After killing his wife over suspicion that she was having an extra marital affair, a 40-year-old businessman, Dharma Gauda, surrendered before the Koparkhairane police station in Navi Mumbai on Tuesday. Soon after, the cops arrested him and registered an FIR in the matter.

According to the police, on the day of the incident, Gauda had a major fight with his wife Rekha Gauda, following which he hit her with an iron rod twice. She immediately collapsed at the spot and died. When Gauda realised that his wife was dead, he left home and informed a friend about the incident over phone. Thereafter, he went to the Koparkhairane police station and surrendered. Cops further said that the couple used to have frequent fights over the matter and the accused would beat her up.

When the incident took place, their 10-year-old son was in school and 4-year-old daughter was sleeping. On waking up, she found her mother in a pool of blood. Police sources said that the accused runs three bar-cum-restaurants in Navi Mumbai and also has a criminal background.

Speaking to mid-day, Nitin Pawar, deputy commissioner of police, said, “Gauda was suspicious about his wife having an extra marital affair. We arrested him after he surrendered. He will be produced in court on Wednesday. Further investigation into the matter is on."

Also Read: Army Major murders colleague's wife for not accepting his proposal

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Computer systems of a private hospital in Navi Mumbai have come under a malware attack, with attackers seeking ransom in Bitcoins, police today said. The cyber attack on the computer systems of Mahatma Gandhi Mission Hospital came to light on July 15, police said.

Hospital administrators found the systems locked, with an encrypted message by unidentified attackers demanding ransom in Bitcoins to unlock it, said Tushar Doshi, Deputy Commissioner of Police (Crime).

Authorities found that access to the data of the previous 15 days had been blocked. Such attacks are described as `ransomware' attacks,
where a malicious software enters the victim's computer system, and the attackers threaten to publish the data or block access to it unless a ransom is paid.

The Cyber Cell of Navi Mumbai police is investigating the case, DCP Doshi said. "We are trying to ascertain the Internet Protocol
Address (IP) from where the email (demanding ransom) originated," Doshi said.

Computerised billing and medicine prescription system were affected due to the malware attack, but the hospital maintains a written record of all its data, he said. Cyber experts were trying to get the system back on track, the DCP said.

A case under section 43 (hacking) of the Information Technology Act has been registered with the Vashi Police Station. Among the recent cyber attacks of this kind, the `WannaCry ransomware attack' of May 2017 infected more than 2,30,000 computers across 150 countries.

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Amitabh Bachchan is missing the Sunday evening darshan with fans at Jalsa. For over three decades, Big B has kept his weekly date with fans, who wait for hours for a glimpse of him, outside his Juhu bungalow. 

The superstar took to his blog and expressed how much he missed interacting with his fans. "The Sunday does not mean the same as before. Waiting for the time to arrive, the security in place, that familiar sound of the step board being dragged into position, that familiar scream of the well wishers at the gate as each domestic entrant enters and leaves premises... of the knowing that 'he' comes," the actor wrote in his blog on Sunday.

Bachchan remembered the "ecstatic wild faces and mobiles recording the moment" of his arrival. "The ones on the buildings ahead, precariously positioned at vantage points. The cheer and laments, the letters of recommendations, the out of the country guests... Return wave at the opposite balcony as you walk in the front door and its done."

"A while more and the pages for the autograph, pictures writings etc, all done with the care with which they have remained so sincere and long, arrives. Their personal equation with the maestro intact they leave after this minuscule formality. The heart of the Ef (extended family) be of subtle grace and that done, they leave, as do I, inside the secure home and the gifts that arrive kept away to be stored and valued. But none of that for the day today. Just the thoughts and the reminders by the Ef on other platforms," he added.

The actor has been trying to spread some hope amid the ongoing health crisis triggered off by the COVID-19 pandemic. Recently, he recited a poem by his late father Harivansh Rai Bachchan to inspire people. "I reminisce my Father and his poem, which expresses hope and strength. The singing is exactly how Babu ji recited it at Kavi Sammelans, which I attended with him," Big B wrote.

 

 

 

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In these times of isolation I reminisce my Father and his poem , which expresses hope and strength. The singing is exactly how Babu ji recited and sang it at Kavi Sammelans, which I attended with him .. à¤Â‡न à¤ÂÂ…à¤Â•à¥Â‡लà¥Â€ à¤Â˜ड़ियà¥Â‹à¤Â‚ मà¥Â‡à¤Â‚, मà¥Âˆà¤Â‚ बाबà¥Â‚à¤ÂÂœà¥Â€ à¤Â”र à¤Â‰नà¤Â•à¥Â€ à¤Â•विता à¤Â•à¥Â‹ याद à¤Â•रता हà¥Â‚à¤Â, à¤ÂÂœà¥Â‹ à¤Â†शा भरà¥Â€ हà¥Âˆà¤Â‚, शà¤Â•à¥Âति समà¥Âपà¥Â‚रà¥Âण । à¤Â—ानà¥Â‡ à¤Â•à¥Â€ धà¥Âन बिलà¤Â•à¥Âल वà¥Âˆसà¥Â€ हà¥Âˆ à¤ÂÂœà¥Âˆसà¥Â‡ बाबà¥Â‚à¤ÂÂœà¥Â€ à¤Â•वि समà¥Âमà¥Â‡लनà¥Â‹à¤Â‚ मà¥Â‡à¤Â‚ à¤Â—ा à¤Â•à¥Â‡ सà¥Âनाया à¤Â•रतà¥Â‡ थà¥Â‡ । मà¥Âˆà¤Â‚ à¤Â‰नà¤Â•à¥Â‡ साथ हà¥Â‹ता था ।

A post shared by Amitabh Bachchan (@amitabhbachchan) onApr 7, 2020 at 11:56pm PDT

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The last few weeks haven't been easy for Zoa Morani and her family. They all were tested Coronavirus positive and it came as a shock to a lot of people and they were worried about their health. Zoa Morani and Shaza Morani were the first ones to be tested positive and then their father and film producer Karim Morani. Zoa and Shaza recovered a few days back while Karim was still tested positive. But now he too is back and doing well.

First, let's talk about Zoa's recent Instagram post where she shared a family picture and announced happily that they all are Coronavirus negative now. It was indeed a moment of celebration that they all successfully combated the virus. It was a long post straight from the heart.

Read it right here:

 

 

 

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#positiverecovery ☀ï¸Â Anddddd my father got home last night , treatment over and now our entire household is Covid-19 negative ! 😁 All of us home now , healthy and in good spirits !!!🌻 Whirlwind of an experience but so happy to be on the other side of it.. Each one of us had a different experience with it in terms of symptoms, so for any advice the best thing is to get in touch with a Doctor or hospital... My Father - no symptoms (9 days in hospital) Sister - head ache and fever (6 days in hospital) Me - fever , fatigue , cough , chest congestion , shortness of breath and head ache ( 7 days in hospital) They were mild , and manageable. To sum it up in short - a flu with a strange over all feeling .. The Doctors and medical staff were fearless , positive and extremely helpful and caring ... @my_bmc @mybmchealthdept were on point with following up with us at every step , from making sure we are getting the right treatment to getting our entire building and road sanitised ! To making sure the other residents in our building are safe ! And yes they are ☀ï¸Â 14 days of self isolation at home along with healthy eating , rest and vitamins has been advised.. So grateful for our Government for dealing with this Pandemic hands on ! Thank you Nanavati Hospital for taking care of my Father and Sister and sending them home fully cured 🌼 Thank you Kokilaben hospital ! Indebted forever ! Thank youuuu everyone from the bottom of my heart for all the concern and warm wishes 🥰 So grateful to be on the positive recovery side of this Pandemic . Sincere and deep prayers for the entire world and their families who got hit with the serious side of the illness ... 🤲🏽 #CovidRecovered #covid #ThankYouGod

A post shared by Zoa💫 (@zoamorani) onApr 17, 2020 at 10:34pm PDT

And now, talking to Mumbai Mirror about the same, Zoa poured her heart out on what the experience taught her and why she's now going to donate her blood. She said, "The most important thing that I have learned is how to be your own best friend. When I was in the hospital, I couldn't tell my parents and my sister I am scared. I had to be strong enough to be able to console myself. I have been very attached and dependent on people in the past, didn't have faith and confidence in myself."

And since the entire family, as stated above, is back home, how are they spending time? Zoa said, "We are all staying in the same house but maintaining distance from each other. We are not having dinner together or doing things together. The isolation period for me and my sister will get over. But it is still time for my father's isolation period to get over." She also revealed that she will be donating her blood this weekend.

"This weekend, we are going to be donating our blood. Apparently, after 14 days once you are tested negative, you can give your blood to other people because you have antibodies in your blood. It might help other people heal and recover." She also spoke about how she and her sister felt after they were tested COVID-19 positive. She stated, "My sister got a terrible headache and fever, I, on the other hand, had developed all these symptoms."

She added, "I was not able to breathe properly and I thought something was stuck in my chest. In the beginning, we all thought it was normal flu, my sister got a fever and the next day I got a fever. On the 8th day, it was pretty bad and we decided to get tested." It's heartening to know that the Morani family has finally recovered and we wish they continue to stay happy, hale, and hearty.

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It was a pleasant surprise when India's heartthrob Milind Soman got married to his sweetheart Ankita Konwar. Theirs wasn't a much-publicised courting, which made the union even sweeter and special. The couple celebrated their second wedding anniversary in a grand fashion. Due to the coronavirus outbreak and the country observing lockdown the couple decided to celebrate it on social media.

Milind took to his Instagram to wish her. He shared a picture of the two lovebirds togather along with the caption that read, "My day lights up when you smile, and I will do all I can to keep it that way, its 2 happy years today, so happy earth day @ankita_earthy ..p.s that's the only day I remember in the last 6 years that you were ready before me. Meri aankhon ne chuna hain tujhko..' dont know why I thought of that one (sic)."

 

 

 

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A post shared by Milind Usha Soman (@milindrunning) onApr 22, 2020 at 2:16am PDT

Ankita also reciprocated the love in a similar manner by sharing a then-and-now picture. "Then and Now. This day, 2 years back I vowed to be with you and be your partner in everything.So today when you asked if I would climb 300 floors with you to celebrate the beginning of the 3rd year of our marriage, I of course said yes..." she captioned the picture.

 

 

 

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A post shared by Ankita Konwar (@ankita_earthy) onApr 22, 2020 at 4:13am PDT

Milind and Ankita dated for five years before they finally got married. Milind Soman and Ankita Konwar exchanged wedding vows in Santiago de Compostela, Spain, where they went holidaying. They also had a traditional wedding on this day two years ago.

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Neighbours of yesteryear actor Anita Raaj and her husband Sunil Hingorani have alleged that the couple had been entertaining guests at their Pali Hill home on Monday despite the lockdown. High drama ensued at the posh Bandra address when cops landed at the actor's doorstep following the neighbours' complaint.

