The film revolves around a guy who is type 2 diabetic which decreases male fertility as it lowers the testosterone level. The love of Saumya and Ganesh is as beautiful and pristine as the flowers on trees. Problem is that they don’t know how to do it as their ‘natural bond of friendship’ conceals, sheathes, envelopes deeper feelings that are still raw or dormant. This is how Saumya and Ganesh’s love story begins.  The admission of love comes finally, though indirectly when she thinks he is talking about some other girl whereas actually he is proposing marriage to her. The story has no villain

Pahala Pahala Pyar is the story of three friends. David, his friend and friend’s girlfriend are needed to spend a night in a secluded house after their car breaks down during a picnic. Though warned by the caretaker to stay away from a particular room, David erroneously enters the room and starts sketching. As a result, a ghost comes alive. But what happens after that? Mukesh Kumar’s very predictable story is sans any thrill, and is built upon a half-cooked and boring screenplay by Hanuman Ratan. Performances of the artistes are below the mark. All of Manoj Kumar, Raj Sharma and Rohit Sharma are unimpressive. D.P. Singh, Dilip, Nikita Sharma, Suman Yadav, Puja Sharma, Vikas Sharma and Kamlesh Sharma are barely passable. Laxmi Narayan Jindal’s direction doesn’t work, neither does Raj Sen and Maru Brothers’ music. Other aspects including Raj Sain’s choreography and Cinema Sanny’s camerawork deserves no special mention. Doesn’t look like the film is going demand the audience’s attention!

Phati Padi Hai Yaar is a struggling actor who goes on a wrong path after he fails to get a break in films. In hope to become an actor, Rushi (Indra Kumar) arrives in Mumbai from Delhi to become an actor. After rejections and failures, he is not able to handle the complications and takes up drinking, smoking and even becomes a womanizer. He receives the biggest shock when he is diagnosed with sexually transmitted disease. He attempts suicide on several occasions after being dejected but is too afraid to end his life.  However, he continues to sleep around with women. He once again tries to commit suicide by jumping into the sea but is saved by the locals. His medical report states he doesn’t have the disease anymore. At cinemas, Rushi says to the audience to not do whatever he has done in his life. Hereon, begins the story of Rushi!

Pappu Tiwari and his dysfunctional family have got by comfortably till now by selling his properties. Now, with only one ancestral property remaining and a financial crunch lingering on his head, Pappu is thinking of selling this ancestral land for a best possible price. But since this thought popped in his head, his late mother has started haunting him in his dreams. Unable to find a connection, one day on a visit to his family Pandit ji, Pappu is told that he has a yog of hidden treasure in his horoscope. Now realizing what his late mother ‘Amma ji’ was trying to communicate to him, the whole family is ecstatic on the news. Lured by the prospects of becoming a millionaire, Pappu rejects all the offers he was getting for the property. To add to the good times, Pandit Ji brings a marriage proposition for his daughter Goldie with Kani’s son (Rakesh). Kani is the new richy-rich of the city, who has recently turned to politics. Kani throws Pappu’s life in a tizzy by dropping the dowry bomb. Pappu agrees to everything, as he believes his sacrifices will be returned when it is his turn to demand a dowry for his son. An unfortunate incident leads Pappu and Family to believe that Amma ji’s spirit has possessed Goldie in order to help them out find the hidden treasure in the ancestral property. With the date of marriage approaching, creditors lining up, real estate price going down and no hint of hidden treasure to fulfil the dowry demand, the eccentric family in this hour of adversity gets the true lesson of life as to what is the ultimate treasure they always had but never realized.

Sudheer (Sanjay Mishra) has worked for years as a character actor in Bollywood films, playing varied roles from a villain’s sidekick to a doctor. Although some of his film dialogues have become iconic, he has not been able to make a distinct identity of himself as he was never the lead actor in a film. This has left him bitter. He is also unhappy about how the director of his last film had cheated him by mixing two shots — of him doing push-ups, and a girl feigning love-making — to make it look as if he and she were indulging in sex. Sudheer has never kept count of the number of films he has acted in and he is pleasantly surprised when he learns that he has been a part of 499 films. He is keen to touch the magical figure of 500 and for that, he approaches his casting director-friend, Gulati (Deepak Dobriyal). Does Sudheer get his 500th film? What is the reaction of his married daughter when he decides to work in one last film, in view of his bad experience in the previous film?

Bhanupriya played by Rautela, an Indian college going conservative girl decides to lose her virginity. she thinks it should be the easiest thing in today’s world however, all her attempts go in vain and as a soothsayer predicts, it is an impossible task that won't happen ever in her life. What happens after that and whether she succeeds in her mission or not form the whole narrative of the film.

Karan Johar's kids Yash and Roohi certainly have a fascination for their father's closet, and are hovering around that place most of the times. Quite understandable, given that Karan is a known fashion freak and has piles of interesting clothes in his closet.

And apart from that, he also has a tijori inside one of the cupboards! This was a discovery for us, and the credit goes to Yash who thought it to be a washing machine and opened the cupboard door for us! Karan can't stop laughing when Yash tells him it is a washing machine, and says that his tijori is empty, thanks to the present economic condition, and a washing machine would actually be much more useful. LOL! He shared the video on Instagram and wrote, "Well we are now back in the closet but this time with a twist".

 

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Well we are now back in the closet but this time with a twist #lockdownwiththejohars

A post shared by Karan Johar (@karanjohar) on May 6, 2020 at 11:08pm PDT

The huge closet might attract them, but Yash and Roohi aren't always very delighted with their dad's choices. Just some days ago, they mistook one of his fancy Manish Malhotra kurtas as their grandmother Hiroo Johar's dress. Another time, they were seen picking Karan's frames and calling them stupid.

Stern critics in the house!

Sanjay Mishra starrer Kaamyaab hit the screens on 6th March 2020. The film captured the journey of the character actors. Recently, The Alchemist author Paulo Coehlo praised the film and his performance.

Taking to Twitter, he said, “The producers thank you in the very 1st frame, @iamsrk. I am doing the same. 2 days ago a great Brazilian actor, Flavio Migliaccio, committed suicide, leaving a note on how the industry treats their artists. This movie, labeled as “comedy”, is in fact the tragedy of Art.”

Shah Rukh Khan was quick to respond to his tweet. As the presenter of the film, he said, “Saw the film when it was doing Festival rounds and it touched a chord with the whole team at @RedChilliesEnt Am so moved you appreciate. It’s a sad truth that character actors get forgotten. Look after yourself my friend and be safe & healthy.”

Sanjay Mishra recently spoke to a daily and said that when the emotions of a film connect, language is not the issue. He said that though neither he nor his mother have read Paulo’s books, he told her that he is a well-known author. She said to Sanjay that his father would be proud of him. He said that he received congratulatory messages from his father’s civil services colleagues too.

As Paulo mentioned how a Brazilian actor committed suicide, Sanjay revealed that many of his friends are currently jobless due to lockdown. He said that those who have jobs could lose it one day but some of them didn’t even have it to begin with. He further said this goes for the senior artistes who get written off irrespective of their contribution to the cinema. Sanjay Mishra said that an actor is also society’s responsibility.

The story revolves around how a character actor after his retirement is all set to make a record of 500 films and continue his hustle. Sanjay Mishra and Deepak Dobriyal starred n the film as Mishra had undergone a prosthetics transformation for every character shown on-screen.

Kaamyaab had its world premiere at the Busan International Film Festival followed by screenings at Festival du film d'Asie du Sud Paris, New York City South Asian Film Festival, Indian Film Festival of Melbourne, Shanghai International Film Festival, as well as the MAMI Mumbai Film Festival.

ALSO READ: Author Paulo Coelho appreciates Shah Rukh Khan for Kaamyaab; actor reveals why he produced it

Kartik Aaryan’s last performance was with Sara Ali Khan in Love Aaj Kal and it was his best performance so far. He got to explore a lot of new aspects of himself as an actor when he played the characters of Veer and Raghu in the Imtiaz Ali’s directorial. The actor took to his Instagram to write a heartfelt note of gratitude to the director and thanked him for all his support so far.

He posted the picture with the caption, “When you first dream of being in films, you act in front of the mirror and nail it every time, and the world of movies seems magical. 
Then you get a movie. You see the camera and are unnerved. It’s bigger than the suitcase you brought to Mumbai. The bright lights seem to be scolding you for not landing on a one inch tape mark and wasting everyones time. The first few years become about trying not to look nervous. 
Then you get an Imtiaz Ali movie. The moment he narrates the story, you are pulled into a dream. I don’t even remember seeing the camera on his set, he‘d always be standing wherever I looked after cut. He was never at the monitor, he was by my side. The lights on Imtiaz Ali’s set help you find those tape marks.

I have never experienced the kind of love and appreciation I have got for my performance in Love Aaj Kal, and that too from some of my favourite filmmakers and people I most respect in the industry. How ironic that the making of this film felt most effortless! It would scare me to think of doing two characters in one movie. And here, I didn’t even realise how smoothly I was being transitioned between #Veer and #Raghu . For an actor, there is no better environment than being In front of that mirror. Imtiaz Ali takes you there. This is the reason why so many great actors’ greatest performances have been in Imtiaz Ali films. Imtiaz Ali director nahi hain, jadugar hain! Thank you sir for giving me the best performance of my career yet. ❤️ @imtiazaliofficial #LoveAajKal”

 

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A post shared by KARTIK AARYAN (@kartikaaryan) on May 7, 2020 at 10:48pm PDT

Kartik Aaryan will next be seen in Bhool Bhulaiyaa and Dostana 2.

Also Read: Kartik Aaryan describes his quarantine routine as his sister takes a sweet revenge and slaps him during a video

Priyanka Chopra Jonas has worked with Rishi Kapoor in Agneepath and has experienced his charm first hand. She even visited him in New York when he was there for his treatment with his wife, Neetu Kapoor. Rishi Kapoor’s demise has been a great loss to the industry and Priyanka Chopra Jonas has written a beautiful piece remembering him and his great work for Time magazine.

In the piece, she said, “From his first leading role in 1973’s Bobby, he was the keeper of our hearts, ushering in a new era of romance in Hindi movies. His charisma was in his extraordinary smile, one that made his fans go weak in the knees. And when he danced, he made us all want to jump up and join him.”

“I had the privilege of working with him in Agneepath, in which he played a fierce, no-holds-barred character, someone to hate rather than love”.

Concluding her piece of work, she wrote, “To your beautiful family, Neetu Ma’am, Riddhima and Ranbir: the world grieves with you... I’m so grateful for having had the opportunity of knowing you personally as well—your candour, your laughter, your zest for life. That’s how I’ll always remember you.”

