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Indian shuttlers Ashwini Ponnappa and N Sikki Reddy have finally got some time to pause and reflect due to the COVID-19 pandemic and they are making the most of it by creating a database to analyse their past performances while waiting for another shot at Olympic qualification. The coronavirus outbreak has left over 1.2 lakh people dead and infected nearly 2 million globally, and brought all sports activities, including badminton, to a halt after countries imposed lockdowns. Ashwini and Sikki are doubles specialists and endured an underwhelming season last year. The time at hand has given them a chace to analyse the past performances.

"We don't have any one to sit and do analysis for us, so now that we have time, I'm doing some analysis of our performance. I am jotting down points, about areas where I can improve. I started with my matches and then other players on tour," Ashwini, who represented India at the London and Rio Olympic Games, told PTI. "You can always watch and analyse and understand the patterns but it is different when you see things on paper. It is more concrete. So trying to set up a complete database. My brother will help me out. He made an app for me in the past." Ashwini and Sikki fell at the first hurdle 13 times in 20 tournaments last year, and exited from the second round thrice.

Ashwini also picked up a calf injury during the Syed Modi International but the duo was still confident of qualifying by performing well in the remaining Olympic qualifiers. But with Badminton World Federation (BWF) cancelling all tournaments due to the coronavirus pandemic, their fate remains uncertain. "The problem is we don't know the new BWF rules regarding the qualification. There is one year left now, you can't take a two year old performance to select for Olympics, it has to be present performance, so we have to wait," said Sikki. "In badminton, there is a ranking cut off, so how will they accommodate the cancelled qualifiers, how will they count the ranking points, everything is too messed up now," she added. Sikki and Ashwini had reached the finals at Hyderabad Open Super 100 and Maldives International Challenge, last year.

The Indian pair is ranked 28th and will need to be inside top 16 on April 29, 2021 -- the new Olympic cut off date. Ashwini said: "Me and Sikki were confident of doing well in the 4-5 tournaments left but now no one knows what would be the criteria of Olympic qualification and BWF can't really say anything with things changing every moment." They are using the coronavirus-forced break to learn cooking, besides doing some wall practice and exercises for physical fitness. Talking about the effects of the lockdown on mental health, Sikki said: "We have been travelling a lot all these years and now for a month, we are at home, it is fine. But what if it is for 2-3 months, then it will get tough to stay away from the game.

"So it is important to stay motivated for once the lockdown is lifted because you will in a comfortable zone in the break and then all of a sudden you will need to push yourself." Ashwini added: "...now that Olympics have been postponed, nothing is certain and it is tough, you have to be really strong." The economic fallout of the coronavirus outbreak has hit sports hard and Ashwini said badminton too will be affected. "It will hit in terms of sponsors, in terms of tournaments being conducted because countries need sponsors to host events, and after this, I'm not sure what the economic status of many countries would be. "The way things are, it is will be tough to host tournaments, it will not be easy for countries to have tournaments with many big companies shut and struggling to survive," she signed off.

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World champion shuttler P V Sindhu believes foreign coaches would be difficult to hire in a post COVID-19 world, presenting former India internationals the opportunity to step forward and fill in the void. "If the global pandemic continues, bringing coaches from abroad might become difficult, there are a lot of good players in our country who have played at international level, and we can use them in a coaching capacity," Sindhu said on Monday while speaking during an webinar.

The Olympic silver-medallist was addressing the newly-appointed Assistant Directors of the Sports Authority of India through an online session. Sindhu stressed on the importance of parents, coaches, administrators working as a team to build up a champion. "The administrators must know the journey of every sportsperson. The future of Indian sports lies in the hands of young sports administrators like all of you," she said.

"You must visit all the SAI regional centres and be aware of the performances from the players and be in touch with their parents. The parent's involvement is a lot and you need to take feedback from them. This feedback needs to be monitored." The 24-year-old from Hyderabad also said "players must be continuously tracked to avoid age fraud." "You must also understand how the SAI coaching system works and if athletes are receiving the right diet and supplements at the various centres," she added.

Sindhu also stressed on the need to acknowledge the contributions made by parents in the success of athletes. "Before the Rio Olympics we shifted to the academy. My mother gave up her job to care for me. My father took two years leave from his job," she said. "The challenge was recovering from the injury I suffered in 2015. I used to sit and play in the academy. I had to play 23 tournaments in a year to even qualify for the Olympics.

