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The Met presents the first major exhibition in the US focusing on early Sienese painting

The Met presents the first major exhibition in the US focusing on early Sienese painting...




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Beautiful Works of Art - Student Art Exhibition (November 13, 2024 11:00am)

Event Begins: Wednesday, November 13, 2024 11:00am
Location: Palmer Commons
Organized By: Palmer Commons


Join us in our 4th floor Atrium to view our next student art exhibition, Beautiful Works of Art. This exhibition showcases favorite pieces of art from 5 undergraduate students from the Stamps School of Art & Design. Each artist brings her unique style to the exhibit with works spanning painting, illustration and multimedia.

The exhibition will be on display from October 31 - November 27.

Artists include Cate Bennett, Georgia Gutkin, Chloe Kreindler, Meggie Kennedy & Brianna Sorkin




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GalleryDAAS Exhibition: "Hip Hop @ 50" (November 13, 2024 10:00am)

Event Begins: Wednesday, November 13, 2024 10:00am
Location: Haven Hall
Organized By: Department of Afroamerican and African Studies


It's back! Brought to you by the Department of Afroamerican and African Studies (DAAS), GalleryDAAS celebrates the 50th anniversary of hip hop with “Hip Hop @ 50,” an exhibition highlighting this constantly evolving phenomenon. Explore various aspects of hip hop culture, including definitions, dates, divas, the Detroit scene, and a special tribute to J Dilla (James Dewitt Yancey), a prolific producer. Through examining the five pillars of hip hop — rapping, break dancing, DJing, graffiti and historical knowledge — it becomes evident that what began as a musical genre has impacted society, fashion, language, entertainment and even politics. Visitors will also be treated to a GREAT playlist! The gallery is open Monday–Friday from 10 a.m. to 4 p.m.




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Susan Moran Exhibition (November 13, 2024 9:00am)

Event Begins: Wednesday, November 13, 2024 9:00am
Location: North Campus Research Complex Building 18
Organized By: North Campus Research Complex NCRC Art Program


Susan Moran’s work is inspired by the natural world and our place in it. She collects and arranges images, builds and subtracts, and uses processes that suit the concepts and gives the pieces a reason for existing as textiles. Simultaneously she strives to make the medium influence the outcome in such a way that cloth and image meld together. Moran uses silkscreen, shibori, and stitching to embed images from her daily walks into the fabric. it's important that the work builds slowly, involving meditative processes that connect her to the cloth and the source of the design.

Gallery hours: Monday-Friday, 9 am to 5pm or by appointment serrag@med.umich.edu




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Steve Glazer Art Exhibition (November 13, 2024 9:00am)

Event Begins: Wednesday, November 13, 2024 9:00am
Location: North Campus Research Complex Building 18
Organized By: North Campus Research Complex NCRC Art Program


Steve Glazer earned his BFA in art with a concentration in ceramics from Eastern Michigan University, a master’s degree in art from Central Michigan University, and MFA in fine arts and ceramics from Indiana State University. Since 2004, Glazer has been lead faculty and head of ceramics at Henry Ford College, and former faculty of Concord College (WV) and North Dakota State University. His artwork has been exhibited throughout the country.

Throughout his adult life the art of Steve Glazer has been done as a response to his environment. From a series of shadow box type pieces containing life like ceramic fish while teaching at a Catholic woman’s college, to building 8’ tall ceramic “skyscrapers” that barely fit into the display spaces while teaching in North Dakota, where no skyscrapers exist, and then creating installations commenting on living in Appalachia while teaching in southern West Virginia. After returning home to Detroit, Glazer began his griot series, the “Motor City Griot Society” masks, the faces of the superheroes that will save Detroit, and more recently the “Motor City Griot Patrol” creatures that will protect the city of Detroit.




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Anne Vetter "Love Is Not The Last Room" Art Exhibition (November 13, 2024 9:00am)

Event Begins: Wednesday, November 13, 2024 9:00am
Location: Lane Hall
Organized By: Judaic Studies


In Fall 2024, the Lane Hall exhibit space will feature works by two exciting visual artists: Rafael Neis and Anne Vetter.