A source says, "Ever since the lockdown was announced, the society has barred entry for outsiders. So, the neighbours were surprised at the steady stream of visitors at her flat and expressed concern about the threat it posed to their health. On Monday, when it was noticed that they were entertaining guests, the local cops were informed."

The situation apparently took a turn for the worse after the cops left the premises. In a video that is in possession of mid-day, it can be seen that Raaj and her husband had a heated argument with the security guard in the lobby. "They wanted to know who had complained about them to the cops. At one point, they asked the guard if he had informed the neighbours about the visitors," adds the source.

When mid-day reached out to Raaj, she offered a different version of events. "Since my husband is a doctor, one of his friends had come home for a medical emergency. His wife came with him for assistance. My husband couldn't refuse him on humanitarian grounds. After checking the situation, the cops apologised for the false complaint that was lodged with them and left immediately."

The actor, best remembered for films like Prem Geet (1981) and Naukar Biwi Ka (1983), and currently seen on television in Chhoti Sardaarni, asserted that she would not compromise the safety of others. "I won't behave irrationally by hosting a party in the current scenario."

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Telly actor Kavita Kaushik's tweet in support of Hrithik Roshan and Adhyayan Suman has created a storm on social media.

Best remembered for her portrayal of Chandramukhi Chautala in FIR, Kaushik spoke her mind when she wrote, "I have gushing emotions of love, respect, empathy and more for Hrithik Roshan. Also, a huge apology is owed to Shekhar Suman and Adhyayan Suman. They are a sweet family and the hate they got from an eager-to-judge, feeding-on-lies-smeared popcorn audiences is so heartbreaking (sic)."

Also, a huge apology is owed to @shekharsuman7 and @AdhyayanSsuman , they are a sweet family and the hate they got from an eager to judge, feeding on lies smeared popcorn audiences is so damn heartbreaking🙏 everyone was so cruel to them at that time cos of the 'woman card' https://t.co/kRZ8kycwJ2

— Kavita (@Iamkavitak) April 19, 2020

Kaushik's tweet came in reply to a user who wrote, "Two sisters are united in thinking India is their grandfather's property. Rangoli wants 2024 elections to be cancelled. Kangana wants a ban on Twitter (sic)."

Adhyayan responded and wrote, "Sometimes it is better to leave things to destiny. Thank you for your kind words, Kavita (sic)." Rangoli's Twitter account has been suspended but she will surely have something to tell Kaushik. We are waiting.

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Bollywood actor Saif Ali Khan's son Ibrahim is using the COVID-19 lockdown period to strengthen his bond with mother Amrita Singh and sister Sara Ali Khan. "I'm spending quarantine, strengthening my bond with my mother and sister as we take charge of the household chores," Ibrahim wrote on Instagram.

"I came across a video which is a simple reminder to support our extended families of our neighborhood, especially the elderly who are the most in need amid the COVID-19 crisis. It's time we strengthen bonds and #ShowWeCare by helping them with essentials and ensure their well-being," he added.

 

 

 

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I'm spending quarantine, strengthening my bond with my mother and sister as we take charge of the household chores. This video by @vicks_india is a simple reminder to support the extended families of our neighborhood, especially the elderly who are the most in need amid the COVID-19 crisis. It's time we strengthen bonds and #ShowWeCare by helping them with essentials and ensure their well-being. #IndiaFightsCorona #QuarantineLife #FightCoronaTogether #StaySafe #covid_19 #StrongerTogether #TogetherWeCan #VicksPartner

A post shared by Ibrahim Ali Khan (@iakpataudi) onApr 22, 2020 at 5:33am PDT

Recently, Ibrahim also joined celebrities including Virat Kolhi and Siddhant Chaturvedi to voice concern for senior citizens amid the ongoing health crisis.

Kolhi used social media to request his fans to step up during the difficult time and check if senior citizens living in their vicinity are in need of any essentials or any other support. Siddhant, famous for his role as 'MC Sher' in "Gully Boy", called senior citizens living in his building and checked on their well-being. He told his fans on social media how simple acts of care towards the most in need while practicing social distancing can go a long way in emerging out stronger as a nation.

Kohli, Siddhant and Ibrahim were urging people to extend care for the elderly in an initiative by P&G Vicks.

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Amitabh Bachchan's social media feed is filled with moments and memories from his life. The superstar is known to dig out old photographs of himself and Bachchan family. His social media account is a treat for all the Bollywood buffs and especially people who are their fans and admirers. With the country undergoing lockdown due to coronavirus, the actor has taken up the task to fill smiles in this gloomy times through his adorable pictures.

Continuing the trend, Amitabh Bachchan posted another throwback picture of himself on his Instagram account. This picture is a collage of four images from his earlier years. The first picture is of the superstar in his youthful days, while the other three are just one picture, repeated thrice which shows off his "angry young man" look. Sharing the picture, the Piku actor wrote, "The age of innocence is over (sic)."

 

 

 

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The age of innocence is over ..

A post shared by Amitabh Bachchan (@amitabhbachchan) onApr 22, 2020 at 12:48pm PDT

Earlier, the superstar had shared a throwback picture of the premiere of his cult classic film Sholay. In the picture, he can be seen along with his co-star and wife Jaya Bachchan and Ramesh Sippy. "At the Premiere of SHOLAY .. 15th August 1975, at the Minerva .. Ma, Babuji, Jaya and a bow tied moi .. how pretty Jaya looks .. This was the 35 mm print at the Premiere .. the 70mm Stereo sound print , first time in India was stuck in Customs.. but after the Premiere got over by midnight, we got news that the 70mm print was out of Customs .. we told Ramesh ji to get it to the Minerva .. it came .. the first Indian film on 70mm Stereo .. and I sat on the floor of the Balcony with Vinod Khanna and finished seeing this amazing result till 3 in the morning (sic)", he captioned it.

 

 

 

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A post shared by Amitabh Bachchan (@amitabhbachchan) onApr 17, 2020 at 3:26am PDT

This was followed by a never-seen-before picture of himself from his younger days. "My very first photoshoot for a film magazine after joining the Industry in 1969 .. it was for the ‘Star & Style’ the only other prominent film mag., along with Filmfare at the time .. I was pushed and goaded into - a most reticent reluctant and very self-conscious shy me - by the most famed and feared journalist of the times - Devayani Chaubal .. obviously there was no ‘star’ or ‘style’ in the project .. but Devyani thought so .. a strong-minded lady, ever dressed in a shining white sari .. always !!! (sic)", he captioned it.

 

 

 

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My very first photo shoot for a film magazine after joining the Industry in 1969 .. it was for the ‘Star & Style’ the only other prominent film mag., along with Filmfare at the time .. I was pushed and goaded into - a most reticent reluctant and very self conscious shy me - by the most famed and feared journalist of the times - Devayani Chaubal .. obviously there was no ‘star’ or ‘style’ in the project .. but Devyani thought so .. a strong minded lady , ever dressed in a shining white sari .. always !!!

A post shared by Amitabh Bachchan (@amitabhbachchan) onApr 14, 2020 at 11:14am PDT

On the work front, Amitabh Bachchan will next be seen in Chehre alongside Emraan Hashmi, and Ayan Mukerji's Brahmastra with Alia Bhatt and Ranbir Kapoor. He recently wrapped up shooting for Gulabo Sitabo where he will be seen alongside Ayushmann Khurrana for the first time.

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Gorgeous Miss World 2017 Manushi Chhillar, who is set to debut in Akshay Kumar's Prithviraj, has always championed the cause of women. She backs Project Shakti, a non-profit programme, that has joined hands with local women across India and has empowered them to make a living by educating them to make biodegradable sanitary pads. The initiative works towards raising the awareness on menstrual hygiene among women in the local communities of these women.

Manushi lauds the government's decision to include sanitary pads as essential commodity amid coronavirus crisis. However, she explains that underprivileged women have become prone to severe risks due to shortage of funds in the hands of daily wage earners because of SARS-CoV-2 – the terminology now being used by medical fraternity to describe coronavirus globally. Manushi has an appeal to make to the all the government authorities.

"I'm hugely thankful that sanitary pads have been listed as an essential commodity by the government of India during SARS-CoV-2 crisis. However, we need to focus on how women, especially from the economically handicapped strata, can get pads free of cost. I also urge the governments of various states to kindly look into distributing sanitary pads along with daily rations to the underprivileged," she says.

Manushi adds, "The issue is that due to the shortage of funds, particularly among the daily wage earners, most would be looking to spend their money on just food and women's sanitation might not be a top priority for many families. This would increase the health hazard for millions of women in India as sanitary pads come at a certain cost and the financial crisis is definitely going to push women to be at risk. I have spoken to organizations who are working non-stop in ensuring pads are distributed free of cost but it would be great if administration, from a district level to city to state-level comes forward to help the needy."

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Sushmita Sen and Rohman Shawl are truly couple goals! From celebrating important days together to performing yoga, the duo is inseparable. Their love for working out and fitness is evident through their social media posts. As the lockdown continues, Sushmita and Rohman have been sharing some couple yoga poses on social media, and leaving fans in awe of their chemistry.

Take a look at Sushmita Sen and Rohman Shawl's yoga poses right away!

In this one, Sushmita wrote, "#garbhasana. All grown up & yet nothing beats the comfort of the fetus pose!! Nothing calms the mind faster than going back to the source!! besides, @rohmanshawl attempting this with me is #adorable we wish you calm & all the love in the world!! #yourturn I love you guys!!!"

 

 

 

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A post shared by Sushmita Sen (@sushmitasen47) onApr 22, 2020 at 9:44am PDT

In the next post, Sushmita Sen shared a series of poses which spoke about power, health and mental strength. "Tough times don't last...Tough people do!! #truethat Staying committed to life is powerful...for life ALWAYS finds a way!!! We will all need to be of service at some point, it's wise to stay mentally strong & physically healthy against all odds, to be of help when life beckons!! sending love & healing energies to the world!!! #staysafe #proactive #breathe #discipline #highspirits [sic]," wrote the actress.

 

 

 

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A post shared by Sushmita Sen (@sushmitasen47) onApr 1, 2020 at 8:38am PDT

It's not just lockdown that has left the duo performing yoga together. Sushmita and Rohman have always been fitness enthusiasts, and they have been educating their fans about the advantages of yoga. Sharing a video, in 2019, Sushmita wrote, "There can be strength, form, flexibility, balance...& yet this is impossible to do without trust!! You lucky man @rohmanshawl I bend backwards for you...literally!! I know you got me, poetic as always Rooh meri! [sic]"

 

 

 

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A post shared by Sushmita Sen (@sushmitasen47) onSep 12, 2019 at 2:34pm PDT

Sushmita Sen and Rohman have been spreading positivity through their fun posts, and they're truly inspiring. Rohman and Sushmita are currently locked down together. Sush is also busy with her upcoming web-series Aarya that will be premiering soon.

