Head to the ninth edition of NCPA Sama'a: The Mystic Ecstasy which is back this weekend and will acquaint attendees with Sufi ideology through music and dance performances by Indian and international artists.

The three-day festival will feature four events. On the first day, for which the theme is, One truth, many paths, musician duo Sourendro and Soumyojit and Saleem Hasan Chishti and Group will perform. On day two, enjoy musical and dance acts by Sanjukta Wagh, Radhika Sood Nayak, Hitesh Dhutia and Vinayak Netke as well as a performance by the Egyptian mawlawiyah group.

End the extravaganza on a happy note with Sufiana songs and in the company of artistes Salim and Sulaiman, as well as Rajasthani folk singers.

ON February 22 to 24, 6.30 pm
AT NCPA, Sir Dorabji Tata Road, Nariman Point
CALL 66223754
COST Rs 250 to 3,000

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One of the most-loved actresses, Shraddha Kapoor, recently revisited Sophia College to shoot for a brand. The all-girls college in Mumbai is where she shot for the film Chhichhore. Shraddha Kapoor, who is playing a college girl in her upcoming film Chhichhore, reminisced about her Chhichhore days.

After wrapping up the shoot for Chhichhore alongside Sushant Singh Rajput, Shraddha Kapoor visited Sophia College after a long time. Shraddha who shot most of the sequences in the college developed an attachment with the place.

The actress is also running a tight schedule hopping from one set to another and slipping into diverse characters to ace her roles. Shraddha Kapoor is playing several diverse characters this year and already has four films in her kitty.

Saaho will portray the actress in an action-packed avatar where Shraddha will be essaying a cop, while Chhichhore tests her versatility with dual roles of a college student as well as a middle-aged woman. The film also stars Prateik Babbar, Varun Sharma, Tahir Raj Bhasin, Tushar Pandey, Saharsh Shukla, and Naveen Polishetty. The film is helmed by Nitesh Tiwari, who is best known for his directorial venture Dangal, starring Aamir Khan. There's also Street Dancer 3D, which will showcase Shraddha in a completely new dance avatar. With multiple releases this year, Shraddha Kapoor also has an anticipated release with Baaghi 3.

Also read: Saaho: Shraddha Kapoor and Prabhas' still from a romantic track goes viral

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Three persons were arrested in Bhiwandi in Maharashtra's Thane district for allegedly raping a teenage girl several times, the police said Sunday.

Senior Inspector K D Jadhav of Shanti Nagar police station said the 14-year-old girl was acquainted with one of the accused, Jamil alias Bullan Vali Mohammad Khan (58) as she used to purchase cosmetics from his handcart. "Jamil along with others raped the girl on multiple occasions between June last year and January 9 this year.

She revealed her ordeal to her mother who filed a complaint on Friday," Jadhav said. He identified the others arrested, apart from Jamil, as Shahnavaz Khan (19) and Rizwan Khan (23), adding that a fourth person, Firoz Siddiqui, was wanted in the case.

"We have charged the accused under relevant sections of the Protection of Children from Sexual Offences Act. They have been remanded in police custody for six days," he informed.

In another incident, a teenage girl from Bompally village in Telangana's Peddapalli district has filed a rape case against her 24-year-old lover and his two friends, police said Sunday. Police have identified the main accused as Kotte Ranjith. A police officer said Ranjith allegedly maintained physical relations with the girl under the pretext of marrying her.

The officer said Ranjith's friends Methuku Satish (23) and Vykuntam (24) also allegedly raped the girl repeatedly in the last ten months, following which she became pregnant.

"The girl had delivered a stillborn foetus and asked Ranjith to marry her, but he refused and threatened her with dire consequences, following which the victim approached police," he said.

Police have registered an FIR against the trio under section 376 (D) of the Indian Penal Code (IPC) for gang rape and under the Protection of Children from Sexual Offences (POCSO) Act. No arrest is made yet.

With inputs from PTI

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Thane: Political leaders cutting across party lines have opposed handing over of power distribution duties in three electricity subdivisions of Thane to a private player.

These leaders on Monday met at the circuit house here and among those who attended were Mumbra-Kalwa MLA (NCP) Jitendra Awhad, Shiv Sena MLA Subhash Bhoir, BJP MLA Kisan Kathore and Kalyan Shiv Sena district unit chief Gopal Landge.

These leaders claimed that the experiment to privatise electricity supply in the powerloom town of Bhiwandi here had failed and, hence, it should not be expanded to newer regions of the district. They also claimed that people were opposed to the entry of private players in place of the state-run Maharashtra State Electricity Distribution Company Limited (MSEDCL) in this region.

On January 3 this year, private firm Torrent Power announced it had been appointed as electricity distribution franchisee for three sub-divisions under Thane urban circle of Maharashtra. "The company has emerged as the winner of competitive bidding process conducted by Maharashtra State Electricity Distribution Company Ltd (MSEDCL) for the appointment of input based distribution franchisee for distribution of electricity in Shil, Mumbra and Kalwa sub-divisions under Thane urban circle, for 20 years," Torrent Power had said in a BSE filing. Shil, Mumbra and Kalwa sub-divisions have a customer base of 2.15 lakh, the filing said. The firm is also the electricity distribution franchisee in Bhiwandi since 2007 for a period of 20 years.

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Three labourers died after inhaling toxic gas while cleaning a sewage treatment plant of a local civic body in Thane district of Maharashtra, a police official said on Thursday. The deceased were daily wage labourers and had no formal training in sewage cleaning, he said.

The incident took place on Wednesday when the labourers were cleaning a chocked valve in a chamber of the non-operational sewage treatment plant located in Mira Road area, an official at Thane rural police's control room said.

One of the labourers climbed down into the sewage treatment plant to clean it, but felt suffocated and collapsed, he said. Two more labourers later went inside to check their colleague but they also inhaled toxic gas and died, he said. Another 17-year-old labourer, who also inhaled the toxic fumes, was admitted to a hospital where he was undergoing treatment, the official said.

The labourers were hired by a civic contractor from near the Mira Road railway station for the cleaning work but they were not given any protective gear like masks, he said. They were also not trained in such cleaning operations, he said. The deceased were identified as Muzaffar Moulik (24), Rafique Mandal (50) and Mofjum (18). The bodies were sent to a local hospital for post mortem, the official said, adding that a probe was underway.

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Thane: A girl who had gone missing in 2016 from Mumbra was found in Goregaon through a post on social media site Tik Tok. Police took her into custody and learned that the girl went on her own accord.

According to Mirror Now, a woman on November 6, 2016, registered a complaint at the Mumbra police station that her daughter had been abducted. Acting on the complaint, police began searching for her through various means but were unsuccessful. The case was later transferred to the immoral trafficking prevention cell on May 11, 2018. Assistant Sub-Inspector Raju Mahale was appointed to investigate the case.

During the investigation, Police learned that the kidnapped girl has been using Tik Tok and shared it on social media. Police began tracking the girl on social media and asked her to make a video call. After confirming the identity, the police asked the girl to meet her sister under a false pretext of her mother being ill. She was then taken into custody and cops began interrogating her.

During the interrogation, the girl revealed that she left home on her own accord and not under pressure or threat from anyone. As a result, the kidnapping charge was dissolved. She also revealed that after running away from Mumbra, she was living in Goregaon for ten days and later started a catering business in Surat for 3-4 months. Later, she shifted to Vasai for few months. Since then, she has been living in Nalasopara.

On further investigation, it was revealed that the girl had made a fake account under the name of Abhay Shetty and befriended her sister and her husband after watching a video of them on Tik Tok ten days ago. The sister and her husband had uploaded a video of Bhojpuri song on a Tik-Tok mobile app. The girl began to chat with her sister and her husband and ask information about the family.

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Three local MNS activists have been booked for allegedly beating a BJP worker in Thane district of Maharashtra over a post forwarded by him on WhatsApp which they found offending, police said on Tuesday.

According to the complaint filed by the BJP activist, Pradeep Rane, on Sunday he received a post on WhatsApp about the MNS along with a picture of its party chief Raj Thackeray, Rabodi police station's senior inspector R M Somavanshi said. Rane forwarded the post to some other people. Later, three MNS workers also saw the post and felt offended following which they thrashed Rane, he said.

The complainant alleged that he apologised and also deleted the post from his mobile phone, but the MNS workers allegedly made a video-recording of the beating incident which they posted on social media and also aired on a local channel, the official said.

Based on his complaint, the police registered a case against the three MNS activists under IPC Sections 452 (house- trespass after preparation for hurt, assault or wrongful restraint), 323 (voluntarily causing hurt), 504 (intentional insult with an intent to provoke breach of peace) and 500 (defamation), he said. No arrest has been made so far, he said, adding that a probe was underway into the incident.

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In a video that went viral, MNS Yuva shakha Vice President Akhil Chitre was seen thrashing a taxi driver for allegedly misbehaving with a female passenger.

While speaking to mid-day, Chitre said that the female was plying from Wadala to BKC and she later returned to Dharavi. Though the fare was then Rs 118 the taxi driver was forcing her to pay Rs. 200 saying she had to also pay for the 'luggage' she was carrying.

A man who was the other passengers in the taxi stepped out and paid Rs 118 to the driver. However, shockingly the driver drove the cab without allowing the female passenger to get off. A crowd gathered around the taxi but the driver was still adamant on getting Rs 200.  The male co-passenger called up Chitre who reached the location and thrashed the driver.

Chitre said, "The male passenger located my number via Facebook and called me. Luckily, I was in BKC at the time and reached the spot within a minute. I then caught hold of the taxi driver and taught him a lesson."

In another video that went viral recently, an auto driver was seen hitting a passenger after an argument over auto fare. After watching the footage, the Maharashtra Navnirman Sena (MNS) swung into action and thrashed the auto driver for his behaviour.

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The ace shuttler Saina Nehwal's biopic has faced several hiccups ever since the makers announced the film in 2017. Shraddha Kapoor, who was the first choice, has now backed out from the project due to her hectic schedule. Parineeti Chopra has been already approached to replace the Baaghi actress, and she has given it a nod.

On playing Saina Nehwal, Parineeti Chopra says, "I was dying to do a sports-based film. Its a part of my personality as an actor that I have never explored, and I am so happy that I get to portray a strong and powerful girl like Saina! She has put our country on the world map and I excited to put in all the training and hard work that comes with learning the game of Badminton and portraying Saina on screen."

"We want to wrap Saina by this year end for an early 2020 release, so going ahead with the project is a decision made by mutual consent. We are glad Parineeti has come on board for the film. Saina has made every Indian proud and we can't wait to take her story to the world in the year of the Olympics," says producer Bhushan Kumar.

Shraddha Kapoor, who had even started shooting for the biopic, had earlier said that she had been practising for the role for many months and during the process, she realised how hard it was for Saina to achieve the success. "I clocked 40 classes of badminton in preparation for this biopic. It's a really tough sport, but I am enjoying myself. To get an insight into the life of a sportsperson is fascinating. Saina's journey itself is so interesting right from her misses to her injuries and victories," Shraddha said in an old statement. Unfortunately, Kapoor is no more part of the film.

Bhushan Kumar also made an official announcement through Twitter.

Delighted to welcome @ParineetiChopra on board for the Saina Nehwal biopic!

#AmoleGupte @NSaina @deepabhatia11 @sujay_jairaj @TSeries pic.twitter.com/dl7MP820Ov

— Bhushan Kumar (@itsBhushanKumar) March 15, 2019

Finally, the film, which has not yet seen the light of the day has landed in the Kesari actress' kitty.

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Illustration/Ravi Jadhav

For years, every time I've gone to a beauty parlour, yaniki, what fancy folks now call salon, one of the ladies there will ask me in that characteristic beautician tone — yaniki, terrorism masked as concern — "eyebrows nahin karaate ho?" (don't you 'do' — thread and shape — your eyebrows?). Depending on my confidence levels (usually low, an unavoidable side effect of entering a beauty parlour) my 'no' might be uttered with giggling diffidence, false hauteur, or bland deflection. The response of the beauty parlour lady is always the same — "accha?", yaniki, "fine, be that way." It's on your head. Don't come crying to me afterwards. I toh have done my due diligence by asking." Sometimes, feeling a little bold, I would ingratiatingly say, "The natural shape is pretty nice na, so why get into one more jhamela." The beautician will give that sweeping, sarcastic glance at my eyebrows and say, "Haan, vaise toh it's fine", yaniki, pity and disdain, bechari thinks natural is a thing.

