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Wind Concertos - BOTTI, S. / TURNER, J.L. / GRYC, S.M. (Heavy Weather) (Koffman, Mendoker, M. Goldberg, Hartt Wind Ensemble, Adsit) (8.574087)

The Hartt School Wind Ensemble presents recent concertante works by three contemporary American composers—demonstrating once more the versatility of the ensemble, heard here in conjunction with soloists. Susan Botti’s sull’ala is inspired by flight, expressed in rhythm, harmony and texture, while Jess Langston Turner describes powerful meteorological phenomena in Heavy Weather. In Guignol, Stephen Michael Gryc conjures witty banter and frenetic action from his puppet hero.




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Vocal Recital: Sternberg, Deborah - SIMPSON, A.E. / KITCHEN, E. / THIBAUDEAU, G. (Birds of Love and Prey) (8.579064)

Soprano Deborah Sternberg brings together three song cycles themed on birds, each with its own unique flavour and expressive vocabulary. Andrew Earle Simpson’s eloquent skills as a composer and pianist are united in Birds of Love and Prey, in which both antique and modern textual sources contrast songbirds and predators in a variety of ways. Eric Kitchen uses transcriptions of actual birdsong in The Olney Avian Verse of William Cowper, while Gabriel Thibaudeau’s Cycle Avicellus portrays birds within landscapes using a language of modern impressionism.




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SKORYK, M.: Violin Concertos (Complete), Vol. 1 - Nos. 1-4 (Bielow, Ukraine National Symphony, Sirenko) (8.574088)

Myroslav Skoryk, a postgraduate student of Dmitry Kabalevsky, is one of Ukraine’s leading composers and teachers. His works range from opera and ballet, a symphonic transcription of Paganini’s 24 Caprices, and his cycle of nine Violin Concertos written over a 45-year span. They draw on elements of Carpathian folklore and are saturated in expressive dialogues, lyricism and elegy while also exuding powerful intensity. Skoryk’s sensual writing is frequently contrasted with syncopated motifs, cadenzas, fugal episodes and march rhythms. This is the first of two volumes.




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SKALKOTTAS, N.: Sinfonietta / Classical Symphony / 4 Images / Ancient Greek March (The Neoclassical Skalkottas) (Athens State Orchestra, Tsialis) (8.574154)

Despite his tragically short life, Nikos Skalkottas has now become recognised as one of the most important Greek composers of the 20th century. The modernist style of his earlier period is balanced by the four important mature neoclassical works presented here. Both the Sinfonietta and the Classical Symphony are expressions of the deep regard Skalkottas had for traditional forms blended with his unique musical language. Skalkottas was a violinist with the Athens State Orchestra, who are honouring his memory with this and future recordings of his works.




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Opera Scenes and Orchestral Songs (Soprano) - RAVEL, M. / BARBER, S. / BIZET, G. / SZYMANOWSKI, K. / PUCCINI, G. (Femmes Fatales) (Nasibli) (8.579066)

Composers of every era have drawn on the strengths, sorrows and joys of women for operas and vocal works, inspiring some of their most powerful music. From the heartbreaking tragedy of Samuel Barber’s Andromache’s Farewell to the magical storytelling of Shéhérazade and the Fairy-Tale Princess, acclaimed soprano Seljan Nasibli takes us on a timeless journey through female musical ancestors whose courage is as relevant in today’s society as it has ever been.




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MAYR, J.S.: Mass in E-Flat Major (Szczepańska, Krödel, M. Schäfer, Ochoa, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.574057)

Mayr’s great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with its clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr’s imposing, tonally consonant and expressive setting can be heard in all its grandeur and eloquence. With its striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.




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Lute Duo Music (Two Lutes with Grace - Plectrum Lute Duos of the Late 15th Century) (Lewon, Kieffer) (8.573854)

The plectrum lute duo was one of the most popular ensembles for professional instrumentalists in late 15th-century Western Europe. This recording presents for the first time the bulk of a surviving repertoire that can arguably be considered for the lute duo, performed on two equal plectrum lutes or with a combination of lute and gittern—a smaller member of the lute family. The album, inspired by the Ferrarese virtuoso Pietrobono dal Chitarino (c. 1417–1497), acclaimed in his lifetime as ‘the foremost lutenist in the world’, includes the earliest printed lute duos by Francesco Spinacino and Joan Ambrosio Dalza and the two-voice instrumental works by Johannes Tinctoris. The often highly ornamented instrumental duos are mostly reworkings of songs, some of which are given here in a performance with the singer Grace Newcombe to provide the context for the lute arrangements that follow.