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Actress Sobhita Dhulipala, who has been accused of making false claims of 'self-timing' a magazine photoshoot, has issued a statement in self-defence.

A few days ago, Sobhita had posted a few of her pictures claiming she had clicked the images with a self-timer. However, the authenticity of her claim came under scrutiny after snapshots, showing Sobhita being clicked on her terrace by a man, went viral on social media. Seeing the viral images, many followers started questioning her and accused her of lying.

 

 

 

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A post shared by Sobhita Dhulipala (@sobhitad) onApr 24, 2020 at 9:42am PDT

Sobhita then penned a lengthy note, explaining that the man had just offered to help. "Quite a few people have written to me about the image I last posted. It is upsetting and I am little taken aback by how urgently many have jumped to unkind conclusions, this is also a moment for me to learn something deeper," she wrote.

She added: "I stand by the flow of events I'm sharing with complete transparency:

1. I style myself, go to the terrace with a coffee mug and a couple of tools to prop up my phone to take pictures.

2. There are people on the terrace and one kind gentleman upon learning that I'm trying to shoot my pictures, offers help.

3. After he graciously shoots a few pictures in the frame I wanted, I thank him and we depart.

Neither was the picture shot by him used by Cosmopolitan (It doesn't belong with the magazine's mandate) nor am I anything but proud of this wonderful collaboration with the magazine.

I only posted it along with the official ones because I like it. I recognise that I should have altered the caption text to mention that the second image was not part of the magazine shoot. I wish I had a more exciting, dramatic story but alas, truth often wears plain robes! Stay home and stay safe," concluded the model-turned-actress, best known for her roles in the web shows "Made In Heaven" and "Bard Of Blood".

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Megastar Amitabh Bachchan shared a "breaking news" that a bat entered his home Jalsa in Mumbai. Bachchan took to Twitter to share the "news of the hour" with his fans and followers." "Ladies and gentlemen of the Jury .. news of the hour .. BREAKING NEWS .. would you believe it .. A Bat, a (chamgadar) has come into my room .. in Jalsa .. on the 3rd floor .. in my Den..."

The thespian said that it was a tough job to take the bat out from the room. "Badi mushkil se use bahar nikala (It as tough to take it out)... Corona peecha chodh hi nahin raha (Corona is not leaving)."

T 3510 - Ladies and gentlemen of the Jury .. news of the hour .. BREAKING NEWS .. would you believe it ..
A Bat , a चमगादर has come into my room .. in Jalsa .. on the 3rd floor .. in my Den .. 😯😯
badi mushkil se use bahar nikala ..
Corona peecha chodh hi nahin raha !!!

— Amitabh Bachchan (@SrBachchan) April 25, 2020

However, the tweet did not go down well with many social media users.

A user wrote: "Sorry to hear this from a reputed personality. Bats are not harmful and there is no need to fear. Kindly understand that they did not spread the virus to human. The reason is still debated. By nature, most animals have got virus in their body. Pls read this."

Another commented: "Not in good taste sir. You have millions of followers. Still we don't have exact process of human virus spillover. Demonising bat is last thing we want. Things we know for sure; They are pollinators. They help in pest control. Please revisit it."

Not in good taste sir. You have millions of followers. Still we don’t have exact process of human virus spillover. Demonising bat is last thing we want. Things we know for sure; They are pollinators. They help in pest control. Please revisit it.

— Parveen Kaswan, IFS (@ParveenKaswan) April 25, 2020

"This is story of every uncle now days after limits on WhatsApp forwards," said a user.

Sir, over 60 scientists have released a press statement that bats don't spread COVID-19. I've had bats visit, switch off lights and fans, they find their way out. Bats are amazing and important ecologically, and a lot of researchers are working on dispelling myths about them. pic.twitter.com/kwVT4KC33Q

— Bijal Vachharajani (@bijal_v) April 26, 2020

On the work front, Big B will next be seen in films like "Chehre", Gulabo Sitabo", Brahmastra" and "Jhund".

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Sharing a video which he termed as 'a small step towards humanity', megastar Amitabh Bachchan on Sunday urged people to stay compassionate and inclusive in the testing times of coronavirus crisis.

Bachchan took to Twitter to share the initiative of spreading love and compassion across the country.

T 3513 - A small step towards #Humanity pic.twitter.com/dHu6ZE7aMd

— Amitabh Bachchan (@SrBachchan) April 26, 2020

The video message for which Bachchan has given his voice talks about different times when humans need a helping hand from several professionals and how during times of crisis people should not forget that humans are interdependent on each other. "A doctor held me in his arms when I came out of my mother's womb. A nurse bathed me with her gentle hands when I was a little baby. My teacher held my finger with her fingers when she taught me to write the first alphabet 'A.' My safety was in the hands of our driver when I went to school," Bachchan is heard saying in the video.

"When I ate, I always knew that it was prepared by the loving hands of our cook. We always needed those hands, we still need them, those safe hands, those protective arms, those guiding fingers," he further said.

He then correlated the message to the current scenario of the coronavirus crisis and said that social distancing should not distance people from humanity.

"Today, handwashing and social distancing have become paramount for our safety. So, hands folded I implore you, let us not wash our hands of humanity," the 'Sholay' actor said.

"Let us not suspicious of people around us, let us not shun people around us, let us not shame people around us. Let us be aware, let us be compassionate, let us be benevolent, let us be inclusive, let us be human," he added.

The 77-year-old actor has been associated with different campaigns and has also been raising awareness about coronavirus for a long time.

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Several wedding guests, including children, fell ill after lunch

Gajar ka halwa made for a bitter end to a wedding in Kelwa on Sunday, after 175 guests fell violently ill. All those admitted to hospital for food poisoning were discharged the same night after treatment. Ironically, the food had been supplied by none other than the father of the bride, who is a local caterer.

A sample of the wedding buffet has been sent to the Food and Drug Authority (FDA) to find the cause behind the mass food poisoning. Action will be taken based on the FDA’s report, said the police.

More than 700 people had attended the wedding, which featured a vegetarian as well as non-vegetarian menu. Around 1 pm, some people started feeling giddy, and complained of stomach ache. Many also started vomiting after lunch. Around 175 people were taken to Safale Primary Health Centre. "There was  chaos, as nobody understood what was happening. The entire health centre was filled with patients," said a cop from Kelwa police station.

"The situation eventually settled down after a couple of hours, when the patients started feeling better," he added.

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A four-way conference call between us, Sharon Isbin, and Ayaan and Amaan Ali Bangash makes one thing crystal clear. The two sarod-playing brothers have unfettered respect for the Grammy-winning American guitarist, since they consider it an "honour" to be collaborating with her for an unusual concert slated for later this week. It's a word they use multiple times during the phone call. And Isbin, on her part, tells us from Kolkata that she's as enthused about the performance as anyone else.

The gig is unusual because it isn't everyday in our country that the worlds of Indian and western classical music collide on stage. Isbin is one of the world's leading lights in the latter genre. But her introduction to western classical music was wholly by accident. "We were living in Italy for a year when I was nine years old, and my older brother asked for guitar lessons. But he didn't want to study classical. He wanted to be Elvis Presley. So, I volunteered to take his place and raised my hand out of family duty," she reveals, adding that while her father was a nuclear scientist, it was her mother who ensured that she received a solid musical education.

It's a different story for the Bangash brothers, of course. It's almost as if it was preordained that they would take to the sarod, considering that their father, Ustad Amjad Ali Khan, is one of the world's most prolific practitioners of the instrument. But even though they have collaborated with many different musicians — including with Derek Trucks of the rock band Allman Brothers — this is the first time that they will be playing in India with Isbin, who they have known for years.

Ayaan and Amaan Ali Bangash

Ayaan says, "Sharon and we have had mutual admiration for each other's cultures, and I think it's really important to connect with the individual with whom you'll be performing. Also, since we have known each other for a long time, it was easier to develop the music. It's taken us around six years to compose this piece, and I'm glad that everything has fallen into place for us to perform it in India for the first time."

And Isbin adds that her affinity for Indian string instruments began when she was in college. "I loved listening to the sitar, sarod and the tabla back then, and would go to raga concerts because I found them to be meditative. I have also studied transcendental meditation, which of course originated in India, and have been practising it since my teens. That's every single day for many years. So, I have a certain spiritual attraction to the culture and the music here," she says.

Amaan, meanwhile, points out how the sarod and classical guitar have a shared commonality, in that they belong to the larger family of string instruments. Think about it. The guitar, in India, has had a profile that's associated more with jazz, rock 'n' roll and electronic music. Rarely, if ever, has the western classical guitar been heard here in this kind of a collaboration, which also features tabla player Vijay Ghate and mridangam exponent Sridhar Parthasarthy. "We have never played these pieces with a guitar before. But both are string instruments. One is played with the fingertip and the other is played with the finger nails. So, the technical approach isn't wholly different," he tells us, while Ayaan adds that playing this composition will be different for the brothers because they are sticking to a written score.

He further says, "I think everyone's music is a reflection of who they are as individuals. Their soul comes out through their music. And all of us have come out of our comfort zones here to reach a meeting point. Eventually, though, things just happen on stage, you know? You might rehearse all you want, but at the end of the day, what the piece shapes us as is something that has some kind of energy and universal blessing, and we hope to reach that final destination with dignity and grace."

ON February 21, 8 pm
AT Royal Opera House, Girgaum.
LOG ON TO bookmyshow.com entry '300 onwards

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Former media baron Peter Mukerjea, an accused in the Sheena Bora murder case, was admitted to the state-run J J Hospital in Mumbai after he complained of chest pain, officials said on Sunday. Mukerjea, who was lodged at the Arthur Road Jail in Central Mumbai, had been complaining of chest pain for the last few days, a police official said.

On Saturday evening, he again suffered from severe pain in the chest following which the prison medical staff checked him and rushed him to the J J Hospital, he said. "Mukerjea was admitted to the hospital on Saturday evening for chest pain. The patient's condition is stable and he is undergoing treatment," J J Hospital's medical superintendent Dr. Sanjay Surase said.

The CBI told a special court here earlier this month that Mukerjea is the "silent killer" of Sheena Bora, the daughter of his wife and former media executive Indrani Mukerjea from a previous relationship.

The April 2012 murder of Sheena Bora (24) came to light in August 2015 when Indrani Mukerjea's driver Shyamvar Rai spilled the beans after being arrested in another case. Indrani Mukerjea, her former husband Sanjeev Khanna, Rai and Peter Mukerjea were subsequently arrested in the case. Rai later became an approver and was pardoned. The CBI has claimed a financial dispute led to the killing of Sheena Bora.