Also Read: After Rishi Kapoor’s demise, Ranbir Kapoor and Riddhima Kapoor have got Neetu Kapoor’s back

Khalnayak is one of the most respected films made by Subhash Ghai, despite the controversies that revolved around it. From Sanjay Dutt’s arrest post shooting for the final scene to Madhuri Dixit’s famous song, ‘Choli Ke Peeche Kya Hai’, there were a number of controversies that came to light. However, after the film released, it became a blockbuster and was even recognized internationally. Subhash Ghai, in an exclusive conversation with Bollywood Hungama, spoke about how he ideated the sequel of this film after Sanjay Dutt wrote to him from jail.

He said, “We’re working on Khalnayak 2 from the past 2-3 years now. Sanjay Dutt has always been a dear friend of mine and even when he was in jail, he used to write to me. So, in those letters, he would always write to me saying that whenever he entertains here, they hand him the mic and ask him to sing as well. The most famous song there was ‘Nayak Nahi Khalnayak Hu Main’, and Khalnayak was a very popular film there and they loved him for the character Ballu Balram, so why don’t we make a sequel for it?”

He further continued and said, “So, he wrote it to me in a letter and that’s when I thought that it’s possible to make a sequel. It would revolve around Ballu Balram returning from jail after completing his sentence and then he would come across Madhuri Dixit and Jackie Shroff’s characters that have gotten married and have kids. Then I narrated it to Sanjay and he said that we will definitely make this film, that’s when we started working on the script and it has been close to two years now and the script is ready. God willing, we will soon take the film on floors. The story will revolve around Ballu Balram’s older and younger version. Sanjay will portray the older version and the younger one will be portrayed by a new-age star.

Also Read: Sadak 2: Sanjay Dutt says Mahesh Bhatt still seeks perfection in every shot

Football coach Priya PV, who guided Gokulam Kerala FC to the Indian Women's League title, is currently assisting relief operations in the Coronavirus-caused lockdown through a helpline centre which provides medicine and food to the needy. Priya has joined the same helpline centre in Kannur, where India and Jamshedpur FC attacker CK Vineeth has been working. The biggest challenge for them at the centre is to make sure that all requests for medicines are met.

"We have been getting around 150-200 calls every day. Most of these are for medicines. We make sure that whenever we get any requests for medicines, they are duly sent to those in need," said Priya, who had earlier coached India U-19. "No requests for medicines are ever turned down. We try to do the same for grocery and food items as well. But sometimes we have to keep in mind that we have to distribute such items among a lot of people. So we try to divide it for everyone to get some amount," she added. The call centre also attends to requests from students and other professionals from around the area.

Kannur being the headquarters of the helpline centre, Priya and Vineeth also get a number of calls from the nearby districts, where tertiary networks have been set up to help the people. "We are working from the headquarters in Kannur. There are tertiary helpline centres in different districts as well who have their own network of pharmacists, grocers, and delivery executives," said Priya, who won the IWL 2019-20 title as head coach of local club Gokulam Kerala FC.

"My ancestral home is a bit far from the call centre, so I am staying at a place that is close by. Initially, I wanted to go to my ancestral home every weekend, in order to make sure that my parents have all they need during the lockdown," she said.

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How will you define ‘normal’ human behaviour? And what is the criteria to be followed by a person that he/she can be considered as ‘normal’? We have seen in films like MY NAME IS KHAN [2010], TAARE ZAMEEN PAR [2007] etc. wherein the protagonists’ behaviour were such that they stood out and were even ostracized. But still they were special and earned respect in society after a long struggle. Now, writer Kanika Dhillon and director Prakash Kovelamudi bring us JUDGEMENTALL HAI KYA that tackles these issues but unlike the aforementioned films, this flick goes into an unconventional zone with even a murder occurring in the narrative. So does JUDGEMENTALL HAI KYA manage to entertain and thrill the audiences? Or does it fail to make the impact? Let’s analyse. <img class="aligncenter wp-image-1002336 size-full" title="Movie Review: Judgemental Hai Kya" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/07/Movie-Review-Judgemental-Hai-Kya.jpg" alt="Movie Review: Judgemental Hai Kya" width="720" height="450" /> JUDGEMENTALL HAI KYA is the story of a woman with mental issues trying to solve a supposed crime. Bobby Batliwala Grewal (Kangana Ranaut) is an orphan who has lost her parents at a young age. She is partly responsible for their demise. Bobby grows up as a disturbed individual and her grandfather (Lalit Behl) takes care of her. She stays separately from him and works as a dubbing artiste for South films. She is on medication for her mental condition but she doesn’t consume her pills. She is in a relationship of sorts with Varun (Hussain Dalal) who is desperate to get physical with her. But she doesn’t give him the opportunity. At this point, Bobby gets a new tenant – Keshav (Rajkummar Rao) and his wife Meena (Amyra Dastur). Both are deeply in love with each other. Bobby spies on them and she starts to imagine herself with Keshav. However, she also gets intrigued since Keshav seems mysterious. In front of Meena, he pretends to be a non-smoker and a vegetarian. But Bobby catches him smoking heavily and also relishing chicken. She starts to trouble them and then it reaches a point where Keshav and Meena decide to move to another place. Before that can happen, a gas explosion occurs in their kitchen and Meena dies. The cops (Satish Kaushik, Brijendra Kala) begin their investigation. Bobby makes it categorically clear to them that Keshav has murdered Meena but doesn’t have concrete proof. The police officers interrogate Kehsav as well but realize it was a case of accidental death. Hence, they decide to close the case. An enraged Bobby assaults Keshav and she’s sent to mental asylum for a brief period of time. Two years later, Bobby seems to be in control. She’s started regular medication and her grandfather sends her to her cousin Megha’s (Amrita Puri) place in London to help in a stage production on Ramayana. All is going fine when Bobby gets a jolt when she spots Keshav. What happens next forms the rest of the film. Kanika Dhillon’s story is unconventional and quite promising and entertaining. Kanika Dhillon’s screenplay is interesting but in some parts, she falters. This is particularly in the second half where the film goes into another zone and doesn’t seem convincing. She however raises some interesting points on the idea of ‘normal’ and even draws parallel with Ramayana. Only if all these things had come together well, the impact would have been manifold. Kanika Dhillon’s dialogues suit the film, especially the ones mouthed by Kangana. Prakash Kovelamudi’s direction is appropriate and he uses his technical knowledge well. The film is very stylishly narrated which goes with its theme and also the title. In a few scenes, he shows his brilliance but goes over the top in the second half’s pre-climax especially. Also, a few scenes might seem difficult to digest, particularly the scene where Bobby confronts Keshav. He was treading line with this film and sadly, he trips at places and this affects the impact. <span style="text-decoration: underline;"><strong>Judgemental Hai Kya | PUBLIC REVIEW | First Day First Show | Rajkummar Rao | Kangana Ranaut</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/video/judgemental-hai-kya-public-review-first-day-first-show-rajkummar-rao-kangana-ranaut/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> JUDGEMENTALL HAI KYA’s intro scene shows the disturbed childhood of Bobby in a brief and concise manner. Once Bobby grows up, it takes a while however to get in the film’s flow. This is because the character is unconventional and unlike anything that we have seen in Hindi films. Hence her mannerisms, actions, way of living life etc. are not exactly ‘normal’. Things get interesting once Keshav and Meena arrive to reside at her place as tenants. Keshav also seems mysterious and the scene where he is fixing the fuse at midnight is quite nicely done. The Lonavala sequence also is funny. But it’s when Meena passes away that things begin to heat up. The intermission point is a shocker. Post-interval, the interest level is maintained with some unexpected developments. But this is also the point where bizarre things start happening in the film. One can argue even the first half had its share of bizarre stuff but in the second half, the makers go completely overboard. The film is still unpredictable but the theme and execution will restrict its audience to only multiplexes of urban areas. Performance wise, Kangana Ranaut nails the part. This was probably her most challenging part yet and she delivers as per expectations. Any other actress in her place would have to put a lot of effort and it might have made her performance mechanical. But Kangana slips into the part with ease and takes it to another level. Rajkummar Rao also gets to shine. He’s too good as the mysterious Keshav. But he’s at his best in these two scenes wherein he begs Bobby to spare him and his wife. Amyra Dastur is cute and plays the supporting part well. Same goes for Amrita Puri. Satish Kaushik and Brijendra Kala are apt for their respective roles. Hussain Dalal is a talent to watch out. He’s very funny and adds a lot to the film. Jimmy Sheirgill (Shridhar) is endearing in the special appearance. Lalit Behl is decent. Kanika Dhillon (Sita), also the writer of the film, is stunning and gets to play a fine part in the film. Songs don’t really make an impact. The title song stands out but comes at a time when the film turns very bizarre. <em>‘Kis Raste Hai Jana’</em> is okay. <em>‘Wakhra Swag’</em> appears during the end credits. Daniel B George’s background score however is way better and is zany just like the film’s theme. Pankaj Kumar’s cinematography is conventional and yet works in a film like this. Sheetal Sharma’s costumes are quite quirky especially the ones worn by Kangana Ranaut and she looks great. In fact, costumes add a lot to her character. Ravi Shrivastav’s production design is praiseworthy, especially for the Ramayana play. After’s VFX is average and the cockroach shots could have been more realistic. Shweta Venkat’s editing (with additional editing by Prashanth Ramachandran and Shieeba Sehgal) is fine. The duration of the film is just 116 minutes and that’s a plus point. On the whole, JUDGEMENTALL HAI KYA is a well-made film with powerful performances from both Kangana Ranaut and Rajkummar Rao. At the box office, it will cater mainly to the multiplex frequenting audience.

