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Why are Welsh Assembly Members changing their name?

As of 6 May, the name of Assembly Members will change to Members of the Senedd.




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Coronavirus: I got a life-changing opportunity in lockdown

Ana Carmona chronicled her month in quarantine with her family in NYC, including when she got some big news.




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Staging a 'socially distanced' boxing match

Inside the Nicaraguan boxing event that caught the world's attention during the pandemic.




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Leveraging React for Easy Image Management

React is a good tool when it comes to building flexible and reusable UI components. However, it’s “one of those libraries” that cannot handle all the tasks involved in building a full fleshed UI project. Other supporting tools - such as a recently announced React SDK from Cloudinary - are available to provide solutions that the React core cannot.

In such cases where media (images and videos) becomes a heavy task to handle, Cloudinary simplifies the process with the new React SDK. Let’s build and image library with Cloudinary and React using the Cloudinary’s React SDK.

Prerequisites

The only requirements for using Cloudinary in your existing React project are to install the React SDK and the upload widget. If you do not have an existing React project and want to try these examples, take the following steps:

1. Install Dependencies

We need a minimal amount of dependencies so we can focus on building a media library and not structuring a React app:

{
  "name": "img-library",
  "version": "1.0.0",
  "description": "",
  "main": "index.js",
  "scripts": {
    "watch": "webpack -d --watch",
    "build": "webpack",
    "serve": "serve ./public"
  },
  "author": "",
  "license": "MIT",
  "devDependencies": {
    "babel-core": "^6.18.2",
    "babel-loader": "^6.2.9",
    "babel-preset-es2015": "^6.18.0",
    "babel-preset-react": "^6.16.0",
    "serve": "^1.4.0",
    "webpack": "^1.14.0"
  },
  "dependencies": {
    "axios": "^0.15.3",
    "cloudinary-react": "^1.0.1",
    "react": "^15.4.1",
    "react-dom": "^15.4.1"
  }
}

React (and React DOM) must be used since we are making a React app. The cloudinary-react dependency is Cloudinary’s React SDK, which we will soon see how it works. axios is a tool for making HTTP requests and, in our case, we will use it request images from the Cloudinary server.

# Install dependencies
npm install

2. Setup Webpack

Webpack is our build tool. Only minimal settings are required to have a build running and our React app compiling:

// ./webpack.config.js
var webpack = require('webpack');
var path = require('path');

var BUILD_DIR = path.resolve(__dirname, 'public');
var APP_DIR = path.resolve(__dirname, 'src');

var config = {
    entry: APP_DIR + '/index.jsx',
    output: {
        path: BUILD_DIR,
        filename: 'bundle.js'
    },
    module : {
        loaders : [
            {
                test : /.jsx?/,
                include : APP_DIR,
                loader : 'babel'
            }
        ]
    }
};

module.exports = config;

Basic configuration - an entry, output and loaders to handle the React .jsx files.

3. Entry Points

We need to create an entry point, as we specified in the Webpack configuration, and another entry point for the browser, which is an index.html file:

// ./src/index.jsx
import React, { Component } from 'react';
import { render } from 'react-dom';

class Main extends Component {
    render() {
        return (
           <div className="main">
               <h1>Scotchage</h1>
           </div>
        );
    }
}

render(<Main />, document.getElementById('container'));
<!-- ./public/index.html -->
<html>
<head>
    <!--Stylesheet-->
    <link rel="stylesheet" href="style.css">
    <meta name="viewport" content="width=device-width, initial-scale=1">
</head>
<body>
    <!--Container for React rendering-->
    <div id="container"></div>
    <!--Bundled file-->
    <script src="bundle.js"></script>
</body>
</html>

4. Create Cloudinary Account

You need a Cloudinary account to continue with these examples. Sign up for free and store your credentials safely as shown on the dashboard:

Uploading Images

Before using the React SDK to deliver images from the Cloudinary servers, let’s use the awesome Cloudinary upload widget to upload images. First, we need to add this widget to our index.html:

<!-- ./public/index.html -->
<html>
<head>
   . . .
</head>
<body>
    . . .
    <!-- UPLOAD WIDGET -->
    <script src="//widget.cloudinary.com/global/all.js" type="text/javascript"></script>
    <script src="bundle.js"></script>
</body>
</html>

Next, we create a button, attach an event to it and upload an image once the button is clicked:

import React, { Component } from 'react';
import { render } from 'react-dom';

class Main extends Component {

    uploadWidget() {
        cloudinary.openUploadWidget({ cloud_name: 'CLOUD_NAME', upload_preset: 'PRESET', tags:['xmas']},
            function(error, result) {
                console.log(result);
            });
    }
    render(){
        return (
            <div className="main">
                <h1>Galleria</h1>
                <div className="upload">
                    <button onClick={this.uploadWidget.bind(this)} className="upload-button">
                        Add Image
                    </button>
                </div>
            </div>

        );
    }
}

render(<Main />, document.getElementById('container'));

The uploadWidget member method is the handler invoked by the click event to handle our image upload by calling cloudinary.openUploadWidget. openUploadWidget takes a config object and the upload callback handler. The config object must have at least cloud_name and upload_preset properties with valid values. You can read more about Cloud Names and Upload Presets.

Delivering Images with SDK

The Cloudinary React SDK has three major components, Image, CloudinaryContext and Transformation:

  • Image: This component is responsible for the actual delivery of images. It takes the image ID and asks the server for this image. When the image is provided, it is also responsible for painting the image on the browser.
  • Transformation: This component is used to apply transformations to images delivered with Image.
  • CloudinaryContext: You can specify Cloudinary configuration for each image on the Image component. This can be tedious when you are dealing with multiple images. CloudinaryContext allows you to apply configuration to a group of Images.

Most times you would end up with a structure like this:

<CloudinaryContext>
    <Image>
        <Transformation />
        <Transformation />
    </Image>
    <Image>
        <Transformation />
    </Image>
</CloudinaryContext>

Back to our demo app, we can request an image from the Cloudinary server and display it with the following components:

import React, { Component } from 'react';
import axios from 'axios';
import { CloudinaryContext, Transformation, Image } from 'cloudinary-react';
import { render } from 'react-dom';

class Main extends Component {
    constructor(props) {
        super(props);
        this.state = {
            gallery: []
        }
    }
    componentDidMount() {
    // Request for images tagged xmas       
axios.get('http://res.cloudinary.com/christekh/image/list/xmas.json')
            .then(res => {
                console.log(res.data.resources);
                this.setState({gallery: res.data.resources});
            });
    }
    uploadWidget() {
       // . . .
    }
    render(){
        return (
            <div className="main">
                <h1>Galleria</h1>
                <div className="gallery">
                    <CloudinaryContext cloudName="CLOUDNAME">
                        {
                            this.state.gallery.map(data => {
                                return (
                                    <div className="responsive" key={data.public_id}>
                                        <div className="img">
                                            <a target="_blank" href={`http://res.cloudinary.com/christekh/image/upload/${data.public_id}.jpg`}>
                                                <Image publicId={data.public_id}>
                                                    <Transformation
                                                        crop="scale"
                                                        width="300"
                                                        height="200"
                                                        dpr="auto"
                                                        responsive_placeholder="blank"
                                                    />
                                                </Image>
                                            </a>
                                            <div className="desc">Created at {data.created_at}</div>
                                        </div>
                                    </div>
                                )
                            })
                        }
                    </CloudinaryContext>
                    <div className="clearfix"></div>
                </div>
            </div>

        );
    }
}

render(<Main />, document.getElementById('container'));

Take one more look at the upload code:

 cloudinary.openUploadWidget({ cloud_name: 'christekh', upload_preset: 'idcidr0h', tags:['xmas']},
            function(error, result) {
            . . .

Each image is tagged with xmas, which serves as a way to request images with this tag as a collection. This is exactly what we are using the axios library to do when the component mounts:

axios.get('http://res.cloudinary.com/CLOUDNAME/image/list/xmas.json')
            .then(res => {
                console.log(res.data.resources);
                this.setState({gallery: res.data.resources});
            });

axios uses promises, so whenever the promise resolves in our case, we have a payload of images. We take advantage of React state to update our UI with the fetched resources.

Down to rendering, we configure the CloudinaryContext with our cloud_name, iterate over the gallery state that stores the images and displays them using the Image component. We also apply few transformations using the Transformation component.

For security reasons, Cloudinary will not allow you to make such request from the client unless you tell it to. The best way to go is to use the admin API via a backend SDK and then send the resource list to the client.

Updating State with New Uploads

We are able to upload images and request for images to be displayed on the user’s browsers. Here is how we update the displayed images instantly when the user uploads a new image:

uploadWidget() {
        let _this = this;
        cloudinary.openUploadWidget({ cloud_name: 'CLOUDNAME', upload_preset: 'PRESET', tags:['xmas']},
            function(error, result) {
            // Update gallery state with newly uploaded image
                _this.setState({gallery: _this.state.gallery.concat(result)})
            });
    }

Rather than logging the uploaded image information to the console, we update the gallery state, which bears the list of requested images, by concatenating the uploaded result to the gallery.

Image Management Simplified

Image uploads, transformation and delivery has never been easier. These tasks have been a serious challenge for developers. Cloudinary has created a way to abstract all this hard work, enabling you to simply plug and play.




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A general view of the Kashima Antlers changing room

ABU DHABI, UNITED ARAB EMIRATES - DECEMBER 19: A general view of Kashima Antlers changing room prior to the FIFA Club World Cup semi-final match between Kashima Antlers and Real Madrid at Zayed Sports City Stadium on December 19, 2018 in Abu Dhabi, United Arab Emirates. (Photo by David Ramos - FIFA/FIFA via Getty Images)




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Hugo Leonardo and Serginho of Kashima Antlers look on

ABU DHABI, UNITED ARAB EMIRATES - DECEMBER 19: Hugo Leonardo of Kashima Antlers and Serginho of Kashima Antlers prior to the FIFA Club World Cup semi-final match between Kashima Antlers and Real Madrid at Zayed Sports City Stadium on December 19, 2018 in Abu Dhabi, United Arab Emirates. (Photo by David Ramos - FIFA/FIFA via Getty Images)




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Serginho and Hugo Leonardo of Kashima Antlers look on

AL AIN, UNITED ARAB EMIRATES - DECEMBER 15: Serginho and Hugo Leonardo of Kashima Antlers look on prior to the FIFA Club World Cup UAE 2018 Second round match between Kashima Antlers and CD Guadalajara at the Hazza bin Zayed Stadium on December 15, 2018 in Al Ain, United Arab Emirates. (Photo by Michael Regan - FIFA/FIFA via Getty Images)




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Hiroki Abe of Kashima high fives backroom staff as he leaves the changing room

ABU DHABI, UNITED ARAB EMIRATES - DECEMBER 22: (EDITORS NOTE: Image has been digitally enhanced.) Hiroki Abe of Kashima high fives backroom staff as he leaves the changing room before the FIFA Club World Cup final between River Plate and Kashima Antlers on December 22, 2018 in Abu Dhabi, United Arab Emirates. (Photo by Michael Regan - FIFA/FIFA via Getty Images)




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MS Dhoni pips Rohit Sharma by slimmest of margins in IPL poll

On #CricketConnected, Star Sports’ new show the Greatest Of All Time (G.O.A.T) – Captain was a tie between MS Dhoni and Rohit Sharma based on the jury's votes, but then the selection panel on the show picked Dhoni ahead of Rohit by the slimmest of margins.