This has been a consistent question, of course, but as any random or regular beauty parlour visitor knows, there are others, spoken in a special voice designed to decimate your ego and turn you into a trembling supplicant, begging for beauty treatments. "Last clean up kab kiya tha?" (When's the last time you had a facial?). "Feets ko bleach nahin kara na? Bahut tanning ho gayi hai." (Don't bleach your feet? They're very tanned).

It doesn't matter if you by-hearted The Beauty Myth when you were 15, you will be engulfed by that doomful self-hate and self-doubt start, like a seventh grader in the principal's office. The crushing stereotypes of advertising are laughable wannabes compared to the beauty parlour interrogation.

These questions derive part of their potency from the fact that you are trapped in electric chair type furniture, usually with a giant plastic bib tied around you as if you still cannot be trusted to eat properly, leave alone look presentable, and several other people getting their eyebrows done, or doing others' eyebrows around, who will come to a cinematic halt and stare at you when you admit that you are not one of them.

This potency is only slightly reduced by the advent of app-based home beautician services. To the usual litany of questions they also add, "Ma'am, braazil karalo na, sab karate hain" (Ma'am, everyone gets a Brazilian wax now). You can answer coldly or pretend to be immersed in your phone, like teenagers do with parents. But dude, these are young women who magically produce footstools and pedicure tubs from a backpack. They are not so easily daunted.
With the passage of time, the questions have dwindled. I've relaxed slowly into the truth that as you approach the out-point of the conventional marriageable age zone, the beautician, like the world, starts to expect less conformity from you. The eyebrow question now comes at me only once in every five times.

It was obviously too good to be true. Last week as I submitted to the plastic bib, the beauty parlour lady looked at me with that familiar intent look. "Hair colouring nahin karate?" she asked, checking out my now no longer tentative greys. "Nahin," I said, stoically, preparing for a couple of decades of this now.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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Illustration/RAVI JADHAV

Concern is sometimes a mask for control. This is interestingly true when it comes to films that are concerned about the situation of women. If these "concerned" films attract censorship, then they control even more subversively. They become imbued with a revolutionary halo, becoming an urgent cause to be supported, a badge of honour, not a film that tells us deep truths about our lives.

The film Nude arrived on a white horse, after a similar symbolic battle. It's very title had disturbed the Ministry of Information and Broadcasting. It traces the journey of Yamuna after she leaves her village and her brutish husband and becomes a nude model in the JJ School of Arts, with her aunt's help, going on to sit for some famous artists. She has a parallel journey, from shame to pride in work, which is shown minimally. But in the end, she alienates her son and feels defeated and hopeless.

Nude has it's good points — the interesting subject, the strong performances from Kalaynee Mulay and Chhaya Kadam in the main roles, tiny flashes of earthy humour.

But on the whole, it is a plodding work of bad faith and a strangely colonial mindset. Here is a film in which the two main characters are women, which should be evidence of concern and interest in women. Yet they are given hardly any interiority or room to be more than an example of social issues. That's because many such films are not about the characters. They are really about establishing the filmmaker as a noble and high-minded being who will uplift women.

There are only three types of people in the film. There is the poor woman who needs saving from her own men; poor men, who are portrayed as bestial or passive; and bhadralok middle-class artists who are noble and pious with the higher purpose of art. The point is taken, that, cruel or benign, to all of them the woman is an instrument. But this is unfortunately as true of the filmmakers who bring no irony to looking at this 'higher purpose'. Why are there no middle-class women in the film? There are some token women art students — but they never speak, nor is there a single shot of a woman art student drawing a nude.

This absence further prevents any complications in the story of class, caste and gender relations. Complications about what it means to draw a naked woman, exalt her as Devi or pure spirit (the body is the garment of the spirit as one character says unctuously) to serve other people's higher purpose for a paltry pay. To the artist, the model is just a body. To the filmmaker, too, the woman is mostly a victim, a sufferer in search of a saviour.

In such films, women can never truly free themselves from circumstances. They are imprisoned in dead-end film narratives forever to serve the purpose of saviour-filmmakers in films like Nude, Pink and even Lipstick Under My Burkha. Why would filmmakers conceive of different meanings of women's lives, which point to a certain liberation, when these upliftment projects accrue such rewards and privileges? It is only when we, the audience decline to be grateful for this self-serving false realism, that we can hope for stories more true to the complexities of our lives.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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illustration/RAVI JADHAV

There are many reasons to feel ambivalent about having family members as Facebook friends. One of them is almost certainly the fact that they are constantly outing your childhood pet names with alacrity, calling you Pappu, Bobby, Guddu, Noni, Chintu, Tumpa, Monu and so on in public, as if you are the chillar party in a family wedding.

While my immediate family members have been trained in this matter, those in my extended family have failed me hazaar times. "Very nice article, beta (insert pet name)" they will say. I heartlessly and instantly delete these comments. You might say this is draconian. I could just ask them not to. Anyone who has tried this will know it is useless. First, they will be wounded and utter filmi dialogue like "I am sorry I have done something improper. I won't darken your Facebook wall again." A few days later they will comment on your profile picture, "looking very nice (insert pet name)."

Why does this bother us so much? After all, it is the most natural thing to give silly names to people we love. Diminutives, nonsense words, private jokes, comical qualities that fill us with affection all make up the galaxy of nicknames. We don't seem to care when names our friends called us in youth emerge. It is the family pet name, yaniki ghar ka naam, that seems to mortify us.

Perhaps it is just the strangeness of being returned to childhood states that some don't like, a reminder of a time when we were taken less seriously and had little autonomy.

Maybe it is something about having the private emerge in the public, without our consent that makes us feel vulnerable. This may seem strange in times when privacies are constantly shared online, but it reveals how public privacies might be as much a construction as public selves. Perhaps there is an uncertainty, hovering on the edge of shame, about that private 'home' identity. Pet names are a reminder of the time before we learned to see our family as part of social hierarchies of caste and class, language and provinciality. For most, in a society as hierarchical as ours, the transition from childhood to adulthood is also one of painful realisation of difference, about our tastes and habits not always aligned to the social norms of upward mobility. A reminder of the first time someone mocked us for something unfashionable about our families.

This discomfort is far more prevalent among English speaking Indians, because it also exposes a certain sub-Englishness in our Englishness, the kitsch elements of families' aspirational cosmopolitanism. The careful facades dissolve as we build as adults suddenly seem like glass houses. Our insecurities that we will never really fit in, never be cool enough swirl up to the surface. We may develop ironic, even affectionate distance from many parts of the past, but the pet name is too earnest for that.

Only two types of people are not embarrassed by their pet names. Royal family types who go by Bubbles and Toffee and other names from P G Wodehouse, reeking of English aristocracy wannabe-ness. That tells us much about the casual confidence of class and caste. The other, are people supremely self-confident and secure about being loved. They are happy to be everyone's children, always, lucky things.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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Daribha Lyndem at her Powai home, which she has styled with curated second-hand furniture. Pics/Sameer Markande

When Daribha Lyndem, 31, isn't busy contending with suspicious baggage at the Mumbai airport, she indulges in one of her passions, her home. As you step into her Powai apartment, in a quarters provided by the government, you are welcomed by her feline friends (Chomsky and Furnando), ample sunlight, Art Nouveau prints and the strong whiff of Mad Men.

As Lyndem, deputy commissioner with the Indian Revenue Services' customs department, gives us a tour of her house, it is evident that while the dominant aesthetic is mid-century modern, there are other elements, such as industrial fittings, that are thrown in for an eclectic mix. Mid-century modern, which roughly lasted from the mid-1930s to the 1960s, is best exemplified by sleek lines, minimal ornamentation and chic comfort. In recent years, we have seen this style make a comeback in a huge way, from international auctions to IKEA, from original vintage pieces to knock-offs.

Four such dining chairs from Oshiwara

However, Lyndem has cracked a formula, for sourcing mid-century-inspired faux pieces and other knick-knacks, but that come for less than half the price than those at leading furnishing stores. And, that's how we got to know Lyndem first — through her Instagram account @daribhagram, and her Twitter account, where she tweeted, some months ago, that she was happy to offer tips on how to furnish your house without causing a dent in your pocket.

1. Design your own cosy art wall
The greatest struggle for our homes could be the question on what art to put up. With the Lyndem method, you can do the following: salvage prints from dying books, such as an old map of the fictional world of Malgudi. Your favourite Dickens quote, like hers from Great Expectation. Sift through Chor Bazaar for vintage prints, such as Alphonse Mucha's. And, if you have some talent, then make your own, such as Lyndem's Warholesque rendering of cacti. Married to writer and stand-up comic, Adhiraj Singh, her wedding card also features as one of the framed prints. If it looks cool, it's only because the couple chose a template available online at Vistaprint.
16 framed art prints: Rs 5,000

Study table and chair from Oshiwara

2. Weekly pilgrimage to Oshiwara
Oshiwara's famed furniture markets have yielded several pieces for Lynden's living room, and also a study table unit. Four second-hand chairs have now settled comfortably around a custom-made dining table. When she moved into the house about a year ago, Lyndem decided to make frequent visits to Oshiwara. "Here, you need to have patience. You will have to scour the shops and be prepared to not find anything on certain days. I used to go there once a week to have a look," she says. The good news is that Oshiwara's shopkeepers will upholster and paint furniture according to your needs. Distressed finish or matte? You've got it.
Study table and chair: Rs 6,000
Lamp: Rs 1,000
Four dining chairs: Rs 2,400

Armoire from Oshiwara and second-hand chest from Chor Bazaar

3. Hit the highway for some great steals
Previously, Lyndem was posted in Kalyan, and would travel the state highway passing through Kon Gaon as part of her daily commute. Here, she says, it is easy to find roadside shops that sell rejects from online furnishing stores. A chair in her living room was thus bought, with a prominent stain, but upholstered and fixed to perfection. "There was also a two-seater couch that caught my eye, which I thought would be a great addition to the bedroom. But, the next day, it was gone," she says. But, three side-tables travelled the highway to her house.
Side table: Rs 800
Chair: Rs 2,500

4. Keep Mumbai always in mind
The practicality of mid-century modern is that at the time at which it gained popularity, it was suited for small post-war homes in the USA. Our Mumbai homes could benefit from its lightweight and streamlined properties, and Lyndem puts that to test at her house. She got a glass-fronted teakwood armoire made, which she uses as a bookshelf. "While I like the idea of open bookshelves, that's not a great idea for Mumbai, given its dust and humidity. Closed bookshelves are more suitable, and you should opt for height rather than breadth. That way, you get more floor space," she says. One useful tip to keep in mind, while you are sourcing second-hand furniture, is to have a discerning eye about what's repairable and what isn't. Don't try salvaging termite-ridden furniture, no matter how much you want them.
Custom teakwood armoire: Rs 15,000

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Representational picture

If your pets are following to every nook and cranny of your house and especially when you decide to have some lone time in the bathroom, blame it to their 'pack behaviour'. According to the recent studies, dogs have evolved to be pack animals with strong bonds to those around them, and in their domesticated state, the instinct to physically stick with the members of the pack transfers to their humans.

Reports say that if a pet follows you everywhere he might start suffering from anxiety and separation issues whenever the pet owner leaves the dog on its own. But on the flip side cats are not known to be as pack animals. They are in a constant search of warmth and thus are often seen cuddling up in towels or pillows. For cats their own privacy is paramount.

The cats would also follow you to your loo trips but not cause of their concern of separation from you but as they are insecure and want to check if there is nothing untoward going inside the house which could be threatening to them.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

St Sebastian Chapel in Fontainhas. Pic courtesy/Mark D'Souza

There are two kinds of people who visit Goa - the peace and leisure seekers who soak up the solitude that the place offers, and the 'woohoo' gang who could do with drinking and partying at Mambo's every night. If you belong to the former category and wish to add a different touch to your annual summer Goa trip, sign up for Colour Fiesta Goa, a three-day opportunity to explore the sunshine state through art.

The heritage walk includes a visit to Goan musician Chico Fonseca’s home. Pics courtesy/Photooneil

Curated by Weekend Art Room, which conducts art workshops for those looking for a breather in Mumbai, the event will combine art lessons with a heritage walk and a day on the beach. Founder Sona Choksi, a self-taught artist who works with a team of art professionals, was looking to combine her love for painting and travel. The result was an art trip to Sindhudurg last year, which saw 40 enthusiasts, including art students and teachers, paint in the mobile-free green environs of the sea-side district.

Fontainhas is a heritage Latin quarter in Panjim, Goa

"I am passionate about art and travel. Usually people from the city paint either in restaurants or someone's home for paint parties. But to explore art in nature, where you live in a village and sit amid greenery without your cellphone, means that the output acquired a new form and has a different value altogether. One of the art teachers who was a part of the Sindhudurg trip had tears in her eyes as she was overwhelmed by the experience, which is unlike doing anything in the city. Goa is not just about drinking and partying, I want people to explore its other side," says Choksi.

