Hundreds of Pakistanis who were repatriated from the Middle East -- where many lost jobs amid coronavirus shutdowns and were living in cramped conditions -- have tested positive for COVID-19, officials said Friday. Pakistan has so far brought about 20,000 nationals home, among them a large number of unskilled workers who had been labouring in Gulf nations only to see their jobs disappear as lockdowns slowed economic activity. Of the 2,069 Pakistanis returning from the Middle East to the southern province of Sindh, more than 500 tested positive for the coronavirus, Murad Ali Shah, Sindh's chief minister, told a press conference.

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Prior to the FIFA Futsal World Cup Colombia 2016 final between Russia and Argentina, FIFA President Gianni Infantino presented Brazilian star Falcao with an Award for Sporting Achievement.

In the jubilant scenes that followed Argentina’s victory at the FIFA Futsal World Cup Colombia 2016, certain images stood out above all others. Among them was the sight of coach Diego Guistozzi being thrown into the air by his players, some of whom had been his team-mates only four years previously at Thailand 2012.

Anirban Blah, co-founder of talent agency Kwan Entertainment, was rescued by the traffic police on Friday while attempting suicide on old Vashi bridge. On October 16, four anonymous women had levelled allegations of sexual harassment against Das, speaking exclusively to mid-day. Following this paper’s report, Blah was asked by Kwan’s management to "step aside" from his position on Tuesday afternoon.

The incident happened around 12.30 am when the traffic police received a tip-off about a man trying to jump off Vashi bridge. During counselling by the police, Blah said that was depressed after losing his job.

An actress shared her two-year-long ordeal which started with Blah bumping into her at a meeting and later asking her to participate in an ‘unnatural sex set-up’. Another model told mid-day that Blah had asked her to strip when she visited his home for a professional meeting.

With the accounts of harassment going viral following mid-day’s report, Blah was relieved of his position and his stake was transferred to the remaining 10 partners. A statement from Kwan dated October 17 read, "The other 10 partners have taken over the entire stake of Anirban Blah in KWAN to ensure his exit. In this regard, the partners and Anirban will enter into the necessary legal documentation to ensure the exit is in accordance with the law."

Also Read: Kwan's Anirban Das Blah loses stake in his company

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It seems there's nothing better than sharing old and unseen pictures on social media these days. A lot of the Bollywood celebrities have already done that and have been doing that even now. So the next celebrity to join the list is Sanjay Dutt's daughter Trishala Dutt, who shared a fantastic throwback picture with her mother Richa Sharma.

The picture is all the way back from 1988, where Sharma could be seen holding her in her arms and it was indeed a heartfelt moment. And one of the people to comment on the post was Maanayata, who wrote- Beautiful, followed by hearts and a smiling emoji.

Have a look right here:

Trishala and Maanayata share a great bond and rapport and can often be seen commenting on each other's Instagram pictures and posts. Even Priya Dutt had a wonderful comment on the post and wrote- "So beautiful, she is an angel in heaven now trish, always looking over you. She loved you more than anything in this world. God bless her soul." (sic)

We wish to see more such pictures in the future!

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Over a month under lockdown and life has changed for many. While several have adopted new hobbies, some have taken to imparting wisdom through digital tutorials. In the time of online concerts, Pankaj Tripathi has found the ideal way to engage with his fans. The actor has started a series of Facebook live sessions, where he shares bitter-sweet experiences that changed his perspective of life. He says that the lockdown has "taught me priorities".

A source informs that Tripathi has been narrating stories from his childhood. "In one of the stories he recounted, Pankaj revealed how the train and its sound functioned as a clock for him. When he left his hometown, it was an image that reminded him of everything that mattered. It also evoked a sense of responsibility, inspiring him to work harder towards his goals. Now in isolation, separated from his parents by miles, at home with his wife and daughter, he admits that he has learned the value of their company."

"I didn't start it with a script in mind," says Tripathi, who wants to make it a series of conversations. He adds, "It's the simple things in life that we end up caring for the most. Locked down at home, waiting for these tough times to pass, it should remind people where their priorities lie."

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Gorgeous Miss World 2017 Manushi Chhillar, who is set to debut in Akshay Kumar's Prithviraj, has always championed the cause of women. She backs Project Shakti, a non-profit programme, that has joined hands with local women across India and has empowered them to make a living by educating them to make biodegradable sanitary pads. The initiative works towards raising the awareness on menstrual hygiene among women in the local communities of these women.

Manushi lauds the government's decision to include sanitary pads as essential commodity amid coronavirus crisis. However, she explains that underprivileged women have become prone to severe risks due to shortage of funds in the hands of daily wage earners because of SARS-CoV-2 – the terminology now being used by medical fraternity to describe coronavirus globally. Manushi has an appeal to make to the all the government authorities.

"I'm hugely thankful that sanitary pads have been listed as an essential commodity by the government of India during SARS-CoV-2 crisis. However, we need to focus on how women, especially from the economically handicapped strata, can get pads free of cost. I also urge the governments of various states to kindly look into distributing sanitary pads along with daily rations to the underprivileged," she says.

Manushi adds, "The issue is that due to the shortage of funds, particularly among the daily wage earners, most would be looking to spend their money on just food and women's sanitation might not be a top priority for many families. This would increase the health hazard for millions of women in India as sanitary pads come at a certain cost and the financial crisis is definitely going to push women to be at risk. I have spoken to organizations who are working non-stop in ensuring pads are distributed free of cost but it would be great if administration, from a district level to city to state-level comes forward to help the needy."

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Dubbing her as 'wanderlust', actor Kangana Ranaut's team on Sunday posted throwback pictures of her from her trip to Europe in 2008. The picture featured a younger Kangana in her early 20s travelling to various parts of Europe including famous Italy based amphitheatre - the Colosseum.

 

 

 

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Major #Throwback check: Wanderlust Kangana travelling all around Europe (in 2008!!) learning about art-history and wines. Sundays are for reminiscing about those carefree days, till we can travel again ...

A post shared by Kangana Ranaut (@team_kangana_ranaut) onApr 26, 2020 at 4:08am PDT

The 'Queen' actor is seen dressed in simple yet elegant outfits in the pictures from her two-month-long trip to Europe. "#Throwback to the good old travel days! Major throwback to 2008 when the 21-year-old art, history, and travel enthusiast #KanganaRanaut travelled to Italy for a 2 months long trip!" the team tweeted along with the pictures.

They also shared trivia on the 'Tanu Weds Manu' actor's travel diaries and said that Kangana used to take her camera to each of her trips. "Interesting Trivia: before the iPhone days, she used to take her camera along everywhere," the team tweeted.

Kangana began her acting career at a very young age with her debut film 'Gangster' for which she garnered a lot of appreciation.

