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VERDI, G.: Trovatore (Il) [Opera] (Arena di Verona, 2019) (Blu-ray, HD) (754704)




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DOHNÁNYI, E.: Piano Concertos Nos. 1 and 2 (Gülbadamova, Rheinland-Pfalz State Philharmonic, Matiakh) (C5387)




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CLARKE, N.: Mysteries of the Horizon / Dial 'H' for Hitchcock / Swift Severn's Flood (Vanhoorne, Grimethorpe Colliery Band, Thornton, Clarke, S.Smith) (8.574097)

Nigel Clarke has always been fascinated by virtuosity and timbre—it is the brass band genre that has lent itself most to his passion for musical athleticism. Dial ‘H’ for Hitchcock is an imaginary film score in the film noir vein, complete with classic and chilling sound effects, while the heroic, brooding and violent Swift Severn’s Flood was inspired by a line from Shakespeare. Cornet concerto Mysteries of the Horizon examines the atmosphere of paintings by René Magritte, and Earthrise celebrates one of the most iconic photographs in history and the drama of the Apollo 8 mission.




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BRUCKNER, A.: Symphony No. 4, `Romantic` (1886 version, ed. L. Nowak) (Bavarian Radio Symphony, M. Jansons) (900187)




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BRAHMS, J.: Piano Concerto No. 2 / Handel Variations (Vogt, Royal Northern Sinfonia) (ODE1346-2)




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BEETHOVEN, L. van: Symphonies Nos. 1-9 (Warsaw Philharmonic Choir and Orchestra, Kord) (CDAccordACD075)




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BEETHOVEN, L. van: Symphonies (Complete) (Stuttgart Radio Symphony, Norrington) (SWR19525CD)




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BEETHOVEN, L. van: String Quartets Nos. 13 and 15 / Grosse Fuge (Tetzlaff Quartet) (ODE1347-2D)




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BEETHOVEN, L. van: Mass in C Major / Vestas Feuer / Meeresstille und Glückliche Fahrt (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574017)

The custom of marking the name-day of Princess Esterházy with a newly composed Mass began in the 1790s and for many years was carried out by Joseph Haydn. In 1807 Beethoven was commissioned and responded with his Mass in C major. Coolly received at court, it is a celebratory work of large-scale brilliance. The cantata Meeresstille und glückliche Fahrt is set to Goethe’s poems and contrasts calm with exuberance. In 1803 Beethoven set two numbers from Vestas Feuer, written by Emanuel Schikaneder, the librettist of Mozart’s Die Zauberflöte.




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BEETHOVEN, L. van: Chamber Music - Piano Quartet, Op. 16 / Minuets and Dances (Sofia Kim, Kroh, Segal, Sarid, IU Wind Ensemble, Dorsey) (8.574040-41)

In his first decade in Vienna, Beethoven seems to have been preoccupied with music for wind instruments. The best-known example is his Quintet in E flat major, Op. 16, which he arranged at the same time for piano quartet. He also wrote music for dances and settings of folk songs, and reflected the public’s interest in automata by writing for musical clock. The Napoleonic wars were mirrored in Beethoven’s music of the period, especially in his military compositions such as a series of Marches and the Equali, scored for trombones, which were later played at his funeral.




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BEETHOVEN, L. van: Celebrate Beethoven - Music from His Late Compositional Period (c.1815–1827) (9.30207)




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BEETHOVEN, L. van: 30 of the Best (8.578350-52)

Beethoven is regarded by many to be the greatest composer who ever lived, and this collection presents 30 essential recordings of his most well-known works. From the beautiful moods of lamentation in the ‘Moonlight’ Sonata to the amorous sophistication of Für Elise, and from the heroism of Fidelio to the mighty finale of the ‘Choral’ Symphony, every significant facet of Beethoven’s monumental achievement is represented in this collection of exemplary performances from the Naxos catalogue.