The Sindhudurg trip included live painting sessions, using local red sand to create art with natural colours, and making art with leaves, stones and other elements of nature. The Goa trip will offer a similar experience. This includes painting with watercolours at Vagator beach (the stay will be near the beach too), spending a day at a local pottery studio to learn to create something with clay, a graffiti wall creation, working with acrylic paints and creating sand art.

The trip will also include a heritage sketch crawl in Fontainhas, the old Latin quarter in Panjim, a heritage area dotted with colourful picture-perfect homes. The walk will be conducted by Make it Happen, a travel experience company that regularly conducts such walks. "Fontainhas was a marshland and not habitable at all.

Sona Choksi

All the houses have been made on reclaimed land, and the narrow streets are great for exploring the place on foot. You won't find much traffic as opposed to the planned area of Panjim. The lifestyle of the place is very inspiring, laidback, quiet and quaint. The food is authentic. It has homes with tiled roofs built in the Portuguese style that are over a 100 years old with generations of families living in them. People still speak in Portuguese.

There are many art galleries and performance spaces in this area that promote all kinds of art. The area is also known for St Sebastian Chapel, which has a unique statue of Christ on the crucifix with his eyes open. Then there is the 31st January Road which commemorates the liberation of Portugal from Spain in 1640. We will also visit and meet Chico Fonseca. He is a known fado (a style of Portuguese music) musician," says Murali Shankaran, chief travel designer, Make It Happen.

From April 26 to 30
At: Stay near Vagator, North Goa
LOG on to: facebook.com/ weekendartroom
Call: 9930602032
Cost: Rs 10,500

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Scenes from the play 

Stopping by a vada pav stall for a quick, satiating bite on a busy day or tucking into a sev-chutney laden Bombay sandwich, as breakfast at the office is a quintessential Mumbai experience. But who are the people who wake up at the crack of dawn to prep food that they then dish out with assembly line-like precision for the rest of the day? At the rates at which they sell the fare, what counts as profit? And do the exigencies of being on the street eat into it? If these are questions that have crossed your mind, find answers to them at the Mumbai premiere of Stand on the Street, a physical theatre performance spanning four acts that tell the stories of four street vendors from across India.

"Originally, the performance was commissioned for the Serendipity Arts Festival in Goa last year by chef [and the festival's culinary arts curator] Manu Chandra. We had worked on the smell and memory aspects of food earlier, and this time, the idea was to explore taste as the primary sense in the performance," shares director Aruna Ganesh Ram. She adds that the dishes that the vendors sell in the play - jhal muri, a spicy puffed rice preparation from Bengal; sundal, a yellow pea fried snack from Tamil Nadu; momos, a popular street food from Delhi; litti chokha from Bihar; and paan from Varanasi - will also be served to the audience. "Chef Chandra was keen on picking dishes that went beyond the popular items, which is why we don't have pav bhaji or dosa in the play," she says.

"We wanted the audience to eat, listen, and watch these performers behind their masks capture the essence of the country, not in a particular time period but over the last couple of decades. It became a metaphor for the prevailing socio-political conditions in India, but never obviously so," says Chandra.

Chef Manu Chandra

As part of their research, Aruna and her team - consisting of actors Anjana Balaji and Aditya Garg, who play all 10 characters in the play - fanned out across India to meet 250 street food vendors and listen to their stories. "We realised that a vast majority of the vendors had left their hometowns to embrace a new city for life. And they all shared a common dream - they did not want their children to suffer like them," says Aruna.

The masks, which the actors wear throughout the performance, give it a sense of universality. "After all, this is not the story of one particular character, but of the many street vendors with whom our association is no more than a flitting transaction," she says. What also emerged in the research was the politics of being on the street, from dust and pollution to having to pay bribes, and dealing with the nuisance of barking dogs.

"A momo vendor from Mangalore spoke of the irony of customers, used to eating frozen momos at restaurants, finding the taste of her fresh dumplings, odd," Aruna recalls, adding that the play weaves in the instance of the call for a momo ban that had surfaced in Jammu last year. On the day of the performance, the team is up at 5 am to prepare all five dishes from scratch. "If we have to internalise their stories, we must live their life," Aruna sums up.

From: April 25 to 27, 8 pm (The Cuckoo Club, Bandra West); April 28, 6.30 pm and 29, 8 pm (Piramal Museum of Art, Byculla)
Log on to: bookmyshow.com
Entry: Rs 499

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Smeetha Bhaumik

The poet-artist, for whom this is the second Glo/NaPoWriMo attempt, says, "Platforms like these are precious to a poet, because of the sense of community and writing in unison that they offer. Writing to new prompts every day is a challenge in itself, and an exciting one; I say this because I have seen unexpected beautiful verses emerge out of my pen [or mouse]." For Bhoumik, it's tough to pinpoint where her tryst with poetry began, "I have grown up with poetry as a background motif in an environment of science and engineering that dominated my Bengali household. So, its aesthetics have been with me all along. Though I took up writing much later, it was as if I had written it all my life. It just flowed," she says.

Moonlit haibun writes itself,
silver crescents that speak to silence
often.
On the walls trellises of poetry,
On the night:
Shadows
Of poems
To come

Ritu Poddar

A NaPoWriMo novice, Poddar says for her, the takeaways are many. "This has been the most productive and creative month of my life so far. I learnt that passion alone cannot take you anywhere but, passion combined with discipline can," she shares. Speaking of the challenges she faced, Poddar says, "There were days when I would easily find inspiration or an idea to write about. But on others, even the prompts could not help. I have stayed up all night to ensure I don't break the chain of writing continuously."

Collecting from every corner of my body
Debris of past heartbreaks,
Stench of hoarded guilt,
Leftovers of repeated mistakes,
Scraps of untreated anguish
Digging hard to pull out weeds of hurt
Rooted deep into the memory bed.
Cutting cobwebs of relations I weaved,
Which had turned into fetters.

When Washington-based poet and publisher, Maureen Thorson began the National Poetry Writing Month (NaPoWriMo) in 2003, little did she realise that it was going to turn April into the busiest month for poets across the world? The objective is to pen down 30 poems in 30 days — spurred on by prompts (available on the official NaPoWriMo blog) and a general camaraderie that allows you to find the much sought-after inspiration writers are constantly pining for. Today, this has become a global community, with most preferring to call it Glo/NaPoWriMo. It has found its way into the lives of many Indian poets.  We speak to four of them as the month comes to an end.

Rakhee Panth

Panth quit her job as a school teacher to pursue writing full time. This was her first NaPoWriMo attempt and she says the experience was exhilarating. She began writing when she was 11 and published her first short story at 14 in Children's World Magazine. "Writing is a lonely profession. This forum encourages writers across the world to stay inspired and motivated as a community [albeit virtual]. It is believed that creativity often follows its own graph but NaPoWriMo pushes you to harness your creative energy every day and expand your horizon in a guided manner — something that many writers are hungry for in our country. It helps inculcate discipline and is a creative and fun alternative to structure your writing process," she says.

When rain finally falls
And takes with it
The earth's sorrow,
Winnows its way
Into her heart
And stays,
I will call to you then

When eternity stops
And time stands still
I shall have dissolved you in me

Aashish Vaidya

The blog, which is maintained by Thorson features a participant every day. Aashish Vaidya was one of the few Indians to be named. Originally from Vadodara, Gujarat, Vaidya says that his foray into poetry was encouraged by his grandfather, and began with their affinity for Hindi ghazals. "Ghazal singing is that beautiful confluence of good poetry, good singing and good music. I wrote poems and articles sporadically in high school, and in college, for newsletters and community magazines. But, I can relate to Picasso's quote 'Every child is an artist. The problem is how to remain an artist once we grow up.' So for many years, the desire to write lay dormant, as the proverbial life happened," he says. Vaidya, who is participating in the challenge for the fourth time, believes its significance is manifold. "It provides this huge nudge to write. And if you tap into the NaPoWriMo blog community, you can also find other individuals around the globe, who are writing. And in many cases, they are struggling to write, like you, at this maddening pace." he says.

But, talking anything rational with them is more
Like 'burning daylight,' or 'whistling up the wind.'
I mean it takes a special someone with,
'Too many cobwebs in the attic,' to believe someone who is
'Slicker than a slop jar or a boiled onion.'
I mean, come on y'all, howdayya believe someone who,
'Knows more ways to take your money than a roomful of lawyers.'

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Caroline (Laura Mishra) pours out her fears about her rocky marriage to the governess Ms Chacko (Pooja Nair)

All the world's a stage, but that doesn't make all of us actors, as we discovered after three long hours of watching an adaptation of Agatha Christie's Go Back For Murder by the theatre group, Making Noise. The play follows the protagonist Chloe Miranda (played by director Laura Mishra), on her journey to prove her mother innocent of her father's murder.

The catch is, the murder happened 15 years ago, and her mother is no longer around to defend herself, having passed away in prison. So, Chloe joins hands with her lawyer Filip Calisto (male lead essayed by Navin Talreja) to piece together who really killed her father. They track down friends and family members who were present on the day of the murder. Everyone returns to the scene of a crime in Goa to recreate the events leading up to the murder.

True to form, the tight plot devised by the queen of crime writing keeps the audience guessing until the very end when the killer is finally revealed in the denouement.

Unfortunately, there is another murder that needs to be addressed — that of the play itself. The warning signs appeared from the very beginning: Actors stumbling over their words, even forgetting their lines at times; lacklustre delivery was a problem throughout the play. Direction was, dare we say, missing. Actors killed a ridiculous amount of time milling about on stage, unable to hold still even during conversations with other characters. As a result, even though the advertised run time was two hours and 15 minutes (including the interval), the audience was trapped for an extra 45 minutes. The delay did not go unnoticed by the director, who apologised for having taken up so much time.

It would not be an exaggeration to call the performance a snoozefest; many in the audience had nodded off within the first half hour, while others gave up and left the auditorium midway.

Actor-director Laura delivered one of the few believable performances but failed to draw out the same from her cast. There were other peculiar directorial calls, such as one of the characters holding the same cigarette to his mouth for over two hours. In all the scenes with multiple characters, several actors had visibly zoned out on stage while the lead actors droned on. A theatre aficionado who accompanied us said it was like a "school play", hardly the kind of fare one would expect to see at St Andrew's Auditorium.
When: May 27, 7.30 pm
Where: St Andrews Auditorium
Entry: Rs 200-Rs 1,000
Contact: 26410926

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According to provisional polling estimate release on Monday evening, the city scored about 54 percent, three percent more than its 2014 feet. The figures are expected to be revised after the final data crunching on Tuesday. In 2014, Mumbai had registered a turnout of 51.6 percent, which was an improvement from a low of 41.4 percent in the 2009 General elections.

Of the city's six segments of varied demography, South Mumbai couldn't match up with its previous mark while Mumbai North Central, Mumbai North, Mumbai North West, Mumbai North East, and Mumbai South Central performed better. Mumbai North, where actor Urmila Matondkar (Congress) fought against BJP's sitting MP Gopal Shetty, recorded the highest turnout (59.32 percent) in the city with a major spike of 6.25 percent.

Also Read: Elections 2019: No guidance at booths, claim furious citizens

A fierce contest in North Central Mumbai between MP Poonam Mahajan (BJP) and former MP Priya Dutt (Congress) saw a jump of 4.17 percent. Mumbai Congress president Milind Deora and Shiv Sena MP Arvind Sawant's South Mumbai polled at a percentage similar to that of 2014. However, former Mumbai Congress president Sanjay Nirupam, who was worried about the possibility of a higher turnout, shouldn't be much upset as his North West fight with Sena's sitting MP Gajanan Kirtikar raised the bar by a 4.14 percent.

BJP's eleventh-hour candidate from North East, Manoj Kotak, who replaced sitting MP Kirit Somaiyya, claimed a 4.61 percent increase in polling that would possibly benefit Kotak against NCP's sole candidate in the city and ex-MP Sanjay Dina Patil.

Mumbai South Central which had former MP Eknath Gaikwad pitted against incumbent Rahul Shewale crossed the 2014 figure by 2.26 percent. The average voter turnout in the city's six Lok Sabha elections was 41.40 percent (2009), 47.30 percent (2004), 45 percent (1999), 50.40 percent (1998), 45.10 percent (1996) and 41.60 percent (1991). 

