Posted by Victoria Strauss for Writer Beware®

On the internet, nobody knows you're a dog. It's a familiar meme...which can be turned around. On the internet, nobody knows you're not a dog.

I can claim, for instance, to be a well-known literary dog...er, agent, and as long as I put a little effort into the subterfuge, and only make the claim to people who are likely to want to hear from someone like who I'm pretending to be, at least a few of my targets will take me at face value.

One of the most common tactics used by scammers is solicitation, by phone and email. To make themselves seem more reputable and attractive, scammers often masquerade as dogs...that is, they try to impersonate real, reputable companies and individuals.

Sometimes the impersonation is just a vague (and therefore unverifiable) claim of industry expertise.


Sometimes it's a claim to be working with reputable companies (the scammer in this case is the little logo on the left):


Sometimes it's a claim to actually be a reputable company. Note the strategic use of the Hachette Book Group logo (the scammer is the supposed partner):


And sometimes the deception is more elaborate. Last week, Donald Maass of the Donald Maass Literary Agency posted this warning:


Don was kind enough to share the solicitations with me. Here's the first. The English is passable, but note the typo. Also note "Jennifer Jackson's" email address, which on a websearch doesn't match anything connected to the real Jennifer Jackson.


Here's the second solicitation, received after the author responded. The grammatical and other errors are much more obvious here, and if that's not enough to prompt caution, the next to last paragraph, with its demand for money, should be:


Techbooks Media, whose domain name was only registered a few weeks ago on January 15, sells a range of junk marketing at insanely inflated prices (for instance, placement in PW Select, which actually costs $149, for $699; or a Kirkus Indie review, which actually costs $575, for $1,699). Putting this together with the blatant deception, the ESL mistakes on the website and in the emails, and inside info from one of my confidential sources, Techbooks Media is certainly another of the Philippines-based marketing scams listed in the sidebar. Accordingly, I've added it.

Some tips for seeing through scams like this:

1. Proceed from a point of skepticism. An unsolicited contact from a real, reputable agent or publisher isn't automatically suspect, but it's rare. Out-of-the-blue contacts are far more likely to be illegitimate. Caution is definitely in order.

2. Mistrust--and verify. Google all the individuals and/or companies that are mentioned (are there complaints? Have they shown up on this blog?) If someone claims to have worked for a major publisher or agency, or a company claims to have placed books with reputable publishers or to have sold film or other subsidiary rights, see if you can verify the claim. If you can't, or if there are no checkable details (such as names or book titles) attached to the claim, be wary.

3. Use your common sense. Anyone can make an occasional typo, but professionals communicate professionally (no reputable agent would send out grammar-challenged emails like the ones from "Jennifer Jackson"). Check the email address and any links--do they match the person or company claiming to be contacting you? (There's nothing to connect Ms. Jackson with anything called Techbooks Media.) If there's a demand for upfront money, be sure it's a service or company that customarily charges such fees (reputable agents and publishers don't).

4. Contact Writer Beware. Always a good default if you aren't sure about an individual or company. We may have heard something, or received complaints, and if we have, we'll let you know.

UPDATE: According to additional documentation I've received, Techbooks Media is also doing business as Chapters Media & Advertising. Payments are made to Chapters, and Chapters' name is on the service agreement that Techbooks victims sign.

ANOTHER UPDATE: Jennifer Jackson (the real one) responds.

A surreal and ghastly experience. Someone has been contacting authors and taking my name (and my agency's name) in vain. Some details of what's been happening (and more): https://t.co/0M2HXf9E9V

— Jennifer Jackson (@arcaedia) February 7, 2020

I've personally been in contact with many of the authors that have reached out to DMLA. They've been generous and understanding. It's just broken my heart to hear them recount having an opportunity like this extended under false pretenses.

— Jennifer Jackson (@arcaedia) February 7, 2020

The more I've heard, the more horrid I've felt. While these authors are the targets, this person is also using me and my agency to exploit their hopes. Part of me feels like a victim too.

— Jennifer Jackson (@arcaedia) February 7, 2020

One of these authors told me they were sick of the corruption in publishing. Our whole industry gets hurt by things like this.

— Jennifer Jackson (@arcaedia) February 7, 2020

Offers of rep are exciting - for both authors and agents. It can be heady and wonderful. It's okay to pause. It's okay to ask questions. People who really believe in you will give you time to do that.