Dr Sanjay Surase, Medical Superintendent of JJ Hospital: Peter Mukerjea has been admitted to JJ Hospital after he complained of chest pain.
An accused in Sheena Bora murder case, Mukerjea is currently lodged in Arthur Road jail. (file pic) #Mumbai pic.twitter.com/qpSdygSOLb

— ANI (@ANI) March 17, 2019

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In her short but eventful life of 28 years, Amrita Sher-Gil soaked in a gamut of experiences, which she then suffused her canvas with. From her early years in Hungary, her family's move to Shimla when she was eight, her training in art in Paris, and her return to India, each phase of her life left its impression on her oeuvre. A rare solo show of Sher-Gil's artworks in the city now stitches together these chapters of her life with her brush strokes.

Amrita Sher-Gil — Perhaps it will fly away if I get up, which opens next Tuesday, kicks off the 10th-anniversary celebrations of Akara Art, founded by art dealer and consultant Puneet Shah. "We wanted to enter our 10th year with a spectacular show. Given the sheer stature of the artist and her contribution to modern Indian art, it was an obvious choice," says Shah, who has dealt in Sher-Gil's works for many years.

The sketch, Untitled, Pencil on paper, 10 x 7 inches, 1930, will be displayed at the gallery

The exhibition, titled after a poem she wrote in 1934, features an essay by Skye Arundhati Thomas, who has also written the wall text. Conceived of and curated in-house, the show includes a self-portrait in oil, seven watercolours, and six works in charcoal.

Untitled, Watercolor on paper, 14 x 10 inches, 1926 -28

"The idea was to show a large range and body of her work, and how versatile she was in different media," informs Shah. During the curatorial process, the gallery also discovered a picture of Sher-Gil at a young age in her study in Shimla, sketching a model. That drawing in charcoal is part of the show.

"With Amrita, the context gets reinvented every time her work is shown," Shah shares. "Her story will keep evolving because the character is so strong."

FROM April 9 to May 8, 11 am to 6.30 pm
AT Akara Art, 4/5 Churchill Chambers, Colaba
CALL 22025550

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A blood donation camp organised at the government-run Bombay Veterinary College on Thursday, saw seven dog parents lining up to get their pets to donate blood. As the hospital does not have a blood bank yet, the plasma and blood cells were extracted from the donated blood to be preserved for treatment of sick dogs in emergency situations, doctors said.

When 23-year-old Anita Mehra had rushed an injured dog to the Bombay Veterinary College around a month ago, the canine was bleeding profusely owing to a road accident. Doctors said that he had suffered from internal bleeding and needed a blood transfusion. Now named Tony, the stray has recovered completely and is awaiting adoption.

Tony is just one of many such dogs falling prey to road accidents every year, losing litres of blood. This how the idea for a blood donation camp for dogs came to the hospital authorities.

More than 100 stray dogs have individually donated blood here in the past four years. This blood has not only been used for dogs who are victims of accidents but also for the ones suffering from blood-related disorders. On a daily basis, the animal hospital receives five to ten cases where blood transfusion is required for injured or sick dogs.

A donation camp was, however, organised for the very first time by the hospital. While around 20 dogs were registered for the donation, around 15 of them turned up. Seven of these were found suitable for donation.

Fit for donation
The donor pet needs to be on an empty stomach at the time of donation, weigh not less than 20 kg and be in the age group 1-9 years. Dogs can donate a bag of blood (350 ml) once in three months. "Seven such units were collected on Thursday. As we cannot store whole blood, we have extracted the plasma and blood cells which can be separately stored for a year. Whole blood, on the other hand, lasts only six months," said Dr J C Khanna, director of the hospital.

Universal donors ideal
After donation, the blood is separated into further components that help in the treatment of dogs suffering from liver diseases, anaemia, internal bleeding, etc. As per the Canine Health Foundation, dogs, much like humans, have types of blood classified into groups. Dogs have over a dozen different blood groups, six of which are fairly common.

Both humans and dogs can be classified as universal donors based on their type or group. Roughly 40 per cent of dogs belong to the universal donor group. Blood from dogs belonging to the universal donor group is compatible with any recipient's blood. Dogs, too, can suffer adverse reactions to transfused blood that is of a different type than theirs, the hospital stated.

Criteria for a donor dog
* Weigh more than 20 kg
* Be in the 1-9 years age group
* Must be on an empty stomach
* Must not have donated blood in the past three months

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The civic body just can't seem to get its mid-day meals right. It turned out to be a poisonous Thursday at Bhandup's Sahyadri Vidyamandir, after 16 students and a teacher landed in hospital with complaints of stomach ache and vomiting on eating the dal rice served in the school yesterday. While all are stable now, it has once again raised serious concerns over the meal scheme.

The trigger
Though Sumit Dongarkar's mum packs a tiffin for him every day, he looks forward to the brunch served in school, and Thursday was no different, said his mother Sonali, as he loves dal rice.

The 13-year-old and his friends ate the meal with relish during the recess at 9.50 am, but shortly after, trouble started. At first, a Std VII student began vomiting, but soon, more complained of stomach ache and nausea. After other students began throwing up, the school authorities rushed 16 of them, and a teacher, Vidya Lad, who'd tasted the food as per protocol, to Mulund Agarwal Hospital. Sonali Dongarkar said, "Sumit is doing fine now and is under observation."

Who's responsible?
School authorities said that for the last one and a half year, around 700 students have been eating the meals prepared by Lingeshwar Mahila Bachat Gat. Parents told mid-day that VII-C is the first to receive the food every day, and while 16 from the class of 40 took ill, others remained unaffected. "Everybody is stable now. But this has shaken the kids and our trust. Who will take the responsibility for it?" asked Aruna Poojari, a parent.

Another, Aditi Naik, said, "My son, Krish, had a nasal tube attached for a while. He is okay now, but I am going to tell him not to have the meal again." Several parents complained of being kept in the dark about the incident. "The school finishes at 12.30 am. When I went to receive my daughter, she never came out. Then, a friend of hers told me what had happened. I felt dizzy on finding out, but I rushed to the hospital," said Lalita Shinde.

Hospital dean Dr Usha Mohprekar said, "All are stable now. We have moved them to the general ward for observation. Prima facie, it looks like food poisoning. An inquiry will be conducted."

Sampling the fare
Principal Narsingh Mane told mid-day, "The staff were prompt in giving required care to the sick children, all from one division. The food had come from Lingeshwar Mahila Bachat Gat, which has been providing it to us for a while now. So, we are not sure what went wrong. Samples of the food have been submitted to authorities for testing."

BMC education officer Mahesh Palkar said, "We have collected raw as well as cooked food samples from the kitchen of the organisation. The kitchen looked neat and tidy; nonetheless, experts will test the samples to end the inquiry conclusively. Until the investigation report is out, we have ordered the organisation to not supply food; its contract with the civic body will be subject to the probe report.

"The organisation provides mid-day meals to 25 other schools in the vicinity. So, while the investigation is on, all these schools will have to make alternative arrangements."

Also read: 25 students fall ill after consuming mid-day meal at Delhi school, hospitalised

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A month after she noticed what looked like an insect bite on her hand, Chanda Verma, 45, mysteriously died, after spending 22 days in the ICU. Before the Verma family could even process what had happened, the hospital handed them a bill of Rs 3 lakh, and refused to release the body until they paid up.

Late August, Chanda noticed a small sore on her hand. As a single mother supporting two kids on a modest income as a vegetable vendor, she brushed it off as an insect bite. But, in a few days, her hand swelled up and the pain became unbearable, and she was admitted to Sai hospital in Chembur, where she underwent surgery.

Mystery illness jolts family
Despite treatment, her condition deteriorated, and her entire body was swollen. She was moved to the ICU, where she spent 22 days in comatose state before succumbing to the infection on Tuesday. The shocked family's ordeal had only begun. When the family said they wanted to perform her last rites, they were handed a bill instead. The hospital held the body for nearly 12 hours, until the Vermas paid a portion of the bill.

"Around 10 am, I was informed that my sister had passed away. The hospital immediately gave us a bill of Rs 3 lakh. When I asked them when I could take the body, they ordered me to pay the pending amount, and threatened that they wouldn't release the body otherwise. We waited and pleaded, to no avail. Then my friends helped me collect Rs 50,000, which we gave before collecting the body," said Chanda's brother Ratan Verma, who runs a small local business. Chanda had died at 4 am, and her body was eventually released at 3 pm. She is survived by two children, aged 16 and 18.

Hospital says
A hospital staffer told mid-day, "The patient had a pending bill, so we couldn't release the body. The family members tried to shrug it off saying they didn't have any money. Later, they paid Rs 50,000 and took the body. What would we have done with the body anyway?"

Administration in-charge Padma Joseph said, "We had given them a lot of time to clear the bills. She was admitted for 20 days and the bill amount rose to above Rs 3 lakh. They paid around R1lakh, so, we asked them to pay the remaining as this is a private hospital and we can't let go of unpaid bills. This does not mean we held back the body. When they informed us that they could pay only Rs 50,000, I told the director who instructed us to give them the discharge file." Dr Abid Sayyed, director of the hospital, said, "We had informed the family about the estimated amount and also asked them to shift the patient to another hospital, but they didn't listen. When the patient died, the doctor had to negotiate the pending amount. We never stopped them from taking the body," he said.

Against apex court, HC ruling
The hospital's alleged insistence on payment before releasing the body is in violation of human rights and a judgment given by the Bombay High Court in January. The HC, while hearing a public interest litigation on bill disputes at hospitals, stated that detaining any patient for an unpaid amount is illegal. Last year, the Delhi High Court had issued a similar judgment, ordering that hospitals cannot hold patients "hostage" to extract money for unpaid bills. A few years earlier, the Supreme Court had also ruled similarly, advising hospitals to recover dues by moving court for legal recourse. In 2016, HC asked the state government to develop a mechanism which would enable the state to take action against hospitals and doctors who detain patients and hold up bodies over non-payment of bills.

Expertspeak
Dr Shivkumar Utture, president of Maharashtra Medical Council (MMC), said as private hospitals do not come under the purview of the council directly, there are no specific rules for that, but under the court rules, it is prohibited. "No hospital can refuse to release a body over unpaid bills. It would be a violation of the court judgment."

The Bombay HC also ordered the Maharashtra government to publish the legal rights of patients online, so that such harassment is not meted out to less privileged patients. However, seven months on, the government is yet to follow the directive. "Patients need to know about their rights so that private hospitals can't harass them. The state government hasn't done anything to spread awareness among people," said Dr Ravindra Singh, a health activist. Advocate Shailesh Sadekar said, "As per a SC ruling, it is illegal to hold a body and deny a chance to carry out the last rites over a bill," he said.