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Guitar Recital: Park, Ji Hyung - ALBÉNIZ, I. / BROUWER, L. / CASTELNUOVO-TEDESCO, M. / SCARLATTI, D. / TAKEMITSU, Toru / THIELEMANS, T. (8.574140)

Ji Hyung Park has won numerous prestigious competitions, with the 7th Changsha International Guitar Competition in 2018 his most recent triumph. The diverse selection of music performed in this programme features three virtuoso sonatas by Scarlatti, the world premiere recording of Leo Brouwer’s evocation of ancient Greek culture Las Cíclades arcaicas, Castelnuovo-Tedesco’s Sonata ‘Omaggio a Boccherini’ in its original, pre-Segovia manuscript form, Takemitsu’s final work In the Woods and rare selections from Albéniz’s masterpiece Iberia. The programme ends with a colourful arrangement of Toots Thielemans’ gorgeous Bluesette.




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GÓRECKI, H.M.: String Quartets (Complete), Vol. 2 - No. 3 / Sonata for 2 Violins (Tippett Quartet) (8.574110)

The Sonata for Two Violins is one of Henryk Górecki’s earliest acknowledged works—its contrasts, instrumental rivalries and sophisticated technique a worthy rounding-off of his formative period. The Third String Quartet with its evocative subtitle ‘…songs are sung’ represents a culmination of Górecki’s preoccupations with elaborate and emotive melodic shapes and closely intertwined harmonies, its final minutes recalling the beauty and poignancy of the composer’s Third Symphony (Naxos 8.550822). The First and Second String Quartets can be heard on Naxos 8.573919, ‘a recording deserving of the very highest recommendation’ (Gramophone).




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FARRENC, L.: Symphony No. 1 / Overtures Nos. 1-2 / Grand Variations on a theme by Count Gallenberg (J. Muller, Solistes Européens, Luxembourg, König) (8.574094)

Louise Farrenc was renowned in her lifetime as a pianist, composer and teacher, but it is only recently that her compositions have emerged from many years of neglect. Symphony No. 1 in C minor—cast in the German tradition—is an exceptionally accomplished work, finely orchestrated, lyrical and fiery, and a substantial contribution to the canon. The Grand Variations on a Theme by Count Gallenberg is a showcase for virtuosic elegance, and the two overtures demonstrate real theatrical drama—Overture No. 2 was admired by no less a figure than Hector Berlioz.




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BEETHOVEN, L. van: Ruinen von Athen (Die) (The Ruins of Athens) (Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam) (8.574076)

Die Ruinen von Athen (‘The Ruins of Athens’) was composed to celebrate the opening of the new German theatre in Pest in 1812. Designed to accompany the play of that name by August von Kotzebue, its incidental music is substantial enough to form a kind of one-act Singspiel and is full of attractive arias, duets and choruses and includes the famous Turkish March. Though the work’s theme was rooted in Greek mythology, in reality it was explicitly political in nature, celebrating Pest as ‘the new Athens’. This is the first ever recording of the work with full narration.




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Wind Band Music - MASLANKA, D. / PERRINE, A. / WALCZYK, K. (Freedom from Fear) (University of Kansas Wind Ensemble, Popiel) (8.574169)

Contemporary American music for wind band continues to offer a rich combination of colour and variety. David Maslanka was one of the most prolific and admired of all wind band composers, and in Liberation he utilises plainchant in a moving exploration of death, the afterlife and the continuance of hope. Inspired by Walt Whitman, Aaron Perrine’s In the Open Air, In the Silent Lines creates a rich sense of space, while Kevin Walczyk’s moving Symphony No. 5: Freedom from Fear – Images from the Shoreline is unified by its themes of adoption, segregation and immigration.




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WEINBERG, M.: Clarinet Music - Clarinet Concerto / Clarinet Sonata / Chamber Symphony No. 4 (Oberaigner, Schöch, Michail Jurowski) (8.574192)

Mieczysław Weinberg was familiar with the clarinet from his youth, given its prominent place in klezmer bands and theatre ensembles, and he wrote three works specifically for the instrument. In the Clarinet Concerto he draws a wide range of textures from the accompanying strings, over which the soloist explores the clarinet’s extremes of register in virtuosic fashion. Despite having been written when Weinberg was still in his mid-twenties, the Clarinet Sonata is a mature work with Romantic and folkloric elements. His last completed work was the Chamber Symphony No. 4, an impassioned piece with a wrenching chorale theme and role for obbligato clarinet.