Vetter’s photography exhibition, “Love is Not the Last Room” is made in collaboration with the artist’s family—their parents, their brothers, and their partner. It is an examination of play and leisure, tension and freedom. Through photographs, Vetter processes how they learned to relate in their most intimate connections, and how they relate now. This project explores queer familial relationships, and uses Vetter’s own gender fluidity as a lens to examine the gendered experiences of their family members.

Neis and Vetter’s exhibits will be on view from September 3 - December 6, 2024. A reception with the artists is planned for September 17 from 5-6:30 PM in the exhibit space.
The fall exhibits are presented with support from the Department of Women's & Gender Studies, the Frankel Center for Judaic Studies, the Frankel Institute for Advanced Judaic Studies, and the CEW+ Frances and Sydney Lewis Visiting Leaders Fund.

Located on the first floor of Lane Hall (204 S. State Street), the Exhibit Space is free and open to the public, M-F, 9am-4pm




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"KIN: Us and Our Kinds" Art Exhibition (November 13, 2024 9:00am)

Event Begins: Wednesday, November 13, 2024 9:00am
Location: Lane Hall
Organized By: Judaic Studies


KIN assembles the queer beings who dwell beyond the confines of binary gender and species categories. It highlights communities whose members and affiliations strain normative arrangements of “nature” and “culture.” KIN transmutes these categories by its joinings of oddbods and oddkin. It envisions worlds in which creatures form kinship beyond the monogamous, cisheterosexual, human family unit.

Transversing painting, drawing, comics, and installation, KIN’s menagerie of media, draws on ancient Jewish sources, demi-fictional autobiography, deviant zoology, and a love for the materiality of mark-making itself. Process, rather than product; becoming, rather than stasis; collaboration rather than closure: this is KIN’s hope.




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WCEE Exhibition. Verses from a Nation in Transition. Ukraine in Photographs by Joseph Sywenkyj (November 13, 2024 8:00am)

Event Begins: Wednesday, November 13, 2024 8:00am
Location: Weiser Hall
Organized By: Weiser Center for Europe and Eurasia


Joseph Sywenkyj is the 2024-25 Weiser Center for Europe and Eurasia’s Distinguished Fellow, and a Knight-Wallace Fellow at the University of Michigan. An award-winning American photographer of Ukrainian descent, Sywenkyj has lived and worked in Ukraine for the last two decades. He has worked throughout Europe and Central Asia for numerous publications and is a frequent contributor to *The Wall Street Journal*. His photographs have been exhibited in galleries and museums, including the United Nations Visitor’s Lobby in New York and the Taras Shevchenko National Museum in Kyiv.

If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.




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WCEE Exhibition. Threads of Tradition: The Art of Ukrainian Vyshyvanka (November 13, 2024 8:00am)

Event Begins: Wednesday, November 13, 2024 8:00am
Location: Weiser Hall
Organized By: Weiser Center for Europe and Eurasia


The act of embroidering and weaving designs onto cloth is deeply rooted in Ukrainian traditions. Embellished clothing (sorochky), ritual cloths (rushnyky), and household textiles accompany a person from birth until death, punctuating important life events in between. A variety of embroidery patterns are used throughout Ukraine; some stitches are universally known, while others are region-specific. Ukrainian embroidered clothing is now officially celebrated with an annual Vyshyvanka Day observed throughout the world in May.

To see photos and read more about exhibited items, visit https://myumi.ch/AZedA

The embroideries and textiles exhibited are from the private collections of Arnie Klein, Solomia Soroka, Katerina Sirinyok-Dolgaryova, and from the Ukrainian American Archives & Museum located in Hamtramck, Michigan.

The exhibit opens on September 5, 2024, in 1010 Weiser Hall, 500 Church Street, Ann Arbor. Contact weisercenter@umich.edu to schedule a viewing.

*The exhibition is cosponsored by the Ukrainian American Archives & Museum*.

If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.




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Opening Reception for Common Ground: ART x BISSELL 2016 Exhibition

Toronto, ON — Inspired by the plight of Syrian refugees, and by the ongoing displacement of peoples in Toronto and abroad,  ART x BISSELL, in partnership with SKETCH and The Remix Project, is pleased to present Common Ground, the 2nd annual contemporary art exhibition at the University of Toronto’s Faculty of Information (iSchool). Curated by Master of Museum Studies students […]




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‘So long lives this’: Exhibition honouring 400 years of William Shakespeare now open at the Thomas Fisher Rare Book Library

Toronto, ON – The only copy in Canada of arguably the most important book ever produced in the English language, Mr. William Shakespeares comedies, histories, & tragedies: published according to the true originall copies, better known as the First Folio, is just one of many rare print gems currently on exhibit at the Thomas Fisher Rare […]




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Nov 18 - JALT2024: 50th Annual International Conference on Language Teaching and Learning and Educational Materials Exhibition

JALT (The Annual International Conference of the Japan Association for Language Teaching). November 18 (Mon), 9:00-16:00 in Shizuoka. Call for proposals ends March 10th, 2024.