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When disciples of the late Odissi exponent Kelucharan Mohapatra speak of him, they never fail to quote a life lesson he imparted to them. "Practising hard makes you a good dancer. But the day you embrace humility is when you become an artiste," he would say. More than 1,200 km to the south, Chennai-based Aruna Sairam practises a different classical art form, but what ties the Padma Shri awardee to Carnatic music is the same bond of humility.

Born in Mumbai, she was introduced to the music tradition by her mother. Six decades and several accolades later — she received the Sangeetha Kalanidhi award by the Madras Music Academy in January — she remains open to new experiences to keep her music evolving. Back in the city for a concert this evening, caught up with the vocalist.
Edited excerpts from the interview.

How did your years in Mumbai shape you as an artiste?
I was brought up in Dadar Parsi Colony and went to the JB Vachha school. So, I lived in two happy worlds. One at home, where we spoke Tamil and my mother taught me Carnatic music. And one outside, where I enrolled for western music in school, took up Gujarati as a second language, and learnt Hindi and Marathi on the streets. We moved to Chennai in 2000 because that's the headquarters of the style of music I practise, but the cosmopolitan Bombay is what I am.

The first half of my concerts is dedicated to pure Carnatic music — something I learnt from my guru, Smt T Brinda. But I also sing abhangs in a Carnatic rendition. There are songs of Ganpati Visarjan, the hymn Vaishnav Jana To in folk Gujarati... in the last part.

You've also trained under international voice masters.
Since my school days, I had been introduced to the idea that in the West, they have techniques to hone your voice. So, when I felt I was finding it difficult to fully convey my emotions in my voice, I decided to train under them.

You have been performing since you were eight. What keeps you going?
I was in Jerusalem for a concert recently. I took the help of a professor there to learn a Hebrew song. When I sang it, people got emotional because they felt someone had taken the trouble to learn an important part of their culture. This sense of newness keeps me going.

ON Tonight, 7 pm
AT Fine Arts Cultural Centre, RC Marg, Chembur 
CALL 25222988

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Abbas Irani alias Abbas Khan is all smiles in his wedding photographs; there's not a frown or worried line on his face to indicate that the wanted fugitive was at all worried about the police showing up to arrest him. And why would he be? Despite the fact that he was wanted in two separate cases under the Maharashtra Control of Organised Crime Act (MCOCA), the city police had never bothered to arrest him.

It was no different at his grand wedding celebrations in Kalyan. The notorious conman and chain-snatcher celebrated for three days and got hitched amid much fanfare at his house in Ambivli. However, there was no sign of the police. It was the same in 2017, when he was released on bail after being arrested by the Delhi police. Neither the Mumbai police nor Thane cops bothered to take his custody upon his release, even though he had been wanted under MCOCA since 2016.

Modus operandi
While Abbas is notorious for chain-snatchings, his gang's most common modus operandi is to dupe women by posing as policemen. The gang members impersonate CBI or crime branch officers and target elderly or uneducated women. Claiming that a thief is on the loose, they ask the women to hand over their gold ornaments for safe-keeping and then disappear with the valuables.

Police records show that there are more than 100 cases registered against Abbas and his gang across the country, but somehow, the police can never seem to catch him. There are cases against him in Mumbai, Thane, Kalyan, Pune, Bangalore, Kolkata, Delhi, Hyderabad and Chennai. As many as 40 cases of theft are registered in Thane alone, and there are more than 30 in Delhi. Sources revealed that the Baroda police are also in pursuit of the crook for stealing a bike just before he headed back to Kalyan for his wedding.

Powerful crime family
Abbas took up crime following in the footsteps of his father, Amjad Irani alias Amjad Khan, who was arrested in 2015 for similar offences and was booked under MCOCA. Police records show that his uncle Ajij Khan is also wanted under MCOCA. A few years ago, Abbas's wedding was called off after the girl's family learned of his criminal background. On January 8, he finally got married amidst his family and fellow gang members.

Sources said that despite the high-profile wedding, Abbas is protected from police action by his family's connections. His gang members Jafar Gulam Hussain, Faisal Ali Yusuf Ali Shaikh, Ali Hasan, Firoj Irani serve as his lookouts. His mother claims she is a member of a powerful political party. The family and gang control a massive network of criminals who have spread out across the country. A senior officer from Mumbai police said only, "It is true, he is wanted in MCOCA cases."

100 Approx no. of cases against Abbas and gang

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In a shocking incident, a man allegedly killed his wife on Tuesday over the suspicion of her having an extramarital affair. According to the police, the accused, Kumar Bhaoir (32), used to stay with his wife Veena in Murdagaon area in Uttan. On Tuesday morning, he entered his wife's office in Bhayandar West and allegedly stabbed her more than 16 times and fled from the spot. Later, he surrendered before the Bhayandar police stating that he killed his wife following frequent disputes between the two. 

The deceased was working at a Chartered Accountant’s office situated in Bhayander West. After the incident, she was immediately rushed to the local government hospital where she was declared dead by the doctors. The police have registered a case of murder and have arrested the husband. During the interrogation, they learnt that Kumar had filed a missing complaint of his wife Veena on January 2, 2019, after his wife left the house following an argument with him.

The couple was married for 14 years and had no kids. During the investigation, the Bhayandar police learnt that a missing complaint had been filed earlier this month but Veena returned back on January 10 and was living separately. Kumar doubted her character and thought she was having an extra material affair with another person. He tried to get in touch with her but was unsuccessful. 

On Tuesday, he learnt that she showed up at her workplace. At around 10:30 am, the accused showed up at Venkateshwara Cooperative Housing Society near Bhayandar station and initiated a conversation with her. Soon it turned into a heated argument and the accused, who was carrying a sharp knife, stabbed her multiple times until she fell to the ground. He then fled from the crime scene and went to the police station to surrender himself. Veena was rushed to the local government hospital by her colleagues where she was declared dead before admission. 

“We have booked and arrested Kumar under section 302 of IPC and will produce him before the court,” said police R. Jadhav, Police Inspector, Bhayandar police station.

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Bollywood actress Shamita Shetty's driver was bashed up by a motorist and his friends in Majiwada, Thane. The incident took place followed by an accident in Thane on Tuesday afternoon. According to reports, Shetty travelled from Andheri to Thane for some personal work, when a car rammed into her BMW from the rear near Viviana Mall, Majiwada. When her driver got off the vehicle to check for any damages, the motorist and two of his friends started abusing him.

Following the incident, Shamita's driver approached Rabodi police station and filed a complaint against the attackers. The police have already managed to identify the vehicle and are currently working on tracing its owner. Meanwhile, Rabodi police have also registered a case against the trio under Sections 279, 323, 427, 504, 506, and 34 of the Indian Penal code.

Shamita Shetty, sister of actress Shilpa Shetty Kundra, is a Bollywood actress and an interior designer. She made her Bollywood debut in 2000 with the blockbuster Mohabbatein. Her portrayal in the film earned her the IIFA Award for Star Debut of the year.  She also featured in a couple of movies later and her notable work includes Zeher, Mere Yaar Ki Shaadi Hai, Bewafa and Cash. She was also a contestant on Bigg Boss, the reality show in 2009.  She is currently a contestant on the reality show season 9 of Colors, Fear Factor: Khatron Ke Khiladi. She had endorsed Pantene with her sister Shilpa Shetty Kundra for a year. She has also been associated with brands like Audi, Aldo, IIJAS Jewellery exhibition and many more.

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So many of us have lost someone we know to cancer. So when 15-year-old Devika Madgavkar, who was volunteering at the Tata Memorial Centre and working with kids with cancer, asked Alfred D'Souza, the director of her choir Stop-Gaps Junior Choral Ensemble, if they could do something to cheer up the children undergoing chemotherapy, he thought, "why not?"

And Carnival in Song was born. "Madgavakar wanted to do something for the kids, who she observed were quite self-conscious and distant after they lost their hair. Also, many of them hail from a low social economic background. The event is just before Lent, which begins on March 6, and as it's the season of hope, we wanted to brighten up their li­ves. I prepared two choirs and reached out to others, who agreed immediately," says D'Souza.

The Salvation Singers

The audience will get to hear ha­ppy numbers, and renditions of peppy tracks with a samba or calypso beat, akin to what you hear at a carnival, shares D'Souza, adding that while the Stop-Gaps Choral Ensemble will be performing Brazil and Senorita, The Salvation Singers will offer a medley of Hindi songs, and Siddharth Meghani will perform some Elvis Presley tracks. The line-up will also include The Victory Chorus Line, and soloists such as Ella Atai, Kim Cardoz, Mehmood Curmally and Darren Das, accompanied by Mimosa Almeida Pinto (piano) and Ishan Jadwani (drums), besides dancers on stage.

"We've been planning this since October. We have a lot of kids aged between five and 15 years, who have their term exams at the moment, but yet th­ey have been practising," adds D'Souza. All proceeds from the evening will be given to the centre's Runners of Hope Initiative.

ON March 1, 7.45 pm onwards
AT St Andrew's Auditorium, St Andrew's College, St Dominic Road, Bandra West 
LOG ON TO bookmyshow.com
CALL 26410926
COST Rs 300 onwards

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While speculations of Malaika Arora and Arjun Kapoor getting married in April were rife, the former was seen making the most of summer nights by partying with her girl squad - Kareena Kapoor Khan, Amrita Arora Ladak, Delnaz Daruwala, Mallika Bhat and Vahbiz Mehta. Amrita Arora's husband Shakeel Ladak and fashion designer-producer Vikram Phadnis were also part of the bash, which was held at Shakeel-Amrita's residence.

Well, the terrace party seemed to be one crazy night, and the pictures that the celebs shared from the bash, doing rounds on social media, are proof enough!

Malaika Arora posted this picture on her Instagram account and captioned: "Summer nights .... terrace nights @amuaroraofficial @shaklad @vahbizmehta @delnazd @mallika_bhat @vikramphadnis #bebo#ammusterrace [sic]"

Shakeel Ladak with wife Amrita Arora and her best friend Kareena Kapoor Khan. Bebo looked stunning in a black crop top and high waisted jeans, Amrita opted for a black crop top and printed shorts.

Group picture - (L to R) Malaika Arora, Amrita Arora Ladak, Vahbiz Mehta, Kareena Kapoor Khan, Vikram Phadnis, Delnaaz Daruwala and Shakeel Ladak

Malaika and Vahbiz Mehta posed for a selfie. Vahbiz had also accompanied Malla to her Maldives vacation.

Well, this picture of Amrita Arora kissing her husband, shared by Vahbiz Mehta on her Instagram stories caught everyone's attention. Isn't it romantic? 