Justifying the pick Former England batsman Kevin Pietersen said, “His relationship with Fleming the consistency at the franchise and the wicket they play on so it would be hard to go against MS and he will probably get my vote, I like what Rohit Sharma does and I love the Mumbai Indians and their approach to the game. However, for consistency and weight of expectation down there in Chennai MS is my guy.”

Former New Zealand fast bowler Danny Morrison added, “Looking at the vibe and the inspiration of that fellow (MS Dhoni) in yellow and what he did for India in blue and variably that helicopter shot which changes the course of the game, yes he is a lot older and finishing up Rohit got more time. But for me, Dhoni takes the pressure like no one else.”

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Arjun Kapoor shares throwback picture with Will Smith: Hanging out with my boys

While many Bollywood actors are on a photo-sharing spree these days, actor Arjun Kapoor on Monday shared a throwback picture featuring Hollywood star Will Smith. The 34-year-old star shared the picture on Instagram and wrote: "Just hanging out with my boys."

In the shared picture, the '2 States' actor is seen with Hollywood star Will Smith and designer Kunal Rawal during the days when he had not lost weight to pursue acting. "The fresh prince @willsmith himself looking spiffy as ever back in the day when he visited what seems like eons back & @kunalrawaldstress in a rare image wearing a tie...," he captioned the post.

Pointing towards his weight in the old photo, the 'Panipat' actor added: "Side note - the vertical strips really didn't do justice to the fine physical specimen that I was"

The actor has been staying at home like many other Bollywood celebrities amid the nationwide lockdown and is making the best possible use of social media to raise awareness about coronavirus.

Earlier, Kapoor has also extended his support to the PM-CARES Fund, Maharashtra Chief Minister's Relief Fund, The Wishing Factory and Bollywood's Federation of Western India Cine Employees (FWICE).

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever




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Karan Johar shares video of Yash-Roohi singing, says it's not in their genes

Film director Karan Johar on Wednesday posted yet another video of his twins entertaining him in the most adorable manner during the lockdown. In the latest video, Johar is seen flaunting the singing skills of his little munchkins - Roohi and Yash.

The twins are seen sitting on a sofa with a guitar in their hand and trying really hard to sing in their adorable voices but are only able to hum "La La La La La," in chorus. The video begins with Karan introducing the two little musicians saying, "We have two very talented musicians in the house, ladies, and gentlemen give it up for Roohi and Yash."

 
 
 
View this post on Instagram

A post shared by Karan Johar (@karanjohar) onApr 22, 2020 at 12:19am PDT

 

As the two began with their 'singing,' Karan takes a minute and then briefly interrupts them asking, "Excuse me! Can you please sing something more melodious?" Accepting that singing is something that the Johar family is not good at, the 47-year-old director wrote in the caption, "Clearly singing is not in our genes! Apologies in advance! #lockdownwiththejohars #toodles."

The 'Student of the Year' director has been spending time with his children and has been posting such video ever since the lockdown was imposed across the country.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever




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Mohnish Bahl has the sweetest wish for his 'ardhangini' Aarti on their wedding anniversary

Hum Aapke Hain Koun actor Mohnish Bahl celebrates his 28th wedding anniversary with wifey dearest Aarti Bahl. The actor posted the sweetest anniversary wish for Aarti, wherein he shared a photo of them from their wedding day.

Mohnish Bahl captioned the photo, "No words to express my gratitude for 'always being by my side' You made me understand the meaning of Ardhangini. Love you Janmon Janmon infinite."

How lovely do Mohnish and Aarti look on their wedding day? All decked up in traditional finery, Aarti Bahl looks exquisite, while Mohnish Bahl looks quite dapper, don't you think?

Aarti Bahl, Ekta Sohini before marriage, also shared a memory from their wedding day. She wrote, "You are my superhero. You are my everything. I LOVE YOU. Thank you for being YOU. Happy anniversary."

 
 
 
View this post on Instagram

A post shared by Aarti Bahl (@aarti.bahl) onApr 23, 2020 at 12:38pm PDT

Mohnish and Aarti Bahl's daughter, Pranutan, too, took to social media to wish her parents happy anniversary. She shared a picture of them with their arms around each other.

 
 
 
View this post on Instagram

sticking by each other’s side. always. happy anniversary 💕

A post shared by Pranutan Bahl (@pranutan) onApr 23, 2020 at 9:41pm PDT

Here's wishing Mohnish and Aarti Bahl the very best on their wedding anniversary!

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Bipasha Basu begins preparing for fourth wedding anniversary, makes Besan Laddoos for Karan Singh Grover

Bipasha Basu and Karan Singh Grover tied the knot on April 30, 2016, in a grand ceremony that was attended by The Who's who of Tinsel Town. In a span of just three days, they will be celebrating four years of togetherness, and of course, will be doing something special. And given the woman has the tendency to remember dates more frequently, the wife has already begun her side of the preparation.

Taking to her Instagram account, Basu shared a video where she could be seen cooking Karan's favourite Besan Laddoos and by the time the video ends, you could be feeling hungry and especially if you have a sweet tooth. This is what we call true love, and in this couple's case, Monkey Love!

Have a look at the video right here:

 
 
 
View this post on Instagram

The Making of his favourite Besan Laddoo❤️

A post shared by bipashabasusinghgrover (@bipashabasu) onApr 26, 2020 at 10:54pm PDT

Grover and Basu are travel junkies and often travel abroad to the most gorgeous locations and even share their beautiful and bold pictures from the different corners of the world. They even acted together in the 2015 film Alone and will now reunite for another thriller called Aadat, which is directed by Bhushan Patel.

It has been a while since we saw the actress on the big screen and we hope she comes back soon! And we also hope the couple shares some pictures on the day of their anniversary!

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Mumbai: Man, woman found hanging from tree in Palghar

The Vangaon police from Palghar district found the bodies of a man and woman who were in a relationship, hanging from a tree in the jungle on Thursday morning. As the area is under the jurisdiction of the Boisar police, the Vangaon police informed them. The Boisar police conducted a panchanama and sent the bodies for autopsy to the local government hospital.

The man and woman have been identified by the police. According to police sources, the victims belonged to Boisar, and while the man stayed at Hanuman Nagar, the woman stayed at Ganesh Nagar. Investigation revealed that they worked in the same company in Boisar MIDC. Police sources revealed that they had fallen in love and wanted to live together, but were both married.

Hemant Katkar, Palghar District police PRO said, "The bodies were found at around 8 am. They were identified late in the afternoon. They were missing from June 25 and their family members were looking for them, but no missing complaint was made. No suicide note was found, but an ADR was registered and the investigation is on."

Also Read: Mumbai: 21-year-old student hangs herself in Worli hostel

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Mumbai Rains: Palghar Police helps stranded passengers by arranging transport

The heavy showers on Tuesday caused severe waterlogging on the tracks of Kelwe and Nalasopara railway stations, stranding long distance trains. The Gujarat Duronto Express was halted at Kelwe while the Vadodara Express and Shatabdi Express were also stopped at Nalasopara early in the morning.

Passengers of the trains were stranded, with no way to reach their destinations. But Palghar police stepped in and helped by arranging transport for them to Mumbai in Vasai-Virar Municipal Corporation (VVMC) and private vehicles.

"Around 700-800 passengers were stuck at Nalasopara station when the Tulinj police provided them food and shelter at Kutchi Hall and helped them reach their destinations beyond Borivali in buses and private vehicles," said PRO Hemant Katkar from Palghar district police. Around 100 passengers stuck at Kelwe station were sent to their destination, Borivali, in three buses, he added.

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Schoolboy commits suicide; drawing of person hanging found in his bag

A 14-year old schoolboy has allegedly committed suicide last night in Nalasopara east by hanging himself with nylon rope. The rope was tied to a pull-up bar situated in the garden premises of the complex he resided in. The deceased had a drawn a picture of a person hanging and had kept it in his bag, which the police also found.
 
The deceased has been identified as Huzaifa Nagori, who lived with his parents, grandparent and two younger sisters in Rashmi residency of Nalasopara east.


 
According to the police sources, last night around 11 pm, he was found hanging with nylon ropes tied to the pull-up bar. People informed to the Tulinj police, who rushed to the spot immediately and after conducting the Panchanama, sent the body for autopsy to a local government hospital.

"During the search, we found a diary in his bag in which a photo of a person hanging by the ceiling fan with a rope was drawn. Numbers written in Urdu and words written in English and Hindi have also been found in the dairy. Who drew the suicide pic and if it was drawn by Huzaifa, then why? Was he involved in some kind of online playing game? The officials are looking each and every possible angle and they are investigating the case accordingly," said a police official from Tulinj police station.
 
"The family is in trauma. They were in shock hence we did not inquire much information from them," he added. Huzaifa was studying in standard VIII in a Nalasopara-based school.

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Mumbai: 15-year-old girl found hanging in a chawl near Antop Hill

A 15-year-old girl's dead body was found at a chawl near Samaj Mandir hall at Antop Hill on Monday. According to police sources, they received a call informing about a suicide after which they immediately sent a team with forensics experts at the banquet hall where they found her hanging from a ceiling fan.

An officer said, "We have sent her body to Sion hospital for post-mortem. As of now, we have registered a case of accidental death (ADR). We have not noticed anything suspicious as of now. The post-mortem report will give a clear picture.

Further investigations are on.

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Maha deputy engineer gets 16 months jail sentence for accepting bribe

A Maharashtra government official was Thursday sentenced to 16 months rigorous imprisonment by a court in the neighbouring Raigad district for accepting a bribe.

Raigad Additional District Judge BC Kamble convicted Ashik Bharti, a deputy engineer with the Kharbhoomi Sarvekshan and Anveshan Department of Pen, under the Prevention of Corruption Act and fined him Rs 5,000, said a senior Anti-Corruption Bureau official.

Deputy Commissioner of Police (ACB) Mahesh Patil said Bharti had demanded Rs 5 lakh from a contractor to get his bills cleared. The contractor approached the ACB following which a trap was laid on November 6, 2015, and Bharti was nabbed while accepting Rs 1 lakh, Patil said.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever





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Twitter working on encrypted messaging feature: Report


As data security concerns on Facebook and WhatsApp loom large, Twitter is reportedly working on a 'Secret' encrypted messages feature which could make the microblogging platform safer for sensitive communications.

With this feature, Twitter is expected to roll out options about encrypted messaging like starting a secret conversation and viewing both sides of the conversation for encryption keys to verify a secure connection, TechCrunch reported on Monday.

The encrypted Direct Message (DM) option was first spotted inside Twitter for APK that contains codes for unreleased features that companies are testing.

Instant messaging app WhatsApp uses "end-to-end encryption" in all conversations. This can be opted into Messenger.

End-to-end encrypted messages are secured with a lock and only the sender and recipient have the special key needed to unlock and read them.