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Too busy or lazy to exercise? Men and women take note. Living without physical activity for six years during their middle age could be at an increased risk of suffering heart failure, researchers have warned.

The findings, described in the journal Circulation, suggest that consistently participating in the recommended 150 minutes of moderate to vigorous activity each week, such as brisk walking or biking, in middle age can reduce the heart failure risk by 31 per cent.

While it is known that people who are more physically active have lower risks of heart failure than those who are less active, but little is known about the impact of changes in exercise levels over time on heart failure risk.

"Going from no exercise to recommended activity levels over six years in middle age may reduce heart failure risk by 23 per cent," said Chiadi Ndumele, Assistant Professor at the Johns Hopkins University in Maryland, US.

For the study, the team included 11,351 participants, with an average age 60, monitored annually for an average of 19 years.

According to the American Heart Association, the "recommended" amount is at least 75 minutes per week of vigorous intensity or at least 150 minutes per week of moderate intensity exercise.

Heart failure risk decreased by about 12 per cent in the participants who increased their physical activity category from poor to intermediate or recommended, or from intermediate to recommended, compared with those with consistently poor or intermediate activity ratings.

Conversely, heart failure risk increased by 18 per cent in the participants who reported decreased physical activity from visit one to visit three, compared with those with consistently recommended or intermediate activity levels.

Unlike heart attack, in which heart muscle dies, heart failure is marked by a long-term, chronic inability of the heart to pump enough blood, or pump it hard enough, to bring needed oxygen to the body.

The leading cause of hospitalisations in those over 65, the disorder's risk factors include high blood pressure, high cholesterol, diabetes, smoking and a family history.

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Representational Image

Researchers have developed a remedy to thwart the metastatic spread of breast cancer, a leading cause of death among women. The findings, published in the journal Nature Communications, showed that by inhibiting a protein called TAK1, the researchers were able to reduce lung metastasis in mice with triple-negative breast cancer (TNBC).

TNBC is a deadliest type of breast cancer that comprises 20 per cent of breast cancer cases and is particularly difficult to treat.

"For this subtype of breast cancer, few treatment options are available to target metastasis, and typically, these treatments are associated with high toxicity," said co-author Min Yu, Assistant Professor from the University of Southern California.

"A better understanding of tumour cells and their interactions with organs and tissues could help us design targeted therapies specific for metastasis," Yu added.

According to the study, TAK1 enables malignant cells from the breast to survive in the lungs and form new metastatic tumours.

Metastasis are the most common cause of cancer-related death.

There is already a potential drug, called OXO -- that can inhibit TAK1 -- and presumably make it much more difficult for breast cancer cells to form lung metastases. However, OXO is not stable in the blood, and therefore would not work in patients, the researcher said.

The researchers developed a nanoparticle -- consisting of a tiny fatty sac -- that works like a smart bomb to carry drugs through the bloodstream and deliver them directly to tumours.

The scientists loaded this nanoparticle with OXO, and used it to treat mice that had been injected with human breast cancer cells. While OXO did not shrink primary tumours in the breast, it greatly reduced metastatic tumours in the lungs with minimal toxic side effects.

"For patients with triple-negative breast cancer, systemic chemotherapies are largely ineffective and highly toxic. So nanoparticles are a promising approach for delivering more targeted treatments, such as OXO, to stop the deadly process of metastasis," Yu noted.

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The bus met with an accident soon after the accused drove it out from the depot

Unable to get a rail ticket for his native place Uttar Pradesh, a mentally unstable man decided to drive a state transport (ST) bus to his destination on Tuesday morning. However, his attempt failed when he banged into a roadside tree, soon after driving the vehicle out of the depot in Palghar.

According to the Boisar police, accused Sabir Ali Mansori, who is a Palghar resident, works as a scrap dealer. Around 10 am on Tuesday, he went to the ST bus depot and found a Boisar-Palghar bus parked in one of the slots. He immediately got into it and started the vehicle. The moment he left the depot, the bus collided head on with a roadside tree.

Accused Sabir Ali Mansori. Pics/Hanif Patel

The bus driver Amolsingh Rajput mentioned in his complaint that after parking the bus, he had gone to the control room to inform the officials that he would take the vehicle out on its route. On hearing a lot of commotion outside, he rushed back to see that the bus had met with an accident.

Police sources said that soon after the incident, the people who had gathered at the spot, beat up Mansori and handed him over to the police. The Boisar cops have booked him under sections 379 and 511 of IPC. Speaking to mid-day, Prakash Birajdar, senior inspector, said, "Following his arrest, the accused was produced in court and later sent to police custody. Even he was in a state of shock after the incident. We have received his medical reports, which will be verified before the next course of action."

Also Read: Aadhaar Scheme Helps 31-Year-Old Mentally Ill Woman Reunite With Family

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Santosh Kumar Shah

Virar resident and former film distributor Santosh Kumar Shah, 48, has lived through what can only be described as a tragic Bollywood plot, thanks to a landlord and policeman from hell.

Trouble began in January 2013, when he decided to move from Andheri to Virar. Shah had been a distributor for films such as Mahasangram (1990) and Insaaf (1997). He got a 1BHK apartment on a rent of Rs 2,700 and Rs 15,000 deposit, owned by one Ravikant Patil in Virar East.

No amenities
Shah was assured of every possible amenity in the house. But when he moved in, he found out that there was neither electricity nor any water supply. Shah said he complained to Patil about this and was assured it would be sorted out in a few days, but that never happened. He realised Patil had cheated others in the same flat, so he registered a complaint at the Virar police station. Patil was served a notice under Section 149 of the CrPC.

Soon after, Shah alleges Patil verbally threatened and abused him, asking him to withdraw the complaint and vacate the house. Patil then came to the flat with a woman and builder Bhushan Patil. Shah called the cops and went to the police station, when he saw Patil and the builder there. Shah said he was slapped by PSI Asif Baig. Shah's case was transferred to API DF Patil, following a robbery attempt in his flat.

PSI denies allegations
Baig denied all the charges. In fact, he said he would receive complaints against Shah from other society members, as he never paid his utility bills on time, resulting in the disconnection of his electricity and water. He would also call senior officers now and then for every problem.

Meanwhile, Shah alleged that in June 2014, he was assaulted by the accused and some more people. He called the cops, but nobody turned up. Shah attempted to meet Thane SP Rajesh Pradhan, but fainted before he could do so. The SP ordered his team to take Shah to the hospital and file an FIR against the accused.

Framed and locked up
When Shah came back to the police station to register the plaint, the cops ended up arresting him under charges of molestation and the POCSO Act. He ended up spending 20 months in prison for a crime he didn't commit. A court acquitted him and he was released on January 13, 2016. All cases against him were dropped in June 2017.

Shah then went back to the flat to collect his belongings but found nothing there. To his surprise, another tenant was residing there. His car was also missing.

