Looksery is based in San Francisco and it doesn't appear to have raised traditional outside capital. It was started by a Ukrainian team and its CEO is Victor Shaburov.

The Karnataka government is expecting to create multiple corridors with countries such as Portugal and Suriname whose top officials attended the event.

What happens to businesses on the other side of the pandemic? In preparing for the future, empathy towards your employees and less opportunism can go a long way.

Carol E. Nicholson, MD, MS, FAAP, is the Project Scientist for the Collaborative Pediatric Critical Care Research Network (CPCCRN) and Program Director for Pediatric Care and Rehabilitation Research (PCCR).

For those of us who’ve lived in Dehradun for decades, the Supreme Court order banning sale of liquor on highways, is the cruellest joke you could play on a small town.

2019 saw some major innovations in the smartphone segment. After a happening year as far as smartphone launches were concerned, 2020 is expected to witness a lot more competition in innovation as well as on the design front. ET Wealth lists 5 such trends.

Back home, the workers are looking to start afresh. Their best bet seems to be rehabilitation packages.

RBI's Monetary Policy Report forecasts global recession, says India's growth outlook "drastically altered"

We manufactured a crisis much before the pandemic hit the financial world.

Cricket Australia is under huge financial pressure due to global lockdown and has laid off 80 percent of its staff. India's four-Test tour in December-January could provide a relief to the struggling bldy

Here is how SMC Global expects commodities to fare today:

The first public demonstration of colour TV broadcast happened this week 90 years ago, setting the foundation for a major change in the way audio-visual media is consumed.

The Ravens will also be on the lookout for wide receivers and inside linebackers.

Alydar,The Markeys, John Veitch and Jorge Velasquez. All Top class participants in the Sport of Horse Racing.

Proposal to temporarily loosen restrictions on on-site sales faces uncertain prospect in session's final days.

Saturday's 14-race Florida Derby Day card gets under way at 11:30 a.m. from Gulfstream Park in Hallandale Beach, Fla., and the Grade 1 Derby will feature a full field of 3-year-olds competing for $750,000 and 170 qualifying points for the Kentucky Derby, now scheduled for Sept. 5 (100 points to the winner, 40 to second, […]

The post Triple Crown News Minute Presented By Kentucky Equine Research: Closer Look At Florida Derby Contenders appeared first on Horse Racing News | Paulick Report.

Four historic fire lookout towers in Grand Canyon National Park, two on the North Rim and two on the South Rim, have been listed on the National Historic Lookout Register. https://www.nps.gov/grca/learn/news/four-grand-canyon-national-park-lookout-towers-have-been-listed-on-the-national-historic-lookout-register.htm

As the National Park Service (NPS) prepares for a second century of service, Grand Canyon National Park celebrates the significant accomplishments of the NPS centennial celebration and looks ahead to its own park centennial in 2019. https://www.nps.gov/grca/learn/news/grcacentennialsuccess.htm

Alaska’s Arctic tundra is one of the most rapidly warming regions in the world. For years, scientists have been working to interpret the effects of its changing climate and determine what these changes may mean for the rest of the planet. Coarse-scale satellite imagery of much of this region shows the tundra is becoming greener. This has been widely attributed to shrub expansion.

The H.J. Andrews Experimental Forest (Andrews Forest) is both an idea and a particular place. It is an experimental landscape, a natural resource, and an ecosystem that has long inspired many people. On the landscape of the Andrews Forest, some of those people built the foundation for a collaborative community that fosters closer communication among the scientists and managers who struggle to understand how that ecosystem functions and to identify optimal management strategies for this and other national forest lands in the Pacific Northwest. People who worked there generated new ideas about forest ecology and related ecosystems. Working together in this place, they generated ideas, developed research proposals, and considered the implications of their work. They functioned as individuals in a science-based community that emerged and evolved over time. Individuals acted in a confluence of personalities, personal choices, and power relations. In the context of this unique landscape and serendipitous opportunities, those people created an exceptionally potent learning environment for science and management. Science, in this context, was largely a story of personalities, not simply a matter of test tubes, experimental watersheds, or top-down management sponsored by a large federal agency or university. Ideas flowed in a constructed environment that eventually linked people, place, and community with an emerging vision of ecosystem management. Drawing largely on oral history, this book explores the inner workings and structure of that science-based community. Science themes, management issues, specific research programs, the landscape itself, and the people who work there are all indispensable components of a complex web of community, the Andrews group. The first four chapters explore the origins of the Forest Service decision to establish an experimental forest in the west-central Oregon Cascades in 1948 and the people and priorities that transformed that field site into a prominent facility for interdisciplinary research in the coniferous biome of the International Biological Programme in the 1970s. Later chapters explore emerging links between long-term research and interdisciplinary science at the Andrews Forest. Those links shaped the group's response to concerns about logging in old-growth forests during the 1980s and 1990s. Concluding chapters explore how scientists in the group tried to adapt to new roles as public policy consultants in the 1990s without losing sight of the community values that they considered crucial to their earlier accomplishments.