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STRAUSS II, J.: Blindekuh [Operetta] (R. Davidson, Kunkle, Bortolotti, Sofia Philharmonic Chorus and Orchestra, Salvi) (8.660434-35)

Blindekuh (‘Blind Man’s Buff’) was Johann Strauss II’s sixth operetta and his least known. Neglected for well over a century, it was revived by Dario Salvi and the forces on this album in January 2019. The work’s initial lack of success is hard to explain but it may have been caused by a confusing libretto—the music itself is vibrant and captivating with waltzes, polkas, mazurkas, marches and bel canto arias. Performed in a concert version without dialogue, and in accordance with performing traditions, this production restores the work to the status of one of Strauss’s most melodically seductive works.




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SCHUMANN, R.: Arrangements for Piano Duet, Vol. 5 (Eckerle Piano Duo) - Symphonies Nos. 1 and 4 (8.572881)

The insatiable demand for sheet music for domestic use in the 19th century meant that popular works were widely disseminated in piano duet form. Robert Schumann’s own arrangements of the ‘Spring’ Symphony (in collaboration with his wife Clara Schumann) and the Fourth Symphony balance playability and fidelity to the original with tremendous skill. Clara considered the Fourth Symphony to be ‘another work from the innermost depths of Robert’s soul’, a symphony that has become one of the most quintessential of the Romantic era.




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SCARLATTI, D.: Keyboard Sonatas (Complete), Vol. 23 (Monteiro) (8.574075)

Domenico Scarlatti’s distinguished career included a royal post in Rome where he competed against Handel, the latter being declared the better organist and Scarlatti the better harpsichordist. Written for his pupil the Infanta Maria Bárbara, Scarlatti’s legacy of hundreds of single-movement keyboard sonatas forms a valuable resource for performers today. This collection includes a wealth of Spanish dances with virtuoso leaps, unusual modulations, flourishes and ornamentation, as well as Scarlatti’s irrepressible verve and energy.




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JOLIVET, A.: Flute Works (Complete), Vol. 2 (Boulègue, Tulliez, L. Warnier, Gimeno) (8.574079)

In this second volume of André Jolivet’s complete works for flute (Volume 1 is on 8.573885), Kobe International Flute Competition winner Hélène Boulègue explores further examples of some of the most individual and important of all 20th-century works for the instrument. The Flute Concerto No. 1 exemplifies Jolivet’s genius for liquid melodic lines and frenetic bravura. The intricately scored Suite en concert for flute and four percussionists is one of the most fascinating in the repertoire, whilst the Sonatine is both trance-like and rhapsodic.




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Flute Sonatas (20th Century) - Lupachev, Denis - HINDEMITH, P. / NAGOVITSIN, V.L. / DENISOV, E. / PROKOFIEV, S. (Lupachev, Laul) (8.579069)

Written over the course of a quarter-century, these four flute works reflect the individual approaches to the flute sonata taken by their composers. Hindemith’s aim was to offer new music of buoyancy and brio, tempered by elegiac moments. Prokofiev’s famous sonata has Classical formal elegance, while the sonatas of Denisov and Nagovitsyn are single movement works that explore the flute’s extreme registers, as well as its dynamic contrasts and virtuosic capacities.




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BEETHOVEN REIMAGINED (G. Prokofiev, BBC National Orchestra of Wales, Segal) (8.574020)

2020 is the 250th anniversary of Beethoven’s birth, and this album presents three works that reshape the composer’s awe-inspiring music for the 21st century. The Sonata for Orchestra considers how the Violin Sonata No. 7 would sound had it been written for orchestra, while A Fidelio Symphony transforms vocal lines into symphonic textures to take us through the entire arc of the composer’s sole opera. Based on the famous Ode to Joy of Beethoven’s final symphony, BEETHOVEN9 Symphonic Remix uses loops, grooves and musical transformations to create a contemporary tribute to Beethoven’s universal message.




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TURNER, K.: Horn Works (Complete), Vol. 1 (K. Mascher-Turner, K. Turner, F. Lloyd, Bloomer) (8.579050)

Kerry Turner made his mark on the global music community through his association with the illustrious American Horn Quartet. Turner’s compositional goal is to communicate to the listener a vivid picture through his highly melodic musical language. Many sources provided the inspiration for the works on this album, ranging from the spiritual, to the literary, and even Turner’s powerful response to the music of J.S. Bach.




