Noemie Liesch and Friedrich Ladich

In vocal fish species, males possess larger sound-generating organs and signal acoustically with pronounced sex-specific differences. Sound production is known in two out of three species of croaking gouramis (Trichopsis vittata and T. schalleri). The present study investigates sex-specific differences in sonic organs, vocalizing behaviour and sounds emitted in the third species, the pygmy gourami T. pumila, in order to test the hypothesis that females are able to vocalize despite their less-developed sonic organs, and despite contradictory reports. Croaking gouramis stretch and pluck two enhanced (sonic) pectoral fin tendons during alternate fin beating, resulting in a series of double-pulsed bursts termed croaking sound. We measured the diameter of the first and second sonic tendon and showed that male tendons were twice as large as in same-sized females. We also determined the duration of dyadic contests, visual displays, number of sounds and buttings. Sexes differ in all sound characteristics but in no behavioural variable. Male sounds consisted of twice as many bursts, a higher percentage of double-pulsed bursts and a higher burst period. Additionally, male sounds had a lower dominant frequency and a higher sound level. In summary, female pygmy gouramis possessed sonic organs and vocalized in most dyadic contests. The sexual dimorphism in sonic tendons is clearly reflected in sex-specific differences in sound characteristics, but not in agonistic behaviour, supporting the hypothesis that females are vocal.

Vocal fold paralysis (VFP) is an important cause of respiratory and feeding compromise in infants. The causes of neonatal VFP are varied and include central nervous system disorders, birth-related trauma, mediastinal masses, iatrogenic injuries, and idiopathic cases. Bilateral VFP often presents with stridor or respiratory distress and can require rapid intervention to stabilize an adequate airway. Unilateral VFP presents more subtly with a weak cry, swallowing dysfunction, and less frequently respiratory distress. The etiology and type of VFP is important for management. Evaluation involves direct visualization of the vocal folds, with additional imaging and testing in select cases. Swallowing dysfunction, also known as dysphagia, is very common in infants with VFP. A clinical assessment of swallowing function is necessary in all cases of VFP, with some patients also requiring an instrumental swallow assessment. Modification of feeding techniques and enteral access for feedings may be necessary. Airway management can vary from close monitoring to noninvasive ventilation, tracheostomy, and laryngeal surgery. Long-term follow-up with otolaryngology and speech-language pathology service is necessary for all children with VFP to ensure adequate breathing, swallowing, and phonation. The short- and long-term health and quality-of-life consequences of VFP can be substantial, especially if not managed early.

Taraji P. Henson, Jonathan Van Ness, Selma Blair, Justin Bieber and more have embraced ongoing health issues, encouraging fans to do the same.

Azaria shared the realisation with comedian and former The Simpsons writer Conan O'Brien.

Using a dedicated vocal mic goes a long way when recording at home.

When disciples of the late Odissi exponent Kelucharan Mohapatra speak of him, they never fail to quote a life lesson he imparted to them. "Practising hard makes you a good dancer. But the day you embrace humility is when you become an artiste," he would say. More than 1,200 km to the south, Chennai-based Aruna Sairam practises a different classical art form, but what ties the Padma Shri awardee to Carnatic music is the same bond of humility.

Born in Mumbai, she was introduced to the music tradition by her mother. Six decades and several accolades later — she received the Sangeetha Kalanidhi award by the Madras Music Academy in January — she remains open to new experiences to keep her music evolving. Back in the city for a concert this evening, caught up with the vocalist.
Edited excerpts from the interview.

How did your years in Mumbai shape you as an artiste?
I was brought up in Dadar Parsi Colony and went to the JB Vachha school. So, I lived in two happy worlds. One at home, where we spoke Tamil and my mother taught me Carnatic music. And one outside, where I enrolled for western music in school, took up Gujarati as a second language, and learnt Hindi and Marathi on the streets. We moved to Chennai in 2000 because that's the headquarters of the style of music I practise, but the cosmopolitan Bombay is what I am.

The first half of my concerts is dedicated to pure Carnatic music — something I learnt from my guru, Smt T Brinda. But I also sing abhangs in a Carnatic rendition. There are songs of Ganpati Visarjan, the hymn Vaishnav Jana To in folk Gujarati... in the last part.

You've also trained under international voice masters.
Since my school days, I had been introduced to the idea that in the West, they have techniques to hone your voice. So, when I felt I was finding it difficult to fully convey my emotions in my voice, I decided to train under them.

You have been performing since you were eight. What keeps you going?
I was in Jerusalem for a concert recently. I took the help of a professor there to learn a Hebrew song. When I sang it, people got emotional because they felt someone had taken the trouble to learn an important part of their culture. This sense of newness keeps me going.

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In a first of its kind international venture, youth icons Ananya Panday and international songwriter and guitarist from The Vamps band - James McVey - are all set to come together on the former’s ‘So Positive’ platform to raise awareness about social media bullying. The live session will be hosted on 8th May 2020 at 7 pm.

James McVey, the lead guitarist, and songwriter of the internationally renowned British band The Vamps, is known globally for spreading social media positivity. The coming together of the two, Panday and McVey, marks a collaboration that goes beyond the confines of language and geography to attain more awareness on the issue. The statistics are proof of how teenagers and children are the most affected in this digital era. The number of platforms accessible to the population across the world are increasing with every passing day. This collaboration would be extremely insightful in terms of shedding light on this issue and help individuals dealing with social media bullying.

