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Are you someone that likes living life on the edge, from salary to salary, buying something as and when you set eyes on it, without worrying about your savings, and a "dekha jayega" attitude? That may seem cool -- but it's also a short cut to financial disaster. Walnut App CEO and Co-Founder Patanjali Somayaji lists five ways to ensure you don't go broke. Ever.

Download a money management app to track your expenses
If you have never been the type to track your expenses, now is a good time to start. You can download an app that tracks your spends and set a budget, keep a watch on your upcoming credit card and utility bill payments, as well as see how much you owe or have to get from others. This is the first step to getting your finances streamlined.

Make a plan and set goals for yourself
Set short-term (a few months ahead) and long-term (a year and beyond) goals. It could be anything from taking up a new hobby like learning the guitar, to buying a new phone/laptop/camera, getting married, buying a new house or being debt-free by a certain date, and so on. Based on the plan, break it down into quarterly and monthly goals so you know how much to save, how much is safe to spend and so on. Having a plan will give you an overview and much better control of your finances.

Set up an emergency fund
Once you're tracking your spends and have set goals, you know how much money you need to allocate to each of them. You would also get an estimate of your spending pattern and expenses for each month. Based on this, have an emergency fund in place that will take care of at least 6-8 months' worth of living expenses so that in case of a mishap or a loss of job, you don't go broke, and have something to fall back on. You can set it up so that a certain percentage of your salary/income each month is automatically transferred to this fund. It could be in a different bank account, a fixed deposit, or even a liquid fund -- and most importantly, it should be accessible easily and quickly when needed urgently.

Set limits for your spend categories
Take a look at your spends in greater detail to understand where the money goes each month. Assign limits to each of these categories for the month and see how you're doing at the end of the month. This will give you an idea of your lifestyle and if you're spending more than you earn, as well as where you can cut down on unnecessary spends.

Stay debt-free
Credit cards can be extremely useful -- for regular spends as well as during emergencies, and over time, with a good payment history, can boost your credit score too. However, if you're the type of person who cannot pay off credit card bills in full each month or who just pays the minimum amount due, stick to using your debit card or cash, or even a Line of Credit, which has a lower interest rate. Revolving credit on a credit card can be dangerous for your finances, and it can take you several years to repay the entire outstanding amount.

There will always be changes in situations, your current needs and requirements as well as your cash flow, so every 3-6 months, you should re-look at your plan and goals, and modify as needed to stay on top of your finances.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

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New Delhi: With the summer heat scorching and the mercury level soaring, comfort is a serious concern for many. In this scenario, selecting the right fabric is a necessity so opt for the right clothing that makes you feel fresh. Designers Prarena Grover and Dhruv Sehgal list some must haves fabrics and few avoidable ones.

Must have fabrics
Cotton: Beyond any doubt pick up that cotton dress or the cotton shirt from your wardrobe. It not only makes you look smart and elegant but also scores high on the comfort level.
Reason: During summer it is a general tendency to sweat a lot and in such a situation cotton is just the apt fabric that absorbs this sweat. This helps in giving the much required relief and helps in cooling down your body temperature. In addition, cotton fabric gives you a relief if you are prone to any allergic reaction. Thus, cotton is just too apt for your sensitive skin.

Linen: The pastel coloured linen wear is just so perfect for your summer days. Fret no more and choose the right linen wear for yourself.
Reason: Tired of threat of unnecessary sweat? Considering that linen is highly absorbent and a good conductor of heat it helps in keeping your body free of moisture. So, the linen dress or blouse not just feels good to touch but also quickly removes your perspiration during the summer days.

Khadi: Khadi saris to the dress to shirts, it is the perfect wear for your summer evening.
Reason: Khadi is that handloom fabric which uses no chemicals in manufacturing. This skin friendly hand oven, organic fabric is just too perfect for your summer days.

Sheer: This is the ideal fabric for humid days. It is the fall and the interesting cut of the fabric makes it a must-have in your summer days.
Reason: As a fabric usually meant for wedding gowns or floral costumes or stockings or lingerie sheer does very little in the way of warmth for the wearer. This is the reason why it is one of the favourite fabrics for summer wear.

Avoidable fabrics

• Denim: Denim is a strict no for your summer days. It hugs your body too much and creates unnecessary suffocation in summer.
• Synthetic wear: Never indulge in a mix fabric in summer. It creates discomfort and may sometimes cause skin infections in this regard.

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Busy Mumbaikars who cannot stop at the local vegetable vendor have found increasing comfort in stocking up their groceries from online portals offering attractive discounts and home delivery, a recent study has found.

The study, titled, Assessing the Impact of Online Grocery Shopping in Mumbai found that middle class citizens spent the highest amount of time shopping online due to time constraints.

The study found that people between the age group of 35-45, primarily married couples, are regular user of online grocery shopping portals. Representation pic/Getty Images

The survey, conducted among 117 respondents in Mumbai, found that people between the age group of 35-45 are regular user of online grocery shopping portals like Amazon Pantry, Grofers, Nature's Basket, Big Basket and others.

Married couples are more regular on the sites as well, due to their nature of their jobs. It also observed that websites combining offers or discounts on products along with home delivery services were the main attraction for customers.

Pick-up points to collect groceries ordered online, like this one by D-Mart in Bandra east, have also proved to be a hit. Pic/Pradeep Dhivar

Dr Rupali Rajesh, associate professor at the Vivekanand Education Society Institute of Management Studies and Research, who published the paper, said accessibility and discounts offered are the main attractions for buyers.

"Mumbai is considered as one of the busiest cities where people have to commute for hours. It becomes really hectic for people to go for grocery shopping, which is why the demand for online grocery shopping is growing. I found out through my study that discounts and saving time were the two biggest parameters for deciding the mood of the buyers," Dr Rajesh said.

Dr Rupali Rajesh

"Our data shows that as many as 41.9 per cent of the surveyed people who regularly use online grocery portals are in the age group of 35-45 years. This is followed by the age group in 25-35, who have a daily usage rate of 31.6 per cent. While interviewing respondents, it was observed that 68 per cent of the users who fall into these two age categories were married. They have to handle office work along with domestic activities, which hardly laves them with enough time to go to the markets," added Dr Rajesh.

The study also revealed that citizens earning in the range of R1 lakh to 5 lakh annually did the highest amount of online grocery shopping, mainly due to discounts provided there. Most of these sites provide discounts on groceries, with several offering the highest discounts on weekends. It also pointed out that the possibility of replacing products, wide variety and availability also proved to be a factor for online shopping.

41.9% People in the age group of 35-45 who shop for groceries online

31.6% People in the age group of 25-35 who shop for groceries online

68% Married couples in the two age groups who shop online

Rs 1 lakh -Rs 5 lakh Income range of middle class online shoppers

(The survey was conducted among 117 participants)

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A day before voting in the fourth and final phase for 48 seats in Maharashtra today, statistics available with the Election Commission of India (ECI) showed that the worth of drugs, alcohol, precious metals etc. seized here over the past 32 days, was Rs 156.52 crore. The total worth of seizures of such items across the country, is Rs 3,244.59 crore.

As per ECI data about the seizures (from March 26 to April 28), the worth of precious metals (gold, silver etc), Rs 70.12 crore, was the highest in Maharashtra. This was followed by cash worth Rs 52.91 crore. Liquor worth Rs 25.64 crore was also seized. Drugs worth Rs 7.33 crore and freebies worth R9 crore were also seized.

Mumbai specific data
As per a press release issued by the chief electoral officer, Maharashtra, cash worth Rs 18.14 crore was seized from Mumbai city alone and 15 cases related to the violation of the Model Code of Conduct were filed. As per ECI data, from the time the Code of Conduct came into place till date, there have been seizures worth Rs 3,244.59 crore across the country. Of these, the total cash seized was Rs 781.82 crore, the liquor seized was worth R245.738 crore, and the drugs seized were worth Rs 1,193.81 crore. The worth of the precious metals seized was Rs 970.953 crore and the worth of freebies etc seized was Rs 52.26s 7 crore.

Rs 18.14cr
Worth of the cash seized in Mumbai

Rs 52.91cr
Worth of the cash seized in Maharashtra

Rs 781.82cr
Worth of the cash seized across the country

Liquor sales spike this month
Liquor sales have increased in the past 25 days by 10% in Thane district. Last year this month, 19,62,000 litres of liquor was sold in Thane district, and this year this month 20,06,000 litres of liquor has been sold so far. According to an Excise Department official, despite the severe summer, people are consuming whisky, while compared to last year, the sale of beer has reduced.

Earlier this month mid-day had reported that the Thane Election Commission and ED have sent notices to wine shop owners regarding maintaining proper sale records, to avoid cancellation of licences. "We have told them that we will compare sales of this period during last year and take action if they have increased drastically," said an ED official.
The ED and EC have been extra vigilant due to illegal sales during elections.

ED official Y Rathod, said, "Owners usually keep their shops open for longer hours during elections and sell liquor illegally. We have extra teams this time and have followed with strict checking. Due to this the transportation of liquor reduced during the elections. Also wine shop owners have kept their records clear this time."

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As Mumbaikars set out to vote in the Phase 4 of Lok Sabha elections 2019 a glitch in the EVM machine led to delay in voting at a polling booth in Malad west.

Voting was yet to begin at booth number 162 of Malad West, Daulat school in Mumbai when this report was being filed. A technical glitch was detected in the EVM machine that led to the delay.

#LokSabhaElections2019 : Voting is yet to begin at booth number 162 of Malad West in Mumbai after a glitch in EVM was detected. #Maharashtra

— ANI (@ANI) April 29, 2019

The machine was being replaced by the poll authorities.

Also read: Elections 2019 in Mumbai: Everything you need to know before you vote

A total of 422 polling stations have been declared critical which include 65 from the suburbs of Mumbai and 357 from the Island city. 

The instructions given by the Election Commission said that the booths that polled more than 75 per cent votes in the last elections or where the same candidate got 75 per cent votes have been marked as critical. Law and order situation has also been kept in mind. 

Meanwhile, veteran actress Shubha Khote, BJP MP Paresh Rawal and his wife Swaroop Sampat have already cast their vote.

In yet another constituency, voting got delayed at booth no 19 in Sion Koliwada in Pratikshanagar as the EVM machine was not working. The voting process got delayed by an hour by the time the glitch was fixed. 

However, a senior official who spoke to mid-day said, "No polling station has been found to be sensitive even after a detailed study, but even the critical ones will be monitored closely by us. The live webcasting will be continuously monitored by the EC-appointed observers."

(with inputs from Samiullah Khan)

Also read: Elections 2019 Phase 4 Live Updates: Anil Ambani, Rekha cast their vote

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A voter turnout of 6.82 per cent was recorded in the first two hours in Maharashtra's 17 seats on Monday as polling for the fourth and last phase of Lok Sabha elections in the state got underway.

Voting begins for fourth phase of #LokSabhaElections2019 in 72 constituencies, across 9 states. pic.twitter.com/WrwCeb0s6X

— ANI (@ANI) April 29, 2019

#Mumbai: Voters queue outside polling booth number 40 & 41 in South Mumbai parliamentary constituency. #LokSabhaElections2019 pic.twitter.com/tRnHiTURvo

— ANI (@ANI) April 29, 2019

Mumbai: Visuals from polling station number 212-222 at Vibgyor School in Mumbai North West constituency where preparation ahead of voting is underway. Voting for the fourth phase of #LokSabhaElections2019 will begin at 7 AM today. pic.twitter.com/CTA3M5Fnhf

— ANI (@ANI) April 29, 2019

Polling began at 7 am and long queues were seen outside many booths. BJP MP Poonam Mahajan, industrialist Anil Ambani, Congress nominee Urmila Matondkar and actor Rekha were among the early voters in Mumbai. State education minister Vinod Tawde, BJP candidate from Mumhai-North East Manoj Kotak and Congress nominee from Mumbai-Central Eknath Gaikwad also exercised their franchise in the initial hours.

Mumbai: Preparations are underway at polling station 283 in Hill Road, Bandra West. Voting for the fourth phase of #LokSabhaElections2019 will begin at 7 AM today. pic.twitter.com/hdRkIs8a63

— ANI (@ANI) April 29, 2019

Mumbai: Visuals of preparation from polling booth number 40 and 41 in Mumbai South constituency. Voting for the #LokSabhaElections2019 will begin at 7 AM today. pic.twitter.com/U78lVcawtj

— ANI (@ANI) April 29, 2019

Mumbai: A woman being carried to cast her vote at polling booth number 181 in Mahim by her family member and polling staff. #LokSabhaElections2019 pic.twitter.com/V7loyU0CWJ

— ANI (@ANI) April 29, 2019

Mumbai: Anil Ambani casts his vote at voting centre number 216 at GD Somani School in Cuffe Parade. #LokSabhaElections2019 pic.twitter.com/II9VZJvjmV

— ANI (@ANI) April 29, 2019

#Mumbai: Actor Anupam Kher casts his votes at polling booth no.235-240 in Juhu. #LokSabhaElections2019 pic.twitter.com/o7ZGITSzrF

— ANI (@ANI) April 29, 2019

#Mumbai: Actors Bhagyashree and Sonali Bendre after casting their votes at a polling booth in Vile Parle. #LokSabhaElections2019 pic.twitter.com/cJFwpTtgKA

— ANI (@ANI) April 29, 2019

The voting figures till 9 am are as follows: Nandurbar-8.73 per cent, Dhule-6.31 per cent, Dindori -7.28 per cent, Nashik-6.69 per cent, Palghar-7.86 per cent, Bhiwandi-6.21 per cent, Kalyan-5 per cent, Thane-6.77 per cent, Mumbai-North- 7.85 per cent, Mumbai-North West 6.90 per cent, Mumbai-North East- 7 per cent, Mumbai-North Central 5.98 per cent, Mumbai-South Central-6.45 per cent, Mumbai- South 5.91 per cent, Maval-6.67 per cent, Shirur-7.07 per cent and Shirdi 7.28 per cent.

#Mumbai: NCP Chief Sharad Pawar after casting his vote at polling booth 31 in Tardeo. #LokSabhaElections2019 pic.twitter.com/G8VNrNwESd

— ANI (@ANI) April 29, 2019

As many as 40 polling booths in these constituencies, including 26 in suburban Mumbai, are being managed women. As many as 3.11 crore voters spread across the Mumbai metropolitan region and northern and western Maharashtra are eligible to exercise their franchise to decide the fate of 323 candidates in the fray in these 17 seats.

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Edited by mid-day online desk with inputs from Agencies

Thane: A day after six people on election duty were rescued from a lift at a school in Maharashtra's Thane district, three more poll staffers got stuck in the same elevator as it malfunctioned again on Monday, an official said.

The three poll staffers were using the lift in Sahakar Prasarak Mandal School at Kalwa town in the morning when it got stuck on the building's fourth floor after developing a technical snag, Thane civic body's regional disaster management cell chief Santosh Kadam said. The fire brigade personnel rushed to the spot and managed to rescue those stuck in the lift after around 15 minutes, he said. The lift was being used by the poll staff to reach the classrooms where the election material was kept, Kadam said. On Sunday, six poll staffers got stuck in the school's lift for around 40 minutes before being rescued, he said.

An average 18.39 per cent voter turnout was recorded in the first four hours in Maharashtra's 17 seats on Monday as polling for the fourth and last phase of Lok Sabha elections in the state was underway. Polling began at 7 am and long queues were seen outside many booths, some of which were decorated with balloons and 'rangolis'. So far, Nandurbar Lok Sabha seat recorded highest polling at 24.59 per cent while Kalyan constituency saw the lowest voter turnout of 13.91 per cent, according to an official statement. The voting figures till 11 am in other constituencies are as follows: Dhule- 18.26 per cent, Dindori - 21.06 per cent, Nashik- 17.22 per cent, Palghar- 21.46 per cent, Bhiwandi- 17.25 per cent, Thane-17.43 per cent, Mumbai-North- 19.46 per cent, Mumbai-North West 17.64 per cent, Mumbai-North East-18.39 per cent, Mumbai-North Central- 16.21 per cent, Mumbai-South Central-16.80 per cent, Mumbai- South 15.51 per cent, Maval- 18.23 per cent, Shirur- 18.65 per cent and Shirdi 20.55 per cent.

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A major fire broke out at a Big Bazaar outlet in Matunga West area on Monday afternoon. As per reports, the fire broke out in a ground-plus-one building housing. However, no casualties have been reported so far.

Several Fire Brigade personnel, one ambulance and a Quick Response Vehicle reached the spot to douse the flames. Five fire engines have also been deployed at the spot, said the officials.

All the people inside the store at the time of the fire were reportedly were to rushed out to safety and no casualty has been reported as yet. Firefighting operations were continuing.

A similar incident occurred last week in South Mumbai. According to reports, a fire broke out at the famous Crawford Market area. Reports also state that four fire engines were immediately rushed to the spot.

The fire engines are currently making efforts to douse the flames at Crawford Market. No casualty was reported in the incident, he said.

The blaze erupted around 10.50 am at the shopping centre located behind a mosque on Abdul Rahman Street and spread rapidly in the complex, the official said.