For added protection, every message sent has its own unique lock and key. No one can intercept the communications.

Last week, WhatsApp co-founder and CEO Jan Koum quit reportedly "after clashing with its parent, Facebook, over the popular messaging service's strategy and Facebook's attempts to use its personal data and weaken its encryption".

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever





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Twitter testing end-to-end encrypted messaging, say report

Representational picture

Washington: Twitter is reportedly testing a new feature on its Android app that makes messaging secure with end-to-end encryption.

Called 'Secret Conversation', the feature is expected to be available in the conversation info section in direct messaging of the Twitter app on Android, Mashable reports.

As users seek more security, end-to-end encryption has become a new mandate for messaging apps. The technology makes it difficult for snoopers to access or intercept messages which are exchanged between two parties.

NSA whistleblower Edward Snowden had asked Twitter CEO Jack Dorsey for such a feature on the platform a year ago. It remains to be seen when the end-to-end encryption is officially rolled out.

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever





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WhatsApp users can now watch Facebook, Instagram within the messaging platform



Popular instant messaging platform, WhatsApp, has rolled out a new feature that allows users to view content from Facebook and Instagram within the app. The update is expected to increase user engagement in the messaging platform.

The latest update has been rolled out for select iOs users. WhatsApp support will allow users to play Instagram and Facebook videos within the app, without exiting the chat. Presently, a user who receives videos or images from Facebook, Instagram or any such app would be redirected to these apps to view the content. However, this is set to change with the new update, reports The Verge.

The latest update also introduced the ability to add and revoke admin privileges from users in a group chat. It empowers admins to edit the subject, description, and icon of a chat that is already underway. In November 2017, WhatsApp rolled out an update through which one can view YouTube videos directly inside the messaging app, in picture-in-picture mode.

If a YouTube link has been sent on a conversation, then users can directly view the video through the link on WhatsApp itself, as it will no longer be re-directed to YouTube. Instead, the YouTube clip will appear within a small floating window on your screen, thus implying that you can watch YouTube videos and message at the same time.

On a related note, the update is also expected to be rolled out to Android users in the coming weeks.

(Edited by mid-day online desk, with inputs from ANI)

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Facebook introduces new updates in 'Stories' feature, beginning from India

Facebook has rolled out new updates in its Stories feature that are available for the users in India first and will reach the global users later.

One such update is "Voice Posts" that will let users share their thoughts via audio to their friends and families.

"Voice posts lets you share in the moment without having to share a photo or video. This could also help people who can't necessarily write in the language they want to share in," Connor Hayes, Director of Product Management, Facebook Stories, wrote in a blog post on Wednesday.

People will now be able to save the photos and videos they capture through the Facebook camera, where only they can see them when they log into their Facebook account.

"This allows people to save the photos and videos they capture without taking up space on their phone," the post read.

It can also be used to save photos you might want to share later, so you don't have to edit or post them while you're out with your friends and instead enjoy the moment and share them later.

"In the coming weeks we're rolling out an archive for people to save the stories most important to them. After a photo disappears from your story, you can find it in your story archive - a place only you can see. You can always choose to not save them," said the post.

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Rosalyn D'mello: Surrendering for a new beginning


The Roman Forum in the center of Rome. Pic Courtesy/Rosalyn D'mello

I did not account for what now seems like the inevitable consequence of so much travel: the blurring of existential categories that define my raison d'etre as I continue my Italian sojourn. What am I first, writer, tourist, traveller or pilgrim? To which of these vocations do I owe my primary allegiance?

Starting out in the northern region of Bolzano, within which I somehow managed to ensconce myself, thanks to my residency at Eau&Gaz, within exactly 30 days I have found myself in the deep south - the autonomous Mediterranean island of Sicily; a lived repository of continuous histories dating two millennia. I accessed the regions of Tuscany, Veneto, Neapolitan and Lazio through my explorations of Firenze, Venezia, Napoli and Roma, before taking a flight to Palermo, from where I am transcribing this dispatch. By the time you will have read this, I will already have returned to Roma where I will spend another night before I make my way to Ortona and Assisi, thereby initiating the more pilgrim end of my travel. I am deeply aware that I now have less than two weeks left in Italy, and I am struggling (really, really struggling) to make sense of everything I have encountered through my witness. How to distil the vast everything-ness of my recent realities into bottled significance; something that is easier to swallow, digest, imbibe, share?

I was grateful to land in Palermo; grateful to have found a cheap flight that got me here from Rome in under an hour, grateful to avoid what would otherwise have been a 14-hour journey. But, mostly, I discovered I was grateful to be in a city that felt like the opposite of Rome; un-pretentious, unabashed about its past, non-ostentatious and aesthetically more austere. Here I felt I could allow my body to recover from the sensual assault of the spectacle that is that city of grand beauty, magnificence, un-mindful excess. No guide I'd perused had prepared me for my sensory dyslexia, particularly on the perceptual front, like the difficulty I would experience in simply focussing my gaze.

As a sightseeing tourist, one is mentally prepared to encounter a monument; a spectacle; a historic site. In Rome, however, you are condemned to stumble upon multiple. You walk into a street and your eyes rest first on a fountain, then naturally zoom out to witness the larger frame, except you spot, next door, an opulent church façade, and across from it another, but perhaps from another century altogether, and for a moment you feel like you're experiencing a glitch in a time-travelling machine. You walk later at night to catch your bus back to your Airbnb and come upon a vast excavation site bearing just a two-paragraph description and you empathise with the historians and archaeologists who seem themselves to be struggling with this excess; this dense populace of relic, debris, pagan vestige and Catholic worship sites.

Each night my feet, exhausted and overwhelmed from walking, cried themselves to sleep as my mind, unable to still my still-restless body, tried to make sense of what I'd seen, thought, remembered, and referenced: the Sistine Chapel, the wonders of Bernini, the cinematic odes by Fellini, Rosselini, Passolini and Sorrentino; and the more obscure works of writers like Malcolm Lowry. I had to re-read one of his protagonist's visit to the Keats and Shelley Memorial Museum next to the Spanish Steps as I sat by the side of The Pantheon, after having been to that museum, and in preparation for the next day's visit to the Non-Catholic cemetery containing both poets' tombs. Had I not had the sense of mind to seek solace in relatively more obscure churches and smaller chapels, both to escape the madding crowd of tourists and to offer my body an indulgent moment of pause, I'm sure I would have been defeated by that city.

It was the only reason why, despite being drained of all energy, I could make one final schlep towards the Coliseum and also convince Mona to meet me there. After a very leisurely stroll at what felt like perfect timing, when the final rays of the sun hit the millennia-old façade, we found a corner to park ourselves for a while. I couldn't help, but show her a clip from Sorrentino's The Great Beauty; of Sister Maria on the balcony of the protagonist's home in front of the Coliseum, gathering the flamingos in the thick of night, then blowing into the air to gesture at them to fly away. I felt as though I'd finally 'got' Sorrentino's film, despite having seen it a while ago. I had to come to Rome to solve its mystery.

I cannot shake off this lingering feeling that something beyond my own free will is designing my itinerary, is customising each imprint my feet make. Whether I am either or interchangeably a writer, tourist, traveller or pilgrim has become inconsequential. All that matters now is that I willingly surrender in order to be remade.

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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Elections 2019: Couple begins 36th anniversary by casting votes

Couple begins 36th anniversary by casting votes
Ranibai and Ramanlal Bakliwala

Ramanlal Bakliwala, an 81-year-old resident of Colaba arrived at the polling booth to cast his vote along with his 77-year-old wife Ranibai. It was a special day for them because it was their 36th anniversary which they started with a "noble" cause. "Every year, we first go to the temple to seek blessings but today, we came here to cast our votes as it is more important. We wanted to start the day with a noble cause. We missed the previous elections as we were out of Mumbai. This time we thought there is no better way to celebrate our anniversary than by first voting for the development of our nation," said Ramanlal holding Ranibai's hand.

'Found name only after searching for two hours'
Sanjay Jain

Like thousands of Mumbai residents, Sanjay Jain, a 48-year-old businessman, left home early with his family to cast his vote at Mumbai Central. But he had to run from pillar-to-post for hours as his name was missing from the voters' list. "When I reached the polling booth, I was told that my name is missing. Then I was told to go to the main office where after almost two hours of searching, I was told that by mistake they have put another similar name in my place. After almost three hours of waiting, I had to return home without casting my vote," he said.

Senior citizen encourages voting
Pervin Daruwalla

Like thousands of Mumbai residents, Sanjay Jain, a 48-year-old businessman, left home early with his family to cast his vote at Mumbai Central. But he had to run from pillar-to-post for hours as his name was missing from the voters' list. "When I reached the polling booth, I was told that my name is missing. All my family members cast their votes except me. Then I was told to go to the main office where after almost two hours of searching, I was told that by mistake they have put another similar name in my place. After almost three hours of waiting, I had to return home without casting my vote," he said.

Also Read: Elections 2019 in Mumbai: Physically challenged, elderly, get little help at polling stations

Lack of facilities
Anil Kejarival shows his mother's voting ID

Lalitadevi Deviprasad Kejarival, an 81-year-old resident of Pedder Road, fractured her leg few months back and was advised bed-rest. On Monday, she was determined to cast her vote. But the lack of basic facilities at the polling station meant she couldn't do so. "Her serial number was at booth No 2 which was on the first floor. She can't move so it was impossible for her to climb 22 steps. She requested she be allowed to cast her vote on the ground floor but the officials told her that it is not allowed. But don't rules say that for senior citizens there should be volunteers and other facilities? This is a very sad state of affairs," said her son, Anil Kejarival.

Also Read: Elections 2019 in Mumbai: Official inks both fingers of mid-day photographer

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From Dino Morea to Kamal Sindhu, meet the original cool kids of 90s


(From left) Kamal Sidhu, Purab Kohli, Dino Morea, Maria Goretti, Cyrus Sahukar, Mini Mathur, Cyrus Broacha, Luke Kenny. Location Courtesy/The Bombay Canteen; Pics/Rane Ashish

When video killed the radio star in the 1990s, we were not complaining. Our eyes were glued to the TV as cable television made its debut. We had heard our rock and pop idols on FM, and now, we had them, in our living rooms. MTV had landed, followed by Channel V. Along with them came a glam and chatty species called VJs. On them we pinned our hope for a favourite song, crushed on them, and sought fashion wisdom during our fumbling teenage years. Suddenly, we had new pin-up stars.

At a reunion of India's first set of VJs at Lower Parel's The Bombay Canteen, we saw model-VJ from MTV and Channel V Kamal Sidhu; the brain behind Channel V Luke Kenny; mad-hatter MTV VJ Cyrus Broacha; crush-worthy Channel V VJ Purab Kohli; model-actor with dear dimples Dino Morea; MTV's effervescent Mini Mathur; MTV's Mr Comical Cyrus Sahukar and MTV VJ-turned-food TV host Maria Goretti.

Madness ensued, with a whole lot of laughter and wisecracks. There were blows below the belt but not a brow was raised. For us, the '90s kids, they were the epitome of cool. It's true that we saw them in a different light — some of them are now parents — but they are just as charming.