Also Read: Elections 2019: Polling booth moved, names missing, faulty EVMs

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

State does better

After the fourth phase of polling, the state's polling average was 60.68 percent, said Chief Electoral Officer Ashwani Kumar. According to CEO, today's average polling in the 17 constituencies, including Mumbai's six, was 57 percent — much less than that recorded in the first (63.46 percent), second (62.88 percent) and third phase (62.36 percent). Gadchiroli (71.98 percent) registered the highest voter turnout in the state while Kalyan that went to polls on Monday had the lowest turnout of 44.27 percent, said Kumar.

Monday marked the last phase of polling in Maharashtra which has 48 Lok Sabha constituencies, second highest after Uttar Pradesh. The outcome of the state will have a bearing on the formation of the government at the Centre, as both the BJP-Sena and Congress-NCP are banking heavily for the electoral gains here. In 2014, the BJP-Sena and their other allies had won a record 42 seats in the state while the Congress was reduced to a mere two seats and NCP managed just four.

Also Read: Elections 2019 in Mumbai: Physically challenged, elderly, get little help at polling stations

60.68
State's voting percentage across four phases

48
Total no. of constituencies across Maharashtra

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

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The art display at the debut edition of the festival

This weekend, if you step into the heritage precinct of the Great Eastern Mills compound in Byculla, you’ll get to feast your eyes on oil and watercolour paintings by 50 artists from across India. The showcase is part of the second edition of Art 35, a three-day carnival that celebrates affordable art. “Though we had a basic festival last year, I have taken it to a bigger scale this year by curating carpet displays, fashion apparel, jewellery and food stalls; paper and origami workshops for children and music performances too,” shares Charu Tewari, CEO of Ficus Fine Living, that’s presenting the festival.

Mooralala Marwada

The performance line-up includes an afternoon of Sufi renditions by Mooralala Marwada, a well-known folk singer from the Janana village in Kutch district of Gujarat. The artiste, who sings in the Kaafi form of music, will regale the audience with poetry of Kabir, Mirabai and Ravidas. Other must-catch acts include a Dastangoi storytelling session with Ankit Chadha and a stand-up comedy show titled Oye... Stand Up by Ankita Shrivastav and Mohit Sharma. The latter will also perform a solo act of Toba Tek Singh. The play based on Saadat Hasan Manto’s famous short story set in the aftermath of Partition will see the actor don 19 characters in 60 minutes.

Mohit Sharma in an earlier performance of Toba Tek Singh

The fest also offers a range of workshops — from one on digital photography by Himanshuu Chandrakant Sheth to tarot card reading by Ruchi Shah, finger painting, fabric painting, mural painting, collage making as well as cupcake decoration with fondants and frostings. Each workshop is curated for specific age groups, including two-year-olds.

What’s a carnival without yum food? Dig into chaat, sandwiches, baos and organic fare from the stalls set up at the fest. These include gourmet lunchboxes for `500 whipped up by Savor, a subscription service launched by the folks behind The Secret Supper Project along with probiotic European fermented milk drink, Kefir, by Moina Oberoi, who runs the city’s first Kefir delivery service. You can also binge on Mutton Kheema Samosas, biryani and other sumptuous fare from a pop-up by The Bohri Kitchen.

If you’re looking for retail therapy, check out faux and semi precious jewellery, fashion apparel by Neelu Oberoi as well as exotic carpets and hides from The Merge Projekt in Bandra.

Bombay Chamber Orchestra concert

Did you know that world renowned classical composers like Mozart, Beethovan and modern day legends like George Gershwin and Nat King Cole were Freemasons?

Well, they were. Freemasonry is not the shadowy organisation it is made out to be in popular fiction. Freemasons are actually the world's oldest and largest non-religious, non-political and charitable organisation. It also has the honour of being the world’s largest fraternal society.

The first Grand Lodge in England is said to have been formed on June 24, 1717. This means that 2017 is the 300th or Tercentenary Anniversary.

The Freemasons are celebrating the completion of three hundred years of their formation, with a series of events in Mumbai, spread over the two days of January 27 and 28.

Many non-Freemasons, know very little of Freemasonry, and even if they do, consider it a secret society. Even lesser is known about the fact that Western Classical music has been deeply influenced by Freemasonry and many leading composers were Freemasons themselves.

Freemasons, together with the Bombay Chamber Orchestra have invited leading performers from India and abroad, and have put together a once- in-a-life time musical soiree. The event is scheduled to be held on Saturday, January 28 at 6:00pm, Sophia Bhabha Hall, Bhulabhai Desai Road, Mumbai.

ALSO READ: Not such a secret society, after all

Donor passes for the premium segments of Rs 5000 and Rs 1500 have already been sold out. The last few regular seats at Rs 1000 are still available. The funds raised by the event are earmarked towards the cause of dementia.

So you have got to rush and book those passes right now.

For programme details and online donor passes log on to:
http://freemasonryintheeast.dglbombay.org/concert/

The dim light of candles engulfs Andheri's Harkat Studios in a warm glow. A 25-member audience settles on the mattresses around an elevated gadda under a spotlight. The mushaira's (poetic symposium) setting is perfect. Before seven Urdu shayars begin the performance, Devroop Sharma of Irshaad poetry collective acquaints the audience with the basics: Say 'mukarrar' for an encore and 'waah waah' as applause.

(Clockwise from top) Artistes Devroop Sharma, Khan Faisal Barkaati and Ashwani perform at the mushaira held last weekend. Pics/Tanvi Phondekar

For the next two hours, the fragrance of Urdu fills the room as the shayars - including 20-year-old Khan Faisal Barkaati, and Ashwani, who recites poetry in a Haryanvi accent - share original nazms on love, heartbreak, politics, education and motherhood. They make it interactive, asking the audience to complete a misra (a couplet line). They also ensure the guests aren't overwhelmed by the language, by explaining the meaning of lesser-known words like ilm (knowledge) and baa-safaa (chaste) before narrating the verses. Some members in the audience repeat the words under their breath to savour their taste. One of them, Sankalp Rawal, tells us after the show that was held last Saturday, "I understood 70 per cent of what was recited but still enjoyed the performance."

Shamir Reuben and Hussain Haidry

For Sharma, that's an achievement. "The idea isn't to spoon-feed but help expand your vocabulary. When you don't understand a word, you look it up and then, enjoy the shayari more. It stays with you even after the performance," says the 29-year-old poet and salsa dance teacher, who launched Irshaad six months ago, to promote regional language poetry.

Mohammed Sadriwala

Urdu takes the centre stage
Recent months have seen a spurt in groups supporting the language. Earlier this year, Studio Tamaasha kicked off Urdu Readings, a series of dramatic readings of Urdu short stories, conceived with the help of academic Aslam Parvez. Its finale will be held on October 28.

The Poetry Club (TPC) introduced Mehfil, where members discuss popular Urdu poets, besides Hindi and English. "We wanted to challenge the notion that Urdu is difficult to understand. We use words from it in everyday conversation without realising it. Like, darwaza," says Ankita Shah, co-founder of TPC, which will host the next session in November at G5A.

Write and learn
Workshops that help you hone Urdu poetry skills are also finding takers. Last month, Karan Talwar, curator at Harkat Studios, collaborated with Sharma to present a ghazal-writing workshop. Led by college professor Abhishek Choudhary, it deconstructed the form to drive home the point that every ghazal uses the same kind of metre. "The idea was to help the participants realise that a ghazal isn't difficult to master, if you know the math of it," says Talwar. On October 27, the duo is also collaborating for Kissagoi, comprising theatrical readings of original Urdu stories by three young poets.

Meanwhile, a Hindi and Urdu spoken word masterclass, titled Lafzon Ki Kaarigari, saw 15 participants aged 18 to 40 in attendance. Held last Sunday, it was curated by YourQuote, a mobile app for writers to share original poetry. The 25-year-old poet Mohammed Sadriwala, who conducted it with fellow poet Rakesh Tiwari, says he was impressed at the turnout. "When I started out in 2014, I saw eight out of 10 poets performing in English at open mics. Today, over 50 per cent use Urdu in their performance. It's more expressive. There's also a certain pride in performing in your own language," he observes. Another masterclass is scheduled for next month.

"Of the 2.5 lakh Indian users of our app, 35 per cent [87,500] prefer writing in Hindi and Urdu. That's also because today, more content consumed online is in regional languages," says the app's co-founder Harsh Snehanshu.

Case in point: 31-year-old Indore-born, Mumbai-based Hussain Haidry's poem, Hindustani Musalmaan, which went viral as soon as Kommune launched it on its platform in February, and at last count had seen 5 lakh views. "People are more receptive and attentive to Urdu. Credit goes to [Delhi-based] organisations such as Rekhta Foundation, which are responsible for reviving and preserving the language," says Haidry, a go-to artiste to add to the line-up at Hindustani poetry performances. He also narrated his poems at The Urdu Exhibit, a launch event for Design Fabric's latest issue featuring artworks themed on the language.

Haidry will perform next on October 12 at a Hindi-Urdu poetry open mic at The Cuckoo Club, curated by Kommune as a prelude to their debut spoken word festival. "We've also prepared a list of new, young poets writing in the language. A pure Urdu poem may be difficult to understand but the younger poets are mixing it with Hindi to make it conversational and audience-friendly. It also has a greater impact when used to make a political and social commentary. While at it, they are keeping Urdu alive," says Shamir Reuben, member of the storytelling collective.

Poetry meets activism
Talwar adds that celebrating Urdu is important in today's political scenario. "Recently, at a curatorial workshop in Delhi, I learnt that India doesn't have an Islamic art gallery. That's strange considering it's an integral part of our culture. At a time when Islamic influences in Indian art and culture are being underplayed, curating Urdu-focused events is our shot at activism, where we try to rediscover the language in a safe space."

The Escape Room

U/A: Drama, Mystery, Sci-Fi
Director: Adam Robitel
Cast: Taylor Russell, Logan Miller, Deborah Woll, Jay Ellis, Tyler Labine
Rating: 

These so-called 'live' reality game movies occupy a sub-genre of their own and Hollywood has been churning out quite a few of them following the Young Adult's obsessive fixation with material that encompasses it in entirety. But they are not all as thrilling or compelling as the first few that made it to hit franchise levels.

'Escape Room' is basically a set-up to get rid of six nondescript lone survivors through a series of life-threatening puzzles designed to test their survival instincts. And why pray does that have to happen? There's not much explanation here for that. Just swim with the tide, is all they ask. Unfortunately, it's not that easy for the audience because the viewer has to constantly suppress the disbelief that springs up every time the participants go through haranguing moments that willy-nilly put their lives in peril.

Check out the trailer here:

This is a far more perilous version of the more recent spurt of high-risk Telly games and since we don't get to know or understand the participants' motives (other than the 10,000 dollar prize money) it's difficult to empathize or find a reason to pay attention to their trauma. The writers also use some uninteresting physics theory to justify the random six players' participation in a largely predictable schema of disjointed thrills. They are made to go from intense heat to intense cold, then to a gas chamber, a space crusher and a few more vicarious routines before the winner can be decided.

While the production design is vivid, there's not much holding it together. Nik Dodani as nerd Danny, Jason Ellis as irritating yuppie Jason, Tyler Labine as trucker Mike, Deborah Ann Wolf as the tough, capable war vet Amanda, Logan Miller as a young alcoholic Ben and Taylor Russell as a withdrawn college student Zoey put in imminently indistinct, forgettable performances. The writing is largely formulaic too and the helming lacks serious edge. There's really nothing here to hold your attention for the near 100 min runtime.

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The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.

A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.

Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."

While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.

It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.

The next date of hearing in the case is June 11.

11 June
Date of the next hearing in the case

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While the world is grappling with the impact of the horrific COVID-19, and the entire nation is under the lockdown, there are people who are finding it difficult to make both ends meet. Mumbai’s Dabbawalas, who ensure that a delicious, warm ,home cooked meal reach in time every single day at work, today are battling to have a meal in their own plates. Radio City, India’s leading radio network, has launched a fund raiser initiative, Dabbewale ka Dabba Bharo, and have been urging Mumbaikars to come forward and contribute towards the initiative.

Radio City in Mumbai, kick started this initiative on 22nd April, where all the RJ's across their shows have been sharing the current state of Dabbewale's, with around more than 5 thousand of them are finding it difficult to feed their families since the lockdown was announced. Radio City has been urging Mumbai city to come forward and contribute towards the initiative. There has been an overwhelming response from the citizens and uptill now, approx. 62 thousand rupees has already been collected

To garner a wider reach and raise more funds, Radio City has created a video (https://youtu.be/e1XCjt8FSBI) that has been promoted across Radio City’s social media handles. Radio City has always been at the forefront to help the city and its citizens through various initiatives like these and spread a wave of positivity.