— Jennifer Jackson (@arcaedia) February 7, 2020

Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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Irrfan Khan found success even in the harshest of times. The greatest stories are born out of sheer and scarring rejections and that's what Khan had to go through during his early years in the Hindi film industry. I'm reminded of an interview when he spoke about crying profusely on Raghubir Yadav's shoulders after Nana Patekar was given the role he was playing in Mira Nair's Salaam Bombay. But he knew he wanted a life and career in front of the camera.

Another great thing about success is that it never discriminates. Khan's was an unconventional aura yet very charming. He hailed from Jaipur, stayed at Tonk Road and had dreams of making it in Bollywood. The nation saw him for the first time in the immensely successful serial, Chanakya, and his eyes were so gripping and powerful, the viewers couldn't help but be hooked by his persona. He was here to stay.

His early years in Hindi films may have been unsensational but never once anyone doubted his tenacity as an artist. Even in smaller roles like Kasoor and Footpath, you could see the sincerity and earnestness with which he approached these characters. There was something special about his emotions and gravitas that with the same amount of expressions, he could be both chilling and comical. On one hand, we had a film like Gunaah, where he played an inebriated and innocuous police officer, and on the other hand was a film like Hindi Medium, where he made the audiences laugh and even cry.

He won the National Award for Paan Singh Tomar, a film that was driven by rust and robustness, and so was his performance as the eponymous character. It was only after this that he began to get roles that were not only exciting but also very exhilarating, for him and us, both. In The Lunchbox, he played Saajan, an ageing and ordinary man who falls in love with a woman he has never met, thanks to her delicious food that accidentally lands at his office desk. It was a restrained, real, and rousing performance that will always stay as delicious and fresh as the food he consumed.

Another crackling performance was in Shoojit Sircar's Piku, where he was pretty much stuck between a clumsy father and his cantankerous daughter. His deadpan demeanour always works in favour of the films he's a part of, and Piku was one of them. Call it the magic of the narrative or his own Midas touch that even if a single muscle doesn't move on his face, we know exactly how and what he's feeling. And that's precisely what he aspired for, to be a great artist. He never craved fame.

He once said, "Wanting fame is a disease and one day, I want to be free from this disease." Today, by God's will, he has been set free from all his pain and suffering as he departs, leaving behind tons of memories and superlative films and performances. Rest in peace, Irrfan Khan, until we meet again!

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Last seen in Welcome to New York (2018), Lara Dutta Bhupathi is back on the scene with the web series, Hundred, which marks her digital debut. "It just fell into place. I wasn't actively looking for anything. I thought it would be interesting to be part of the web culture."

The offer landed in her lap rather suddenly. "Though I have known Ruchi [director Narain] for years, we never spoke about working together. I always wanted to be directed by a woman. I like her work, so, I thought I'd give it a shot when she made the offer." At odds with the roles she has played in Bollywood till date, her character in Hundred was age-appropriate. Dutta's Soumya Shukla is a cop, a part she has never played before. "The experience was educational. I needed to get the body language and nuances on point. I even met a couple of women DCPs to get a better insight."

Digging deep into her character, Dutta says she hasn't explored a role that is as layered as this one. "[She is] ambitious, unapologetic and frustrated, and also faces issues in her marital life. There were so many aspects to her persona that intrigued me." What also drew her to the show was co-star Rinku Rajguru, best remembered for Sairaat (2016). "We are generations apart. I thought we would make for an interesting combo. We come from different worlds."

Shooting for the Hotstar web series in different locations of Mumbai was an eye-opener.

"Despite living in Mumbai for 25 years, I didn't realise how much more there is to the city. I got to see the gritty underbelly as we shot in real locations." Despite hubby, tennis champ Mahesh Bhupathi, being her sounding board, she refers to daughter Saira as her biggest critic. "She is excited to see me on screen, but also keeps critiquing."

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Zoya Akhtar is a pioneer when it comes to thinking outside the box and delivering the best of content. The director has done it once again with the "I for India initative" to help reduce the impacts of Covid-19.

The initiative has been making headlines ever since it was announced with everyone waiting for the event to go live. Spanning over four hours, the Facebook live event saw 85+ celebrities from Bollywood take part in it including international celebrities like Will Smith and Mick Jagger joining in as well along others.

