Kartik Aaryan has a knack to take social media by storm with his remarkable videos and post and even his hit series. After seeking help from the netizens to help him to decide whether he must remove his facial fuzz or grow a quarantine beard, the actor now leaves us in splits with a fun video with his sister Dr. Kritika.

Kartik Aaryan has posted an adorable video where he's showing his displeasure as he comps into a roti made by her sister. The perfectionist that the actor is believes in not taking this lightly and decides to teach his sister a lesson, obviously all in a joke. Kritika who's seen with a rolling-pin in her hand is animatedly flung around by Aaryan and almost thrown out of the balcony. Aaryan ends the video looking nonchalant with the harsh (and obviously funny) treatment and the rolling pin in his hand.

The actor has captioned the video wittily saying, 'no compromises on quality!' Now that's one funny video that made our not-so-happening-Sunday, brighter and better. These siblings are always seen pulling each other's leg and always indulging in tomfoolery like any normal siblings do. We love this actor and his amazing sense of humour.

Have a look right here:

 

 

 

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No Compromise on Quality😇 #KokiToki

A post shared by KARTIK AARYAN (@kartikaaryan) onApr 19, 2020 at 4:34am PDT

Kartik Aaryan has been doing every bit to fight the pandemic and educate the masses. His internet-breaking show Koki Poochega has been trending on all platforms ever since its inception. Moreover the actor's heroic act to pledge Rs 1 crore to the PM Cares Relief Funds, is truly commendable. Kartik Aaryan's wit and his nobles' causes are truly making him a true-blue hero in every sense in these tough times. Hats off to the youth icon!

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Filmmaker Karan Johar's little munchkins Yash and Roohi on Monday hilariously mocked their filmmaker dad's designer kurta in a video shot in KJO's walk-in closet. The 47-year-old filmmaker took to Instagram and shared a video that features KJO's adorable toddlers Yash and Roohi holding Karan's kurta while their father asks them, "Excuse me, what are you'll holding?"

The 3-year-olds adorably confuse it to be their grandmother's and say, "Mumma."

After which Karan broke into laughter and replied, "This is not Mumma's kurta. This is dada's kurta. Dada's friend Manish Malhotra has made it for me. Do you think this is Mumma's kurta? No, please don't say that."

Karan then hysterically tells his kids "This is a man's kurta, and then points out at 'MAN' imprinted on a bag. The 'My Name is Khan' director captioned the video as, "Now they think I am wearing my mother's clothes!!!! #lockdownwiththejohars #season2 #toodles #weareback"

 

 

 

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Now they think I am wearing my mothers clothes!!!! #lockdownwiththejohars #season2 #toodles #weareback

A post shared by Karan Johar (@karanjohar) onApr 20, 2020 at 3:57am PDT

Celebrity followers were quick to comment on the post that garnered more than 3 lakh views on the photo-sharing platform. Farah Khan commented quipping, "To be fair.. so do I sometimes."

While Manish Malhotra left smiling, thumbs up and heart emojis at the post. Lately, Karan has been sharing updates of his quarantine time with kids Yash and Roohi and mom Hiroo Johar. Earlier, the 'Kabhi Khushi Kabhie Gham' director shared a video where Yash and Roohi don't approve of the filmmaker's dancing skills.

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Shah Rukh Khan's trademark wit was at work when he commented on Salman Khan's new song, Pyaar karona. SRK's quip came during an interactive Twitter session with fans titled "#asksrk", when a user asked him what he thought of the new song that Salman has released on the coronavirus outbreak, titled "Pyaar karona".

"Bhai kamaal ka Single aur Singer hai..." was Shah Rukh's reply.

Many fans feel SRK was playing a pun using the word "Single" -- which could refer to the song, as well as Salman's bachelor status. "Bhai" could be a reference to Salman, of course, but Shah Rukh could also be addressing the fan.

Among several other interesting questions, SRK was asked who he would love to work with -- Martin Scorsese or Christopher Nolan. His reply, again, was a cryptic one, and many users felt he is hinting at a possible collaboration with Rajkumar Hirani in the future.

Replying to the question about Scorsese or Nolan, Shah Rukh tweeted: "Wow both are awesome and I have met them... but Raju apna sa lagta hai... nahi?"

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Ayushmann Khurrana and his filmmaker wife Tahira Kashyap Khurrana have prepped for their daughter Varushka's sixth birthday in the loveliest way possible. 

Since it's a quarantine birthday for little Varushka, the star parents created the birthday decor from scratch, as nothing was available in the market. In fact, this creative time turned out to be quite a bonding moment for the family of four. 

Right from creating streamers from newspapers, painting paper fans, to making a cute birthday banner for Varushka, the family did everything together. Ayushmann Khurrana also decided to entertain them by playing the guitar and piano to bring in the birthday cheer.

 

 

 

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This is a unique lockdown birthday for our 6 year old! We @ayushmannk tried our best to make it special! Sharing the joy with you ❤️ #daughter #daughtersarespecial #lockdownbirthday #recycle

A post shared by tahirakashyapkhurrana (@tahirakashyap) onApr 20, 2020 at 11:07pm PDT

Isn't that adorable?

Tahira Kashyap revealed, "We have been doing birthday preparations for the past 10 days. Since there weren't any balloons or streamers available in the market we started making some homemade decorations. There was so much joy in recycling newspapers and painting paper sheets. While I'm making six small cakes, Ayushmann is helping me organise a treasure hunt for the kids, and he is also keeping us entertained with his music. It's going to be the four of us enjoying and playing games. I've also curated a special video which has birthday wishes from her classmates and our relatives. It's going to be a special one."

Varushka turns six today and we are sure she's having an amazing birthday!

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Kartik Aaryan has truly proved to be a crusader in these difficult times. It first all began with his hit monologue #CoronaStopKaroNa which took the social media by storm where he explained the importance of social-distancing. And he didn't stop his self-made awareness-programme for the masses there. Aaryan went ahead and turned his hit monologue into a rap and later even turned into a virtual chat show host to spread the right information about the pandemic.