If you wish to contribute Please click on the link: www.ketto.org/radiocity

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Even as the number of positive COVID-19 cases continues to rise in the city, a new trend has left medical experts puzzled. While doctors had expected that TB patients would be more prone to the virus as their immune system is already weak, surprisingly only two such cases have been reported by the health department. Also, officials at the TB Hospital in Sewri said that while 14 of their staff members have tested positive, the infection has not spread to a single patient.

A senior official from the civic health department said that it might be too early to draw a conclusion but a study could be done to understand the correlation between the two. "So far, we have reports of two TB patients who have tested positive. However, there have been no deaths so far. One reason for the low numbers could be that we have given all TB patients medication for a month and have asked them to stay indoors," added the official.

BMC medicos heading towards Shastri Nagar slum on Tuesday. Pic/Pradeep Dhivar

The trend has left Dr Lalitkumar Anande, medical superintendent of TB Hospital, surprised and has led him to believe that anti-TB drugs could be preventing such patients from contracting the virus. "One would have expected that the virus would have a fatal effect on TB patients since they are immunocompromised and their lungs are already damaged. However, here at the TB Hospital, we have not seen any such case yet," he added.

Dr Anande further said that laboratories like the National Institute of Virology in Pune could conduct studies on this since they have culture samples of TB as well as Coronavirus. "Anti-TB drugs penetrate the lipid coating of a TB organism similar to what hydroxychroloquine does to the Coronavirus strain. Anti-TB drugs could turn out to be an answer for Coronavirus. Studies regarding it need to be fast-tracked in order to understand how they react to each other," he said, adding that the research would also be able to ascertain whether the mycobacterium or the TB medication has an impact on the virus. While Sion Hospital reported two cases of TB patients suffering from COVID-19, the authorities of KEM and Rajawadi Hospital said that none of their COVID patients were suffering from TB.

'Evidence needed'
Speaking to mid-day, Dr Rajendra Nanaware, a chest physician, who deals with drug resistant TB cases, said, "Ideally, there should have been an increase in the number of TB patients suffering from Coronavirus since their immunity is already compromised. But I haven't seen any case so far."
Other pulmonologists in the city treating TB patients have noticed a similar trend but they are of the opinion that evidence is required before a trend can be verified.

Dr Lancelot Pinto, a pulmonologist with Hinduja Hospital, said that since the OPD of many hospitals have shut down, patients were not able to access healthcare. "Since chronic obstructive pulmonary disease has been identified as a risk factor among COVID-19 patients, intuitively, one would expect the cases of TB patients testing positive to be high. I have not seen any TB patient testing positive for the viral infection. But there is no evidence yet," he said.

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A senior citizen from Kalina, Anwari Begum, 70, died after three top hospitals in the city refused to give her dialysis without her COVID-19 test results being in, the woman's family has claimed. The test results, which arrived on Monday, returned negative.

Begum had been undergoing dialysis at Guru Nanak Hospital in Bandra East for the past one year. Her last dialysis at the hospital was on April 18, when a COVID-19 positive patient was found in the hospital. The hospital asked her to visit on April 22 — which was also the day of her next dialysis — for a COVID-19 test.

Anwari Begum's two sons (from left) Zakaria Shaikh, Haroon Shaikh and Mohammed Hasan (right ) her son-in-law

"My mother-in-law's COVID-19 test was done on Wednesday, April 22. She was also supposed to get dialysis on the same day but the hospital refused, saying they will do it only after her test results come, which was going to take 48 hours. On Thursday, she had severe pain and needed the dialysis urgently. So we went to the hospital around 4 pm but they refused as her reports were pending. We waited for over two hours at the hospital, but they did not listen," said Mohammed Hasan, Begum's son-in-law.

"After Guru Nanak, we approached Nanavati Hospital. Many other patients like us were stopped at the gate. They took her files and after two hours, enquired about her COVID-19 test report and said that they are not taking outside patients. Some from the family took her to Kokilaben Dhirubhai Ambani Hospital around 8.30 pm and I went to look for a dialysis centre in Kalina and Sakinaka. At Kokilaben, my family was asked to finish formalities, which took two hours, but they too refused to treat her," Hasan said.

Guru Nanak Hospital in Bandra East. File pic

Found help, but too late
Dialysis patients all over the city have been suffering amid the Coronavirus pandemic. Despite guidelines from the State Health Department that do not necessitate a COVID-19 test for patients needing dialysis and only ask hospitals to take universal precautions, hospitals across the city are refusing to treat patients without the test.

Hospitals say that they are overburdened due to the closure of dialysis centres which has increased the volume of patients with kidney ailments and that they cannot accommodate every patient.

Hasan approached Axon Hospital in Sakinaka, which said that the dialysis centre is closed as their staff is unwell. "I requested them explaining the condition of my mother-in-law and pleaded with folded hands to have mercy. I also promised to pay whatever amount is required. After some time, the concerned doctor listened to me and called his dialysis staff. My mother-in-law reached the hospital around 11 pm. At 11.30 pm, the assistant doctor told me that her condition has worsened."
Begum died shortly after that. Her test results, which came on Monday, showed her negative for Coronavirus.

"The funeral was performed the next day at 10 am. Sometime later, I received a call from the person who had referred us to the nephrologist at Guru Nanak Hospital. He was apparently told by someone from the hospital that my mother tested positive. We live in a joint family and everyone panicked but no one from the hospital called us. A few days later, we got her report, which was negative," Hasan said.

According to BMC's Health Department, a COVID-19 test is not mandatory for dialysis patients. "Everyone has to take universal precautions, a COVID-19 test report is not mandatory," said Dr. Daksha Shah, BMC's deputy executive health officer.

"24 hours after sanitising the dialysis centre, the hospital can resume services as per the guidelines. If they suspect a patient to be positive, he/she can be quarantined," Dr Shah added.

'Followed task force rules'
Guru Nanak Hospital defended itself saying it was just following guidelines of the state government's task force committee, as per which, an affected dialysis centre must close for fumigation and surface cleaning. "Our dialysis centre is open 24x7. That day, a COVID-19 case was reported. As per the rules, we had to shut the dialysis centre for 24 hours, sanitise the area and quarantine the staff. Around seven workers from the dialysis centre were quarantined. They have tested negative," said Dr. Narendra Sharma, spokesperson of the hospital, who did not clearly remember on which day the case was reported.

"Dialysis patients travel through Containment Zones. Despite taking all precautions, such incidents are happening, which is the biggest challenge for us," Sharma said.

"As per my knowledge, the case was reported on Saturday. We needed the dialysis on Thursday. That makes five days. Why did Guru Nanak Hospital refuse to treat her when it is supposed to be shut only for 24 hours?" Hasan said.

Dr. Santosh Shetty, executive director and CEO, Kokilaben Dhirubhai Ambani Hospital, said, "We are not testing our existing dialysis patients. We take patients' history and screen them before every dialysis. Currently, we have nearly 200 patients on dialysis. We are following BMC and state task force's guidelines."

While the spokesperson of Nanavati Super Speciality Hospital said, "Nanavati Hospital is one of the very few quaternary care medical facilities in Mumbai to provide dialysis treatment for COVID-19 patients. Thus the high influx of patients ensures dialysis beds reserved for patients as per their COVID-19 status are occupied. However, the unavailability of a bed is immediately communicated to the patient or their family."

Apr 22
Day Anwari Begum was tested for Coronavirus

Apr 27
Day her test returned negative, four days after her death

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The HRD Ministry is prepared to conduct the pending board examinations for classes 10 and 12 for 29 crucial subjects at the first possibility, officials said. The ministry has also directed states to start the evaluation process for the exams already conducted and facilitate the Central Board of Secondary Education (CBSE) in evaluation of answer sheets. "We are prepared to conduct board exams for class 10 and 12 pending due to lockdown in wake of the COVID-19 situation in the country. The exams will be conducted for 29 subjects crucial for promotion and admissions to undergraduate courses, at the first possibility. The students will be given at least 10-days notice before exams are conducted," a senior ministry official said.

"States have been asked to start the evaluation process for the exams already conducted and have been advised to facilitate evaluation of answer sheets. CBSE will also issue instructions for marking or assessment of non-important subjects not included in the list of 29 subjects," the official said. HRD Minister Ramesh Pokhriyal 'Nishank' had on Tuesday interacted with education ministers of states. Delhi Deputy Chief Minister Manish Sisodia had suggested that students be marked on basis of internal assessment as it is not feasible to conduct the pending exams now.

Sisodia, who is also the education minister, said students of Delhi will be more effected due to delay in conduct of exams as different states have their own boards, while the national capital only follows CBSE. Education ministers from different states also put forward deliberations being made about their respective state boards.
The Bihar board has already announced results for three streams of class 12 and is in the process of evaluation of class 12 exams. The Uttar Pradesh board is yet to begin the evaluation and will take a call in this regard soon.

¿Recently there has been lot of speculation regarding CBSE board exams. It is reiterated that board's decision to take board exams for 29 subjects of class 10, 12 stands the same as announced earlier,¿ the CBSE clarified in a tweet on Wednesday. According to the HRD ministry officials, as of now there are plans to conduct competitive exams including JEE and NEET in June for admission to engineering and medical colleges.

For other undergraduate admissions, the University Grants Commission (UGC) is working on an alternative calendar for the new academic session which will notify the timeline within a week. A seven-member panel set up to study the issue has recommended that the undergraduate admission process be started in July-August and the new session for freshers be started from September. However, no final decision has been taken in this regard yet.

The CBSE has already announced that it will not be conducting any exams for students in foreign countries. Universities and schools across the country have been closed since March 16 when the Centre announced a countrywide classroom shutdown as one of the measures to contain the COVID-19 outbreak.

Later, a nationwide lockdown was announced on March 24, which has now been extended till May 3.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Mumbai Metro Rail Corporation (MMRC) on Thursday achieved yet another milestone with its 28th breakthrough from Chhatrapati Shivaji Maharaj Terminus to Mumbai Central. Vaitarna-2 is the first TBM to complete the stretch of 4km in a single drive.

Vaitarna-2, the Tunnel Boring Machine (TBM) of this package was commissioned on February 2, from CSMT launching shaft and completed its longest run at Mumbai Central station with 2,730 RCC rings.

"This part of the tunneling was very challenging particularly because the alignment runs very close to old and dilapidated buildings and also parallel to the sea shore and very shallow ground water table which is approximately 1-4 meters below only", said Ranjit Singh Deol, Managing Director, MMRC.

"Another challenge posed before the team was the outbreak of COVID-19. However, we ensured physical distancing and strictly followed all the guidelines stipulated by the state government”, said Deol further.

The 4-km long tunneling, on the Colaba-Bandra-SEEPZ Metro-3 Corridor, includes the construction of five underground stations beginning from Chatrapati Shivaji Maharaj Terminus to Mumbai Central via Kalbadevi, Girgaon and Grant Road.

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Apart from being one of those areas in Mumbai, which has recorded the most number of COVID-19 cases, Dharavi seems to have come up with a bigger challenge now. According to ground workers, contact tracing has become a task in the slum due to incomplete addresses and wrong contact details.

A number of factors have led to the continuous rise in cases in Dharavi. One of them is the difficulty in following social-distancing rules, as it is a densely populated area. But if contact tracing becomes difficult, then it might become another point of concern.

On Friday, a team of officials, who visited the slum to trace a suspected COVID-19 patient, had to return without any success because the person could not be found. mid-day's photographer, who was at the spot, found out that it was because of an incomplete address. There have been instances of officials looking for people with minimal information about them.

Ground difficulties

"This does lead to situations where the person cannot be traced. In this specific case, the address was as vague as that the person lived behind a building in Dharavi. We reached the building and found a person of the same name but not the one we were looking for. There were no house number or road details. Most of the times the method we follow to reach a person is by asking around due to vague location details. Even mobile numbers are not correct sometimes," shared an official.

It has also been found that in some cases the numbers given by people are incorrect. The official further said that sometimes it's a task to trace contacts, as the details provided are vague and sometimes even incorrect.

'No such issue'

However, G-North ward officer, Kiran Dighavkar denied facing any such problem. He said, "There is no issue in tracing at all. It is not very difficult. Information regarding a person's location can be found out. There can be a rare case like this one but haven't received any complaint stating that it's an issue."