Privately owned forests provide many public benefits, including clean water and air, wildlife habitat, and recreational opportunities. By 2030, 44.2 million acres of rural private forest land across the conterminous United States are projected to experience substantial increases in residential development. As housing density increases, the public benefits provided by private forests can be permanently altered. We examine factors behind projected patterns of residential development and conversion of private forest land by 2030 in northwestern Washington, southern Maine, and northwestern Georgia. Some key factors affecting the extent of future residential housing include (1) population growth from migration into an area; (2) historical settlement patterns, topography, and land ownership; and (3) land use planning and zoning.

Scientists have had little information about how prescribed fire and cattle grazing—common practices in many Western ponderosa pine forests—affect plant abundance and reproduction in the forest understory. Pacific Northwest Research Station scientists began to explore how these practices affect vegetation in a five-year study of postfire vegetation in eastern Oregon ponderosa pine forests where cattle have been routinely pastured from late June or early July through early to mid August. For this area of eastern Oregon, they found that excluding cattle grazing during peak growing season increased native plant cover and grass flowering capability in ungrazed areas compared to grazed areas. Because vegetation was measured prior to releasing cattle on the land, the study's results tend to reflect lasting grazing impacts rather than simple consumption.

The first phase of the multi million pound development in Durham city is under way and is expected to take 18 months to complete

Outdoor recreation organisation conducts important survey influencing government policy

For many marketers, emails are the lifeline for most marketing efforts. Every SPAM complaint, unsubscribe, or bounce has an impact on the current ROI as well as on the sender’s reputation which affects the ROI of the future campaigns. Yet the sender reputation, that you accumulate over the period of multiple email campaigns, is only...

Benjamin Stuben Farrar of Iowa City is a storyteller without a story to tell at the moment. The first story is as dramatic and layered as his bold scenic and lighting designs for area stages:...

Watch my video and see what a decentralized WordPress environment might look like. Almost everything we rely on to operate online is a centralized platform. WordPress, Twitter, Facebook, YouTube, you name it—they’re all gigantic, centralized platforms. Ok, sure, but why does that matter? It matters because the bigger centralized platforms get, the less freedom users […]

Benjamin Stuben Farrar of Iowa City is a storyteller without a story to tell at the moment.

The first story is as dramatic and layered as his bold scenic and lighting designs for area stages: “Benjamin Stuben Farrar” is not his actual name.

He was born Stewart Benjamin Farrar 41 years ago in Kentucky. He didn’t want to go through life as “Stewie,” so he went by “Benjamin,” until he got to college at Vanderbilt University in Nashville. He ran into so many other Bens, that his buddies decided to combine his names into “Stuben.”

That name followed him to grad school at the University of Iowa in 2002, where he earned an MFA in theater design. But when he moved to New York City in 2006 to pursue his career, he didn’t like hearing “Stuben” shouted across the theater.

“It sounded too much like ‘stupid,’ ” he said, “so I reverted back to Benjamin.”

But nicknames have a way of sticking. When he and his wife moved back to Iowa City in 2015 to raise their daughter, he switched to “Stuben” again, since that’s how people knew him there.

Professionally, he uses “S. Benjamin Farrar” and on Facebook, he goes by “Benjamin Stuben Farrar” so friends from his various circles can find him. Even though most people now call him “Stuben,” he still introduces himself as “Benjamin.”

“To this day, I have 12 different names,” he said with a laugh. “Only the bill collectors know me as ‘Stewart.’”

Like his name, his artistry knows no bounds.

He has planted apple trees on Riverside Theatre’s indoor stage in Iowa City; a child’s outdoor playground on the Theatre Cedar Rapids stage; and dramatic spaces for Noche Flamenca’s dancers in New York City venues and on tour.

These days, however, his theatrical world has gone dark.