Sharing his experience James McVey said, “During this difficult time we find ourselves using social media more than ever. When I was at the receiving end of bullying I felt isolated and alone. Regardless of where you live or your background, it’s important to remember that you are never alone. Millions of others are going through the same traumatic experience and I believe together we further the conversation and join the fight to end bullying. I’m looking forward to speaking with Ananya on ‘So Positive’ to learn more about her experiences.”

Ananya Panday shares, "Social media bullying is an evil that people face every day on the numerous platforms that they use in their daily lives. I’m glad that James McVey and I will be fighting this evil together in our own small way. The world is going through a difficult time, currently and it is even more important than ever to be kind to everyone around and spread positivity. So Positive has been creating awareness through different ways and our aim continues to be to negate the spread of social media bullying by spreading positivity all across. I’m really looking forward to this insightful exchange with James”.

So Positive is a cause taken up by Ananya which is backed with substantial data, research, and behavioural statistics. The initiative aims at creating and spreading awareness about social media bullying. Its prime focus is to make people aware of the fact that this issue exists and stays very prevalent in society. Also, the steps that can be taken by the recipients of this destructive criticism in order to deal with this.

ALSO READ: Ananya Panday says Vijay Deverakonda is humble and grounded despite being a huge star

She's known for being an incredible actress. Yet Jacqueline Jossa revealed she has a hidden second skill as she showcased her vocal abilities on Monday.

The actor, 56, looked every inch the rock star as he performed a charity gig with his bandmates in Anaheim, California, on Sunday night.

Ariana Grande appears to have provided vocals on her ex-boyfriend Mac Miller's posthumous album Circles.

Stephen Rezza, boyfriend of fallen Voice star Christina Grimmie, dropped his new song Hard Mode on Friday which features vocals from his beloved Christina.

The superstar, 61, put on typically raunchy display as she fondled her assets, joking: 'Believe it or not it helps my vocal chords.'

At the end of his appeal hearing judges said their decision would 'take some time' – but they appeared to rule out a retrial. His wife Claire left the Royal Courts of Justice to huge cheers from supporters.

The Grammy-winning artist, 26, would have sang his hit Dancing With a Stranger (with Normani) at the event, which will be held MGM Grand Garden Arena.

The TOWIE star, 38, has been getting singing lessons whenever she can fit them in, including in her car, ahead of releasing the 'summer banger' next year, after working with the Beyoncé super-producer.

Chorus song of the indri (Indri indri: Primates, Lemuridae): Group differences and analysis of within-group vocal interactions Baker-Medard, Merrill S. A.; Baker, Myron C.; Logue, David M. The loud chorus songs of the group-living lemur Indri indri are a striking feature of rainforest areas of eastern Madagascar. Despite some research on the conspicuous vocal display of the indri, two hypotheses have not been addressed: do groups differ in the acoustic properties of their songs, and is there evidence of coordinated singing between individuals within groups. We recorded and analyzed the songs of three indri groups to examine these two questions. To answer the first question, we made quantitative spectral measures on songs of the three groups and performed multivariate analyses of the acoustic features of the notes constituting the songs. Our results showed songs of the three groups differed significantly, although there was overlap between groups. To answer the second question, we classified note types and quantified their occurrence as overlapping and abutting pairs. We found non-random associations between sequential note types in all three indri groups. These associations were consistent among groups, suggesting that individuals follow consistent answering rules when contributing to choruses. Whether indris use acoustic group identifiers in management of behavioral strategies and how within-group coordinated note production might function remain unknown. We compare our results to a number of taxonomically diverse species that live in groups and broadcast chorus and duet vocal signals. Open access article. Creative Commons Attribution 4.0 International License (CC BY 4.0) applies.

MEDIA PhonCD M1988 voc

MEDIA PhonCD J685 pre

Autor: Bordogni, Marco, 1789-1856
Erschienen 1848
BSB-Signatur 4 Mus.pr. 2012.4811#Beibd.1

URN: urn:nbn:de:bvb:12-bsb11144149-7
URL: http://reader.digitale-sammlungen.de/de/fs1/object/display/bsb11144149_00001.html/

STACK SCORE Mu pts W6745 hid

STACK SCORE M1507.G74 2017

Online Resource

Asif Ghazanfar discusses how marmoset parents influence their babies' vocal development and Hanae Armitage talks with Sarah Crespi about the influence of livestock on biodiversity hotspots, trusting internet search results, and ant-like robots. Hosted by Susanne Bard. [Img: Carmem A. Busko, CC BY-2.5]

Jennifer Long explains how scientists have engineered human vocal cords; Catherine Matacic talks about vanquishing a deadly amphibian fungus, pigeons that spot cancer, and more. Hosted by Susanne Bard. [Img: Jaime Bosch MNCN-CSIC]

Interview with Alexia Mattei, MD, author of Feasibility of First Injection of Autologous Adipose Tissue–Derived Stromal Vascular Fraction in Human Scarred Vocal Folds: A Nonrandomized Controlled Trial

Lewis Library - ML3917.U6 E35 2019