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SPUCK, C.: Nutcracker and Mouse King [Ballet] (after P.I. Tchaikovsky) (Zürich Ballet, 2018) (NTSC) (ACC-20449)




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SPUCK, C.: Nutcracker and Mouse King [Ballet] (after P.I. Tchaikovsky) (Zürich Ballet, 2018) (Blu-ray, Full-HD) (ACC-10449)




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SHACKLETON, E.: South (Unabridged) (NA0401)

On 8 August 1914, five days after the outbreak of World War One, the Endurance, a wooden-hulled, coal-fired icebreaker, set sail for the South Pole, in a bid to complete the first-ever trans-Antarctic expedition, which would cross the continent from the Weddell Sea to Scott’s base at Cape Evans, via the Pole. However, despite the best planning, the ship succumbs to the ice floes of the Weddell Sea, and is subjected to months of uncontrollable drifting before its crew makes a scramble for Elephant Island, where they battle constant cold and starvation. Faced with the most fearsome terrain and extreme conditions, it is up to Ernest Shackleton, commander of the Endurance, to lead his men back to safety and save them from the horrors of the ice.




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JAMES, H.: Roderick Hudson (Unabridged) (NA0404)

Roderick Hudson and Rowland Mallet are like two sides of the same coin: while the whimsical and egotistical Roderick recklessly follows his passions in the name of art, altruistic Rowland lives with restraint and measure. The two are bound together almost immediately when Rowland is shown a striking bronze statuette in his cousin’s garden, which moves him to meet and support its creator, Roderick. They abandon their provincial New England lives for Rome, where the young sculptor perfects his craft and flourishes among Italy’s great masters, while Rowland lives vicariously through Roderick, patiently hoping that the artist’s fiancée, Mary Garland, might one day share his feelings.




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DOSTOYEVSKY, F.M.: House of the Dead (The) (Unabridged) (NA0408)

Completed six years after Dostoyevsky’s own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to ten years of hard labour for murdering his wife. He is little prepared for the cruel conditions and punishing temperatures, and struggles to integrate with the other prisoners, who claw for their sanity. Fettered, hungry and isolated, Alexandr Petrovitch must find faith and hope if he is to make his way out alive, and resurrect himself from the ‘dead house’.




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BURKE, E.: Philosophical Enquiry into the Sublime and Beautiful (A) (Unabridged) (NA0413)

In A Philosophical Enquiry… Edmund Burke sets out to define the nature of beauty and sublimity, and establish an objective criterion for discussing aesthetics. His definition of beauty as rooted in pleasure and sexuality, and the sublime in pain and survival, aligned him with the empiricists John Locke and David Hume, as he replaced the metaphysics of Plato’s aesthetics with a psychological and physiological perspective. According to Burke, the sublime and the beautiful are experiences that can be explained by biological and sensual factors; thus he proceeds to explain how smooth lines, sweet tastes and middle frequencies of sound can be considered beautiful, and the terror created by high mountains and dark forests can be sublime. These revolutionary ideas ushered in the age of Romanticism, and the Gothic genre of novels, with their delight in horror and fright, and continue to influence aesthetic theories today.




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PIZAN, C. de: Book of the City of Ladies (The) (Unabridged) (NA0456)

Shocked and distressed by a male writer’s vilification of women, Christine de Pizan has a powerful dreamlike vision in which she is visited by three personified Virtues: Reason, Rectitude and Justice. They tell her she has been chosen to write a book which will be like a city, housing virtuous women and protecting them from feminist attack. Heroines past and present form the foundations of this city—biblical and mythical heroines, ruling queens, Christian saints, and inventors are among them. Partly myth, partly fact, The Book of the City of Ladies is an extraordinary, pioneering and impassioned defence of women that set out to shatter medieval misogynist clichés, and serve to instil self-worth in its female readers of the time.




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Podcast: Black History Month. Some musical notes. (Feb 14, 2020)

The guest host of this podcast is Ashley Jackson. She is an accomplished musician, who has studied the music of both Margaret Bonds and Florence Price, who composed and worked during the civil rights movement in the United States. In this podcast, Dr Jackson gives us both an historical and a personal perspective on how the struggles of these composers, and those of her grandmother, helped make possible what she does today. Harpist Ashley Jack ...more




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Podcast: Ludwig van Beethoven. Works from his middle years. (Feb 28, 2020)

Celebrate Beethoven – Music from His Middle Compositional Period 9.30206 Raymond Bisha presents an overview of works written by Beethoven during his middle years period. It’s a companion resource to the latest release in Naxos’ monthly digital album series featuring the music of Beethoven in this 250th anniversary year of his birth. February’s compilation album (9.30206) presents a programme of wo ...more