Currently, Shah has no job and little money. He eats food at religious shrines and sleeps at railway stations. Last month, he approached current Thane SP Manjunath Shinde, who has asked Virar police to look into the matter. Palghar district PRO said, "We have received an application from Shah and ordered Virar police to investigate."

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October may not have arrived in the city, but the heat that marks the month preceding the faux winter most certainly has. Admittedly, the temperature at Peru Baug is at least a couple of degrees lesser than elsewhere in the city at 3 pm. Still, it's an arduous task to sit down 20 young children, most with little interest in being here, and teaching them the basics of arithmetic and Devnagri script (reading and writing) for two hours a day, six days a week.

Yet, for 43-year-old Jyoti Dode it's more of a mission. Even with the odds stacked against her. After all, for a teacher in a campus that produces some of the world's, best minds - with state-of -the-art teaching and research facilities - the only tools at her disposal are a few paper cutouts where a 'Ka' in Devnagri helps the student identify that it denotes a Kangaroo (an animal that s/he would be very unlikely to know or possibly identify). But, for Dode, who often has to drag the kids to the small space outside her home - the village is in shambles - an education may help them stand up against the institution bent on robbing them of their land.

"We have lived here since the British period and, because we are not educated enough, we had no idea when the government handed the land over to IIT Bombay," she says, adding, "We hope that our children can change that."

Maali Rano Urade with the day's catch of dandavat fish which she cooks with bamboo shoot picked from the forest Pics/Arita Sarkar

Against the might of IIT
The IIT campus in Powai is spread over an area of 550 acres. On the northern fringe, closer to Vihar lake and near the National Institute of Industrial Engineering lies Peru Baug, which 260 adivasi families - some of whom are from the Warli tribe and some of whom are Malhar Kolis - call home. The families claim that they have lived here for at least four generations, while IIT was established here only in 1958.

For decades the two have had a symbiotic relationship. The adivasi men would have odd jobs on the campus, their children have access to the on-campus Kendriya Vidyalaya (which they don't attend regularly enough) and the tribals continue to live as before.

Prakash Bhoir, Adivasi from Kelti Pada, Aarey Colony

A few years ago, however, trouble started brewing. In 2012, the adivasis staged a "morcha" after conversations with the institute regarding installation of two water connections didn't yield results, says Dode, the representative of the village committee. Having grown up in Saki Naka and married into Peru Baug, Dode having studied till Std IX, is one of the few residents here to have received even primary education. She adds, that the water connection came in 2015.

Earlier this month, there were reports that the IIT management has now asked the adivasis to move out of the campus entirely, and the MMRDA has been tasked with acquiring accommodation for them at Qureshi Nagar in Kurla.

Prabhu, a resident of Peru Baug shows off his catch for the day. Most of the tribe's men are employed on the IIT campus and earn around Rs 8,000 a day. In the evening, they catch fish, which sustains their livelihood. Pics/Arita Sarkar

Dode puts the IIT move down to the 2012 protests. It was only after that, she says, that IIT officials started talks about moving them out. "Initially, they asked us to leave our village and offered accommodation in Kanjur Marg. Some of us agreed since it would still be close to the campus. The men in our village could still keep their housekeeping jobs and the women could still come to fish in the lake. But then they changed their mind and said that we would have to go to Kurla instead, which is too far for us," she says.

And even while they live on campus, some residents say, having IIT for a neighbour isn't easy. Maali Rano Urade, 70, says, "Earlier we could grow a lot of vegetables, which was enough for us to eat and then sell in the market. But, over the years, IIT officials have forced us to reduce the amount of vegetables we grow. They have made our lives difficult." Not just that, she adds that they are not allowed to repair houses or cover their huts with plastic sheets during the monsoon months. She alleges that IIT officials and guards visit their village every day to ensure that they haven't made any extensions.

The world ends at IIT
Kanjur Marg would have been a compromise, but Kurla is almost like another country to the residents of Peru Baug, some of whom have barely stepped outside of the boundaries that define the IIT campus.

Laadki Barap, 70, is one of them. In the last 10 years, she says, her life has been confined to her home and the Vihar lake, where she fishes. "My life involves going to the lake to fish and tending to chores at home. I haven't gone out of the village in a very long time and I have no idea what the area outside looks like. If they send us to Kurla, many of us won't be able to figure our way around the city," she adds.

But, life inside Per Baug is both busy and self-sustained. Urade's day for instance begins at the crack of dawn. By 7 am when we met her, she was already seated on the shore of the lake throwing her fish line into the water. Her catch usually comprises small fish called 'dandavat'. On a lucky day, she will catch rohu, or even black pomfret. When she has enough for a meal for herself and her family, which is usually by afternoon, she returns home to cook it with tender bamboo shoots picked from the forest area around the lake.

The women from Peru Baug seen with amla that they collected from trees in the forest. The tribals grow some of the vegetables they eat in small patches of land near their homes. Wild vegetables are grown only during the monsoon months.

The homes here don't have gas cylinders. They cook their food on wood which is found neatly stacked in sheds outside their huts. "Since the wood gets wet during the rains, we collect enough wood to last the three months of monsoon. Once the rain stops, we go out to look for more wood," Urade adds.

The tribals grow some of the vegetables they eat in small patches of land near their homes. Wild vegetables which are not available in the market are grown only during the monsoon months. "For the rest of the year we collect the tender shoots of bamboo plant, flowers of the Kurdu plant or leaves of Takla plant and make a vegetable out of it. This way we can save money," says 28-year-old Depenti Urade, who we meet while she is tending to the vegetable patch near her house. She adds that during the monsoon months, they are able to sell the vegetables they grow when they have more than they can consume. The women sell bananas, amla and colocasia leaves used to make aaloo vadi, a popular Maharashtrian dish, in the market to make some extra money.

"For the rest of the year we collect the tender shoots of bamboo plant, flowers of the Kurdu plant or leaves of Takla plant and make a vegetable out of it. This way we can save money," says 28-year-old Depenti Urade

The village's men are not around. They spend the day at work as housekeeping staff at the student hostels on campus and then go fishing in the evening. Some of the women work there too, even though the pay isn't great. "We work in the canteen where we cook, serve and clean dishes. We work eight-hour shifts and the contractor pays us around Rs 8,000 every month. But since we don't have to purchase food, we can manage for now," says 45-year-old Sevanti Urade, Depenti's mother-in-law, who hails from another adivasi pada in Aarey colony.

Tribals, not slumdwellers
The community here feels it's the lack of education that's doing them in. They say they had allowed the Slum Rehabilitation Authority officials to conduct a survey in their village only because they were promised an alternate accommodation nearby. "We were here long before IIT even existed. But the government is kicking us out of our land just because we aren't educated enough to understand our rights. If we can't grow our vegetables and catch fish, how will we survive in a tiny flat in Kurla?" asks Dode, adding that they even suggested that they be moved to another part of the IIT campus, instead of being ousted out of premises altogether. But, that was not considered.

