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A Stone Age skull cult, rogue Parkinson’s proteins in the gut, and controversial pesticides linked to bee deaths

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Genes that turn off after death, and debunking the sugar conspiracy

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Where private research funders stow their cash and studying gun deaths in children

A new Science investigation reveals several major private research funders—including the Wellcome Trust and the Robert Wood Johnson Foundation—are making secretive offshore investments at odds with their organizational missions. Host Meagan Cantwell talks with writer Charles Piller about his deep dive into why some private funders choose to invest in these accounts. In the United States, gun injuries kill more children annually than pediatric cancer, but funding for firearm research pales in comparison. On this week’s show, host Sarah Crespi talks with Staff Writer Meredith Wadman and emergency physician Rebecca Cunningham about how a new grant will jump-start research on gun deaths in children. This week’s episode was edited by Podigy. Listen to previous podcasts. About the Science Podcast [Image: Bernard Spragg; Music: Jeffrey Cook] *Correction, 27 December, 5 p.m.: The interview on studying gun deaths in children in the United States incorrectly says that NIH spent $3.1 million on research into pediatric gun deaths. The correct figure is $4.4 million.




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Will a radical open-access proposal catch on, and quantifying the most deadly period of the Holocaust

Plan S, an initiative that requires participating research funders to immediately publish research in an open-access journal or repository, was announced in September 2018 by Science Europe with 11 participating agencies. Several others have signed on since the launch, but other funders and journal publishers have reservations. Host Meagan Cantwell speaks with Contributing Correspondent Tania Rabesandratana about those reservations and how Plan S is trying to change publishing practices and research culture at large. Some 1.7 million Jewish people were murdered by the Nazis in the 22 months of Operation Reinhard (1942–43) which aimed to eliminate all Jews in occupied Poland. But until now, the speed and totality of these murders were poorly understood. It turns out that about one-quarter of all Jews killed during the Holocaust were murdered in the autumn of 1942, during this operation. Meagan talks with Lewi Stone, a professor of biomathematics at Tel Aviv University in Israel and mathematical science at RMIT University in Melbourne, Australia, about this shocking kill rate, and why researchers are taking a quantitative approach to characterizing genocides. This week’s episode was edited by Podigy. Download the transcript (PDF) Listen to previous podcasts. About the Science Podcast [Image: Michael Beckwith; Music: Jeffrey Cook]




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Drunken brawl results in death

TIRUVARUR Rajkumar (23) of Maavur near Tiruvarur reportedly died after he was attacked by a group of persons at Pinnavasal hamlet on Thursday night wh




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Covid-19 Factoid: Counting the dead - from the US to Punjab and Iran

The US remains the most affected country with over 340,000 cases and the death toll at over 11,000




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Nabard refinances close to Rs 13,000 crore to state co-op banks and RRBs to assit farmers deal on-going lockdown

The loan has been disbursed under a refinance scheme by Nabard from its own resources and was given this week. "An amount of Rs 12,767 crore has been disbursed this week to StCBs and RRBs across the country in a bid to augment their resources during the ongoing lockdown conditions for extending credit to farmers," Nabard said.




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Ten great ideas about chance [electronic resource] / Persi Diaconis, Brian Skyrms.

Princeton, New Jersey : Princeton University Press, [2018]




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After net neutrality: a new deal for the digital age / Victor Pickard and David Elliot Berman

Dewey Library - HE7645.P535 2019




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Franklin D. Roosevelt and the New Deal, 1932-1940 / by William E. Leuchtenburg

Leuchtenburg, William E. (William Edward), 1922-




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The African affairs reader : key texts in politics, development, and international relations / edited by Nic Cheeseman, Lindsay Whitfield and Carl Death




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The shape of the new : four big ideas and how they made the modern world / Scott L. Montgomery and Daniel Chirot

Montgomery, Scott L., author




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Fighters in the shadows : a new history of the French resistance / Robert Gildea

Gildea, Robert, author




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Car Dealership Opens Parking Lot for Homeless Sleeping in Cars

James Charles decided that he wanted to help alleviate the problem of people without homes. Lacking access to any kind of large-scale shelter, Charles did the next best thing and used what he owned--a car dealership. In a Facebook post for his Kiplin Auto Group, Charles announced that he was offering ...