Several electronic goods, plastic, stationery items and electric installations were gutted in the fire, he said.

Four fire engines, as many water tankers, and a quick response vehicle were rushed to the spot, he said. The fire brigade personnel managed to extinguish the flames after hectic efforts for about an hour, he said.

Also Read: Mumbai: Major fire at a chemical plant in Dombivli MIDC

The exact cause of the blaze was yet to be ascertained, the official said, adding that a probe was on into the incident.

(With inputs from PTI)

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I have been trapped in a bad marriage for years now. My husband doesn't respect me, we fight constantly, and nothing we have done to fix this has worked. I know we will never be happy together, because he won't change, and I am tired of trying to make him happy. I would like to end this nightmare, but I can't tell my family about this because they won't support me. They believe I should be with him no matter what and that I should try and make it work. My husband has given up on this a long time ago and probably has relationships with other women that I know nothing about. I don't care if he does either because we have been living separate lives for years now. My family will refuse to accept the fact that we have tried for years and failed. Without their support, it will be impossible for me to get a divorce and move on. What should I do?
Families can be tricky when we are raised to believe that they will always stand by us, because they sometimes don't. We believe what we are conditioned to believe, and your family may not know how to deal with this. I suggest you stop relying on them for support and consider other options. You owe it to yourself to be happy, with or without their support, and that is all you should focus on for now. It may be hard for you to think about moving on without their help, but there are other societal systems in place that can offer you some kind of support. Speak to friends, reach out to groups that can counsel you on options, think about what kind of help you will need to get a divorce and move out, and you may be surprised to find assistance in the most unexpected quarters. No one deserves to live in a constant state of unhappiness, so speak to professionals and worry about how your family will react later.

The inbox is now open to take your most carnal and amorous queries. Send your questions on email to lovedoc@mid-day.com

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I began my Monday by first casting my vote and returned with both my index fingers inked at Municipal School No 1, Pratiksha Nagar.

I reached the polling station at 7.15 am and joined the queue there, but due to some technical snag, it took half an hour for the proceedings to start. Four voters who cast their votes before me were inked on their right-hand index finger and the official there wanted to do the same with me too.

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

I informed him that the correct way was to mark the left index finger. He insisted on marking my right hand though and when I requested meeting his senior official to confirm, his colleagues told him that it was indeed the left-hand index finger that must be marked. When he realised his mistake, he wanted to ink my left index finger to rectify his error.

I tried to reason with him saying it was okay now that he had marked my right hand, but he wouldn't budge. While he was ultimately satisfied at having done his job, I had to roam around with two fingers inked.

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

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Those who take on the world with ideas that outlive them belong as much — perhaps more — to it as they do to their families. While their work and public lives are well-documented, the personal side often remains obscured; the hardships and sacrifices taking a backseat as glory, at times infamy, take centre stage.

In Jenny von Westphalen, however, Karl Marx didn't just find a companion who provided him emotional strength and succour as the Marxes battled penury, persecution and the death of four of their children, but also an unrelenting collaborator as he analysed the flaws of capitalism and provided an alternative that continues to stir up impassioned debates. On the political theorist and revolutionary's 201st birth anniversary on May 5, Michaela Talwar and Satchit Puranik are bringing together their German and Indian backgrounds in the new play Mrs & Marx, to present what they call an impossible love story.

Michaela Talwar

Playing themselves, the city-based artistes invoke the spirits of Karl and Jenny (pronounced Yenny) to examine their story through the annals of history. A Harkat Studios production, work began on it exactly a year ago, on the 200th anniversary of Marx. It is a multilingual piece of documentary theatre that juxtaposes the performers' experiences in the present day with that of the world of the Marxes.

"I am privileged to know German. I read several of Jenny's letters, which opened an insight into her personality. Far from a meek housewife, she was a theatre critic, who was unapologetically outspoken," says Talwar, for whom collaborating with Puranik was an easy decision after she watched the production, Karl Marx in Kalbadevi, in which he plays the protagonist.

Puranik explains how his lived experience after marriage further refined Marx's theories and analysis of capital and cash supply, while Talwar says, "Marx wasn't a feminist to start with. [But with Jenny's outspokenness], he would learn to appreciate a woman's opinion. So, she set a subtle but effective example of feminism." Puranik adds, "'Social progress can be measured exactly by the social position of the fair sex...' is among Marx's oft-quoted statements. He rejected the idea of private property, which lay at the core of patriarchy. Even in his analysis of class struggle, he spoke of how women were appropriated into the factory system."

Two centuries after Marx and his beloved comrade and friend Friedrich Engels wrote The Communist Manifesto, communism as a political ideology struggles for survival today, existing only in a few pockets around the world, including India. Drawing from her experiences in India and Germany, Talwar tells us that opinions on Marx here swing between a deified and demonised image, while in Germany, it is easier to come across detached dissection of his works.

What remains undisputed however, say the directors and actors, is Marx's relevance. "With the financial depression of 2007-08, even his harshest critics couldn't escape the fact that through his works, he lives on to haunt them," asserts Puranik, while Talwar shares, "Nothing has changed in these 200 years, and the world remains an extremely unequal place." But she is quick to add, "Whether you believe in Marxism or not, this is a hopeful play; one that fights the discourse of hate that surrounds us with a love story."

On: May 5, 8 pm (for ages 15 and above)
At: Tata Garden, NCPA, Nariman Point.
Call: 22824567
Entry: Rs 300

ON: May 12, 7.30 pm
At: G5A Foundation for Contemporary Culture, Laxmi Mills, Shakti Mills Lane, Mahalaxmi.
Log on to: bookmyshow.com
Entry: Rs 500

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The art display at the debut edition of the festival

This weekend, if you step into the heritage precinct of the Great Eastern Mills compound in Byculla, you’ll get to feast your eyes on oil and watercolour paintings by 50 artists from across India. The showcase is part of the second edition of Art 35, a three-day carnival that celebrates affordable art. “Though we had a basic festival last year, I have taken it to a bigger scale this year by curating carpet displays, fashion apparel, jewellery and food stalls; paper and origami workshops for children and music performances too,” shares Charu Tewari, CEO of Ficus Fine Living, that’s presenting the festival.

Mooralala Marwada

The performance line-up includes an afternoon of Sufi renditions by Mooralala Marwada, a well-known folk singer from the Janana village in Kutch district of Gujarat. The artiste, who sings in the Kaafi form of music, will regale the audience with poetry of Kabir, Mirabai and Ravidas. Other must-catch acts include a Dastangoi storytelling session with Ankit Chadha and a stand-up comedy show titled Oye... Stand Up by Ankita Shrivastav and Mohit Sharma. The latter will also perform a solo act of Toba Tek Singh. The play based on Saadat Hasan Manto’s famous short story set in the aftermath of Partition will see the actor don 19 characters in 60 minutes.

Mohit Sharma in an earlier performance of Toba Tek Singh

The fest also offers a range of workshops — from one on digital photography by Himanshuu Chandrakant Sheth to tarot card reading by Ruchi Shah, finger painting, fabric painting, mural painting, collage making as well as cupcake decoration with fondants and frostings. Each workshop is curated for specific age groups, including two-year-olds.

What’s a carnival without yum food? Dig into chaat, sandwiches, baos and organic fare from the stalls set up at the fest. These include gourmet lunchboxes for `500 whipped up by Savor, a subscription service launched by the folks behind The Secret Supper Project along with probiotic European fermented milk drink, Kefir, by Moina Oberoi, who runs the city’s first Kefir delivery service. You can also binge on Mutton Kheema Samosas, biryani and other sumptuous fare from a pop-up by The Bohri Kitchen.

If you’re looking for retail therapy, check out faux and semi precious jewellery, fashion apparel by Neelu Oberoi as well as exotic carpets and hides from The Merge Projekt in Bandra.

Key, Chair

As the morning sunlight casts a warm glow on a terrace in Andheri, Yash Soni hands us a small glass bottle with a cork stopper. It fits between our thumb and index finger. Glinting at us from within is a tiny guitar carved out of the nib of a pencil.

Mic and fist, Eiffel Tower

A ‘wow’ escapes our lips as we squint to check out the intricate details — there are strings, tuning pegs, a saddle and Soni’s name carved on the instrument’s body. “It took me four hours to make it,” says the 26-year-old artist, one of the few in the city creating microscopic art out of pencil lead. This weekend, he will present a live carving session at Maker Mela, an event that celebrates art, engineering and science with a DIY mindset, at KJ Somaiya’s Vidyavihar campus.

Watch, Guitar

Russian inspiration
With a professional background in event management, Mumbai-born Soni’s tryst with pencil art began two years back, when he came across the works of experimental Russian artist Salavat Fidai on Instagram. “He carved a heart within a heart on a pencil. I was fascinated. Since art had been a hobby (he has created graffiti and speed painting works), I decided to try this too. I bought a pencil, a five-rupee cutter, and tried to carve a heart in a car, while travelling to Thane, and I was able to do it,” recounts the self-taught artist, who watched Fidai’s art-making videos repeatedly to learn the finger movements. “Now, we correspond too. His advice to me: be gentle and use minimal movements with fingertips,” he says.

Yash Soni with spool-and-needle carved on a pencil tip. Pics/Sayyed Sameer Abedi

Be patient
Till date, Soni has created over 50 pencil carvings, including a key, a stiletto, a champagne glass, a watch, a chair, the Eiffel Tower, a fist with a detachable mic, a windmill with rotating blades and even a needle and spool, carved entirely out of the wood and lead of the pencil. On his wishlist are a scooter, a neckpiece and Mukesh Ambani’s tower of blocks, Antilla.

Soni’s tool set comprises two scalpels and a needle

“Carving on pencil requires a lot of patience. Since I prefer to focus on the details, it takes about four to five hours to make a piece, though I can make a heart in 20 minutes,” reveals Soni. The artist uses three basic tools — two scalpels with surgical blades and a needle fitted into a pen-like holder. “I start by shaving the wood with the scalpel and then, use a needle to carve the finer shape and details,” he adds. When we ask if he works in a particular kind of light, he confesses, “Initially, I would use a USB LED lamp attached to my laptop as a source of light when I needed to carve at night. My parents were anxious about it affecting my eyesight. Now, I’ve become more careful but I can work from any spot,” he adds.

Pencil matters
Soni uses a range of pencils, from 2B to 8B leads with a shiny finish, graphite pencils featuring matte-finish leads and carpenter pencils with a flatter surface. “Indian pencils aren’t great in quality and often, the lead within the pencil is already broken. The biggest challenge is breakage. 8B leads are thicker which helps me carve more intricately,” says Soni, who preserves the pencils in glass bottles or in customised frames.

Last week, he conducted a workshop-cum-exhibition at IIT-Chennai. Now, he also customises his works and sells them, starting from `4,000. “Most people are dismissive of the art since it’s on a pencil. My aim is to give micro sculpting the credibility it deserves,” he signs off.

Bombay Chamber Orchestra concert

Did you know that world renowned classical composers like Mozart, Beethovan and modern day legends like George Gershwin and Nat King Cole were Freemasons?

Well, they were. Freemasonry is not the shadowy organisation it is made out to be in popular fiction. Freemasons are actually the world's oldest and largest non-religious, non-political and charitable organisation. It also has the honour of being the world’s largest fraternal society.

The first Grand Lodge in England is said to have been formed on June 24, 1717. This means that 2017 is the 300th or Tercentenary Anniversary.

The Freemasons are celebrating the completion of three hundred years of their formation, with a series of events in Mumbai, spread over the two days of January 27 and 28.

Many non-Freemasons, know very little of Freemasonry, and even if they do, consider it a secret society. Even lesser is known about the fact that Western Classical music has been deeply influenced by Freemasonry and many leading composers were Freemasons themselves.

Freemasons, together with the Bombay Chamber Orchestra have invited leading performers from India and abroad, and have put together a once- in-a-life time musical soiree. The event is scheduled to be held on Saturday, January 28 at 6:00pm, Sophia Bhabha Hall, Bhulabhai Desai Road, Mumbai.

ALSO READ: Not such a secret society, after all

Donor passes for the premium segments of Rs 5000 and Rs 1500 have already been sold out. The last few regular seats at Rs 1000 are still available. The funds raised by the event are earmarked towards the cause of dementia.

So you have got to rush and book those passes right now.

For programme details and online donor passes log on to:
http://freemasonryintheeast.dglbombay.org/concert/

South Dandies Swaraj rappers, Tamizh (left) and Sean YKV (centre) who are working on their debut album, recently performed with Kadhal Jack (extreme right) of Kacheri Movement in the city. Pic/Sayyed Sameer Abedi

“I say what I want to say and do what I want to do. There’s no in between. People will either love you for it or hate you for it.” Eminem, the global Rap icon, had elucidated the fundamentals of the genre cogently, whose origins are in Africa and Jamaica. Owing to the free flow, it entered India on a blissful note.

Legendary actor Ashok Kumar offered its first glimpse with the song, Rail Gaadi (Aashirwad), in 1968. Within two decades, the genre found allies in AR Rahman and Ilaiyaraaja. South Dandies Swaraj — a Rap duo comprising Suresh Agailan Bose (Sean YKV) and Rahul Prasad (Tamizh) - are taking forward the legacy, albeit in the independent space. The Mumbai-based group raps in four languages, but their highlight is Tamil.

Message in music
Sean, the lead rapper, wants to bring about a change through an album, that’s in the making. “My motto is Rap for change and Hip-Hop for life. I try to convey a message through every song. I am looking for a producer,” says Sean. The name of the band is suggestive of their South Indian roots. Earlier, the group had more members. “We were a Hip-Hop Collective with nine people, including a miniature artiste and a graffiti artiste. We had to bid goodbye to some members,” he shares.

The 28-year-old from Tirunelveli (Tamil Nadu) resides in Mahim and believes that rapping in different languages will help him reach out to more people. “It helps me connect to more listeners who understand these languages. We want to take our regional languages abroad,” he adds. Sean also performed alongside Apache Indian and Shankar Mahadevan in his initial days. “I didn’t get any break after those shows. But kids would take my autograph while senior citizens would kiss my hand. They thought my Tamil was retro,” he says.

Society matters
“Our music talks about recycling, rape, terrorism, social media and other social issues,” says Sean, who can also rap in Marathi. His colleague, Tamizh, sticks to Tamil.

One of the singles from the Dandies’ kitty is Idli Vada, the traditional breakfast in South Indian households. “I observed Idli and Vada vendors and wrote a song around their daily struggle, and how they see the society through customers,” explains Sean. The track, Social Kadhal/Pyaar, dwells on the overuse of social networking sites. “The world has become dynamic with Facebook and Twitter. This song is about the youngsters who spend hours on it.” The group also has a track dedicated to the feminists, called Nari Meri Nari.

The Dandies also developed a brother culture, being close to Kacheri Movement, a Rap outfit from Dharavi. They are often seen playing gigs together.

Sean is hopeful about his music’s reach. “I am not a party person. I am interested in the social issues. We know how African Americans changed the face of Hip-Hop when they used music as a vehicle for their struggle. I will try to do the same,” he signs off.