Firewood used by villagers to cook food

The residents accompanied by members of Shramik Mukti Sangathna, an NGO advocating rights of tribal communities had approached Rajendra Gavit, an MP of BJP from the Palghar Lok Sabha constituency last month. During a visit conducted two weeks ago, Gavit had reassured them that he would take up the issue with Chief Minister Devendra Fadnavis and IIT administration last week. Despite several calls and messages, Gavit could not be reached for a comment.

Tribals from other parts of the city advise the Peru Baug residents not to budge from their current space, especially under SRA laws. Prakash Bhoir, a resident of Kelti Pada in Aarey Colony feels that that government's solution of shifting adivasis to SRA flats is short-sighted. "Why should the SRA rehabilitate us? We're not slum residents who have a village to go back to. We belong here and this is the only home we know. We have been paying taxes for the land we grow our crops on and we have papers to prove it. Then why should we just accept a small flat?" he asks. He argues that it's not the SRA, rather the tribal department that ought to conduct surveys on their land. "People don't want to move out because it's not just about the house. It's about land, our animals and the trees that we have taken care of for several generations," he adds.

Prakash Bhoir, a resident of Kelti Pada in Aarey Colony

Those who have been advocating tribal rights feel the government has long tried to silence the voice of the tribal community across the country and they are yet to come across a case where tribals were rehabilitated in an appropriate manner. Adivasis everywhere, they say, are deliberately being harassed by various government agencies by not allowing them to set up electricity connections or not granting permission to construct toilets.

Graphic/Uday Mohite

Cassandra Nazareth, a social worker, who has been working with adivasis living in 12 padas in Aarey Colony says the government was disconnecting them from the earth they worship by shifting them to SRA flats. "How will they grow their vegetables in a 225 sq ft tenement? What the government needs to do is engage with the adivasis and come up with a solution from within the community," she adds.
- with inputs from Pallavi Smart

The fight for land
IIT Bombay officials stated that the adivasis are being moved to make way for the Research Park that is currently under construction. Based on their website, the research centre aims to bring IIT Bombay and the industry together and promote research and development collaborations. When asked about the tribals being displaced from their land, KP Unnithan, the superintendent engineer of IIT Bombay administration had only one response for all questions. "The land belongs to IIT Bombay," he says repeatedly.

The adivasis however don't have tribal certificates and thus, are unable to prove that they have lived on the land for the past several decades. It was only a few years ago, with the help of Shramik Muki Sangathna and political involvement that they were able to get their Aadhaar cards and election IDs.

What the authorities say
'The accommodation will be in Kurla, but the SRA is yet to handover the tenements to us. We are currently unaware of the number of adivasis who will be resettled'
Dilip Kavatkar, joint project director of MMRDA.

Once tribal homes, now slums
Nitin Kubal, who has been a field officer with TISS in the M-East Ward Project for the past three years stated that the survey conducted by Pune-based Tribal Research Institute in 2003, which was published two years later is the only comprehensive data available on the number of tribal settlements in Mumbai. "Based on the survey, there were 222 adivasi padas in Mumbai of which 159 converted into slums and only 63 are still isolated padas, which are located largely in western suburbs. No other recent surveys have been conducted," he said.

Also Read - Section 377: IIT-Bombay Students Celebrate Supreme Court's Judgement

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The Palghar police campaign, 'One camera for the city', wherein they requested shopkeepers to direct one CCTV camera on to the main road in front of their shops, helped nab three people who, last week, tried to kill their friend. The trio and two others had thrashed and left him for dead. The crime was captured on a shop's CCTV camera that was pointed towards the road where it took place.

Friends like these
According to police sources, Shailesh Mal, 28, was attacked by five of his friends, including a woman, who also hit him with stones. They fled the spot after they thought he was dead. Mal's brother later admitted him to a hospital. The police found that the incident was recorded in one of the CCTV cameras installed outside a shop near the Vasai West railway station, under the jurisdiction of Manickpur police station. Mal's brother, Shankar, watched the CCTV footage in the presence of the police and identified the accused.

'Forcing him to rob'
Shankar said, "They were all close friends of Shailesh. They called him on the pretext of a party. Shailesh had dinner with them and later they started forcing him to accompany them for a theft. When he refused, they attacked him with bamboo sticks, tried to smash his head with a stone, and fled the spot, leaving him for dead."
Shankar added that he confirmed the names and identity of the accused when he saw the CCTV footage. "I gave cops the names of the accused. Three of them were caught by the police and rest are still at large," he said.

CCTV helped identify accused
"The CCTV camera installed outside the shop helped us identify the accused. We have arrested three of them, while the others are absconding," said SDPO Dr Ashvini Patil from Palghar district.

Also Read: Watch video: Woman steals mobile-phone from Mulund shop

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Thane: Tremors measuring 3.1 on the Richter scale were experienced at around 1:38 am on Sunday in Dundalwadi village in Dahanu area of neighbouring Palghar district, a civic official said.

District Disaster Control Officer Vivekananad Kadam said no damage was reported. Earlier, on November 24 and November 3, tremors of the magnitude of 3.3 on the Richter scale shook Dahanu and Talasari talukas.

Civic officials said that quake-preparedness training programmes were held for villagers between November 26-29 in two talukas of Palghar district.

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It was the dead of night, but when Suraj Gavai, 28, heard his dog growling and whining outside the house, he couldn't resist checking on his pet. But when he opened the door, he found an entirely different animal staring at him — a leopard. The big cat sprang at Suraj and gouged his eye.

Suraj was rushed to hospital, where his condition is stable. Experts are calling the incident an 'accidental attack', as the leopard likely pounced out of fright. A camera trap was put up in the area and patrolling was boosted following the incident.

Suraj was found in a pool of blood by his mother, Baby. Pics/Datta Kumbhar

The incident took place at 2 am on Sunday, when the Gavai family was fast asleep in their room at Mulund's Rahul Nagar slum pocket. The area falls under the Tulsi Range of the Sanjay Gandhi National Park (SGNP), which is home to several leopards.

The spot outside the house where the dog was chained

Blood everywhere
Suraj woke up when he heard his Rottweiler yapping desperately outside the house, where it had been chained. Second after he opened the door to check on the dog, the leopard swiped at his face at him. His parents woke up to see him in pain and blood. They instantly raised the alarm and called Suraj's elder brother Jayesh, who lives nearby. "My wife and I quickly rushed there to see the doorsteps covered with blood. Suraj was in pain. We rushed him to the local hospital. While we are praying for his quick recovery, we are also frightened since the incident," said Jayesh.