"We are also screening senior citizens by checking them with oximeter. We have appealed to about 350 private clinics to remain open and are providing them with PPE for free. If anybody is suspected to be a COVID-19 patient, he/she is sent to institutional quarantine for further tests. Until now more than 1,800 persons have been quarantined and currently 600 are in institutional quarantine. In fact, we hope to makeinstitutional quarantine possible for maximum number of people. Numbers will increase for another week and then we can expect the curve to flatten," added Dighavkar.

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While the authorities may struggle to get the rest of the city to follow social distancing and lockdown norms, one area in the city which is on board with their plan—and in fact, implementing stricter measures without being forced to—is Cuffe Parade's Machhimar Colony. The residents of this fishing colony have sealed their society, not allowing anyone to step out unless it's absolutely necessary. The residents have also decided not to fish until May 3.

The colony decided upon these strict measures after a resident was sent into quarantine on April 20, after coming into contact with a positive patient. The resident eventually tested negative.

There are a total of six fishing colonies in the Cuffe Parade-Colaba area—Machhimar Colony, Machhimar Nagar, Bhai Bandarkar Machhimar Nagar, Sagar Sanidhya Machhimar Nagar, Shivshrishti Machhimar Nagar and Shiv Shastri Machhimar Nagar. The residents of all these areas have decided to seal the colony, without any prompt from
the government.

Bhuneshwar Dhanu, advisor of Machhimar Sarvodaya Sanstha Private Limited, Cuffe Parade-Colaba, says, "Only those involved in essential services are being allowed to step out. Besides this, a team comprising youths from the colony has been formed. They stand at the gate and go buy any items that are required, without charging anyone."

Jayesh Bhoir, a resident of Machimar Colony, says, "We go to the dock after fishing, but crowds gather and so following rules of social distancing are tough. Therefore, we decided to lock ourselves in."

Chanda Jadhav, A Ward officer, says, "It is good that the people of Machhimar Colony are following the lockdown in their colony. Similarly, if all Mumbaikars adhered to the rules, we will be able to beat the Coronavirus."

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A slice of the verdant Nehru Science Centre in Worli has been taken over by the civic authorities for what Centre director Dr S Khened thinks must be for "an isolation centre, or for quarantine."

Khened said, "I do not know exactly for which. We got official communication a couple of days earlier that a portion of the centre's space will be acquired. The front portion of the Centre, just as you enter the main gate, has been taken. We usually use that space to hold Science exhibitions. We have also held a vintage car exhibition two years ago in that venue, so it is a massive space."

Centre officials said preparations are in full swing, with beds and mattresses and even mobile toilets being brought in. The Science Centre officials have tried to talk to those in charge at the site for details but without too much success.

They reasoned, "it is evident that the officials are extremely stressed and we are in fact, prepared for the worst. Authorities are working extremely hard to get this ready," they stated.

Khened said that the environs of the Centre are very green and will need to be maintained. "We need to have some skeletal staff inside to maintain the green patches, the trees, the many plants that we have. They need water and regular upkeep," he said adding that it was important that the Coronavirus facility is completely sealed off from the other parts of the sprawling complex.

The Centre also has skeletal staff quarters on the premises where currently eight senior officers are living with their families, "so it is vital that those who are going to be shifted into the facilities for Coronavirus, be confined to that space. I am sure this has been thought out and will be done," said Khened.

Physical space
The Science centre has moved its activities online, like most other institutions, with two virtual lectures scheduled on their YouTube channel on May 9 and May 11 respectively. The former will be a talk by Dr Vasant Shinde on Rakhigarhi Excavation and the latter is Dr Anil Kakodkar, on 'dealing with energy needs in the context of climate crisis'. Yet, said Dr Khened, "We will open again as a physical space when the government gives the green light. Children, the main visitors at the Centre, may have some apprehension about visiting since this will be used as a Coronavirus facility.

There is a great deal of wariness as the Centre is just next to the Jijamata Nagar slum area, which is a COVID hotspot. "However, with all the trepidation, we too understand that this is for the greater good, and everybody has to do their part in this fight," the director said.

Line up
The Worli area, with an unenviable record number of Coronavirus cases in Mumbai, is also being taken over as quarantine/isolation areas rapidly. Just around the corner from the Science Centre, the Nehru Centre, which is next to the Nehru Planetarium has also been acquired for Corona purposes.

S P Verma, Jt Director of Nehru Centre, said, "The two exhibition halls on the ground floor have been acquired, not the Nehru Planetarium. I think beds and other amenities will be moved in shortly, I do not know when exactly. We had been told to hand over possession of the spaces and have done so," he finished.

The Nehru Centre joins neighbour, NSCI club's The Dome and Mahalaxmi racecourse as an entire line of Haji Ali institutions, whose space has been acquired for Corona combat.

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We know it's the ladies who are all about 'what to wear for that New Year's eve party?', but the gentlemen need to clean up too, right? If you are wondering whether to go all-out formal or casual chic, let's help you out. Here are looks - made up of smart basics and separates, as well as standout pieces - that will set you up for that once-in-a-year party.

Pic/Pradeep Dhivar

A Timeless Combination
Akshay Tejwani in HP Su Misura
Riaan says: Men love blues, no matter what anyone may say. Blue is the new black, the fashion experts will tell you. And for that very reason, we picked a classic navy suit and white shirt. You can't go wrong with these colours and a well-tailored suit will see you through a New Year's eve party quite effortlessly as it is simple yet sharp. Note, however, that the cut has to be impeccable. For this particular look, dress it down a bit and not use a tie, to keep it a bit easier. That said, I did add a pocket square to add a dash of colour and break the monotony of the suit jacket. Elegance with restraint is a good idea.

Pic/Bipin Kokate

The Edgy Look
Chirag Sachanandani in Celio
Riaan says: Possibly, one of the most indispensable pieces of the season, the bomber has been lauded as a layering essential in every man's wardrobe. People living in warmer places need not worry because these days, there are lighter variations available, even in cotton and linen. Pair the bomber over distressed jeans to give it a nice rugged flavour. Under the bomber, add a bit of a geeky detail, like a Star Wars tee. In keeping with current trends, pair the look with chic white sneakers, as opposed to boots or suede lace-ups, which are a more traditional option.

Pic/Pradeep Dhivar

Full-Out Formal
Mohit Sirothiya in Monsieur M
Riaan says: For our three-piece suit, we chose a grey and not a blue, which is common. This suit features an elegant notch lapel, with black satin piping detailing, to highlight the sharpness of the notch point. The notch point complements the jawline and neck alignment. The waistcoat has a wide neck to provide a stronger chest structure. The fitted trousers with a narrow break helps tie in the look perfectly.

Pic/Pradeep Dhivar

The Quintessential Dandy
Akshay Tejwani in HP Su Misura
Riaan says: This look is perfect for a modern guy who does not hesitate to experiment with colour, texture and patterns. It is what the Italians like to call spezzato, which literally translates to using different statement separates in one look. Mix and match starting with a blazer featuring grey checks. To complement the checked blazer, paired with a tailored black shirt and paired it with slim-fit navy chinos. Keep the other elements of the look simple in order to let the blazer stand out. While the colour palette remains simple, it certainly makes a bold statement.

Pic/Bipin Kokate

Casual Chic
Chirag Sachanandani in Celio
Riaan says: This look is perfect for a holiday party with friends. Nothing says casual elegance quite like the classic shirt and pullover combination. The idea is to let the collar peek out of the cardigan to break the monotony of colour. Pair a classic white Oxford shirt with a bright red cardigan. And since beige chinos are always stylish, add them to the look. The white and red, toned down by the beige chinos make it so effortless. Finally, to keep it cool and upbeat, opt for white sneakers over leather shoes or lace-ups. Roll up the cuff of your chinos to show off some ankle.

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American TV star and model Olivia Culpo celebrated a unique prom night during self-isolation with her National Football League (NFL) star boyfriend Christian McCaffrey, 23.

The couple partied with Olivia's sister Sophia and Christian's mother Lisa besides other family members. "Tonight is prom night with our quarantine crew," the Sports Illustrated model Olivia wrote on social media alongside pictures and a video of their celebration. "Lisa made all the boys do a "promposal" and now's she torturing all of us with chores," added Olivia, 27.

The outdoor party in a cocktail lounge area could also be a celebration of Christian's four-year $64 million (R484 crore) contract extension signed with NFL side Carolina Panthers in April.

The group ate, drank and also played with a unique bubble machine, blowing bubbles for everyone around.

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(Clockwise from left) Bheja Hara Masala, Nalli Nihari, Paya Soup, Tandoori Roti, Dal Chawal Palidu, Pizza Naan and Bohri Biryani (centre)

The Hill Road's din is drowned out by soothing Middle Eastern music as we step into The Tha'l Co, tucked in a residential building off the bustling street. We soak in the pale blue and stone grey décor, with charming latticework, candle-lit tables and abstract art adorning the walls, half expecting a performance of belly dancers. Instead, two staffers bring out a massive, 33-inch Bohri thaal, laden with nine types of starters, four pickles and two salad options.

Pineapple Halwa, Kesar Pista Sancha Ice Cream, Amba Roti, Paan and Mukhwaas

Owner Avinash Bhatia gets the reaction he's hoping for - our gaping mouths. "Bohri food has always been close to my heart, as I grew up with friends from the community. I sourced traditional recipes from them," says the Sindhi businessman, who hails from a family of property developers. He also has experience of running the family-owned Club 9 at Pali Hill, which replaced Hungry Bunny, a cosy café that his father had launched back in 1990s.

A community call
The Tha'l Co offers à la carte and set menus, the latter in the form of thaals for a solo diner and even a family. They also take catering orders. "The family thaal feeds seven guests. It includes mains and desserts too," he says as he ushers us to a low-seating table with seat cushions. It represents the community's traditional dining set-up where a family sits on the floor around a common thaal. However, we opt for the table-and-chair set up, considering we're in for the long haul.

(Clockwise from left) Bheja Hara Masala, Nalli Nihari, Paya Soup, Tandoori Roti, Dal Chawal Palidu, Pizza Naan and Bohri Biryani (centre)

After the traditional passing of salt and a bite of sodhanu (rice and sugar to start the meal), we dig into Dhungareli Tangdi, wrapped in foil and cooked in coals. The dish stars fall-off-the-bone chicken legs cooked in creamy gravy with a distinct crumbly cheese texture that teases our palate.

Then, we move on to fried-till-crisp Chicken Kheema Samosas and Chicken Shahi Roll, where crumb-fried barrels burst with meaty, cheesy flavours. They're washed down with refreshing, watermelon-flavoured Bir Soda, as integral to the community as Pallonji's is to Parsis.

For veggies too
The vegetarian options include Soya Chaaps, where the mock meat is slathered with a makhani-like gravy. We also enjoy the salads - Kokam Bateta, featuring well-cooked potatoes hidden under a thick, tangy-spicy coating, and Kachumber laced with silken, mashed brinjal.

The highlights are the melt-in-the-mouth minced lamb Galawati and the skewered Seekh Kebabs, where the soft and juicy mutton packs in robust, spicy flavours.

Dance to DCP
The mains include Nalli Nihari, Bheja Hara Masala, Bohri Biryani and the vegetarian DCP aka Dal Chawal Palidu. The Nihari wins us over with its soft and succulent lamb cooked in a well-spiced stock with a hint of fennel seeds that we relish with fluffy Pizza Naan. The Bheja Hara Masala scores for its creamy coriander-based gravy, whose flavours are soaked in by goat meat.

The dum-cooked Bohri Biryani, with succulent chunks of mutton and potatoes, turns out to be a lighter version of its north Indian sibling. It's long rice grains are laced with the right amount of whole spices and slight tang from the curd. A smoking-hot piece of coal on a bed of mildly flavoured rice and lentils takes the modest DCP to the next level. The flavour lingers in our mouth long after we've tucked into the comforting dish with Palidu, a drumstick stew tempered with cumin and thickened with Bengal gram flour.

By the time we reach the desserts - the rich Pineapple Halwa and creamy Sancha (hand-churned) ice cream in kesar pista flavour - we feel too stuffed to move, realising the true meaning of food coma.

Opens: Next week, 12 pm to 3.30 pm; 7.30 pm to 11.30 pm
At: Pooja Society, Chinchpokli Road, Bandra West
Call: 8956988888
Cost: `786 (single thaal), `986 (per person for family thaal)

Prachi Dhabal Deb will demonstrate eggless royal icing work on cakes and cookies

Baking a batch of chocolate brownies is simple enough, provided you follow the recipe to the T. But, what if you want to create a two-tiered wonder for your best friend's wedding? Starting today, Cakeology, brings together cake artists from around the world to equip you with all the skills you need to go from home baker to pro baker.

