Having done actioners like "Force", the "Commando" franchise and "Junglee", actor Vidyut Jammwal, who is known for his high-octane stunts on screen, says his next "Khuda Hafiz" is a hardcore romantic film.

"'Khuda Hafiz' is a romantic movie. It's a true story of a man who is madly in love with his wife, and gets married in 2009 during the recession. They go abroad and get a job. (The story is about) how this girl gets picked up and how the guy gets her back. It's a hardcore, true romantic movie with a little action," Vidyut told IANS.

The shooting of the film has taken place in Uzbekistan, Mumbai and Lucknow.

Directed by Faruk Kabir, the romantic-action-thriller co-stars Shivaleeka Oberoi, who recently made her debut in "Yeh Saali Aashiqui", opposite late Amrish Puri's grandson Vardhan Puri.

The film is produced by Kumar Mangat Pathak and Abhishek Pathak and co-produced by Sanjeev Joshi, Aditya Chowksey and Murlidhar Chhatwani. It will be distributed pan-India by Anand Pandit Motion Pictures and Panorama Films.

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Wayne Rooney may be Manchester United and England's record goalscorer but he still believes he should have found the back of the net more often during his career, even though he was not a natural finisher. Rooney, a teenage sensation at Everton, joined United in 2004 and went on to score 253 goals in 559 appearances during a 13-year spell for the Old Trafford club that saw the Red Devils pile up the trophies. Rooney surpassed 1966 World Cup-winner Bobby Charlton as United's all-time leading scorer, just as he did for England with a tally of 53 goals from 120 caps.

Despite those figures Rooney, writing in his Sunday Times column, insisted: "I'm going to be honest -- and this might surprise you -- but I'm not a natural goalscorer." The 34-year-old, now a player-coach at second-tier Derby County, added: "I was never a Gary Lineker or a Ruud van Nistelrooy; I never looked at myself that way. "I hold the goal records for Manchester United and England and am very proud about that -- yet there have been better No 9s than me. "How did I become a record-breaker if I wasn't a natural scorer? Time," Rooney explained. "I played for United for 13 years, England for 15 years. I had time to break those records -- and looking back I should have scored more."

Rooney backed Harry Kane to break his England record, although he would like the Tottenham Hotspur striker "to stay high as that No 9" after seeing him drop deeper in during the past two seasons. "I don't think it will take long for Harry Kane to claim my England record and it would be a proud moment for me," Rooney said. "I've never been a selfish player and it would be great for England for Harry to get there. Bobby Charlton had to wait 50 years (for Rooney to break his England record) -- I hope it's not so long for me. "The United record might last longer simply because players don't stay at clubs as long as they used to. "Mind you, if (Lionel) Messi or (Cristiano) Ronaldo came to Old Trafford for a swansong they'd probably break it in three or four years."

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Anoushka Shankar, who scored the recently restored silent film, Shiraz, recalls the challenge of the task, her upcoming India tour with the film and why Mumbai will always remain special

An emperor's love for his queen was immortalised in white marble in 1653. Three centuries later, when cinema was still at a nascent stage in India, the Taj Mahal and the love story of Shahjahan and Mumtaz Mahal became one of the earliest subjects to be celebrated on the big screen with Franz Osten's silent classic, Shiraz (1928). Almost 90 years on, the film starring Himanshu Rai, Charu Roy, Seeta Devi and Enakshi Rama Rau was restored to its former glory by the British Film Institute (BFI), in a manner most fitting.

The music for Shiraz is a blend of Indian and western instrumentation

While sitar player and composer Anoushka Shankar was invited to score the music of the film, she will also present a live performance, alongside a screening in four Indian cities, being brought here by the British Council and BFI.
We spoke to Shankar about what went into reliving an era musically. Edited excerpts from an interview:

How did a project of this nature come about?
The BFI undertakes frequent film restoration projects, and in 2017, as part of the UK-India Year of Culture, they decided to work on Shiraz. When they asked me to do the score, I was thrilled. I had been wanting to start scoring films for some time. And this seemed like a lovely fit with my musical background and skill set.

Stills from the restored film

How did you approach the music for a silent film?
It's much more challenging to score for a silent film because there's no conversation, and this means it needs constant music. The sheer volume of output required was huge. While we tried to give a feel of the time in which the film is set and the time in which it was made, we also wanted the audience to enjoy a cinematic effect in the music with a rich, modern sound. In some ways, it's been the most creative process that I have been a part of. I found it incredibly fulfilling.

Shiraz: A Romance of India. Pics/British Council and BFI

What does the music sound like?
We are an eight-member orchestra, and it's relatively evenly spaced out for the Indian and western instrumentation. We've used Indian percussion, the bansuri, sitar, cello, piano, violin, clarinet and some elements of live electronic music as well. It's a long film of an hour and 47 minutes, and throughout the duration, I have tried to create variety. For example, the opening piece is purely classical and then, within the course of the first half hour, we move to a different soundscape. When scoring the film, I knew it was going to be a live show as well and I was mindful of making music that people would want to sit and listen to and watch as a show.