Suraj was moved to KEM hospital due to the serious nature of his injuries. Having undergone a surgery on his right eye at the Parel hospital late on Sunday morning, he is currently under observation. The dog suffered a minor injury too, and was taken to a local vet hospital, where his condition is said to be stable.

Hospital report
"The patient was evaluated by ophthalmology, general surgery and plastic surgery departments. He has contused lacerated wounds (CLW) over the right lower eyelid and scalp. The plastic surgeon sutured the CLW in the plastic operation theatre; the wound was sutured too. In the wake of the patient feeling giddy after taking scalp sutures, we have admitted him. His condition is currently stable," said Dr Avinash Supe, dean, KEM hospital.

High leopard activity
Wildlife and human-leopard conflict experts told mid-day that a combination of factors contributed to Sunday's incident. Krishna Tiwari, founder of the Forest and Wildlife Conservation Society (FWCS), said that the area, with its proximity to SGNP, is prone to leopard activity.

"The area is often unkempt and leopards in search for food are frequent visitors. Upon hearing the dog bark, the man should not have opened the door to begin with," Tiwari added.

Nikit Surve, a leopard researcher from Mumbai said, "The leopard and the man caught each other by surprise. In distress and panic, the leopard attacked the man."

Pawan Sharma, honorary wildlife warden with the Forest Department, said, "Just last week, locals had reported a leopard sighting in the area. Citizens need to be vigilant and abide by the dos and don'ts listed by the authorities.

He added that following Sunday's incident, camera traps were installed in the area to track leopard movements. Patrolling is also going to be increased. Despite repeated attempts to contact Jitendra Ramgaonkar, deputy conservator of forest, he remained unavailable for comment.

Also Read: Mumbai: Forest department trains people from Thane society to deal with leopards

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It's a busy morning inside the sprawling open kitchen at Chembur's Pot Pourri with blogger-author Saee Koranne-Khandekar helming the activity with help from executive chef Vinod Garde. In the last 10 days she has been pretty much relegated to this section of the 175-seater space. The only time we see her stepping out is to answer a phone call or greet a guest. The reason is a new culinary experiment that will see the restaurant, known for dabbling in global cuisine, present a new face of Maharashtrian food. One that you might not identify by its appearance — we did not — but certainly by taste.

Chicken Bhujing is a street dish available inVirar. Bhujing, derived from the Marathi word, bhujne, is a process of roasting chicken with potatoes on charcoal and then mixing it with nylon poha and masalas

Creating a new avatar
Starting today, Pot Pourri will roll out a new menu curated by Khandekar that will be available only till October 24. The objective is to showcase how traditional Maharashtrian recipes can be tweaked and made palatable to an evolving audience, who might otherwise gawk at the idea of eating faraali misal or varan phala at a gourmet restaurant. Having said that, Khandekar is clear that food won't carry any 'deconstructivist' baggage. Portion sizes are hearty, and there are no foam, vapours and gasses to accompany it.

Pathare Prabhu pot pie with tomato saar

"I had to mainly work on the way I approached certain traditional dishes," says Khandekar, who in 2016, authored Crumbs! Bread Stories and Recipes for the Indian Kitchen, that offered more than 40 recipes of Indian and international breads. She adds, "For instance, if I said thalipeeth with koshimbir, people who are not familiar with the cuisine, might say, 'Oh, this is just too experimental for me'. They might find it intimidating and rustic, and not want to eat it at all." In order to give the spiced Maharashtrian pancake a makeover, Khandekar has created thalipeeth tostadas, topped with a creamy guava-based yoghurt salad. The dish, prepared using bhajanee (flour made from roasted grains, legumes and spices), has been fashioned to look like the Mexican tortilla with guacamole. If you have tasted the Maharashtrian snack, a powerhouse of nutrition, the taste will hit home. It's the yoghurt that helps balance the spiciness of the pancake, making it a sumptuous bar snack.

Faraali misal is eaten while fasting. Here's it's served with a peanut dip

Khandekar believes that although, thalipeeth has for centuries been a 'multigrain' offering, the idea of bringing into the mainstream never took off due to its seemingly regional strappings. "Somewhere, in the name of 'evolution', we have drifted away from what's intrinsic to the culture. Our cuisine which was earlier very millet and rice-heavy has now moved to being wheat heavy. Seasonal items like gourds barely make an appearance," she adds.

Modak icecrean with crispy vermicelli; Baked coconut fudge karanji with vanilla icecream

Getting global recognition
For any regional cuisine to reach the pedestal of a fine dine, it needs to go through a rite of passage, believes Rajendra Agnihotri, executive chef, at White Charcoal Fine Dine, Empressa Hotel, Andheri. "In terms of food, the key lies in the attention to detail when it comes to ingredients and methods of preparation. The ingredients need to be sourced from where it originates and the chefs need to be local who have specialised in the cuisine; it has to be authentic to the T. If you're making the classic kombdi rassa, you would need gavthi chicken. The one purchased from a supermarket won't have the same taste," he says. When it comes to Maharashtrian cuisine, it's the diversity that makes it complex. In fact, the vegetable Kolhapuri that you might have seen on almost every Indian restaurant's menu doesn't exist in the region, adds Khandekar.

Saee Koranne-Khandekar with chef Vinod Garde. Pics/Sayyed Sameer Abedi

"There is nothing called as Veg Kolhapuri. If you go to Kolhapur, there are so many different masalas. There's no one-size-fits all masala." Akshay Deshpande, Sous Chef (Indian specialty), Conrad Pune, who grew up eating Maharashtrian food at home, admits that he's seen little of the food on the fine dine space. "It has been over eight years that I have taken up regional cooking professionally, but I admit that the cuisine in its entirety is an extremely unexplored cuisine. I think it's because it's extremely rustic and there's no standardisation so to speak," he says.

The cuisine from Vidharbha, the north-eastern region of Maharashtra, known for its extreme climates, is famous for its extremely spicy flavours, while Konkan is more mellow given all the coconut and kokum that goes into it. According to Khanderkar, who has extensively researched traditional Maharastrian cuisine, what has made winners out of misal pav and puranpoli, are the people who migrated from Western Maharashtra, introducing it to Mumbai through khanavals. "They made a business out of it and that's why it is what it is," she says. But those dishes that did not transition to the mainland, are yet to enjoy their moment in the sun.

Back to basics
The 'unsophisticated' appearance makes it a tricky business. She, for one, had to battle one critic in her own home. "My husband was of the opinion that Maharashtrian food is not visually appetising," she says. But chefs are now channelling their energies into presentation. The modernist element is consistent throughout Khandekar's menu. Take the Pathare Prabhu Pot Pie with tomato saar, served in a shot glass. The latter is a spicy tomato soup made with curry leaves and chillies. It's eaten with rice in parts of Maharashtra and Karnataka. Here, the dish is a take on the shepherd pie. The taste is unmistakably Pathare Prabhu, courtesy the signature fragrant garam masala which gets its edge from the fennel seeds that are ground along with Bengal gram, fenugreek, whole wheat and black peppercorn. All ingredients, we are told, have been sourced locally.