A lesser known film, ANTARDWAND, released in 2010 and sank without a trace. But it stood out from rest of the niche films as it was based on the system of groom kidnappings prevalent in Bihar. Now, newcomer director Prashant Singh attempts to make the idea even more popular with his film, JABARIYA JODI. Unlike ANTARDWAND, which was quite a serious fare, JABARIYA JODI attempts to look at it in a light-hearted manner. Moreover, it stars two known actors – Sidharth Malhotra and Parineeti Chopra. So does JABARIYA JODI entertain and comes across as a respite for its lead actors? Or does it fail in its endeavour? Let’s analyse. <img class="aligncenter wp-image-1006550 size-full" title="Movie Review Jabariya Jodi" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/08/Movie-Review-Jabariya-Jodi.jpg" alt="Movie Review Jabariya Jodi" width="750" height="450" /> JABARIYA JODI is the story of two equals, who come from different worlds. In 2005, two kids – Abhay Singh (Aryan Arora) and Babli Yadav (Gurket Kaur) – fall in love in the Madhopur village in Bihar. But Babli’s mother catch them red handed. She and Babli’s father Duniya Lal (Sanjay Mishra) decide to leave Madhopur and shift to Patna. Cut to present day. Abhay Singh (Sidharth Malhotra) is now an adult and works with his father Hukum Dev Singh (Jaaved Jaaferi). Abhay’s job is to kidnap grooms and get their <em>‘jabariya shaadi’</em> done. Abhay, Hukum and the rest of the gang members believe that they are doing social work with these forced marriages. After all, the bride’s father doesn’t have to pay dowry in such type of marriages. While getting one such <em>‘jabariya jodi’</em> done, Abhay bumps into Babli (Parineeti Chopra), who is the friend of the bride Shriya (Kirtika Budden). Both recognize each other and sparks fly. For Babli, the timing is just perfect. She has been dumped by a guy for whom she ran away from her house. Abhay too falls for Babli but he also gets apprehensive about the relationship. Moreover, he has political ambitions – he wants to be an MLA and stand for elections next year. Meanwhile, Duniya Lal finds out that she is in love with Abhay. He detests Abhay, since he is a goon and decides to get her married to the supposedly decent and educated fellow, Pappu (Rashul Tandon). But Pappu’s parents ask for ridiculously high dowry. With no option in hand, Duniya Lal and his close aide Pathak ji (Neeraj Sood) approach Hukum Dev Singh and request for Babli and Pappu’s <em>‘jabariya shaadi’</em>. Babli is told of her marriage but she assumes her father is getting her hitched to Abhay! So she is very glad and happily participating in pre-marriage customs. Abhay meanwhile is sulking as he doesn’t want her to get married to anyone else. At this point, the powerful and well-connected Daddan Yadav (Sharad Kapoor) approaches Hukum Dev Singh. He requests him to let go of the deal he made with Duniya Lal since Pappu is his close relative and that he’s planning Pappu’s wedding somewhere else. In return, Daddan would give Hukum Dev the election ticket from the seat of Gaya. Hukum Dev agrees and he tells Abhay to return the fees given by Duniya Lal at his residence. This is when Babli learns the truth and she is shattered. An angry Babli now decides to do <em>‘jabariya shaadi’</em> with Abhay! What happens next forms the rest of the film. Sanjeev K Jha's story is based on an interesting idea. Many in the country are not aware of <em>‘pakadwa vivah’</em> tradition and the writer succeeds in showing this bit in an entertaining manner. At the same time, he also highlights the downside of such kind of marriages. But the inherent love story is weak and has loose ends. Sanjeev K Jha's screenplay (with additional screenplay by Raaj Shaandilyaa and Neeraj Singh) doesn’t really succeed in hiding these minuses. A few scenes are well written and thought of. Also, the writing has the massy vibe. But one wishes the writer and additional screenwriters had done something about the unconvincing plot points. Raaj Shaandilyaa's dialogues (with additional dialogues by Neeraj Singh) are one of the highpoints. The one-liners are sure to be greeted with claps and hooting. In fact, it’s a rare film where dialogues help in hiding the goofs of the film. In the emotional scenes, the dialogues work big time. Prashant Singh's direction is very good for a debutant. He understands that the story has a pan-India appeal and executes it appropriately. Also, he keeps the audiences hooked from start to finish without boring them, despite the 144 minutes duration. But he doesn’t do much when it comes to unconvincing moments in the movie. The biggest dilemma faced by Abhay Singh in the film is the fear he has that he’ll turn like his father and harass his to-be wife and she’ll suffer the same fate like her mother (Sheeba Chaddha). This is an important point and should have been explained further. Only the childhood portion shows Hukum Dev Singh indulging in adultery and that he’s quite strict. But it’s not enough and the director should have tried to explore the dynamics between Hukum Dev and his wife. Also, he allowed the repetition of some sharp dialogues, due to which the impact is not made. Not just that, Hukum Dev’s change of heart is too sudden and catches viewers unawares. Lastly, the product placement in the film is too in-your-face and it’ll raise laughs. <span style="text-decoration: underline;"><strong>Jabariya Jodi | PUBLIC REVIEW | First Day First Show | Sidharth Malhotra and Parineeti Chopra</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/jabariya-jodi-public-review-first-day-first-show-sidharth-malhotra-and-parineeti-chopra/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> JABARIYA JODI starts off on a sweet note, showcasing the love story between two teenagers. The fun continues once adult Babli enters the story and bashes up her boyfriend for not turning up at the railway station. Abhay’s introduction too is done in a fun manner. The sidekicks and supporting characters are also quite strong and they also add a lot to the film and its humour quotient. The manner in which Babli is completely oblivious that she is getting married to Pappu and not Abhay is hard to digest. Did no one around her ever even take the groom’s name, even as a passing remark? Post-interval portion begins on a promising note as Babli decides to force marry Abhay. The way it’s done is pretty hilarious. But soon, the film drops. Thankfully, the action-packed climax, though weak, works and the film ends on a happy and appropriate note. Sidharth Malhotra is in fine form, also look wise as he suits the part. There’s a scene where Babli’s pals try to kidnap Abhay but get scared the minute they see him. And this bit looks convincing as Sidharth makes Abhay look like someone not to be messed with. But his performance is a bit dry in some scenes. He should have shown a bit more aggression in a few more sequences. Parineeti Chopra does quite better and is just perfect as Babli. In the second half, she gets surprisingly mellow, which seems a bit out of character. But even in this hour, she leaves an impact. The scene where Abhay comes to take away Babli is where she leaves a huge mark. Aparshakti Khurana (Sanku) slips into his part effortlessly. Sanjay Mishra is fair and adds to the humour quotient especially in the scene where he consumes the ‘banned’ alcohol. Chandan Roy Sanyal (Guddu) is apt for the part. Mohit Baghel (Halla) is quite funny and makes his presence felt. Raashul Tandon goes overboard and yet manages to entertain and raise lot of laughs. Jaaved Jaaferi is decent as the strict father. Sheeba Chadha gets a raw deal. Neeraj Sood has a few funny dialogues but one wishes he had a lengthier role. Sharad Kapoor is strictly okay. Gopal Dutt (Inspector Tiwari) is very good in the cameo role. Aryan Arora and Gurket Kaur are sweet as young Abhay and Babli respectively. Elli AvrRam is sizzling in the item song. Music is not great as it doesn’t suit the feel and theme of the film. <em>'Zilla Hilela'</em> is the only track in the film that matches with the film’s setting. <em>'Khadke Glassy'</em> is also nice but comes in the end credit. <em>'Dhoonde Akhiyaan' </em>works because of the picturization. <em>'Khwabfaroshi', 'Ki Honda Pyaar' </em>and <em>'Macchardani' </em>are disappointing. Joel Crasto's background score is dramatic. Bosco Martis' choreography (<em>'Khadke Glassy'</em>) and Adil Shaikh's choreography (<em>'Zilla Hilela'</em>) is good. Vishal Sinha's cinematography is fair, with few scenes capturing the small-town India very well. Rajat Poddar's production design is realistic. Malavika Kashikar, Niharika Jolly and Akshay Tyagi's costumes are stylish. But Parineeti Chopra’s crop tops seem a bit out of place and doesn’t go well considering the film is set in Patna. Vikram Dahiya's action is realistic. Dev Rao Jadhav's editing could have been crisper by a few scenes. On the whole, JABARIYA JODI is a decent entertainer and works because of the novel idea of forced marriages, performances and hilarious and witty dialogues. At the box office, it will do decent business before the Independence Day biggies take over.