The event saw artists do various performances in the safety of their homes to raise money for GiveIndia.org to support frontline workers fighting the Covid-19 pandemic and also to help people like daily wage workers who have been affect due to the ongoing crisis.

The vision for the concert was three-pronged: to entertain those locked down in their homes. To pay tribute to those who are working on the frontlines. And to raise funds for those who have no work and no home and do not know where their next meal is coming from.

Needless to say, the concert was a huge success and managed to raise substantial amounts of funds that will indeed benefit those in need. The 'I for India' initiative was organised by Zoya Akhtar and Karan Johar.

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Shashank Vyas is not a social media addict. He says he chose not to make his personal life public by posting pictures or tweeting private details. "All this time I have been accused of not being on social media by my fans. I don't take social media seriously. It is a fun thing and I only use it to reach out to my fans, that too once in a month," said the young actor.

"One has a choice of being on it or not being on it. I choose not to make my personal life public by posting pictures or tweeting private details. It is an individual choice at the end of the day. Posting everything online and then complaining of invasion of privacy is a hypocritical thing to do," he added.

He feels that just like having a million followers won't affect his craft, similarly having fewer followers won't affect his "dream, my health, and my craft". "Through social media, one only wants to seek social validation or adulation to feel good about themselves. In other words, it is all illusionary space. The key to happiness is in my pocket and not in someone else's hand," he said.

Meanwhile, Shashank said that he has always tried to concentrate on his work and agrees that there might not be too many great roles out there. "Any seasoned actor who in the real sense is passionate about acting, will not pick up a role casually. There is a huge scarcity of good writers. Right now, only supernatural shows are getting made, which does not offer much to an actor in terms of creative satisfaction," he said.

"Many fantastic actors say no owing to the lack of good scripts. A script has to be so compelling that you hear it once and you know you would like to be a part of it. If the role is well-written on paper then an actor has to be physically and mentally present and everything will turn out good. The part where an actor is not convinced is the logic bit. The audience today is spoilt for choice with the vast amount of shows to choose from and they will not accept just about anything. The content has to be compelling," added the "Balika Vadhu" actor.

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Karan Tacker was famously linked with Ek Hazaaron Mein Meri Behna Hai co-star and on-screen wife Krystle D'Souza, but neither actor made their relationship official. However, the audience always knew that they were together and also rooted for the couple.

In a recent interview with ETimes, Karan Tacker opened about why the couple parted ways. And it wasn't because of personal difference, as Tacker claims. He told the website, "Krystle and I never said that we separated because of personal differences. However, I wouldn't get into further details on this." Tacker also shared that he's not in touch with Krystle any more.

When asked if Karan, given the chance, would work with Krystle again, he said, "I don't really look at who's working with me for the project. As I said, I look into a script. If the script appeals to me, everybody else comes with the project. I don't really have a problem."

Recently, during an Instagram live chat, Karan Tacker was asked if he has kept in touch with his exes during the lockdown. Karan replied that since all his exes are his good friends, he's been checking up with all of them. Reacting to this, Karan Johar started pulling Karan Tacker's leg, asking him if he was sure that he messaged every single person? To this Tacker laughed and said, "Not every single person… but you know what I mean."

On the work front, Karan Tacker was recently seen in Neeraj Pandey's Special Ops on Hotstar. Karan was seen in the role of an undercover agent in the action thriller series. Special Ops also features Kay Kay Menon, Divya Dutta, Vinay Pathak, Muzammil Ibrahim, Vipul Gupta, Sajjad Delafrooz, Parmeet Sethi, Gautami Kapoor, Sana Khan, Sharad Kelkar, and KP Mukherjee.

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Astad Deboo explores the space at Studio Tamaasha in his show. Pics/Ritam Banerjee

"When you sit inches away from the performer, there could be an initial moment of awkwardness. But then it gets exciting, and a strong bond forms between the audience and the artiste. There is no getting away here," says acclaimed theatre director Sunil Shanbag about the dynamics of performing in an intimate space like Studio Tamaasha, which he founded in April last year.