Sachiko Windbiel's 3D fondant cake toppers

"The country's cake decorating industry has been witnessing drastic changes in the past few years. Home baking is a serious business now," says Farzana Gandhi, project and brand building consultant, Cakeology.

The second edition features artists like Alyson Reynolds (Scotland), Sachiko Windbiel (New York), Tina Scott Parashar (Dubai) and Bijay Thapa (New Delhi), who will hold 35 demos and six workshops for aspiring bakers.

Learn to make realistic sugar flowers from Alyson Reynolds

In her six-hour hands-on workshop, which is open to beginners as well as professionals, Windbiel will show participants how to create cute 3D figurines and toppers using fondant. Along with new fondant techniques, special attention will be paid to achieving good body proportions as well as creating expressive facial features.

Three special cakes will be on display this year. UK-based cake sculpture expert Rose Macefield will be making a life-size bride and groom wedding cake. The second is a life-size elephant by Samie J Ramachandran, whose 500kg London Bridge cake got plenty of eyeballs at an exhibition in Bengaluru. For the last one, London-based bakers and best friends Valeri Valeriano and Christina Ong of the multi-award winning Queen of Hearts Couture Cakes will create an entire English garden using nothing but buttercream.

Till: September 10, 10.30 am to 6.30 pm
At: World Trade Centre, Cuffe Parade
Log on to: cakeology.in
Call: 9820744629
Entry: 200 per day

Twins Thomas and Mathias Sühring grew up in Berlin, which was then part of East Germany. Summer holidays were spent at their grandparents' farm, near the Polish border, harvesting vegetables and fruits, and feeding ducks, chicken, and pigs.

"We derived immense joy from going to the forests to pick berries and mushrooms, and fishing in the lakes nearby. As kids, it was nothing short of an adventure. We feasted on our grandmother's cooking. It was special to see how she got the family together at the table," says 40-year-old Mathias in an email interview from Bangkok, where the duo runs Sühring, which has placed 13th on the Asia's 50 Best Restaurants list this year.

They first arrived in Bangkok in January 2008 to helm the kitchen at Mezzaluna -- the city's highest restaurant, located on the 65th floor of Tower Club in Lebua. Next week, they will be at The Taj Mahal Mumbai for a pop-up that runs from September 13 to 17. But, before that, they share the story of what brought them to Mezzaluna and how it led them to launch their own brand.

Excerpts from the interview:

Did both of you want to become chefs?
Thomas: Our parents made us realise how much we loved the time we spent on the farm, harvesting and preparing food
with our grandparents. They suggested we explore the idea of becoming chefs since Germany was finally united by the time we turned 19, and we had the freedom to travel to wherever we wanted. We trained in different hotels in Berlin and earned a diploma after three years. We took a trip across the country in our car and visited all the three-Michelin-starred restaurants to apply for a position.

But no one was interested in hiring us.

Our journey towards becoming professional chefs began when a chef named Sven Elverfeld, from Aqua at The Ritz Carlton in Wolfsburg [Germany], called us.

What led you to launch Sühring?
Thomas: Five years ago, we realised that starting our own restaurant would allow us to fully express ourselves. We knew
Gaggan [Anand, celebrated Bangkok-based Indian chef] since 2008, when we were working at the same hotel in different capacities. He had always been encouraging us to open our own place.

We launched Sühring on February 22, 2016, which also marks the birthday of Gaggan, our partner and friend.

Sühring is 13th on the Asia's 50 Best list. What is the secret behind its success?
Mathias: We never expected Sühring to rank so high on the list within a year of its launch! The atmosphere of a restaurant
goes a long way in establishing a bond with the guests. We ensure that our guests feel comfortable, as if they are visiting an old friend. Hence, we live at the restaurant, to create a warm and relaxed atmosphere. What's better than great food in a homely set-up?

What, according to you, constitutes modern German food?
Thomas: For a long time, Germany wasn't considered to be a country of culinary excellence. The cuisine is often labelled as boring, heavy, fatty, and fixated on meat. But there is so much more to it than just salted pork legs, sausages, potatoes or sauerkraut. We incorporate modern cooking techniques into traditional methods to transport diners to another culinary generation. The result is perfect -- simple execution with robust flavours.

There is a notion that twins think along similar lines. Does this happen with the two of you in the kitchen?
Mathias: There have been instances when both of us have thought on a similar line without having talked about it. We ensure that we openly share ideas and thoughts that work in our favour.

What's your brotherly bond like?
Mathias: We have a respectful and professional equation at work. We discuss all new dishes together. Often, we have a similar view and when we don't, we let the dish take shape, and give it a fair chance. What's important is that we learn every day. Currently, Thomas takes care of cooking hot food items and I focus on preparing cold
ones, including pasties.

What's in store for Mumbai?
Thomas: We are presenting our signature dishes, like Frankfurter Grüne Soße, a sauce that originated in Frankfurt and is made with seven different herbs. We will also bring our two-and-a-half-year-old sourdough to Mumbai to bake authentic German breads, which will be part of the menu. Another dish, called Brotzeit, will have butter churned from lacto-fermented cream and flavoured with wild garlic leaves. Also on the menu is a traditional noodle dish, called Spätzle, from the Black Forest
region of Germany. This one will be served with mushrooms and fresh truffles.

Has Gaggan given you advice for this trip?
Mathias: He told us to enjoy his country and its incredible people.

Sebastian Vettel after claiming pole position in Singapore on Saturday. Pic/Getty Images

Sebastian Vettel pulled out a scorching lap in the dying stages of Saturday’s qualifying session to seize pole position for the Singapore Grand Prix.

The Ferrari driver lapped the floodlit Marina Bay street circuit in one minute, 39.491 seconds, the fastest ever set around the 5-kilometer long track, in a dazzling display of speed.

Max Verstappen went second fastest and will start alongside Vettel on the front-row with his Red Bull teammate Daniel Ricciardo third.

Championship leader Lewis Hamilton, Vettel’s title rival, was only fifth ahead of teammate Valtteri Bottas.

The Briton, seeing a hat-trick of wins this weekend, seized the championship lead with victory at the last race in Monza.

But starting on the third row, with the Red Bulls and Kimi Raikkonen’s fourth-placed Ferrari between him and Vettel, Hamilton could well have to drive a race of damage limitation that could cost him his slim three-point advantage.

“I’m still full of adrenaline so maybe whatever I say doesn’t make any sense,” a breathless Vettel, who let out a loud whoop of joy over the team-radio, said immediately after qualifying.

“The car was tricky but it came alive and it was getting better and better as the night progressed, so really happy that we got it done.”

Saturday’s pole was the 49th of Vettel’s career and an unprecedented fourth at Singapore.

It could prove to be an especially crucial one with seven of the last nine races in the city-state won by the pole-sitter.

But the German, who also has an unprecedented four wins at the twisty track, initially did not seem to have the pace to seize the top-spot.

Red Bull had topped the timesheets in every session over the weekend.

With Verstappen even topping the opening two parts of qualifying, the former champions had looked on course to score their first front row lockout since the United States Grand Prix in 2013.

But Vettel put it all on the line when it really mattered, vaulting to the top of the timesheets during the final 12-minute pole-position shootout.

Nico Hulkenberg was seventh for Renault ahead of Fernando Alonso and Stoffel Vandoorne, who put both McLaren’s in the top-ten a day after the Woking-based squad agreed to swap Honda power for Renault.

Carlos Sainz, set to move to the works Renault team next year, rounded out the top ten for Toro Rosso.

Force India’s Sergio Perez was 12th with teammate Esteban Ocon 14th.

Sonam Kapoor and Rhea Kapoor have been sharing some great throwback pictures amid quarantine. The duo has been missing the family and the functions due to this virus outbreak and lockdown session. Now, Sonam has shared a pretty picture with sister Rhea Kapoor which screams sisterly love.

The duo looked all decked up in the posts, seems like of their photoshoots together. Sonam Kapoor captioned, "sister sister." Let's take a look at the picture right away!

 

 

 

View this post on Instagram

Sister sister ❤ï¸Â

A post shared by Sonam K Ahuja (@sonamkapoor) onApr 27, 2020 at 7:01am PDT

Adorable, isn't it?

On the professional front, Sonam Kapoor's last outing The Zoya Factor failed at the box-office. This Abhishek Sharma directorial, also starring Dulquer Salmaan, could only manage lifetime collections of around Rs. 4.90 crores. Before this, she was seen playing a homosexual character in Ek Ladki Ko Dekha Toh Aisa Laga. Now, the actress is gearing up for Sujoy Ghosh's next production, which is the remake of the Korean film, Blind.

Speaking about Rhea Kapoor, the star kid turned producer with Aisha. She has produced Veere Di Wedding and Khoobsurat too, both starring sister Sonam. The Kapoor sisters own a fashion label called Rheason and the former has also turned producer and made the very successful Veere Di Wedding in 2018.

On the personal front, Rhea is said to be dating Karan Boolani, and their social media PDA will surely melt your heart.

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Disha totally began the year 2020 with a bang and played a free spirited avatar in her latest Malang, looking drop dead gorgeous and the hotness quotient was just on another level. The actress even stole all the limelight and this fresh new avatar was something everyone was rooting for. The character was so relatable that one could connect to it. Disha built an incredible connection with her viewers, setting the bar high with her hotness and oomph.

The duo of Aditya Roy Kapur and Disha Patani was the hot talk of the town and Malang emerged as a widely successful film. Malang truly was a treat to the eyes and we saw Disha in the hottest avatar ever. With her recent throwback picture on her social media, Disha has already raised the temperature of the season with her hotness and one can never have enough. Disha captioned her picture as, "#malang".

 

 

 

View this post on Instagram

#malang❤ï¸Â

A post shared by disha patani (paatni) (@dishapatani) onApr 27, 2020 at 10:38pm PDT

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Actor Taapsee Pannu on Tuesday reminisced the role portrayed by her of a successful businesswoman in her 2019 thriller flick 'Badla,' by sharing an intriguing picture. She also counted on the perks of being an actor and shared that, 'the fact we can live so many lives in one life is the charm of being an actor.'

 

 

 

View this post on Instagram

Another one from the location of Badla. Actually from Naina Sethi’s cabin. Trust only her to have such a poster in her professional cabin. But let me admit it was a fun change to play the not so nice character on screen. As an actor if one doesn’t get to experiment much it actually feels like a regular desk job which many of us actually gave up to have this edge of the seat career. Every job has its own charm n the fact we can live so many lives inone life is the charm of being an actor. 📷: @the_dahiya_boy #Throwback #Archive #QuarantinePost

A post shared by Taapsee Pannu (@taapsee) onApr 28, 2020 at 4:40am PDT

The 'Thappad' star took to Instagram and shared yet another picture from her archives, where she is seen getting into the skin of her character 'Naina Sethi.' The intriguing picture showcased the 32-year-old actor posing just like the poster behind her, as she closes her eyes to imitate it. The poster features a blonde girl with closed eyes, saying "No, Thank You."

Taking to the captions, the 'Naam Shabana' actor wrote, "Another one from the location of Badla. Actually from Naina Sethi's cabin. Trust only her to have such a poster in her professional cabin. But let me admit it was a fun change to play the not so nice character on screen."

The 'Naam Shabana actor added, "As an actor if one doesn't get to experiment much it actually feels like a regular desk job which many of us actually gave up to have this edge of the seat career. Every job has its own charm n the fact we can live so many lives in one life is the charm of being an actor.# Throwback #Archive #QuarantinePost"

Taapsee has been sharing many throwback pictures as she earlier announced on Instagram that she will be posting a series to refresh some memories during the coronavirus lockdown.

On Monday, the 'Manmaziyaan' star shared another throwback picture from her archives on Monday and reminisced the pre-shoot conversation in Glasgow with Sujoy Ghosh, the director of her 2019 thriller flick 'Badla.'

Taapsee is currently at home like many other celebrities as the country is under lockdown to prevent the spread of the coronavirus.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Megastar Salman Khan on Tuesday urged people to take up the 'Anna Daan' challenge and donate to the underprivileged ones who are worst affected by the COVID-19 lockdown. Khan took to Twitter and posted a picture of his two close friends preparing to distribute ration packets to the needy ones.

Baba and baba's baba zeeshan ne aan baan aur shaan se 1,25,000 families ko ration bataa hai.

Now this is a challenge that one should be a part of.. Challenge 'Anna Daan'

Karo to khud ya kissi bharosemand ke through...@BabaSiddique @zeeshan_iyc pic.twitter.com/317KPrxWyp

— Salman Khan (@BeingSalmanKhan) April 28, 2020

The 54-year-old actor also informed that his two friends Baba Siddiqui and Zeeshan Siddiqui have distributed ration to a total of 1,25,000 families to date.