Kartik Aaryan launched his hit show Koki Poochega a couple of days back on his YouTube channel and broke the internet. His smart initiative to use his star power, to enlighten his innumerable followers about Coronavirus is commendable. Our Koki not just met COVID-19 warriors and got insights about the fatal infection and the plight, but he also made the chat show lighter in these dark times with his effortless charm. His first interview with Sumiti Singh, India's first COVID-19 survivor, was filled with humour and laughter. Kartik followed the pattern in his other two episodes - Dr Meemansu Buch and MP, Police officer Madhurveena. All three episodes were packed with knowledge, laughter and fun moments which left a lasting effect on social media, but it also has to be noted that Kartik has chosen all of three of his interviewees to be women.

Kartik Aaryan has done extensive research for his chat show. He made sure that his first chat show is not just an amateur one, where he just interviews them and experts only details out of them. Amidst all this, Kartik wanted all his initial episodes to have female interviewees. A source close to the actor tells us, that the heartthrob wanted the women to speak out loud through his show. "While the first COVID 19 survivor happened to be a girl, he made sure that the doctor and a cop that he interviews are women. He wanted to know how a young female doctor is curing patients and selflessly working for the nation. Even with his police-episode, he wanted to know how a lady cop's life in this lockdown when she's on duty. And it wasn't done with as an act of sympathy, but he just wanted to show the world, that how women can achieve anything they want to. Women are also a driving force in serving the nation, which is usually not brought out in the media and Kartik made sure he puts across this strong point out there too without even making a hullabaloo about it. He also made sure he just doesn't centre his show around Mumbai and get the warriors from the city. But he picked these real-life heroes across the nation."

Kartik Aaryan recently pledged Rs 1 crore to the PM Cares Relief Funds and this act hailed him as a true hero in the public eye, for donating such a generous amount at such a young age.

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Different Bollywood celebrities are indulging in different activities at home to spend time amid the quarantine and lockdown issued by Prime Minister Narendra Modi. Some are cleaning their homes and many are sharing their workout videos. Soha Ali Khan's daughter Inaaya Naumi Kemmu have something else in mind.

Taking to her Instagram account, actress and mother Soha shared an immensely adorable picture of Inaaya arranging book in her playroom. The toddler looked cute in her black t-shirt and pink checkered trousers. The post was captioned as, ''Booked for the week! #lockdown #stoppedcountingthedays #storytime(sic).''

 

 

 

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Booked for the week! #lockdown #stoppedcountingthedays #storytime

A post shared by Soha (@sakpataudi) onApr 21, 2020 at 12:26am PDT

If you go to her Instagram account, she has been sharing pictures and videos of her family on Instagram account. She regularly updates us about her quarantine time. Recently, she shared a picture of her husband Kunal Kemmu and Inaaya. The father-daughter duo is seen peeling pees in the image! "It's just a 'matar' of time...#lockdown...#stayhome..#twopeasinapod (sic)," Soha captioned the picture.

 

 

 

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A post shared by Soha (@sakpataudi) onApr 15, 2020 at 1:46am PDT

Before this, Soha had shared an immensely adorable picture of Inaaya who could be seen sitting with her bunch of teddy bears and captioned it- House party Day 6. She also used the hashtag- Lockdown.

 

 

 

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House party Day 6 #lockdown

A post shared by Soha (@sakpataudi) onMar 29, 2020 at 10:42pm PDT

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Kartik Aaryan's social media post never misses chuckling the internet away, especially during the times of quarantine, as he shares funny videos on social media, many a time featuring his sister Kritika Tiwari. However, his last video attracted much criticism, so much so that the actor had to delete the post.

Shot at the comfort of their homes, Kartik Aaryan enacts the character of a guy who is seen punishing his sister Kritika Tiwari for making bad roti (a type of Indian bread). Unhappy with the rotis given to him, Aaryan in the "funny" video catches her by her pleated hair, spins her around and flings her from the terrace. He captioned the video: "No compromise on quality."

The video did not go out well with the netizens. The skit enacted by Kartik and Kritika was described as domestic violence by many. Filmmaker Onir took to Twitter to write, "Idiotic .. someone should tell him since he is too dumb to understand that a lot of responsible Film industry members have put out a message against domestic violence and this is NOT FUNNY. But then who are we taking to ... [sic]"

He further added, "He is very popular. like his long speech from the film. But unfortunately, misogyny is very often camouflaged as "entertainment" or " real love" [sic]"

Sona Mohapatra, "I have begun to believe that thus is a new PR strategy for many. Put out misogynistic content or even hire a multiple #MeToo accused & then wait for the feminists to speak up & protest & thus amplify? Free ka publicity. Case in point Kabir Singh, Indian Idol & maybe this too? [sic]"

This guy has become a youth idol by consistently ðŸÂŒŸing in misogynistic films &is happy 2extend it to his disgusting #lockdown video. DV in India is skyrocketing many women stuck 24/7 with their https://t.co/EF3ixCUdY6 this out #India.He influences many more millions than Tangoli https://t.co/g6dyLFvnEf

— ShutUpSona (@sonamohapatra) April 21, 2020

Check out the video that Kartik posted:

Earlier, Kartik Aaryan, throughout the lockdown period, made distinctive efforts through social media, be it through his monologue or rapping, to raise awareness among the people about coronavirus and the importance to stay at home.

The effort made by the actor in his 'Pyaar Ka Punchnama' inspired monologue, grabbed the attention of many, including that of Prime Minister Narendra Modi. After getting praise and a retweet for his first monologue video by PM Modi, the actor has promised to "keep reminding everyone" about the importance of self-isolation during the coronavirus outbreak.

But, Kartik, this one definitely wasn't entertaining!

