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SKORYK, M.: Violin Concertos (Complete), Vol. 1 - Nos. 1-4 (Bielow, Ukraine National Symphony, Sirenko) (8.574088)

Myroslav Skoryk, a postgraduate student of Dmitry Kabalevsky, is one of Ukraine’s leading composers and teachers. His works range from opera and ballet, a symphonic transcription of Paganini’s 24 Caprices, and his cycle of nine Violin Concertos written over a 45-year span. They draw on elements of Carpathian folklore and are saturated in expressive dialogues, lyricism and elegy while also exuding powerful intensity. Skoryk’s sensual writing is frequently contrasted with syncopated motifs, cadenzas, fugal episodes and march rhythms. This is the first of two volumes.




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SKALKOTTAS, N.: Sinfonietta / Classical Symphony / 4 Images / Ancient Greek March (The Neoclassical Skalkottas) (Athens State Orchestra, Tsialis) (8.574154)

Despite his tragically short life, Nikos Skalkottas has now become recognised as one of the most important Greek composers of the 20th century. The modernist style of his earlier period is balanced by the four important mature neoclassical works presented here. Both the Sinfonietta and the Classical Symphony are expressions of the deep regard Skalkottas had for traditional forms blended with his unique musical language. Skalkottas was a violinist with the Athens State Orchestra, who are honouring his memory with this and future recordings of his works.




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MALIPIERO, G.F.: Symphony No. 6 / Ritrovari / Serenata mattutina / 5 Studi (Orchestra della Svizzera Italiana, Iorio) (8.574173)

The unconventional structure of Gian Francesco Malipiero’s music takes us on a journey through unexpected, sometimes incredibly beautiful vistas. The Sixth Symphony is a rich and songful celebration of string sonorities and moods, while the heroic Ritrovari and evocative Serenata mattutina display Malipiero’s expertise in writing for unusual chamber ensembles. The Cinque studi, heard here in their premiere recording, demonstrate an astonishing range of contrasting moods—a kaleidoscopic sonic tour with no more than a small orchestra, which juxtaposes orchestral strings with a wind group of a single flute, oboe, clarinet and bassoon and two horns, and a percussion group of cymbal, bass drum, tambourine, celesta and piano.




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FARRENC, L.: Symphony No. 1 / Overtures Nos. 1-2 / Grand Variations on a theme by Count Gallenberg (J. Muller, Solistes Européens, Luxembourg, König) (8.574094)

Louise Farrenc was renowned in her lifetime as a pianist, composer and teacher, but it is only recently that her compositions have emerged from many years of neglect. Symphony No. 1 in C minor—cast in the German tradition—is an exceptionally accomplished work, finely orchestrated, lyrical and fiery, and a substantial contribution to the canon. The Grand Variations on a Theme by Count Gallenberg is a showcase for virtuosic elegance, and the two overtures demonstrate real theatrical drama—Overture No. 2 was admired by no less a figure than Hector Berlioz.




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ZÁDOR, E.: Sinfonia Technica / Music for Clarinet and Strings / Trombone Concerto (Sólyomi, Fejér, Budapest Symphony Orchestra MÁV, Smolij) (8.574108)

The music of Eugene Zádor is both warmly expressive and colourful. The composer took great delight in writing for overlooked solo instruments, as his Trombone Concerto, garnished with elements of Hungarian folklore, clearly shows. The easy-going, gypsy-influenced Music for Clarinet and Strings is a beautifully proportioned quasi-concerto. The Sinfonia Technica, composed much earlier when he was living in Vienna, and something of a one-off, is an enchanting and exuberantly orchestrated example of ‘industrial music’.




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WEINBERG, M.: Clarinet Music - Clarinet Concerto / Clarinet Sonata / Chamber Symphony No. 4 (Oberaigner, Schöch, Michail Jurowski) (8.574192)

Mieczysław Weinberg was familiar with the clarinet from his youth, given its prominent place in klezmer bands and theatre ensembles, and he wrote three works specifically for the instrument. In the Clarinet Concerto he draws a wide range of textures from the accompanying strings, over which the soloist explores the clarinet’s extremes of register in virtuosic fashion. Despite having been written when Weinberg was still in his mid-twenties, the Clarinet Sonata is a mature work with Romantic and folkloric elements. His last completed work was the Chamber Symphony No. 4, an impassioned piece with a wrenching chorale theme and role for obbligato clarinet.