Unlock the mystery of butterflies

12 PM: Attend a session, where you will witness first-hand the metamorphosis of a caterpillar into a beautiful butterfly. The session will also include a short introduction on the life cycle of the butterfly, the plants that it attracts, and how you can rear your own winged insect.
WHERE: Green Hope, HDIL Dreams, Bhandup West
ENTRY: Rs 1,000
CALL: 8108900312

Groove with DJ Lloyd

5 PM: Bid adieu to the sun's last rays with DJ Lloyd serving you groovy tunes at Thalassa. A veteran in the music and programming industry, Lloyd Gueizelar, popularly known as DJ Lloyd, performs on psychedelic, house and various genres of electronica. While dancing, you can also dig into the delicious food.
WHERE: Thalassa, 21st Street, Khar (West), Off Carter Road
FOR RESERVATIONS: 9820004018/9820004019
FREE

Create that dynamic poster

BOOK A SEAT
11 AM: Don't miss this interactive Indiefolio masterclass conducted by illustrator Raj Khatri, creative art head of Marching Ants Advertising. At the session, Khatri will discuss the art of making movie posters. With movies having multiple characters — plot lines, venues, and themes — Khatri will talk about how one can package all those nuances and details into one poster. With 14 years of experience behind him, he is the man behind some of the most famous Bollywood movie posters of the last decade, including Zindagi Na Milegi Dobara, Bhaag Milkha Bhaag, Bang Bang, Kahaani and Baahubali.
WHERE: antiSOCIAL, Rohan Plaza, 5th Road, Khar West,, Mumbai, India 400052
TO BOOK: events.indiefolio.com
FREE

Go on a filmi tour

12.20 pm and 2.30 pm: Hop on for a two-hour guided bus tour of Film City, which will offer you a rare glimpse of the famous studio that has been the venue for some of the greatest movies in Indian cinematic history. If lucky, you may also get to see a live shooting in progress.
WHERE: Dadasaheb Phalke Chitranagri, Santosh Nagar, Gate No. 1, Film City Road, Goregaon East
ENTRY: Rs 599
TO BOOK: in.bookmyshow.com

Talk about colour

11 AM: Do you know why there's no pink in a rainbow? Arnab Bhattacharya, a scientist at TIFR and a passionate science communicator, will discuss this and more in a special lecture on why colour is central to our lives.
WHERE: Prithvi Theatre, 20, Janki Kutir, Juhu
CALL: 26149546

Enjoy a Bohri dawat

12.30 PM: Enjoy a shahi home-cooked meal with this curated menu by The Bohri Kitchen. With smoked mutton kheema samosas for starters, and the legendary raan in red masala, lagan ni seekh and saancha ice-cream, your Sunday lunch is going to be a treat. Address and details will be shared once you confirm your presence.
CALL: 9819447438

Surf the coast

4 PM: Take your family out for a sunset sailing experience in the evening. The two-hour boat ride along the Arabian Sea will end with the gorgeous spectacle of dusk settling over the horizon. This could just be the perfect short break you needed to wind down, after a long work-week.
WHERE: Near Taj Mahal Hotel, Jetty No. 5, Colaba
ENTRY: Rs 1,300 per person
CALL: 7738073691

Watch a political satire

7 PM: Make time for a political satire this evening. Ghashiram Kotwal, an adaptation of a play written by the acclaimed playwright Vijay Tendulkar, is based on Ghashiram Sawardas, who trades his daughter to Nana Phadnavis — a minister in the court of the Peshwa of Pune — in exchange for the position of police chief. The play highlights how people in power give rise to new ideologies and agendas and reject the same when their purpose is served.
WHERE: Sophia Bhabha Auditorium, Sophia College Campus, B. Desai Road, Breach Candy
ENTRY: Rs 500 - Rs 2,000
TO BOOK: in.bookmyshow.com

ORDER OF THE DAY

Grow greens at home

MARCH 12, 11 AM - 2 PM: If you want to do something for the environment, start with your own backyard. Learn to make terrariums, miniature plants in glass. They are easy to maintain and perfect for most of us who live in flats. So sign up for the workshop, Make Your Own Terrarium (miniature gardening) organised by Urban Fireflys where you will learn the A-Z of making and maintaining your own terrariums and take home your own baby terrarium.
WHERE: Vrindavan Cafe, Dosti Club House, Dosti Acres Wadala (East)
ENTRY: Rs 2500
CALL: 9820341463

Go ga ga over mean machines

MARCH 9 - 12, 11 AM ONWARD: Attend the Mumbai International Motor Show which will feature some impressive automobiles, a 4x4 test drive track, a simulator zone, an accessories section, tyres pavilion and more.
WHERE: MMRDA Grounds, BKC Rd, G Block BKC, Bandra (East)
ENTRY: Rs 250

Laugh with Aseem Banatwalla

MARCH 10, 6.30 PM: Listen to Azeem Banatwalla from East India Comedy who is back with an hour of new jokes on travel, road rage, religion and his personal favourite — married life.
WHERE: Experimental Theatre, Nariman Point, NCPA Marg
ENTRY: Rs 399
LOG ON TO: bookmyshow.com

Live the good life

MARCH 9, 6 PM: Whether you are looking for a romantic getaway on your anniversary or an activity-packed family vacation, there's a yacht for every occasion. All you need to do is sit back, relax and experience the joy of a fully crewed charter yacht sailing along the Mumbai Harbour.
WHERE: Blue Whale Water Sports, Apollo Bunder Road, Opposite Taj Mahal Hotel, Colaba.
ENTRY: Rs 12,000
LOG ON TO: bookmyshow.com

MARCH 06, MONDAY

Stuff your face with gujiya

TILL MARCH 13, 3.30 PM - 11.30 PM: Puranmal, a 90-year-old traditional Indian restaurant, has rolled out a Holi food festival titled Colour Me Food. From Gujiya, samosa stuffed with a mixture of grated and roasted dry fruits and khoya to the Chandrakala, a moon-shaped North-Indian Holi dessert, there's lots to look forward to.
WHERE: Puranmal, Bharat Bhavan, Juhu Road, Ville Parle (West)
CALL: 26718105

MARCH 07, TUESDAY
Listen to a married man's rant

9.30 PM: Attend a stand-up comedy night with Amit Tandon, who is known as 'the married guy' of stand-up comedy. After marriage and two kids, he realised it couldn't get any worse and took
to humour. With over 700 shows across India, Tandon is popular
for his witty observations culled from everyday life.
WHERE: Hard Rock Cafe, Sharyans Audeus, Fun Cinema Lane, near Balaji Telefilms, off Veera Desai, Andheri (West)
ENTRY: Rs 1,000
CALL: 8898087841

MARCH 08, WEDNESDAY

Watch Einstein come alive

6 PM and 9 PM: Watch Naseeruddin Shah make the great scientist come alive on stage. Gabriel Emanuel's Einstein, directed by Ratna Pathak Shah, captures the essence of Einstein, the man, who despite being a towering thinker, was plagued by doubt and disappointments.
WHERE: Prithvi Theatre, 20, Janki Kutir, Juhu Church Road
ENTRY: Rs 500
CALL: 26149546

MARCH 09, THURSDAY
Get an extra dose of chai
9.30 AM - 11.30 PM: Tea Trails has rolled out happy hours in the form of Thirsty Thursdays. So choose any signature tea and bites, and get another for free. Try out the South African Red Tea, Japanese Genmaicha or the Smokey Chinese Lapsang Souchong.
WHERE: Kingston Building, Ground Floor, Tejpal Road, Near Old Railway Crossing, Vile Parle (East)
CALL: 9022337766

MARCH 10, FRIDAY

Whip up a gluten-free breakfast

2 PM - 5 PM: Learn to prepare healthy, yummy food devoid of eggs, refined sugar, refined flour, processed salt, preservatives and gluten. This workshop will teach you how to make buckwheat porridge, five lentil dosa, ragi pancakes and nutty fudgy granola bars.
WHERE: Convent Avenue, Santacruz (West)
ENTRY: Rs 2,100
LOG ON TO: insider.in

MARCH 11, SATURDAY
Shake it like Shakira
6. 30 PM - 8 PM: Ladies, let your hips do the talking in this belly dance workshop with dancer Nupur Shah. She will teach you how to do hip lifts, pull off a basic shimmy, breathing techniques to keep in mind while you move and more. Apart from being a dance form, it's an effective way to lose weight.
WHERE: Aleph-The Divine Space ( Hippie Yoga Cafe ), 7-28/29 1st floor Janki Kutir, Juhu Church Road, Juhu
ENTRY: Rs 550
CALL: 9930384641

Marc Chagall, Over the Town, 1918

The director of the Louvre, where collections span from 6th century BC to the 19th century AD, once estimated that 80 per cent of the museum’s visitors come there to see just one thing - the Mona Lisa. However, Leonardo da Vinci’s masterpiece is considered overrated and unremarkable by some. Why, then, has it captured the imagination of artists over time, with everyone from Salvador Dalí to Andy Warhol adapting it in their own works?

Edgar Degas, The Dance Class, 1874

To understand what makes a painting iconic, sign up for Art of Looking, a Western art appreciation workshop for those aged 16 and above, organised by Flying Tricycle, which aims to conduct out-of-the-box art and design workshops. Co-founder Madhumita Srivastava will conduct the workshop, comprising seven two-hour sessions.

“It’s important to understand the context behind a painting - the time during which it was made, and how it may have come about as a reaction to something else,” shares Srivastava, who holds a Masters in Architecture from the University of Michigan, and a Masters in Fine Art (Design and Technology) from Parsons School of Design, New York.

Participants will be taken through works by Michelangelo, Van Gogh, Renoir, Picasso, Frida Kahlo, and Andy Warhol, among others. The aim is to take a look at a variety of styles, media, genres and techniques, from the Renaissance era right up to the 1980s.

The workshop will involve freewheeling discussions where she will help participants interpret their feelings about a piece of art, and form an opinion about it. “This is not a history lesson. In each session, I’ll bombard you with a slideshow of around 80 artworks. We’ll stop at a few iconic pieces to talk about why we like or don’t like them, and why they’re important. When you see all the pieces in one go, you’ll start noticing a pattern to them,” she believes.

The sessions will conclude with a visit to an art gallery. Here, Srivastava hopes to strike up a hot debate. “Every person notices different elements in a painting. In fact, the more abstract a piece is, the more interpretations you’ll get.”

She adds that she wants to rid people of the intimidation that often accompanies art. “We feel like we need to have a degree to understand art. But art is subjective - it’s about how it makes you feel.”

Create your own Mandala
4 PM: Ever tried your hand at therapeutic art? A Mandala workshop organised by Bombay Drawing Room hopes to help you create great art that is also spiritually calming. The visually appealing design of the Mandala is said to enable you to steer away from irritating thoughts, which in turn allows you to develop a higher level of consciousness. It's a perfect exercise for the mind.
WHERE: Somaiya Centre for Lifelong Learning, M G Road, Kala Ghoda,
ENTRY: Rs 1,500
CALL: 9619273009

Enjoy quick grub
12.30 TO 4 PM: Too lazy to cook on a weekend? Head to the British Brewing Company that's out with a lavish Sunday buffet to scarf down a quick, delicious meal. From boiled eggs, smoked salmon, grilled sausages, salami with freshly baked foccacia, croissants, muffins and lavash, there's something for every palate.
WHERE: British Brewing Company, Level 4 & Level 5, Palladium, High Street Phoenix, Lower Parel
PRICE: Rs 1,200 per head with taxes; Rs 600 for kids between 6-12 years
CALL: 65656121

Bite into an icy treat
10 AM TO 12 PM: With summer around the corner, there's no better way to beat the heat than by enjoying lollies. Bright, peppy and fruity, popsicles are just what you need this weekend. Garde Manger has cherry picked a flavourful combination of these icy treats that you can devour along with their lunch and dinner staples.
WHERE: Garde Manger, 3, Paranjay Scheme Marg No 1, Paranjape Nagar, Vile Parle
CALL: 7045004488

Go on a heritage ride
4.30 PM: How about learning about the city's heritage while burning some calories? This unique heritage cycling trip in South Mumbai is the perfect way to wrap up the weekend. You'll start the cycling trip from Colaba towards Gateway of India. On the way, you will stop for interesting stories, fun facts, and of course, selfies! Cycles will be provided.
MEETING POINT: Colaba Sweet Mart, Ruby Terrace, Colaba Causeway, Apollo Bandar
ENTRY: Rs 1,100
TO BOOK: in.bookmyshow.com

Watch the funny men
12.30 TO 4 PM: Ready for some pure, unadulterated laughter? Cyrus Broacha and Kunal Vijayakar, two of the funniest men in Mumbai, are set to take the stage again, with 40 Shades of Grey Hair. Now, reinvented with new segments, the duo will tickle your funny bone with a stand-up cum theatrical revue that lampoons the life and times of Indian men.
WHERE: St Andrew's Auditorium, 55, Saint Domnic Road, Bandra West
ENTRY: Rs 100 – Rs 2,500
CALL: 9320130013

Catch a tribute show
8 PM: Here's how fans of classical Marathi music can spend their evening. Singers will come together to pay tribute to the two Big Bs of Marathi music Babuji (Sudhir Phadke) and Balashaeb (Hridaynath Mangeshkar). Catch Shriram Narsule, Makarand Gokhale, Amit Nikharge, among others, perform some of their most popular tracks.
WHERE: Shivaji Mandir, NC Kelkar Road, Kelkar Wadi, Dadar
ENTRY: Rs 100 – Rs 300
CALL: 9819314181

Attend a music fest
2 PM: What better way to spend your afternoon than swinging to great music. Get ready for some high-octane live acts at the FOMO FEST. Independent artistes will spin some new-age contemporary music with genres such as deep house, psychedelic rock and electro funk dominating the scene. And, it's going to be on till midnight.
WHERE: Razzberry Rhinoceros, Juhu Hotel, Airport Area, Juhu
ENTRY: Rs 500- Rs 1,000
CALL: 7400402604

Drape like a dream
MARCH 30, 5.30PM: If there's a versatile piece of clothing, it's the saree. And, Rta Kapur Chishti will certainly vouch for it. Her famed Sari School is in back in town. So, look beyond the Nivi drape, the saree as it is popularly worn, and explore new ways of draping it. This workshop will explore regional wearing styles and will be conducted by Kapur, who will show you four unique styles that you can use every day.
WHERE: ARTISANS' Gallery 52-56 V B Gandhi Marg, Kala Ghoda
ENTRY: Rs 1,500
LOG ON TO: insider.in

Dig into fusion food
ONGOING, 7 PM to 1 AM: Want to try a red velvet dhokla? Desi Culture, a new venture by Corum Hospitality, gives Indian food a twist. You could try items like chicken tikka sev puri and motichur tarts with elaichi foam. We'd recommend chef Gidwani's signature butter-chicken and dal makhni (cooked for over nine hours) learnt from alma-mater Padma Shri Imtiaz Qureshi.
WHERE: Desi Culture, C wing, Trade World, next to The Bar Stock Exchange, Kamala Mills, Lower Parel
CALL: 24955766

Enjoy indie music
MARCH 29, 9.30 PM: Groove to talented indie artistes at the new edition of AWESTRUNG. The concert will feature singer-songwriter Prateek Kuhad, the energetic Local Train and Praveer Barot Projective, whose music is music is heavily inspired by The Beatles and Niravana.
WHERE: Courtyard, High Street Phoenix, 462, Senapati Bapat Marg, Lower Parel
FREE

Watch fave TV show over drinks
MARCH 27, 6 PM ONWARD: The House at Versova is hosting lazy Monday soaps wherein they will showcase TV shows that we all have seen in the past, but wouldn't mind watching again over scrumptious food and drinks. With the likes of Friends, Modern Family and How I Met Your Mother, they are open to showcase any other show as well. Entry is free.
WHERE: Bungalow 1, JP Road, Aram Nagar, Versova
CALL: 65264888

Give a cool makeover
ONGOING: This is a shoutout to salon professionals and stylists. Salonex is hosting an inter-salon competition along with hair and make-up competition. The event will be held in three categories — red carpet look, bridal and barbering games. Participants will have to send in their entries before March 30 and once selected, they will have to replicate the look at the finale on April 17.
LOG ON TO: http://www.salonex.in/competitions.aspx

Attend a charity event
MARCH 29, 10.30 AM ONWARD: Do your good deed for the day by attending a fundraising event by Tata Memorial Hospital, where proceeds of the exhibition go towards the cause of kids battling cancer. Titled Helping Hands, the exhibition will be a blend of philanthropy, fashion and food. Monisha Jaising, Farah Ali Khan and Kanika Kapoor will exhibit their collection.
WHERE: St Regis Hotel, Level 8, Lower Parel
LOG ON TO: www.helpinghandsindia.in

Take home a masterpiece
Ageless wonder
MARCH 27, 11 AM - 7 PM: Octogenarian Vishwanath Ram Kantak is frail, slightly bent and suffers from Parkinson's which makes his hands tremble and gait difficult. Yet, once he holds the paintbrush, his fingers weave magic. Check out the 82-year-old artist's new exhibition titled, Divine Vision, that comprises some stunning artworks. Monday is the last day to catch the exhibits.
WHERE: Jehangir Art Gallery 161-B, MG Road, Kala Ghoda
CALL: 9503344464

ORDER OF THE DAY

MONDAY, 27 MARCH
Get your dose of humour
8.30PM: If you think you have what it takes to be a stand up comic, sign up for this event. As an audience member, you can come and watch new talent take baby steps into the spotlight. You might even see some tragic attempts. Sourav Ghosh will be your host for the evening.
WHERE: Canvas Laugh Club, 3rd Floor, Palladium, High Street Phoenix, Tulsi Pipe Road, Lower Parel
ENTRY: Rs 200
CALL: 9004603115

TUESDAY, 28 MARCH
Celebrate Gudi Padwa
NOON - 12 AM: Enjoy traditional Maharashtrian fare on Gudi Padwa at Saptami. Vegetarians could try the paneer kala rassa, bharleli vangi, kale chanyachi ussal, dal varan and masala bhaat, while omnivores can dig into mutton Kolhapuri and kolambi chi biryani.
WHERE: Saptami, Holiday Inn, Sakina Junction, Andheri (East)
ENTRY: Rs 1,099 plus taxes
CALL: 40851800

WEDNESDAY, 29 MARCH
Let's talk health
4.30 PM: Macrobiotic nutritionist, Shonali Sabherwal, who specialises in improving immunity and managing weight, is holding a talk on her book, The Detox Diet. She will help you unravel the secret to weight-loss, anti-aging and how to beat bad bacteria.
WHERE: Who Are We Hall, first floor, Nehru Centre, Worli
RSVP TO: aratidesai@nehru-centre.org
FREE

THURSDAY, 30 MARCH
Play beer bingo
7 PM ONWARD: Play a game of beer bingo at The Irish House. First you grab a bingo card for yourself that will have 'IRISH' written on it with numbers in each letter. A staff member will call out the numbers. The winners receive cash vouchers, glasses of free beer and more.
WHERE: Level 2, Rampart Row, 30, K Dubash Marg, Above Royal Oak Banquets, Kala Ghoda, Fort
CALL: 7095949925
FREE

FRIDAY, 31 MARCH
Pay tribute to Nasir
5 PM: Celebrate the joyous cinema of Nasir Hussain on the 15th death anniversary of the legend. Author Akshay Manwani will take you through some of the finest moments in his cinematic journey. The Revolver Club will play music from Husain's films through the ages on vinyl.
WHERE: Godrej ONE, Auditorium, first floor, Vikhroli (East), (Entry from Eastern Express Highway)
RSVP to: indiaculturelab@godrejinds.com.