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Film director Karan Johar on Wednesday posted yet another video of his twins entertaining him in the most adorable manner during the lockdown. In the latest video, Johar is seen flaunting the singing skills of his little munchkins - Roohi and Yash.

The twins are seen sitting on a sofa with a guitar in their hand and trying really hard to sing in their adorable voices but are only able to hum "La La La La La," in chorus. The video begins with Karan introducing the two little musicians saying, "We have two very talented musicians in the house, ladies, and gentlemen give it up for Roohi and Yash."

 

 

 

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A post shared by Karan Johar (@karanjohar) onApr 22, 2020 at 12:19am PDT

As the two began with their 'singing,' Karan takes a minute and then briefly interrupts them asking, "Excuse me! Can you please sing something more melodious?" Accepting that singing is something that the Johar family is not good at, the 47-year-old director wrote in the caption, "Clearly singing is not in our genes! Apologies in advance! #lockdownwiththejohars #toodles."

The 'Student of the Year' director has been spending time with his children and has been posting such video ever since the lockdown was imposed across the country.

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Actor Kartik Aaryan has urged all COVID-19 survivors in the country to donate their blood plasma for the recovery of those who are battling the pandemic. Kartik reposted a video of COVID-19 survivor. She is seen donating her blood plasma.

"I donated my blood plasma today A person who has recovered from COVID is able to make antibodies against it. Also if you don't have any pre-existing ailments you are considered a healthy body and CAN donate your blood plasma, if willing, for the benefit of patients in a critical condition. With great joy and pride I am able to share that I fit all the necessary criteria to donate plasma and did so today at the Red Cross Ahmedabad," she wrote in the caption of the video. She then focussed on the procedure to donate the plasma, which she said is similar to donating blood.

 

 

 

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So proud of @sumitisingh 👏🏻👏🏻 I urge all survivors to check with their doctors and donate their blood plasma if eligible to help critical patients who are on the road to recovery.🙏🏻 Also a big Thank You Sumiti for spreading awareness #KokiPoochega . . . #Repost @sumitisingh ・・・ I donated my blood plasma today— A person who has recovered from COVID is able to make antibodies against it . Also if you don’t have any pre existing ailments you are considered a healthy body and CAN donate your blood plasma, if willing, for the benefit of patients in a critical condition. With great joy and pride I am able to share that I fit all the necessary criteria to donate plasma and did so today at the Red Cross Ahmedabad. The procedure:- The procedure to donate plasma is the same as when you donate blood. There is one needle that is used to draw blood from your body, and the blood runs through tubes that carry it into a machine. That machine separates the plasma from the blood . The same needle sends back blood to your body while the (yellowish coloured) plasma is collected in a bag. It's all toO cool. This happens through multiple cycles. I was also informed that the body will replenish the plasma in 24 - 48 hours. Dear Positives/Now Negatives... This was my first blood plasma donation experience. My feelings were oscillating between nervousness and excitement . On one part I was unsure about the procedure and how I’d feel thereafter . On the other hand there was a desire to contribute in any way I could in the war against COVID. If it helped anyone , anywhere I was doing it . Expect 2 needle pricks. The first one to check if you have antibodies .The second one to draw blood out and transfer it back in. The procedure lasted 30-40 minutes. Most of this time I was fine, however for 3- 4 minutes I felt nauseous and light headed. My doctors at the Red Cross, immediately helped me with what I was feeling and put me at ease. I have been completely fine, thereafter. SVP hospital is the first in India to get approvals for trials for Plasma Therapy and I wish them all the luck in the world & thank them for taking me through this. If I can do it.... maybe you can too

A post shared by KARTIK AARYAN (@kartikaaryan) onApr 22, 2020 at 4:43am PDT

"There is one needle that is used to draw blood from your body, and the blood runs through tubes that carry it into a machine. That machine separates the plasma from the blood. The same needle sends back blood to your body while the (yellowish coloured) plasma is collected in a bag. It''s all too cool. This happens through multiple cycles. I was also informed that the body will replenish the plasma in 24 - 48 hours, [sic]" she explained.

"Dear Positives/Now Negatives... This was my first blood plasma donation experience. My feelings were oscillating between nervousness and excitement . On one part I was unsure about the procedure and how I''d feel thereafter . On the other hand there was a desire to contribute in any way I could in the war against COVID. If it helped anyone , anywhere I was doing it. Expect 2 needle pricks. The first one to check if you have antibodies .The second one to draw blood out and transfer it back in. The procedure lasted 30-40 minutes. Most of this time I was fine, however for 3- 4 minutes I felt nauseous and light headed. My doctors at the Red Cross, immediately helped me with what I was feeling and put me at ease. I have been completely fine, thereafter. SVP hospital is the first in India to get approvals for trials for Plasma Therapy and I wish them all the luck in the world; thank them for taking me through this. If I can do it.... maybe you can too, [sic]" she wrote.

Kartik had interviewed her on the first episode of his online chat-show Koki Poochega, and lauding her effort he urged all survivors to follow her example.

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Sometimes, things that are done out of humour and harmlessness turn out to be unexpected for Bollywood celebrities. The recent example is Kartik Aaryan, who took to his Instagram account to share a video where he could be seen eating a Roti cooked by his sister. What followed was Aaryan grabbing her ponytail and swinging her around. This didn't go down very well with the netizens.

He was slammed for the video by a lot of people and was also called out for being misogynistic. Even singer Sona Mohapatra slammed him and called it a publicity stunt. And now, seeing the scathing reactions, the actor has taken the video down. Few other videos of him and his sister are still on his Instagram account where they both can be seen having fun. And Sona took to her Twitter account again to appreciate the actor for pulling down the video.

Have a look at her tweet right here:

I think it’s fabulous & worth cheering that @TheAaryanKartik took note & brought down his problematic video. I appreciate his response & I do hope to see him in films that are more responsible in their gender messaging too. Love & regards to you Aaryan. May we all grow & evolve.