Launching with the '90S
Kamal: I think I speak for everyone when I say, without the '90s, we wouldn't have had a career.

Mini: I was doing TV much before music television arrived. At that time, all of it was based out of Delhi, and only fiction came out of Bombay. But the music channels made it all cool.

Cyrus S: There were a handful of these networks in operation. It was a great time to be in and we got away with murder.

Luke: One of the things that happened was that the 18 to 24 demographic was created. That's the demographic for youth programming even today. Once 2000 rolled in, the concept of the TV anchor was born, but the VJ had died.


Kamal Sidhu makes a point as Purab Kohli listens in

Kamal: While the role of the VJ was fairly new to India, around the world there were VJs we were exposed to. In Canada, we had a local music channel, which didn't allow MTV to enter the country. There was Downtown Julie Brown (who hosted Club MTV from 1987 to 1992). On the show, the light switch went on, with the camera going up her legs and under her skirt, while she went, 'Waba Waba Waba Downtown Julie Brown'. She was among the real pioneers. When MTV launched in Asia, we beamed shows from Hong Kong. And, then, we launched in India with a party at the Taj Mahal Hotel [in 1992] in Mumbai. It was called The Bombay Blast Weekend. It received a lot of backlash, I remember, because the riots (Babri Masjid) had just happened.

Where i want to be: Vjing
Maria: I used to watch Kamal and Danny [McGill] VJ, and, suddenly, I was one of them. I didn't know what I was getting into until I did. The thing about VJing in the '90s was that it let you be who you wanted to be. I was lucky to be part of something I loved. Today, everyone wants to be something more, so, a lot of people get nudged out of television. MTV put Indian VJs on air and that changed something. It was now damn cool to be Indian; there was no need to have an accent. I didn't realise I was cool but apparently, I was.

Purab: I joined Channel V as a host for a travel show, and, gradually, when other slots opened, I started VJing too. There was a serious naiveté back then and VJing wasn't thought of as a stepping-stone to other things.


Cyrus Sahukar tells a story to Luke Kenny

Cyrus S: We were all there with the knowledge that this where we want to be.

Behind the scenes
Purab: There were times when we shot close to five episodes a day. It was intense. Sophiya [Haque], Laila [Rouass] and Meghna [Reddy] would do their own make up, write their own shows and select their own music. There was a transition, when I came in 1999 to Channel V. There was one show where we were asked to write and select songs. We would run it by Luke.

Cyrus B: Luke? Was everything right?

Purab: Yes!

Cyrus B: Luke himself didn't know what his designation was.

Purab: He would approve songs and that was our process.

Maria: Producers hated it when VJs would get together because that meant no one would be working. Once a year, we did a show together for Christmas or New Year and that would be a blast. I miss all of us working together — miss the travelling, the early morning flights, sleeping at airports because we had missed our plane. When I look back I realise that what I did was part of history.

Music then, music now
Luke: What do I think of the indie music scene? It's very niche, and some of the musicians have a chip on their shoulder. But, that aside, what business are they doing? Few manage to get paying gigs, and whoever turns up to support, comes, has a drink, pays R300 and then doesn't buy the album. How does it help the artist? I have been consulting with Channel V recently, and we are trying to go back to the model where the music channel only plays music, and supports indie acts by giving their originals air time.


Cyrus Broacha monkeys around as Dino Morea greets Kamal Sidhu

Kamal: I remember they would send us pop music videos at the Hong Kong office. And most of them were bad. We had to consciously decide to help some artists with their videos. And then Rahman and acts like Indus Creed came in, and the videos changed.

Luke: Kids today love their pop as they did back in the '90s.

Kamal: It was more authentic back then.

Luke: That's because the labels saw a market and invested in it. No one sees a market in today's indie scene.

Cyrus S: They were competing with an international kind of space and knew that spending money on videos was requisite. Everybody was trying to match international standards.
Kamal: And then everything got homogenised into one game plan — the Bollywood game plan.

The '90S role model
Dino: I landed in Bombay in December 1997, looking for opportunities and I remember sharing a room, not even a flat, with a girl who wanted to be a model too. Back in Bangalore, I remember seeing Kamal. I was in college and had to go meet a photographer. There she was, shooting for some perfume or cosmetics ad, and I was like, "Whoa!" Models were these superstars then. I did stare at her.

Kamal: Did I stare back at you?

Dino: (Laughing) I don't think you noticed me.

Sinking into reality
Kamal: A big change from the '90s, well, is that reality television came about, for better or worse.

Luke: One of the earliest reality shows to come was Channel V's Popstars, from which [girl band] Viva emerged. History rewrote itself in that decade with reality television.

Cyrus B: There was also MTV Bakra, which started towards the end of 1999.

Kids with an edge
Kamal: I think it was the time of the Asian liberation. Everything was booming. Also, it was a time for adjustment. Parents of '90s kids looked at people like us and questioned our place as role models. They said, we need to control the remote control.

Luke: No, there was no parental control at all.

Purab: I think it was because those kids were the first movers into the globalisation space.

Cyrus S: Even I used to come home and watch TV. It was a time when I had a VCP, not even a VCR.

Luke: Do you know why those kids had an edge over today's? Because they didn't have these. (Points to a mobile phone).

Maria: I think it was because there was a more organic interaction between people. The communication was real, which I don't see today. These days, it's about the phone. My kids just asked me why they don't have the blue tick on Instagram. Everyone is looking into their phones. We have become tech-savvy but have lost a bit of the soul. (Snapping her fingers). It's now all about reaching a place and changing the game.

Your fav music video of the '90S was?
Luke: Pretty Child by Indus Creed
Cyrus Sahukar: Ice Ice Baby by Vanilla Ice
Dino: Can't Touch This by MC Hammer
Kamal: Anything by AR Rahman
Maria: Freedom by George Michael
Mini: All Sukhbir and Lucky Ali videos





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HRD: Prepared to conduct pending class 10, 12 board exams at first possibility, evaluation to begin

The HRD Ministry is prepared to conduct the pending board examinations for classes 10 and 12 for 29 crucial subjects at the first possibility, officials said. The ministry has also directed states to start the evaluation process for the exams already conducted and facilitate the Central Board of Secondary Education (CBSE) in evaluation of answer sheets. "We are prepared to conduct board exams for class 10 and 12 pending due to lockdown in wake of the COVID-19 situation in the country. The exams will be conducted for 29 subjects crucial for promotion and admissions to undergraduate courses, at the first possibility. The students will be given at least 10-days notice before exams are conducted," a senior ministry official said.

"States have been asked to start the evaluation process for the exams already conducted and have been advised to facilitate evaluation of answer sheets. CBSE will also issue instructions for marking or assessment of non-important subjects not included in the list of 29 subjects," the official said. HRD Minister Ramesh Pokhriyal 'Nishank' had on Tuesday interacted with education ministers of states. Delhi Deputy Chief Minister Manish Sisodia had suggested that students be marked on basis of internal assessment as it is not feasible to conduct the pending exams now.

Sisodia, who is also the education minister, said students of Delhi will be more effected due to delay in conduct of exams as different states have their own boards, while the national capital only follows CBSE. Education ministers from different states also put forward deliberations being made about their respective state boards.
The Bihar board has already announced results for three streams of class 12 and is in the process of evaluation of class 12 exams. The Uttar Pradesh board is yet to begin the evaluation and will take a call in this regard soon.

¿Recently there has been lot of speculation regarding CBSE board exams. It is reiterated that board's decision to take board exams for 29 subjects of class 10, 12 stands the same as announced earlier,¿ the CBSE clarified in a tweet on Wednesday. According to the HRD ministry officials, as of now there are plans to conduct competitive exams including JEE and NEET in June for admission to engineering and medical colleges.

For other undergraduate admissions, the University Grants Commission (UGC) is working on an alternative calendar for the new academic session which will notify the timeline within a week. A seven-member panel set up to study the issue has recommended that the undergraduate admission process be started in July-August and the new session for freshers be started from September. However, no final decision has been taken in this regard yet.

The CBSE has already announced that it will not be conducting any exams for students in foreign countries. Universities and schools across the country have been closed since March 16 when the Centre announced a countrywide classroom shutdown as one of the measures to contain the COVID-19 outbreak.

Later, a nationwide lockdown was announced on March 24, which has now been extended till May 3.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever




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COVID-19 impact: Water supply to Dadar-Mahim areas disrupted after engineer tests positive

After an engineer in the G north ward tested positive for COVID-19, water supply to residents of Dadar-Mahim is likely to be disrupted for a while. The entire team in charge of repairing the water pipeline has been quarantined.

The engineers and workers of G north ward offices were on essential duty of ensuring water supply, but one of them tested positive for COVID-19 late Tuesday night.

"He was on duty of repairing the water pipeline in Dharavi. In all likelihood, that is how he contracted the virus," one of the employees said.

Soon after the engineer tested positive, the BMC health department quarantined the entire team on April 29, Wednesday, to avoid further transmission. The repair work will restart only after the team gets the all-clear, which will take a while.

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Mumbai: Air hostess ends life by hanging herself

A 29-year-old air hostess identified as Sultana Shaikh hanged herself to death at her residence at Vile Parle. The police discovered her body late Wednesday night after neighbours complained of a foul smell coming from her house.

Shaikh shared a room with two other women, but both her roommates had gone back home because of the lockdown and she was living alone.

"We found a suicide note from the residence which states that nobody is responsible for her death. She also mentioned that she was suffering from depression and frustrated due to several things. We also found a mobile phone at the house and are going through all her chats and emails,” a police officer said.

Another police officer said, "On Wednesday, her neighbours complained about a foul smell coming from Shaikh's residence and that no one was opening the door. So they informed the owner of the flat who called the police. We then broke down the door and found Shaikh's body hanging from the ceiling fan."

Vile Parle cops have handed over Shaikh's body to her mother who stays in Colaba. An accidental death has been registered and further investigation is on.

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'Why is Railways charging poor migrants for train tickets?'

With the Railways levying a surcharge of Rs 50 on the normal second-class fare on the special trains, activists and politicians on Sunday, were wondering aloud why this was so.

"It is unfair that Railways is charging migrants for transport to their homes. The Centre is spending so much on free food, shelter and treatment, it could have also waived train fare for migrants with no money or job," said Ajit Shenoy of Mumbai Mobility Forum (MMF).

Rakesh Doshi, who along with hundreds others travelled home on Saturday night, asked why the Centre or the Railways couldn't absorb the cost. "These are difficult times. Everyone is short of money. The Railways contributed R151 crore to the PM CARES Fund, but is charging migrants train fare," another migrant, who is also an activist, said. Another MMF member asked, "I want to know if those airlifted from China and Iran were charged or was it a free flight back home? If they weren't charged, then the special train ride should be free."

Railway officials said it was not charging migrants, as the tickets are not being issued to individuals, but the state governments are looking at the aspect of ticketing. A spokesperson said tickets were booked by the district administration and every state has its own policy.

"While many states are bearing the cost, NGOs are contributing in others, and fare was collected from the migrants in some states. And no additional charge was levied. Only the regular superfast surcharge was added to the fare. The train is carrying 50 per cent of the capacity and returning empty. Also the ticket fare includes meals and bottled water. The fare is basic, not exorbitant," a spokesperson said. Another official said, "Practically speaking, if the trains are run free, there will be chaos and that there won't be any accountability and documentation".