"My father taking leave from his service really helped me. He used to take me to the Railways ground." Sindhu complimented the government for schemes such as Khelo India for propping up various sports from the grassroot level and urged other organisations to do the same. She also urged budding players to not ignore their studies for a career in badminton.

"While you don't need to go to school every day, you must not skip it altogether," she said.

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They say nothing succeeds like success, and singer Neha Kakkar could be the best example of that. Right from Cocktail that came out in 2012 to Simmba in 2018 to a lot of other films, she has become a singing sensation and is loved by her fans immensely and dearly.

However, this success has been anything but easy and a cakewalk. Not only for her but even for brother Tony Kakkar, times weren't fruitful. In a live chat with Zoom, she spilt the beans on what she and her brother did to pay their school fees. She revealed that they used to dance at jagrans and perform there so they could use that money to pay for their school fees. Neha also revealed that she began working at an early age to help her family amid their financial crisis.

Today, both the siblings are immensely successful and doing extremely well for themselves. On the work front, Tony recently unveiled his single, Chand Ka Tukda and evening shared this news with his fans on Instagram along with the link of the song. In case you missed it, have a look right here:

 

 

 

View this post on Instagram

Full Video Youtube Link in Bio. #tonykakkar #ChandKaTukda

A post shared by Tony Kakkar (@tonykakkar) onApr 19, 2020 at 12:36am PDT

As far as Neha Kakkar is concerned, let's see which Bollywood films she lends her voice to next!

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One of the most stunning actresses of the 90s, Divya Bharti married filmmaker Sajid Nadiadwala in 1992. The couple got secretly married at Nadiadwala's Versova apartment. Divya Bharti converted to Islam and reportedly also changed her name to Sanah Nadiadwala. Unfortunately, on April 5, 1993, Divya fell off the balcony of the fifth storey apartment.

Sajid Nadiadwala then tied the knot with Warda Khan in 2000 and the couple has two kids together, Sufyan and Subhan. And even after 20 years of marriage, Warda Khan Nadiadwala still gets trolled and compared with Divya Bharti.

In a candid chat with Bollywood Hungama, Warda opened up about the same saying, "I know people keep throwing these questions sometimes. Sometimes they think I am being trolled. Divya is still very much a part of our lives. Her family, her dad, her brother Kunal, they are like our family, they are a part of each celebration."

She added, "So when you guys try to troll me, please know that I am not getting trolled. On her anniversaries and birthdays, we speak to each other. When my children watch her movies, they call her 'Badi Mummy'. So, guys, she is still a very, very beautiful part of our lives."

Wards also spoke about how husband Sajid is still extremely close to Divya Bharti's father and brother. "Sajid is so close, Sajid is like a son to dad, after mumma (Divya's mother) passed. You can't even imagine how close dad and Sajid are. And Kunal and Sajid too. They talk just like brothers would. And I have not tried to replace her ever. I have made my own place. She is a part of my life. Sometimes people say, 'Divya Bharti bahot acchi thi'. Of course, bahot acchi thi yaar. We love her."

Divya Bharti kickstarted her career down south in 1990 with the Telugu film Bobbili Raja. She soon took the Hindi film industry by storm with her performances in Shola Aur Shabnam, Deewana and Balwan.

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Veteran actor Anil Kapoor has shared a few fitness tips, revealing how has maintained a fit physique over the years -- that too without consumption of supplements. "I made this post not to show off or talk myself up, but to pass on some simple advice on. When it comes to body building, nothing is beyond us. At different ages we can work differently to achieve great results. If you're asking if you need to spend a lot of money on supplements to achieve this, the answer is no. I have not taken any kind of supplements in this process," he wrote on Instagram.

 

 

 

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A post shared by anilskapoor (@anilskapoor) onApr 25, 2020 at 1:52am PDT

The 63-year-old-star also shared that he has been working on his body for six years to achieve the best results. And now when the world is going through major health crisis, the actor urges people to pay proper attention to physical health.

"My trainer Marc and I have been talking about doing this kind of rebuild of my body for as many years as we have been together, which is 6 years! Time was always a stumbling block, or filming requirements, endorsements, social obligations or family time. Every year we would say we - this year for sure.