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BALADA, L.: Clarinet Works - Caprichos Nos. 6 and 7 / Double Concerto (Ivanov, Rominski, Polaczyk, Eryılmaz, Larson) (8.579056)

Barcelona native Leonardo Balada’s creative style has been labelled ‘Dalí’s surrealism in music’—an aspect of his work explored in this programme through the technique of ‘sound transformation’ in which abstract musical materials become familiar melody. Fusing traditional and contemporary elements, Caprichos Nos. 6 and 7 engage intimately with Spanish culture and history, while the virtuoso Double Concerto, heard here in an arrangement for flute, clarinet and piano, blends well-known Mexican folk tunes with the composer’s distinctive avant-garde style.




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VIVALDI, A.: Four Seasons (The) / VERDI, G.: I vespri siciliani: Le quattro stagioni (R.M. Minasi, La Scintilla Orchestra) (PHR0112)




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Violin Recital: Arnoldi, Roberto - ANZAGHI, D. / ARNOLDI, N. / GARBARINO, G. / SPINOSA, R. / VACCHI, F. (New Music for Solo Violin) (TC940003)




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VERDI, G.: Due Foscari (I) [Opera] (Coro del Teatro Regio di Parma, Filarmonica Arturo Toscanini, Orchestra Giovanile della Via Emilia, Arrivabeni) (CDS7865.02)




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VERDI, G.: Attila [Opera] (I. D'Arcangelo, Monastyrska, S. La Colla, G. Petean, Bavarian Radio Chorus, Munich Radio Orchestra, Repušić) (900330)




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TCHAIKOVSKY, P.I.: Sacred Choral Works - Vesper Service / Hymn in honour of SS Cyril and Methodius (Latvian Radio Choir, Kļava) (ODE1352-2)




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SINIGAGLIA, L.: String Quartet Works (Complete), Vol. 1 - String Quartet, Op. 27 / Brahms Variations / Hora Mystica (Archos Quartet) (8.574183)

The renowned Italian composer and mountaineer Leone Sinigaglia wrote a fascinating series of pieces for string quartet that reflect his powers of characterisation and elegance. Flowing melodies can be heard throughout, not least in the Concert-Étude, Op. 5, while the more substantial Variations on a Theme of Brahms, Op. 22 display his technical skill and expressive variety, whether reflective, sombre or exuberant. His String Quartet in D major, Op. 27 exemplifies his dual inheritance: a commanding central European facility, combined with a natural Italian lyricism.




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SAURET, É.: 24 Études Caprices, Vol. 4 - Nos. 20-24 (Rashidova) (8.574159)

The final volume of the 24 Études-Caprices by the internationally renowned virtuoso Émile Sauret, crowns one of the most impressive but seldom performed bodies of solo violin writing in the entire canon. In the last five Études, once again played by Nazrin Rashidova on Sauret’s own Stradivarius violin, the full range of his art can be heard, from double- and triple-stopping, to registral leaps, chordal and staccato techniques and exercises for absolute control of the bow. Of Volume 3 (8.573975) The Strad wrote: ‘Rashidova plays superbly’.




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PROKOFIEV, S.: Songs and Romances (Gritskova, Prinz) (8.574030)

Sergey Prokofiev is acknowledged as one of the 20th century’s greatest composers, and his enduring popularity today rests on a rich legacy of orchestral and chamber works. Less well-known are his songs, which display a lyrical component that suited his liking for clear and simple forms. This can be heard particularly in Five Poems of Anna Akhmatova, but all of these pieces show Prokofiev to be a worthy successor of the great 19th-century tradition of art songs. Margarita Gritskova’s voice was described by Opera News as ‘a spectacular instrument’ in her recording of Russian Songs on Naxos 8.573908.




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Piano Music (French) - BOULEZ, P. / DEBUSSY, C. / MESSIAEN, O. / RAVEL, M. (Rare French Piano Music) (van Raat) (8.573894)

This album of French piano rarities features seldom-heard and recently discovered works by composers who had an influence on Pierre Boulez, as well as the premiere recording of Boulez’s Prélude, Toccata et Scherzo. This large-scale early work looks back on virtuosic Romantic music, while at the same time exploring the new compositional styles that Boulez would subsequently embrace. Among the rarities is a posthumously discovered piano study by Debussy, a reconstructed birdsong work by Messiaen, and a tiny masterpiece by Ravel found in a notebook.




