'I am making movies in a jiffy because I want to work with everyone.'

'Wherever I am, in the country or abroad, I spend at least one hour on myself.''If you aren't doing that, you are doing injustice to yourself.'

'Physical compatibility is very important among couples before marriage.'

Barker Library - TA445.5.H675 2012

In her Full-Featured Art Direction for the Web presentation at An Event Apart in Chicago, Mina Markham shared her approach to building Web pages that work across a variety of browsers, devices and locales. Here's my notes from her talk:

• Full-featured art direction is progressively enhanced, localized for a particular user, yet inclusive of all visitors and locations.
• Start with the most basic minimal viable experience for the user and move up from there. Semantic markup is your best baseline. Annotate a Web site design with HTML structure: H1, H2, H3, etc. From there, gradually add CSS to style the minimal viable experience. If everything else fails, this is what the user will see. It may be the bare minimum but it works.
• Feature queries in CSS are supported in most browsers other than IE 11. We can use these to set styles based on what browsers support. For instance, modular font scaling allows you to update overall sizing of text in a layout. Feature Query checker allows you to see what things look like when a CSS query is not present.
• Localization is not just text translation. Other elements in the UI, like images, may need to be adjusted as well. You can use attributes like :lang() pseudoclass to include language specific design elements in your layout.
• Inclusive art direction ensures people can make use of our Web sites on various devices and in various locations. Don't remove default behaviors in Web browsers. Instead adjust these to better integrate with your site's design.

How H&M, Zara and Marks & Spencer are buying viscose from highly polluting factories in Asia. By Natasha Hurley.

[U.K.] : 20th Century Fox Home Entertainment, [2016]

[U.K.] : 20th Century Fox, [2012]

[France] : Sony Pictures Home Entertainment, [2020]

[U.K.] : 101 Films, [2016]

[U.S.A.] : Warner Home Video, [2013]

[U.S.A] : Warner Bros. Home Entertainment, [2018]

Andy Serkis and Rupert Wyatt stopped by the Wired Cafe at Comic Con in San Diego to talk about the new film and how it's been updated for today'saudience.

Solar, wind, and nuclear don’t make climate change worse, but they don’t meet the world’s energy needs. What can? Coal, and in the April issue Charles C. Mann writes about cleaning up the dirty, cheap fuel. Also this month: keeping your garden green, how mobile messaging captured our kids (and $19 billion from Facebook), and Mike Judge takes on Silicon Valley.

Few Hollywood directors can match Christopher Nolan’s ambition, skill, and mind-bending story sense. For our December issue, the man behind Memento, Inception, the Dark Knight trilogy, and Interstellar brings his formidable talents to WIRED as our guest editor.

When Colin Trevorrow saw Jurassic Park as a teenager it sparked his interest in the power of film. He spoke with WIRED about taking on the franchise and getting the audience to cheer for their favorite dinosaurs.

Ant-Man director Peyton Reed spoke with WIRED about bringing the tiny superhero to the big screen, some easter eggs for Marvel fans and how Paul Rudd preserved the wry humor of the original comic books.

“Steve Jobs” is more than just a biopic. Director Danny Boyle explains the unique approach he took by shooting the movie in three different film formats to capture the life and achievements of the Apple co-founder.

Jeff Nichols at WIRED by Design, 2014. In partnership with Skywalker Sound, Marin County, CA. To learn more visit: live.wired.com

In the 1970's a group of California hippies built a new technology that changed the world. Computers? Nope. They were building the earliest commercial mountain bikes.

In ‘Swiss Army Man’ a guy stranded in the wilderness gets by thanks to a corpse and a dying cell phone. The Daniels came to the WIRED office, so we asked them to show us what was on their smartphones.

Now that he’s made a ‘Ghostbusters’ movie, director Paul Feig should be an expert in spirits. So WIRED asked him about a series of spooks, both real and fake, to see if he could tell us which were based on actual ghost stories and which we totally made up.

It could very well be the best scene in Rogue One: A Star Wars Story— Darth Vader violently pursuing rebels as they try to escape with the Death Star plans. But, as Director Gareth Edwards reveals, the scene fans saw in theaters almost didn't happen.

Lo: move a little clockwise Lo-High: move further clockwise High-Lo-High (fast): move a little counter-clockwise High-Lo-High (slow): move further counter-clockwise High: hold that line, slow down Two mid notes: walk on to the sheep High falling: lie down

Blade Runner 2049 director Denis Villeneuve reflects on seeing the original Blade Runner on the big screen and why he still loves the voice over version.

Jon M. Chu, director of Crazy Rich Asians, made this short film exclusively for WIRED using the new Apple iPhone XS Max. Chu shot and edited the film himself, shooting handheld in available light and using only the native camera app and default stabilizer, without any additional crew or equipment. "Somewhere" Shot on the iPhone XS Max No filters, no color correction. Director, Cinematographer, Editor: Jon M. Chu Starring: Luigi Rosado

Code for America Executive Director Jennifer Pahlka and Author Anand Giridharadas spoke with WIRED’s Issie Lapowskyas part of WIRED25, WIRED’s 25th anniversary celebration in San Francisco.

Walecka, John Dirk, 1932- author

Walecka, John Dirk, 1932- author

Sagardoy de Simon, Iñigo, author

Ilie, Camelia, author

Director, Steven M., author

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Consumer goods companies have started selling products directly to consumers.

The Medicines Patent Pool is a United Nations-backed public health organisation that helps middle- and low-income countries get access to critical drugs. MPP executive director Charles Gore told ET’s Divya Rajagopal about the organisation’s plan to ensure equitable access of Covid-19 drugs and vaccines.