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Agra: Journalist among two new Covid-19 deaths

Priyanka Gandhi asked the Uttar Pradesh government to provide insurance cover for journalists.




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Babri Masjid demolition case: SC extends trial court’s deadline to deliver verdict to August 31

The top court also said the trial court judge should hold proceedings via videoconferencing during the period of the nationwide lockdown.




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Coronavirus: Football teams will be allowed to use five substitutes to deal with fixture backlog

The International Football Association Board said in a statement that it had agreed to a proposal by Fifa for a temporary rule change to protect players.




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Watch: Bhogle on why Rohit replacing Kohli as India’s white-ball captain may not be a good idea

Rohit Sharma and Virat Kohli’s contrasting fortune as captains in the Indian Premier League has always raised doubts.




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Aurangabad train accident: MP government’s negligence led to deaths of 16 migrants, alleges Congress

The party said that the workers had applied to the state government for passes to return home, but the administration did not act on it.




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Cottage Industry of Biocontrol Agents and Their Applications: Practical Aspects to Deal Biologically with Pests and Stresses Facing Strategic Crops / Nabil El-Wakeil, Mahmoud Saleh, Mohamed Abu-hashim, editors

Online Resource




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The wake: the deadly legacy of a Newfoundland tsunami / Linden MacIntyre

Dewey Library - GC222.B87 M44 2019




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Z’s Still Not Dead Baby, Z’s Still Not Dead

Andy Clarke digs deep into snow to find ways flat design can be brought back to life in CSS with the use of techniques to create a sense of depth. Like spring after an everlasting winter, perhaps it’s time to let a different style of design flourish. What a relief.


A reaction to overly ornamental designs, flat design has been the dominant aesthetic for almost a decade. As gradients, patterns, shadows, and three-dimensional skeuomorphism fell out of fashion, designers embraced solid colours, square corners, and sharp edges.

Anti-skeuomorphism no doubt helped designers focus on feature design and usability without the distraction of what some might still see as flourishes. But, reducing both product and website designs to a bare minimum has had unfortunate repercussions. With little to differentiate their designs, products and websites have adopted a regrettable uniformity which makes it difficult to distinguish between them.

Still, all fashions fade eventually. I’m hopeful that with the styling tools we have today, we’ll move beyond flatness and add an extra dimension. Here are five CSS properties which will bring depth and richness to your designs.

To illustrate how you might use them, I’ve made this design for the 1961 Austin Seven 850, the small car which helped define the swinging sixties.

The original Mini. Red, (British Racing) green, blue designs.

Transparency with alpha values

The simplest way to add transparency to a background colour, border, or text element is using alpha values in your colour styles. These values have been available in combination with RGB (red, green, blue) for years. In RGBA, decimal values below 1 make any colour progressively more transparent. 0 is the most transparent, 1 is the most opaque:

body {
  color: rgba(255, 0, 153, .75); 
}
Alpha values allow colour from a background to bleed through.

Alpha values also combine with HSL (hue, saturation, lightness) to form HSLA:

body {
  color: hsla(0, 0, 100, .75);
}

Currently a Working Draft, CSS Color Module Level 4 enables alpha values in RGB and HSL without the additional “A”:

body {
  color: rgb(255, 0, 153, .75);
  /* color: hsl(0, 0, 100, .75); */
}

This new module also introduces hexadecimal colours with alpha values. In this new value, the last two digits represent the transparency level, with FF producing 100% opacity and 00 resulting in 100% transparency. For the 75% opacity in my design, I add BF to my white hexadecimal colour:

body {
  color: #ffffffbf;
}

Although there’s already wide support for hexadecimal, HSL, and RGB with alpha values in most modern browsers, the current version of Microsoft Edge for Windows has lagged behind. This situation will no doubt change when Microsoft move Edge to Chromium.