Meanwhile, Maharashtra Energy Minister Dr Nitin Raut has written to Chief Minister Uddhav Thackeray, requesting that the state government bear the cost of the migrants' tickets.

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Navi Mumbai may 'force Mumbai employers' to provide staff lodging

With the rising number of COVID-19 positive patients in Navi Mumbai, the Navi Mumbai municipal commissioner last week asked the Brihanmumbai Municipal Corporation (BMC) to accommodate its employees in the city. The Navi Mumbai police commissioner on Monday, however, added to it by saying that if the cases continued to rise in the satellite city due to residents travelling to Mumbai for work, the administration will have to "force employers to accommodate their employees" in the city.

The Corona patient tally in Navi Mumbai jumped massively last week with more than 180 new cases reported in just seven days. The doubling rate of patients slid from 11 days to just six days within a week. This became a major cause of concern for NMMC and the police. According to the NMMC, of the last 180 cases, 90 per cent are related to employees working in essential services and travelling from Navi Mumbai to Mumbai every day.

In a Facebook message on Sunday evening, NMMC Commissioner Annasaheb Misal said, "We have raised this issue in a video conference with Chief Minister Uddhav Thackeray and also conveyed the same to BMC Commissioner Pravin Pardeshi. The BMC has agreed and will be asking hospitals and BEST to convey it to their employees."

The matter, however, escalated on Monday when Navi Mumbai Police Commissioner Sanjay Kumar took to Twitter. "All people in essential services are requested to desist from commuting daily to Mumbai and back. Only visit if your job is crucial. Ask your employer to make arrangements nearby. Otherwise, you are exposing your family to COVID-19. One person infected 14 of his family members," he tweeted, adding that if the trend continued, "we have to force the employer to make arrangements at the workplace."

Around 4,000 to 5,000 bankers travel every day from Navi Mumbai to Mumbai with the banks rotating 33 per cent of their staff every day and exposing all employees to the public in a week’s time. "The same goes for doctors and the police. We request all the authorities concerned to look into it," Kumar said.

He also spoke of the infection spreading in Vashi’s APMC market. "Many vendors and merchants travel to Navi Mumbai from nearby towns and villages. We are making a list of such people and will ask them to stay in Navi Mumbai so that there won’t be any further spread."

‘Taking utmost care’
A senior officer of Mumbai Police commented on the tweet saying the police were endangering their lives for more than 12 hours a day. "We are taking utmost care regarding our personnel but if they carry the infection, it will be an unfortunate but inevitable thing. One should not get too picky while saving their jurisdiction,"
he said.

4.5k
No. of bankers who travel daily to city

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'He is splurging me with gifts...'

Dear Diana,
I have been with this guy for six months. I am not yet sure if he is the right guy for me. He keeps springing surprises and splurges me with gifts. He seems to have already made up his mind that I am the girl for him. I don't know why I am not yet convinced about him. At the same time, the way he is going about, I don't know how to tell him to go slow. I do not want to break his heart. He thinks I also like him and that we are made for each other. My guy gets carried away too fast. He is all out to prove that he cares for me. Often, I find this irritating. How do I tell him to go slow? I dread to think that if I feel he is not the guy for me, he will be devastated. It is not that I an leading him on. He is going too fast, too soon. On the other hand, I prefer to be cautious and slow in my approach.
— Naina


Illustration/Uday Mohite

Dear Naina,
Your guy has made up his mind and you also need to take a decision soon. If you want time, you need to tell him clearly. It appears that this man is busy planning a future with you, while you do not even know if he will exist in your scheme of things. He is impulsive and a happy-go-lucky individual while you want to be safe, rather than be sorry. You may not be leading him on, but at least you can tell him to go slow. For starters, stop him when he goes on an overdrive buying gifts for you. This is his way of making you happy and you seem to be enjoying it. At the same time, if you two sit down and talk things out, he will have a clear picture of what is going on in your mind. It is time you were honest and forthright with him as he is with you.





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Get, set...vroom! Formula 1 to begin in July 2020 amid COVID-19

Formula One boss Chase Carey on Monday targeted the Coronavirus-hit season eventually starting in Austria on July 5 after the French Grand Prix was cancelled and fans barred from the British race at Silverstone.

The French Grand Prix, which was to have been held on June 28, was the tenth race of the season to be scrapped or postponed. "We're targeting a start to racing in Europe through July, August and beginning of September, with the first race taking place in Austria on 3-5 July weekend," Carey said in a statement.

"September, October and November, would see us race in Eurasia, Asia and the Americas, finishing the season in the Gulf in December with Bahrain before the traditional finale in Abu Dhabi, having completed between 15-18 races."


Chase Carey

French GP called off
Carey's statement followed quickfire announcements from the French organisers and a statement from the owners of the Silverstone track where the British Grand Prix is due to take place on July 19.

"Given the evolution of the situation linked to the spread of the Covid-19 virus, the French Grand Prix takes note of the decisions announced by the French state, making it impossible to maintain our event," the race's managing director Eric Boullier said.

It joins nine other races in the decimated 2020 championship to be either cancelled (Australia, Monaco) or postponed (Bahrain, China, Vietnam, Netherlands, Spain, Azerbaijan, Canada).

Organisers of the race at Le Castellet were forced to act after President Emmanuel Macron's announcement last week that the lockdown in France will be extended until May 11 and public gatherings banned until mid-July. Ruling out holding the race behind closed doors, Boullier said: "Le Castellet are already turning towards the summer of 2021".

What about the fans?
F1 supremo Carey said he expected "the early races to be without fans" but hoped that spectators would be allowed back "as we move further into the schedule". He added: "We still have to work out many issues like the procedures for the teams and our other partners to enter and operate in each country. The health and safety of all involved will continue to be priority one and we will only go forward if we are confident we have reliable procedures to address both risks and possible issues."

Revised F1 calendar

July 5: Austria
July 19: Great Britain
August 2: Hungary
August 30: Belgium
September 6: Italy
September 20 Singapore
September 27: Russia
October 11: Japan
October 25: United States
November 1: Mexico
November 15: Brazil
November 29: Abu Dhabi

Races postponed: Bahrain (March 22), Vietnam (April 5), China (April 19), Netherlands (May 3), Spain (May 10), Monaco (May 24), Azerbaijan (June 7), Canada (June 14)

Races cancelled: Australia (March 15), France (June 28)

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever




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Bhumi Pednekar: This lockdown has been very challenging for us

Bhumi Pednekar's fitness is something that is talked about regularly as the actress stunned everyone with her body transformation after Dum Laga Ke Haisha. She is a gym-junkie and is extremely conscious of what she eats. The lockdown imposed in India due to Coronavirus has resulted in health and fitness challenges for everyone and Bhumi has a solution for it.

"I have always strived to lead a balanced lifestyle and believed in the synergy of how nutrition, what we eat directly impacts our health and fitness. This lockdown, though extremely challenging for all of us because it has changed how we live life and exist, is also impacting our minds and that can throw off diet and nutrition in a big way," she says.

Bhumi reveals, "What we eat has a lot to do with how we feel - it's connected and it's mostly emotional. This will create health and fitness issues and I want to share with everyone my nutrition journey through COVID-19 and I hope that people will find this useful."

The actress has maintained a routine and stuck to her nutritious way of life all through the Coronavirus pandemic. She credits her nutritionist Dr. Siddhant for her fit bod and will be doing a live chat with him to share health and nutrition tips to everyone.

"I have ensured that I'm mobile, I have been working out, I'm on a nutrition-rich diet and I have not resorted to binge and junk eating. My nutritionist Dr. Siddhant is a genius and has a wealth of knowledge which has helped me shape my life. I want him to share his knowledge with as many people as possible because he has kept me going despite the lockdown challenges," she says.

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Lunchbox actress Nimrat Kaur: Can't imagine I am talking about Irrfan Khan in past tense

Actress Nimrat Kaur worked with Irrfan Khan in the much-feted film "The Lunchbox" that went on winning several award and accolades internationally. The news of his sudden demise came as shock to her.

"It is a personal loss for everyone at this point in time. For everyone who watched his movies or worked with him and met him personally, this is absolutely shocking. I think the face of Indian cinema will not be the same without Irrfan Khan. He was a one-man army. Every film and film stars are on one side and his films are on the other. My heart goes out to his family at this point in time, when we all are suffering under a specific situation. Losing a loved one is always painful but I think this (the COVID-19 lockdown) is worse. I cannot imagine I am talking about Irrfan in the past tense," Nimrat told IANS.

Nimrat worked with Irrfan in "The Lunchbox", the directorial debut of Ritesh Batra, which released in 2013. The film screened in several prestigious international festivals, and notably won the Critics Week Viewers Choice Award at the 66th Cannes Film Festival.

Sharing her memory of working with Irrfan in the film Nimrat said: "We did not have many scenes together but we got a chance to converse extensively during the premiere of the film at the Cannes Film Festival. I was quite overwhelmed by the response to the film, the way it was celebrated and what it became overnight! I remember I asked him, ‘how do you handle so much appreciation, adulation when a film meets a great success like this?' he smiled and told me, ‘sock up to good times and don't be shy of celebration. This is the gift that God has given us. The bad time is around the corner.'

"This moment does not come very often in life. So take it as a gift after all the struggle we have gone through.' He always said to embrace the good time because that's when we celebrate life," recalled Nimrat.

Irrfan had been admitted in Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection on Tuesday and passed away on Wednesday. The actor has been ailing ever since he was diagnosed with a neuroendocrine tumour a while back and has been under medical attention for the same. He even went abroad for treatment.

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Rishi Kapoor: The original 'chocolate boy' passed on

Actor Rishi Kapoor died young, at 67. If he'd passed on few decades later, he would've still died young. And I don't mean that cliché about being 'young at heart' and all. I mean, literally, young in the head—where it counts.

Think he was between 25 to 30 years old; tops. This infused into his natural persona that casual aliveness of late youth—he's the guy you could chill at the corner-bar with, all through a party, as I did, couple of times. Feel blessed.

It also made him impulsive, tad impatient, moody, on occasion; unreasonable, even. Not an easy man to know and walk around, without care. Also he was therefore (mentally) a decade younger to me, and so there arose the minor/moral dilemma over what to call him! He didn't like Mr Kapoor ("Waddyathink, am an uncle or what?"). Rishiji wouldn't cut it. He preferred Rishi. I carried on with Mr Kapoor.

In the hierarchy of naam-karan (naming ceremony) in Indian popular culture, the apex of the pyramid belongs to the person the public bestows upon a common nickname, short-form, or epithet. It's not so much a mark of honour as it denotes the level of familiarity the public feels with a public figure!

This cuts across professions. It is most common in films—whether that be Shahenshah or Big B for Amitabh Bachchan; or Baadshah, King Of Romance, King Khan or SRK for Shah Rukh Khan. Tells you something about their image too.