SATURDAY, 1 APRIL
Enjoy baos and burgers
ONGOING, 12.30 PM - 1 AM: Hoppipola has rolled out a burger, bao and beer festival. Order a paneer khurchan bao for Rs 175 and get a beer for R50. You could even try the specials like the pan fried chicken burger, falafel and kidney bean burger, seafood burger and a mutton shammi kebab burger.
WHERE: Across all outlets
ENTRY: Rs 200
CALL: 32038653 (Lower Parel)

ACP Sanjay Kadam starts his day early at the gym, before heading to his office in Bandra West. Pic/RANE ASHISH

Right opposite Dongri police station, cut only by a turning road-strip, is a small ground that sees a flurry of activity every evening. Men in khakhi head out here post work, and engage in a few minutes of pushing and pulling under the dim street lighting, before finally calling it a day.

The open-air gymnasium was started 18 months ago. Until then, the vacant plot doubled up as a makeshift storage area for seized goods. But, with a fitness-conscious senior police inspector, Nitin Bangale, at the helm of affairs, the force had a slim chance of escaping a tough physical regime. When not manning his jurisdiction, Bangale goads his juniors to train with him. In 2015, when Sangram Balasaheb Kadam, a trained body-builder, joined as sub-inspector, Bangale found a willing partner to fuel this obsession. Together, they pump enough iron to put Salman Khan to shame. But, could that be said of the rest of the force serving in the 97 police stations within the city's jurisdiction?

Last month, after the Mumbai police fired back at author Shobhaa De for a tweet that fat-shamed a cop, whom she had incorrectly assumed was from Mumbai Police, the force made no pretence at hiding its disdain. Whether this confidence had anything to do with the healthy turnaround that they have witnessed of late, was what piqued our interest. What we learnt on our 'fit cop' trail was that Bajirao Singham and Chulbul Pandey aren't just figments of Bollywood's popular imagination. Some of them are right there in your nearby police thana. The success stories, however, weren't written overnight. They have been in the making for years.

Seasons of change
Mumbai Police historian Deepak Rao says it was Arvind Inamdar, who first introduced the rigours of exercise within the force as joint commissioner of police, crime, in 1987. Now, 77 years old, the retired Mumbai-based top cop, recalls, "Back in the 1980s, the gang wars in Mumbai were at their peak. To tackle them, we started the Special Operations Squad (SOS), with brand new weaponry. But, unless they were physically fit, they wouldn't be able to fight anyone. So, every morning, I would meet them and run with them for at least six kms." However, this fizzled out after five years.

While some health initiatives were revived years later under former CP MN Singh (2002), the noose around ill-health only tightened during the last decade, says Rao. "Unlike earlier, 80 per cent of the force takes fitness seriously. You don't see hawaldars or officers smoking on duty these days," says Chimaji Adhav, inspector, crime branch, Unit 11.

When the present CP, Datta Padsalgikar, took over the post on January 31, 2016, he was confronted with disturbing figures from the previous year's health report. Of the 163 policemen, who reportedly died in 2015, 30 per cent had suffered from heart-related ailments. Long-work hours, stress, and poor-eating habits, were leading contributors to the problem.

Work hours re-jigged
Within a few months of taking charge, Padsalgikar called for a meeting of all senior cops to discuss possible solutions to the problem.

Top on the to-do list was slashing work hours of constables, who form 80 per cent of the force, from 12 to eight. "The idea was to ensure that the constable gets enough time to spend with his family and also exercise. This would ultimately make him mentally and physically fit," said joint CP (Law & Order) Deven Bharti. However, the project is still a work in progress.

Eight months ago, the Mumbai police also launched a free health-check drive, which made it compulsory for every cop to get an annual medical test done.

Defining a cop's fitness
What makes for a fit cop? Someone who has "learnt to start his day with fruit and not chai," says nutritionist Rujuta Diwekar, who has been working with the Mumbai police since 2016. Phase 1 of the Mumbai Police Welfare Project kicked off in October, in Zone IX wherein for over three months, she and her team visited all police stations on Tuesdays and Thursdays to conduct morning and evening sessions. Here, they would share inexpensive tips on diet and relaxation. They also tied up with gyms to help policemen get access to quality workout facilities. "They were reluctant at first — the eight chais a day didn't come down to two for everyone, but we got it down to five. The banana became the first meal of the day. As they observed positive changes in their body, they became more receptive," says Diwekar. The second phase of the programme will see her working with police representatives, in a more feedback-led module.

For holistic health professional Mickey Mehta, who continues to work closely with the Mumbai police, fitness in the force is more about mental resilience. "A cop who can clock in 15 hours a day and still has the energy to go on, is a fit cop. They, I feel, are more tenacious than their counterparts in Delhi and Haryana. The amount of pressure these guys can take is not funny," says Mehta, who conducted a training camp at Naigaon last year. The road to fitness, he says, is an uphill one for the police. There aren't enough training facilities, and maintaining a diet is a challenge. But, he rules out the need for gyms. "We don't want beefcakes. We are looking at resilient cops, not athletic ones. I recommend a desi workout — 21 minutes of dand baithak (push-ups/squats), stretching, naukasan (boat pose), chakrasan (wheel pose), dhanurasan (bow pose). They need more of military drills and agility training. For instance, I'd scatter potatoes on the ground and make them collect them in the least time possible."

While expert guidance is always at hand, the force too, has its own set of in-house experts. Inspector Sanjay Nikam, crime branch, was a fitness enthusiast even before joining the force in 2001. However, for him the need for mental strength trumps physical fitness. "When you don't have the opportunity to maintain a proper diet and get good rest, it is only your mental strength that keeps you going," says the 41-year-old, who set up a gym at the Wadala (East) police station, which was his first posting. "That gym is still used by policemen. Later, when I moved to Unit 4, I built one on the upper floor," says the inspector who would organise body-building competitions between 2001 and 2006, for the police force. Nikam's sustained efforts also inspired his seniors, who have followed his example and provided fitness equipment at their respective outposts.

DCP Dr Vinay Rathod enjoys the advantage of being a medical expert himself. "Having worked as a resident in one of Nagpur's busiest medical colleges has helped me deal with stress and pain. That comes handy when my staff approaches me for help. If someone has migraine or acidity, I'll recommend anulom vilom. The body's well-being impacts the mind and vice versa," says Rathod, who has run the half marathon for five years.

An endearing image
Sub-inspector Sangram, who grew up idolising Ashok Kamte, former additional CP, Mumbai police, still remembers the late cop toiling away at his gym in Kolhapur, during a brief posting there. Another popular role model is Himanshu Roy. ACP Sanjay Kadam says, "He changed how people perceived the police force. When he walked into the crowd, people scattered, not out of fear, but respect."

The ACP says that when a cop is fit, his confidence "increases by 100 per cent". "It boosts your morale," he says, adding that you begin to feel like a 'superhuman,' which changes how you handle work too.

Image consultant Rukhsana Eisa stresses on the importance of a smart-looking cop, because that has a direct impact on how the public perceives them. "Fitness will translate into confidence and that in turn will lend them a positive demea-nour while interacting with people. If they maintain a correct posture and a level of hygeine, it only adds to the overall image of a fit cop. This way, the feeling of negativity that people generally tend to associate with the police, will fade away."

ACP Sanjay Kadam starts his day early at the gym, before heading to his office in Bandra West.  PIC/SHADAB KHAN

Sanjay Kadam, 56ACP, Bandra police division
I begin my day at 6 am with a glass of milk and four almonds. An hour later, I head to the gym. I become a child in the gym, working out for at least two hours. I do a combination of weights, cardio and functional exercises. If I had to give advice on staying healthy, I would suggest taking packed lunch from home. On most days, my dabba comprises four to five rotis and sabzi. I eat rice only on Sundays. I don't smoke, drink or have tea.

Mickey Mehta, holistic health professional
Mehta says, "A cop who can clock in 15 hours a day and still has the energy to go on, is a fit cop. Mumbai cops, I feel, are more tenacious than their counterparts in Delhi and Haryana. The amount of pressure these guys can take, is not funny." For tenacious cops, not beefcakes, he recommends a desi workout of dand baithaks and yoga asanas.

Rujuta Diwekar, nutritionist
Diwekar and her team have been working with the force since 2016, sharing inexpensive diet and fitness tips. She says making the banana the first bite of the day is a small victory.

Arvind Inamdar is believed to have introduced the rigours of exercise within the force as joint commis-sioner of police, crime, in 1987

Himanshu Roy, former ATS Maharashtra chief, says ACP Sanjay Kadam, changed how people perceived the police force with his image.

Sub-inspector Sangram Balasaheb Kadam often works out with his immediate boss, senior PI Nitin Bangale, at a gym near Dongri police station. Pic/SHADAB KHAN 

Sangram Balasaheb Kadam, 29 Sub-inspector, Dongri Police Station
There's never a fixed schedule [for a police officer]. But, if I start work at 8 am, I wake up at 6.30 am. My diet is different because I am training to become a professional bodybuilder. I begin my day with six boiled eggs, one boiled sweet potato and oats soaked in water. I pack my own dabba. So, around 10 am, irrespective of where I am, I eat three boiled eggs, and a sweet potato. For lunch, I eat two chapatis and 300gm boiled chicken. This is followed by a cup of brown rice and 2 boiled eggs at 5 pm. At 9 pm, just before my workout, I have 3 boiled eggs again and mosambi juice, followed by a protein shake. Dinner is at around 12.30 and is the same as lunch.

DCP Vinay Rathod runs at least 15-20 km each week. Pic/BIPIN KOKATE

Dr Vinay Rathod DCP (Detection), Crime Branch
I joined Force 1 (a specialised counter terrorism unit) in 2011. For this, you need to undergo commando training for two months, where you run 25 km in full gear, while carrying 30 kg. I completed my training and then ran my first half marathon in 2011. Since then, running has become a part of life. I run three times a week and try to clock 15-20 km over seven days. As marathon season approaches, I increase the mileage to 17 km and then leave it at that. Also, while running the race, I am not keen on minimising time. I finish it comfortably in 2.5 hours. I intend to take my officers on regular treks as part of their physical training.

Inspector Chimaji Adhav swims twice a week to stay fit. Pic/NIMESH DAVE

Chimaji Adhav, 47 Inspector, Crime Branch, Unit 11
I wake up at 5.30 am and head out for a one-hour morning walk. I follow that with an hour in the gym in my housing society, where I do weights, skip-jumping and walk the treadmill. Twice a week, I swim. For breakfast, I have chapati-bhaji and do a light lunch if I get the time, which is usually three days a week. Else, I make do with a vada pao and bananas. For dinner, I have chapati-bhaji and one glass of milk.

Inspector Sanjay Nikam carries a mobile workout kit wherever he goes, so that he doesn’t miss a session

Sanjay Nikam, 41 Inspector, Crime Branch, Unit 4
I follow a seven-day workout rule because during a work week, you are bound to miss at least one day. My morning and evening workout schedule lasts from 6.30 to 8.30 am, and 20 minutes after 9 pm. In the morning I do cardio and weights. In the night, it's walking, running and lunges. I also carry a mobile workout kit, comprising extension, rollers and dip sets. That helps me maintain my schedule even when I'm on duty, especially out-station. I begin my day with 15 egg whites and a glass of protein shake, followed by a light lunch of three chapatis and bhaji (if possible). Between 4 and 5 pm, I have 100 grams of chicken. At 7 pm, I have a light snack with coffee. This is my last meal for the day. I only have a glass of warm water before going to bed.

Constable Sushant Mohite is professional body builder and continues to participate at events

Sushant Mohite, 30 Constable, LOCAL ARMS DIVISION, MAROL
I wake at 6 am, and eat an apple, three boiled egg whites, and brown bread or chapati. At 10 am, I eat two to three idlis, a banana and drink a glass of mosambi juice. If I don't manage to get my hands on this, I eat a sandwich without butter and potatoes. For lunch, I eat boiled chicken, chapatis and salad. Around 5 pm, I eat dry fruit, apple and some boiled eggs. Dinner is light with salad and fruit. I work out twice a day — 20 minutes in the morning and another 20 in the evening. I have struggled with my fitness, but a disciplined lifestyle has helped.

(From left) Kamal Sidhu, Purab Kohli, Dino Morea, Maria Goretti, Cyrus Sahukar, Mini Mathur, Cyrus Broacha, Luke Kenny. Location Courtesy/The Bombay Canteen; Pics/Rane Ashish

When video killed the radio star in the 1990s, we were not complaining. Our eyes were glued to the TV as cable television made its debut. We had heard our rock and pop idols on FM, and now, we had them, in our living rooms. MTV had landed, followed by Channel V. Along with them came a glam and chatty species called VJs. On them we pinned our hope for a favourite song, crushed on them, and sought fashion wisdom during our fumbling teenage years. Suddenly, we had new pin-up stars.

At a reunion of India's first set of VJs at Lower Parel's The Bombay Canteen, we saw model-VJ from MTV and Channel V Kamal Sidhu; the brain behind Channel V Luke Kenny; mad-hatter MTV VJ Cyrus Broacha; crush-worthy Channel V VJ Purab Kohli; model-actor with dear dimples Dino Morea; MTV's effervescent Mini Mathur; MTV's Mr Comical Cyrus Sahukar and MTV VJ-turned-food TV host Maria Goretti.

Madness ensued, with a whole lot of laughter and wisecracks. There were blows below the belt but not a brow was raised. For us, the '90s kids, they were the epitome of cool. It's true that we saw them in a different light — some of them are now parents — but they are just as charming.

Launching with the '90S
Kamal: I think I speak for everyone when I say, without the '90s, we wouldn't have had a career.

Mini: I was doing TV much before music television arrived. At that time, all of it was based out of Delhi, and only fiction came out of Bombay. But the music channels made it all cool.

Cyrus S: There were a handful of these networks in operation. It was a great time to be in and we got away with murder.

Luke: One of the things that happened was that the 18 to 24 demographic was created. That's the demographic for youth programming even today. Once 2000 rolled in, the concept of the TV anchor was born, but the VJ had died.

Kamal Sidhu makes a point as Purab Kohli listens in

Kamal: While the role of the VJ was fairly new to India, around the world there were VJs we were exposed to. In Canada, we had a local music channel, which didn't allow MTV to enter the country. There was Downtown Julie Brown (who hosted Club MTV from 1987 to 1992). On the show, the light switch went on, with the camera going up her legs and under her skirt, while she went, 'Waba Waba Waba Downtown Julie Brown'. She was among the real pioneers. When MTV launched in Asia, we beamed shows from Hong Kong. And, then, we launched in India with a party at the Taj Mahal Hotel [in 1992] in Mumbai. It was called The Bombay Blast Weekend. It received a lot of backlash, I remember, because the riots (Babri Masjid) had just happened.

Where i want to be: Vjing
Maria: I used to watch Kamal and Danny [McGill] VJ, and, suddenly, I was one of them. I didn't know what I was getting into until I did. The thing about VJing in the '90s was that it let you be who you wanted to be. I was lucky to be part of something I loved. Today, everyone wants to be something more, so, a lot of people get nudged out of television. MTV put Indian VJs on air and that changed something. It was now damn cool to be Indian; there was no need to have an accent. I didn't realise I was cool but apparently, I was.

Purab: I joined Channel V as a host for a travel show, and, gradually, when other slots opened, I started VJing too. There was a serious naiveté back then and VJing wasn't thought of as a stepping-stone to other things.

Cyrus Sahukar tells a story to Luke Kenny

Cyrus S: We were all there with the knowledge that this where we want to be.

Behind the scenes
Purab: There were times when we shot close to five episodes a day. It was intense. Sophiya [Haque], Laila [Rouass] and Meghna [Reddy] would do their own make up, write their own shows and select their own music. There was a transition, when I came in 1999 to Channel V. There was one show where we were asked to write and select songs. We would run it by Luke.

Cyrus B: Luke? Was everything right?

Purab: Yes!

Cyrus B: Luke himself didn't know what his designation was.

Purab: He would approve songs and that was our process.

Maria: Producers hated it when VJs would get together because that meant no one would be working. Once a year, we did a show together for Christmas or New Year and that would be a blast. I miss all of us working together — miss the travelling, the early morning flights, sleeping at airports because we had missed our plane. When I look back I realise that what I did was part of history.