2. Use opacity

Using the opacity property specifies the amount of opacity of any element (obviously) which allows elements below them in the stacking order to be all or partially visible. A value of 0 is most transparent, whereas 1 is most opaque.

Opacity tints images with colour from elements behind them.

This property is especially useful for tinting the colour of elements by allowing any colour behind them to bleed through. The British Motor Corporation logo in the footer of my design is solid white, but reducing its opacity allows it to take on the colour of the body element behind:

[src*="footer"] {
  opacity: .75; 
}

You might otherwise choose to use opacity values as part of a CSS filter. 0% opacity is fully transparent, while 100% is fully opaque and appears as if no filter has been applied. Applying a CSS filter is straightforward. First, declare the filter-function and then a value in parentheses:

[src*="footer"] {
  filter: opacity(75%); 
}

3. Start blending

Almost universally, contemporary browsers support the same compositing tools we’ve used in graphic design and photo editing software for years. Blend modes including luminosity, multiply, overlay, and screen can easily and quickly add depth to a design. There are two types of blend-mode.

background-blend-mode defines how background layers blend with the background colour behind them, and with each other. My layered design requires three background images applied to the body element:

body {
  padding: 2rem;
  background-color: #ba0e37;
  background-image:
    url(body-1.png),
    url(body-2.png),
    url(body-3.png);
  background-origin: content-box;
  background-position: 0 0;
  background-repeat: no-repeat;
  background-size: contain;
}
From left: Three background images. Far right: How images combine in a browser.

You can apply different background-blend modes for each background image. Specify them in the same order as your background images and separate them with a comma:

body {
  background-blend-mode: multiply, soft-light, hard-light;
}
Six background-blend-mode variations.

When I need to apply an alternative colour palette, there’s no need to export new background assets. I can achieve results simply by changing the background colour and these background-blend modes.

Backgrounds blend behind this brilliant little car.

Sadly, there’s not yet support for blending modes in Edge, so provide an alternative background image for that browser:

@supports not (background-blend-mode: normal) {
  body {
    background-image: url(ihatetimvandamme.png); 
  }
}

mix-blend-mode, on the other hand, defines how an element’s content should blend with its ancestors.

From left: Screen, overlay, and soft-light mix-blend-mode.

To blend my Mini image with the background colours and images on the body, I add a value of hard-light, plus a filter which converts my full-colour picture to greyscale:

[src*="figure"] {
  filter: grayscale(100%);
  mix-blend-mode: hard-light; 
}

You can also use mix-blend-mode to add depth to text elements, like this headline and large footer paragraph in a green and yellow version of my design:

.theme-green h1,
.theme-green footer p:last-of-type {
  color: #f8Ef1c;
  mix-blend-mode: difference;
}
Text elements blend to add interest in my design.

4. Overlap with CSS Grid

Whereas old-fashioned layout methods reinforced a rigid structure on website designs, CSS Grid opens up the possibility to layer elements without positioning or resorting to margin hacks. The HTML for my design is semantic and simple:

<body>

<p>You’ve never seen a car like it</p>

<h1><em>1961:</em> small car of the year</h1>

<figure>
  <img src="figure.png" alt="Austin Seven 850">
  <figcaption>
    <ul>
      <li>Austin Super Seven</li>
      <li>Morris Super Mini-Minor</li>
      <li>Austin Seven Cooper</li>
      <li>Morris Mini-Cooper</li>
    </ul>
  <figcaption>
</figure>

<footer>
  <p>Today’s car is a Mini</p>
  <p>Austin Seven 850</p>
  <img src="footer.png" alt="Austin Seven 850">
<footer>

</body>

I begin by applying a three-column symmetrical grid to the body element:

@media screen and (min-width : 48em) {

  body {
    display: grid;
    grid-template-columns: 1fr 1fr 1fr; 
  }

}
Three-column symmetrical grid with column and row lines over my design.