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GOULD, M.: Symphonettes Nos. 2-4 / Spirituals for Orchestra (Vienna Radio Symphony, Fagen) (8.559869)

Morton Gould was an American musical phenomenon, equally at home in classical, crossover and film genres, and the recipient of both GRAMMY and Pulitzer awards during his long and distinguished career. The Symphonettes represent Gould’s best crossover work—the Symphonette No. 4 deriving its character from Latin-American dance forms to make it one of his most popular compositions. The first movement of Symphonette No. 3 has been described as “a collection of dance band licks, full of bent notes and syncopations” and the central Pavanne of Symphonette No. 2 with its bluesy trumpet motif is one of Gould’s biggest hits. Spirituals for Orchestra utilizes the strings as a choir, with antiphonal responses in the rest of the orchestra.




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SUK, J.: Asrael (Bavarian Radio Symphony, Hruša) (900188)

Review by Richard Whitehouse
Gramophone, May 2020




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NIELSEN, C.: Flute Concerto / IBERT, J.: Flute Concerto / ARNOLD, M.: Flute Concerto No. 1 (Andrada, Frankfurt Radio Symphony, J. Martín) (ODE1340-2)

Review by Christian Hoskins
Gramophone, May 2020




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LUTOSLAWSKI, W.: Symphonies Nos. 2 and 3 (Finnish Radio Symphony, Lintu) (ODE1332-5)


Review by Freya Parr
BBC Music Magazine, May 2020




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KÕRVITS, T.: Hymns to the Nordic Lights / Silent Songs / Élégies of Thule (Vind, Estonian National Symphony, Joost) (ODE1349-2)

Review by Ivan Moody
Gramophone, May 2020




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SHOSTAKOVICH, D.: Violin Concerto No. 1 / TCHAIKOVSKY, P.I.: Symphony No. 5 (Skride, Leipzig Gewandhaus Orchestra, A. Nelsons) (NTSC) (ACC-20478)




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SHOSTAKOVICH, D.: Violin Concerto No. 1 / TCHAIKOVSKY, P.I.: Symphony No. 5 (Skride, Leipzig Gewandhaus Orchestra, A. Nelsons) (Blu-ray, Full-HD) (ACC-10478)




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MAHLER, G.: Symphony No. 5 / TCHAIKOVSKY, P.I.: Piano Concerto No. 1 (Live aus der Elbphilharmonie) (SoRyang, Yutaka Sado) (NTSC) (Gramola20004)




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Orchestral Music - TCHAIKOVSKY, P.I. / STRAUSS, R. / STRAVINSKY, I. / SHOSTAKOVICH, D. (City of Birmingham Symphony, Nelsons) (9-CD Box Set) (C987199)




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SAINT-SAËNS, C.: Ascanio: Ballet / Overtures to Stage Works (Malmö Symphony, Märkl) (8.574033)

Saint-Saëns’ operatic works contain instrumental music of vivacity and charm but have been undeservedly overlooked. Ascanio contains a substantial and elaborate divertissement that fellow composer Reynaldo Hahn termed ‘the entire Renaissance in a few pages’. Les Barbares, a tale of conquest and revenge, includes a vivid Prologue and joyful ballet, while La Princesse jaune with its pentatonic writing, and La Jota aragonese laced with Spanish vitality, show the composer at his most generously carefree.




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WEBER, C.M. von: Peter Schmoll und seine Nachbarn [Opera] (Edelmann, Grümbel, Revolskaya, Vienna Radio Symphony, Paternostro) (C5376)




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EISLER, H.: Leipzig Symphony / Funeral Pieces / Nuit et brouillard (Leipzig MDR Symphony, Berlin Chamber Symphony, Bruns) (C5368)




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DOHNÁNYI, E.: Symphony No. 1 / Symphonic Minutes (Rheinland-Pfalz State Philharmonic, Paternostro) (C5386)




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ZEMLINSKY, A. von: Traumgörge (Der) [Opera] (Protschka, P. Coburn, J. Martin, H. Welker, Frankfurt Radio Symphony, G. Albrecht) (C5395)




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BUSONI, F.: Turandot / Arlecchino oder Die Fenster [Operas] (Pape, Plech, Wörle, S. Lorenz, Berlin Radio Symphony, G. Albrecht) (C5398)