— ShutUpSona (@sonamohapatra) April 22, 2020

Also, he has been very active with his initiative called Koki Poochega, where he interacts with the survivors of the Coronavirus pandemic. On the work front, Aaryan will be seen in films like Dostana 2, Bhool Bhulaiyaa 2, and an action-drama with Om Raut in 3D!

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One of the most bankable and pretty actresses currently, Kiara Advani was a cutie as a child. And it seems like the actress was always into Bollywood if this video is any indication. The Good Newwz actress shared a video from her childhood days on Instagram in which she can be seen doing Bharatnatyam to an English song in a cute ballerina dress! Sharing the video, Kiara wrote, "When mom thought I would join the Bolshoi ballet but I chose Bollywood instead #thewonderyears."

 

 

 

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When mom thought I would join the Bolshoi ballet but I chose Bollywood instead💁🏻‍♀ï¸Â #thewonderyears 🌈👯‍♀ï¸ÂðŸ‘§ðŸ¼ðŸ¥°

A post shared by KIARA (@kiaraaliaadvani) onApr 21, 2020 at 11:25pm PDT

We simply can't get over how absolutely adorable Kiara Advani was as a child! The way she throws caution to the wind and dances her heart out is incredible and so innocent. And would you look at her pretty pink ballerina dress?! If this doesn't drive away your quarantine blues, we don't know what will.

Ace fashion designer Manish Malhotra commented on the video and its something you must have thought too when you watched it. He wrote, "Kiara the talent was there since childhood," Neha Dhupia wrote, "Adorable" while Arjun Kapoor commented, "That's a heady mix of class and mass."

What did you think of this video?

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Telly actor Kavita Kaushik's tweet in support of Hrithik Roshan and Adhyayan Suman has created a storm on social media.

Best remembered for her portrayal of Chandramukhi Chautala in FIR, Kaushik spoke her mind when she wrote, "I have gushing emotions of love, respect, empathy and more for Hrithik Roshan. Also, a huge apology is owed to Shekhar Suman and Adhyayan Suman. They are a sweet family and the hate they got from an eager-to-judge, feeding-on-lies-smeared popcorn audiences is so heartbreaking (sic)."

Also, a huge apology is owed to @shekharsuman7 and @AdhyayanSsuman , they are a sweet family and the hate they got from an eager to judge, feeding on lies smeared popcorn audiences is so damn heartbreaking🙏 everyone was so cruel to them at that time cos of the 'woman card' https://t.co/kRZ8kycwJ2

— Kavita (@Iamkavitak) April 19, 2020

Kaushik's tweet came in reply to a user who wrote, "Two sisters are united in thinking India is their grandfather's property. Rangoli wants 2024 elections to be cancelled. Kangana wants a ban on Twitter (sic)."

Adhyayan responded and wrote, "Sometimes it is better to leave things to destiny. Thank you for your kind words, Kavita (sic)." Rangoli's Twitter account has been suspended but she will surely have something to tell Kaushik. We are waiting.

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Actor Ajay Devgn on Wednesday shared a PSA for 'Aarogya Setu' app. The video featured the actor in dual roles, first as a bodyguard that acts as Setu and the second role shows the actor as himself.

The 'Tanhaji' star took to Twitter and shared the video in which he is shown exercising while Ajay who also played the role of a bodyguard and introduces himself to the actor saying, "Sir, I am your new bodyguard, Setu."

Dhanyawad @PMOIndia @narendramodi for creating a personal bodyguard for every Indian to fight COVID-19. #SetuMeraBodyguard hai aur aapka bhi.

Download @SetuAarogya now!

#IndiaFightsCoronahttps://t.co/fU7MfKfDwM pic.twitter.com/MHi7SMSTGD

— Ajay Devgn (@ajaydevgn) April 22, 2020

Ajay then says, "But I already have bodyguards." "Sir, I'm a different type of bodyguard. Only Setu can guard you against coronavirus."

"How can this save us from coronavirus," asks Devgn. Setu replies: "I can alarm you in advance about the coronavirus threat, and I also alarm you in advance if coronavirus positive person is around you."

"Sir, I also will let you know if your family has any threat from your family," he added. To which Ajay replies, "Why would my family be threatened of me?"

"Sir, if you unconsciously get in contact with a corona positive patient, I am going to alarm immediately so that you don't pass the disease to your family."

He then announced that the Government of India has recruited me as a personal bodyguard to 130 crore Indians.

At the end of the video, the 'Golmaal' star appeals to download the AarogyaSetup app, and says "Setu is my bodyguard from coronavirus, and yours too! "

Along with the video Devgn wrote, Dhanyawad @PMOIndia@narendramodi for creating a personal bodyguard for every Indian to fight COVID-19. #SetuMeraBodyguard hai aur aapka bhi. Download @SetuAarogya now! #IndiaFightsCorona https://bit.ly/AarogyaSetuAppDownload... "

AarogyaSetu app, that was launched earlier this month in a public-private partnership, enables people to themselves assess the risk for their catching the coronavirus infection. The app makes its calculations based on a person's interaction with others, using Bluetooth technology, algorithms and artificial intelligence.

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Sharing two happy selfies on Instagram, actor Priyanka Chopra Jonas extended Earth Day wishes to during late hours of Wednesday.

In the post, the actor pointed out how the entire humankind on the planet is apart yet connected with each other through Earth.

 

 

 

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We may be apart right now, but Earth keeps us connected. This is our home. Let’s heal Mother Earth together. 🌎 #EarthDay #EarthDayEveryDay

A post shared by Priyanka Chopra Jonas (@priyankachopra) onApr 22, 2020 at 4:22pm PDT

The 'Quantico' actor posted two pictures of herself on the platform where she is seen wearing a black and white printed floral shirt.