Then, I place my elements onto that grid using line numbers:

body > p {
  grid-column: 1 / -1; 
}

h1 {
  grid-column: 1 / 3; 
}

figure {
  grid-column: 1 / -1; 
}

footer {
  display: contents; 
}

footer div {
  grid-column: 1 / 3; 
}  

[src*="footer"] {
  grid-column: 3 / -1;
  align-self: end; 
}

As sub-grid has yet to see wide adoption, I apply a second grid to my figure element, so I may place my image and figcaption:

figure {
  display: grid;
  grid-template-columns: 1fr 3fr; 
}

figcaption {
  grid-column: 1; 
}

[src*="figure"] {
  grid-column: 2; 
}
Left: This conventional alignment lacks energy. Right: Overlapping content adds movement which makes my design more interesting overall.

Previewing the result in a browser shows me the energy associated with driving this little car is missing. To add movement to my design, I change the image’s grid-column values so it occupies the same space as my caption:

figcaption {
  grid-column: 1;
  grid-row: 3; 
}

[src*="figure"] {
  grid-column: 1 / -1; 
  grid-row: 3;
  padding-left: 5vw; 
}

5. Stack with z-index

In geometry, the x axis represents horizontal, the y axis represents vertical. In CSS, the z axis represents depth. Z-index values can be either negative or positive and the element with the highest value appears closest to a viewer, regardless of its position in the flow. If you give more than one element the same z-index value, the one which comes last in source order will appear on top.

Visualisation of z-index illustrates the depth in this design.

It’s important to remember that z-index is only applied to elements which have their position property set to either relative or absolute. Without positioning, there is no stacking. However, z-index can be used on elements placed onto a grid.

All techniques combined to form a design which has richness and depth.

As the previous figure image and figcaption occupy the same grid columns and row, I apply a higher z-index value to my caption to bring it closer to the viewer, despite it appearing before the picture in the flow of my content:

figcaption {
  grid-column: 1;
  grid-row: 3;
  z-index: 2; 
}

[src*="figure"] {
  grid-column: 1 / -1; 
  grid-row: 3;
  z-index: 1; 
}

Z’s not dead baby, Z’s not dead

While I’m not advocating a return to the worst excesses of skeuomorphism, I hope product and website designers will realise the value of a more vibrant approach to design; one which appreciates how design can distinguish a brand from its competition.


I’m incredibly grateful to Drew and his team of volunteers for inviting me to write for this incredible publication every year for the past fifteen years. As I closed my first article here on this day all those years ago, “Have a great holiday season!” Z’s still not dead baby, Z’s still not dead.


About the author

Andy Clarke is one of the world’s best-known website designers, consultant, speaker, and writer on art direction and design for products and websites. Andy founded Stuff & Nonsense in 1998 and for 20 years has helped companies big and small to improve their website and product designs. Andy’s the author of four web design books including ‘Transcending CSS,’ ‘Hardboiled Web Design’ and ‘Art Direction for the Web’. He really, really loves gorillas.

More articles by Andy




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Dewey Library - JC423.G638 2019




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Dewey Library - JC311.B45 2018




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Bangalore attack: 1,144 ATMs shut as banks fail to meet security deadline

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Managing natural resources : organizational strategy, behaviour and dynamics / edited by Gerard George (Dean & Lee Kong Chian Chair Professor of Innovation and Entrepreneurship, Lee Kong Chian School of Business, Singapore Management University, Singa




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Fast track to renewables : low emission electricity for south west Australia by 2030 / Dean Laslett

Laslett, Dean, author




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Oliver, Chadwick Dearing, 1947- author




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The politics of the environment : ideas, activism, policy / Neil Carter (University of York)

Carter, Neil, 1958- author




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On fire : the burning case for a green new deal / Naomi Klein

Klein, Naomi, 1970- author




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Kolkata death trap: When will Mamata Banerjee act?




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After outrage,Mamata Banerjee terms SFI man’s death as ‘unfortunate’,mum on probe



  • DO NOT USE West Bengal
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SFI student leader Sudipto Gupta’s father wants Mamata to return dead son