How has composing music for Shiraz impacted you as a musician?
Whenever I take up any music project, it involves a mix of something that I have to offer, but also an opportunity where I can learn and grow. With Shiraz, I have grown a lot as a composer. I have learnt how to orchestrate my own music for an ensemble within a western harmony, in a way that allows Indian music to stay. I have also learnt a lot technically.

Around the time Shiraz premiered in London, the Taj was called a blot on Indian culture by an Indian politician...
If you take out the politics and think of it in terms of people, it's like one person putting another person down in order to make himself feel bigger. There is a lack of confidence in that. If someone is a fantastic human being in a way that's different from me, it doesn't make me a bad human being. We are different, but we can both be wonderful. As a culture, we have so much diversity in our history that there is room to celebrate everything.

How do you look at Mumbai as a performance venue?
Mumbai is a place that I have been coming to since I was a child. As a classical musician, it's such an important city. I have had years of memorable concert experiences here with my father initially, and with my own work in more recent years. I am always happy to play for Mumbai. It's a kind of place where you get a cosmopolitan audience that listens to diverse types of music.

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It was on this day in 1997, that the former Sri Lanka batsman Aravinda de Silva became the first player in the history of cricket to score two unbeaten centuries in the same Test.

The right-handed batsman achieved the feat against Pakistan in Colombo. Opting to bat first, de Silva came into bat with Sri Lanka 124/2.

De Silva played a knock of 138 runs in the first innings from 208 balls. His innings was studded with 19 fours and this knock took Sri Lanka's total to 331.

Pakistan was bundled out for 292 in the first innings and this gave hosts Sri Lanka a lead of 39 runs.

In the second innings, de Silva played an unbeaten knock of 103 runs off just 99 balls and this helped Sri Lanka to declare their second innings at 386/4, setting Pakistan a target of 426 runs.

Pakistan managed to hang on in the second innings and the side registered 285/5 and as a result, the match ended in a draw.

De Silva played 93 Tests and 308 ODIs for Sri Lanka. He was also a part of the 1996 World Cup-winning squad.

He registered 6,361 runs in the longest format at an average of 42.97.

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Help continues to flow for virtually out-of-work cricket groundsmen in the city knocked down by the Coronavirus-caused lockdown.

Former Mumbai left-arm spinner and current Mumbai under-19 coach Rajesh Pawar, a product of maidan cricket, was at Shivaji Park on Thursday, distributing grocery packets to 16 groundsmen. "I spoke to a few of them over the phone, learnt about their situation and decided to do something about it. It's a small help from my side," Pawar told mid-day.

"I got a lot of calls after my friend Mandar Phadke [ex-Mumbai batsman] posted a picture of me distributing the packets on social media. Some said they are willing to help and I think we should all come forward to help the groundsmen and needy persons in this crisis," remarked Pawar. Each groundsman got four kilos of rice, a kilo of tur dal, two kilos of sugar, one litre of cooking oil and 250 gms of tea powder.

Mumbai Cricket Association (MCA) Apex Council member Nadim Memon also distributed groceries to groundsmen at Dadkar Maidan in Matunga, Azad Maidan, Cross Maidan and Oval Maidan. He also provided them financial assistance. Memon handed out cooking oil, wheat and other essentials that will last the groundsmen a month.

Meanwhile, a group of match officials headed by former Mumbai Cricket Association (MCA) managing committee member and BCCI umpire, Ganesh Iyer, who has been providing financial assistance to umpires and scorers ever since the lockdown began, helped a further 32 officials with Rs 1,500 each. Last month, 62 needy individuals (47 umpires and 15 scorers) were given Rs 3,000 each. Financial help in two more installments were granted to needy umpires and scorers apart from groceries. According to Iyer, the total expenditure towards this cause is around R4,78,000. "We thank all our contributors. Without their benevolence and support, we could not have done our bit," said Iyer.

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Australia's Federal Court issued a decision in favor of mining company Glencore on September 3, 2019. The case centered on whether dealings between Swiss parent Glencore International AG and an Australian subsidiary breached transfer pricing rules in relation to the sale and purchase of copper concentrate in the 2007-09 years.

Genetic-based epilepsy risk scores could lay the foundation for a more individualized method of epilepsy diagnosis and treatment. This test was developed

Motor control could be a biomarker that can be targeted by the mindful movement, such as Tai-Chi based training intervention to improve behavior in kids

This note presents selected country highlights from the OECD Science, Technology and Industry Scoreboard 2017 with a specific focus on digital trends among all themes covered.

This note presents selected country highlights from the OECD Science, Technology and Industry Scoreboard 2017 with a specific focus on digital trends among all themes covered.

This note presents selected country highlights from the OECD Science, Technology and Industry Scoreboard 2017 with a specific focus on digital trends among all themes covered.