"We may be apart right now, but Earth keeps us connected. This is our home. Let's heal Mother Earth together. #EarthDay #EarthDayEveryDay," she captioned the post.

The 37-year-old actor is currently staying indoors with her singer husband Nick Jonas in the United States.

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Ananya Panday has an exciting array of upcoming films namely Khaali Peeli alongside Ishaan Khatter, Shakun Batra's film alongside Siddhant Chaturvedi and Deepika Padukone and her recently announced film Fighter, which also marks her first film alongside Vijay Deverakonda.

The actress has an extensive following on social media with her consistent uploads and the endearing vibes she gives out to her followers.

The actress keeps on getting into a witty and friendly banter with co-star Ishaan Khatter on social media and here are some of the quips from the comment section of Ananya's and Ishaan's post:

"Ananya Panday: Changu Mangu
Ishaan Khatter: Ay chal na... hawa aande.. bhaalu "

"Ishaan Khatter: You copied the caption from me puppycat,
Ananya Panday: I have no idea what you are talking about."

When fans inquired about her experience on working with co-star Ishaan on her live feed Ananya said, "He is a lot of fun. I have enjoyed my time working with him, he is very talented and very cool. I have had a very good experience working with him, I think we are very similar people and we have a lot to talk about. I think the film that we are doing is very special to both of us so we bond over that alot."

Evidently, Ananya Panday shares a great chemistry Ishaan and we will get to witness it in their upcoming flick.

When Ananya was sharing her live feed on a social media site for the first time Ishaan Khatter was constantly commenting on the live feed for everything that she was saying. Their bond is really tight and it is entertaining and hilarious to see the actor and the actress cross-talk constantly on social media.

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While husband Dharmendra is at their Lonavala farm, Hema Malini is spending lockdown at her Juhu home with pet dogs. The veteran star provided a glimpse of her 'special family members' on Twitter. She shared pictures of Snoopy, the stray she adopted as a puppy. She also has a Golden Retriever called Gypsy "who has now grown old and spends the entire afternoon with me (sic)."

Song of the hills

Jubin Nautiyal is spending lockdown in hometown Dehradun. The Tum hi aana singer is keeping fans entertained through virtual performances from his rooftop. Considering the picturesque backdrop in the hilly terrain, fans have now asked for a virtual concert. He has lined up a show on April 26, which will stream live on his social media handles. Nautiyal will render Bollywood as well as English tracks.

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It seems there's nothing better than sharing old and unseen pictures on social media these days. A lot of the Bollywood celebrities have already done that and have been doing that even now. So the next celebrity to join the list is Sanjay Dutt's daughter Trishala Dutt, who shared a fantastic throwback picture with her mother Richa Sharma.

The picture is all the way back from 1988, where Sharma could be seen holding her in her arms and it was indeed a heartfelt moment. And one of the people to comment on the post was Maanayata, who wrote- Beautiful, followed by hearts and a smiling emoji.

Have a look right here:

Trishala and Maanayata share a great bond and rapport and can often be seen commenting on each other's Instagram pictures and posts. Even Priya Dutt had a wonderful comment on the post and wrote- "So beautiful, she is an angel in heaven now trish, always looking over you. She loved you more than anything in this world. God bless her soul." (sic)

We wish to see more such pictures in the future!

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Alaya F made an everlasting mark in the heart of the audiences with her debut in Jawaani Jaaneman. The audiences and critics alike loved how she aced her character. Being stuck at home in lockdown, Alaya being a learner and lover of consuming things that make her grow as an actor is making the most of her time watching films to grasp more knowledge.

Alaya is a lover of old school classics and is watching films that have where she can learn a lot in terms of acting, feel, speech delivery, body language and much more. This will certainly help the actress in refining her skills. Some of the classics that Alaya is watching include:

The film 'Platform' has radical and thought-provoking content. It's a socially relevant and extremely well-made film. Next, is the 1955 classic 'Devdas' by Bimal Roy, followed by Sanjay Leela Bhansali's Devdas. Adding to it is Anurag Kashyap's Dev D. What's interesting here is how one subject has been treated in such unique and different ways, in terms of direction and performance.

The next one being Sanjay Leela Bhansali's 'Black' which received a lot of critical acclaim for its intriguing storyline and the phenomenal performances by the actors. Another one being Super Deluxe, which is the perfect blend of nuanced performances and impeccable writing. Vijay Sethupathi is a treat to watch and Raasukutty's character shines throughout the movie.

The list ends with Chalti Ka Naam Gaadi, Howrah Bridge and other Madhubala classics. Clearly, the girl of the moment is enriching herself with all these films and learning as much as possible. Apart from seeing films, Alaya is making the most of her time staying indoors and indulging in a variety of activities.

Alaya F made her silver screen debut this what which hit the screens on 31st January 2020 where she shared the screen worn Saif Ali Khan and Tabu, yet moved all the audience and the Indian film industry with her performance.

The unstoppable Vidya Balan who always has surprised her audience is making new discovery during this lockdown. We have earlier seen Vidya making some interesting revelations of how she has been spending her quarantine cleaning her house and other household chores. She made a surprising revelation that she is not fond of cooking and hence doesn't know how to cook well but since the past few days, she has been trying to cook and discovered that it is quite fun.

We recently saw Vidya Balan making Modak which is also her favourite dish, and we can say that she is undoubtedly enjoying the cooking process in her home during this lockdown. Cooking is a hectic job and Vidya many times candidly told that she doesn't know how to cook and cooking never interested her, but during this lockdown, we have seen many celebrities cooking and posting pictures on Instagram and other social media platforms. We have seen quite a few numbers of actors who have been posting their cooking videos and pictures on social media for some time now and now we have our diva Vidya Balan who is a very fun way shows us how she is loving the concept of cooking and went on making modaks.