This one too stole our hearts! Amrita Arora and Shakeel Ladak completed ten years of their marriage on March 4, 2019. The couple tied the knot on March 4, 2009. The two have been inseparable. They have two sons, Azaan (9) and Rayaan (7).

 

 

 

View this post on Instagram

Summer nights...... #bebo♥ï¸Â#ammusterrace

A post shared by Malaika Arora (@malaikaaroraofficial) onApr 18, 2019 at 11:03am PDT

Looking at the pictures, this indeed looked like one perfect summer night!

Also Read: Malaika Arora and Arjun Kapoor spotted at a hospital in Bandra, see photos

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While digital technology often receives brickbats from the health-conscious, a 76-year-old man in Hong Kong now wants anyone with a heart problem to wear an Apple Watch after it helped him get a new lease of life by sending an alert about his elevated heart rate.

Gaston D'Aquino, a semi-retired diamond trader, was sitting in a church in April when he spotted an alarm on his timepiece telling him that his heart rate was too high, tech website Phone Arena reported on Sunday.

Although D'Aquino was feeling fine, he skipped Easter lunch with his family to go to the hospital.

That decision proved to be life-saving as a battery of tests performed on him later revealed that two of his three main coronary arteries were completely blocked, and the other was 90 per cent blocked, according to the report originally published by the South China Morning Post on Friday.

The doctors at the hospital lauded the Apple Watch for its accurate readings.

On the advice of the doctors, D'Aquino later had an angioplasty, in which tiny balloons are temporarily inserted into clogged arteries and inflated to open them.

He was sent home the following day. "It went well and I'm feeling much, much better," he told South China Morning Post.

D'Aquino, who is a self-professed Apple fan, then wrote a letter to Apple CEO Tim Cook informing him how the Apple Watch helped save his life.

In his email to Cook, D'Aquino recounted his story, noting that "this was the first time that my watch alert had ever gone off, but I was not feeling anything, no dizziness or pain" and "in short, I was a walking time bomb".

He told Cook how he got "a new lease on life" after the operation and also requested him to keep "promoting the use of the Apple Watch for anyone with cardiac problems".

Cook wrote back to D'Aquino saying how happy he was to learn about his story.

"Gaston, I'm so glad you sought medical attention and you're fine now. I appreciate you taking the time to share your story. It inspires us to keep pushing. Best, Tim," Cook was quoted as saying.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

New Delhi: Instant messaging platform WhatsApp announced the rollout of a number of new features for group chats, in a bid to make the platform more interactive and engaging. Among the new features is group descriptions, wherein a short blurb will appear under the group info tab that allows users to set the purpose, guidelines, or topics for the group.

Furthermore, when a new member joins a group, the description will show up at the top of the chat.

In a move to give group administrators more authority, WhatsApp introduced a new control that will allow the former to restrict who can change the group's subject, icon, and description. Admins can also remove admin permissions of other group participants, while group creators can no longer be removed from the group they started.

Among other features, WhatsApp also introduced a 'group catch up' option, whereby a user, who has been away from a group chat, can quickly catch up on messages that mention or reply to them by tapping on a new @ button that appears at the bottom right corner of the chat.

Group participants can now search for anyone in a group by using the search option on the group info page. WhatsApp also introduced protection controls so users can't be repeatedly added to groups they've left. The new features are being rolled out for Android and iPhone users globally.

Illustration/Ravi Jadhav

For years, every time I've gone to a beauty parlour, yaniki, what fancy folks now call salon, one of the ladies there will ask me in that characteristic beautician tone — yaniki, terrorism masked as concern — "eyebrows nahin karaate ho?" (don't you 'do' — thread and shape — your eyebrows?). Depending on my confidence levels (usually low, an unavoidable side effect of entering a beauty parlour) my 'no' might be uttered with giggling diffidence, false hauteur, or bland deflection. The response of the beauty parlour lady is always the same — "accha?", yaniki, "fine, be that way." It's on your head. Don't come crying to me afterwards. I toh have done my due diligence by asking." Sometimes, feeling a little bold, I would ingratiatingly say, "The natural shape is pretty nice na, so why get into one more jhamela." The beautician will give that sweeping, sarcastic glance at my eyebrows and say, "Haan, vaise toh it's fine", yaniki, pity and disdain, bechari thinks natural is a thing.

This has been a consistent question, of course, but as any random or regular beauty parlour visitor knows, there are others, spoken in a special voice designed to decimate your ego and turn you into a trembling supplicant, begging for beauty treatments. "Last clean up kab kiya tha?" (When's the last time you had a facial?). "Feets ko bleach nahin kara na? Bahut tanning ho gayi hai." (Don't bleach your feet? They're very tanned).

It doesn't matter if you by-hearted The Beauty Myth when you were 15, you will be engulfed by that doomful self-hate and self-doubt start, like a seventh grader in the principal's office. The crushing stereotypes of advertising are laughable wannabes compared to the beauty parlour interrogation.

These questions derive part of their potency from the fact that you are trapped in electric chair type furniture, usually with a giant plastic bib tied around you as if you still cannot be trusted to eat properly, leave alone look presentable, and several other people getting their eyebrows done, or doing others' eyebrows around, who will come to a cinematic halt and stare at you when you admit that you are not one of them.

This potency is only slightly reduced by the advent of app-based home beautician services. To the usual litany of questions they also add, "Ma'am, braazil karalo na, sab karate hain" (Ma'am, everyone gets a Brazilian wax now). You can answer coldly or pretend to be immersed in your phone, like teenagers do with parents. But dude, these are young women who magically produce footstools and pedicure tubs from a backpack. They are not so easily daunted.
With the passage of time, the questions have dwindled. I've relaxed slowly into the truth that as you approach the out-point of the conventional marriageable age zone, the beautician, like the world, starts to expect less conformity from you. The eyebrow question now comes at me only once in every five times.

It was obviously too good to be true. Last week as I submitted to the plastic bib, the beauty parlour lady looked at me with that familiar intent look. "Hair colouring nahin karate?" she asked, checking out my now no longer tentative greys. "Nahin," I said, stoically, preparing for a couple of decades of this now.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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On the ferry, leaving the island of Burano at dusk. pic courtesy/Rosalyn D'mello

Because the high chairs and tables extending onto the pavements are arranged like invitations; because the indigo sky greets us with its distinct hue, informing us that though the sun has set and it is past 8 pm, the evening has only just begun; because our feet, so tired from daytime explorations, miraculously find the strength to continue their march; because Mac's Ruby Red lipstick enhances our personalities, making spectacles of our skin tone; or maybe because we are not alone, by 9 pm, unfailingly and with impressive regularity, Mona and I become Queens of the Italian night. There are travellers who tuck themselves in early so they can restore their bodies for the future that awaits them when they awake. Not us.

We are nocturnal explorers, un-bound by the limitations of cartography. We find tentative destinations and then walk the streets like we own them, like they belong to us. We allow ourselves to get distracted by the sights we suddenly stumble upon; we make commentaries on street signs, we take pleasure in seducing policemen into smiling sheepishly at us, we keep ourselves open to conversations with strangers. During the day you could ostensibly call us tourists. We visit monumental sites; pay entry fees, download audio guides and take photographs of everything that impress us. But at night, we are uninhibited.

Because we come from a reality that is both condemned and celebrated as third world, we have few filters about what constitutes safe and unsafe European streets. We trust our intuitions that have been fine-tuned through years of navigating streets that ought to be friendlier towards women's presences, that could do much more to encourage women's loitering. Online guides tell us to be wary of specific areas, but because Napoli feels like a somewhat seamless city with one street urging you on to the next, one inviting façade leading you to explore another, we do not exercise too much restraint as we navigate a city that feels overwhelmingly familiar. We walk through gritty and un-pretentious streets, walk into dive bars and surprisingly cheap restaurants. On our first evening in Napoli, for example, we followed a cyber suggestion and found ourselves at an institution where every drink on the menu was priced at one euro. It was teeming with as many people as could be found in a single Mumbai local compartment, all elated and happy drunk. We had a few Apero-Spritzes and proceeded towards a jazz bar, stopping in between because we were lured by a boutique shop on a wayside street.

There we had excellent red wine, and the choicest green olives. The jazz bar was a bust; it turned out to be a pretentious speak-easy where the bartenders wore white coats like mixologist doctors. Yes, there was what sounded like Billy Holiday singing in the background, and plush red sofas and a superbly well stocked bar, but it was cosmetic, and expensive, and after a small moment of indecision, we decided to simply walk out and go elsewhere. It wasn't a disappointment because on the way we had encountered so much of the city's past by way of arcades, historic fountains, grand edifices and random ruins.

This behaviour of ours hasn't been confined just to Napoli. Even in Firenze and Venezia, our nightly excursion was the day's highlight. In those cities, more than in Napoli, night-time turned out to be the only time when we weren't part of a swarming mass of tourists; when we didn't have to wait in extensive, un-ending lines to get in somewhere. It was surreal, navigating the canals of Venice at 2 am, when the water-borne city feels like an abandoned ghost town, when there isn't a single tourist for miles. Our friends and us had no compunctions being the last to leave a bar. Our friends lived just around the corner, while we, for cost-effectiveness, had chosen an Airbnb in neighbouring Mestre. We were undaunted by the prospect of finding our way to the 24x7-hour ferry to Piazzale Roma, then taking the night bus home. There was something deeply thrilling about having the luxury of public transport at that hour.

I always remember the feminist Shilpa Phadke when I've had a successful late-night out. She speaks frequently about the significance of the feminist claim to 'fun'. "Fun in public spaces cannot be quantified or sometimes even explained," she says. "How does one communicate the pleasure of asphalt under your feet; the rush of finding the bus you want at a traffic signal and managing to jump into it… the exhilaration of wandering in your city at night laughing with your friends. This is not simply fun, it's belonging to your city and having it belong to you." I could argue there's something similarly exhilarating about doing all of that as two women in a foreign land. When our male friends in Venice caringly offered to let us crash in their spare bedroom because it was past midnight, we politely declined. "Are you sure you want to go back so late?" they asked. "Yes," Mona replied. "Because we can!"

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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Illustration/RAVI JADHAV

Concern is sometimes a mask for control. This is interestingly true when it comes to films that are concerned about the situation of women. If these "concerned" films attract censorship, then they control even more subversively. They become imbued with a revolutionary halo, becoming an urgent cause to be supported, a badge of honour, not a film that tells us deep truths about our lives.

The film Nude arrived on a white horse, after a similar symbolic battle. It's very title had disturbed the Ministry of Information and Broadcasting. It traces the journey of Yamuna after she leaves her village and her brutish husband and becomes a nude model in the JJ School of Arts, with her aunt's help, going on to sit for some famous artists. She has a parallel journey, from shame to pride in work, which is shown minimally. But in the end, she alienates her son and feels defeated and hopeless.