"Now in these very difficult circumstances, time is something we all seem to have a great deal of, so why not use this time to do the things you always promised yourself you would do. Strengthen your body, build muscle, build immunity, build flexibility. Respect your body. We might never have this much time available to us ever again," Kapoor added.

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Ever since 83 was announced, the movie has been everything anyone can talk about. Tracing India’s historic win at the 1983 cricket World Cup, the movie was one of the most awaited films of this year. Due to current situations with the global pandemic, the movie, which was supposed to hit the screens on 10th April 2020 had to be pushed for a later date.

Trade is abuzz with high expectations from the film and estimated that ‘83’ would have collected upwards of 300 crores during its theatrical run. Hence, OTT platforms are offering a calculated price to the makers basis the estimated box office earnings for a direct digital release of the film.

However, when we texted Kabir to check on the veracity of this news, he confirmed that yes they have been offered a whopping sum and added that, "83 is a film that has been envisioned and made to be experienced on the big screen and we are ready to wait for things to get normal and then release it in cinemas."

Ranveer Singh will see playing the character of former world cup winning captain Kapil Dev and Deepika Padukone portraying the character of Kapil Dev’s wife Romi Dev.

Reliance Entertainment and Phantom Films present 83, a Kabir Khan Films Production. The movie is produced by Deepika Padukone, Kabir Khan, Vishnu Induri, Sajid Nadiadwala, Phantom Films, Reliance Entertainment and 83 Film Ltd. 83 is directed by Kabir Khan. A Reliance Entertainment and PVR Pictures release is slated to release in Hindi, Tamil & Telugu.

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Santosh Kumar Shah

Virar resident and former film distributor Santosh Kumar Shah, 48, has lived through what can only be described as a tragic Bollywood plot, thanks to a landlord and policeman from hell.

Trouble began in January 2013, when he decided to move from Andheri to Virar. Shah had been a distributor for films such as Mahasangram (1990) and Insaaf (1997). He got a 1BHK apartment on a rent of Rs 2,700 and Rs 15,000 deposit, owned by one Ravikant Patil in Virar East.

No amenities
Shah was assured of every possible amenity in the house. But when he moved in, he found out that there was neither electricity nor any water supply. Shah said he complained to Patil about this and was assured it would be sorted out in a few days, but that never happened. He realised Patil had cheated others in the same flat, so he registered a complaint at the Virar police station. Patil was served a notice under Section 149 of the CrPC.

Soon after, Shah alleges Patil verbally threatened and abused him, asking him to withdraw the complaint and vacate the house. Patil then came to the flat with a woman and builder Bhushan Patil. Shah called the cops and went to the police station, when he saw Patil and the builder there. Shah said he was slapped by PSI Asif Baig. Shah's case was transferred to API DF Patil, following a robbery attempt in his flat.

PSI denies allegations
Baig denied all the charges. In fact, he said he would receive complaints against Shah from other society members, as he never paid his utility bills on time, resulting in the disconnection of his electricity and water. He would also call senior officers now and then for every problem.

Meanwhile, Shah alleged that in June 2014, he was assaulted by the accused and some more people. He called the cops, but nobody turned up. Shah attempted to meet Thane SP Rajesh Pradhan, but fainted before he could do so. The SP ordered his team to take Shah to the hospital and file an FIR against the accused.

Framed and locked up
When Shah came back to the police station to register the plaint, the cops ended up arresting him under charges of molestation and the POCSO Act. He ended up spending 20 months in prison for a crime he didn't commit. A court acquitted him and he was released on January 13, 2016. All cases against him were dropped in June 2017.

Shah then went back to the flat to collect his belongings but found nothing there. To his surprise, another tenant was residing there. His car was also missing.

Currently, Shah has no job and little money. He eats food at religious shrines and sleeps at railway stations. Last month, he approached current Thane SP Manjunath Shinde, who has asked Virar police to look into the matter. Palghar district PRO said, "We have received an application from Shah and ordered Virar police to investigate."

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The 'late' patriarch 'showman' Raj Kapoor's guru-mantra, 'the show must go on' continues to inspire his three illustrious actor-director sons Randhir, Rishi and Rajiv Kapoor.