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MAYR, J.S.: Due duchesse (Le) [Opera] (M. Schäfer, T.M. Herbert, Bavarian State Opera Chorus, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.660422-23)

As one of the leading operatic composers of his generation, Johann Simon Mayr nurtured a fascination with the chivalric stories of medieval England. Le due duchesse, an opera semiseria with buffa elements, is set during the reign of the 10th-century King Edgar. Huntsmen’s and Knights’ choruses and troubadour-like songs give great vivacity to a score that is both lyrical and dramatic. Mayr’s compound of Viennese Classicism and Italianate melodic beauty, allied to his ambitious writing and a skilful libretto, produced an important and influential opera couched in his own unmistakable idiom.




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LISZT, F.: Wanderer Fantasy / SCHUBERT, F.: Piano Sonata No. 13 / BRAHMS, J.: Handel Variations (C. Park, Eschenbach) (C5412)




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HANDEL, G.F. / GLUCK, C.W.: Opera Arias for Soprano (Care Pupille) (Mariño, Halle Handel Festival Orchestra, Hofstetter) (C998201)




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GROVEN, E.: Symphonies Nos. 1 and 2 (Kristiansand Symphony, Szilvay) (8.573871)

Many interwar Norwegian composers tried to create a new national music by combining elements of authentic folk music with new techniques. Eivind Groven was considered one of the most innovative composers in this quest, integrating the structure of folk dances from his rural upbringing into familiar formal principles. Both symphonies make use of techniques of so-called ‘progressive transformation’, which led fellow composer Arne Nordheim to declare: ‘While others made instrumentations of folk tunes, Groven created sounds, for example in his [two] symphonies which, in my opinion, are quite unique.’




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BOULEZ, P.: Incises (revised version, 2001) (van Raat) (9.70294)

This digital single complements Naxos 8.573894, an album of French piano rarities also performed by Ralph van Raat.




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BEETHOVEN, L. van: Symphonies / Concertos / Overtures (Cologne Radio Symphony, South West German Radio Symphony, Baden-Baden, Rosbaud) (SWR19089CD)




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BEETHOVEN, L. van: Piano Concertos (Complete) (Mustonen, Tapiola Sinfonietta) (ODE1359-2T)




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BEETHOVEN, L. van: Folk Songs (Bohnet, D. Johannsen, Klimbacher, Herzer, Christelbauer, B. Bartos) (8.574174)

George Thomson of Edinburgh, a notable promoter of Scottish music, encouraged settings of his nation’s folk songs. In particular, he found a rich source of arrangements in Vienna, where he commissioned first Haydn and then Beethoven to set a large sequence of poems, including those of Robert Burns and Sir Walter Scott. Thomson envisaged simple works, agreeable to amateurs, but Beethoven found it impossible to compose within such limitations and his settings, which include Irish and Welsh songs, with the accompaniment of strings and piano, have proved perennially popular.




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BEETHOVEN, L. van: Celebrate Beethoven – Keyboard Music (9.30211)




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BEETHOVEN, L. van: Best of Beethoven (Biret) (8.504055)

“Love of Beethoven’s works threads through Idil Biret’s life like a red ribbon. Her studio recordings and live concerts show this in an unequivocal language… Next to all the Piano Concertos and the Choral Fantasy she has also performed on stage and recorded (on 19 CDs) all the Piano Sonatas and Symphony Transcriptions becoming perhaps the only artist to reach this level of completeness… This knowledge of Beethoven one hears in every nuance in Idil Biret’s playing.” – Carsten Dürer (editor) Piano News (Germany) 2021 “Idil Biret not only recorded all nine of the Beethoven symphonies in less than a year but, in a superhuman feat which astounded all those who know about music she also publicly performed all of them in four recitals at the Montpellier Festival in France. To learn and also memorise scores of such length and difficulty in such a short time is a mind-boggling achievement.” – Peter Cossé Fono Forum (Germany) 1986 “Idil Biret, who arriving in Paris at the age of seven astonished Alfred Cortot, Wilhelm Kempff and Marc Pincherle, remains a remarkable pianist who combines brilliant technical skill with the subdued touch, the interior voices, or her mentor Cortot… At her Paris recital, Beethoven’s Sonata Op. 106 Hammerklavier brought us the fighter, armed from top to toe, like a valiant Clorinde, combining the most beautiful of styles with a fabulous virtuosity.” – Le Monde (France) 1981