Nude has it's good points — the interesting subject, the strong performances from Kalaynee Mulay and Chhaya Kadam in the main roles, tiny flashes of earthy humour.

But on the whole, it is a plodding work of bad faith and a strangely colonial mindset. Here is a film in which the two main characters are women, which should be evidence of concern and interest in women. Yet they are given hardly any interiority or room to be more than an example of social issues. That's because many such films are not about the characters. They are really about establishing the filmmaker as a noble and high-minded being who will uplift women.

There are only three types of people in the film. There is the poor woman who needs saving from her own men; poor men, who are portrayed as bestial or passive; and bhadralok middle-class artists who are noble and pious with the higher purpose of art. The point is taken, that, cruel or benign, to all of them the woman is an instrument. But this is unfortunately as true of the filmmakers who bring no irony to looking at this 'higher purpose'. Why are there no middle-class women in the film? There are some token women art students — but they never speak, nor is there a single shot of a woman art student drawing a nude.

This absence further prevents any complications in the story of class, caste and gender relations. Complications about what it means to draw a naked woman, exalt her as Devi or pure spirit (the body is the garment of the spirit as one character says unctuously) to serve other people's higher purpose for a paltry pay. To the artist, the model is just a body. To the filmmaker, too, the woman is mostly a victim, a sufferer in search of a saviour.

In such films, women can never truly free themselves from circumstances. They are imprisoned in dead-end film narratives forever to serve the purpose of saviour-filmmakers in films like Nude, Pink and even Lipstick Under My Burkha. Why would filmmakers conceive of different meanings of women's lives, which point to a certain liberation, when these upliftment projects accrue such rewards and privileges? It is only when we, the audience decline to be grateful for this self-serving false realism, that we can hope for stories more true to the complexities of our lives.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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illustration/RAVI JADHAV

There are many reasons to feel ambivalent about having family members as Facebook friends. One of them is almost certainly the fact that they are constantly outing your childhood pet names with alacrity, calling you Pappu, Bobby, Guddu, Noni, Chintu, Tumpa, Monu and so on in public, as if you are the chillar party in a family wedding.

While my immediate family members have been trained in this matter, those in my extended family have failed me hazaar times. "Very nice article, beta (insert pet name)" they will say. I heartlessly and instantly delete these comments. You might say this is draconian. I could just ask them not to. Anyone who has tried this will know it is useless. First, they will be wounded and utter filmi dialogue like "I am sorry I have done something improper. I won't darken your Facebook wall again." A few days later they will comment on your profile picture, "looking very nice (insert pet name)."

Why does this bother us so much? After all, it is the most natural thing to give silly names to people we love. Diminutives, nonsense words, private jokes, comical qualities that fill us with affection all make up the galaxy of nicknames. We don't seem to care when names our friends called us in youth emerge. It is the family pet name, yaniki ghar ka naam, that seems to mortify us.

Perhaps it is just the strangeness of being returned to childhood states that some don't like, a reminder of a time when we were taken less seriously and had little autonomy.

Maybe it is something about having the private emerge in the public, without our consent that makes us feel vulnerable. This may seem strange in times when privacies are constantly shared online, but it reveals how public privacies might be as much a construction as public selves. Perhaps there is an uncertainty, hovering on the edge of shame, about that private 'home' identity. Pet names are a reminder of the time before we learned to see our family as part of social hierarchies of caste and class, language and provinciality. For most, in a society as hierarchical as ours, the transition from childhood to adulthood is also one of painful realisation of difference, about our tastes and habits not always aligned to the social norms of upward mobility. A reminder of the first time someone mocked us for something unfashionable about our families.

This discomfort is far more prevalent among English speaking Indians, because it also exposes a certain sub-Englishness in our Englishness, the kitsch elements of families' aspirational cosmopolitanism. The careful facades dissolve as we build as adults suddenly seem like glass houses. Our insecurities that we will never really fit in, never be cool enough swirl up to the surface. We may develop ironic, even affectionate distance from many parts of the past, but the pet name is too earnest for that.

Only two types of people are not embarrassed by their pet names. Royal family types who go by Bubbles and Toffee and other names from P G Wodehouse, reeking of English aristocracy wannabe-ness. That tells us much about the casual confidence of class and caste. The other, are people supremely self-confident and secure about being loved. They are happy to be everyone's children, always, lucky things.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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KC Shankar, Shashwita Sharma and Vicky Ahuja

It was in 2014, when several theatre and screen artistes came together in the hope of bringing the works of renowned, as well as lesser known, Hindustani writers to life. Three years on, that dream is taking shape one storytelling session at a time. Jashn-E-Qalam, a collective of storytellers, comprising actors KC Shankar, Shashwita Sharma, Vicky Ahuja and Madhurjeet Sarghi among others, will celebrate the brilliance of Hindustani literature with solo performances of short stories, over the next three weekends in the city. On the menu this Sunday is Chashm-e-Baddoor, which will showcase satirical texts from Hindustani literature — Harishankar Parsai's Inspector Matadin Chand Par, Ismat Chughtai's Chuimui and Patras Bokhari's Marhoom Ki Yaad Mein. Over the following weekends, the artistes will present Ek Baar Ki Baat Hain at Yoga 101 and Harkat Studios in Andheri. The show will combine an interesting mix of genres.

Literature, says Shankar, "mirrors society and great writers allow the individual and the collective to reflect on their humanity and sometimes the absence of it. This experience can teach, inspire, make us laugh, or horrify us". Shankar says that "Hindustani literature, particularly makes this connection even more personal. The stories, milieu, characters and voices; their concerns and challenges are very relatable". He explains, "Also, as an audience, most of us have grown up on the visual medium, and theatre of a similar, imitative kind. So, you have an audience that comes prepared to watch rather than listen. But, by performing these short stories without any sets, props or costume, the solo storyteller impels the audience to visualise what they are listening to. Thus, opening up their imagination and transporting them to another world." It is this magical experience that the artistes hope to re-create. "Here, even the audience becomes a co-conspirator in the story," says Shankar.

When: Somaiya Centre for Lifelong Learning, Above Kitab Khana, Fort
Entry: Rs 200 – Rs 400
To book: in.bookmyshow.com

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The world wishes to investigate the role of a seemingly compliant WHO and allegations that insufficient or inaccurate data originating from China failed to alert the world on the intensity of the dangers from COVID-19.... [Read More]

Mumbai: Bollywood actor Kangana Ranaut has said Indians were, in the past, enslaved by an 'Italian government', in a veiled jibe at the Congress party. The 32-year-old, while speaking to reporters after casting her vote at a polling station in Khar area in Mumbai on Monday, said, "This (polling day) is a very important day for us, it comes only once in five years. I feel India is gaining independence today in real sense. Earlier, Indians were slaves of British, Mughal and Italian governments. Please exercise your Swaraj (independence) and vote."

The 'Italian government' remark is an apparent reference to UPA chairperson Sonia Gandhi, who was born and raised in Italy. Gandhi was the president of the Congress party for nearly two decades before handing over responsibilities to her son Rahul Gandhi in December 2017. Kangana went on to say that the situation that prevailed in the country was the worst during Congress' government at the Centre.

"The political leaders used to chill in London and the country used to suffer from an array of issues like poverty, pollution, rapes etc. The situation in our country was worst when Congress was in power. Now that our time has come, we should vote in large numbers," she added.

Polling was held on Monday for 72 seats across nine states including five seats in Bihar, one in Jammu and Kashmir, three in Jharkhand, six each in Madhya Pradesh and Odisha, 13 each in Rajasthan and Uttar Pradesh, eight in West Bengal and 17 in Maharashtra. An overall voter turnout of 64.05 per cent was registered in the fourth phase of polling. Seven-phase elections will end on May 19, and results will be declared on May 23.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Josh Feinberg will also perform in Pune, Goa, Gangtok and Dubai this month

Few royal residences in India could be imagined without the rich sound of ragas flowing through them. Connoisseurs of Indian Classical music, nobles and royals often hosted artistes in their homes, where intimate concerts formed an important cultural tradition. But as the era of royalty ended, and with the advent of theatres and proscenium stages, these baithaks as they were called, faded away.

A baithak session in progress

As part of an initiative to revive this tradition, music lovers of Mumbai can attend one such baithak tonight, where acclaimed US-based sitarist Josh Feinberg will share his insight into the Maihar Gharana through an interactive performance. To be held at a private bungalow in Malabar Hill, the baithak will see Feinberg present a traditional Hindustani sitar recital with Ariff Khan on the tabla.

Feinberg, who started learning Western Classical music and Jazz when he was four, was introduced to the sitar as a 12-year-old. The music of Ustad Ali Akbar Khan and Pandit Nikhil Banerjee made a lasting impression on him. Feinberg became a student of Khan in 2004 and continued learning from him at his music school in California until the virtuoso passed away in 2009. “The sitar’s elegance and grace drew me to it. Hindustani Classical music is beautiful, deep, complex, and offers scope for improvisation. It is one of the great music traditions of the world,” shares the artiste, who tours the US, Canada, India and Europe.

“I grew without much exposure to Indian Classical music and got introduced to it only when I started learning Kathak from Pandit Chitresh Das. When I moved to India and began teaching the dance form here, I realised the students weren’t exposed to Classical music either. I wanted to change that,” says Seema Mehta, Kathak artiste and director of Chhandam Nritya Bharati, organisers of the baithak. The baithak series - with the aim to host one gathering every quarter - began in 2014, and was initially for the dance school’s students and their parents. It’s popularity grew as more music lovers heard of it.

Feinberg summarises the idea, “I like both situations. At a concert, the audience is far away that it allows the musician to get immersed in his music. In a baithak, there is a direct connection with the audience. The musician derives energy from the appreciation he receives.”

Bhrigu Sahni at a concert at antiSOCIAL earlier this week. Pic/Satej Shinde

The use of guitar isn't limited to playing solos and rhythms using a plectrum (a small flexible piece of plastic). When a discussion emerges about the co-existence of genres within the guitar language, there is a lack of clarity between Flamenco, Western Classical and finger-style. One can pluck (guitar) strings with their fingers but finger-style is a technique that involves the usage of fingertips, nails and the palm. You need to hit the woodwork for percussions. The sound is a perfect balance of bass, treble and harmonies. These days, Mumbai is witnessing the rise of finger-style guitarists. While some learnt from watching videos of legends like Andy McKee and Tommy Emmanuel, others took a cue out of popular songs.

Manan Gupta

One-man band
"By playing finger-style, one can arrange a whole song by playing the bass line, melody, rhythm and harmony simultaneously without using any backing track," shares Manan Gupta. The 23-year-old started off as a pianist but the track Drifting (by McKee) brought him closer to guitar.