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Nov 17 - JALT2024: 50th Annual International Conference on Language Teaching and Learning and Educational Materials Exhibition

JALT (The Annual International Conference of the Japan Association for Language Teaching). November 17 (Sun), 9:00-19:00 in Shizuoka. Call for proposals ends March 10th, 2024.




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Nov 16 - JALT2024: 50th Annual International Conference on Language Teaching and Learning and Educational Materials Exhibition

JALT (The Annual International Conference of the Japan Association for Language Teaching). November 16 (Sat), 9:00-19:00 in Shizuoka. Call for proposals ends March 10th, 2024.




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IPAMA Expands Printpack India Exhibition Due to Increased Interest

With 484 companies already secured and more expected, the upstairs hall will feature displays of lightweight machinery and promotional materials.




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Speaker Launches Art Exhibition Tour




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Exhibitions imagine a world where Buddha went West

SINGAPORE — Thai artist Natee Utarit's monumental embroidered work of a classical European building facade is the first thing that confronts viewers upon entering The Private Museum, a non-profit private museum in Singapore situated in Osborne House, a colonial mansion on Upper Wilkie Road.




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Albatross Exhibitionist


This video was inspired by the tragic story and images of Albatross chicks on Midway Island in the Pacific dying slow and agonizing deaths due to ingested plastics consumed in error by the seabirds. It was produced by Skeleton Sea, a group of surfers who have created a green art project that promotes clean oceans, respect for nature and human rights. The artists use the flotsam washed up on beaches to create their art.
In February 2012, Skeleton Sea held an art workshop in Sanya, China in association with the Volvo Ocean Race during its stop-over. The group presented its work, "Presents of the Sea" to the Serenity Marina Sailing School where it will remain on permanent exhibition.

Watch more free curated sailing videos at https://www.thesailingchannel.tv/free-sailing-podcasts/

Brought to you by TheSailingChannel.TV

     




exhibition

Albatross Exhibitionist


This video was inspired by the tragic story and images of Albatross chicks on Midway Island in the Pacific dying slow and agonizing deaths due to ingested plastics consumed in error by the seabirds. It was produced by Skeleton Sea, a group of surfers who have created a green art project that promotes clean oceans, respect for nature and human rights. The artists use the flotsam washed up on beaches to create their art.
In February 2012, Skeleton Sea held an art workshop in Sanya, China in association with the Volvo Ocean Race during its stop-over. The group presented its work, "Presents of the Sea" to the Serenity Marina Sailing School where it will remain on permanent exhibition.

Watch more free curated sailing videos at https://www.thesailingchannel.tv/free-sailing-podcasts/

Brought to you by TheSailingChannel.TV

     




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Orca Scan unveils new exhibition to celebrate 50 years of barcode scanning

Fifty years ago, the first retail barcode was scanned, marking a pivotal moment in computing history by linking a physical product to its digital identity. To commemorate this milestone and in conjunction with Cambridge Tech Week, Orca Scan has launched a new exhibition, ‘Celebrating 50 Years of Barcode Scanning’, in collaboration with Datalogic and the Centre for Computing History.




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Gen Heywood's photography exhibition at Gonzaga University Urban Art Center explores the potency of two American icons

It's a scary time of year, but not because of Halloween…



  • Arts & Culture

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After more than two decades, acclaimed artist Ben Joyce is getting his first proper gallery exhibition

"There's a million things I want to do," says Ben Joyce…





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Photography exhibition part of Birmingham 2022 Festival

Blood & Fire: Our Journey Through Vanley Burke's History to open in Handsworth.






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Interactive Exhibition Stands: Engaging Birmingham Attendees Like Never Before

How to make the most of your display.




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{Queer} + {Metals} exhibition opening

New exhibition co-curated by Craftspace opens at mac Birmingham.