Rishi went by the short, cute sobriquet, Chintu, at best, Chintuji—eternally that boy, at any rate India's first 'chocolate hero', who debuted as the National Award winning child-star of Raj Kapoor's magnum opus, Mera Naam Joker (MNJ; 1970). In fact, if you observed him closely, when he spoke with that impish smile—he still had a sweetly chubby face—it was quite easy to transpose him into the little Raju, besotted by his teacher Mary (Simi Garewal), from MNJ.

Thereafter he held a list of firsts for Bollywood that may not occur to you instantly, if I don't bring them to mind here. For one, up until Rishi's debut as the lead actor in Bobby (1973), he told me, Bollywood's heroes and heroines used to be men and women—holding books and going to college in their 30s and 40s! It's true. Rishi was 21; his leading lady, Dimple Kapadia, after whose character the film is titled, was 16.

While Bobby gave birth to a super-hit romantic pair, Dimple got married, and quit movies altogether. This posed a peculiar problem for Rishi. He was left to swim around a leading ladies' pool—Zeenat Aman, Parveen Babi, etc—that was considerably older, and therefore unfit to be cast as his conventional, romantic leads. There was Neetu Singh, absolutely his perfect onscreen better-half— later his off-screen wife. "But then, how many films could I do with her? So it had to be Neetu, or a new girl," he said.

Don't know if such an entry is allowed into the Guinness book, Rishi held the glorious record of introducing 23 female leads as his on-screen partner in the movies. And even that number he wasn't sure about. Besides that he wished to add even Alia Bhatt (Student Of The Year; 2012), Taapsee Pannu (Chashme Buddoor; 2013), into the list, since they had debuted in Bollywood with him, although he wasn't the lead in those movies.

Did he even remember all those 23 heroines he worked with; was he in touch with any of them? "Don't know where's Kajal Kiran (Hum Kisise Kum Naheen; 1977), Shoma Anand (Barood; 1976), Bhavana Bhatt (Naya Daur; 1978)…" Gah! Would've been a great idea to click Rishi seated in the centre as the good old Casanova surrounded by his debuting leading ladies — an eclectic array, almost stacked up like sardines — to celebrate 50 years of his debut, which falls on September 28, 2020.


Bobby (1973)

A mart is really how the movie business/trade has traditionally perceived itself — setting a price for what sells, and a sell-by-date for what doesn't. This is as true for stars as the image or genres associated with them. In that sense Rishi, although he liked to call himself the "right person at the wrong time", had an absolutely uninterrupted 25-year run at the movies — between 1973 and 1998 (averaging around five to six films a year) — which for its time is also a record of sorts: "Shelf life for a hero then was 20 years; 10 years for heroines."

He said the reason to quit films was also his. He had just got bored of the proverbial dancing around trees. Nothing exciting seemed to exist in the horizon. And so one fine day, he rounded up the four to five producers he owed advances to, and simply returned them their money.

This is when Rishi was 46. Shammi Kapoor, Rishi's uncle, and the seminal singing-dancing star of the generation he took over from, had retired at 37. Amitabh Bachchan, Rishi's older contemporary, left films (to return only much later) at 40. Of course none of these age restrictions/rules for retirement matter anymore. Shah Rukh Khan, 54, has currently taken a break to recalibrate his leading man's career.

Note: I mention Shahenshah, and Badshah or King Of Romance, again! This is because in the pantheon of Bollywood stars, Rishi saw himself sandwiched between the two: "I should've entered films in the '90s," he said. The year of Rishi's debut, 1973, is also when Prakash Mehra's Zanjeer proclaimed Amitabh Bachchan as the 'angry young man'— simultaneously killing that flowery phase of Rajesh Khanna romances; and gently pricking at the bud the romantic Rishi Kapoor from coming into full-potential, glorious bloom.

At the box office, Rishi, in many ways, would've been Rajesh Khanna's natural successor. In terms of a female fan-following, he sort of already was — with hordes of women, by his own account, taking their clothes off, so he could autograph their bras! And special 'Bobby buses', matched with theatre timings, plying between Punjab, Faridabad and (what was then) Gurgaon, so people from far-off towns could catch his first film.

Except the phase that followed, especially in the '80s, was full of, as he put it, "B and C centre maar-peet; Lahu Ke Khoon [both mean blood] kind of films, and some skin-show. The ambience, mahaul, was only for action." Rishi, on the other hand, had been secure enough in his masculinity to go drag with Rafoo Chakkar (1975). One such "totally wahiyaat (crappy)" film, he told me about, was called Hawalaat (1987), where he starred alongside the 'action types', Mithun Chakraborty and Shatrughan Sinha. He was of course the "guitar and dafli playing type." When it came to promoting the film, the producer asked him "to pose with a chaku (knife)" for the poster, to draw in audiences!

It is in this backdrop that one has to register the fact that Subhash Ghai's cracker musical Karz (1980) had tanked at the box-office. Ghai recently sold its remake rights for Rs. 3 crore, which is a sum he'd not even come close to with the original. Likewise, Rishi's Tina Munim, Poonam Dhillon, Rakhee Gulzar co-starrer, Yeh Vaada Raha (1982), based on Danielle Steele's novel The Promise, showed no promise either. Neither did Zehreela Insaan (1974). Nor was Ramesh Sippy (1985) quite the Sholay!

The above is merely a short Spotify playlist I'm making for you, so after you're through with the Hum Kisise Kum Naheen medley, you check out the opening riffs of Karz's Ek Hasina Thi, the title track of Yeh Vaada Raha, and the finest RD Burman number, O Hansini, from Zehreela Insaan, or O' Maria from Saagar. These soundtracks have been around us all along. Post Rajesh Khanna, RD arguably equalled Rishi, on screen. RD is very much alive. So will Rishi. Music is the medium through which Hindi movies survive public memory.

Also, only a proper desi film aesthete would be able to tell how Rishi was uniquely gifted at lip-syncing, to perfectly own a song, before the camera. It's called song-acting—a talent that has no use in any another film culture. The first time Rishi was asked to perform a track (Main shayar toh nahin, from Bobby), he recalled, his father, Raj Kapoor, allowed him no choreographer. The logic being the choreographer would give him steps that other stars had already performed to. He would automatically be compared to them!

Even as an actor, it can be argued, Rishi looked and behaved like no one else—of his time, or from the generations before. Let alone other Kapoors. None of whom seemed like shadows of each other — carving niches of their own — while being raised under the banyan tree of Prithviraj, a full-time theatre and later film-studio actor, who began a four-generational legacy that Rishi was a proud and aware progeny of.

Contrary to popular perception — mainly because so many get to take a shot at stardom in the first place — most superstar-kids don't make it in the movies. Comparisons do them in. What separated Rishi from his father Raj, for one, was the lack of being — a word he used himself — the "stylised" actor.

By which you mean certain tics, manners, or andaaz, as it were, that instantly marked out say Dilip Kumar, Raj Kapoor, Dev Anand, and others. Rishi didn't have that. And this is what made his return to "character-driven" or more realistic films, at a larger stage, easily possible. Which wasn't the case with most others before him. It's the lightheartedness of his films that rendered him an underrated actor—hardly ever taken seriously by the critical establishment; something that bothered him much. He told me comedian Johnny Lever had a bone to pick with him. Rishi was the only star who'd been around for so long, that Lever couldn't find a way to mimic on stage! Fair point.

In 2017, I had the honour to host Rishi's first (and as yet only) retrospective of films at the Jagran Film Festival. From a filmography of over 150, we had to pick five. This was impossible. Going back and forth with his suggestions, we kept widening the quota. Until we reached a point that we could no longer accommodate more than eight films. And yet, how could MNJ be left out? We decided to play eight and half films in all—the half comprising Rishi's section from the three-part MNJ!

To be fair, an artiste/entertainer's self-perception should be at the core of his fan-base. And for this moment, don't care what Rishi Kapoor gems you've found — let's make it about the jeweller foremost. According to him, besides Karz and Bobby, Rishi's greatest works were—Habib Faisal's Do Dooni Char (2010), Raj Kapoor's Prem Rog (1982), Karan Malhotra's Agneepath (2012), Shakun Batra's Kapoor & Sons (2016), Manmohan Desai's Amar Akbar Anthony (1977), and Yash Chopra's Chandni (1989).

Notice his latent bias towards more recent releases. You can gauge the phase he was enjoying the most — placing his acting chops on display. It doesn't seem as if fate had mortally attacked a man who's young or old — just someone with such vitality and zest for life, that he was looking to soar. That's what hurts far more. Rishi had battled leukemia for two years.

The reason for his return to films, he told me, was a lovers' tiff of sorts that he'd had with his filmmaker buddy Rakesh Roshan, who'd pricked his ego with some loose talk about his career (or the lack of it). The expectedly emotional Rishi reasoned that he had retired from stardom, yes, but not from acting. He decided to stage a comeback — also to prove a point to Roshan, who, along with Jeetendra, Prem Chopra, and his Campion schoolmate, director Rahul Rawail, were known to be his close friends.

Basically the Rishi Kapoor I observed from a private quarter was no different from the Rishi Kapoor one experiences from a distance, in public. Meaning, what you saw is what you got. No overt agendas as such. This often cofounded political coteries on social media, with a lot of his tweets driving traffic to the Right, and then swerving conveniently to the Left-Liberal, as they say!

Guess if you've lived your adult life entirely in the public eye, you'll either always fake it, or just stop caring beyond a point. Of course he also had a socially well-connected, mature, adult side to him, with an eye on the lay of the land. But for the most part, it seemed, Rishi kept it real.

With personal disclaimers, he had no qualms admitting to the world he'd frickin' bought the Filmfare Award, for Bobby! He wrote it in his book, and explained further at an interview with me before a live audience. What're you gonna shame him for?

As a Bollywood star, he didn't think twice before drunk-dialing me past midnight, referring to how I had obliquely compared his son Ranbir's performance in Rockstar (2011) to Amitabh Bachchan, Aamir Khan, Hrithik Roshan — "Abey, beta toh mera hai!" True.

He could get childishly excited even about wearing a delegate-badge at a film festival, given that he said, surprisingly (for me), he'd never been formally invited to one before. But then again, despite his first and only retrospective being held across 16 cities over three months, he could bail out a day before the all-important closing ceremony, for a conversation before a packed house.

Because? He had an issue with an absolutely random cartoon published in Mid-day, about the fire at RK Studio. No, you couldn't console him. Just couldn't. That was Rishi. His friends say the same. Everyone loved him just the way he was though. Good luck God. And thank you, Mr Kapoor.

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Kareena Kapoor shares a video of Rishi Kapoor singing 'Main Shayar Toh Nahi' in Hum Tum

Veteran actor Rishi Kapoor passed away yesterday morning, April 30, 2020, at a hospital in Mumbai. The original chocolate hero of Bollywood had been battling cancer since 2018 and breathed his last at the age of 67. Countless hearts were broken due to his passing, and innumerable tributes came in for the actor from his friends and fans across the world.

Niece Kareena Kapoor Khan, too, remembered her Chintu uncle in a sweet way. She shared a clip from husband Saif Ali Khan's film, Hum Tum, in which Rishi Kapoor can be seen singing the classic Hindi song, 'Main Shayar Toh Nahi', from his own movie Bobby, which was his first leading role.