Vidya gleefully said in an interview with Bombay Times, "I always saw cooking as a symbol of domestication, but in the lockdown it was a new discovery." Vidya who has always been known for playing a women-centric role and being headstrong was of the opinion that cooking is a very domesticated role and she would never fit perfectly in it but this lockdown enabled her to find out a new trait in her and is she is enjoying it with her whole heart.

We hope to see Vidya posting more of cooking videos now and like each role we hope she will ace in cooking too. Vidya is going to rock her audience with her much-awaited Shakuntala Devi that is expected to hit screens post the lockdown and also will be seen in much-celebrated film Sherni where for the first time she will be seen playing the role of a forest officer.

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If you find yourself feeling bored and at a loss for what to do next while you're quarantined at home, you only have to head on to Karan Johar's Instagram page and check out videos of his twin babies. His kids, Roohi and Yash Johar are super adorable, and they keep entertaining themselves and everyone else with their shenanigans. From calling papa KJo's clothes 'girl clothes' to annoying mama Hiroo Johar, Yash and Roohi will surely bring a smile to your face.

Recently, Karan Johar shared another sweet video of his babies trying to play a game and it ended up on a hilarious note. In the video, he is seen asking his daughter, "Roohi, if you were an animal, what would you be?" "Peppa Pig," answers Roohi. When he asked the same question to Yash, he said, "Peppa Pa". When he came back to Roohi and asked which animal would he be? she answered "Elephant", with a broad smile.

Sharing the video, the director-producer wrote, "Well guess which animal I remind them of #lockdownwiththejohars #toodles #season 2 @officialpeppa (sic)". Watch the playful banter of Karan Johar and his kids Yash and Roohi:

 

 

 

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A post shared by Karan Johar (@karanjohar) onApr 24, 2020 at 5:53am PDT

Earlier the filmmaker had shared a video in which his kids were seen sitting on a sofa with a guitar in their hand and trying really hard to sing in their adorable voices.

 

 

 

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Clearly singing is not in our genes! Apologies in advance ! #lockdownwiththejohars #toodles

A post shared by Karan Johar (@karanjohar) onApr 22, 2020 at 12:19am PDT

Before this, Yash and Roohi had hilariously mocked their filmmaker dad's designer kurta in a video shot in KJO's walk-in closet.

 

 

 

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Now they think I am wearing my mothers clothes!!!! #lockdownwiththejohars #season2 #toodles #weareback

A post shared by Karan Johar (@karanjohar) onApr 20, 2020 at 3:57am PDT

If this video doesn't pull at your heartstrings, we don't know what will! Several of Karan Johar's fraternity friends and social media followers couldn't help but laugh out loud at his predicament.

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One of the most stunning actresses of the 90s, Divya Bharti married filmmaker Sajid Nadiadwala in 1992. The couple got secretly married at Nadiadwala's Versova apartment. Divya Bharti converted to Islam and reportedly also changed her name to Sanah Nadiadwala. Unfortunately, on April 5, 1993, Divya fell off the balcony of the fifth storey apartment.

Sajid Nadiadwala then tied the knot with Warda Khan in 2000 and the couple has two kids together, Sufyan and Subhan. And even after 20 years of marriage, Warda Khan Nadiadwala still gets trolled and compared with Divya Bharti.

In a candid chat with Bollywood Hungama, Warda opened up about the same saying, "I know people keep throwing these questions sometimes. Sometimes they think I am being trolled. Divya is still very much a part of our lives. Her family, her dad, her brother Kunal, they are like our family, they are a part of each celebration."

She added, "So when you guys try to troll me, please know that I am not getting trolled. On her anniversaries and birthdays, we speak to each other. When my children watch her movies, they call her 'Badi Mummy'. So, guys, she is still a very, very beautiful part of our lives."

Wards also spoke about how husband Sajid is still extremely close to Divya Bharti's father and brother. "Sajid is so close, Sajid is like a son to dad, after mumma (Divya's mother) passed. You can't even imagine how close dad and Sajid are. And Kunal and Sajid too. They talk just like brothers would. And I have not tried to replace her ever. I have made my own place. She is a part of my life. Sometimes people say, 'Divya Bharti bahot acchi thi'. Of course, bahot acchi thi yaar. We love her."

Divya Bharti kickstarted her career down south in 1990 with the Telugu film Bobbili Raja. She soon took the Hindi film industry by storm with her performances in Shola Aur Shabnam, Deewana and Balwan.

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If you want to see actress Yami Gautam in school uniform then head to her Instagram profile right away. She has posted a picture of her first day in school.

"My first day to school! I am sure I did not know what it meant but was just so excited to get dressed in uniform and see where mummy-papa taking me... and I continued with this enthusiasm forever," she wrote on Instagram along with the image in which little Yami is all groomed with an identity card pinned on her grey tunic.

 

 

 

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A post shared by Yami Gautam (@yamigautam) onApr 24, 2020 at 1:53am PDT

She also asked her followers to live each moment to the fullest.

"Let life excite us at every moment, no matter where it takes us, just believe, embrace it and keep walking #stayhome #staysafe," Yami added.

On the film front, Yami, who impressed all with her role of a TikTok star in "Bala", will now be seen in "Ginny Weds Sunny", which also features Vikrant Massey.

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The pandemic has truly bought the world to a standstill and staying at home is the need of the hour. However, some people are still working outside the comfort of their homes in order to fight against Covid-19. Sanya Malhotra expresses her gratitude towards them.

Sanya shares, "All those frontline workers, doctors, nurses and essential service professionals who are putting their lives at stake for us, I salute your efforts and determination towards the citizen and the nation."

Adding a social message for one and all Sanya further adds, "This only goes on to bring us a message that we must cooperate with all these workers and stay at home, until this pandemic is eradicated".

During these tough times, we need to work as one and fight together to eradicate the problem from its roots. This is the time where the the quote "United we stand, divided we fall" fits the situation and we must be one. Sanya Malhotra is putting out a strong message and using her influence in a positive manner.

