again some of the celebrities have shared their experience regarding the same. Sherlyn Chopra has also been on the receiving end of it.

Sherlyn Chopra in an interview with an entertainment portal revealed that at the initial stage of her career when she would approach filmmakers with her portfolio they would ask her to meet them for dinner at around 11 or 12 in the night. At first, Sherlyn said that she was clueless and took time to understand that filmmakers do not have a professional dinner in mind. She said that dinner means compromise for them.

Sherlyn said that once she understood the intentions of the filmmakers she would politely let them know that she was not interested. Sherlyn then started telling filmmakers who approached her with dinner that she does not have dinner and asked them to invite her for breakfast or lunch and they would never respond.

Sherlyn has acted in films such as Jawani Diwani: A Youthful Joyride, Dil Bole Hadippa! and Red Swastik.

ALSO READ: Ayushmann Khurrana recalls a casting couch incident from his early days in Bollywood

Ahead of Mother's day, Kajol spoke to a daily about motherhood and the bond she shares with her kids. Kajol got married to actor Ajay Devgn in 1999 and the two went on to become parents to two beautiful kids- Nysa and Yug.

When she conceived Nysa, Kajol had only one thought and that was to ace this test of motherhood. However, she soon realized that it is no cakewalk and it took her six months to realize that she can't do it alone. Kajol said that her children make her want to be a better and fun person.

Kajol also revealed that her children have not watched too many of her films. She said that it is because she hasn't made many and according to the kids, Kajol cries too much and makes them cry too.

While talking about her bond with her mother Tanuja, Kajol said that the relationship they share is the best and that they never discuss work. She said that her mother gave a lot of advice but never listened to it until she landed in a problem.

ALSO READ: From working with Shah Rukh Khan to Ajay Devgn not cooking for her, Kajol makes some interesting revelations during her chat session

What pushes you to include indie sounds in film music?
It's exciting. We hear so much of template music each day. It sounds too similar, and gets boring eventually. Indie music gives you the edge to experiment and push the envelope. I follow my instinct.

Singer-composer Amit Trivedi

What will we hear at your performance at The Red Bull Tour Bus-Off The Roof gig?
I make alternate and mainstream Bollywood music, and you'll hear more of alternate sounds at this gig. I'll play music from Udaan, Lootera, Dev D and even Rukh [an upcoming film starring Manoj Bajpayee]. Mainstream songs will include tracks from Ayesha, Ishaqzaade and Shaandar. Divya Kumar, Arun Kamath and Yashita Sharma will accompany me. Expect a bit of Coke Studio-kind of sound as well.

What was it like working on Secret Superstar and Rukh? And exchanging notes with Aamir Khan?
I dealt with two different worlds. While Secret Superstar is the story of a mother and daughter, Rukh is the story of a father and son. The songs in Secret Superstar are from a 15-year-old's viewpoint. They are light and breezy; it can't be party music. Now, this is something important - a lot of people complain on social media about their dislike for a song. What they don't understand is that we make music for cinema, which is storytelling and where characters are involved. It is not necessary that every film needs to have a blockbuster song. And that's the beauty of Aamir Khan [producer of Secret Superstar]. He puts all his energy into every aspect of the film. Usually, the songs that get popular are romantic or melancholic, or club songs; this film has none of it.

Do you take social media seriously?
Earlier, there was a gap between the celebrity and the audience. Now, it's seamless. Everybody has a phone and an opinion. And this access is taken for granted. People say whatever sh*t they want. So, I just look at the good side of it. Bombay Velvet was a commercial disaster but till date, I get good reviews for the music.

Tell us about your interest in folk music.
When I was a kid, my mom would sing a lot of Gujarati garba songs. The environment [to nurture music] was appropriate. I've got many favourites - Tara Vina Shyam, Kaho Poonam Na Chand Ne, Sonal Garbo Shire, Ek Vanjari Julan Julti Thi, Krishna Bhagwan Halya Dwarika Ne.