Agnihotri feels the local and regional cuisines are slowly making their way into the mainstream. And, it's a lot to do with the growing realisation of the food miles concept, which is a way of expressing just how far the food we eat travels from the farm where it is first produced, before it ends up on our tables. Although the expression was first coined back in the 1990s, it has entered public consciousness given the awareness of carbon footprint and environmental degradation. "You want to tap into indigenous resources. It's to do with chefs who are going back to roots. There's a return to basics," he says.

The winners

• Chicken Bhujing, a signature street dish popular in the confines of Virar and Vasai. Those living outside the parameters may have no clue. The chicken is roasted along with potatoes and then fried and steamed with onion. It's then mixed with nylon poha and a special masala mix
• Orange kharvas with dink crumb and kaakvi is a colostrum pudding served with fried edible gum, fresh orange and sugarcane molasses
• Varan Phala Ravioli is their take on the Maharashtrian pasta. It is made with whole wheat and stuffed with coriander and goda masala in a tuar dal sauce

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Rajesh Hudiyar, a resident of Mahul, was forced to stay at home because of the BEST strike in the city today. The youngster's board exams are hardly two months away but as he could not afford to take an autorickshaw or a taxi, he had to skip going to school.

Not just him, but many other residents of Mahul, most of whom are Tansa pipeline project affected people, are skipping work and school because since buses are not operational.

Meanwhile, the BEST strike in Mumbai has entered its ninth day today.

While Hudiyar says that he is missing important classes, he simply can't afford to spend Rs 100 on an autorickshaw ride.

Vikas Logade, who is a student of a Wadala college, says that he missed a project submission already which he fears will cost him marks in the final assessment but he can't spend Rs 150 on a taxi every day.

Firdaus Sheikh is a Std. 10 student whose preliminary examinations are underway and two of her siblings are skipping school as well.

Mangal Thakur is sending only her elder son, a Std 10 student, to school while her younger son has to sit at home.

She told Mumbai Mirror, “Unscrupulous autorickshaw drivers have jacked up fares. We can’t afford to send both our children to school in such a scenario."

Vivek Gambre who works in a factory in Andheri east says that he has missed seven days of work which has cost him Rs 9000, which is about 25% of his income.

Amita Pawar, a tester in a factory in Sakinaka, says that her daily wage comes to Rs 250 but an autorickshaw will cost her Rs 200 alone. “Then there’s the additional hassle of getting a vehicle in the first place.”

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The article has been sourced from third-party source and Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. All information provided on this article is for informational purposes only.

Marking the occasion of Mahashivratri along with the success of her film Luka Chuppi, Kriti Sanon visited a Shiv temple in the suburbs of Mumbai to express her gratitude to the almighty.

With an opening of Rs 8.01 crore, Luka Chuppi marked Kriti Sanon's highest opener, as the lead actress. Amidst her busy schedule, Kriti visited Shiv Mandir in Santacruz to offer prayers and thank the almighty for showering her with love from the audience.

Check out some pictures here:

Kriti Sanon clicked at Shiv Temple in Santacruz (All Pictures/Yogen Shah)

Kriti Sanon clicked at Shiv Temple in Santacruz with her mother

Kriti Sanon clicked at Shiv Temple in Santacruz with her mother

Riding high on the success of her recent film Luka Chuppi, Kriti Sanon has been garnering love and appreciation for her quirky character Rashmi.

Kriti Sanon obliges a fan with a selfie outside the temple

Earlier, the actress visited Cinema halls to gauge the reactions of the audience as well as sold tickets at the theatre herself, surprising her fans with her sweet gesture. The actress has carved a place for herself with strong characters delivering remarkable performances there by winning the hearts of the audience.

Beginning the year with Luka Chuppi, Kriti Sanon is all set to offer a plethora of diverse characters this year with her films hailing from different genres. She will be next seen in Arjun Patiala, Housefull 4, and Panipat.

Also Read: Exclusive: Kriti Sanon on Panipat character: Killing people with sword was powerful

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San Francisco: Facebook-owned WhatsApp is rolling out its "Restrict Group" for all iOS, Android and Windows Phone users -- a feature that gives the group administrator powers to restrict other members from sending text messages, photographs, videos, GIFs, documents or voice messages in case the admin thinks so.

According to WABetaInfo, a popular fan site that tests new WhatsApp features early, you need to update your WhatsApp version to the 2.18.132 Android update in order to remotely receive the activation of the feature.

The "Restrict Group" feature, first spotted in last December, adds "Privacy settings" in the group.

"All participants can normally edit the group description, icon and subject, but finally the administrator can restrict this feature today, preventing no-administrators to modify the group description," the website said.

This action can be managed in the Admin Settings, a new option located in Group Info that's visible to the administrator only.

In Admin Settings, the administrator can restrict who can change the group info.

Administrators can keep sharing media and chatting as normal as they restrict other members.

Once restricted, other members will simply have to read their messages and will not be able to respond.

They will have to use the "Message Admin" button to post a message or share media to the group. The message will need to be approved by the administrator before going through to the rest of the group.

In October, reports said administrators on WhatsApp groups will soon be able to choose if other participants can modify the subject of the group, its icon and its description.

With over 1.5 billion monthly active users, WhatsApp is available in more than 50 different languages around the world and in 10 Indian languages.

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Actress Keerthy Suresh as Savitri in Mahanati

Telugu cinema — specifically Baahubali 1 and 2 — knocked the daylights out of Bollywood. Now comes the ravishing Telugu-Tamil film Mahanati (Great Actress, in Telugu; Nadigaiyar Thilagam in Tamil), directed by Nag Ashwin, a biopic on top film star Savitri garu (a Telugu honorific). This sensuous, period, feminist film, starring Keerthy Suresh and Dulquer Salmaan, rivals Bollywood's best. Kommareddy Savitri (1937-1981) was a remarkable female superstar of Telugu and Tamil cinema, who acted alongside top Tamil and Telugu stars such as Sivaji Ganesan, MG Ramachandran (MGR), Gemini Ganesan and Nandamuri Taraka Rama Rao (NTR), often got paid more than the heroes, and even produced and directed six films in the 1960s and 1970s, some with an all-female crew, featuring these top heroes — all practically unthinkable today. Savitri acted in nearly 200 films in Telugu, Tamil and Hindi, including Pelli Chesi Choodu, Devadasu, Missiamma, Maya Bazaar and Pasamalar, peaking in the 1950s and 1960s, and the films she directed include Chinnari Papalu. Her career spiralled downwards after she secretly married co-star Gemini Ganesan (then already married to Alamelu and in another relationship with Pushpavalli with whom he had Hindi film star Rekha), and his jealousy and alcoholism drove her to drink; she cut back on her career to appease him, turned alcoholic herself and went to ruin. The film has released worldwide, including in India; it is currently also showing in Mumbai with English subtitles.