Music then, music now
Luke: What do I think of the indie music scene? It's very niche, and some of the musicians have a chip on their shoulder. But, that aside, what business are they doing? Few manage to get paying gigs, and whoever turns up to support, comes, has a drink, pays R300 and then doesn't buy the album. How does it help the artist? I have been consulting with Channel V recently, and we are trying to go back to the model where the music channel only plays music, and supports indie acts by giving their originals air time.

Cyrus Broacha monkeys around as Dino Morea greets Kamal Sidhu

Kamal: I remember they would send us pop music videos at the Hong Kong office. And most of them were bad. We had to consciously decide to help some artists with their videos. And then Rahman and acts like Indus Creed came in, and the videos changed.

Luke: Kids today love their pop as they did back in the '90s.

Kamal: It was more authentic back then.

Luke: That's because the labels saw a market and invested in it. No one sees a market in today's indie scene.

Cyrus S: They were competing with an international kind of space and knew that spending money on videos was requisite. Everybody was trying to match international standards.
Kamal: And then everything got homogenised into one game plan — the Bollywood game plan.

The '90S role model
Dino: I landed in Bombay in December 1997, looking for opportunities and I remember sharing a room, not even a flat, with a girl who wanted to be a model too. Back in Bangalore, I remember seeing Kamal. I was in college and had to go meet a photographer. There she was, shooting for some perfume or cosmetics ad, and I was like, "Whoa!" Models were these superstars then. I did stare at her.

Kamal: Did I stare back at you?

Dino: (Laughing) I don't think you noticed me.

Sinking into reality
Kamal: A big change from the '90s, well, is that reality television came about, for better or worse.

Luke: One of the earliest reality shows to come was Channel V's Popstars, from which [girl band] Viva emerged. History rewrote itself in that decade with reality television.

Cyrus B: There was also MTV Bakra, which started towards the end of 1999.

Kids with an edge
Kamal: I think it was the time of the Asian liberation. Everything was booming. Also, it was a time for adjustment. Parents of '90s kids looked at people like us and questioned our place as role models. They said, we need to control the remote control.

Luke: No, there was no parental control at all.

Purab: I think it was because those kids were the first movers into the globalisation space.

Cyrus S: Even I used to come home and watch TV. It was a time when I had a VCP, not even a VCR.

Luke: Do you know why those kids had an edge over today's? Because they didn't have these. (Points to a mobile phone).

Maria: I think it was because there was a more organic interaction between people. The communication was real, which I don't see today. These days, it's about the phone. My kids just asked me why they don't have the blue tick on Instagram. Everyone is looking into their phones. We have become tech-savvy but have lost a bit of the soul. (Snapping her fingers). It's now all about reaching a place and changing the game.

Your fav music video of the '90S was?
Luke: Pretty Child by Indus Creed
Cyrus Sahukar: Ice Ice Baby by Vanilla Ice
Dino: Can't Touch This by MC Hammer
Kamal: Anything by AR Rahman
Maria: Freedom by George Michael
Mini: All Sukhbir and Lucky Ali videos

Aquaman

U/A: Action, Adventure, Fantasy
Director: James Wan
Cast: Jason Momoa, Amber Heard, Patrick Wilson, Willem Dafoe, Nicole Kidman
Rating: 

Aquaman - a largely underwater flight of fancy, amounts to a herculean attempt by custodian Warner Bros. to right its wonky DC cinematic universe and it's success is moderate at best. A large part of the credit should necessarily go to the charismatic Jason Momoa( ex Baybatch ) who got promoted to this leading role after showing face in 2016's Batman v. Superman : Dawn of Justice and Justice League.

This superhero saga is mostly origin story myth building through fantasy VFX, so don't expect real characters, adherence to the laws of physics or conversations beyond the monosyllabic. In this film, anything goes - even a ring(chasm) of fire in the midst of a deep blue sea and an ocean of wealth under the Saharan desert. Reality rarely pokes its ugly head into this gamey underwater universe that heralds the dawn of a new King Arthur(Momoa), a half-breed(Human-Atlantean mix) who is expected to prove his worth against the might of his firmly ensconced younger half-brother Orm(Patrick Wilson).

Aquaman's tall-tale is embellished in Royal shenanigans, incorporates themes of environment pollution and engineers a war between the water world and the land world under the pretext of righting the wrongs of a selfish civilization. The attempt here is to create an underwater 'Lord of the Rings' but without the majesty, profundity or significance of that telling.

Check out the trailer here:

Making an oblique nod to 'Splash,' the film opens with Queen Atlanna (Nicole Kidman), fleeing Atlantis, getting washed ashore at Amnesty Bay, Massachusetts, meeting solitary lighthouse keeper (Temuera Morrison), falling in love and subsequently birthing the said, Arthur and then going right back to Atlantis- the underwater city, in order to save the lives of her loved ones. Punctuating the drama is Orm's attempts to amalgamate the seven wondrous oceanic kingdoms and become undisputed Ocean master. Vulko (Willem Dafoe), Princess Mera(Amber Heard) and to a lesser extent King Nereus (Dolph Lundgren) put a spoke in his wheel, so-to-speak.

The film has some stunning imagery but most of the action feels random and incoherent. The narrative is overlong in its desire to include every embellishment possible. There are a few engaging moments but the in-between humdrum is pretty much taxing. Weighed down by its watery excesses, the narrative feels terribly labored and over-done. James Wan ( with his Horror oeuvre) was probably not the right man for this DC recreation. He makes this watery epic a kitschy showboat instead of lending it acuity and memorability. This is a story of excess but even so, it's hard to resist the charms of the lead actors, their outlandish costumes and some wondrous aqua sequences.

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Mary Poppins Returns

U/A: Comedy, Family, Fantasy
Director: Rob Marshall
Cast: Emily Blunt, Lin-Manuel Miranda, Angela Lansbury, Ben Whishaw, Emily Mortimer
Rating: 

Disney drums up age-old magic by picking up the threads of an unforgettable original which had the unassailable diva Julie Andrews mesmerize way back in 1964. This time around Emily Blunt essays the all-important role of the magical nanny whose job is to put things right in the Banks’ siblings Michael(Ben Whishaw) and Jane’s (Emily Mortimer)now adult world just as she did when they were kids – with Lin-Manuel Miranda doing a Dick Van Dyke in this Rob Marshall sequel.

The setting is 1930’s London, Michael is a widower with three lovely kids and his sister Jane is an activist who appears to have lost out on love. Burdened by debt and threatened by the bank, Michael can barely keep his head up when Mary Poppins flies into their lives and makes all the difference!

Check out the trailer here:

Director Rob Marshall manages to tie-in to the original with enchanting ease - spelling forth a magical 130 minutes of music and fantasy that keeps you reminiscing while laying out an entirely fresh scenario that’s just as trippy as the original. Marshall reteams with cinematographer Dion Beebe, to give the narrative an inveigling widescreen luster, with production designer John Myhre and costume designer Sandy Powell chipping in with their nostalgia imbuing contributions. The pre-war 1930s setting is superbly presented just as the bath-time routine, excursion in the park and journey into an all-too brittle adventure, rekindle the vivacity and colorfulness of yore. It’s a wondrous amalgamation of ideas from the past and present, merging together in synchronicity of technique and wonder that is entirely enthralling.

Also Read: Emily Blunt Got Scared With Mary Poppins Returns Offer

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Manikarnika: The Queen Of Jhansi
U/A: Biography
Director: Krishna Jagarlamudi, Kangana Ranaut
Cast: Kangana Ranaut, Danny Denzongpa, Ankita Lokhande
Rating:

As a film, this might seem a bit too ultra-patriotic/nationalistic for the fact that it's set in the mid 1800s, when the idea of India itself wasn't as concrete, let alone the concept of "Swarajya" (used here often), which was first popularly coined by Lokmanya Tilak, only born in 1856. The film itself though, right in its opening disclaimer, washes its hands of any pretense towards complete, uncontestable historical accuracy, which is only for the better. Helps you view it as a fabulous legend/fable first.

Be that as it may, the fact that the Indian Revolt/Rebellion of 1857, that began with the Sepoy mutiny, with Mangal Pandey firing the first shot, is widely considered the First War of Indian Independence, among Indians, can't be denied either. At the centre of this piece though, with absolutely no other players even in the periphery, understandably, is Rani Lakshmibai, born Manikarnika, a bibliophile 'brahmin' girl, raised by the Peshwa as a warrior, who eventually takes over as the Queen of Jhansi (currently in Uttar Pradesh). Yes, this is a big-budget, wholly star-driven, action-packed, period picture. Except the star is female, which is rare enough. Even if you consider Sanjay Leela Bhansali's Padmaavat (or Padmavati), where Deepika Padukone played the eponymous character all right, but the film focused on Ranveer Singh as the antagonist Alauddin Khilji far more. Speaking of which, this is the sort of passion project that Bhansali, as master of magnificence (Padmaavat, Bajirao Mastani, Ram-Leela), has excelled in to a point that subsequently similar works, by most other craftsmen, are likely to somewhat pale in contrast. And so while the inspirations here are obvious, it might be unfair to compare still. This holds just as true for any allusion to SS Rajamouli's astoundingly massive Baahubali, given that the screenwriter (Vijayendra Prasad) is the same.

For, the story here has to be enjoyed for its own worth. It relates to a legend that pretty much remains unsurpassed in Indian history—of a woman, who lost her husband, the king, and her little son, the heir, giving way to the British to take over her kingdom, with help of locals (as they almost always did), and a 'doctrine of lapse', which applied to heirless princely states.

Instead of wallowing in widowhood, as per tradition, the Queen got on the white horse-back, and led a full-frontal attack against the mighty British, all by herself, holding fort until the point that she could, and then creating alliances, organizing her brigade, to go at the Brits all over again. Her valour is a common, modern metaphor. You see a fearless woman, and inevitably go: "Aa gayi Jhansi ki Rani!"

Frankly, as a public figure from Bombay films, I can't imagine anybody as naturally earning that sobriquet as Kangana Ranaut. Dainty but fierce, Ranaut plays Rani Lakshmibai with the ferocity that suits her character best. She leads the charge not just as an actor, but also as director, the baton she took over midway through the making of this film. One can't help but conjecture if there are really two separate movies here, given that two directors were helming it at different times.

Well, there are two huge battle sequences in the picture. And one could argue that the second one, the climax, in its tone and shot-taking, looks considerably different from the first. But then, that could just be me as audience noticing, because consciously searching. Either way, there is nothing to hugely fault this film on technical competence, and indeed the scale at which it's been mounted.

Watch Manikarnika: The Queen Of Jhansi Trailer

The sets are grand. Extras, both Brits and desis, fill up the screen. War scenes look reasonably authentic. Mortal combats appear real. Riding through the artillery lined-up on either end is Manikarnika with her sword, the ultimate symbol of female power, from around the time that feminism as a word had only but been coined (in the West). It is an aspect that's thankfully quite dialed -down here. You can see it. You don't need to be incessantly told.

We've all read about Rani Lakshmibai in middle-school history. But we remember her best from the Allahabadi poet Subhadra Kumari Chauhan's long poem with the famous descriptor, 'Bundele har bole ki muh, humne suni kahani thi. Khoob ladi mardani, who toh Jhansi wali Rani thi.' A genuine, soul-stirring tribute to her phenomenal heroism can at best hope to come close to Chauhan's immortal lines. Yes, this one does.

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Mary Queen Of Scots

U/A: Biography, Drama, History
Director: Josie Rourke
Cast: Taylor Russell, Logan Miller, Deborah Woll, Jay Ellis, Tyler Labine
Rating: 

Director Josie Rourke and writer Beau Willimon's attempt to give two warring Queens, the widowed Mary Queen Of Scots (Saoirse Ronan) and Queen Elizabeth I (Margot Robbie) of England, a larger voice in their historic confrontation, makes for fairly compelling viewing. This is a tapestry of discontent woven with a rare female gaze and allows for greater involvement in the royal proceedings.

Mary, following untimely widowhood, returns to her native Scotland to assume her throne. Her half-brother James Moray (James McArdle) is not enthused and his peace-keeping allegiance to the Protestant regime in England may have well become meaningless. Mary's cousin, Elizabeth I, monarch of England is also wary of Mary's far more valid claim to her own throne. So the intrigue and betrayals begin. And it's the men on both sides who play out the deceit in bloody fashion.

Check out the trailer here:

This is largely a biopic on Mary, Queen of Scots beginning with her return to the throne, subsequent precipitous marriages, the power struggle with her brother and several other aspirants to the throne and eventually her tragic death on the orders of her cousin. So there's more than enough drama to be had. Unfortunately, clarity is not a strong point here. Framed largely as per the version put forward by John Guy's biography of the Queen, the film has some controversial moments but fails to concretize the reasoning for her eventual beheading.

We get to meet Mary's ladies-in-waiting, her attempts to solidify her claims to the throne of England, her fight with the clergy who are largely protestant, her brother James' attempts to undercut her authority, John Knox's(David Tenant) outrage at having to know-tow to a female ruler and Elizabeth's helplessness and insecurity in having to deal with a more beautiful, younger claimant to her monarchy. Most of the narrative gives vent to Mary's life story but towards the end the focus shifts to Elizabeth's, thus creating a dichotomy that is a little difficult to empathize with. This filmed drama is largely faithful to the established record, has authentic fashionably period costuming and make-up and intensely committed performances from the two leads as well as their co-actors in crucial roles. So it's a vividly engaging experience even if not an entirely lucid one!

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Amavas
U/A: Horror
Dir: Bhushan Patel
Cast: Sachiin Joshi, Nargis Fakhri
Rate: 

The experience of watching a Ramsay Brothers horror is unique. It's almost synonymous to buying a ticket for a comedy. Dealing with Amavas, is pretty much the same. It's the modern-day equivalent to a Ramsay product. Do you love it? Yes, to bits! It's a laugh riot. But, that's not how director Bhushan Patel designed it to be, which is why, it's disappointing.

Patel, who previously directed the Bipasha Basu and Karan Singh Grover-starrer Alone, takes the tomfoolery a notch higher with this film. We are introduced to the familiar 'praacheenkal' knowledge of 'bhooth-pret'. There is a haunted mansion - resembling a cross between that in The Conjuring and Sushmita Sen's Vaastu Shastra.

Familiar tactics - creaking doors, spooky scores and shadows - are employed to evoke fear. Yet, the idiocy on display doesn't occupy my mind. What does is the fact that viewers could have been spared from the goings-on had the cast simply travelled to Paris. Let me explain. Karan Ajmera (Sachiin Joshi) is coaxed by girlfriend Aahana (Nargis Fakhri) to take a trip to the former's Brit mansion, instead of taking off on a romantic getaway to the French capital. On arriving, skeletons begin to tumble out, and they learn the reason behind the house being locked up for eight years. All hell breaks loose.

Even the slightest mention can be a spoiler in a horror, so we'll leave the details aside should you wish to catch this one. But, we can reveal that this uninspiring story ticks every clichéd check box in the horror rule book, including possessed bodies, hapless spirits, barren trees, a grave and temple bells. In addition, there's a half-faced doll, and a bored ensemble of supporting actors who look more clueless than the doll in question. As lovers, Joshi and Fakhri certainly lack chemistry. In fact, the latter's visible disinterest even overshadows Joshi's ineptness.

What is really horrifying is the depiction of the psychiatrist, played by Mona Singh. 'Calm down' or an increase of medicinal dose, are apparently appropriate responses to paranoia and migraine. While the boyfriend battles serious issues, the girlfriend busies herself by exploring the estate, and playing hide-and-seek.

The incoherence is baffling, and one is only compelled to wonder why a team of qualified artistes would create this kind of cinema. But since the movie doesn't take itself too seriously -the quality of VFX and continuity being obviously ignored - it is best relished as a comic caper.

As for Fakhri, who makes a comeback of sorts to Bollywood with this film, she had more meat in her five-minute act in the American thriller, Spy (2015) than she does here. Pro tip for the writers - Just send them to Paris next time. It's always a good idea!

Also Read: Nargis Fakhri annoyed with press prying into personal life; leaves Amavas promotions midway

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Total Dhamaal
U: Action, Adventure, Comedy
Director: Indra Kumar
Cast: Ajay Devgn, Anil Kapoor, Madhuri Dixit Nene, Arshad Warsi, Jaaved Jaaferi, Riteish Deshmukh, Sanjay Mishra
Rating: 

The first thing you notice about this Hindi film (or at least I did) is that it plays with English subtitles. Not that most need it; but great relief, nonetheless. For I had returned from the same Mumbai theatre only the evening before, within the first minute of a Malayalam film (a heavily recommended Kumbalangi Nights), having realised that the pic had no English subs, and people were laughing at jokes (presumably), that I couldn't access.

Would Total Dhamaal, in a language you didn't understand, be watchable still? Technically there is hardly a plot/story. So you'll follow what's going on, regardless. But this is the sort of deliberately-sasta, kaam chalau comedy that works on simplest set-ups, and pay-offs - or punch-lines - that you ought to be in sync with. Some jokes work - at a pure comic timing level. Several don't. But that's really what you walked in for. For the record, the first Dhamaal (2007) had entered theatres hot on the heels of the fab Golmaal (2006), with Arshad Warsi common to both - making the former seem like pretty much a sequel to the latter. Modelled along the lines of the Spencer Tracy epic It's A Mad Mad Mad Mad World (1963), Dhamaal actually had a lot of dhamaal going for it.