Last month, during the promotions of his flick MISSION MANGAL, Akshay Kumar made a startling revelation. He said that he believes that success depends on 70% luck and 30% hard work. His statement surprised many but the fact is that many around the world of different nationalists, communities and even class believe a lot in luck and the concept of lucky charm. No wonder, the business of numerologists and astrologists is thriving. Anuja Chauhan’s novel ‘The Zoya Factor’ tackles this idea and it was written so well that it became a bestseller. The rights were soon picked by Shah Rukh Khan’s Red Chillies Entertainment but the production house failed to make the film within the stipulated period. Aarrti Shetty and Pooja Shetty Deora then bagged the rights and turned the novel into celluloid, while keeping the title of the film the same as the book. So does THE ZOYA FACTOR turn out to be as entertaining as the novel? Or does it fail to impress? Let’s analyse. <img class="aligncenter wp-image-1020460 size-full" title="Movie Review The Zoya Factor" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/09/Movie-Review-The-Zoya-Factor.jpg" alt="Movie Review The Zoya Factor" width="750" height="450" /> THE ZOYA FACTOR is the story of a girl who considers herself unlucky but is the lucky charm for the country. Zoya Solanki (Sonam K Ahuja) is born on June 25, 1983, the day India won the 1983 Cricket World Cup final. Her father Vijayandra Singh Solanki (Sanjay Kapoor) declares that she’ll prove beneficial for the cricket team, having born on such an auspicious occasion. While growing up, Zoya indeed turns out to be a lucky charm for Vijayandra and her brother Zorawar (Sikandar Kher) when they used to play Gully Cricket. As an adult, Zoya however considers herself unlucky. The madness that her family members have for cricket makes her dislike the sport. She works as junior copywriter at an ad agency called AWB and is constantly making mistakes, much to the annoyance of her boss Monita (Koel Purie). Monita sends Zoya on ad campaign comprising of the Indian cricket team in Sri Lanka and warns not to make an error in what she calls a small, simple shoot. Zoya reaches Sri Lanka and becomes friends with Nikhil Khoda (Dulquer Salmaan), the captain of the Indian team. This is a time when the players have lost back to back matches. The World Cup is just a month away and the pressure is killing them. On the day of their match in Sri Lanka, Nikhil invites Zoya to have breakfast with the players. Here, Zoya casually mentions about her date of birth and lucky charm bit. On that day, India miraculously wins the match. The players realise that she is indeed a lucky charm. They make flimsy pretext to stop her from going back to India and try to get her to have breakfast with them for the next match. As expected, they win again. Nikhil however doesn’t believe in luck and The Zoya Factor and feels that it’s hard work that works. Yet he can’t help but fall for Zoya who too is in love with him. Meanwhile, the Indian Cricket Board's Jogpal Lohia (Manu Rishi Chadha) comes to know about Zoya. He approaches her with an offer – dine with the boys in blue before every World Cup match and get paid Rs 1 crore! Zoya however refuses the offer. Jogpal realises that they need Zoya anyhow and hence, they hand over the World Cup campaign to AWB with instructions that Zoya should be leading it. Jogpal is also aided in this plan by his nephew Robin (Angad Bedi) who is also in the team and is Nikhil's rival. He wants to see Nikhil being removed from captaincy and he uses Zoya for his ulterior motive. What happens next forms the rest of the film. THE ZOYA FACTOR is based on the novel by the same name by Anuja Chauhan. The story has a lot of promise and is also relatable. A lot of people believe in luck as well as are cricket fans and hence in a country like ours, such a story can connect with the viewers. Pradhuman Singh Mall and Neha Sharma's screenplay (with additional screenplay by Anuja Chauhan) is effective for most parts. They don’t make the film too emotional even at a single point. The idea is to keep the film light and entertaining from start to finish. In a way, it’s great but at the same time, the film misses the emotional touch. Pradhuman Singh Mall and Anuja Chauhan's dialogues are very witty and contribute a lot to the laughter. The dialogues mouthed by the commentator are sure to be loved by audiences. <span style="text-decoration: underline;"><strong>The Zoya Factor Public Review | Sonam Kapoor Ahuja | Dulquer Salmaan | Abhishek Sharma | FDFS</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/the-zoya-factor-public-review-sonam-k-ahuja-dulquer-salmaan-abhishek-sharma-fdfs/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Abhishek Sharma's direction is decent. He has handled some scenes with élan but there were also scenes where he really rushed through the proceedings. But the creativity of his execution comes through in several sequences. The scene where it rains is one such sequence – the focus is on Nikhil returning to the pavilion while Zoya could be seen on the giant screen in the foreground. Also, he has used subtle hints to show that the film is set 9 or 10 years back. This is evident through the use of old mobile phones. The idea to not base THE ZOYA FACTOR in 2018 or 2019 makes sense as Zoya’s age is supposed to be not more than 26 or 27. Moreover, the product placements can be an eyesore in most films but here, it’s like an integral part of the film. The Cadbury Silk TVC, for example, is well woven into the narrative. THE ZOYA FACTOR has a very impressive commencement that gives an idea about the cricket and luck elements of the film. Shah Rukh Khan’s witty narration and the animated sequence adds to the fun. The initial scenes of Zoya are okay but the film gets better once she reaches Sri Lanka and interacts with the Indian team. The romantic track also has its moments. Two scenes stand out here – Zoya’s interaction with Nikhil in the elevator and Nikhil meeting Zoya’s family and family friends. Post-interval, the film slips a bit. Also, the film seems too quick at places. The World Cup sequence in the pre-climax and climax however revives the interest. The performances are great by all actors. Sonam K Ahuja suits the part to the T. One can’t imagine anyone else for this role and she does total justice, whether in the scenes of her being love struck or acting pricey or even acting mature and giving out some important lessons to Nikhil in times of need. Dulquer Salmaan is super-dashing but he also gets his act right. He’s totally into his character and convincingly seems the captain of the team. Angad Bedi gets a great part and also screen space and is fine as the baddie. Sikander Kher is the surprise of the film. His role might remind one of Prateik’s character in JAANE TU YA JAANE NA [2008] but his part stands out and Sikandar ensures that happens. One of his best scenes is when he offers tea to the very protestors who have come to vandalize his house! Sanjay Kapoor is a natural. Manu Rishi Chadha is fine and it’s good that he doesn’t overdo the lisping bit. Koel Purie is strictly okay. Pooja Bhamrrah (Sonali) looks quite glamorous and plays the supporting part well. From the other crickets, the ones who leave the mark are Abhilash Chaudhary (Shivi), Gandharv Dewan (Harry) and Sachin Deshpande (Lakhi). Shankar-Ehsaan-Loy's music is in sync with the film’s mood. <em>'Lucky Charm'</em> is the best of the lot followed by <em>'Kaash'</em> and <em>'Maheroo'</em>. <em>'Pepsi Ki Kasam'</em> is played in the end credits. Indrajit Sharma and Parikshit Sharma's background score (with additional background score by Kingshuk Charavarty) is dramatic and adds to the fun. Manoj Lobo's cinematography is suitable and the lensman does a good job in the cricket scenes especially. Theia Tekchandaney, Abhilasha Devnani and Gayatri Thadani's costumes are very appealing. The ones worn by Sonam especially are too good which was expected. Rajat Poddar's production design is rich. After Studios' VFX is quite good, although it’s a bit poor in some scenes. But overall, it’s a good job considering that quite a many scenes are shot against the green screen. Utsav Bhagat's editing gives the film a pacy feel but some scenes could have had a bit of slow, slow-motion effect especially in the finale. On the whole, THE ZOYA FACTOR is a feel-good popcorn entertainer that works chiefly due to concept, treatment, humour and performances. At the box office, it has the potential to grow dramatically due to a good word of mouth.

Over the last three decades, Bollywood has come up with quite a few films on homosexuality like FIRE [1996], MY BROTHER NIKHIL [2005], EK LADKI KO DEKHA TOH AISA LAGA [2019], ALIGARH [2016], MARGARITA WITH A STRAW [2015] etc. Aanand L Rai and T-Series are now all set to bring SHUBH MANGAL ZYADA SAAVDHAN and unlike other gay-themed films, this one is light-hearted and looks quite commercial. Moreover, it stars Ayushmann Khurrana, who has become a brand in himself. So does SHUBH MANGAL ZYADA SAAVDHAN manage to entertain? Will it succeed in becoming the first legitimate LGBT-themed hit film of Bollywood? Or does it fail to succeed? Let’s analyse. <img class="aligncenter size-full wp-image-1077035" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/02/Shubh-Mangal-Zyada-Saavdhan-1-26.jpg" alt="" width="720" height="450" /> SHUBH MANGAL ZYADA SAAVDHAN is the story of two men in love in Section 377 era. Aman Tripathi (Jitendra Kumar) is the son of Shankar Tripathi (Gajraj Rao) and Sunaina (Neena Gupta), who are based in Allahabad. Aman works in Delhi and unknown to his family, he's a gay and is living in with Kartik (Ayushmann Khurrana). Jitendra's cousin sister Goggle (Maanvi Gagroo) is getting married and Neena calls Aman to come back to attend her marriage. Aman at first refuses but then gives in. Kartik also joins him and they meet the entire Tripathi family in a marriage special train called Vivah Express. In the train, Aman and Kartik kiss when they assume that no one is looking. Sadly for them, Shankar sees them and he gets the shock of his life. He doesn't tell anyone about it out of shame. At Goggle's marriage, Aman, in front of everyone, kisses Kartik, thus astonishing the Tripathi family. Thanks to this development, Goggle's to be husband refuses to get married. In anger, Goggle runs away. Kartik is asked to leave and Shankar's brother and Goggle's father Chaman (Manurishi Chadha) drops him off to Allahabad station. At the railway station, Kartik bumps into Goggle and stops her from ending her life. She tells Kartik that he shouldn't run away and that he should fight for his love. This motivates Kartik and he decides to return to win over not just Jitendra but the entire Tripathi family. What happens next forms the rest of the film. Hitesh Kewalya's story is decent and had the potential to be a game-changer. Hitesh Kewalya's screenplay however is a big culprit. Under the pretext of making situations funny, he resorts to too many difficult-to-digest situations. This was prevalent in SHUBH MANGAL SAAVDHAN as well but there, they kept a nice balance. Here, the balance is just not there. The first half is still decent. But in the second half, it all goes downhill. Hitesh Kewalya's dialogues are witty but some of them are just over the top. It won’t be wrong to say that even the one-liners, which are supposed to be funny, take away the realism from the film. Hitesh Kewalya's direction is weak. The film has lot of subplots but he doesn’t put it together well. A major chunk of the film is about rift within the family and during such times, the principle homosexuality angle takes a backseat. Also, he should have succeeded completely in two aspects – comedy and messaging. Sadly in both these areas, he doesn’t do justice. Even the black cauliflower angle that provided laughs initially proved to be the biggest downer of the film in the climax. It gave a bad déjà vu of the ‘kala bandar’ angle of DELHI-6 [2009]. On the positive side, he handles few scenes with élan and some scenes genuinely raise laughs. SHUBH MANGAL ZYADA SAAVDHAN’s starts off on a funny note and the subplot of black cauliflower appears hilarious. Devika's (Bhumi Pednekar) scene too adds to the fun. The scene where Shankar Tripathi catches the lovers kissing brings the house down. Scenes like Aman kissing Kartik in full public view and Aman talking to his parents about dopamine and other such stuff keep the interest going. Post interval however, the film drops. The scenes are supposed to be funny but don't make you laugh. Also it becomes too preachy and unconvincing. The makers try their best to make things interesting but it doesn't work. <span style="text-decoration: underline;"><strong>Shubh Mangal Zyada Saavdhan | Public Review | Ayushmann Khurrana | Jitendra Kumar | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/shubh-mangal-zyada-saavdhan-public-review-ayushmann-khurrana-jitendra-kumar-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Ayushmann Khurrana shockingly is not in his usual form. He has always played the victim but here, he plays the instigator and an actor of his calibre should have hit the ball out of park. Shockingly, he goes overboard. The other bigger shocker is that his screen time is very limited. Believe it or not, Gajraj Rao has the maximum screen time followed by Jitendra and then comes Ayushmann! Gajraj Rao however is too good as always and performs as per the script. Jitendra Kumar fits the role to the T and few of his scenes in the first half are great. Neena Gupta is average. Manurishi Chadha and Sunita Rajwar (Champa) do justice to their respective parts. Pankhuri Awasthy (Kusum) is quite funny. Maanvi Gagroo raises few laughs. Neeraj Singh (Keshav) is decent. Bhumi Pednekar is passable while Gopal Dutt (Doctor in the train) is okay. Music is peppy and gels with the film. <em>'Pyaar Tenu Karda Gabru'</em> is the best followed by <em>'Arey Pyaar Kar Le'</em>, which is played in the end credits. <em>'Ooh La La'</em> comes at a great point while <em>'Mere Liye Tum Kaafi Ho'</em> is forgettable. The recreated version of <em>'Kya Karte The Saajna'</em> sounds great but is not utilised well. Karan Kulkarni's background score adds to the quirkiness of the film. Chirantan Das's cinematography is appropriate. Ravi Srivastava's production design is in sync with the film’s setting. Ankita Jha's costumes are realistic and special mention should go to Ayushmann’s look. Ninad Khanolkar's editing is sans complaints. On the whole, SHUBH MANGAL ZYADA SAAVDHAN is a decent attempt and makes an interesting comment on homophobia which exists in our country. At the box office, it has the chance to work with the urban audiences, especially the youth. However, it will be a challenge to bring in family audiences and the audiences from small towns and cities. The presence of Ayushmann Khurrana may give a boost to its collections.

The U.S. Tennis Association is warning folks: "No Bryan Brothers chest bumps." That was among the suggestions from the USTA on Wednesday, when it offered return-to-play guidelines to help players and people running tennis facilities know when " and how " the sport should resume at the amateur level as coronavirus lockdown restrictions ease.

The USTA thinks it will be safe to again play tennis "in some cities and states sooner than in others." One of the recommendations is to maintain social distancing by staying 6 feet apart from other people " and, therefore, to avoiding playing doubles, because it "could lead to incidental contact and unwanted proximity." The group that runs the U.S. Open went on to add: "If you do play doubles, avoid all incidental contact, no Bryan Brothers chest bumps and no whispering to each other from a close distance to strategize."