His recent designs for “The Humans,” “The Skin of Our Teeth” and “Kinky Boots” at Theatre Cedar Rapids and “A Doll’s House, Part 2” at Riverside Theatre have been canceled or postponed in the wake of the coronavirus pandemic. He has “The Winter’s Tale” in the works for Riverside Theatre’s free Shakespeare in the Park slated for June, but time will tell if that changes, too.

“Within the course of two weeks, five productions were canceled or moved indefinitely,” he said.

Looking ahead, he’s not sure what shows he’ll have time to design for the upcoming seasons. He’s used to juggling three or four productions at a time, but he said that could become really difficult if the shows fall on top of each other at the various venues.

As with so many artists right now, his world keeps changing.

He and his wife, Jody Caldwell, an editor and graduate of the UI Writers’ Workshop, are both freelancers, leaving them with no income during this pandemic. So Farrar has been wading through red tape and delays to secure unemployment compensation and the government stimulus check, for which he’s still waiting. One bright spot was receiving a $1,000 Iowa Arts & Culture Emergency Relief Fund grant given to 156 Iowa creatives who have lost income from canceled projects.

With his regular revenue streams drying up, he’s been considering other ways to earn money through teaching theater or creating and selling more of his digital and film photography — an outgrowth of his fascination for the way lighting can sculpt a scene on stage.

“I love doing nature (photography). I love doing details,” he said. “I love photographing people, too, especially on stage — I love photographing my own shows. It’s just a lot of fun.

“For me, nature’s so interesting, especially living where we do in North America, there’s vast changes from one time of year to another. I just love looking at that on a very small scale, and how light happens to fall on that particular surface — how that surface changes color,” he said.

“Right now the redbuds are out. The magnolias came out two weeks ago and then they started to fall. It changes the landscape dramatically, especially based on whether it’s a morning light or afternoon light or evening light, whether it’s cloudy, whether the sun’s peeking through clouds and highlighting a few individual leaves. I find that super fascinating.

“That’s how I can look at the same boring tree at different times of year, at different times of day, and find something interesting to photograph.”

While his scenic designs create an immediate visual impact and help tell the story swirling around the actors, Farrar was a lighting designer before he became a scenic designer.

It wasn’t love at first sight. He took a light design course in college, but didn’t “get” it.

“It’s really difficult to wrap your head around it,” he said.

His aha moment came when he was running lights for an operetta in college.

“I just had these little faders in front of me so I could raise certain lights up and down. And the music was happening in front of me and I thought, ‘I control this whole little universe. I can make things completely disappear. I can sculpt things from the side, I can make things feel totally different — just like music can — just based on how it’s lit.’ And then I finally started to understand how the lighting hooked things together,” he said.

From there, his interest in lighting soared.

“I absolutely love lighting,” he said. “I think it’s probably given me more joy than anything else, just because I can go for a walk someplace and just the way the lighting changes as the clouds come in or out, or as the time of year changes and the angle of the sun changes, I really enjoy seeing that — and that’s what got me into photography.”

While his design work is a collaborative process with the director and other production team members, the ideas begin flowing as soon as he starts reading a script. With the flamenco dance company in New York, he might start working on a show two years in advance. With Theatre Cedar Rapids, the lead time is generally six months to look at the season overall, and four months to “get things going” on a particular show, he said. The lead time is about two months for Riverside Theatre shows, which have shorter rehearsal periods.

He begins thinking about the theater spaces, the text that the audience never sees, the show’s technical demands, and the scale in relation to the human body. He still likes to do some of his design work by hand, but computers and the 3D printer he has in his basement workshop have made the process much quicker for creating the drawings and scale models for each show.

He also enjoys the variety and challenge of moving between the small space inside Riverside Theatre and the large space inside Theatre Cedar Rapids, as well as the theaters at Grinnell College and Cornell College in Mount Vernon, as well as the theaters in New York and the touring venues that have housed his designs.

Ultimately, the goal of scenic design “is always about the storytelling,” he said.

“There’s a version of a show that exists in a script, if there is a script. Assuming it has a script, there is a scaffolding for that show in the script, and then there’s a version of the show in the director’s head, and then there’s a version of the show that’s performed in my head as I read the script. So there’s all these different versions.”

If the show is a musical, the choreographer brings in another idea, and the musical score adds another element. Sometimes Farrar knows the music very well, but other times, he doesn’t.