"Baba and baba's baba zeeshan ne aan baan aur shaan se 1,25,000 families ko ration bataa hai. Now this is a challenge that one should be a part of.. Challenge 'Anna Daan,'" he tweeted along with the picture.

He also asked people to distribute the essential items either on their own or get it done by somebody reliable.

"Karo to khud ya kissi bharosemand ke through," his tweet further read.

Khan has also been donating to the needy ones who have lost their livelihood due to the nationwide lockdown. He has also supported some of the daily wage workers economically.

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Veteran actor Anupam Kher on Tuesday shared an inspirational video message by Jackie Shroff talking about his life's philosophy amid the coronavirus outbreak.

The 65-year-old actor took to Twitter and shared the video in which he talks about the balance of life and said that he has his son and daughter with him, and lost his parents and brother, and "this is how life balances itself." He said, "If we have a look on people around us and the sorrow, the pain they are going through, we are very blessed."

The 'Saaho' star went on to add, "We shouldn't cry over little things, as things stay at their place," and gave an example of flowers in a pot and a bouquet saying, " these flowers were meant to be cut and formed as bouquet while the one in flower pot stays the same."

à¤Âœिस सादà¤Â—à¥Â€ à¤Â”र बिà¤Â‚दासपन सà¥Â‡ मà¥Â‡रà¥Â‡ दà¥Â‹सà¥Âत à¤Âœà¥Âˆà¤Â•à¥Â€ शà¥Âरà¥Â‰फ़ नà¥Â‡ à¤Âœà¥Â€वन à¤Â•à¥Â‡ फ़लसफ़à¥Â‡ à¤Â•à¥Â‹ यहा बताया हà¥Âˆ à¤Â•ि à¤Â‰सà¤Â•à¥Â€ मà¥Âˆ à¤Âœितनà¥Â€ तारà¥Â€फ़ à¤Â•रà¥Â‚à¤Â à¤Â‰तनà¥Â€ हà¥Â€ à¤Â•म हà¥Âˆ। à¤Âà¤Â• à¤Â‡à¤Â‚सान à¤Âœà¥Â‹ à¤Âœ़िà¤Â‚दà¤Â—à¥Â€ à¤Â•à¥Â€ भावनाà¤Â“à¤Â‚ à¤Â•à¥Â‹ महसà¥Â‚स à¤Â•रता हà¥Âˆ, à¤Â‰सà¤Â•à¥Â‡ हà¥Â€ à¤Â…à¤Â‚दर सà¥Â‡, à¤Â‰सà¤Â•à¥Â€ à¤Â…à¤Â‚तरà¤Â†तà¥Âमा सà¥Â‡ हà¥Â€ à¤Âसà¥Â€ फिलà¥Â‰सफà¥Â€ निà¤Â•ल सà¤Â•तà¥Â€ हà¥Âˆ। धनà¥Âय हà¥Â‹। à¤Âœ़रा सà¥Âनियà¥Â‡ @bindasbhidu à¤Â•à¥Â‹।🙏 pic.twitter.com/v2jHwVvLuW

— Anupam Kher (@AnupamPKher) April 28, 2020

Jackie added, "Everyone has sorrows in life, but we shouldn't be sad and crying." Shroff advised, " We should create positive energy around us so that people get inspired. Always keep a smile on your face and maintain your smile and health even in the toughest situations, and keep the spine straight."

The 'Devdas' actor asked people to stay tension free and to stay away from depressing and psychologically upsetting things.

Taking to the captions, Kher appreciated the 'Border' star's philosophy towards life and wrote, "Jis Saadgi aur Bindaspan se mere dost Jackie Shroff ne jeewan ke falsafe ko yaha bataya hai, uski main jitni tareef karu utni hi kam hai. Ek insaan jo zindagi ki bhawnao ko mehsus karta hai, uske hi andar se, uski antar atma se hi aisi philosophy nikal sakti hai. Dhanya ho. Zara Suniye, @bindasbhidu ko."

The post on the micro-blogging site garnered more than 8.2k likes within an hour of being posted.

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Actor Taapsee Pannu shared another throwback picture from her archives on Thursday and spoke of how technology can take us over.

In the capture, the actor, clad in a white and black polka-dotted outfit, is seen caught in a moment while using a VR headset.

 

 

 

View this post on Instagram

Trying VR for the first time on a holiday was quite disorienting. Bumping into walls n people around made me feel how technology can take us over n make us run into a wall, literally! N losing the level in the end didn’t really redeem technology for me 🤷🏻‍♀ï¸Â #Throwback #Archive #QuarantinePost

A post shared by Taapsee Pannu (@taapsee) onApr 29, 2020 at 8:29pm PDT

Along with the picture, the 32-year-old actor revealed that she was trying the VR for the first time during a holiday, and the process was 'quite disorienting.'

"Bumping into walls n people around made me feel how technology can take us over n make us run into a wall, literally!," the 'Badla' actor captioned the post.

As wrapping up the post, the 'Pink' actor also mentioned that she lost the level towards the end and added: "losing the level, in the end, didn't really redeem technology for me."

Last week, the 'Manmarziyaan' actor shared an exquisite throwback picture from her trip to Rome.

Lately, the 'Thappad' star has been sharing many throwback pictures as she earlier announced on Instagram that she will be posting a series to refresh some memories during the coronavirus lockdown.

Taapsee is currently at home like many other celebrities as the country is under lockdown to prevent the spread of the coronavirus.

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A bored Sonakshi Sinha asked netizens to throw her some awkward questions. A fan asked her if she was single? The actor replied, "Double. Hehe (sic)!" The actor then shared a mirror selfie to make the puzzled fan understand her reply. The interactive session brightened up her day as well as that of the fans. Like father Shatrughan Sinha, Sona, too, knows how to entertain with witty one-liners. Have a question, will answer, she says.

On the professional front, Sonakshi Sinha was last seen in Dabangg 3, opposite Salman Khan. Saiee Manjrekar was also a part of this comedy film. Now, the actress will be next seen in Bhuj: The Pride of India.

Bhuj: The Pride of India stars Ajay Devgn, Sanjay Dutt, Sonakshi Sinha, Sharad Kelkar, Ammy Virk and Pranitha Subhash. The film is directed by Abhishek Dudhaiya. In the film, Ajay will be seen playing Indian Air Force pilot Vijay Karnik, while Sonakshi will essay the character of Sunderben Jetha Madharparya, who is a social worker and a farmer women, who convinced 299 other women from Madhapur to help build a runway during the India-Pakistan war of 1971.

Speaking about her personal life, Sonakshi recently made headlines for dating Notebook actor Zaheer Iqbal. In a candid chat, Zaheer said, "Sonakshi and I laughed after reading the dating rumours. It was my first rumour so I didn't know how to react to it. People have seen all of us. Sonakshi and I chill together and someone must have seen that and might have started the rumour. Well, I'm sure that's how it started."

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Hrithik Roshan on Friday took to Instagram to express how much he is missing Chintu uncle -- as he called the late actor Rishi Kapoor. "Even your love had so much energy that I had to stand at attention every time you called. I don't think I have ever in my life been able to continue sitting down when you spoke to me. Everytime dad called and said 'chintu uncle just saw your movie and he is calling you', I used to get up, heart palpitating and start walking around in the room, preparing myself for the deluge of love and reprimand mixed so genuinely together in your own inimitable way that it was difficult for an observer to distinguish which was which," the actor wrote.

 

 

 

View this post on Instagram

A post shared by Hrithik Roshan (@hrithikroshan) onMay 1, 2020 at 6:08am PDT

Mentioning how Rishi Kapoor acted as a mentor in his life, Hrithik further wrote: "You gave me strength at my weakest moments. It felt so god damn amazing to think that Rishi Kapoor liked my work. That It made me believe in myself. Thank you for every time you picked up the phone and took the effort , thank you for repeatedly pointing out my mistakes , thank you for that consistent support and encouragement chintu uncle, there will never be any actor or human like you. Thank you for being my childhood , for literally shouting out loud into my ear drums about the importance of hard work. And for being so blatantly and ridiculously honest that it made me believe every single word you ever said . I and the world and everyone you touched and inspired is going to miss you. So so much."

Rishi Kapoor and Hrithik Roshan have appeared together in the 2012 movie "Agneepath" directed by Karan Malhotra. Rishi Kapoor passed away on Thursday morning after a battle with cancer. The 67-year-old actor breathed his last at Sir HN Reliance Foundation Hospital in Mumbai.

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While competition in Bollywood has always been cutthroat, there have been a few exceptions, who with their A-game have managed to rule the roost in the entertainment world. And ever since actress Radhika Madan stepped on board in Bollywood there has truly been no looking back for her. In fact, in very little time the actress has garnered immense popularity, thanks to her amazing performances. Now while Radhika continues her victory march, we bring you 3 reasons why she is Bollywood’s next blue-eyed girl.

1) She made it without a godfather in the industry

Radhika is amongst those few who ventured into the movies on their own terms. Yes, the Mard Ko Dard Nahi Hota actress stepped into the industry with a guiding force or a godfather and yet has managed to do so well for herself. And while she also fought her detractors all alone, her earnest approach and efforts are what brought her all the name and fame.

2) She has played 3 unique roles

Very few get opportunities like Radhika did, right from her debut the actress has only landed in roles which made her standout. While all her roles in Pataakha, Mard Ko Dard Nahi Hota and Angrezi Medium have been quite different, they have also been quite complex, but Radhika has pulled them off quite effortless. With all her roles she has truly proven that she is a versatile actress we all need to watch out for.

3) She has been a director’s favourite

With amazing performances to her credit, the Angrezi Medium actress has been making her way to every director’s wishlist. While so far she has been working with the best of filmmakers, namely, Vasan Bala, Vishal Bhardwaj and Homi Adajania, we are sure that Radhika is going to be working with a lot more movie mavericks in the future.

While Radhika is rising to greater heights with every film, the actress is going to charm us next with her performance in Shiddat.

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Actor-model-fitness enthusiast Milind Soman shared a throwback photograph of himself from his childhood days on Instagram. In the picture, he is seen sitting on a tree and smiling at the camera, while his father clicked.

"Milind Soman sitting in a tree with shoes .. 1969. Trying to be cheerful today, after the sad news of yesterday and this morning... #throwbackthursday pic taken by my father, Prabhakar Soman," he captioned the image.

 

 

 

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Milind Soman sitting in a tree with shoes .. 1969 . . . Trying to be cheerful today, after the sad news of yesterday and this morning.. . . . #throwbackthursday pic taken by my father, Prabhakar Soman.

A post shared by Milind Usha Soman (@milindrunning) onApr 30, 2020 at 1:12am PDT

Milind's wife Ankita Konwar commented: "My cutie."

Amid lockdown, Milind recently suggested meditation for peace of mind in these times of COVID-19 stress, often triggered off by all the rumours, speculations and fake news emanating about the disease.

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Krishna Shroff's Australian boyfriend, Eban Hyams, who was living with the Shroffs at their Bandra home due to the lockdown, was able to travel to hometown Sydney. The basketball player shared the news on social media.

He posted pictures with Tiger Shroff's mother Ayesha and sister and captioned it 'angels.' He also penned a parting message for them. Later, he shared photographs from the desolate Mumbai airport on his Instagram stories.

He uploaded in-flight photos in which passengers maintained social distancing and wrote about "things getting back to normal in Sydney (sic)." It is said that Hyams was able to travel as the Australian government is facilitating flights to bring home Australians who are stuck in India.

Eban Hyams and Tiger's sister Krishna Shroff have been dating for quite a while now. Their pictures on social media are all sorts of cool and their PDA is super cute. Both Eban and Krishna are extremely interested in fitness and are at times seen working out together.

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Action star Tiger Shroff's sister Krishna Shroff has shared a string of romantic photographs with her beau Eban Hyams on Instagram. In one image, Krishna and Hyams lock lips, while in another the two can be seen spending time in the pool.

 

 

 

View this post on Instagram

♾️

A post shared by Krishna Shroff (@kishushroff) onMay 1, 2020 at 5:40am PDT

She captioned the image with an infinity emoji. Krishna, daughter of actor Jackie Shroff, often shares photographs of herself flaunting her svelte figure in a bikini. Recently, she had treated her fans and followers with a video of herself in a black bikini.

In March, she had shared a romantic photograph with Hyams, which went viral on social media. In the image, Krishna and Hyams pose in front of an aquarium that many reported to be Dubai's Atlantis, The Palm.

According to reports, Krishna is the owner of a gym while Hyams is a professional basketball player.

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