On the work front, Sanya has a stellar line ups of projects being 'Shakuntala Devi' where the actress will be playing Anupama Banerjee while sharing the screen with Vidya Balan, Guneet Monga's Pagglait and Anurag Basu's Ludo.

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"Writing a book is no joke," starts off Divya Dutta, whose last published work, Me and Ma, hit the stands in 2017. Trying to meet her publisher's deadline, the actor has already begun work on her next book amidst the lockdown.

The actor agrees that it takes up most of her time. "I think people liked my nostalgic journey [in Me and Ma] and it's beautiful to express what you feel and find a connect with the readers," says Dutta, as she makes writing her priority. She reveals that being in the film industry for almost two decades has provided fodder for her book. "I am writing a memoir on the film industry. It will chronicle my journey in cinema, but I wouldn't call it a biography," says the actor as she explains that the earlier book was also a chapter of her life, but through the eyes of her mother. "This is going to be different from what I have written or shared before," says Dutta of the yet-untitled book.

Dutta's next, Sheer Qorma, is a story on the LGBTQAI+ community. She credits her impulsive nature for her choice of films. "I am called a risk-taker because I am impulsive about my choices. I go by my intuition when I get a script. The story of Sheer Qorma moved me as it talks about acceptance by the people you love unconditionally," says the actor, adding Fire (1996) was ahead of its time.

"I hope this film will help normalise something that we make an issue out of."

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Bollywood actress Vidya Balan is elated as she's raised over 2,500 PPE kits for doctors and Rs 16 lakhs for those who are battling at the frontline to keep everyone safe from COVID-19 pandemic.

Vidya had also collaborated with celebrity shout-out platform Tring, along with Manish Mundra of Drishyam Films and photographer cum film producer Atul Kasbekar. She took to Instagram on Sunday afternoon where she shared the good news.

"I've woken up to good news this morning. We've reached 2500+ PPE kits and raised over 16 lakh in just a few hours. A big thank you to each of you who has donated and made this possible. A load of gratitude and bless you. This is truly the unity and spirit of India..." she said in the video.

Here it is:

 

 

 

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Thank you very much for your generous donations from all over the world. I’m elated to share that we have raised 2500+ kits accounting over Rs.16 lakhs within few hours. A load of gratitude for helping in donating over double our initial target. The campaign will run for some more time, so if you haven’t been able to donate yet but want to help out, go to www.tring.co.in and donate whatever you can. Every single kit is helping protect a life. The #WarAgainstCovid19 continues, let’s #UniteForHumanity #StayHome #StaySafe

A post shared by Vidya Balan (@balanvidya) onApr 25, 2020 at 9:21pm PDT

Alongside the video, Vidya wrote: "Thank you very much for your generous donations from all over the world. I'm elated to share that we have raised 2500+ kits accounting over Rs 16 lakh within a few hours. A load of gratitude for helping in donating over double our initial target.” (sic)

"The campaign will run for some more time, so if you haven't been able to donate yet but want to help out, go to www.tring.co.in and donate whatever you can. Every single kit is helping protect a life. The #WarAgainstCovid19 continues, let's #UniteForHumanity #StayHome#StaySafe".

In an earlier post, the Mission Mangal star had informed that each PPE kit worth Rs 650 consists of one coverall laminated and waterproof nitrile gloves, goggles, face shields, 3-ply surgical mask, and shoe covers.

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Ayat Sharma, Arpita Khan Sharma and Aayush Sharma's baby girl, was born on Salman Khan's birthday, December 27, 2019. Ever since the tiny tot has arrived, the entire family can't keep calm but just be around her. She has been spreading joy and happiness in the 'khan-daan' and we can't help but just scroll through her pictures the entire day. Doesn't she look adorable? Let's take a look at some of her pictures shared by the family on social media.

Aayush Sharma, Arpita Khan Sharma and the entire Khan family is currently in Panvel. The family has been on their farmhouse ever since the lockdown was announced in the country. The family is having a jamming session and making loads of memories being together.

Aayush, in of the posts, wrote, "A child can teach an Adult 3 things - To he happy for no reason - To always be curious - To fight tirelessly for something Paulo Coelho [sic]"

Aayush Sharma has also been sharing messages with his social media fans. Posing with the little one and Ahil, the actor captioned, "Stay at home .. spend time with your family and create beautiful memories Make the most out of this quarantine & stay safe. #quarantine #familytime [sic]"

 

 

 

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A post shared by Aayush Sharma (@aaysharma) onMar 20, 2020 at 8:23am PDT

Arpita Khan Sharma, Ayat posed and extended festive wishes with their fans on Instagram. Take a look!

 

 

 

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Wishing you all a very Happy Holi

A post shared by Aayush Sharma (@aaysharma) onMar 10, 2020 at 10:35am PDT

But did you know what won a lot of heart? 'Mamu' Salman Khan playing with Ayat. "We love you Mamu @beingsalmankhan," shared Arpita.

 

 

 

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A post shared by Arpita Khan Sharma (@arpitakhansharma) onMar 7, 2020 at 3:06am PST

In an interview, Aayush Sharma shared why he wanted to name his daughter Ayat. "We wanted everyone to be named with A. When I was travelling to London, I met a guy named Ahil and I thought it's a very unique name and it turned out to mean the rightful prince in Persian and that was very fascinating. We believe in secular relationships so we wanted both our kids to have a Muslim first name and a Hindu surname."

 

 

 

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Welcome to our world Ayat.

A post shared by Arpita Khan Sharma (@arpitakhansharma) onDec 30, 2019 at 4:48am PST

Ayat Sharma really deserves warm hugs! Isn't she adorable?

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Representational Image

In a freak mishap, one coach of a Central Railway harbour line train dashed the dead-end and derailed at Goregaon yard on Saturday night. No passenger or staff was injured in the incident and there were no repercussions on any services.

