The movie makers stay true to their promise of, “The Only Sex Film for the Whole Family” and the film ends up being a straitjacketed one for it.

AndhaDhun's most noticeable performance comes from Tabu. She is delightful to watch.

Director Prashant Singh’s Jabariya Jodi is a film that props up a love story by the aforementioned premise.

Batla House combines all the essential tropes of mainstream Bollywood films in remarkably entertaining fashion, and make you sit and notice the fluidity of the narrative.

Akshay Kumar's Mission Mangal recounts the story of this mammoth event in the tried and tested, personal anecdotal style.

On the technical front, the film is astutely mounted with all the trappings of an A-grade action film. The fight sequences are brilliantly choreographed, picturised and layered.

The impressively staged but ultimately exhausting action sequences take up the bulk of screen time, but they can’t salvage this soulless film that has all the depth and emotional wallop of a video game.

Shraddha Kapoor and Sushant Singh Rajput bring a touch of glamour and of course, the much sought after romance to campus life.

In Dream Girl, Ayushmann plays Karam, an unemployed young man in Gokul, Mathura, who takes a job at a call centre. Read our review of the film here.

Section 375 is a well-made film with a persuasive argument that is nevertheless disturbing. read our review of the film here.

Fortune favours the brave and this one with all the talent it's equipped with plus 'The Zoya Factor' certainly seems to hold the promise of box office success. Read our full review below.

Sonam Kapoor and Dulquer Salmaan's The Zoya Factor is not an unwatchable film by any measure. But it squanders the opportunity to say something about the world we live in, and our reliance on luck as both a crutch and an excuse.

Bard of Blood, directed by Ribhu Dasgupta, presents Emraan Hashmi as a rogue spy who goes inside Balochistan for a dangerous mission.

Bulbul Can Sing unfolds unhurriedly, as if matching the pace of life in a small village. It can get testing especially in the later half, but stay with it.

Coming at a time when graphic and lurid on-screen violence are being questioned and and even condemned, Asuran would appear needlessly falling back to the old formula.

Downton Abbey, is a reboot of the television series of the same name. The film picks up the saga of the Crawley family and their mostly loyal servants in 1927, a year and a half after the series ended.

Mistress of Evil never manages to justify the return of all its characters and it delves deeper into its fantasy world.

'A Son', which was part of the ongoing Mumbai Film Festival, talks about a family in turmoil. Read our full review of the film below.

Kaithi plays at multiple levels. Karthi's Dilli is a murder convict out on parole to meet his 10-year-old daughter whom he has never seen.

Had there not been Akshay Kumar, it would have become a really painful watch. He has barely managed to stop Housefull 4 from becoming another Tees Maar Khan.

'Saand Ki Aankh' is based on the amazing true story of two of the oldest sharpshooter champions in the world-- Chandro and Prakashi Tomar. Read our full review of the latest Bollywood film below.

Rajkummar Rao and Boman Irani's characters in 'Made in China' sell Magic Soup to men suffering from performance issues. Read our full review of the Diwali 2019 release below.

Despite a meaty premise, there are too many missed opportunities in 'Ujda Chaman'. Read our full review of the movie below.

The film is mounted with ace production values. The era is aptly recreated by production designer Jan Roelfs and captured by cinematographer Chung-Hoon Chung.

Bala starring Ayushmann Khurrana, Bhumi Pednekar and Yami Gautam, certainly gets your attention but does not manage to sweep you off your feet.

Ayushmann Khurrana, who’s cornered the market when it comes to playing flawed, insecure men with confidence issues, continues his winning streak with Bala.

Last Christmas may not be remembered as one of the great holiday rom-coms – it’s no Love, Actually – but it’s a perfectly satisfying one-time watch.

Dhruv Sehgal and Mithila Palkar's Dhruv-Kavya moments in Little Things season 3 surely gives us the oh-so-me moments but such situations worked more as small videos.

House Arrest, the way we generally understand the term, is really not a nice word, and connotes horror in its most basic form.

'Motichoor Chaknachoor' could have been a blockbuster comedy. But alas, with its ambling laidback storytelling style, it falls short. Read our full review of the latest Bollywood film below.

Watching 'Marjaavaan', the stench of creative bankruptcy is hard to miss. Read our full review of the latest Bollywood film below.

Overall, the film, while speaking about "girl power", is wildly entertaining despite not letting you get emotionally invested. Read our full review of the latest Hollywood film below.

In the cinematic world run by superheroes, it is increasingly difficult for the audience to be impressed by the exploits of regular, on-screen heroes.

In the face of it, The Irishman is Scorsese's final farewell to those immigrant hitmen who ruled suburban America in the 1950s.

Panipat, a film about Maratha warrior Sadashiv Rao Bhau who staves off Afghan ruler Ahmad Shah Abdali, disappoints only because of a linear screenplay that fails to rouse dramatic emotions so important to historicals.

Vishal Jethwa as the villain of the piece is quite a find. He performs exceedingly well as the psychotic mercenary-on-hire with no redeeming qualities.

'Mardaani 2' holds up a mirror to our times when crimes against women are an unfortunate reality. Read our full review of the latest Bollywood film below.

Kareena Kapoor deserves special mention for rooting her character in believability. There's a lot to enjoy in the film despite its bumps. Not a bad way to end the year.

Ghost Stories is experimental but not overwhelming. The directors have tied individual short films together with good production value and vision.

'1917' is a visually wondrous experience. It’s also emotional and moving in parts. Read our full review of the Hollywood film below.

The film’s big success is in delivering its message without making a big noise about it. Panga is all about its little moments. It’s a film about love disguised as a sports-movie.

A proper character sketch of Malala Yousafzai never really happens over Gul Makai's runtime of around 130 minutes, and the life story of the film's titular protagonist remains a shallow sideshow in her own biopic.

In Jawaani Jaaneman, Saif Ali Khan is in good form once again, but saddled with the kind of material he knows inside out.

Shikara resembles a painting, a work of art with Rangarajan Ramabadran’s delicate cinematography accompanied by excellent production and costume design.

The world of Malang is dark and twisted, and Mohit Suri depicts the beach state as a Wasseypur-like badlands with rampant drug use.

Thappad isn’t a film about a wife teaching her husband not to take her for granted. It’s about a woman rediscovering her sense of self, contemplating what is fair and what isn’t.

A foreign locale, bone-crunching scenes one after another and piling up choppers, instead of cars, do not make Baaghi 3 an entertaining film.

'Guilty' boasts of some fine performances by the cast -- Kiara Advani, particularly, deserves mention. But the actors are weighed down by mediocre storytelling and the film is a wasted attempt.

There’s a bit of Hindu mythological references and a tinge of supercop extravaganza, Asur travels back and forth in time zones 18 years apart.

Netflix's new show, She, which is created by Imtiaz Ali, gives the impression that a woman’s body could also work as the chain to control the developments around her.