“Hopefully, I can integrate that well if I listen to the music while working on the show — not usually when I’m reading the script, but while I’m drafting the show. I’ll listen to the music to get a sense of how the show wants to move.

“Integrating all these different versions of the show — the text, what’s in my head, what’s in the director’s head, what’s in the choreographer’s head, the role the music plays — and then you synthesize all those elements, and then you find out how the show wants to move in the space it has. And how a show moves is one of the most important things to me. ...

“You get a sense that the show becomes this conscious element that wants a certain thing, and will reveal those things over time.”

And time is something he has right now.

Comments: (319) 368-8508; diana.nollen@thegazette.com

A lot to look forward to in 2017. How did 2016 treat you: ???? or ????? (at San Francisco, California)

By The European Environment Agency What we throw into the trash bin might end up into the sea. Our understanding is growing on the global issue of marine litter, which has impacts on marine wildlife but also human health and … Continue reading →

Tags: generations, music, Pudding

The Baumslag Solitar group $BS(2,3)$, is a so-called non-Hopfian group, meaning that it has an epimorphism $phi$ onto itself, that is not injective. In particular this is equivalent to saying that $BS(2,3)$ has a quotient that is isomorphic to itself. As a consequence the Cayley graph of $BS(2,3)$ has a quotient that is isomorphic to itself up to change of generators. We describe this quotient on the graph-level and take a closer look at the most common epimorphism $phi$. We show its kernel is a free group of infinite rank with an explicit set of generators.

Are sports organizations like FIFA taking concussions in sports seriously enough?

Sam Mendes' 1917, which took Best Picture and Best Director awards at the Golden Globes earlier this week, looks like a standard period piece.…

When it comes to the music scene in the midst of the coronavirus pandemic, the math is pretty simple: No shows equals no revenue.…

…

Northern Quest Resort & Casino is set to reopen Tuesday, albeit with strict social-distancing and other safety protocols in place, becoming the second regional casino to reopen after closures caused by the coronavirus. Resort officials expect a crowd due to pent-up interest in the community for getting out of the house (not to mention Cinco de Mayo).…

By Patricia Cohen and Tiffany Hsu The New York Times Company…

An apparatus for encoding an audio signal having a stream of audio samples has: a windower for applying a prediction coding analysis window to the stream of audio samples to obtain windowed data for a prediction analysis and for applying a transform coding analysis window to the stream of audio samples to obtain windowed data for a transform analysis, wherein the transform coding analysis window is associated with audio samples within a current frame of audio samples and with audio samples of a predefined portion of a future frame of audio samples being a transform-coding look-ahead portion, wherein the prediction coding analysis window is associated with at least the portion of the audio samples of the current frame and with audio samples of a predefined portion of the future frame being a prediction coding look-ahead portion, wherein the transform coding look-ahead portion and the prediction coding look-ahead portion are identically to each other or are different from each other by less than 20%; and an encoding processor for generating prediction coded data or for generating transform coded data.

A method of sectioning eyelashes into zones is disclosed. A method of sectioning eyelashes into zones comprises dividing a surface of an eyelid into zones and applying extension lashes to natural lashes within the zones. Zones can comprise an inner zone, a mid-zone and an outer zone. Furthermore, at least a portion of extension lashes within inner zone can have a first length, while the extension lashes within middle zone and outer zone can have a second and third length, respectively.

I say to all communities pat yourselves on the back for the great job you are doing taking care of each other and supporting each other.

Every bride wants to look spectacular on her wedding day, so here trainer Janette Cardy shares her top 10 tips for getting in shape and looking radiant.

Former Hampshire all-rounder Glenn Maxwell's World Cup heroics were not enough to earn him a place in Australia's Test squad for the Ashes series against England or a preceding tour of the West Indies.

ONLY one game was played in the Wessex League on October 24, 1998 – the appalling weather made sure of that.

IF Dorchester Town were looking for clues about AFC Totton in Tuesday’s Southern League Challenge Cup match at Blackfield & Langley, they will have been sorely disappointed.

THIS is the vision for what a new ferry terminal in Southampton could look like.

RESIDENTS have had their first chance to have their say on major plans for a new ferry terminal on Southampton’s waterfront.

Hampshire racing driver Rob Collard has set his goals high ahead of the new British Touring Car Championship season.

THE continued success of the Allied forces was being acknowledged on the pages of the Daily Echo 100 years ago this week following the latest communications from the various theatres of conflict across Europe.