Check out the video below:

 
 
 
View this post on Instagram

A post shared by Kareena Kapoor Khan (@kareenakapoorkhan) onApr 30, 2020 at 8:34am PDT

Isn't this the perfect way to remember Rishi Kapoor? In all his glory and classic lover boy sweetness!

Bebo had shared a throwback photo, too, which features her papa, veteran actor Randhir Kapoor, with brother Rishi. It's the kind of throwback photo that will surely bring a smile to your face!

 
 
 
View this post on Instagram

The best boys I know... Papa and Chintu uncle ❤️❤️

A post shared by Kareena Kapoor Khan (@kareenakapoorkhan) onApr 30, 2020 at 2:02am PDT

Rishi Kapoor passed away a day after we lost another cinematic gem, Irrfan Khan, on April 29. Irrfan, too, was battling cancer for two years and breathed his last at age 53 in Mumbai. 

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Priyanka Chopra's pet Gino loves her cuddles

Actor Priyanka Chopra Jonas on Wednesday shared a glimpse from some endearing moments with her pet Gino in lockdown. The 37-year-old actor put out on Instagram an adorable picture cuddling her German Shepherd. In the picture, the 'Quantico' star is bending to hug her beloved pet on a couch.

'The Sky Is Pink' star captioned, saying, "I promise Gino loves my cuddles. @ginothegerman."

 
 
 
View this post on Instagram

I promise Gino loves my cuddles. @ginothegerman

A post shared by Priyanka Chopra Jonas (@priyankachopra) onMay 5, 2020 at 5:07pm PDT

Lately, Priyanka has been updating fans on her quarantine activities through social media handles. On Monday, the actor posted pictures from her make-up and styling session, with her little niece Krishna. The adorable post on the photo-sharing platform garnered more than four lakh likes. Recently, Chopra, along with husband Nick Jonas, became a part of 'I For India' concert to raise Covid-19 relief funds. She had also pledged USD 100,000 in total to four incredible women who rose above the challenges to make a difference during the coronavirus crises.

Earlier, the couple donated to several organisations including PM CARES Fund, Goonj, Feeding America and others to combat Covid-19 which has affected over 10 lakh people globally. The 'Baywatch' actor took part in WHO's live stream event 'ONE WORLD: TOGETHER AT HOME' to raise funds for Covid-19 relief.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever




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Bobby Deol on younger son Dharam: He has a six-pack already and keeps challenging me to try new things

Bobby Deol is not only a brooder but also one of the youngest-looking fathers in Bollywood. He looks way younger than his actual age and doesn't really look like a father of two boys- Aryaman and Dharam. He spilled the beans on them in a recent interview with Mumbai Mirror and got candid.

Talking about Dharam first, he said, "Dharam is completely into fitness. He learns new techniques online and teaches me. I wish I had the access he does at his age. He has a six-pack already and keeps challenging Tanya and me to try new things. I have to tell him I'm not that flexible anymore." Well, if the kid has indeed built six-packs, we would love to see them soon. Here's hoping Deol posts a picture of his ripped body on social media.

And then talking about Aryaman and how they both were able to meet luckily before the lockdown was announced. "Luckily, Aryaman came home a day before Holi without hassles or travel restrictions." The duo celebrated the actor's 51st birthday in the U.S earlier this year in January. Deol will be completing 25 years in Bollywood this year, having started off his career in 1995 with Barsaat.

He went on to deliver hits like Gupt, Soldier, Ajnabee, and Humraaz in his career. After a slump, he jumped back with two massive films in 2018 and 2019- Race 3 and Housefull 4. He now has Netflix and Red Chillies Entertainment's Class of 83 coming up soon.

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Swara Bhasker: Happily indulging in midnight feasts

With shutters across city gyms pulled down, Bollywood's top brass has returned to its nutrition manual to micromanage each calorie consumed, apart from attempting every iteration of body-weight workouts that can be fancied. But, Swara Bhasker has been unperturbed about weighing scale fluctuations as she happily indulges in copious amounts of carbs.

"I have been utilising this time unproductively," she laughs, adding that the weight gain could well aid her for her next film, the Krishna Sen biopic, which sees her impersonate a woman who weds at least two women under the guise of being a man. "I have been eating carbs and sugar, and am taking to midnight junk-food indulgences. More than kilos, I must focus on adding muscle mass around my torso, shoulders, and arms. However, no one knows how long this lockdown will last. I suppose we'll start work by the end of this year."

An array of developments led to filming being deferred from the close of 2019, when it was to initially set to roll. "First, our director was busy with projects. Then, we needed to spend time to crack a good script that we were satisfied with. And finally, I had to wrap up my acting commitments before jumping into this," says Bhasker, who is also co-producing the project.

Unwilling to join the bandwagon, Bhasker isn't considering a direct-to-OTT release just yet. "We don't know what the world will look like after this pandemic ends. So let's wait and watch," she says, addressing the decision taken by several filmmakers to take the digital route.

In the meantime, she is neck deep in work, trying to create a noteworthy script of a story that has piqued her interest. "I've been trying to crack this since a year," she says, without revealing details.

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Naagin Bhagya Ka Zehreela Khel actor Lakshay Khurana is 'shy guy' off-screen

Actor Lakshay Khurana says that he is a "shy guy" in real life and is not like his character in the TV show "Naagin Bhagya Ka Zehreela Khel".

"In real life I'm very shy. I am not the one who flirts with girls. I'm totally opposite of what I play on screen. Hardik (his character) is a guy who can date many girls at one time. The character has many shades and I play that honestly," he said.

"Initially my friends used to tease me because of my character. They never thought that I could play something like this. My family also enjoy watching me and appreciates my acting," he added.

He is happy with his role right now, but in the future he would like to play a protagonist.

"I really like to experiment with my roles. So far the roles that I have played, I have done those parts honestly. In the future also, I am looking forward to doing something very challenging and I want to see myself playing a protagonist," he said.

The actor had earlier appeared in the show "Lajwanti".

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Deepika Chikhalia: Popularity of Ramayan re-run due to original success

Ramanand Sagar's epic "Ramayan", a show re-telecast almost three decades later, has become the most-watched entertainment show in the world. Actress Deepika Chikhalia, who gained popularity playing Sita, is ecstatic with the love that the serial has received yet again. She feels the magic created 30 years ago has helped make the re-run very successful.

On Thursday, a tweet from the official account of channel Doordarshan read: "WORLD RECORD!! Rebroadcast of #Ramayana on #Doordarshan smashes viewership records worldwide, the show becomes most-watched entertainment show in the world with 7.7 crore viewers on 16th of April"

According to media reports, the show has overtaken the popular "Game Of Thrones" in terms of viewership.

"I am really overjoyed that it has overtaken 'Game Of Thrones'. I thought it was one show that everyone has viewed and when I looked into it that 'Ramayan' has overtaken 'Game Of Thrones', I was really very happy. I am really very happy about it. It is great news," Deepika told IANS.

What according to Deepika is the reason behind the smashing success? "I have not analysed. I am not the sort of person who sits down and analyses. The only immediate thing I can think of is -- it has always had a story and a background. It always had a legacy and an era. When people started watching I would get messages that 'now, we are also part of that legacy and the magic'."

She added: "I think the word of mouth that people had loved it 30 years ago was the first kick-off. And once they started seeing and watching I think they kind of believed in the magic. I think that is how the circle moved. The series already had a name for itself and I think that the re-telecast rode on the success of original success. That's how I see it."

Deepika credits all the hard work of all departments for the show's success.

"I see it as a genuine labour of good work when it comes to performances, narration, direction. As an actor, when I see my own performances, I am baffled that at the age of 18, I had so much maturity to carry forward the lines, dialogue and there was so much patience in me. I performed with my eyes. Ramanand Sagar said that I want someone who emotes with her eyes because the body language should be that of Sita."

"Today, I see his vision. He had a vision and it's really, really wonderful. It is a genuine piece of work in every department. They all added to the success," she said.

Would she like to be a part of "Ramayan" again, if re-made? "If I am Sita I would like to," she said.

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Kaun Banega Crorepati is back! Here's when registration of season 12 begins

It's the time to rejoice for Kaun Banega Crorepati fans. The makers of the decade-old quiz show have finally revealed the registration date for the new season. The fresh season is expected to air in a shortly from now.

Kaun Banega Crorepati, is a show that most of us have grown up with and have participated in, sitting comfortably at our homes, yet feeling the same complex set of emotions as the participants on the coveted Hot Seat. We have all felt the adrenaline rush in this quest of knowledge, to deduce the answers to questions that can take one from being a nobody to a somebody.

KBC has been synonymous with knowledge and has constantly provided a platform to millions in realizing their dreams. From the civil services aspirant Harshvardhan Navathe, the very first Crorepati, to a mid-day meal cook Babita Tade, KBC has set an example for people to believe in themselves and achieve big in life.

9th May will see Mr. Bachchan asking the very first KBC Registration question at 9:00PM on Sony Entertainment Television. This will continue until 22nd May. There will be a new question presented by Mr. Bachchan every night. All one has to do is nswer these questions correctly via SMS or through SonyLIV.

Given the current times, while one ponders how to get through the day, KBC has come as an answer to use all your time productively, while at home. While we may be under a lockdown, knowledge knows no bounds, and it’s always good to value the power of knowledge and put it to good use.

Get ready to let knowledge fulfil your dreams with Kaun Banega Crorepati, starting 9th May at 9:00 PM only on Sony Entertainment Television

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Madhuri Dixit, Shashank Khaitan, Tushar Kalia's Dance Deewane 3 begins virtual auditions

With everything going digital amid lockdown due to Coronavirus outbreak, reality shows have found a new way to conduct auditions. Madhuri Dixit, Shashank Khaitan, and Tushar Kalia will return as judges for Dance Deewane 3.

For the show, the makers have begun virtual auditions. Madhuri Dixit kicked off her work by recording the promo for the show and asking the audience to participate by uploading their videos oh Viacom18's digital platform.

The final aspirants will be selected for the show once the film and TV bodies resume shoots. Arjun Bijlani will be returning as the show host. They'll kick off the new season after everything goes back to normal.

ALSO READ: Madhuri Dixit and Kajol reminisce about sharing screen space with late Rishi Kapoor




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FWICE General Secretary expresses concern on resuming shootings; says it will be like digging our own grave

With the increasing cases of the novel coronavirus, Prime Minister Narendra Modi has extended the lockdown till May 17. The lockdown first commenced on March 25 for a 21 day period. But had to be extended owing to the increasing cases.

However, the lockdown has badly hit the economy of the country with several people going out of a job. One industry that has completely shut down is the entertainment industry. The cinema halls were the first one to shut down in the country. Speaking to a tabloid about resuming Bollywood movies shoots, Ashok Dubey, the General Secretary of Federation of Western Indian Cine employees said that they spoke to CINTAA recently and are making guidelines on how they can proceed with shootings. Ashok Dubey said that nothing has been finalised. He said that Mumbai is a red zone and so they cannot think of shooting right now. Dubey also spoke to Sidharth Roy Kapur who said that they will have a conference call with Indian Motion Picture Producers (IMPPA), Indian Film and Television Producers Council (IFTPC) and Western India Film Producers' Association on how to deal with the situation and go ahead.