On: October 14, 5 pm onwards
At: PJ Hindu Gymkhana, Marine Lines
Log on to: www.insider.in
Entry: Rs 500

Anoushka Shankar, who scored the recently restored silent film, Shiraz, recalls the challenge of the task, her upcoming India tour with the film and why Mumbai will always remain special

An emperor's love for his queen was immortalised in white marble in 1653. Three centuries later, when cinema was still at a nascent stage in India, the Taj Mahal and the love story of Shahjahan and Mumtaz Mahal became one of the earliest subjects to be celebrated on the big screen with Franz Osten's silent classic, Shiraz (1928). Almost 90 years on, the film starring Himanshu Rai, Charu Roy, Seeta Devi and Enakshi Rama Rau was restored to its former glory by the British Film Institute (BFI), in a manner most fitting.

The music for Shiraz is a blend of Indian and western instrumentation

While sitar player and composer Anoushka Shankar was invited to score the music of the film, she will also present a live performance, alongside a screening in four Indian cities, being brought here by the British Council and BFI.
We spoke to Shankar about what went into reliving an era musically. Edited excerpts from an interview:

How did a project of this nature come about?
The BFI undertakes frequent film restoration projects, and in 2017, as part of the UK-India Year of Culture, they decided to work on Shiraz. When they asked me to do the score, I was thrilled. I had been wanting to start scoring films for some time. And this seemed like a lovely fit with my musical background and skill set.

Stills from the restored film

How did you approach the music for a silent film?
It's much more challenging to score for a silent film because there's no conversation, and this means it needs constant music. The sheer volume of output required was huge. While we tried to give a feel of the time in which the film is set and the time in which it was made, we also wanted the audience to enjoy a cinematic effect in the music with a rich, modern sound. In some ways, it's been the most creative process that I have been a part of. I found it incredibly fulfilling.

Shiraz: A Romance of India. Pics/British Council and BFI

What does the music sound like?
We are an eight-member orchestra, and it's relatively evenly spaced out for the Indian and western instrumentation. We've used Indian percussion, the bansuri, sitar, cello, piano, violin, clarinet and some elements of live electronic music as well. It's a long film of an hour and 47 minutes, and throughout the duration, I have tried to create variety. For example, the opening piece is purely classical and then, within the course of the first half hour, we move to a different soundscape. When scoring the film, I knew it was going to be a live show as well and I was mindful of making music that people would want to sit and listen to and watch as a show.

How has composing music for Shiraz impacted you as a musician?
Whenever I take up any music project, it involves a mix of something that I have to offer, but also an opportunity where I can learn and grow. With Shiraz, I have grown a lot as a composer. I have learnt how to orchestrate my own music for an ensemble within a western harmony, in a way that allows Indian music to stay. I have also learnt a lot technically.

Around the time Shiraz premiered in London, the Taj was called a blot on Indian culture by an Indian politician...
If you take out the politics and think of it in terms of people, it's like one person putting another person down in order to make himself feel bigger. There is a lack of confidence in that. If someone is a fantastic human being in a way that's different from me, it doesn't make me a bad human being. We are different, but we can both be wonderful. As a culture, we have so much diversity in our history that there is room to celebrate everything.

How do you look at Mumbai as a performance venue?
Mumbai is a place that I have been coming to since I was a child. As a classical musician, it's such an important city. I have had years of memorable concert experiences here with my father initially, and with my own work in more recent years. I am always happy to play for Mumbai. It's a kind of place where you get a cosmopolitan audience that listens to diverse types of music.

On: November 5, 7.30 pm
At: Sri Shanmukhananda Auditorium, Sion East.
Log on to: bookmyshow.com
Entry: Rs 300 onwards

Moshe Holtzberg praying with the Rabbi at Chabad House on Wednesday. Oren Rosenfeld, Israeli documentary maker, who flew with the family to Mumbai from Tel Aviv on Tuesday says the 11-year-old is aware of his past and what it represents. Pic Courtesy/Oren Rosenfeld

It's nearing 4.30 pm, and there's much activity at the Magen David Synagogue in Byculla. Carpets are being laid out and guests who will probably have to wait long are being offered tea and coffee. There's a lawn outside where - with the sun not at its shiniest best thanks to Mumbai's faux winter - a few tables and chairs have been laid out with white satin sheets that the brain registers as celebratory. In the midst of the activity, avoiding the scaffolds that still line the freshly painted blue walls of the 154-year-old synagogue, stands Devina Sankar, a Los Angeles resident who is in Mumbai on a three-week vacation. Looking into a Sony PXW-X70 handycam, she reminisces her school days spent next-door, where as a naughty student she'd often have her ears twisted. It elicits a sound of surprise from the man behind the camera, Oren Rosenfeld. An Israeli filmmaker, in India to document Mumbai's Jewish community, Rosenfeld is collecting several such accounts of the Jewish community's India experience.