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ABEL, M.: Intuition's Dance / 4 Poems of Marina Tsvetaeva / The Elastic Hours / Clarinet Trio (The Cave of Wondrous Voice) (Shifrin, Sherry, Plitmann) (DE3570)




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ART OF OHAD NAHARIN (THE), Vol. 2 - Sadeh21 [Ballet] (Batsheva Dance Company, 2018) (NTSC) (BAC172)




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ART OF OHAD NAHARIN (THE), Vol. 2 - Sadeh21 [Ballet] (Batsheva Dance Company, 2018) (Blu-ray, Full-HD) (BAC472)




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JANÁČEK, L.: From the House of the Dead [Opera] (Bavarian State Opera, 2018) (NTSC) (BAC173)




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JANÁČEK, L.: From the House of the Dead [Opera] (Bavarian State Opera, 2018) (Blu-ray, Full-HD) (BAC573)




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Frank Turner - Wickham Festival

Music News caught up with artist Frank Turner ahead of his set at the award-winning Wickham Festival. During the chat Frank talks everything from, his upcoming new album, dealing with the stresses and strains of the work life balance, his work as an author, not to mention a very special event coming up in the 37-year-olds life.




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Win The Touring Musician's Survival Guide Book

Being a musician may be fun, but it isn’t easy. It’s a career of highs, lows, rags, riches and a chance to see some of the world’s most unique places.




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Win Steady Rollin' Train Survival Pack

Pack includes: A stress ball, snack bar, tote bag and a train keyring with a torch, 2 t-shirts, CDs and stickers.




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Manage account approval in an OpenWhisk application

This tutorial shows you how to write an application that allows users to self register, and then have their accounts approved or declined by an administrator.




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Cleansing, processing, and visualizing a data set, Part 2: Gaining invaluable insight from clean data sets

Learn about VQ and ART algorithms. VQ quickly and efficiently clusters a data set; ART adapts the number of clusters based on the data set.




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IBM Connections Customizer is available! What's New?

The formal release of IBM Connections Customizer on IBM Connections Cloud took place on Friday, December 8th 2017. This means that any tenant organization of IBM Connections Cloud on the North America or Europe data centres can now sign up for this new production offering and use it to modify the out-of-the-box IBM Connections user experience.




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Making the cut: Top Java content from developerWorks

A quick rundown of the top content published in the Java hub in 2017.




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Unleash the value of Guardium data by using the Guardium Big Data Intelligence solution

Organizations that use IBM Security Guardium activity monitoring for data security and compliance struggle with the quantity of collected audit data, especially if they have 10 or more Guardium collectors. IBM Security Guardium Big Data Intelligence provides the power of a big data platform that is purpose-built for data security requirements. It helps augment existing Guardium deployments with the ability to quickly create an optimized security data lake that can retain large quantities of historical data over long time horizons.




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Getting started with the IBM Cloud, Part 2: Build an advanced Cloud Foundry app on the IBM Cloud platform

See how to develop and deploy advanced Cloud Foundry applications in the IBM Cloud. Doug Tidwell shows you how to create a globally available app that uses a cloud-hosted NoSQL database.




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WAG: ‘Strong core’ of anti-vaxxing families in the NRL

Anti-vax WAG Taylor Winterstein has said that there is a “strong core of families” in the NRL who are also anti-vaxxers that Australians would be “seriously surprised” about.




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Unbelievable Adele weight loss photo leads to eating disorder warning

A body image expert has warned against the praise of Adele’s latest Instagram photo, saying it can be a “trigger” for people who suffer from eating disorders.




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Searching for a coronavirus vaccine, the NFL's diversity problem, impeachment endgame, Michael Pollan & more

A Saskatchewan laboratory is working on a coronavirus vaccine, Michael Pollan on how caffeine rules our world, how to retrofit an '80s shopping mall, why the NFL hires so few black head coaches, the impeachment drama skids towards acquittal and more.



  • Radio/Day 6

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When information is freely available online, learning institutions are forced to change

The internet offers a huge amount of information, usually for free. So how has that affected the institutions we have traditionally learned from: our schools, colleges, and universities?