A few days back, the Producers guild had shared a document that lists precautions to be taken while shooting including proper sanitation, use of masks, etc. Dubey said that the guidelines are correct but how are they to shoot when there are spot boys and workers who travel from their home and back and how they are supposed to test everyone daily when the reports take time to come.

He also questioned about reducing the number of people on the sets. He questioned how the people left out will manage their livelihood and how to assure them a salary. Dubey said that there are several factors to be considered before proceeding with the shoot.

Ashok Dubey said that the TV producer body is in a hurry to start shooting bit is not possible. He said that it will be like digging its own grave if it does something like this. He further said that social distancing is not possible on the sets and lightmen cannot work 12 hours with a PPR kit. Dubey said that there is a difference in giving suggestions and actually implementing it.

Dubey said that the Government has not released any guidelines for the film industry to start shooting. Producers' Guild has just said that these precautions are to be taken while shooting; they haven't said to start shooting and take these precautions.

ALSO READ: Actors to do makeup at home, doctors to be on set and more new safety measures set up by Cine bodies




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From hygienic packaging to food, here's how MEET PALAN is helping poor, needy for the fight against COVID-19

While checking our bank accounts and our stocked fridges this week, have felt a moment of gratitude for the economic security nets that we have, that will help us tide over the next 21 days untill 30th of April 2020, as announced by the Indian government for breaking down the chain of COVID-19 i.e Coronavirus.

But there are also many who don’t have this net, and now do not have the option of stepping out to earn their daily wage and henceforth they are needy.

Some organisations & Individuals are helping the fortunate former reach out to help the latter. Meet Palan if one of the individual helping the poor society during the lockdown.

To help you aid these initiatives, Volunteers for Meet's team has put together a list of verified Non-Government Organizations, charities and institutions, which are working towards this cause in Rajkot, Gujarat.

For instance, Meet's & his team has successfully called for contributions and have donated more than 270 kilograms of rice with more than 235 kilograms of dal which is the basic staple food in india. Congratulations to Mr Meet Palan and all the best to him for his good deeds.

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Kamal Haasan re-imagines India for 'post-COVID world', calls for 'epidemic preparedness budget'

Actor-turned-politician Kamal Haasan on Monday re-imagined India for the "post-COVID world" and suggested measures across different sectors, including an "epidemic preparedness budget" for the health sector.

"While there are concerns, it's worth praising how this crisis is setting a precedent with state governments coming together and co-operating with each other as well as with the Centre. I sincerely hope this becomes a norm and help overcome perennial battles like the water crisis, pollution, migrants' woes, women's safety, communal violence, healthcare etc," Haasan said on his Twitter account.

"The last full-scale war India fought was almost half a century ago, but poor healthcare is an everyday war leading to 1.6 million deaths annually. Yet, year after year our Defence budget overshadows the healthcare budget," Haasan stated and added that it's a "pity that India continues seeing Defence as a more newsworthy proposition compared to healthcare".

He suggested that India needs to earmark an "epidemic preparedness budget with immediate effect".

"We are under threat a lot more from within than from outside our borders. Our priority towards Health needs to be reimagined with a handsome budget to match," Haasan said.

The Makkal Needhi Maiam (MNM) President later went on to talk about the Agriculture sector and said that India requires a 'Green Plus' revolution that firstly converts part of our agricultural land for an allied enterprise like processing, logistics, etc.

"Secondly, we need to accelerate productivity maximization on a war footing. Boosting agro based MSMEs will help retain youth in the sector and build a sustainable and prosperous future for farming. This will also solve the problem of seasonal lack of work for farmers," Haasan said.

He also suggested bringing India's vast informal sector into the formal fold.

"Bringing India's informal workers under the formal fold must become the biggest national exercise that the government needs to undertake in the near future. Other than boosting the morale of this segment and paving way for its growth, it will also mean enhanced tax collection, a lot of which can be ploughed back to improve infrastructure and offer welfare to the same workers," Haasan said.

"There is also a need to change our outlook towards the vast majority of women who toil their lives away under the status of 'housewife'. Women engaging in housework must be accorded job status. They have little or no savings and a Universal Income Guarantee will give a boost to their savings. Savings always help during any kind of crisis," he added.

Haasan even suggested correction in income inequality and poverty alleviation.

He added, "COVID-19 has shown us that poverty still remains India's most critical challenge. In a crisis, the rich will take a hit but they will not starve to death. Our leaders must learn to integrate the poor man's life in how they plan the running of the country. Relief measures are mere afterthoughts."

In conclusion, Haasan said, "It's time we reinvent the word superpower, India's pipe dream for decades. Let's be a universal thought leader, to put it in parlance a Vishwa-Guru and for all the right reasons."

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Accused in murder case, woman commits suicide by hanging self in Tihar Jail

A 25-year-old woman, who was an accused in a murder case, has allegedly committed suicide by hanging herself in her cell in Tihar Jail, the police said on Tuesday.

According to the police, the woman identified as Parveena hanged herself with her "dupatta" in her cell on the intervening night of Sunday and Monday. The woman was rushed to Deen Dayal Upadhyay Hospital, where she was declared brought dead by the doctors, the police said.

Praveena, a resident of Delhi, was lodged in Tihar jail number 6 since April 25 in connection with a murder case registered at Chhawla police station.

She, along with her husband, was accused of killing her father-in-law and mother-in-law, after which she had also tried to commit suicide but failed.

An inquest proceeding under Section 176 (inquiry by a magistrate into the cause of death) of the Code of Criminal Procedure (CrPC) is being conducted in connection with the alleged suicide.

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Coronavirus outbreak: Google shares ICC Champions Trophy doodle urging people to play games at home

After a series of doodle honouring coronavirus warriors, Google launched a new series since April 27 where they have been urging people to stay home and play games amid the COVID-19 crisis. Today, google shared an interactive doodle featuring the 2017 ICC Champions Trophy.

The doodel features the letter G where a person can be seen donning a Chef's hat as he uses a rolling pin in place of a bat while the letter E shows another person ready to bowl to the batsman like a bowler. When one hovers over the final doodle, it shows the message, "Stay and play at home with popular past Google Doodles: Cricket (2017).


The game provides you a virtual experience of playing cricket at a stadium

Once clicked on the animation, google takes the user to a game where one can play cricket on a pitch. The 2017 ICC Champions Trophy doodle was originally shared to celebrate the launch of the ICC Champions Trophy. the interactive feature gives you the surreal feeling of being in a stadium while playing the sport.

Explaining the motive behind launching the 10 game series to be played at hime, Google said, "As Covid-19 continues to impact communities around the world, people and families everywhere are spending more time at home. In light of this, we're launching a throwback doodle series looking back at some of our popular interactive Google Doodle games!"

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'We never spoke about charging migrant workers'

The government has not talked about charging anything from migrant labourers as 85 per cent of the transportation cost is borne by the railways and 15 per cent by state governments, the Centre said on Monday amid a row over the national transporter allegedly charging the workers for ferrying them home during the COVID-19-induced lockdown. The government also said the process of transporting the stranded migrant labourers was being coordinated by states "except for one or two states".

Asked if the migrant labourers were being charged for being ferried home, Joint Secretary at the Health Ministry, Lav Agarwal said that as far as migrant labourers are concerned, the guidelines have clearly stated that under the infectious disease management one should stay where he or she is.

"Based on the request given from states for particular cases, permission was given to run special trains. Be it government of India or the Railways, we have not talked about charging from workers. Eighty-five per cent of the transportation cost is borne by the Railways, while states have to bear 15 per cent of the cost," he told the media.

At the daily briefing on the COVID-19 situation, Agarwal also said that in the last 24 hours, 1,074 COVID-19 patients have recovered, the highest number of recoveries in one day. The recovery rate stands at 27.52 per cent with 11,706 COVID-19 patients cured till now, he said. Agarwal said in the last 24 hours, 2,553 Novel Coronavirus cases were reported, taking the number of overall cases to 42,533.

India on its way back to normalcy

. Life was limping back to normalcy in most parts of Karnataka with easing of COVID-19- induced restrictions on Monday as the state headed into the third phase of lockdown started since March 24.

. West Bengal has the highest mortality rate in the country at 12.8 per cent, Inter Ministerial Central Team leader Apoorva Chandra wrote in his final observations to state Chief Secretary Rajiva Sinha, before leaving for Delhi on Monday.

. Electricians, plumbers, part-time house helps and other workers took tentative steps back to work on Monday as large parts of India, including the national capital, entered the third phase of the lockdown with curbs eased in some places.

. Kerala on Monday opened its borders at six places for Keralites stranded in other states due to the COVID-19 lockdown to return to their native place. The government through an order issued earlier had designated six entry points for receiving the stranded persons from other states to enter Kerala.

Migrants pelt stones at cops in Gujarat

Hundreds of migrant workers seeking to return home clashed with the police and pelted stones at them near a village in Gujarat's Surat district on Monday, following which the security personnel lobbed teargas shells and baton-charged the agitated workers, an official said. Besides, several labourers also came out on a road in Rajkot demanding that they be sent back to their hometowns, while some migrant workers got their heads tonsured in an area of Surat after being unable to go back home.

Section 144 extended in Noida area

The Noida district administration has extended Section 144 of the CrPC till May 17 in Gautam Buddha Nagar, with relaxations in the lockdown subject to certain restrictions. The police shared some information on the relaxations through tweets. A notification was issued by Gautam Buddh Nagar Deputy Commissioner of Police, Ashutosh Dwivedi, stating that "the home ministry has issued detailed guidelines to prevent spread of Coronavirus.

BSF hdqs sealed after staff tests positive

Two floors of the BSF headquarters in Delhi have been sealed after a staff member was tested positive for COVID-19, officials said. The eight-storeyed BSF head office is located in the CGOs complex on Lodhi road that also houses the CRPF headquarters. "A head constable of the BSF working in the force headquarters has been found COVID-19 positive," a BSF spokesperson said on Monday.

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Coronavirus outbreak: Online booking, home delivery of liquor to begin in West Bengal amid lockdown

To avoid crowding and minimise footfall at liquor stores, the West Bengal State Beverages Corporation (WBSBCL) has launched an eRetail portal for online booking and home delivery.

According to the website of the WBSBCL, any person, who is older or of 21 years of age, can register as a buyer on the portal for getting home delivery of liquor. "For ensuring social distancing and minimising footfall at retail outlets, WBSBCL has launched eRetail for online booking and home delivery of liquor," notification on the website read.

The interested persons can fill in their details, full name, mobile number, address, email, among others to register as a buyer and get liquor delivered at their doorsteps. Prior to this, the Chhattisgarh and Punjab governments too had allowed home delivery of liquor in their respective states with certain conditions.

Liquor stores around the country have been allowed to reopen by the Centre during phase three of the coronavirus-induced lockdown. Long queues, with people flouting social distancing norms, were seen on liquor stores around the country as enthusiasts lined up to get their hands on their favourite drink.

With people at these outlets failing to follow social distancing norms, apprehensions were expressed regarding the spread of COVID-19.

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