Ever since, Golmaal has turned into a four-part, money-spinning franchise (or as Devgn calls it, his "retirement plan"). As have similar all-star comedies from the time - Housefull (the fourth instalment is on its way), Kya Kool Hain Hum (in the screwball, sex-com space), Masti (there've been three so far - directed by Indra Kumar, as well).

This is the third in the Dhamaal series, and as a ride, perhaps mainly intended for kids, if you consider the amount of slapstick (instead of adult) humour, stereotyped 'Madrasi', Bihari, Gujju kinda gags, and tonnes of fine VFX paraphernalia - collapsing bridge, rickety helicopter, cute animals bumbling around in the farm, folk either hanging or flying off ledges… This is besides a lot of self-referential Bollywood one-liners that appear as stuck in time as, of course, the picture itself.

And so the password to open a door is 'one-two ka four; four-two ka one' as Lakhan, or Anil Kapoor, jumps off a wall. 'Ek do teen' as in the Madhuri Dixit Nene song is referred to, since Dixit is in the movie, along with Kapoor. Rohit Shetty is summoned in a line while cars fly. Ajay Devgn is of course the dude. His sidekick, Sanjay Mishra, whose refrain, "Dhondu, just chill," made him a superstar with Shetty's All The Best (2010), a similar mad-cap comedy, gets, "Bro," a new takia-kalaam here.

But my favourite guys in this movie have got to be Adi, and his man-child partner Manav (Arshad Warsi, Jaaved Jaaferi). Glad they've survived the franchise's original line-up (the only ones to, besides the perennial ensemble-com favourite, Riteish Deshmukh).

The entire lot is after a Rs 50 crore booty. All they know is that it's kept at a zoo. And with presumably someone called OK, which is what you must feel like - never mind what happens in the movie thereafter. Anything I say about this expectedly total dumb maal, should be construed as boring old me, coming in the way of your heightened, harebrained entertainment. Already have; read no further!

Also Read: Exclusive: Ajay Devgn on Total Dhamaal: It's very difficult to make people laugh

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Isn't It Romantic
U/A: Romantic comedy
Director: Todd Strauss-Schulson
Cast: Rebel Wilson, Adam DeVine, Liam Hemsworth, Priyanka Chopra Jonas
Ratings: 

How fresh can a rom-com be? Well, at least, Rebel Wilson attempts to lend a fresh perspective to the genre with Isn't It Romantic. It's interesting to witness how the film's writers have parodied the commercial prism through which love is depicted on celluloid.

Wilson plays Natalie, a closeted rom-com lover who wears the irreverent 'Love-is-bulls**t' veil to hide her softer side. After suffering a head injury from being mugged, she wakes up in an alternate universe - one that is straight out of a rom-com where the roses are brighter, her apartment resembles the enviable houses that are featured in glossies and she, too, is a peachier version of herself. Even her dog is less mischievous and better groomed.

But instead of being delighted at the situation, Natalie feels suffocated with the perfection around her. With its sharp writing, the film gets across the larger message that love isn't all peaches and cream in real life.

You can play spot-the-rom-com too -there are several references to major hits like Pretty Woman (1990) and La La Land (2016). The comedy offers more than its share of fun moments; my favourite is the scene where Blake (Liam Hemsworth) walks out of the shower and it is suggested that Natalie had spent the night with him. But like in the movies, the steamy details are snipped - a deliberate play on the inherent need to keep the rom-coms clean, never upping the passion despite it being an integral part of romance. The writers' ability to question the romanticism around happily-ever-after without letting the grime of cynicism seep in, is commendable.

Wilson does a top notch job of headlining a cast of fine actors - Liam Hemsworth, Adam DeVine and our very own Priyanka Chopra Jonas. For the desis, the last song and dance sequence will be a brutal reminder that we haven't seen her in a Bollywood film in four years. This dose of mush attack is strongly recommended; at least, it doesn't let you lose sight of logic in the face of love.

Watch trailer:

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Luka Chuppi
U/A: Romance, comedy
Dir: Laxman Utekar
Cast: Kriti Sanon, Kartik Aaryan, Pankaj Tripathi
Ratings: 

If you ever needed a better proof of the fact that most 'star-actors' (especially the new-age ones) are inevitably over-rated, given that the success of their characters, or indeed their films, depends so much on the script: Well, here is one.

This picture stars Kartik Aaryan, lately anointed the rising star among millennials, largely on the back of three super-hit rom-coms in a row - Pyaar Ka Punchnama (2011), its sequel (2015), and Sonu Ke Titu Ki Sweety (2018) - by the same director (Luv Ranjan).

Social media, and of course the usual entertainment portals, have been fired up ever since, capturing his newly captive mass-base. He walks into a picture of a similar genre, with hardly a story, let alone a screenplay, and you can watch the same actor, looking dumbfounded, fumbling all over the frickin' place - much like his film.
Which is about a girl, with a stock-expression (Kriti Sanon), taking stock of her young-adult life. She isn't quite ready to get married. But doesn't mind being with the guy she's just about met. She decides to live-in. For? 20-odd days, pretending to be married, in another town - sounds like a long vacation to me!

Either way, it's a logical step for a modern couple to take. Not for the characters in this movie, who live in seriously moronic times. Local news channels have gone berserk over, "Desh mein naya system aaya hai" - referring to an epidemic called live-in relationships! Goons, with the heroine's dad lording over them, are at every nook and corner, whacking/harassing couples over an inescapable pandemic. A top Khan Bollywood superstar has been boycotted/trolled nationwide for moving in with his girlfriend!

The hero-heroine in this pic play news reporters - continuously covering this earth-shattering story. Those behind the writing of this ultra-filmy picture were obviously born in PVR/Fun Republic. What happens next? Honestly, absolutely nothing. Or rather nothing that you may like to know, since the couple is still very much together, and their families seem okay with them being so forever. Eh?

This is supposed to be a comedy, exploring a perceived taboo, set in small-town India. Which, as a movie, is just the reverse from a decade and half ago, when Bollywood films just had to be set abroad, in order to do well - think Salaam Namaste (2005), also about a couple (Saif Ali Khan, Preity Zinta) living in, but in Melbourne!

Writer Javed Akhtar, astute cultural observer, ascribes this shift towards small towns as a fairly settled, secure, migrant Indian middle-class finding solace in its roots or where it came from. Given a massive string of commercial successes, emanating from stories from Meerut, Agra, Kota, Lucknow, Kanpur and the like, a formula is bound to set in.

This picture is placed in Mathura and Gwalior. An ensemble cast of rustic faces, dressed down, attempt some semi-rural humour, with odd, local mannerisms, and 'horny uncle' sex jokes. There is mention of caste and religion for the realism.

In walks Pankaj Tripathi, giving you a glimpse of how a performer can still rise above poor material - but only that much. Forget the audience, just wondering why/how they managed to chipkao this non-script on an actor, who's seriously in top form right now. Anyhoo, that's probably another story.

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Captain Marvel
U/A: Action, Adventure, Sci-Fi
Director: Anna Boden, Ryan Fleck
Cast: Brie Larson, Samuel Jackson, Ben Mendelsohn, DeWanda Wise, Samuel L. Jackson
Rating: 

Brie Larson's entry into the Marvel superhero fold as the titular hero in Captain Marvel is not the 'Wonder' we expected. Though Captain Marvel is the first Marvel Studios film to be built around a female superhero, it comes minus the savoir-faire that gave Marvel productions its high brand value over the years. There are two directors, Anna Boden and Ryan Fleck at work here, alongside several writers including Nicole Perlman, Anna Boden, Geneva Robertson-dworet, Meg LeFauve, Ryan Fleck, Jac Schaeffer, Liz Flahive and Carly Mensch. And it does feel like too many cooks have literally subdued the vivacity and nihilistic exuberance unique to the comic book cinema superhero universe.

The Captain Marvel female counterpart first appeared in comic books in 1977 but the real inspiration for this film comes from Kelly Sue DeConnick's series, beginning in 2012, that featured the alter ego of Carol Danvers.

Check out Captain Marvel trailer here:

While the experience of this film is not exactly unfavourable, the narrative never really takes off into the stratosphere even though it has a storyline that has Carol Danvers (Brie Larson) straddle a galactic war between two alien races. The narrative is a little jumbled up and the eventual aim to launch her into the Avengers team becomes a little too obvious even as the non-linear plotting is laid out with convoluted reasoning. Danvers' is with the Air Force, but she is also the eponymous warrior on behalf of Starforce, an intergalactic fighting squad committed to battling the fiendish, shape-shifting Skrulls. As the film opens we see her being tutored by her mentor, Yon-Rogg (Jude Law), leader of the intergalactic military force of the Kree. Danvers is shown as uncertain about her past and as the narrative trudges along things get a little too murky and distorted for comfort. Danvers may go from cosmic to earthbound (C-53) in the fraction of a second and then back up into the skies again but for the viewer, this is not much of a roller-coaster thrill ride. The action is set in the '90's, the storytelling is obligatory at best, none of the characters stay on in your mind after the movie is done and the writing and direction lacks definition and seems a little too obviously patched-up towards a grander purpose.

Brie Larson tries hard to instil humour into the role but there's only so much she can achieve in a jumbled-up universe. She is solid if not exciting and that's the mainstay of this film – if at all it can be considered to have one!

Also Read: Captain Marvel reviews: Here's what the critics are saying

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The Least Of These
U/A: Drama
Dir: Aneesh Daniel
Cast: Sharman Joshi, Stephen Baldwin, Shari Rigby
Ratings: 

Aneesh Daniel's attempt to relook at real-life events that triggered the grisly murder of Graham Stuart Staines - Australian born evangelist/poor leprosy patients' caregiver, living and working in the remote regions of Orissa - is a rather tame experience.

It's obvious the filmmakers were eager to avoid any confrontations with right-wing fanatics, who had a major role to play in triggering the gruesome killing of Staines (Stephen Baldwin) and his two sons. Don't know how much of a spoiler the censor board played in this regard, but needless to say, this is a largely sanitised version of the truth and does a great disservice to the lives lost in the throes of a communal crossfire. Defanged of the court ordained facts, including the name of the convicted killer (Dara Singh) and his right-wing Hindu fundamentalist political affiliations, this film merely plays around with the 'conversion' issue.

The narrative device employed here is in itself flawed. It's the late 1990's. Journalist Manav Banerjee (Sharman Joshi) moves with his pregnant wife to a small town in Orissa. The editor (Prakash Belawadi) of the New Orissa Daily treats him like a stringer and expects him to coerce stories about forced conversions from the villagers. Manav, who shuns lepers and is clearly biased against Christian groups, would rather do the exposé without being personally involved. But his editor deems it necessary that Manav himself play victim to the conversion hoax to expose the Australian missionary's so-deemed unlawful activity. With his wife delivering prematurely and costs of hospitalisation mounting by the day, Manav is forced to toe the line.

While forgiveness plays an important part in this misrepresented drama, it doesn't have the effect of a great act here. It is depicted so ineffectually that there is little impact on the viewer. The actors are either over-the-top or inconsistent. Joshi overstates his eagerness by repeating phrases like 'I am a journalist' and 'He is a leper'. Scripting by Andrew E Mathews is so slack that his turnaround defies logic. Even Baldwin and Shari Rigby fail to arouse empathy. Technically too, this film is not upto the mark. The direction, editing and cinematography lack distinctive focus. This unaccomplished production doesn't amount to anything!

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Pet Sematary

U/A: Horror, Mystery, Thriller
Director: Dennis Widmyer, Kevin Kolsch
Cast: Jete Laurence, Hugo Lavoie, Jason Clarke, Lucas Lavoie, Amy Seimetz
Rating: 

The 1989 version of Pet Sematary based on the 1983 Stephen King novel, was certainly no classic but it was a cheesy horror tale powered by a solid performance from Fred Gwynne and the title song from the Ramones was quite rage. Given the cult popularity of horror films today, it's no surprise that even such an unremarkable representative of the genre gets recast for the GenNext voyeurs of horror thrills. Co-directors Kevin Kölsch and Dennis Widmyer don't have much of a challenge on their hands, given the fact that there's no attempt being made here to tell the story from a different vantage point.

Dr Louis Creed (Jason Clarke), wife Rachel (Amy Seimetz), eight-year-old daughter Ellie (Jete Laurence), two-year-old son Gage (Hugo and Lucas Lavoie) and pet cat Church—relocate to a rustic home in the quaint rural town of Ludlow, Maine. Though there's plenty of land, with a mysterious pet cemetery and a strange bog behind the home there's not much of it in front - with a state highway running through right at the curb just off their driveway. So one would think that responsible parents would take the trouble of checking out their abode and taking the necessary precautions before moving in.

Check out the trailer here:

Such deliberate contrivance is of course a given for a horror film attempting to spook you by suggestions rather than facts. Soon enough the pet cat gets crushed under a speeding mammoth and the grieving Dr Clarke, helped on by friendly neighbour Jud Crandall(John Lithgow) takes the cat to be buried near the mysterious bog which apparently has mystical powers of resurrecting the dead. A rather convenient ploy to give wandering souls a rejuvenated body to do evil. The rest of it is rather brutal.

The film, as the book, is riddled with plenty of plot holes but King's book at least had a descriptive set-up that kept the interest going. The film doesn't have much exposition. The wife's torment from a traumatic experience during childhood is represented through hallucinatory flashbacks and the tragedies that befall the Creed family just keep piling up soon after they move in. The directors and writer Jeff Buhler, make a few deviations but they play out as altogether facile and non-requiting. The actors do their job well but the narrative doesn't create enough empathy for us to be worried about their fate. Closing it out with a Starcrawler cover of the Ramones's original theme may stir up some nostalgia but that's not going to spook you. Even King's original denouement gets replaced and that makes this particular effort altogether superficial.

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Hellboy
U/A: Action, Adventure, Fantasy
Director: Neil Marshall
Cast: David Harbour, Ian McShane, Milla Jovovich, Sasha Lane, Daniel Dae Kim
Rating: 

This latest adaptation of the Mike Mignola comic book is a reboot and not a sequel. Most of the sequences and plot points take for granted that- the viewer is familiar with the story. This film has a rather peculiar blend of history, myth, supernatural and occult playing peekaboo in a narrative that opens up in the past and flashes forward to the post-modern present with rather too much haste. We see a time when everything is acceptable including the paranormal, the other-worldly, different dimensions and the freak. We see Hellboy with horns, crimson skin, and thorny attitude passed out in a Mexican bar or observing a wrestling match and he doesn't raise any eyebrows. And just as we get familiar with the characters and interested in the theme we are subjected to a flashback and that's the pattern we are exposed to throughout this rather jerky, coarse re-imagining of the Hellboy universe. The real problem here is that there's just too much back story and not much of going forward.

Hellboy of course looks more or less the same. The overall look is replicated from the original – this one though looks more worn and unkempt. Hellboy (David Harbour) works with his adoptive father Professor Broom (Ian McShane) at the B.P.R.D, an organization devoted to investigating and generally exterminating paranormal threats. The gruff Superhero heads to England when called upon by the Osiris club to help nullify the Blood Queen's(Milla Jovovich) demonic plot to resurrect herself and bring ruin upon the world.

Check out the trailer here:

The narrative jumps from one plot point to another without acquiring much coherence. We get it that the Blood Queen is part of the main conflict here but by the time she gets into her stride the narrative gets all rushed up and the ensuing melee doesn't have much engagement. Andrew Cosby's screenplay writes in some inner conflict for Hellboy but it doesn't translate all that well on screen. Even the other main characters don't have smooth enough arcs. Neil Marshall is no Guillermo Del Toro and his vision for the action here is also not consistent enough- even though there are a few flashes of brilliance. David Harbour's performance, lacks the confident stamp of authority that Ron Perlman's did. Some of the CGI effects are good but there are moments when they look conspicuous and patched on. Too many characters, too many plot threads and just as many merges between the unimaginable, plagues this tale of a superhero winding his way through tales of legends and destiny - ending it with cataclysmic bedlam that works out to be a rather chaotic gory mess!

Also Read: Milla Jovovich said yes to Hellboy for this reason

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Kalank
U/A: Action, Drama, History
Director: Abhishek Varman
Cast: Varun Dhawan, Alia Bhatt, Madhuri Dixit, Sanjay Dutt, Sonakshi Sinha and Aditya Roy Kapur
Rating: 

Not one to get wooed by the scale and production value of a film, I can't help but be smitten by the sheer beauty of Abhishek Varman's Kalank. In 2019, when Netflix rules our lives, this film is a rare cinematic experience that blends in opulence, glamour with a solid story about a family torn by its own skeletons in the closet. Star crossed pairs, their infidelities and how it destroys the world around them.

Drawn to forbidden pleasures and immoderate love is Roop, played with heft by Alia Bhatt. Varman's vast screenplay primarily plays off the luminous chemistry between Bhatt and co-star Varun Dhawan. There's a tantalising quality about their pairing and Varman uses this element to full effect. But a lot of the emotions drown in its self imposed ornate design of the film, which gives it a synthetic quality.