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Queer + Metals – exhibition continues at MAC

Panel discussion as part of LGBT+ History Month.






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“Dancing Whales In Bermuda” Art Exhibition

Masterworks is getting set to host an exhibition titled “Dancing Whales in Bermuda” from March 27 through April 15, with the exhibition coinciding with the island’s local whale season. The exhibit — featuring black & white underwater photography by Andrew Stevenson — will open at 5.30pm tomorrow evening [March 27], and run through to April […]




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Catlin Joins UK Museum: Coral Reef Exhibition

Bermuda-based Catlin Group has joined forces with the Natural History Museum in London to present a major exhibition, which opens today [Mar 27], that explores the importance and beauty of the world’s coral reefs. The exhibition, ‘Coral Reefs: Secret Cities of the Sea’, includes 250 specimens from the Natural History Museum’s coral, fish and marine invertebrate collection. […]




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Agricultural Exhibition Equestrian Day #2 Results

Equestrian events continued as the 2024 Agricultural Exhibition moved into the second day at the Botanical Gardens. Melody Greenslade riding Random Renegade won the Pleasure Driving Horse Single Class, the driving horse in Hand Class was won by Glen Smith and J.S. Magic. Bella Rodrigues riding Puff The Magic Dragon won the Riding Pony in […]




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Masterworks Exhibition Featuring Gherdai Hassell

Masterworks Museum announced the opening of its next major exhibition, Not All Has To Be As It Was, featuring the innovative works of Gherdai Hassell. A spokesperson said, “Masterworks Museum is thrilled to announce the opening of its next major exhibition, Not All Has To Be As It Was, featuring the innovative works of multidisciplinary contemporary […]




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Photos: Gherdai Hassell Exhibition Opening

Masterworks Museum of Bermuda Art held the opening of its “Not All Has To Be As It Was” exhibition, featuring the innovative works of Gherdai Hassell. A spokesperson previously said, “Not All Has To Be As It Was is Hassell’s inaugural collaborative exhibition, blending her unique vision with pieces from the Masterworks Permanent Collection and […]




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Masterworks Museum To Host ‘Identity’ Exhibition

Masterworks Museum of Bermuda Art will host the “Identity” exhibition, showcasing new works by Bermudian artists Vaughronde’ and Lisa Joseph that celebrate Gombey culture. A spokesperson said, “Masterworks Museum of Bermuda Art is excited to announce Identity, an exhibition of new works by Bermudian multidisciplinary artists Vaughronde’ and Lisa Joseph, opening in the Rick Faries […]




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Exhibition of My Beadwork... April 1 - May 3!!!

Beadlust 

an exhibition of bead and fiber works by Robin Atkins

This is the first solo exhibition of my work! I am very pleased and honored that the La Conner Quilt & Textile Museum offered me a show in their new Local Artist Exhibit Program's first-floor Landmarks Gallery.

There are 28 pieces in the exhibition, including beaded quilts, books, dolls, and framed art. Several of the pieces are new and have not been exhibited previously. Below is one of them, a beaded and embroidered collage using some of my hand-dyed, re-purposed fabrics.
Every Child Should Have Her Own Tree, hand-dyed, beaded, embroidered fabric collage
I hope some of you will be able to come see my work, as well as the work of the other two featured quilt artists in the upper floor galleries.

Exhibition Information:
Exhibition Events: 
  • Opening reception at the museum: April 1, 4 to 7 pm; all three artists will be there; free admission
  • Demonstration at the museum: Robin demonstrates process and techniques of bead embroidery, April 1, 2-4 pmWorkshop: 
  • Robin teaches Improvisational Bead Embroidery, May 2-3 in La Conner http://www.laconnerquilts.org/improvisational-bead-embroidery.html
A couple of readers have contacted me asking if the above work, or any of the other pieces will be for sale...  Nope, afraid not... exhibition only, although the museum's excellent gift shop does carry my books.




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Exhibition of my Beadwork!



Bringing my beadwork to the Museum
Many, many moons ago, when I first started beading, I made an important decision about my future beading career. I decided not to be in the business of selling my beadwork. That’s a huge and somewhat uncommon decision for an artist, because most feel that in order to justify the time it takes to do beadwork and the cost of materials, it has to be sold. Many also take sales of their work as a marker of their skill as an artist… “if it sells, then I am an artist; if I sell lots of it, then I am a successful artist; if a gallery takes my work, then my work is good,” etc.