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DOHNÁNYI, E.: Schleier der Pierrette (Der) (The Veil of Pierrette) [Pantomime] (Vienna Radio Symphony, Matiakh) (C5388)




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BERNSTEIN, L.: Mass (Dyk, Vienna State Opera Children's Choir, Company of Music, Wiener Singakademie, Vienna Radio Symphony, D.R. Davies) (C5370)




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ZEMLINSKY, A.: Sinfonietta / 6 Gesänge / Der König Kandaules (excerpts) (P. Lang, S. Lorenz, Vienna Radio Symphony, G. Albrecht, Mälkki) (C5377)




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PENDERECKI, K.: Symphony No. 6, `Chinesische Lieder` / Clarinet Concerto (Genz, Wojciechowski, Polish Chamber Philharmonic, Rajski) (CDAccordACD270)




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KOCH, J.: Concertos (Dreamscapes) (Fukačová, Tichindeleanu, Kruse, Odense Symphony, J. Brown) (6.220579)




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MADSEN, A.G.: Nachtmusik / GUDMUNDSEN-HOLMGREEN, P.: For Violin and Orchestra (Duo Åstrand/Salo, Danish National Symphony, Bancroft, Collon) (8.226138)




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Concertos - KUHLAU, F. / BARTH, C.F. / GADE, N.W. (Concertos from 19th-Century Denmark) (O. Nordahl, Aarhus Symphony, Thorel) (6.220664)




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MOÓR, E.: Concerto for 2 Cellos / Suite for 4 Cellos / Cello Sonata (S. Hess, D. Stromberg, Nuremberg Symphony, Piehlmayer) (OC1704)




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GAVRILIN, V.A.: Russian Notebook (The) / Anyuta (excerpts) (Shkirtil, St. Petersburg Philharmonic Symphony, Serov) (8.573883)

Valery Gavrilin was one of the most colourful and significant Russian composers of the second half of the 20th century. He was only 25 when he composed The Russian Notebook, a ‘poem of love and death’ crafted in a new musical language that doesn’t employ folk melodies but does use folkloric texts, and with a virtuosic vocal part. These stylised tunes are combined with rich melodies to form a haunting cycle heard here in a 2018 orchestration. The ten numbers from the ballet Anyuta are lively, melodious and touchingly beautiful.




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ČIURLIONIS, M.K.: Sea (The) / In the Forest / Kęstutis Overture (Lithuanian National Symphony, Pitrėnas) (ODE1344-2)




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BRUCKNER, A.: Symphony No. 4, `Romantic` (1886 version, ed. L. Nowak) (Bavarian Radio Symphony, M. Jansons) (900187)




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BEETHOVEN, L. van: Symphonies (Complete) (Stuttgart Radio Symphony, Norrington) (SWR19525CD)




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SKORYK, M.: Violin Concertos (Complete), Vol. 2 - Nos. 5-9 (Bielow, Ukraine National Symphony, Sirenko) (8.574089)

Myroslav Skoryk is one of Ukraine’s leading composers and teachers, with a portfolio of works that include opera, a symphonic transcription of Paganini’s Caprices, and a cycle of nine violin concertos written over a 45-year span (Volume 1 is on 8.574088). Concerto No. 5 utilises jazz elements and a vivid fugato, while Concerto No. 6 explores the use of sensual moods and provocative dance rhythms. Syncopation and lyricism suffuse Concerto No. 7, while No. 9 is both touching and dramatic. Concerto No. 8 offers a representation of events in Chopin’s life through quotations, in combination with Skoryk’s own distinctive musical voice.




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SIERRA, R.: Cantares / Loíza / Triple Concierto (Trío Arbós, Cornell University Chorus and Glee Club, Xalapa Symphony, Marcelletti) (8.559876)

Roberto Sierra’s refined compositional voice is subtly combined with contemporary musical techniques and his Puerto Rican heritage in the three works recorded here. Cantares, commissioned by the Cornell University Chorus and Glee Club to celebrate the university’s sesquicentennial anniversary, evokes ancient Peruvian, Aztec and Afro Caribbean voices lost in time. The virtuoso Triple Concierto transforms the popular Caribbean rhythms of salsa, bolero and merengue into complex contemporary expressions, while the polyrhythmic layers of Loíza conjure a Puerto Rican town known for its strong African traditions.