Watch the trailer of Kalank here:

So when a feisty Rajputana girl (Alia's Roop) is compelled by circumstances to marry a man (Aditya Roy Kapur's Dev) she can't even recognise in broad daylight, you want to discover more about their faulty dynamics. Or even how a well-educated woman like her, who has opinions strong enough to be voiced in front of an all-male team of writers running a flourishing newspaper, would fall for a visibly dubious man (Varun Dhawan's Zafar) with a promiscuous life. All of this and much more about the period's socio-political submerges beneath Binod Pradhan's gorgeous cinematography. It's almost as if there is a barrier between the audience and the characters - a gulf presumably created because of the director's reluctance to delve deeper into the plot.

Kalank movie poster

It's at the casting department, Varman scores big. Raging with simmering pain, Varun's aching performance beautifully transcends from showing him as a bitter man thirsty for revenge to a kind soul softened by love. Aditya's character has little graph but he adds soul to his act, supported adequately by Sonakshi Sinha who keeps her brief role serene all through. The seniors - Madhuri Dixit and Sanjay Dutt bring their effortless experience in a climactic sequence which packs a punch. Kunal Kemmu's grey part is portrayed with flair.

Also Read: Kalank: Here's everything you should know about the multi-starrer film

By no means is Kalank an unbearable film, despite being nearly 2 hours 48 minutes long. But there is a constant tryst to divert our attention from its storyline; Varman distracts us with his suggestive background scores, special numbers and sometimes even the perfectly created Manish Malhotra costumes. It's also equally problematic that a film set in pre-Partition doesn't stir up much political conversations throughout the narrative. There are stray mentions of their noble intentions but it remains largely detached from the divisive politics of the time it is set in. It also pays a tribute to Sanjay Leela Bhansali's school of filmmaking by borrowing a lot of his trademark sequences (especially Alia's entry which reminds one of Aishwarya's first scene in Hum Dil De Chuke Sanam). Varman's prism is fresh - his women aren't caricatures, his characters aren't perfect. Roop is innately flawed, her decisions are damaging but she fights back for love with all her might. His men aren't all heroic and larger than life; they stumble, are unforgiving and equally faulty.

Watch the video of the Kalank movie review here:

I was reminded of Deepa Mehta's masterpiece - 1947, Earth, rightly melodramatic, potently emotional which walked the tightrope of a love triangle in stormy times in a balanced way. Kalank doesn't aim for that depth. It's content in being pretty even when it has the potential of so much more.

Kalank screening: Janhvi Kapoor, Alia Bhatt, Aditya Roy Kapur attend:

Also Read: Kalank Celeb Review: B-town can't stop praising this period drama

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The Curse Of The Weeping Woman
U/A: Horror, mystery
Director: Michael Chaves
Cast: Linda Cardellini, Patricia Velasquez, Sean Thomas
Ratings: 

This film, derived from a Latin American folk tale, has been force-fitted into the Conjuring-Annabelle universe. Writers Mikki Daughty and Tobias Iaconis, and director Michael Chaves turn a demented criminal act into grist for an insidious tale involving a social worker working with abandoned wives. The film bears the brunt of this conspired opportunism.

The narrative opens with the origin of the folklore in 17th century Mexico, where it is showcases a beautiful woman (abandoned by her husband) in a fit of jealous rage, drowns their two male offsprings, kills herself and then roams around as a restless weeping ghost, seeking to replace her dead children by sacrificing other kids. The Curse Of The Weeping Woman leaps to 1973 Los Angeles, a convenient period that hopes to link-up a priest from the Annabelle world and transports him into the weeping woman miniverse.

A recent cop-widow Anna (Linda Cardellini), who works for Child Protective Services, has just been entrusted with the task of rescuing two young boys - Sam and Chris from their abusive mother, Patricia Alvarez (Patricia Velasquez). Anna puts the boys in a home for the evening, hoping they would feel secure and comforted in the care of professionals. But a late night call from the cops tells a different story. The boys are dead and Alvarez holds Anna accountable.

Watch the trailer of The Curse Of The Weeping Woman:

The malevolent ghost - a typically yellow-eyed blotchy-skinned bride weeping icky black tears starts haunting the boys. The jump-scares don't have the power to scare the audience, but it definitely makes the children sweat. The opening and shutting of doors and windows accompanied by sound effects don't scale up the scares either.

The set-up is intriguing enough but the visions are feeble and the horror quotient is laughable. Anna claims she is a non-believer, but when her children are affected and strange things begin to happen, she seeks help from a curandero - a former priest turned shaman, Rafael Olvera (Raymond Cruz), who uses his skills to keep fear at bay. Cardellini and Cruz do their best to make this trope happy formulaic poser an efficient one, but alas!

Also Read: Kalank Movie Review: A great cinematic experience, but is it worth a watch?

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Amid the rising number of coronavirus cases across the city, the Mumbai Police on Monday took to Twitter to thank Bollywood actor Akshay Kumar for his humble contribution towards the Mumbai Police foundation amid the COVID-19 crisis.

Mumbai Police thanks @akshaykumar for contributing Rs. 2 Crore to the Mumbai Police Foundation. Your contribution will go a long way in safeguarding the lives of those who are committed to safeguarding the city - the men and women of Mumbai Police!#MumbaiPoliceFoundation

— CP Mumbai Police (@CPMumbaiPolice) April 27, 2020

While extending a thank you note to the action-superstar of the B-Town industry, Mumbai Police said that the contribution will help to safeguard the lives of the Mumbai Police personnel who are committed to safeguarding the city to fight the global pandemic.

In the past too, Sooryavanshi actor donated Rs 3 crore to help the Brihanmumbai Municipal Corporation (BMC) in order to help them to make rapid testing kits, personal protection equipments and face masks in its battle against the deadly virus.

#RohitShetty has facilitated eight hotels across the city for our on-duty #CovidWarriors to rest, shower & change with arrangements for breakfast & dinner.

We thank him for this kind gesture and for helping us in #TakingOnCorona and keeping Mumbai safe.

— Mumbai Police (@MumbaiPolice) April 21, 2020

Besides helping Mumbai Police and the country's richest civic body, Akshay also contributed Rs 25 crores to the PM CARES fund to help the country fight the epidemic. Earlier, Mumbai police expressed gratitude to Bollywood director Rohit Shetty for facilitating eight hotels across the city for Mumbai police personnel.

Thanking Rohit Shetty for his kind gesture, Mumbai Police said that the facility would help on-duty corona warriors to rest, shower and change with arrangements for breakfast and dinner.

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Brihanmumbai Municipal Corporation (BMC) Mayor Kishori Pednekar on Monday informed that the total number of containment zones in the city is now 1036.

"There has been a significant drop in the number of containment zones in Mumbai," Pednekar said. The Mayor said that many zones are out of the list as they reported zero COVID19 cases in the last two weeks. "231 zones are out of the containment zone list after they didn't record a single COVID-19 positive patient for the last 14 days," she added.

According to the Union Ministry of Health and Family Welfare, the total number of positive COVID-19 cases in Maharashtra is 8,068. Till now, 1,076 people have either been cured and discharged, while 342 deaths have been reported in the state.

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A 26-year-old woman in labour was turned away from one hospital after another in Kalwa and was forced to deliver inside the autorickshaw that was ferrying them. The baby's father Janak Joshi, 25, then held the baby tight until the family reached Lakhmichand Fatichand Hospital in Thane, which finally admitted the woman and cut the umbilical cord.

Janak, a native of Nepal, works as watchman at Saurabh Towers in Thane's Kolbad Naka where he also lives with his wife and son in a small room allotted to him. His wife Geeta, 26, was due in April and Janak had been very worried about how to take her to hospital in the lockdown. He had then spoken to auto driver Mangesh Jadhav who lives in the same residential building, who agreed to ferry Geeta in case she went into labour. But the had no idea that Jadhav's rickshaw would be the place where the baby would finally be born.

Mangesh Jadhav who ferried Janak and Geeta Joshi from one hospital to another and in whose auto their baby was born

Janak said, "The civil hospital is just a kilometre away from where we live. So, we first went there to get Geeta admitted, but we were told that there are Covid-19 patients and so it would not be possible to admit her. From there we rushed to Shivaji Hospital in Kalwa where, too, we were denied admission and were told to take her to Lakhmichand Fatichand Hospital in Thane. We began our journey to Thane, but meanwhile, Geeta delivered the baby right on the Kopri Bridge inside the auto. Our son, too, was with us in the auto and was confused at first with not knowing what was happening. But, he was soon thrilled when he learnt he had a baby sister to play with."

Janak was overwhelmed and could not stop thanking Jadhav who took his family from one hospital to another and finally waited as Janak's wife delivered the baby in the rickshaw. "I held my daughter as she was delivered and held her tight until we reached the hospital in Thane where both were finally taken in and the umbilical cord was cut. Both are healthy now and we will be discharged soon," said Janak, adding that both mother and child are COVID-19-free.

"I was so tense about Geeta's delivery but Jadhav was so helpful in our time of need. We were also stopped at many checkposts which wasted a lot of our time."

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With the Railways refusing to comply with Maharashtra's request to help migrants reach their hometowns, the state government is working out its own plans to despatch them. Sources said the government has roped in the Maharashtra State Road Transport Corporation (MSRTC) for help.

An internal plan of just one district — Yavatmal by MSRTC (a copy of which is with mid-day) has revealed that it has lined up 115 buses to 15 state capitals. In an unprecedented gesture, these buses will travel around 1,000 to 1,800 km to drop off over 2,000 migrants and return back to base. Mentioning about the cost element, the letter has sought a sum of R1.35 crore from the district collector to release the buses as per the plan.

Labourers wait in a queue to collect Ifatri food packets at Kidvai Nagar in Wadala on Monday

Sources also said that the state government is negotiating with other states to accept the proposal and two states - Odisha and Uttar Pradesh have displayed readiness. However, a few states have claimed that they do not have enough money to arrange transportation for the migrants and also conduct the COVID-19 testing at the same time. Therefore, they want either Maharashtra or the Union government to spend on transportation which can be a contentious point in the entire deal.
However, MSRTC officials said the plan was still under consideration and nothing has been finalised yet.

Moreover, MSRTC and transport department officials said that meetings have been held at Mantralaya about these issues and discussions have been going on with various stakeholders. But as of now, no final decision has been taken yet.

The delay is because it involves stakeholders from other states and there are issues like streamlining the process and to develop a standard operating procedure to allow Maharashtra state buses into their state borders. A comprehensive plan involving all stakeholders needs to be arrived at so that the transport becomes smooth from end to end. This is besides the decision of who will bear the expenses of the journey.

Buses for students in Raj?
The MSRTC has also proposed to run another 91 buses from six bus depots to get about 1,764 medical students stranded in Rajasthan back home. Sources said since it is a long road journey, the buses will have two drivers. Of the 1,764 students, about 23 are from Mumbai, Thane and Palghar districts. However, MSRTC spokesperson denied this saying that no plan has been finalised yet.

17,000
Total no. of buses with MSRTC

115
Total no. of buses lined up from Yavatmal

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COVID-19 has now reached the doorstep of the state government, with four Mantralaya staff members testing positive for it. The state health department officials confirmed 27 deaths in Maharashtra, which was the highest number reported in a single day and the state's count of cases climbed to 8,590.

Civic officials said that of the four Mantralaya staffers, three tested positive on Sunday while one was confirmed on Monday. "They were on duty and include a sweeper and a driver. Contact tracing is underway and we will test the high-risk contacts," said a civic official. The official added that a portion of Mantralaya may be cordoned off if necessary. Guardian Minister Aslam Shaikh said that the staffers were taken to Kasturba Hospital for testing.

Four more ward boys of the TB Hospital in Sewri tested positive on Sunday taking the total count of infected staff members to 14. "One of the ward boys had directly gone to Kasturba Hospital and was admitted with symptoms. He has been shifted to the ENT Hospital. Two others are Thane residents and had sore throats," said Dr Lalitkumar Anande, medical superintendent of the TB Hospital, adding that two of the ward boys have been kept in isolation at the staff quarters.

No new cases in Mahim, Dadar
The number of cases in Dharavi continued to rise with 13 new cases reported on Monday. Majority of the new patients were senior citizens taking the total count in the area to 288. Civic officials said that no new cases were reported from Dadar and Mahim for three consecutive days and while 17 patients were discharged from Dadar, nine were discharged from Mahim on Monday.

The cumulative cases in Mumbai city are 5,776 while the total cumulative deaths here are 219. State health officials said that there were 522 new cases in Maharashtra, of which 369 were from Mumbai. Of the 27 deaths, 15 were from Mumbai, six in Amravati, four in Pune and one each in Jalgaon and Aurangabad. Among the deceased patients, 22 suffered from other ailments including diabetes and hypertension.

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The Maharashtra cabinet has reiterated its recommendation, that Chief Minister Uddhav Thackeray be made a member of the legislative council from the governor's quota, which has two vacancies. The cabinet had requested this to the Raj Bhavan following a decision taken on April 9, but the delay has created a political tussle between the Bharatiya Janata Party (BJP) and Maha Vikas Aghadi at a time the state needs a stable government.

It is necessary for Thackeray to become a member of either house within six months of taking charge of the CMO (before May 26). The elections to the council were postponed because of the pandemic, and the CM was left with no option but to seek a seat in the governor's quota. The term of the vacant post will end in the first week of June, but that will save the CM's resignation, because he could be in the office without being a member of the either house till he gets elected in the rescheduled upper house polls.

In a stunning statement some days ago, Shiv Sena MP Sanjay Raut had accused the Raj Bhavan of being part of a political conspiracy. In view of the tussle, the cabinet met on Monday under the chairmanship of Deputy Chief Minister Ajit Pawar, to pass a resolution to send Governor Bhagat Singh Koshyari the recommendation again. Since Pawar's authority of chairing cabinet meetings in the absence of the CM was challenged before the high court on the ground that the Dy CM position had no constitutional validity, and the CM had not authorised him to conduct the cabinet meeting, Tuesday's reiteration is considered as making the state's case stronger. But a minister said Pawar was authorised by the CM on April 9 and the MVA detractors were making false claims. The cabinet has decided to tell the governor that the state government was fighting the pandemic with all its might and teamwork.

"The pandemic is intensifying and in such a grave health crisis the state needs a stable government," said its statement.

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Every day for over 10 days, a 39-year-old mechanic has been driving down to Mumbai from his house in Virar, to sanitise the vehicles of the police and the BMC. Vijay Kumar Babanna Rajappa runs a small garage opposite the Siddhivinayak temple at Prabhadevi. It has been closed since the lockdown, but Rajappa, who wanted to do something for our frontline warriors in the battle against COVID-19, has been helping them free of cost. So far he has sanitised over 150 vehicles.

Rajappa has sanitised all the vehicles of police stations at Shivaji Park, Mahim, Dadar, Virar and Arnala. He was given a letter of appreciation from many police stations for this. "We gave a letter of appreciation to Rajappa for helping the police department by sanitising our vehicles including mobile vans, cars, beat Marshal's bikes etc. It protects us from this virus while traveling from one place to another place," said Sunayana Nate, inspector of Dadar police station.

Virar corporator Maya Chaudhary said, "We took Rajappa's help to sanitise municipal emergency service vehicles, buses, police vehicles and auto rickshaws in Vasai-Virar. Rajappa is doing great work without charging for it. We have also asked him to sanitise vehicles used by doctors, nurses and ward officers."

'Keeping our police safe'
"Every day the police deal with many people including accused and have to take them to police stations or courts. Currently these may include COVID-19 positive people. The accused touch many areas inside the vehicle. So I decided to clean their vehicles and keep all our police personnel safe from the danger. I also clean the bikes of beat Marshals. If their vehicles are safe, they are safe," said Rajappa.

Rajappa even explained the process of cleaning the vehicles. At first he washes a vehicle with water from both inside and out. "Then I wash it with diesel and dry the entire vehicle. Then I use a litre of water mixed with sanitiser and apply it to the vehicle. It takes me an hour to completely clean a car. I use a sanitiser which is WHO and FDA-approved. It is only used on the metallic body of cars and bikes."

'Sanitisation helps'
He added, "If a person who is infected by COVID-19 travels in the car, there are chances it can spread to others who use the vehicle. The air-conditioning can also increase chances of spreading this virus, but if we sanitise the vehicle, there are no chances of the virus spreading." He claimed after a vehicle is sanitised, it is safe for about 15 days. He now wants to approach hospitals to sanitise ambulances.

Rajappa has been working as a mechanic since 1999. The usual charges for deep washing of vehicles are around R300-R500 each, but he has not been charging for the same.

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The Palghar pot is boiling with the Communist Party of India Marxist (CPI-M) saying they are going to file defamation cases against a couple of BJP leaders for defaming CPI-M, by making baseless claims against them for the lynching of the two priests and their driver in Gadchinchale village. Mumbai's Ashok Dhawale, Central Committee member, CPI-M said, "We will file the case shortly. When the CPI-M says something, it always goes ahead and never backwards."