In between interviews with his subjects, primarily Eddna Samuel (a Parel resident who Rosenfeld poetically calls the needle through which he will thread the narrative of his feature-length documentary), he points out that the synagogue, which is currently being prepped for the launch of a monthly magazine celebrating India-Israel ties and the Jewish community here titled, Namaste Shalom, is a Baghdadi-Jew synagogue. It's a community that most recall for its best-known Mumbai member, David Sassoon. "What's interesting here is that the Baghdadi Jews and Bene-Israelis [Jewish settlers in India who trace their history to the Lost Tribes] have come together. There are certain prayers in Judaism that cannot be conducted if there are less than 10 men. So, to fulfill that requirement, the Bene-Israelis come over to Baghdadi synagogues to up numbers," he adds.

Rosenfeld meets Baby Moshe's uncle Moshe Holtzberg at the Nariman Point home of common friend Suril Desai, also executive producer of the Mumbai Jews documentary. Moshe Senior, a Rabbi, lives in New York, and has flown in for the three-day visit of the family to Chabad House which he worked to ensure was not shut down. Rosenfeld says that while members of the Chabad House usually don’t mingle with other Jewish communities, the 26/11 attacks changed that in Mumbai, achieving the opposite. Pics/Atul Kamble

The timing of the magazine's launch, admits Rosenfeld, couldn't have been better. While the media seems to have almost given this a miss, just a few kilometres away Prime Ministers Narendra Modi and Benjamin Netanyahu are setting the stage for better economic and strategic ties between the two countries at Colaba's Hotel Taj Mahal Palace. "But, I don't think they planned it that way."

Almost as if answering a question unasked, Rosenfeld, who runs the Jerusalem-based Holy Land Productions and has worked on projects for the BBC and National Geographic, says "I don't need to be there [i.e. Colaba]. I already have great shots from yesterday." What Rosenfeld refers to is the almost exclusive access he enjoyed as a journalist to Baby Moshe, 11, whose parents Rabbi Gavriel Holtzberg and Rivka Holtzberg were killed during the terror attacks at Chabad House on November 26, 2008. Baby Moshe (referred to as such because he shares his first name with his uncle) made his first visit to Mumbai post 26/11 on Tuesday amidst much media frenzy. Rosenfeld was invited by the Holtzberg family (Gavriel and Rivka's parents) to travel with them on the flight from Tel Aviv to Mumbai last week, and later Baby Moshe's first steps into Nariman House after the time his parents were killed along with four others.

Devina Sankar, a Los Angeles resident in Mumbai on a three-week vacation, speaks to Rosenfeld outside the Magen David Synagogue in Byculla where the Namaste Shalom magazine was launched on Thursday. Pic/Sayyed Sameer Abedi

On putting the boy through this, Rosenfeld says, "Baby Moshe always has his four grandparents around him. Plus, there's a psychologist who travels with him. He is showing signs of awareness of his past." Rosenfeld, who has a young son the same age as Moshe, says, "In Judaisim, a boy is said to become an adult at the age of 13, which is when the Bar Mitzvah is held. Moshe is almost that age now."

Initially, shy, Baby Moshe soon became comfortable with Rosenfeld's presence. A photograph the filmmaker picks from his iOS gallery is of the child standing before a luggage conveyor belt at Mumbai T2 alone. "He stepped away from his grandparents and waited at the carousel to pick up his heavy bag," he says, about a symbolic scene.