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Opéra-Comique Overtures - BOIELDIEU, F.-A. / DELIBES, L. / GOUNOD, C.-F. / HALÉVY, F. / HÉROLD, F. / LECOCQ, C. (Vienna Radio Symphony, M. Halász) (8.574122)

Opéra-comique emerged in the 19th century as an intermediary between grand opera and burlesque operetta. This album charts its progression as a distinct genre, tracing the origins from Boieldieu and Méhul early in the century via the classic vitality of masters such as Hérold and Maillart into the operetta style of Offenbach and Lecocq. With innovative features, colourful orchestration, drama, wit and atmospheric writing, the operas proved very popular and these overtures encapsulate their immense vivacity and charm.




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LINDBERG, M.: Accused / Two Episodes (A. Komsi, Finnish Radio Symphony, Lintu) (ODE1345-2)




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GROVEN, E.: Symphonies Nos. 1 and 2 (Kristiansand Symphony, Szilvay) (8.573871)

Many interwar Norwegian composers tried to create a new national music by combining elements of authentic folk music with new techniques. Eivind Groven was considered one of the most innovative composers in this quest, integrating the structure of folk dances from his rural upbringing into familiar formal principles. Both symphonies make use of techniques of so-called ‘progressive transformation’, which led fellow composer Arne Nordheim to declare: ‘While others made instrumentations of folk tunes, Groven created sounds, for example in his [two] symphonies which, in my opinion, are quite unique.’




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BEETHOVEN, L. van: Symphonies / Concertos / Overtures (Cologne Radio Symphony, South West German Radio Symphony, Baden-Baden, Rosbaud) (SWR19089CD)




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Ernest Bloch - Voice in the Wilderness, Schelomo, From Jewish Life; Kol Nidrei (cello: Natalie Clein; BBC Scottish Symphony Orchestra; conductor: Ilan Volkov)

A lovely piece of programming, tenderly performed.




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Josef Suk - Prague / A Summer’s Tale (BBC Symphony Orchestra; conductor: Jiří Bělohlávek)

Bělohlávek and the BBC SO make a powerful case for this intense work.




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IBM Symphony No. 1. Be free. Work smart. Create accessible documents.

Learn how to create accessible documents with IBM Symphony.




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Indianapolis Symphony cancels Symphony on the Prairie and all summer concerts

Symphony on the Prairie has been canceled, along with other popular concerts this summer. Here's when the Indianapolis Symphony Orchestra will be back

       




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An unfinished symphony

Believers begin a conversation with a local religious leader about Jesus.




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Introducing Harman Kardon Suites: A Symphony for the Senses

Continuing HARMAN’s promise to immerse and engage consumers, and to provide our automotive  partners with unforgettable audio experiences for their vehicle brands, HARMAN recently presented its first-ever Harman Kardon Suites event, a multi-sensory brand...




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Markazi: ESPN's 'The Last Dance' was an unfinished symphony until just recently

When producers of "The Last Dance" announced a new date for the series to debut, they had finished only three of the 10 episodes. The final episode still is not complete.




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Justice Department Files Lawsuit Against Symphony Diagnostic Services Inc., to Enforce the Employment Rights of N.Y. Army National Guardsman

The Department today filed a lawsuit in U.S. District Court in Philadelphia on behalf of Frantz Julien, a New York Army National Guard member, against the Symphony Diagnostic Services Inc., doing business as MobilexUSA (Mobilex), alleging violations of the Uniformed Services Employment and Reemployment Rights Act of 1994 (USERRA).



  • OPA Press Releases

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Bely’s Second Symphony.

I’ve long been intrigued by Andrei Bely’s first published prose works, his set of four “symphonies,” and since everyone seems to agree that the first to be published, Симфония (2-я, драматическая) [Symphony: Second, Dramatic], is without question the best of them and perhaps the only one really worth spending time on, I bought a copy […]




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Shostakovich: Symphony No 11 review: It's brilliantly orchestrated here by the BBC Philharmonic

Shostakovich's 11th Symphony here receives a performance of exceptional eloquence from the Manchester-based BBC Philharmonic under their chief guest conductor, the Finn John Storgårds.




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Shostakovich: Symphony No 11 review: It's brilliantly orchestrated here by the BBC Philharmonic

Shostakovich's 11th Symphony here receives a performance of exceptional eloquence from the Manchester-based BBC Philharmonic under their chief guest conductor, the Finn John Storgårds.