Indian biopics on women film stars — including Milan Luthria's Dirty Picture on Silk Smitha with Vidya Balan (Hindi); KG George's Lekhayude Maranam: Oru Flashback (Lekha's Death: A Flashback) on actress Shobha's alleged affair with a top director (Malayalam), and Ranjith's Thirakkatha (Screenplay) on Srividya and her alleged affair with a top Tamil star (Malayalam) — are mostly tragedies. What is remarkable about Mahanati is that while it shows Savitri's courage, feistiness, stardom and generosity, it also shows her poor decisions in love, marriage and finance. She is a homebreaker and an alcoholic who also neglects her children. Yet, the film valourises her as someone who believed that life is short, and so made the best of it. In fact, the film, presented by Vyjayanthi Movies, is produced by two women, sisters Swapna Dutt and Priyanka Dutt of Swapna Cinemas.

The film is told through Madhuravani (Samantha Akkineni), a journalist in the 80s, investigating Savitri's story with her photographer boyfriend Vijay Anthony (Vijay Deverakonda) after Savitri is found in a hospital, after being in a coma for a year. Nag Ashwin, in only his second feature after Yevade Subramanyam, shows outstanding assurance and craftsmanship. Throughout, there are scenes switching seamlessly from Savitri's real and reel life; and the period sets have been gorgeously recreated, including a 'stairway to heaven'. Keerthy Suresh carries the film with aplomb: sparkling, yet dignified, even in her despair. Top Malayalam star Dulquer Salmaan sportingly plays second fiddle and charming rake. Sai Madhav Burra's screenplay packs in a lot. LA-based Spanish cinematographer Dani Sanchez-Lopez's cinematography is marvellous: ironically, he digitally shot the period parts and used super 16mm film stock for the more recent 80s. The costumes by designers Gaurang Shah, Archana Rao and stylist Indrakshi Pattanaik are exquisite, as are Shivam Rao and Kolla Avinash's sets. Mickey J Meyer's music is versatile and soulful. At 2h 57mins, the editing by veteran Venkateswara Rao Kotagiri flags a little, yet keeps you engaged till the end.

Meenakshi Shedde is South Asia Consultant to Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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Gallery Art & Soul

How often have we heard friends say, "Let's grab a drink?" and the next thing you know, you are headed to Lower Parel? That same enthusiasm, purposefulness, and the promise of an evening well-spent are what art spaces in and around that part of the city are gearing up for this year.

Priyasri Art Gallery

Starting June 29, art lovers can say hello to the Mumbai Midtown Arts Collective (MMAC). An initiative by Anupa Mehta and Rashmi Dhanwani, the MMAC will bring together seven spaces in Worli, Dadar, Byculla and Lower Parel to build upon a format that their counterparts in South Mumbai have cracked over the past few years.

Tao Art Gallery

In this city, artists and visitors mark their calendars for Art Night Thursdays, the second Thursday of every month, when galleries have extended hours instead of their usual closing time of around 6 pm. Similarly, the MMAC will host Art Night Fridays, to be held on the third Friday of the month once every quarter. There will also be Art Sundays, when galleries will remain open, and workshops and sessions will be held in public spaces.

Volte Art Projects

Art Night Thursdays was conceptualised in 2011, along with Mumbai Gallery Weekend, by a group of about eight galleries in South Mumbai. It continues to visibly draw more visitors than what they would have on most other days. To boil it down to basics, it is a mix of two factors — geography and programming.

Piramal Museum of Art + their Byculla gallery

For most Mumbaikars, a weekday visit to South Mumbai, particularly Colaba and Kala Ghoda, where a number of galleries are located, usually means wrapping up early from work, and making at least a 45-minute trip from the suburbs. Art Night Thursdays mean that visitors from Jogeshwari or Mulund can spend more time with exhibitions, walkthroughs and talks.

Anupa Mehta Arts & Advisory

"There is a reason why we are planning for Fridays and not Thursdays. That's the day most professionals working in this part of town will step out and unwind," says Dhanwani, founder of The Art X Company, an arts management consultancy, which will drive MMAC.

Saffronart

There's enough for everyone
Mehta and Dhanwani tell us that the idea to form a central Mumbai collective is not new, and has been on their minds for some time now. And, then, last year, some of the midtown art spaces got a massive push for the first time during Mumbai Gallery Weekend, an outreach programme with a series of art events. Mehta, an arts consultant, who runs Anupa Mehta Arts & Advisory from the studio that earlier used to be a gallery, The Loft, at Lower Parel, could see the difference.

Anupa Mehta and Rashmi Dhanwani

"We had a tea party here, and I expected the regular audience to turn up. Instead, a different crowd dropped by — people who had heard that there was something going on," she says. Lower Parel and Mahalaxmi now have a number of creative clusters, such as indie design studios, today. These areas also house and employ well-travelled aesthetes with disposable incomes.

Dhanwani cites a report by KPMG in India and FICCI (February 2018), titled Visual arts industry in India: Painting the future, which stated that 'a new segment of art buyers in India consists of entrepreneurs, company executives and professionals... An increasing number of young art enthusiasts in their late 20s to early 40s are attending shows at art galleries and festivals, to both participate in workshops as well as buy original artwork.

Pics/Ashish Raje; Map/Deshna Mehta; Imaging/Ravi Jadhav

"Lower Parel has a sizeable presence of such professionals, who are open to different experiences such as catching a comedy or music gig or a new exhibition. Although there is the perceived notion that art is an elite preoccupation, these barriers can be lowered to open arts spaces even further," she says.

Focus on accessibility
In recent years, Lower Parel and its surrounding pincodes have turned into the great corporate heart of the city, drawing thousands through railway networks and SUVs for work and leisure. Mehta says that history always speaks through, as the place that was once devoted to mills, and mill workers. It is reason why accessibility is a key focus of the MMAC — how do you draw the waiting staff from the nearby pub as much as corporate consultants? "We forget that art is the great equaliser, and Lower Parel is a constant reminder that different classes co-exist here," says Dhanwani.

The MMAC, interestingly, is not a homogenous clutch of galleries, but has, under its umbrella, a museum, an arts advisory, an auction house, and galleries that have been around for more than a decade, and those that are fairly new. More are likely to join hands in the near future (check MMAC's Facebook page for more info).