Chabad House, says the 41-year-old filmmaker, across the world has represented a community that has stood away from local communities. "They are more traditional and have stricter kosher rules." What the Mumbai attacks did, however, was to bring all of the city's Jews together. "On Tuesday, at a local Jewish community event, Moshe's grandparents were invited to speak. This [members of a Chabad House mingling] doesn't happen anywhere. If the idea of the terror attack was to shake the community, it did the opposite. It only made them stronger."

Yet, this might only inform a small part of the documentary. Had it not been for the connection between the communities forged after the attacks, the two would have been separate entities. What he is looking for is a Mumbai Jew's life in the city. "In Israel you have a lot of Jews who have come from different countries. However, the ones from India still share a deep connect with the country. They are in touch with their families and return here for vacations."

The travel back and forth is important. Samuel, when the camera is turned away from her, expresses how a multi-entry visa would help everyone. But that's for the PMs' ears. For Rosenfeld's camera, she talks about the excitement of seeing an article, on her life and her community, appearing in Namaste Shalom. And, when that's done, Rosenfeld disappears into the sidelines and records the rest of the evening. A coffee he was drinking is hastily put to rest on the floor as a BJP dignitary he probably doesn't recognise makes a late entry.

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A still from the short film Ahalya (2015)

We have all done it at some point in our lives. Watched a film or a documentary and played detective with it. Why does Anakin Skywalker get seduced by the dark side to become Darth Vader? Or, what is that makes Kareena Kapoor's character so confident and self-assured in Jab We Met? Or, what's the allure of the amoral Ma Anand Sheela in Wild Wild Country?

We love deducing human behaviour and motivations, especially those characters that seem to suggest one thing on the surface, and something else if you dig deeper. Which is why a recent screening of Ahalya, a short Bengali film made by Sujoy Ghosh, found nearly 120 takers at G5A Foundation in Mahalaxmi. A free screening by the Psychoanalytic Therapy and Research Centre (PTRC), the film was followed by a discussion through the lens of psychoanalysis.

Instead of looking at the film-making aspects, the psychological and emotional motives of the characters were the focus. Leading the discussion were psychoanalysts Nuzhat Khan and Micky Bhatia, faculty members at PTRC. "A great deal of our work and training, right from our students days, has got to do with mental illnesses, but there is a lot that we do which is not related to this. At seminars, we watched films, gaining a much deeper understanding of the characters," says Khan, recounting sessions where they have broken down films such as Black Swan, known for their obvious psychological depth, and also those such as Sanjay Leela Bhansali's Devdas.

PTRC's monthly screening followed by a psychoanalytic discussion. Pic/PTRC

Ghosh's film made headlines when it was streamed on YouTube in 2015, for its gripping plot that revisits the tale in The Ramayana. While you can look up the film online, Khan says that the discussion after the screening showed that there were several layers to the characters. One reading took on the young police inspector Indra's 'castration anxiety', one of Sigmund Freud's earliest psychoanalytic theories. Fearing punishment by Ahalya's husband, old enough to be his father, Indra tries to restrain his evident interest in Ahalya.

However, after he gets intimate with Ahalya, he is turned into a figurine — that's castration, symbolically, by the elderly husband showing the younger man who's boss. And, for that matter, Ahalya pretends to be an ingénue, while in fact she is a seductress. Once you explore these layers, says Khan, you will realise that there are no true villains in the film. "Had the filmmaker been there, he would have been aghast hearing our analysis," she laughs, adding, "Filmmakers, like other artists, express their subconscious or unconscious through their works. They are only semi-conscious of what they are doing. If they fully knew why, they may never make a film or any work of art.

"PTRC, a charitable trust, has been working in Mumbai for more than 40 years, almost quietly, to provide mental health services and also train professionals in the area. Given the rising interest in mental well-being, we use terms such as "repress" and "Oedipus complex" in our day-to-day lives. Banu Ismail, a child analyst and psychoanalyst with PTRC, says that at their film screenings, they open up discussions with the public to encourage different perspectives. "Psychoanalysis doesn't happen only in the consultation room. That said, there are several misconceptions about the area, and these events help clarify those," says Ismail, who will helm the next discussion of Gautam Vaze's Marathi short film, Aai Shapat on June 6 at G5A, focusing on anxiety guilt. The free screenings are followed by a lecture on another day, for which there is a registration charge.

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