Gupta believes finger-style also helps a musician to be self-sufficient. "You are a one-man band; there is no need to rely on other musicians to co-ordinate rehearsal timings," chuckles Gupta, whose tune Dear Mother (released in 2013) is an online hit.

Local inspirations
Bhrigu Sahni, who has toured the Mumbai-Pune circuit, took to the genre after watching his father play Western Classical. "As a kid, I realised that this style had the ability to create a rich musical tapestry. It is challenging to sustain being just a finger-style player but that shouldn't deter one from following his heart," says Sahni, who is a Berklee graduate and has jammed with Karsh Kale and Angelique Kidjo.

Unlike others, he also pointed out a few names among Indians who inspired him. "I went to Rock and Jazz concerts when I was 15. I used to improvise after watching guitarists like Sanjay Joseph and Derek Julian," he adds. Sahni released his debut album, What is Now, last year in New York. "I shuffle between Brooklyn, Khadki (Pune) and Mumbai for gigs," he shares.

Varun Singh started his journey listening to Eric Clapton. He even played for Metal band Albatross for sometime, but the song More Than Words (Extreme) pushed him towards finger-style. He seconds Sahni highlighting guitarists from India who are fluent with it. "Mahesh Tinaikar (Indus Creed) and Floyd Fernandes are great examples. Clapton's Tears In Heaven is a finger-style song too," he shares. The 23-year-old recently released a video of a song called Midnight Express paying tribute to Nuno Bettencourt. "He is my hero."

Alita: Battle Angel
U/A: Action, Adventure
Director: Robert Rodriguez
Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali
Rating: 

This film, which has Robert Rodriguez and James Cameron working together with Peter Jackson's visual effects, has wonders never experienced before in cinema. The film may have taken a long while (twenty years) coming to screen, but the end result is fantastic enough to keep you asking for more. A manga-based action thriller, James Cameron's $200 million-worth, long cherished dream is aimed at young adults seeking fresher pastures from that of The Hunger Games variety and hopes to make it to bigger box-office returns than that sub-genre hit-starter.

Cameron started on the cinematic adaptation of Yukito Kishiro's original manga comics way back in the late 1990s, (much before Avatar), but the phenomenal success of Avatar had him relinquishing directorial control to Rodriguez while holding firm as screenwriter (with Jon Landau and Laeta Kalogridis) and producer.

The resultant kick-ass cyberpunk adventure may not be as original as he imagined it, but it has certainly got all the chops to make it to a long-term fan-following on its own.

The filmed adventure is set 500 years from now, in Iron city - a junkyard that is a wasteland for the flying citadel of Zalem. The city is peopled with AI controlled cyborgs mingling with real humans in a community so tech-spangled that it's hard to decipher one from the other. Kindly Doctor Dyson Ido (Christoph Waltz) reconfigures a former robot superweapon and rechristens her Alita (Rosa Salazar), after his own daughter. I do, who moonlights as a hunter-warrior, tries to protect the young Alita, but her mind has memories of a past that keeps haunting her present. She even develops a crush on handsome robo-junk dealer Hugo (Keean Johnson) and eventually ends up becoming the super weapon she once was.

The plotting here is a little too jumbled up, ensnared as it is in creating set-piece thrills and out-of-this-world experiences. Stereotype characters and genre tropes make the engagement less than wondrous. The tech-specs are certainly the best we've seen in a long time, the IMAX imagery is splendid and beguiling and the vivid expressions of the actors make it feel all the more real and intimately experiential.

Watch the trailer of Alita: Battle Angel

Even though Salazar is the most riveting and fascinating of characters, she does feel a little artificial at times. The CGI blends in effortlessly with digitally morphed motion-capture performance, but the artifice can be felt - too strongly at times. The array of side characters also feels like old hat killing the originality of the experience and allowing déjà-vu to creep in. Even so, there's no belittling this explosive cutting-edge adventure that takes cinema thrills to never-seen-before heights!

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A nine-months pregnant woman was turned away from hospitals in Bandra for not having the COVID-19 reports with her. According to her family, 24-year-old Misbah Shaikh was experiencing cramps on Sunday night after which they visited the Holy Family Hospital where she had registered for delivery. The family members alleged that they were made to wait at the hospital for six hours while requesting to admit her, but the staff did not budge, The Times of India reported.

Shaikh said that she had already paid the hospital the deposit for her delivery and was in touch with a gynaecologist for the past four months. She also alleged that the hospital did not tell her to do the test during their previous visits. The family visited the hospital at 9 am on Monday after Shaikh felt cramps, but the staff did not allow them to enter the hospital without the COVID-19 test report. While Shaikh waited in the car and her family in the hospital, at 3 pm, a doctor at the emergency section agreed to see her and prescribed her a COVID-19 test.

The family then went to Bhabha Hospital to get the test done but the staff there asked her to get admitted, which they did not agree upon. "The cramps have reduced but haven't gone. My due date for delivery is close," Shaikh was quoted as saying by the newspaper. The family then took an appointment at a lab Andheri to take the test on Tuesday.

As the newspaper was not able to contact the authorities at the Holy Family Hospital, a staffer at the gynaecology ward was quoted as saying that pregnant women nearing their delivery due date are asked to get admitted here two days in prior. "We carry out a Covid-19 test and if she comes negative, we go ahead with the delivery. If the woman is positive, we refer her to another hospital. We also ask one attendant accompanying the woman to take the test," the staffer was quoted as saying.

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A senior citizen from Kalina, Anwari Begum, 70, died after three top hospitals in the city refused to give her dialysis without her COVID-19 test results being in, the woman's family has claimed. The test results, which arrived on Monday, returned negative.

Begum had been undergoing dialysis at Guru Nanak Hospital in Bandra East for the past one year. Her last dialysis at the hospital was on April 18, when a COVID-19 positive patient was found in the hospital. The hospital asked her to visit on April 22 — which was also the day of her next dialysis — for a COVID-19 test.

Anwari Begum's two sons (from left) Zakaria Shaikh, Haroon Shaikh and Mohammed Hasan (right ) her son-in-law

"My mother-in-law's COVID-19 test was done on Wednesday, April 22. She was also supposed to get dialysis on the same day but the hospital refused, saying they will do it only after her test results come, which was going to take 48 hours. On Thursday, she had severe pain and needed the dialysis urgently. So we went to the hospital around 4 pm but they refused as her reports were pending. We waited for over two hours at the hospital, but they did not listen," said Mohammed Hasan, Begum's son-in-law.

"After Guru Nanak, we approached Nanavati Hospital. Many other patients like us were stopped at the gate. They took her files and after two hours, enquired about her COVID-19 test report and said that they are not taking outside patients. Some from the family took her to Kokilaben Dhirubhai Ambani Hospital around 8.30 pm and I went to look for a dialysis centre in Kalina and Sakinaka. At Kokilaben, my family was asked to finish formalities, which took two hours, but they too refused to treat her," Hasan said.

Guru Nanak Hospital in Bandra East. File pic

Found help, but too late
Dialysis patients all over the city have been suffering amid the Coronavirus pandemic. Despite guidelines from the State Health Department that do not necessitate a COVID-19 test for patients needing dialysis and only ask hospitals to take universal precautions, hospitals across the city are refusing to treat patients without the test.

Hospitals say that they are overburdened due to the closure of dialysis centres which has increased the volume of patients with kidney ailments and that they cannot accommodate every patient.

Hasan approached Axon Hospital in Sakinaka, which said that the dialysis centre is closed as their staff is unwell. "I requested them explaining the condition of my mother-in-law and pleaded with folded hands to have mercy. I also promised to pay whatever amount is required. After some time, the concerned doctor listened to me and called his dialysis staff. My mother-in-law reached the hospital around 11 pm. At 11.30 pm, the assistant doctor told me that her condition has worsened."
Begum died shortly after that. Her test results, which came on Monday, showed her negative for Coronavirus.

"The funeral was performed the next day at 10 am. Sometime later, I received a call from the person who had referred us to the nephrologist at Guru Nanak Hospital. He was apparently told by someone from the hospital that my mother tested positive. We live in a joint family and everyone panicked but no one from the hospital called us. A few days later, we got her report, which was negative," Hasan said.

According to BMC's Health Department, a COVID-19 test is not mandatory for dialysis patients. "Everyone has to take universal precautions, a COVID-19 test report is not mandatory," said Dr. Daksha Shah, BMC's deputy executive health officer.

"24 hours after sanitising the dialysis centre, the hospital can resume services as per the guidelines. If they suspect a patient to be positive, he/she can be quarantined," Dr Shah added.

'Followed task force rules'
Guru Nanak Hospital defended itself saying it was just following guidelines of the state government's task force committee, as per which, an affected dialysis centre must close for fumigation and surface cleaning. "Our dialysis centre is open 24x7. That day, a COVID-19 case was reported. As per the rules, we had to shut the dialysis centre for 24 hours, sanitise the area and quarantine the staff. Around seven workers from the dialysis centre were quarantined. They have tested negative," said Dr. Narendra Sharma, spokesperson of the hospital, who did not clearly remember on which day the case was reported.

"Dialysis patients travel through Containment Zones. Despite taking all precautions, such incidents are happening, which is the biggest challenge for us," Sharma said.

"As per my knowledge, the case was reported on Saturday. We needed the dialysis on Thursday. That makes five days. Why did Guru Nanak Hospital refuse to treat her when it is supposed to be shut only for 24 hours?" Hasan said.

Dr. Santosh Shetty, executive director and CEO, Kokilaben Dhirubhai Ambani Hospital, said, "We are not testing our existing dialysis patients. We take patients' history and screen them before every dialysis. Currently, we have nearly 200 patients on dialysis. We are following BMC and state task force's guidelines."

While the spokesperson of Nanavati Super Speciality Hospital said, "Nanavati Hospital is one of the very few quaternary care medical facilities in Mumbai to provide dialysis treatment for COVID-19 patients. Thus the high influx of patients ensures dialysis beds reserved for patients as per their COVID-19 status are occupied. However, the unavailability of a bed is immediately communicated to the patient or their family."

Apr 22
Day Anwari Begum was tested for Coronavirus

Apr 27
Day her test returned negative, four days after her death

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The State Transport Minister Anil Parab on Tuesday said that the Maharashtra government will facilitate the return of 1,780 stranded students from Kota in Rajasthan. "1780 students from Maharashtra are stuck in Kota, Rajasthan due to lockdown for precaution against COVID-19," Parab tweeted. "As directed by Honourable CM Uddhav Thackeray, 92 buses of MSRTC fleet will leave on April 29 from Dhule to rescue the students and bring them back home," he added.

Earlier, the governments of Uttar Pradesh and Madhya Pradesh also facilitated the return of their stranded students from Kota.

India is under a nation-wide lockdown which was imposed on March 25 and later extended to May 3 to stem the spread of coronavirus.

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