This Saturday, the viewer-performer relationship will acquire a new dimension as ace dancer-choreographer Astad Deboo takes the stage at Studio Tamaasha to present a solo performance, Liminal: Below the Edge, specially designed for the Versova venue. "Sunil and I go back nearly 40 years. When I saw the space, I found it exciting and it called out to me. I do a lot of site-specific work, but this is the first time I am in such a compact space," says Deboo about the collaboration, adding that the performance deals with the turmoil, unrest and uncertainty we are experiencing today. The music has been composed by Michael Brook, Paul Giger and the late U Srinivas, The venue has a T-shaped stage with the audience seated on either side. Deboo's performance has been created to explore three different parts of the space. "A lot of work that I do is very controlled. If I am raising a leg, the viewer [in an intimate set-up] can see the movement vividly. It's an experience for the audience to see the performer up close," shares Deboo.

Shanbag believes that there is a certain openness to the way the studio can be used. But with Deboo, it was a different experience. "Astad is a master at using spaces. A lot of what one has learnt about space has been from watching him in the past. It felt perfectly natural to ask him if he would like to do something here. And he has the ability to make you see your own space differently."

Sunil Shanbag

How do they view the recent surge in the number of alternative performance spaces in Mumbai? "It is good to see that these spaces have sprung up. I find Sitara Studio in Parel interesting, too," says Deboo, who feels that intimate venues lend themselves well to previews of works in progress. Back from South America, where he and his company were invited to perform at the 25th anniversary celebrations of the festival of the Arts in Santiago, Chile, Deboo is creating a show suited for the Tao Art Gallery space in Worli.

Shanbag calls the development exciting. "It's adding to the richness of the cultural landscape of the city. But it's also a good time to point out that this is all created by the performing arts community, with no support of any kind," he says. "It's an amazing spirit. You go out there, find spaces, and make them performance-ready. Something good has to come out of this."

ON: February 10, 7.30 pm
AT: Studio Tamaasha, Bungalow No 76, Aram Nagar, Versova,
LOG ON TO: bookmyshow.com
ENTRY: Rs 354

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Representational picture

Washington D.C.: Many people are often torn about reaching their personal goals at any given cost. However, turns out, such goal conflict is associated with the symptoms of psychological distress, according to a new study conducted by the University of Exeter. A survey of more than 200 young adults investigated two forms of motivational conflict.

These were inter-goal conflict (when pursuing one goal makes it difficult to pursue another) and ambivalence (conflicting feelings about particular goals).

The results showed that each of these forms of goal conflict was independently associated with anxious and depressive symptoms, but did not predict worsening of symptoms over one month.

"People with poorer mental health are more likely to report that their personal goals hinder one another," said researcher Nick Moberly.

"Such conflict between goals may be more manageable if it is conscious. However, ambivalence may indicate a clash between a goal and a higher-order value that lies outside awareness. Attention to these deeper motivational conflicts may be an important step towards resolving them and relieving distress", continued Moberly.

Professor Joanne Dickson said, "We know that striving for goals that are important to us gives life meaning and purpose and promotes wellbeing. However, when these goals generate conflict they can contribute to psychological distress."

Inter-goal conflict occurs either because the objectives are incompatible or because pursuit of both goals draws upon a limited resource, such as time or money.

For example, a person's goal to spend more time with their family may conflict with their goal to get promoted at work.

Ambivalence is thought to reflect a deeper motivational conflict of which the person is unaware.

For example, a person may feel ambivalent about initiating an intimate relationship because this challenges a more abstract goal of independence.

The young adults in the study were aged 18-35, with an average age of 20. The findings from the study are published in the journal Personality and Individual Differences.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

The Austrian Ministry of Finance has announced its decision to proceed with personal income tax cuts.

Belgium, Denmark, and Germany have the highest personal income tax burdens, at over 35 percent, among OECD countries, according to the latest OECD Taxing Wages report, which says that just over half of countries made small increases to their average personal tax rates last year.

On May 2, 2019, Belgium's finance ministry confirmed that the Tax-on-web portal has been opened for personal and corporate income tax returns for the 2019 fiscal year.

Highlights: Personalized therapeutic cancer vaccines are likely to be available soon A new type of deli

Australian Treasurer Josh Frydenberg has announced that the Government will bring forward the start date for its package of income tax cuts.