American twins Bob and Mike Bryan have won 16 Grand Slam titles in men's doubles together and celebrate wins by jumping simultaneously and bumping chests. All professional tennis has been suspended at least until mid-July. The U.S. Open is still scheduled to begin main-draw play in New York on Aug. 31.

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Nearly 125 sailors from 10 countries participated in the sailing and regatta events as part of the three-day vClusive Cup - India Yachting Festival, which concluded in Goa on Sunday. Organised by vClusive, Luxury Hues Group and Marine Solutions, the event was conducted under the auspices of the state Tourism Department, along with the Confederation of Indian Industries.

Representational picture

"The vClusive Cup - India Yachting Festival is a platform that focuses on lifestyle experience. Our success lies in the fact that the mega event connects brands and consumers on an engagement platform," Vinu Sundaresan, founder and CEO of vClusive, told reporters here.

"We are committed to shaping the development of the luxury and marine sector, hence, we believe in involving the industry towards the growth of the tourism and leisure industry at large."

The aim of the event, Sundaresan said, was to expand the horizons of marine and lifestyle tourism in the country, considering the fact that India has a coastline of 7,000 km which could be tapped.

Gautama Dutta, Executive Director, Marine Solutions, said: "Yachting is a leisure past time that is waiting to be developed into a highly leveraged lifestyle and leisure activity.

"We realise its potential and we are committed to developing it in India. We also understand that yachting is waiting to be experienced as a lifestyle that is satisfying, adventurous and thrilling."

There is a New India rising. Along with this rise, there is a growing demand for experiential leisure, he said.

"We believe yachting can fill this space promoting not only marine tourism but also building infrastructure and creating employment," Dutta added.

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Living in a city like Mumbai where views from a person's home consist mainly of bricks and mortar, and where people go about their daily business with such a frenetic pace that it mirrors a fast local train travelling at top speed, can leave its citizens feeling as jaded as someone who's been tied to a computer screen indefinitely for months on end. But a travel company is now offering people feeling the same the chance to join an expedition to Rishikesh, so that they can recharge their batteries before getting back to the daily grind.

"It will be a three-night stay," says Rohit Dube, co-founder of Moonstone Hammock, which is organising the tour. "The first day starts with a trek to a hidden gem, a waterfall about 5 km from the main city where people can actually sit in the water and have their food. And over the course of the rest of the trip, we will take the participants for two different evening aartis, rafting, to the Beatles ashram, cafés with live music, and local bazaars so that they can soak in the vibe of the place. We will also take them around the mountains on bikes, for instance to the beautiful road that heads towards Badrinath," he adds, meaning that it's time for you to pack your bags if you want to escape this concrete jungle, even if it's for a brief period.

On: March 29 to April 1
Call: 9769274340 to book
Cost: Rs.7,980

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Mount Everest. Pic courtesy/YouTube

Trekking is a mix of adventure, delight and self-fulfillment. The high-altitude treks offer a thrill-packed action - an experience that should not be missed at any cost.

The mighty Himalayas are the cure for those bitten by the adventure bug. Whilst it takes a lot of gusto, courage and determination, travelling smart is necessary.

Talking about the essentials of smart packing, Rupali Juneja, a travel expert, said, "If you are planning to explore the fascinating mystery of the snow-capped Himalayan beauty, there are several aspects that should be taken care of before starting the sojourn. Many times people over-pack their bags by stuffing it all. This is done because you never know what you might end up needing on your way. However, this is an absolute NO-NO! You must always pack your backpacks smartly so as to avoid wasting time trying to find things later. This will also ensure that you are carrying less/lightweight while climbing up."

"Take time to understand the terrain you are off to. If you have chosen arid mountains, make sure you carry a good hat or a sun cap and pair of glasses. Good trekking shoes, of course, are essentials as would be a sturdy rucksack. A water bottle, sunscreen, insect repellent, Swiss knife are the other essentials. For higher reaches, thermals, woolen caps and warm socks are a must," said Navneet Mendiratta, a content curator, and travel expert.

1. Prepare a checklist: A checklist always helps to remember and organise the items that one needs to carry. Always opt for travelling light.

2. Arrange them the right way: Arranging all your belongings is a task but if done in a right way, everything becomes easily accessible.

3. Quick snacks: Food will surely keep one energised during the trek.

A good and memorable trekking is always the result of a smart packing. So be a smart trekker and enjoy the thrill of trekking expedition in the Himalayas.

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On the stage at the majestic Royal Opera House, artistes take their seat in a semicircle for what is an unusual gathering. At the centre is British radio and television presenter Nikki Bedi, who, along with familiarising her guests with the flow of the show is also breaking the ice between participants. They are here to record The Arts Hour, a BBC radio production that goes on a tour once a month to capture the best in arts across the world. The Mumbai edition airs today.

Actor Bhumi Pednekar (with Nikki Bedi to her right) calls out the boors behind Padmavati protests. Pics/Pic/Bipin Kokate

In the city on the evening of November 22, the researchers have picked six artistes who they feel best represent the dynamic cultural scene of the city. Flanking Bedi are film critic and director of the Mumbai Film Festival Anupama Chopra, and actor Bhumi Pednekar. Seated next to them are stand-up comedian, screenwriter and novelist Anuvab Pal, and Shamir Reuben, head of content and social media at the spoken word collective, Kommune. On either side of the stage, fine-tuning their arrangements are the popular Hindi rock ensemble Anand Bhaskar Collective and pop duo from Kolkata — with a big fan following in Mumbai — Parekh & Singh in signature fruity suits. "The show is a way of seeing a people and their culture, and understanding their politics and issues through the prism of art. Stand-up comedy and spoken word are burgeoning fields in Mumbai. There is also a sea change in the kind of subjects that Indian cinema is choosing. Issues like sanitation, erectile dysfunction and fat shaming are not just making it to film, they are also managing to attract audiences into theatres," says Bedi about why it was a good time to come to Mumbai.

Nischay Parekh readies to perform the band's hit song

For this edition's research, Bedi, who was born a Moolgaokar and has roots in Mumbai, played the fact checker for producer Nicki Paxman along with providing other insider inputs. A regular feature of the show, The Culture Cab, involves the presenter hailing a cab with an artiste who then takes her around the city to explore it like a local. Though her Mumbai guide was Pal, with whom she explored the splash of global colours at the ongoing Sassoon Docks art project and the murals of Bandra, Bedi shared her favourite part of the city with him, too — Walkeshwar's Banganga.

Throughout the recording that lasted two and a half hours, the team's homework kept the conversation alive and relevant. Bedi, a natural at hosting, puts her guests at ease. It comes across in Pednekar's candour, who minces no words when asked about the ongoing controversy around Padmavati. "You know, these are people who don't give a s**t about history," she says, a word Paxman gets politely replaced at the end of the show with the milder "damn". Bedi then moves on to ask Pal and Reuben if comedy and spoken word have become popular for similar reasons and how social media has played a part. With artistes as guests, each segment packs in a performance. While Pal's jibes about SoBo residents have the audience in splits, Reuben's poetry moves many to tears. Vocalist Nischay Parekh of Parekh & Singh shares the inspiration behind their music video with a million hits, I Love You Baby, I Love You Doll, before performing it, and Anand Bhaskar shares why all his compositions are in Hindi before segueing the show to its end with a rendition of Fanaa.

An audience member comments about the need to see more everyday people in films

Rahul Baswani, who came to know of the show through Pal's tweet, is happy to have made it in the audience. "I listen to a lot of podcasts. So, the most fascinating bit for me was towards the end when they did the retakes," he says. In the green room, mutual understanding and fandom fill the air. "At the end of the day, we are all artistes, and we could feel the synergy and a shared language throughout," says Parekh, who has just promised Pal that he'll be there for his Kolkata gig the next day, even as Pal admits that the music duo is everything he would have wanted to be as a 27-year-old.

The sound engineers at work

Chopra, on the other hand, is happy that the show recognises the power of Indian cinema and how it is evolving. "Outside India, there is a fixed notion of what Bollywood is. But there is a different language [spoken] now, which most people don't know of. I am hoping that the show will communicate that." For Reuben, it has been a platform for artistic exchange. "The beauty of tonight was people might have come to watch comedy and they learnt a bit about spoken word. Or that they wanted to hear a poem and they left with music," he says. "For the BBC to say that there is something stirring in Mumbai is a statement."

In 1996, when lyricist Nitin Raikwar dropped by on the set of Aamir Khan's Ghulam, on the recommendation of actor and filmmaker Neeraj Vora, it was to craft gimmicky dialogues for Khan's next film, Sarfarosh. "They wanted me to write funny shayaris for one of the characters in the film," he says. The shoot was at Sanpada in Navi Mumbai, and due to a technical snag, the crew had plenty of time to kill. "I noticed that Aamir was relatively free at that point, so I went up to him and requested that he give one of the songs I had written a listen. He heard it, and immediately called director Vikram Bhatt. They both thought the song was unusual but nice," recalls Raikwar. That song was Aati Kya Khandala, eventually sung by Khan himself, becoming a number that would make it to every Bambaiyya Hindi song list after.

Nitin Raikwar, sought to capture the mood of Goa. Pic/Satej Shinde

Raikwar went on to continue to use the slang in some of his memorable songs including Apun Bola Tu Meri Laila from Josh (2000), Excuse Me Kya Re from Style (2001) and the iconic Khallas from Ram Gopal Varma's Company (2002). Raikwar has also worked on children's films, and penned lyrics for Chota Chetan (1998), Jajantaram Mamantaram (2003) and others like Pyar Tune Kya Kiya (2001), Aankhein (2002) and Main Madhuri Dixit Banna Chahti Hoon (2003). "I think what worked for me at that point was the novelty factor. People dig variety. For instance, we may love our vada pav, but when the burger made an entry in early 2000, we started queuing up for it. It's the same with songs," he says. These days, Raikwar is working on his debut album for which he has collaborated with Shrikant Ahire, one of Maharashtra's foremost shadow dancers. He plans to release a single from it next month. The song is called Khan Sahab Apne Ladke Ko Sambhal. "I thought I'd write in a manner that people identify with. I can't write in a flowery and larger-than-life way. It's not me."

Apun Bola from Josh, which was written by Nitin Raikwar

Writing in tapori language was a skill that Raikwar developed after he moved to Mumbai from Pune in 1987. By then, he had already tried his hand at singing in orchestras, something his father wanted him to do since he was a successful show organiser. "But I didn't see myself singing in orchestras all my life. I was aware of the risk and struggle involved in Bollywood, but I was adamant to make it," he says. With little money to spend, Raikwar's story reads like that of so many others who move to Mumbai from smaller towns to try their luck. "When a man is struggling, he spends time with people who are like him. So I would sit at chai tapris and talk to rickshawallas, drivers and daily wage labourers. Because I'm talkative and an extrovert by nature, I could strike up a conversation with just about anyone. That's how I picked up the slang," he says. Even when he didn't have projects, Raikwar would write and seek feedback from his friends, some of whom were already working in the film industry as supporting actors. And it's through their assistance that he finally met Anil Kapoor on the sets of Ladla. "I consider that the turning point in my life.