The MMAC, thus, strategically, means more visibility to these spaces, and the recognition of the presence and growth of another art district, co-existing with the one in Colaba. "We are complementing our friends in South Mumbai. We hope that many more area-specific art circles may occur, and cater to local communities," says Mehta. She adds that with galleries showcasing a range of artistic practices, there is a growing audience for all.

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Missed out on last week's Green Humour? You can read it here.

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Without access to modern technology like refrigeration, people in developing countries often have to throw away a significant proportion of the fish they catch. EU-funded researchers have delivered innovative, low-cost solutions to help such communities around the world make their fish stocks go further.

One of the major factors for any bouquet or flower to last longer is how it has been conditioned. Each flower has a different science to it so when your flowers first arrive at your door step, all they need is a bit of pruning and fresh water to perk up! Anuja Joshi, Marketing Director and creative face of Interflora India lists the reasons on keeping flowers fresh

1. Remove the flowers from the box and wrap the bouquet

2. Fill a vase 2/3rd with room-temperature water.

3. Empty the entire sachet of Interflora flower food that's provided and stir to mix.

4. Trim 1 to two inches of the stems at an angle using scissors or a sharp knife.

5. Place the bouquet into a vase, Tweak the arrangement as needed and watch your flowers perk up before your eyes!

How to change water in your flower arrangement:

1. Water wisely: Since flowers continue to drink water after they've been cut, it's important to keep fresh flowers in water always. Exposing the stem to air, even briefly, can cause the water-absorbing cells to shrivel which can shorten the life of your flowers.

2. Cut stems: Trim the flower stems at an angle before inserting in water. Cutting the stems at an angle prevents them from sitting flat at the bottom of the vase which can block the absorption of water. Re-trim the stems once every few days.

3. Prune daily: Look out for dead or loose leaves that may be submerged in water and remove them. Leaving them will cause bacterial rot which can shorten the life of your bouquet.

4. Avoid heat and drafts: Place your flowers in an area that's protected from excessive heat such as heat-generating appliances like heaters or ovens and direct sunlight

5. Important information: For those with allergies or sensitivities to flower fragrance, the best non-fragrant options are tropical flowers such as orchids, anthurium, birds of paradise or other tropical varieties

Tarun Joshi, Co-founder and CEO of IGP.com (Indian Gifting portal) also have some ideas to share

6. Unwrap the plastic/paper wrapping as soon as possible.

7. Avoid placing flower arrangements in windowsills and other areas with full sun where flowers can wilt due to overheating. Most flowers will last longer under cool conditions.

8. Keep your vase filled with water! All flower and foliage stems should be submerged. Flowers stay fresher, longer when they can get a drink!

9. If your flowers came in a basket or other container with foam, add fresh water every day.

10. Immediately remove dead or wilting leaves and stems from fresh flower arrangements.

11. Watch your water. When it gets cloudy it's time to change it out.

How to change the water in your flower arrangement

1. First remove any dead or dying flowers from the arrangement.

2. After carefully removing the good flowers, clean the vase thoroughly with soapy water to remove any bacteria that could cause the fresh flowers to deteriorate even quicker. Be sure to rinse thoroughly.

3. Replace the water and mix in the flower preservative provided by your florist, according to the instructions on the packet.

4. For best results, cut stems with a sharp knife at an angle about one to two inches from the bottom. This allows them to better absorb water. Do not use scissors to cut your flowers because they can crush the stems and prevent water absorption.

5. Place loose stems or wrapped bouquets of fresh flowers in your water mixture as soon as possible.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Katrina Kaif is keen to work with Deepika Padukone and Kareena Kapoor Khan. The two have a connect with her ex-flame, Ranbir Kapoor. While Dippy is also his ex, Bebo is his cousin.

While on the chat show, Feet Up With The Stars, Kat was asked, who she would like to do a song with and Kat said, "Deepika Padukone." She would like Bebo to be her co-star as she is 'supportive'.

On the work front, Katrina Kaif will next be seen in the much-awaited film Bharat co-starring Salman Khan. Disha Patani will also be seen in the film portraying the role of a trapeze artist.

Sporting saris and long curly tresses, Katrina Kaif's on-screen avatar of Kumud Raina in Bharat is possibly one of the most distinct looks in her filmography. While there had been much curiosity around Salman Khan's five different avatars in the Ali Abbas Zafar-directed period drama, the leading lady too will be seen ageing from her late 20s to her early 60s in the course of the narrative.

Meanwhile, Kareena Kapoor Khan is currently gearing up for her next release, titled Good News, alongside Akshay Kumar, Kiara Advani and Diljit Dosanjh. Deepika Padukone, too, is busy with the Meghna Gulzar directorial, Chhapaak, based on the life of the acid attack survivor Laxmi Agarwal.

Also read: Katrina Kaif: Ali and I are good friends. Signing Bharat had nothing to do with our friendship

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It is not often that you see practitioners of Kathak, Odissi and Mohiniattam share the stage to present not multiple performances, but one that threads together the three traditions. That’s what connoisseurs of the dance forms will witness at a performance that highlights their underlying unity.

It will be presented by Sujatha Sanjay Nair, daughter and disciple of Mohiniattam exponent Jayashree Nair; Indrayanee Mukherjee, the first ganda-bandh shagird of well-known Kathak dancer Uma Dogra; and Dr Prachi Jariwala (in pic), senior disciple of renowned Odissi dancer Daksha Mashruwala.

Free
On: Today, 6 pm
At: Visitors Centre, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Fort.

Art power

Attend a group exhibition where over 40 artists will showcase their works under one roof. The Power of Colours will feature paintings by nationally and internationally renowned artists such as Subrata Bose and Rabin Bar.

Till May 6, 11 am to 7 pm
At Nehru Centre Art Gallery, Dr Annie Besant Road, Worli.
call 24964676
Free

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RD Burman composed for more than 300 films in a career spanning 30 years

This weekend, a group of music enthusiasts is going to deconstruct the thin line between imitation and inspiration at a talk on Hindi film music. The works of RD Burman, Shankar-Jaikishan and OP Nayyar will be discussed at the event.

Shankar-Jaikishan ruled from 1949 to 1986

“Many tried to imitate a sound that worked well with listeners in that period. In fact, film producers would encourage music directors to do so. The music of Laxmikant-Pyarelal and Kalyanji-Anandji was close to the sound created by Shankar-Jaikishan and Burman,” says Ramesh KV, one of the speakers. “If you listen to the orchestration of a song, you will think it belongs to Burman, but it actually is by someone else,” he adds.

The full panel includes R Balaji, Shankar Iyer, Archisman Mozumder and Subramanian Iyer.

On: April 15, 7.30 pm
At: Pitaara – The Art Box, Yashwant Nagar, Goregaon (W).
Call: 9820393001
Entry: Rs 250