On Thursday, at the legendary R K Studios at Chembur, on Ganeshotsav following an elaborate Pujan, the sacred Ganesh aarti was performed by Randhir, Rajiv and 'nonagenarian' actor Vishwa Mehra (popularly called 'Mamaji' who was very close to Raj-saab and his family) late afternoon at 3.30 pm.

The Ganeshotsav at R K Studios assumed extra-sentimental significance this year, because the iconic studio-property has been put up for sale. If the realty deal goes through, this could possibly be their last obeisance within their hallowed studio premises, witness to glorious cinematic history. It was an emotionally overwhelming moment for the Kapoors and the large number of guest-devotees when 'Mamaji', 92, broke down while performing the aarti. Rajiv spontaneously assisted 'Mamaji'.

Rajiv and Randhir Kapoor with guests and staffers at the aarti

The loyalist said, "It was 63 years ago that the first Ganeshotsav was held at RK and I have been with Raj Kapoor-saab even prior to that. The golden era I spent with creative genius Raj-saab, all his buddies and his technical crew flashed in my mind, from the time we shot 'Awara' (1951) in RK studios. Suddenly, I realised that none of those senior talented masters are alive and I was perhaps the odd surviving man out."

Where's Rishi?
Conspicuous by his absence was charismatic Rishi Kapoor, a staunch Ganesh-bhakt. He has his own Ganapati idol at his Pali Hill home. Rishi said, "Unfortunately, owing to some prior commitment, I just could not make it. But the very next day [Friday morning] I went for Ganesh darshan at RK."

Tradition to continue
A sentimental Randhir said, "As long as the studios are there, the ceremony will exist, Whenever we shift to another location and office premises, the annual Ganeshotsav tradition will continue. We share a divine bonding with Lord Ganesha. We were compelled to sell the studios, as we were incurring huge losses. Especially after the devastating fire that broke out at RK, it was just not economically viable to reconstruct it. Film folk were also reluctant to travel all the way to Chembur," he finished.

Also Read: R.K. Studios Sale: Rishi Kapoor Reveals Why They Took The Decision

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Earlier this year, while performing at a military training centre in south Kashmir's Pulwama district, singer Ameya Dabli recalls receiving a disturbing piece of news from the army chief Lt Ranbir Singh. Four terror attacks had taken place at a nearby hillock on the same day. The hill, as he soon learnt, was located less than a kilometre away from the centre.

"The chief said to me, 'Don't worry. We will protect you'. This one reassuring line was enough to allay our fears in that high tension zone," he says. Dabli and his team of musicians went on to deliver a power-packed two-hour performance regaling the audience with musical compositions of poems penned by Kabirdas, Guru Nanak, Amir Khusro and Tulsidas. "We didn't realise how those two hours flew by. You see, that's the power of music," he says. Since then, Dabli has performed at several other conflict regions of the country, including eight districts of Jammu and Kashmir, and four in the Northeast.

Singing for peace
It was three years ago that Dabli, a Bhandup resident, conceptualised Ekam Satt, which are essentially pro bono concerts curated for the Indian Armed Forces and civilians, in order to not just motivate jawans, but also bring peace. Born in a family of music lovers - his mother Anuradha Dabli is a trained classical and light music exponent - the 38-year-old was inducted into singing from the age of seven. "But, the idea to use music as a peace building tool was something that took shape during my last stint as the marketing head of Ronny and Zarina Screvwala's Swades Foundation. Here, I got the opportunity to interact with a lot of non-profits," he says.

Dabli, who holds a robust 15 years of corporate experience as marketing head with the Tata Group, HSBC and Citibank, now straddles a music career along with a venture where he mentors start-ups and NGOs to start their businesses. Till date, he has performed over 1,500 concerts across 15 countries. "Initially, it took us a good six months to curate the songs for Ekam Satt, because we wanted it to be a good blend of sufi, folk and contemporary music. We even got RS Mani, the music arranger of Veer Zaara to help us. But now, it's seamless," he says.

While Dable's pieces comprise the works of legendary poets such as Mirabai, Narsinh Mehta, Khwaja Garib Nawab and Tukaram, the songs are infused with peppy global music styles like hip hop, reggae and opera to make it livelier. "When we approached the Army headquarters in New Delhi with the concept, they loved it and immediately asked us to come on board," he says.