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Podcast: Nino Rota’s works for solo piano. A magical melting pot. (Jan 17, 2020)

ROTA, N.: Piano Solo Works (Complete), Vol. 1 Eleanor Hodgkinson GP827 Raymond Bisha introduces this new release from the Grand Piano label. It’s the opening volume in what is to be the first complete series of recordings of Nino Rota’s works for solo piano, performed by Eleanor Hodgkinson. Nino Rota embraced neo-Classical, neo-Romantic and even neo-Baroque affiliations. His music prized melodic directness ...more




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In the Studio with Kenneth Fuchs and the United States Coast Guard Band (Jan 18, 2020)

Kenneth Fuchs, the GRAMMY Award-winning American composer, is no stranger to followers of our burgeoning American Classics Series, in which he is represented by six fine releases, including the GRAMMY-winning album with “Spiritualist” piano concerto from last year’s award ceremony. His next recording, a programme of music for wind band, will be available in August 2020. As part of the preparations for that release, Kenneth has been working on a couple of video pre ...more




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From the Naxos Blog: Six Sounds of Shakespeare (Mar 20, 2020)

Source: Hogarth Shakespeare March 21 marks the European Day of Early Music. By way of a slightly contorted response to the occasion, I thought we might take a look at William Shakespeare’s influence on composers, not through the contemporary contributions they made to performances of his plays (he lived from 1564 to 1616), but by taking stock of how The Bard has inspired and permeated the output of generations of composers since his day. ...more




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SUK, J.: Asrael (Bavarian Radio Symphony, Hruša) (900188)

Review by Richard Whitehouse
Gramophone, May 2020




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Piano Concertos - MOZART, W.A. / BEETHOVEN, L. van / HAYDN, J. (Gulda, Keilberth, Müller-Kray, Rosbaud) (1959-1962) (SWR19088CD)

International Piano, May 2020

View PDF  




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NIELSEN, C.: Flute Concerto / IBERT, J.: Flute Concerto / ARNOLD, M.: Flute Concerto No. 1 (Andrada, Frankfurt Radio Symphony, J. Martín) (ODE1340-2)

Review by Christian Hoskins
Gramophone, May 2020




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LUTOSLAWSKI, W.: Symphonies Nos. 2 and 3 (Finnish Radio Symphony, Lintu) (ODE1332-5)


Review by Freya Parr
BBC Music Magazine, May 2020




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LISZT, F.: 3 Études de concert / Grandes Études de Paganini / 12 Études d'exécution transcendante (Hommage à Liszt) (A. Katz) (C990202)


Review by Jeremy Nicholas
Gramophone, May 2020




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KÕRVITS, T.: Hymns to the Nordic Lights / Silent Songs / Élégies of Thule (Vind, Estonian National Symphony, Joost) (ODE1349-2)

Review by Ivan Moody
Gramophone, May 2020




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GÓRECKI, H.M.: String Quartets (Complete), Vol. 2 - No. 3 / Sonata for 2 Violins (Tippett Quartet) (8.574110)


Review by Ivan Moody
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (NTSC) (2.110654)

Review by Jed Distler
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (Blu-ray, HD) (NBD0105V)

Review by Jed Distler
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (NTSC) (2.110653)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (Blu-ray, HD) (NBD0104V)


Review by Jed Distler
Gramophone, May 2020
Gramophone, May 2020




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (NTSC) (2.110653)




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BACH, J.S.: Well-Tempered Clavier (The), Book 1, BWV 846-869 (A. Schiff) (Blu-ray, HD) (NBD0104V)




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SHOSTAKOVICH, D.: Violin Concerto No. 1 / TCHAIKOVSKY, P.I.: Symphony No. 5 (Skride, Leipzig Gewandhaus Orchestra, A. Nelsons) (NTSC) (ACC-20478)




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SHOSTAKOVICH, D.: Violin Concerto No. 1 / TCHAIKOVSKY, P.I.: Symphony No. 5 (Skride, Leipzig Gewandhaus Orchestra, A. Nelsons) (Blu-ray, Full-HD) (ACC-10478)




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MARTHALER, C. / ENGEL, T. / VIEBROCK, A.: Universe, Incomplete (after C. Ives) / The Unanswered Ives (Documentary, 2018) (NTSC) (ACC-20434)




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (NTSC) (2.110654)




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BACH, J.S.: Well-Tempered Clavier (The), Book 2, BWV 870-893 (A. Schiff) (Blu-ray, HD) (NBD0105V)