Demonstration prior to the Opening on April 1st.


My dear friend, Liz, drove to La Conner for the opening!
Those are tempting thoughts, aren’t they?! However, I had previously been a metalsmith, making one-of-a-kind silver and gold jewelry for 5 years. During those years, I experimented with various methods of selling my jewelry – craft fairs, home shows, commissions, galleries – and found that I hated all of them. Marketing my work, talking about it, looking in people’s eyes as they walked by my booth without stopping, answering questions about how I made something, knowing the person asking was also a metalsmith and might copy my ideas – all of that was like a millstone around my neck, depressing, daunting, and no fun at all.


So, when beadlust jumped in my heart, I almost immediately decided I would not sell my work. Instead, I would make my living by selling beads and beading supplies, teaching others how to bead, and writing books about beading. It’s been a great pathway for me, almost always fun, challenging, exciting – and, it has paid my bills and given me the means for many beady adventures. To be sure, I have sold some of my beadwork, especially jewelry, here and there. But it’s always when opportunity comes to me, not when I’ve struggled to be accepted for a show.


Twenty-seven years later, I am looking back down my beaded pathway with great satisfaction, pleased as punch about my initial decision. Twenty-seven years later, I also own a substantial stash of beaded objects that I’ve made over the years – beaded jewelry, bags, books, dolls, wall art, sculptures, and quilts. While many of them decorate my studio and home, some live in boxes, stored away in cabinets. I feel a bit guilty about those poor babies. Shouldn’t I get them out, brush the dust off, and sell them? Oh yeah, I forgot, I hate selling/promoting my beadwork.


All of the above is to introduce a fabulous and unexpected opportunity that came my way recently… The curator of the La Conner Quilt & TextileMuseum contacted me to ask if I would be willing to exhibit my beaded quilts and other beadwork in a one person show at the museum for the month of April, 2015. WOW! Would I be interested? You bet I would!!!!


Twenty-eight pieces! Once I cleared the pieces for the show out of my studio, the nearly empty walls and display counter was depressing. Guess what happened?  I opened up those boxes, and brought out things I hadn’t ever displayed, or at least hadn’t displayed for a long time. What great fun to see them every day this past month! I love it!





Two days ago the show closed (waaa), and my work is back home again. Here it is, all piled up on my studio tables. Nice to have it home; not so nice to decide which pieces go back into boxes.

Exhibition closed - beadwork back home again
And then there is the question of what is to become of it in the long run. I am 72 years old. It might be time to start thinking about that. Some will go to my beady friends, and some to my nieces and nephews (if they want it). And, I’d die happy if I knew that some of the best pieces were in the permanent collection of a museum or two. Rosie, The Uncaged Hen, for example should be in a museum, don’t you think?

Rosie, The Uncaged Hen
Having the show in La Conner, seeing my work so beautifully displayed there, gives me the energy to start thinking about the future of my beadwork, to make a list of my all the pieces, place an "insurance value" on them, and start talking to acquisition curators about it. Although the idea of this task seems a little like “selling my work,” the show in La Conner makes it worth the effort.

La Conner Quilt & Textile Museum




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Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM. Gallery closed 11/28-12/1 for Thanksgiving; reopens 12/2-5.




exhibition

Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM.




exhibition

Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM.




exhibition

Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM.




exhibition

Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM.




exhibition

Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM. Gallery closed 11/28-12/1 for Thanksgiving; reopens 12/2-5.




exhibition

Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM. Gallery closed 11/28-12/1 for Thanksgiving; reopens 12/2-5.




exhibition

Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM. Gallery closed 11/28-12/1 for Thanksgiving; reopens 12/2-5.




exhibition

Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM. Gallery closed 11/28-12/1 for Thanksgiving; reopens 12/2-5.




exhibition

Exhibition — Poetic Record: Photography in a Transformed World

Exhibition co-curated by Princeton professor Deana Lawson and Michael Famighetti, editor-in-chief of Aperture magazine. Featuring work by 23 artists who explore the poetics of photography, its instability, and its latent potential. Hurley Gallery open daily 10 AM - 8 PM. Gallery closed 11/28-12/1 for Thanksgiving; reopens 12/2-5.