Anil Kapoor felt I had potential and introduced me to directors and filmmakers," he says. Raikwar's first song was Teri Tirchi Nazar Main Hai Jaadoo for Anil Kapoor-starrer Loafer in 1996. But it was Aati Kya Khandala that earned him fame like no other. In fact, it helped him bag a Shah Rukh Khan film soon after. "I remember writing Apun Bola in 15 minutes after I heard the script. I wanted it to reflect Goan culture so I included words like kokum curry. You'll also find words like 'hoinga' and 'karenga', just the way a Catholic aunty would say them," he says.

In 2014, Raikwar had to put all work on the backburner for two years due to an illness. It began with bouts of headache, and he was later diagnosed with subdural hematoma of the brain. "The clots had to be removed through surgery. For a long time, I couldn't work because of the illness. I'm fine now, and hope to get back to what I do best," he says.

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Mayank Gandhi on ground at rural development projects

The Aam Admi Party (AAP) took the country by storm in 2012 and people believed they were looking at a new dawn. But "leaders are not what they seem like from far. When you go closer, you can see that they have feet of clay. What they project and what they actually are, are two different things", alleged Mayank Gandhi, former AAP leader and a founder member of the party, in an email interview, hours before his book AAP & Down: An Insider's Story of India's Most Controversial Party (Simon and Schuster India), co-authored by Shrey Shah, was released in the city yesterday.

At the book launch in Mumbai. Pic/Bipin Kokate 

Wake up, India
The tell-all was released to mark the third anniversary as the ruling party in Delhi. When we asked the Mumbai-based leader about his reasons for penning it, he said, "The primary purpose was to lay down the bare truth about what happened and how the country's citizens realised that democracy was more than just about voting during five-year elections. It is to also tell the youth who still harbour the hope of alternative politics coming from AAP that their dream is over."

In the book, besides Arvind Kejriwal and Anna Hazare, Gandhi focuses on those who worked behind the scene to shake the nation into consciousness. He elaborated, "As a young man, I had felt the pain of being betrayed when the Janata Party experiment failed, in which I had personally invested part of my life. I was insignificant then and inconsequential. Now, when the youth of the country are being betrayed all over again, I can feel their pain. And this time, I am not so inconsequential and would like to be a medium of letting the people know what happened and how."

A file photo of Arvind Kejriwal at an AAP rally in Delhi

Opportunity lost
Gandhi, who played a key role in AAP's formation, admits that writing the book was a tumultuous journey. From re-living the India Against Corruption (IAC) days to the crushing of dreams, "the only thought that came to my mind was the opportunity that we lost in transforming the nation". Gandhi believes that AAP failed because instead of maintaining the founding principles for which it received extraordinary support, the party decided to indulge in the three Cs — corruption, casteism and communalism — after it won Delhi by unprecedented margins. "This impatience and abandonment of ethics and morals was the biggest mistake it made," he said.

But despite losing focus, the IAC movement has given people the courage to assert themselves before authorities and politicians. "Counter hegemony has started appearing as people have understood the power of standing up to the wrongs," says the man who has decided to focus on development politics, and is now working for the development of rural India, starting with the Beed district in Maharashtra.

AAP & Down, which is a documentation of India's "second independence" struggle according to Gandhi, gives readers a chance to see how power changes man. "People who operate in the name of serving the poor, many a times are serving their personal ambitions and egos," the author said.

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Shawna Pandya

While the world is already counting Dr Shawna Pandya in the league of Kalpana Chawla and Sunita Williams, the lady in question feels it's all "a bit premature".

Canadian scientist and astronaut, Dr Pandya, is known for her work as part of Citizen Science Astronaut (CSA) candidate with project PoSSUM (Polar Suborbital Science in the Upper Mesosphere) and PHEnOM (Physiology, Health and Environmental Observations and Microgravity) that she has been pursuing for two years now to understand several aspects of outer space, ranging from cloud formation to physiology and microgravity. She was one of the two candidates to be shortlisted from 3,200 people enrolled in the CSA programme.

While she has been working extensively in the field of outer space, and has in the past even worked with NASA, she clarifies that there has been "no announcement, flight assignment or selection of missions" [scheduled to take flight] yet. They will soon head off to a Mars simulation for two weeks though, that will help them prepare better for the mission, as and when it happens.

In a telephonic interview from Canada, where Dr Pandya is based, she tells us, "We are still developing our science and our mission. Our programme has done a phenomenal job of recruiting great candidates regardless of gender, ethnicity and country of origin. In fact, India has better representation in PoSSUM now. It is interesting that there is so much international representation in space programmes. It's not a competition to say, 'I will be the first such and such...' It's only about working with the passion and excitement."

Pandya is now part of a show on Sony BBC Earth titled Astronauts — Toughest Job In The Universe. Ask her what makes her job the toughest and she says, "I think everyone is serious and passionate about their job and consider it the toughest in the universe. This job, however, requires a tremendous amount of dedication and time. It's team-based and there is much risk involved. You cannot afford to let anyone down and that really raises the stakes."

Ever since she was a child, Pandya had been fascinated by space. "I remember when I was in grade seven, I'd read books on astronomy and the universe. I think that's where it all began for me," says the 33-year-old, who works as a general physician. When it comes to the areas that she has dabbled in, it's an extensive laundry list. From a black belt in Taekwondo to baseball, to motivational speaking, to walking the ramp and crooning as an opera singer, Pandya seems to have done it all. Ask her how does she pack in so much, and she says, "When I am asked this, I tell people, 'relax, I'm not doing all this in the same 24-hour period'. The trick is to prioritise what you do with your time, line up goals, set deadlines for yourself and act accordingly."

Pandya shares a deep connect with Mumbai and tries to visit the city once every five years. The last time she was here was last February. "I have most of my extended family here, my uncles, cousins and up until recently, my grandmother. There's no other city in the world like Mumbai, for me. There's so much going on here all the time but there's always something that comes out of the constant commotion. This city is always home away from home for me."

Also Read: Virender Sehwag Pays Heartwarming Tribute To Astronaut Kaplana Chawla

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Yashodhara Dalmia with Mashe and his family in the early 1980s. Pic/Maseeh Rahman

When art historian and curator Yashodhara Dalmia first met Jivya Soma Mashe in the early 1980s, the Warli artist had just started working on paper instead of the walls on which his peers and ancestors had for generations. "I found it inventive, brave and fascinating," says Dalmia, who authored The Painted World of the Warlis: Art and Ritual of the Warli Tribes of Maharashtra in 1988.

Traditionally associated with the rituals and ceremonies of the Warli community, who reside in the Maharashtra-Gujarat border, the art form found new horizons through Mashe, who passed away on May 15 in Ganjad village, Palghar. He was 84. On his passing away, he was remembered as the artist who popularised the folk art form, rendering figures on paper smeared with cow-dung or a red background, and nudging Warli into mainstream visual culture.

Mashe's The Fish Bowl

Cultural theorist and curator Nancy Adajania says that it is a misconception that Mashe 'popularised' or 'preserved' Warli. "He did neither. He invented Warli art, as we know it today. He was a pioneer," she says. Before him, there was no "Warli art" as such. In its ritual form, it was practised in the Warli community by its women, not men, who would paint on the walls of their houses, a sacred square with the fertility goddess, surrounded by human and animal forms. "But Mashe wasn't consecrating the goddess in his paintings. He was a witness to his times, using the existing vocabulary of the ritual form and creating a new one," she says.

Cultural historian, prof Jyotindra Jain, who included Mashe in his seminal exhibition Other Masters: Five Contemporary Folk and Tribal Artists of India (1998), says the artist went far beyond the conventional themes of Warli, infusing the form with a narrative quality. "In 1998, Jivya produced an epic work comprising two large paintings on wooden boards entitled: My Life. This work relates to memory — memory of fragmentation and fear," he says.

(From left) Former gallerists Kekoo and Khorshed Gandhy with Mashe (centre) at his 1975 solo exhibition at Chemould Pic/ChemoulD Prescott Road archive

Jain's observation cuts through common misconceptions about Warli being a simplistic 'folksy' art. In My Life, a bipartite work, Jain observes that in one section, Mashe ruthlessly depicts a railway line cutting a village in two, dividing the fields, the river, the families, and the community. The second section depicts the memory of Jivya's first visit to this city, arriving at the Mumbai Central railway station filled with an ocean of people. "Despite the limited vocabulary of thin, linear humans of the Warli idiom, Jivya powerfully characterises each figure, be it a coolie carrying luggage, a policeman chasing a thief, or a monkey jumping on to a roof," he says.

In his paintings, we find signs of modernity — schools, railway junctions, as well as a depiction of the crafty moneylender, observes Adajania. His themes may find growing relevance now, as they did then, particularly through what Adajania describes as 'an environmental ethic' — an interdependence of human beings with other living things. Recalling one of his most famous and captivating works, Fisherman, she says, "A vast cosmic net held by a speck of a human being overpowers the painting. But this is not an expression of a competition with the powers of the divine; instead, Mashe is transmitting an ethic of empathetic coexistence among species, even as he asserts his own artistic agency."

The commercialisation of Warli art these days, says Adajania, is a symptom of a chronic problem faced by these artists. "They are susceptible to exploitation, because there are two unequal economies in our art world — one for the contemporary artist, the other for the so-called folk artist," she says. As a practice running parallel to other contemporary practices, as Mashe's did with the Bombay Progressives, there is the continuing need to give the art form the place it deserves. Dalmia, when she remembers that first meeting with Mashe, says he was living in poor circumstances. He would soon become the first from his community to find recognition, both Indian and international, as an artist.

Mentored by Bhaskar Kulkarni, a senior member of Crafts Board, Mashe had his first solo exhibition in 1975 at Kekoo and Khorshed Gandhy's Gallery Chemould. It was the first time that an exhibition of an artist from an indigenous community was held at a contemporary art gallery. When the gallery shifted in 2010, from Kala Ghoda to Fort, the gallerists decided to bid farewell by revisiting Mashe's works, instead of a group show of any of the other stellar Modernists. "He was not just an artist who transported the ritual tradition into a parallel contemporary form of art, but also a man of vision. He could foresee that this art would convey the daily life of his people and his own life," says Dalmia.