Shaving or waxing pubic hair may not raise the risk of sexually transmitted diseases (STDs), stated new study. Previous research and many media reports

The new 'tooth-on-a-chip' was found to enable more personalized dentistry, giving dentists the ability to identify dental filling materials that work

New study proposes a method to extend polygenic scores, the estimate of genetic risk factors and personalized medicine revolution, to individuals with

Temperament in infancy helps predict personality more than 20 years later, revealed researchers. For those individuals who show sensitivity to making

A new personalized digital meditation training program developed by UC San Francisco scientists was found to significantly improve attention and memory

The world badly needs great leaders. The tragedy of Mandela’s passing is that it underlines the rarity of his extraordinary combination of courage, commitment, charisma, intelligence, self-sacrifice and, rarest of all, wisdom.

In this modern age, the standard of living of the people is very high. As a result, the needs to look better from others are increasing at a very high rate. On the contrary, note, monthly earnings...

Personal Loan as its name suggests is a loan that is specially structured to mitigate different personal needs and desires at once. It is loan unsecured in nature availed by consumer without pledging any collateral to the bank. It is a...

Money plays an important role in our lives. We have a lot of dreams, but short of funds that are needed to keep them alive.  So we have to focus our goals and choose which one is best to you. It is difficult to save the entire...

Company cars form a large proportion of the car fleet in many OECD countries and are also influential in determining the composition of the wider vehicle fleet. When employees provided with a company car use that car for personal purposes, personal income tax rules value the benefit in a number of different ways.

Taxes on the labour income of the average worker in Latin American and Caribbean (LAC) countries totalled 21.7% of total labour costs in 2013, one-third lower than in OECD countries, where the average was 35.9%, according to the first edition of Taxing Wages in Latin America and the Caribbean.

Social security contributions and consumption taxes give way to personal income taxes, as corporate income taxes fail to recover

This paper presents statutory tax rates on several forms of capital income, including dividends, interest on bonds and bank accounts, and capital gains on shares and real property, including integration between the corporate and personal levels. It updates the rates from an earlier tax working paper and extends the analysis to consider the debt-equity bias of the tax system when the personal level of taxation is considered.

The taxation of personal savings and wealth varies widely, offering governments significant scope for tax reforms that simultaneously improve both the efficiency and fairness of their tax systems, according to two new OECD reports.

This report presents a tax reform package that prepares Slovenia for the ageing of its population. Slovenia faces a window of opportunity for a comprehensive tax reform that rebalances the tax mix away from employee social security contributions (SSCs) towards the personal income tax (PIT).

The Personal Income Tax Rate in Isle of Man stands at 20 percent. Personal Income Tax Rate in Isle of Man averaged 19.29 percent from 2004 until 2020, reaching an all time high of 20 percent in 2010 and a record low of 18 percent in 2005. In Isle of Man, the Personal Income Tax Rate is a tax collected from individuals and is imposed on different sources of income like labour, pensions, interest and dividends. The benchmark we use refers to the Top Marginal Tax Rate for individuals. Revenues from the Personal Income Tax Rate are an important source of income for the government of Isle of Man. This page provides - Isle of Man Personal Income Tax Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

The personal tax system has a large influence on incentives to work, save and invest and hence growth. At the same time it is a key policy lever for income redistribution.

The Personal Income Tax Rate in Algeria stands at 35 percent. In Algeria, the Personal Income Tax Rate is a tax collected from individuals and is imposed on different sources of income like labour, pensions, interest and dividends. The benchmark we use refers to the Top Marginal Tax Rate for individuals. Revenues from the Personal Income Tax Rate are an important source of income for the government of Algeria. This page provides the latest reported value for - Algeria Personal Income Tax Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Household Saving Rate in Germany increased to 11.20 percent in the fourth quarter of 2019 from 10.90 percent in the third quarter of 2019. Personal Savings in Germany averaged 11.99 percent from 1960 until 2019, reaching an all time high of 17.30 percent in the second quarter of 1975 and a record low of 7.80 percent in the first quarter of 1960. In Germany, Personal Savings correspond to the ratio of personal income saved to personal net disposable income during a certain period of time. This page provides the latest reported value for - Germany Personal Savings - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Household Saving Rate in the United States increased to 13.10 percent in March from 8 percent in February of 2020. Personal Savings in the United States averaged 8.82 percent from 1959 until 2020, reaching an all time high of 17.30 percent in May of 1975 and a record low of 2.20 percent in July of 2005. In the United States, Personal Saving Rate correspond to the ratio of personal income saved to personal net disposable income during a certain period of time. This page provides - United States Personal Savings Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Household Saving Rate in Mexico remained unchanged at 21.20 percent in 2019 from 21.20 percent in 2018. Personal Savings in Mexico averaged 22 percent from 2003 until 2019, reaching an all time high of 25.70 percent in 2006 and a record low of 19.80 percent in 2014. This page provides - Mexico Personal Savings - actual values, historical data, forecast, chart, statistics, economic calendar and news.