The roots
Dhawale explained that the Communists have had their imprint in the whole of Dahanu and Talasari tehsil. "It has been our base since 1945 when Comrade Godavari Parulekar led the revolt of the tribals against landlordism and bonded labour. This is how deep our roots go into this land. We have the MLA seat in Dahanu, with the dashing Vinod Nikole defeating the BJP sitting MLA in 2019."

Work done
On accusations that it is the Communists and this party that foment violence, leading to mob frenzy and agitation, Dhawale shot back, "We have worked for drinking water and water for irrigation. We drive movements for uplifting the health infrastructure in the region, we have schools, colleges and hostels in Talasari district. We have worked for women's issues, rations..."

Long march
Dhawale added as a Mumbai example, "It was the CPI-M that was at the forefront of the long march of farmers from Nashik to Mumbai in 2018. One of the demands was better implementation of the Forest Rights Act. There was no violence on that march, not a single car window was smashed. It was during this time that a BJP leader spoke about Urban Naxals and that term has stuck."

Bullet train
Another name swirling in the Palghar blame game is that of the Kashtakari Sanghatana. Dhawale said, "The Kashtakari Sanghatana and the CPI-M have had a prickly relationship.

However about three years ago, we came together to galvanise people in the area against the Bullet Train project. We have buried the hatchet so to speak, since."

Parliamentary process
In the end, Dhawale said that the CPI- M was totally against the Maoist violence in fringe pockets, "We have always been part of the Parliamentary process, right from Independence. We have unequivocally condemned the Palghar lynching; for the right wing to link it to us, to defame us, is simply nonsensical."

Go and file
Mumbai's Shriraj Nair, national spokesperson Vishwa Hindu Parishad (VHP), slammed the CPI- M saying, "If any villager is innocent we support him. We are for tracking down the culprits of this crime. For years though, the CPI-M has been brainwashing villagers and conducting anti-Hindu activities. They are also anti-development."

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With most areas in the city marked as COVID-19 hotspots and no transport available, residents feel that the Brihanmumbai Municipal Corporation's (BMC) circular allowing pre-monsoon repair work and waterproofing in buildings before the onset of monsoon, is nothing but an eyewash. They are of the opinion that if the lockdown continues beyond May 3, it will be practically difficult to complete work before the rains, as no shops selling cement, sand, brick and waterproofing chemicals will be open.

Speaking to mid-day, Somasunderan Nair, director, Intercons Tectonic (Pvt) Ltd, a Vashi-based firm doing engineering and civil construction work, said, "It is just impossible for the labourers to go to different locations with no transportation available. They can't travel between construction sites located in different areas of Mumbai and Navi Mumbai."

Rekhi Sai Daffodils has been undergoing repairs since January

'All going to waste'
"Also, I had stored raw materials (cement and sand) worth a few lakhs of rupees at different buildings undergoing repairs, but all of it got stalled due to the lockdown," added Nair. He further said, "At one of our Kharghar site, the Pimpri-Chinchwad Municipal Corporation (PCMC) staff had asked the site supervisor to wind up all repair work, and at that time, a ready-mix cement mortar consignment was being offloaded from a Gujarat registered truck. Since the municipal staff warned of '15,000 fine per staff, the workers had no option but to leave the site. Nearly 700 bags of ready-mix cement mortar were offloaded, but I fear that all of it will go to waste. They have been lying unused for over one month and if the lockdown continues, we might have to dispose of the raw materials."

While the BMC has come out with a circular allowing work to be carried out, the NMMC and PCMC are yet to provide any clarity on such repair works.

Exposed beams of Rekhi Sai Daffodils in Kharghar

A Ghatkopar West resident, whose building is under repairs, said, "We have stored some materials in our building premises and have allowed some workers to stay on the compound. Even the contractor is ready to buy construction materials like bricks, cement etc from the local market, but for that we need to know where such outlets are open."

'Apply for online permissions'
When contacted, a senior official from BMC's Development Plan department said, "We have issued the circular which clearly states the directives. As per the directions of the state government, certain activities are being allowed during lockdown. However, the said guidelines were stayed by the government vide GR dated April 21, 2020 for Mumbai Metropolitan Region and Pune Metropolitan Region. However, to save some existing structures/buildings and prevent flood like situations during monsoon, certain construction activities within MCGM limits may be allowed in non-containment zones."

Navre Premises Cooperative society in Sion West

When asked that if the entire city is under lockdown, then how will the circular be implemented, the official said, "It is a fact that most of the areas in Mumbai are containment zones and no work will be allowed there. If the situation is under control after May 3, then as and when the lockdown is lifted, work can be started. Meanwhile, the contractors/societies concerned should apply for online permissions."

And if monsoon sets in by then, the official said, "The contractors can cover the open terraces with tarpaulin sheets and permission can be given for repairs post monsoon."

Expert speak
When contacted, senior lawyer, Vinod Sampat, said, "As far as the BMC is concerned, everyone is interested in protecting their own skin. There is no coordination between government departments. A simple solution can be easily worked out by designating one responsible official for the job. He would ensure that the residents' requirements are easily met and the construction materials are made available to those whose buildings are getting repaired. Secondly, there is no accountability among government officials and they are unpredictable. As far as possible, repair work should not be undertaken immediately. A better way would be to put tarpaulin sheets on the buildings and postpone repair work to the post-monsoon time."

He further said, "Moreover, it is very difficult to get skilled labourers now as most of them want to return home. And lastly, if any of the contractors or their workers test positive for COVID-19, the society managing committee members may be held responsible for not taking proper precaution."

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Mumbai police personnel on lockdown duty were attacked by a mob at a Govandi market on Sunday. A police officer suffered injuries to his right wrist when a person from the 25-strong crowd tried to hit him on the head with an iron rod. The officer managed to block the blow with his right hand.

The incident occurred at 6.50 pm on Sunday when a large number of people had stepped out of their homes amid the Coronavirus lockdown and 10 police personnel on the spot asked the people to disperse. Senior Police Inspector Sudarshan Paithankar said that the "illegal crowd" had refused to listen when they were asked to return home.

"There was a large crowd with 25 to 30 active members. A person who was in the crowd tried to kill the police officer by aiming for his head with an iron rod, but the (officer) managed to block the blow with his hand, which got injured," he said. "They also pelted stones at the authorities, chanted anti-police slogans, and damaged a police vehicle, hence we had to resort to lathi-charge."

An FIR has been registered at Shivaji Nagar police station against 25 unknown men and two women, under Sections 307 (attempt to murder), 353 (Assault or criminal force to prevent public servant from discharging his duty), 332 (Voluntarily causing hurt to public servant to deter him from doing his duty) and other sections.

"The problem of people not observing lockdown has increased in the past few days since Ramzan began," said Paithankar, adding that six people had been arrested in connection with the case so far. "We are looking for the rest of the accused."

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The Maharashtra Jail Administration has allowed prisoners to talk to their families over landlines. as family visits to jails have been disallowed due to the lockdown. 

There are a around 36,000 prisoners across jails in Maharashtra, out of which 8,500 prisoners have been convicted. The total capacity of these jails is 24,000 so most jails in the state are overpopulated. In an attempt to create social distancing within the prisons, 4,611 accused who were serving jail sentences for non-serious crimes, were released on bail. However, the state administration continues to keep those involved in serious crimes behind bars.

According to a jail official, allowing inmates to communicate over phone was allowed so that they could be in touch with their families. The officer said, "We have details of all the accused and on the basis of those, we call their houses and allow them to speak to their families." Otherwise the accused could meet their families once a month.

The phone call facility between the accused and their family members are being allowed in every jail in the state. Around 25 accused are able to talk to their families every day. Every accused gets to make a phone call once a month.

IG Prisons, Deepak Pandey told mid-day, "The jailer first confirms that the person on the other side of the phone is a member of the family of the accused, only then the call is allowed. A duration of 5 minutes is given for each conversation between the inmate and their family."

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A 36-year-old man was arrested for beating his 70-year-old father in Bhandup to death after an argument on Sunday night. According to the police, the man, identified as Sachin Gorivle was having an argument about his employment with the deceased, Krishna, The Times of India reported.

Sachin did odd jobs for a living and was at home since the lockdown due to coronavirus outbreak in March. When Krishna argued with Sachin about his job, the latter attacked the former in a fit of rage. His mother and sister were in a different room when the incident happened.

Krishna was rushed to a hospital where he succumbed to his injuries.

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A nine-months pregnant woman was turned away from hospitals in Bandra for not having the COVID-19 reports with her. According to her family, 24-year-old Misbah Shaikh was experiencing cramps on Sunday night after which they visited the Holy Family Hospital where she had registered for delivery. The family members alleged that they were made to wait at the hospital for six hours while requesting to admit her, but the staff did not budge, The Times of India reported.

Shaikh said that she had already paid the hospital the deposit for her delivery and was in touch with a gynaecologist for the past four months. She also alleged that the hospital did not tell her to do the test during their previous visits. The family visited the hospital at 9 am on Monday after Shaikh felt cramps, but the staff did not allow them to enter the hospital without the COVID-19 test report. While Shaikh waited in the car and her family in the hospital, at 3 pm, a doctor at the emergency section agreed to see her and prescribed her a COVID-19 test.

The family then went to Bhabha Hospital to get the test done but the staff there asked her to get admitted, which they did not agree upon. "The cramps have reduced but haven't gone. My due date for delivery is close," Shaikh was quoted as saying by the newspaper. The family then took an appointment at a lab Andheri to take the test on Tuesday.

As the newspaper was not able to contact the authorities at the Holy Family Hospital, a staffer at the gynaecology ward was quoted as saying that pregnant women nearing their delivery due date are asked to get admitted here two days in prior. "We carry out a Covid-19 test and if she comes negative, we go ahead with the delivery. If the woman is positive, we refer her to another hospital. We also ask one attendant accompanying the woman to take the test," the staffer was quoted as saying.

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India post – a subsidiary of the Ministry of Communications – stepped in to help the residents of Madh Island, after a report in mid-day highlighted their plight regarding cash. They had been plagued by dysfunctional ATMs since the national lockdown was announced due to the COVID-19 pandemic. But very few transactions were successful, since most residents didn't have their active mobile numbers linked to their Aadhaar cards — which is a must for availing the service.

After reading mid-day's April 26 report, India Post sent a team of three postmen to the area on Monday, to provide door-to-door cash withdrawal services — at no extra charge — via their mobile phones. Using their government-authorised mobile phones, these postmen helped residents withdraw money from their bank accounts and handed the cash to them—provided their bank accounts and active mobile phone numbers were linked to their Aadhaar accounts. Although a handful of residents were able to carry out successful transactions, a majority of residents could not avail the service since either their active phone numbers were not linked to their Aadhaar cards or their bank accounts.

One postman = 1 micro ATM
Speaking to mid-day, Saranya U, senior superintendent of Post Office of Mumbai North Division (under whose jurisdiction Madh Island falls), said that each of the postmen deployed for this service is equipped with government-approved mobile phones that are pre-loaded with the India Post Payment Bank (IPPB), as well as a biometric scan device that can be connected to the mobile phone. "For us, each postman acts like a micro ATM. Using their mobile phones, each of them could enable people to withdraw up to R50,000 from their bank accounts," she said. This limit was extended from R10,000 to R50,000 in the light of the COVID-19 situation.

She explained that a person had to simply run their biometric fingerprint scan through the device connected to the postman's mobile phone (Aadhaar requires thumbprints to cross-confirm). "If a bank account has been linked to the Aadhaar account, then money can be withdrawn from that account. The person's current active mobile number is also required since an OTP will be sent to it. Another step also includes authenticity confirmation from UIDAI," she said.

If all these criteria are fulfilled, people can withdraw money from the comfort of their homes. "However, we were able to distribute only R11,000 in total because most people either don't have their Aadhaar or active mobile numbers linked to their bank accounts. We carried out a total of 25 transactions, but only 4 of them were successful," said Saranya, adding that India Post's door-to-door cash withdrawal service is more popular in rural areas.

'It was easy'
India Post also reached out to Manisha Suryavanshi, a resident who is disabled with polio in a leg, and was mentioned in the mid-day report. "I was surprised to see them. They ran me through the entire process… and I got the amount instantly in my hands. I also received a debit message on my mobile phone…it was easy and we were not charged for the service," she said.

4
No. of successful transactions

25
No. of total transactions attempted

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With the tourism industry at a complete standstill across the country, a number of domestic animals associated with it have been severely impacted. In the Raigad district of Maharashtra, too, a number of these animals are a common sight, especially at the tourist spots like Matheran, Raigad fort and the beaches. Horses, donkeys, monkeys and stray dogs at all these places have been left without any food to eat. These places, usually frequented by hundreds of tourists every day, have seen barely any visitors over the last month and a half. The tourists would offer food to the animals who are now left to fend for themselves. Even the locals who have pets are finding it tough to manage without much income.

Given the grim situation, the district animal husbandry department along with a few do-gooders have now taken upon themselves to feed the animals and provide them ample drinking water.

Donkeys given dry grass at Raigad Fort

Dr Shubash Mhaske, district deputy commissioner, Animal Husbandry department, informed mid-day that the district, known for its farmhouses, hill stations, forts and beaches, has around 1,200 horses and ponies, of which nearly 460 are reared at Matheran hill station and the rest at the beaches around the districts. With the forest cover in Raigad district, monkeys too are found in large numbers here. "These are often fed by commuters en route to their destinations but that has stopped for over a month now," Mhaske said.

Dr Mandar Patel, Livestock Development Officer, Roha, therefore, visited the ghat areas on Roha-Nagothane road a couple of days ago with his team to feed some monkeys. Similarly, a team even visited Matheran to arrange food and water for the monkeys there.

Animal lovers step up in Pen
Hundreds of stray dogs and 40 cows are also being fed daily by a few animal lovers in and around Pen in Raigad.

"Cimaa Punmiya has come up with an innovative concept of Animal Food bank, where any animal lover can donate food. Kumar Deshpande provides a liquid diet for the strays. The Animal Husbandry department has arranged for medicines," Dr Mhaske said.

Donkeys of Raigadwadi starving
Another animal hit by the lockdown is the donkey. Around 90 donkeys reside around RaigadWadi, foothills of Raigad Fort. Dr Dattatray Sonawale, veterinary assistant commissioner of Animal Husbandry, Mahad Taluka, informed mid-day that the restoration work of Raigad Fort is on for the past couple of years and nearly 250 donkeys were being used to take up repairing material.

"Most of the donkeys had come from nearby areas and only 90 are still at the spot. They are owned by six-seven families who are still staying at the foothills of the fort," said Sonawale. These people along with their donkeys have been having a tough time sustaining due to the lockdown as "the donkeys are not allowed to roam around in the fields making it difficult for them to manage fodder or dry grass," the doctor added.

Prabhakar Sawant, a Raigadwadi resident, said that most of the donkeys are hired by contractors of restoration work.

After the district collector's directives, Sonawale and his team approached a few NGOs requesting them to provide dry grass, rice bran, wheat bran and medicines required for treating some injured donkeys. "Accordingly, potable water of 1,000 liters has been provided at the spot," he said, adding that the effort will continue to provide feed and dry grass to the donkeys till they are "in our jurisdiction and ration kits will be given to their owners."

'Everyone will be taken care of'
Nidhi Choudhari, district collector, told mid-day that the collector's office was doing everything to reach out to migrant workers and underprivileged people by providing ration kits and organising community kitchens with help from NGOs and corporates. "Directions have also been given to the Animal husbandry department to ensure that animals and strays are taken care of. Many animal lovers too have volunteered to help," Choudhari said.

1,200
Approx no. of horses/ponies in Raigad district

460
No. of horses/ponies at Matheran

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A Bandra court on Tuesday granted bail to Vinay Dubey, accused of inciting migrants to assemble outside Bandra railway station on April 14 in violation of lockdown norms. Dubey was granted bail on a cash surety of Rs 15,000 by metropolitan magistrate JY Ghule, his lawyer Deepak Mishra said.

On April 14, the last day of the first phase of the lockdown, several hundred migrants had assembled on the west side of Bandra railway station, demanding trains take them to their native places, just hours after Prime Minister Narendra Modi announced an extension of the lockdown till May 3.

Police claimed Dubey's video and Facebook post incited the migrants, as he was heard stating that the government must run trains by April 18 for migrant labourers, or he would start a rally to get them home.

Dubey was charged under sections 117, 153 A, 188, 269, 270 and 505 (2) of Indian Penal Code on charges of promoting enmity among different groups, abetting the commission of an offence by members of the public, and for negligence that could spread infections, disease etc. He was also charged under the Epidemic Diseases Act.

Advocate blames police
Advocate Mishra claimed the police was wrong in charging Dubey. "Dubey had said in the video that an agitation would start on April 18. However, migrants gathered on April 14 itself. So how can my client be blamed for that?" he said. He also told court that the migrants had been able to gather despite the lockdown because of the failure of the police and state.

Rs 15k
Cash surety against which he was granted bail

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