On the shaadi front
Interestingly, Dabli is also a sought-after name when it comes to weddings and sangeet and has performed at the glitzy wedding of Sasha Rawal - sister of Bollywood's leading fashion designer Kunal Rawal - and Samarth Bajaj, and very recently, the engagement of Isha Ambani and Anand Piramal. He has also organised gigs for Kumar Mangalam Birla, David and Lali Dhawan, Aditya Birla and Adi Godrej. "It's not the typical shaadi scene. My forte is the pheras, something that most people don't pay much attention to," he laughs. "I perform something called the signature wedding chants, where I don't just recite mantras, but also provide explanation of the vidhis or rituals," adds Dabli, who perfected his Sanskrit under the tutelage of his father, Professor PV Dabli, a scholar in the language.

Dabli says juggling his entrepreneurial venture with his musical endeavours does test his ability to multi-task. "Sometimes, I don't know which one to focus on more. But that's what happens when you love whatever you do equally," he smiles.

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When we watched Chennai-born American artist Sid Sriram perform his album, Entropy, in the city a few months ago, we didn't know what to expect. We hadn't heard of the artist, and we thought he was going to perform what has been come to be loosely referred to as "fusion". But the show, replete with trippy visuals, was an experience that combined Indian classical and his alternative music aesthetic quite seamlessly. "I think this album is pretty unique in how organically the different influences have all come together. It's a journey filled with energy."

When we ask him what he would say if he had to describe his music to someone who has never heard it before, he explains, "My music is very visual. I'm a huge Jackson Pollock [an American artist known to be of the pioneers of the abstract expressionist movement] fan, and I think the best way to describe my music would be some kind of a sonic parallel to his visual work. It's a cross section where pop/soul, my Carnatic roots and ambient/lo-fi electronic music clash together."

But what is the starting point to create such "fusion"? "The starting point is always an emotional trigger. Once I get that hook, I turn my mind off and channel whatever waves are moving through me. I've learned to get out of my own way and let the universe do its thing."

WHERE: The Habitat, 4th floor, (Hotel Unicontinental), Road Number 3, Khar West
WHEN: February 23, 9 pm
COST: R500
LOG ON TO: insider.in

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She's a Kapoor. And she's not a part of Bollywood. But since her return from a music school in LA last year, Tulsi Kapoor is making all the right noises with her bluesy-rock compositions, unfiltered lyrics and raw, intimate vocals.

She picked up the keys at the age of four, and moved on to formal piano classes at 15, before picking up the guitar, African percussion instruments and the harmonica. She's now learning the flute from her mother. And contrary to popular belief, she didn't grow up listening to just Bollywood, a genre she appreciates. "My grandfather, Shammi Kapoor, was trained in Hindustani classical and used to sing as hobby. So, I was exposed to a lot of jazz and blues as a kid thanks to him, and my father [Aditya Raj Kapoor] who loves The Beatles and mom [Priti Kapoor]who played a lot of ABBA," says Kapoor. Her travels to the Middle East and the US also introduced her to Portuguese music and Bossa Nova, which find their way in her compositions.

"My music has been influenced by blues and rock, and instrumental music. It's an extension of my personality, emotions and straightforwardness. My lyrics are simple and relatable, and I always appreciate a good hook," she explains.

Shammi Kapoor and Tulsi Kapoor

The centrepiece of her gig will be the track Bloom, which she will perform tonight for the first time. The lyrics talk about rape and abuse, and chart the story of a young girl who falls into wrong hands, only to further fall into the trap of the temporary comforter, who further abuses the trust she places. "We need to understand that rape is about power not sex. It's about dominance of something people can't handle. Some are vindictive cases by those who were abused when they were young, and carry their injuries. It's a pattern that society needs to recognise," she shares.

Adding that she believes that it's an artiste's responsibility to cause social change for the better, she will be using the influence that her last name provides her with, to talk about things that are taboo. "It's crucial that we power through that discomfort about such topics if we want things to change," she concludes.

This gig will be a tribute to her grandfather, who encouraged her to pursue her dream of becoming a musician and was her pillar of strength. She is currently teaching music in the city and working on releasing her debut album Bloom at the end of the year.

ON March 29, 7.30 pm onwards
AT The Integral Space, 14, Senapati Bapat Marg, Lower Parel.
LOG ON TO insider.in
Cost Rs 400

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