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A still from the short film Ahalya (2015)

We have all done it at some point in our lives. Watched a film or a documentary and played detective with it. Why does Anakin Skywalker get seduced by the dark side to become Darth Vader? Or, what is that makes Kareena Kapoor's character so confident and self-assured in Jab We Met? Or, what's the allure of the amoral Ma Anand Sheela in Wild Wild Country?

We love deducing human behaviour and motivations, especially those characters that seem to suggest one thing on the surface, and something else if you dig deeper. Which is why a recent screening of Ahalya, a short Bengali film made by Sujoy Ghosh, found nearly 120 takers at G5A Foundation in Mahalaxmi. A free screening by the Psychoanalytic Therapy and Research Centre (PTRC), the film was followed by a discussion through the lens of psychoanalysis.

Instead of looking at the film-making aspects, the psychological and emotional motives of the characters were the focus. Leading the discussion were psychoanalysts Nuzhat Khan and Micky Bhatia, faculty members at PTRC. "A great deal of our work and training, right from our students days, has got to do with mental illnesses, but there is a lot that we do which is not related to this. At seminars, we watched films, gaining a much deeper understanding of the characters," says Khan, recounting sessions where they have broken down films such as Black Swan, known for their obvious psychological depth, and also those such as Sanjay Leela Bhansali's Devdas.

PTRC's monthly screening followed by a psychoanalytic discussion. Pic/PTRC

Ghosh's film made headlines when it was streamed on YouTube in 2015, for its gripping plot that revisits the tale in The Ramayana. While you can look up the film online, Khan says that the discussion after the screening showed that there were several layers to the characters. One reading took on the young police inspector Indra's 'castration anxiety', one of Sigmund Freud's earliest psychoanalytic theories. Fearing punishment by Ahalya's husband, old enough to be his father, Indra tries to restrain his evident interest in Ahalya.

However, after he gets intimate with Ahalya, he is turned into a figurine — that's castration, symbolically, by the elderly husband showing the younger man who's boss. And, for that matter, Ahalya pretends to be an ingénue, while in fact she is a seductress. Once you explore these layers, says Khan, you will realise that there are no true villains in the film. "Had the filmmaker been there, he would have been aghast hearing our analysis," she laughs, adding, "Filmmakers, like other artists, express their subconscious or unconscious through their works. They are only semi-conscious of what they are doing. If they fully knew why, they may never make a film or any work of art.

"PTRC, a charitable trust, has been working in Mumbai for more than 40 years, almost quietly, to provide mental health services and also train professionals in the area. Given the rising interest in mental well-being, we use terms such as "repress" and "Oedipus complex" in our day-to-day lives. Banu Ismail, a child analyst and psychoanalyst with PTRC, says that at their film screenings, they open up discussions with the public to encourage different perspectives. "Psychoanalysis doesn't happen only in the consultation room. That said, there are several misconceptions about the area, and these events help clarify those," says Ismail, who will helm the next discussion of Gautam Vaze's Marathi short film, Aai Shapat on June 6 at G5A, focusing on anxiety guilt. The free screenings are followed by a lecture on another day, for which there is a registration charge.

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Representational Image

Google has rewarded an Uruguayan teenager a "bug bounty" of more than $36,000 for disclosing a severe security flaw. Ezequiel Pereira's sporadic poking around has finally paid off in a big way: Google just awarded the Uruguayan teenager $36,337 for finding a vulnerability that would have allowed him to make changes to internal company systems, CNBC reported on Saturday.

"I found something almost immediately that was worth $500 and it just felt so amazing. So I decided to just keep trying ever since then," Pereira was quoted as saying by CNBC.

"It feels really good - I'm glad that I found something that was so important," he added.

Although, Pereira found the bug earlier this year, he only just got permission to write about how he discovered it this week, after Google confirmed that it had fixed the issue, the report said.

It marks Pereira's fifth accepted bug, but it's by far his most lucrative.

Pereira was about a month shy of 17 when he first got paid for exposing a Google security flaw through its bug bounty programme.

Pereira got his first computer when he was 10, took an initial programming class when he was 11 and then spent years teaching himself different coding languages and techniques.

In 2016, Google flew him to its California headquarters after he won a coding contest.

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(this is continuation of the title): Why is the daylight robber being rewarded instead of punished or fired BEFORE he proves he has value ?! Your proposed role for him doesn't seem to offer any value to us. I saw the mails about Ankit stealing research id..

Former Indian opener Virender Sehwag has stated the real inspiration behind his swashbuckling batting technique was 'Angad' -- a character in mythological epic 'Ramayan'.

Sehwag, who was known for his great hand-eye coordination with minimal footwork, on Sunday shared a picture of 'Angad' on Twitter and said: "So here is where I took my batting inspiration from. Pair hilana mushkil hi nahi, namumkin hai. #Angad Ji Rocks."

So here is where i took my batting inspiration from :)

Pair hilana mushkil hi nahi , namumkin hai . #Angad ji Rocks pic.twitter.com/iUBrDyRQUF

— Virender Sehwag (@virendersehwag) April 12, 2020

According to mythology, it is believed that Angad -- who was part of vanar sena which helped Lord Ram in rescuing his wife Sita from Lanka -- was sent as an emissary to the court of Ravan in order to avoid war.

However, Ravan declined the offer and then to break his ego, Angad challenged that if anyone present in the court would be able to lift his feet from the ground then Lord Ram would accept defeat and leave Lanka.

But it is believed that none of the warriors present in Ravan's court was able to lift Angad's feet.

Sehwag, who played 251 ODIs and 104 Tests for India, scored 8,273 and 8,586 runs respectively. In fact, he is the only Indian cricketer to hit two triple centuries in Test cricket.

The swashbuckling opener also played 19 T20Is for India in which he amassed a total of 394 runs.

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India cricketer Hardik Pandya is not just an entertainer on the cricket field but off it too.

On Tuesday, a video of Hardik Pandya surfaced on Instagram where he is seen entertaining his social media followers alongside fiancee Natasa Stankovic.

In the video that went viral, Hardik Pandya asks Natasa Stankovic, "Baby, main kya hoon tera? [who am I to you]." The Serbian model-actor hesitates for a bit before replying: "Jigar ka tukda [a piece of my heart]" after which both burst out laughing at her accent. Take a look at the video below.

 

 

 

View this post on Instagram

@hardikpandya93 blood💥💯#hardikpandya #nature #nature #naturalhairstyles #naturephotography #photo #photographer #photography #photooftheday #photoshoot #photographylovers #photoshop

A post shared by hardikpandya_93 🔵 (@hardikpandya_93_blood) onApr 12, 2020 at 7:15pm PDT

Hardik Pandya and Natasa Stankovic's dating rumours began in early 2019. Hardik Pandya shocked the world when he announced that he proposed to Natasa Stankovic on New Year's Day 2020 confirming that they were engaged.

Natasa Stankovic has appeared in many reality shows, most notable ones being, Bigg Boss 8 and Nach Baliye 9.  

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India women’s cricketer Smriti Mandhana posted this picture to her two million Instagram followers, enjoying lunch with her parents during the Coronavirus lockdown. “Nothing compares to Maa ke hath ka khana and Papa ki kahaniya sunna [food cooked by mom and listening to dad’s stories],” she captioned the post that went on to receive nearly four lakh ‘likes’ within a few hours.

See the full post below.

 

 

 

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Nothing compares to Maa ke hath ka khana and Papa ki kahaniya sunna😇🥰

A post shared by Smriti Mandhana (@smriti_mandhana) onApr 14, 2020 at 9:48am PDT

Smriti Mandhana is part of the Indian women's cricket team and is one of the most instrumental batswomen in the team. Smriti Mandhana won the  International Woman Cricketer of the Year in 2019. In the same year, Mandhana also became the third-fastest women's player to score 2,000 runs in ODIs. At age 22, she was also the youngest women's T20I captain for India eves. She has 4 centuries and 17 fifties in women's ODIs.

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Bollywood actor Athiya Shetty seems to have found the perfect day to make her relationship with India cricketer KL Rahul official on social media as he turned 28 on Saturday. She shared the picture with her 2.3 million Instagram followers along with a white heart emoji and wrote: "Happy birthday, my person. @rahulkl." To which, Rahul replied with three heart emojis.

 

 

 

View this post on Instagram

happy birthday, my person ðŸ¤Â @rahulkl

A post shared by Athiya Shetty (@athiyashetty) onApr 18, 2020 at 12:59am PDT

Rahul's friend Hardik Pandya commented: "Hay," while tennis star Sania Mirza wrote: "Awee" along with two heart emojis.

Rumours about them seeing each other began last year after the cricketer posted an adorable picture, recreating a scene of Athiya's dad Suneil Shetty's film, Hera Pheri and captioned it: "Hello, Devi Prasad?"

 

 

 

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Hello, devi prasad....?

A post shared by KL Rahul👑 (@rahulkl) onDec 27, 2019 at 10:15pm PST

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Reminiscing the old days, Indian all-rounder Hardik Pandya on Monday shared a classic throwback picture with brother Krunal.

In the 2011 photo, the duo are smiling while posing for the camera with a 'desi swag.'

 

 

 

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Throwback to 2011 😅 How time changes @krunalpandya_official Swag mera desi hai

A post shared by Hardik Pandya (@hardikpandya93) onApr 20, 2020 at 6:42am PDT

"Throwback to 2011, How time changes @krunalpandya_official, Swag Mera desi hai," Hardik captioned the post on Instagram.

The flamboyant all-rounder, who was out of the Indian team due to back injury, made a comeback during the South Africa tour of India.

The first match of the series got washed out due to rain, and the series was eventually postponed following the outbreak of coronavirus.

Pandya made his ODI debut against New Zealand at Dharamsala in October 2016.

Due to the COVID-19 pandemic, all sporting action across the world has been stopped including the 13th edition of the IPL.

On April 16, the IPL 2020 was suspended till further notice due to 'evolving global health concerns'.

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Former India captain Kapil Dev has shocked fans with his new bald look.

Kapil told mid-day on Tuesday that he had requested his daughter Amiya to cut his hair since it had grown rather long. But since Amiya cut it too short, he decided to shave his head and keep a French beard. The 1983 World Cup-winning captain said he is busy helping wife Romi and Amiya with household chores and has indulged in some cooking too during the Coronavirus-caused lockdown. "I am doing all sorts of things; only thing left is polishing my shoes," he said with a chuckle.

Sanjay Manjarekar

Meanwhile, Kapil's former India teammate Sanjay Manjrekar tweeted his bald picture and wrote: "Love this look Paaji! Keep it!" Sanjay and Kapil went on cricket tours to West Indies, Pakistan, New Zealand, England, UAE, Australia, ZImbabwe and South Africa.

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Over the years Ajinkya Rahane has faced several bowlers on different surfaces across the globe, but playing against England speedster James Anderson in his home country has been the most challenging task for the India Test vice-captain. While insisting that every bowler in international cricket is challenging, facing Anderson in English conditions was the toughest for Rahane by his own admission.