The Personal Income Tax Rate in Argentina stands at 35 percent. In Argentina, the Personal Income Tax Rate is a tax collected from individuals and is imposed on different sources of income like labour, pensions, interest and dividends. The benchmark we use refers to the Top Marginal Tax Rate for individuals. Revenues from the Personal Income Tax Rate are an important source of income for the government of Argentina. This page provides - Argentina Personal Income Tax Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

The Personal Income Tax Rate in Macedonia stands at 10 percent. Personal Income Tax Rate in Macedonia averaged 12.53 percent from 2004 until 2018, reaching an all time high of 24 percent in 2005 and a record low of 10 percent in 2008. In Macedonia, the Personal Income Tax Rate is a tax collected from individuals and is imposed on different sources of income like labour, pensions, interest and dividends. The benchmark we use refers to the Top Marginal Tax Rate for individuals. Revenues from the Personal Income Tax Rate are an important source of income for the government of Macedonia. This page provides - Macedonia Personal Income Tax Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Personal Spending in the United States decreased 7.50 percent in March of 2020 over the previous month. Personal Spending in the United States averaged 0.52 percent from 1959 until 2020, reaching an all time high of 2.80 percent in October of 2001 and a record low of -7.50 percent in March of 2020. Personal consumption expenditures (PCE) is the primary measure of consumer spending on goods and services in the U.S. economy. 1 It accounts for about two-thirds of domestic final spending, and thus it is the primary engine that drives future economic growth. PCE shows how much of the income earned by households is being spent on current consumption as opposed to how much is being saved for future consumption. PCE also provides a comprehensive measure of types of goods and services that are purchased by households. Thus, for example, it shows the portion of spending that is accounted for by discretionary items, such as motor vehicles, or the adjustments that consumers make to changes in prices, such as a sharp run-up in gasoline prices. This page provides the latest reported value for - United States Personal Spending - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

The Personal Income Tax Rate in Cameroon stands at 35 percent. . In Cameroon, the Personal Income Tax Rate is a tax collected from individuals and is imposed on different sources of income like labor, pensions, interest and dividends. The benchmark we use refers to the Top Marginal Tax Rate for individuals. Revenues from the Personal Income Tax Rate are an important source of income for the government of Cameroon. This page provides - Cameroon Personal Income Tax Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

The Personal Income Tax Rate in Tunisia stands at 35 percent. . In Tunisia, the Personal Income Tax Rate is a tax collected from individuals and is imposed on different sources of income like labour, pensions, interest and dividends. The benchmark we use refers to the Top Marginal Tax Rate for individuals. Revenues from the Personal Income Tax Rate are an important source of income for the government of Tunisia. This page provides - Tunisia Personal Income Tax Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

The Personal Income Tax Rate in Uganda stands at 40 percent. Personal Income Tax Rate in Uganda averaged 33.85 percent from 2004 until 2016, reaching an all time high of 40 percent in 2012 and a record low of 30 percent in 2005. In Uganda, the Personal Income Tax Rate is a tax collected from individuals and is imposed on different sources of income like labour, pensions, interest and dividends. The benchmark we use refers to the Top Marginal Tax Rate for individuals. Revenues from the Personal Income Tax Rate are an important source of income for the government of Uganda. This page provides - Uganda Personal Income Tax Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

The Personal Income Tax Rate in Liechtenstein stands at 22.40 percent. Personal Income Tax Rate in Liechtenstein averaged 20.68 percent from 2007 until 2019, reaching an all time high of 24 percent in 2015 and a record low of 17.01 percent in 2008. In Liechtenstein, the Personal Income Tax Rate is a tax collected from individuals and is imposed on different sources of income like labor, pensions, interest and dividends. The benchmark we use refers to the Top Marginal Tax Rate for individuals. Revenues from the Personal Income Tax Rate are an important source of income for the government of Liechtenstein. This page provides - Liechtenstein Personal Income Tax Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.