"(But) especially talking about one particular bowler - James Anderson in England is really challenging. He knows the conditions well. He (Anderson) is the one," said Rahane on an Instachat live chat orgainsed by his employer 'Indian Oil' on Tuesday. Rahane, who has amassed over 4000 runs in Test cricket and has a century in England, the West Indies apart from India, emphasised on the need to be mentally fit during the coronavirus-forced lockdown period.

"(At) this point of time, it is important to be positive mentally. Mentally, I'm visualising my cricketing stuff, batting. As an international athlete, cricketer, it is important to be mentally fit," said Rahane, who revealed that he is a Black belt holder judoka. Sporting activities across the globe, including cricket has come to a grinding halt because of the pandemic. Even this year's cash-rich Indian Premier League has been postponed indefinitely due to the deadly disease, which has claimed nearly 1,78,000 lives globally and more than 640 in India.

Even though he is disturbed by the suffering of people, Rahane looked at the positive side of the lockdown. "First of all, definitely this is a sad thing, which is happening. But, looking at the positive side, I'm getting time to spend with my daughter and family. My daughter is six-and-a-half months old, I'm lucky to be with her," the right-handed batsman said. He also said that batting legend Sachin Tendulkar, Rahul Dravid and tennis ace Roger Federer are his role models and meeting the multiple-time Grandslam champion at the 2015 Australian Open was a fanboy moment for him.

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India cricketer Krunal Pandya, 29, Instagrammed a fun video, enjoying of a unique version of table tennis with his brother, Hardik in their room.

With their double bed forming a table and a rolled up blanket playing the role of a net, the two brothers are seen using their hands as racquets as they play TT with a soft ball (screengrab above). "#PandyaBros in action in a different sport. @hardikpandya93 and I are always competitive with each other. Who do you think won this round?," Krunal captioned his post that got nearly 40,000 views within a few hours.

 

 

 

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#PandyaBros in action in a different sport 😏 @hardikpandya93 and I are always competitive with each other 🤪 Who do you think won this round?

A post shared by Krunal Pandya (@krunalpandya_official) onApr 23, 2020 at 5:00am PDT

Interestingly, former India pacer Munaf Patel replied with a cheeky comment: "No cheating, KP please."

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India all-rounder Hardik Pandya has joked that a cup of coffee proved too costly for him and he now drinks green tea instead in an Instagram live chat with wicket-keeper Dinesh Karthik. Pandya was referring to the controversy he landed in due to his comments on the television show Koffee With Karan in early 2019.

"I don't drink coffee, I drink green tea instead. I drank coffee only once and proved to be too expensive for me. I can bet that Starbucks would not have such an expensive coffee. Since then I stay away from coffee," he said in the live chat which also featured his brother and fellow all-rounder Krunal.

Pandya was caught in a maelstrom of controversy in early 2019 due to his remarks on the chat show in which he had appeared with teammate KL Rahul. It led to both being briefly suspended from the Indian team.

Pandya has since got engaged and while his return to the Indian team has been hampered by injuries and the ongoing coronavirus lockdown, he is expected to play for the team at the T20 World Cup later in the year should it go through.

He also said that he would be okay with the 2020 season of the Indian Premier League (IPL) being played behind closed doors. The season has been postponed after the Indian government extended the ongoing lockdown in the country to May 3 amid the coronavirus pandemic.

"It will be different. We are used to playing in front of them as the feeling of competition comes with the crowd," said Pandya in an Instagram live chat with Dinesh Karthik.

"I've played in the Ranji Trophy without crowds, and it feels different. To be honest, if that [IPL behind closed doors] happens, it will be a smarter option. At least people will be entertained at home," he said.

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India cricketer Shreyas Iyer has been entertaining his fans both on and off the field. In order to make things a bit positive during the COVID-19 pandemic, Shreyas Iyer shared a fun video on Instagram.

On Sunday, Iyer posted a video for his 2.3 million Instagram followers and captioned it: "Fielding practice is everywhere you look."

 

 

 

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Fielding practice is everywhere you look 😏

A post shared by Shreyas Iyer (@shreyas41) onMay 3, 2020 at 12:30am PDT

In the video, Shreyas Iyer is seen diving to save an egg, catching the remote control of his TV, arranging chairs quickly and even collecting clothes thrown out of the washing machine.

One could hear American rapper Tyga's song, Bored, playing in the background. Shreyas Iyer, born in Mumbai, made his debut for India in 2017. He has since played 18 ODIs and 22 T20Is. Shreyas Iyer is also the captain of the IPL franchise Delhi Capitals.

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India cricketer and star opener Shikhar Dhawan's daughter Aliyah turned 20 on Tuesday and the doting father posted a cute Instagram video dancing alongside her. "Happy birthday my angel! May you forever sparkle and shine like the star that you are. I miss you so much. Take care and enjoy your day @aliyah_dhawan," Shikhar, 34, captioned his video.

 

 

 

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Happy birthday my angel! May you forever sparkle and shine like the star that you are. I miss you so much. 🤗 Take care and enjoy your day ❤️ @aliyah_dhawan

A post shared by Shikhar Dhawan (@shikhardofficial) onMay 4, 2020 at 11:40pm PDT

Meanwhile, Aliyah's mum Ayesha also posted a sweet message for her eldest daughter. "My partner in crime for life. My ride or die!!! This beautiful young lady is my soul, my heart my life!!! You are the reason I am who I am today! God bless you @aliyah_dhawan love you dearly #HAPPY 20th BIRTHDAY MY INSPIRATION," Ayesha wrote.

 

 

 

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My partner in crime for life. My ride or die!!! This beautiful young lady is my soul, my heart my life!!! You are the reason I am who I am today! God bless you @aliyah_dhawan love you dearly #HAPPY 20th BIRTHDAY MY INSPIRATION 🎂🎁🎉💕🎈

A post shared by Aesha Dhawan (@aesha.dhawan5) onMay 4, 2020 at 9:53pm PDT

Ayesha Dhawan, 44, has two daughters, Rhea, 14, and Aliyah from a previous marriage. Shikhar and Ayesha fell in love and got married in October 2012. In 2015, the couple welcomed their son, Zoravar.

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Indian cricketers Ravichandran Ashwin and Umesh Yadav on Thursday expressed condolences to the families affected in the Vizag gas leakage mishap. Yadav took to Twitter and wrote: "Praying for everyone affected in Vizag. Condolences to the bereaved families #VizagGasLeak.

Praying for everyone affected in Vizag. Condolences to the bereaved families 🙏🏻 #VizagGasLeak

— Umesh Yaadav (@y_umesh) May 7, 2020

"A gas tragedy now??? Omg.. The visuals are so disturbing. God !!! Please have mercy," Ashwin tweeted. Badminton player Kidambi Srikanth also tweeted about the incident which has left eight people dead, saying it is disturbing to hear about the mishap.

A gas tragedy now??? Omg.. The visuals are so disturbing. God !!! Please have mercy🙏

— lets stay indoors India 🇮🇳 (@ashwinravi99) May 7, 2020

"Disturbing to hear about the #VizagGasLeak. Hope affected people recover soon and my condolences to the families who lost their loved ones. Stay safe Vizag!" Kidambi Srikanth tweeted.

Around 120 people have been admitted to the hospital after a styrene gas leak in RR Venkatapuram village. The mishap took place at the LG Polymers industry early on Thursday morning.

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A UK court on Monday dismissed fugitive liquor baron Vijay Mallya's appeal against extradition to India.

"We consider that while the scope of the prima facie case found by the Senior District Judge (SDJ) is in some respects wider than that alleged by the respondent in India. There is a prima facie case which, in seven important respects, coincides with the allegations in India," a part of the order by the UK court read.

A CBI spokesperson confirmed to ANI that the "UK high court dismissed Mallya's appeal against his extradition to India." The 64-year-old businessman had begun the lengthy appeals process in the UK court in February this year against an order to extradite him to India to face multiple charges relating to the collapse of Kingfisher Airlines.

It followed a ruling by a lower court -- the Westminster Magistrate's Court -- in December 2018 - that Mallya should be sent to India to face the charges, including one of money laundering to the tune of Rs 9,000 crore. The businessman fled India in March 2016 and has been living in the UK since then.

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As a last ditch effort to prevent his extradition to India, embattled liquor baron Vijay Mallya on Monday filed an application in UK Supreme Court to prevent implementation of an earlier order that made his return to India imminent.

The application came after a gap of almost two weeks after the London High Court on April 20 rejected a similar application and ordered his extradition to India to face enforcement authorities there in connection with a Rs 9,000 crore bank fraud and money laundering case involving his now defunct Kingfisher Airlines.

The UK Supreme Court is expected to hear the matter later this week. Legal experts said that if the application is rejected by Supreme Court as well, then UK Home Secretary would have to sign on Mallya's extradition papers within 28 days.

Mallya's application in Supreme Court came on the last day when such an appeal could be made in the top court. The 64-year-old businessman was given 14 days to file such an application against the order of High Court. The high court dismissed his appeal against a Westminster Magistrates' Court extradition order certified by the UK Home Secretary.

Legal experts quoted above said it is unlikely for Mallya to get a reprieve from Supreme Court as it would only look as constitutional issues and may not tamper with high court's order if other aspects are in order.

This should be music to the ears of enforcement agencies in India who have been waiting for a long time get hold of the fugitive businessman. The ED has attached several properties of Mallya in the last few years under sections of the Prevention of Money Laundering Act.

Mallya is being investigated by the CBI and the Enforcement Directorate in connection with the loan fraud case.

He was arrested by the UK authorities on April 20, 2017 on the request of the Indian investigative agencies.

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Kerala coronavirus cases: With May 8 being the 100th day of COVID-19 outbreak in India, Kerala reported only one new case in 24 hours, state CM Pinarayi Vijayan said on Friday

The European Commission has opened an in-depth investigation into a Polish tax scheme for shipyards, which it says could give shipbuilders an unfair competitive advantage over rivals.

An official said that the people of Myanmar can now get access to quality treatment and latest medical technology in India with the Apollo Group of Hospitals

A typical chikungunya patient manifests high-grade fever, severe joint pain, headache, muscle pain, joint swelling, or rash. In order to prevent

A total of 487 cases of dengue and 432 cases of chikungunya have been reported in New Delhi till August 27, 2016, revealed the South Delhi Municipal Corporation.

The dengue virus kills an estimated 20,000 people each year and infects up to 100 million, suggested the World Health Organization (WHO). There is no vaccine for dengue.

Chikungunya has affected tens of thousands across New Delhi. Cases of viral fever and dengue are also rampant. There is no need to panic over the spread

Delhi has reported 220 new cases of dengue in the last one week while the total number of new chikungunya cases for the same period stands at 628. A