Sources said the incident occurred around 7.45pm on Friday when the train, belonging to Sanpada crashed, was being parked. Four wheels went off the rails and it took around four hours to put the train back on track. A spokesperson confirmed the incident, saying that an internal departmental inquiry will be conducted.

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A day after the plane crash at Ghatkopar, family members have now begun laying all five victims to rest, after identifying them with the help of their personal effects and teeth. On the other hand, their doubts and questions are yet to be put to rest, so they have now raised demands for a proper investigation of the mishap. Co-pilot Marya Zuberi was buried at the Shia Kabristan in Govandi's Rafi Nagar on Friday evening, while aircraft maintenance engineer Surabhi Gupta will be taken back to her native place for the last rites.

All five bodies were badly charred, so their DNA samples had been sent to the Kalina forensic laboratory for identification. However, the victims' kin did not want to wait too long, so they decided to go ahead with the last rites. Captain Pradip Rajput was identified by his bracelet, Gupta by her earrings, and Zuberi with the help of her engagement ring. Junior flight technician Manish Pandey's face was partially recognisable. Dr Hemlata Pandey, forensic odontologist from KEM hospital, reconfirmed the identity with the help of photographs where their teeth are visible. "In such cases, when everything turns to ashes, teeth remain intact," said Dr Pandey.

Prabhat and daughter Charvi. Pics/Suresh Karkera

'We want answers'
As Marya's husband and male family members lowered her body into the ground, her daughter Charvi as she wept outside the cemetery. Upon returning to their residence at Mira Road, her husband Prabhat Kathuriya told mid-day, "We are going to file an FIR." In a press statement titled 'Who Killed Marya?', Prabhat, a lawyer, said: "She left the house assuring me that she would return soon, as the weather conditions were clearly not right for a test flight of a small plane. She was sure that the commission to undertake such a flight would not be given."

We know that the aircraft was well beyond its prime. We know it was more than 20 years old. We know it had already had an accident in 2009 and that the UP government chose to sell it rather than spend on its repairs. Considering all the above stated facts we, the family of Marya Zuberi, want answers. We want to know who exactly was at fault and who will bear the responsibility?"

He told this paper, "I am startled that the police haven't enquired about the crew's cell phones. A colleague told me that when she tried Marya's number at 2.30 pm (after the crash), it was ringing, but there was no response. That could reveal something." First pilot in family The family will remember Marya as a trailblazer. She was the first among them to become a pilot, after battling the stigma and restrictions often imposed on women in conservative society. "She was our brave child," said uncle Gauhar Raza.

Also Read: Ghatkopar plane crash: Neighbours of Mira Road co-pilot unable to believe she is no more

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A four-way conference call between us, Sharon Isbin, and Ayaan and Amaan Ali Bangash makes one thing crystal clear. The two sarod-playing brothers have unfettered respect for the Grammy-winning American guitarist, since they consider it an "honour" to be collaborating with her for an unusual concert slated for later this week. It's a word they use multiple times during the phone call. And Isbin, on her part, tells us from Kolkata that she's as enthused about the performance as anyone else.

The gig is unusual because it isn't everyday in our country that the worlds of Indian and western classical music collide on stage. Isbin is one of the world's leading lights in the latter genre. But her introduction to western classical music was wholly by accident. "We were living in Italy for a year when I was nine years old, and my older brother asked for guitar lessons. But he didn't want to study classical. He wanted to be Elvis Presley. So, I volunteered to take his place and raised my hand out of family duty," she reveals, adding that while her father was a nuclear scientist, it was her mother who ensured that she received a solid musical education.

It's a different story for the Bangash brothers, of course. It's almost as if it was preordained that they would take to the sarod, considering that their father, Ustad Amjad Ali Khan, is one of the world's most prolific practitioners of the instrument. But even though they have collaborated with many different musicians — including with Derek Trucks of the rock band Allman Brothers — this is the first time that they will be playing in India with Isbin, who they have known for years.

Ayaan and Amaan Ali Bangash

Ayaan says, "Sharon and we have had mutual admiration for each other's cultures, and I think it's really important to connect with the individual with whom you'll be performing. Also, since we have known each other for a long time, it was easier to develop the music. It's taken us around six years to compose this piece, and I'm glad that everything has fallen into place for us to perform it in India for the first time."

And Isbin adds that her affinity for Indian string instruments began when she was in college. "I loved listening to the sitar, sarod and the tabla back then, and would go to raga concerts because I found them to be meditative. I have also studied transcendental meditation, which of course originated in India, and have been practising it since my teens. That's every single day for many years. So, I have a certain spiritual attraction to the culture and the music here," she says.

Amaan, meanwhile, points out how the sarod and classical guitar have a shared commonality, in that they belong to the larger family of string instruments. Think about it. The guitar, in India, has had a profile that's associated more with jazz, rock 'n' roll and electronic music. Rarely, if ever, has the western classical guitar been heard here in this kind of a collaboration, which also features tabla player Vijay Ghate and mridangam exponent Sridhar Parthasarthy. "We have never played these pieces with a guitar before. But both are string instruments. One is played with the fingertip and the other is played with the finger nails. So, the technical approach isn't wholly different," he tells us, while Ayaan adds that playing this composition will be different for the brothers because they are sticking to a written score.

He further says, "I think everyone's music is a reflection of who they are as individuals. Their soul comes out through their music. And all of us have come out of our comfort zones here to reach a meeting point. Eventually, though, things just happen on stage, you know? You might rehearse all you want, but at the end of the day, what the piece shapes us as is something that has some kind of energy and universal blessing, and we hope to reach that final destination with dignity and grace."

ON February 21, 8 pm
AT Royal Opera House, Girgaum.
LOG ON TO bookmyshow.com entry '300 onwards

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Embarking on a promotional spree, Sanya Malhotra had a fun interaction with real-life photographers clicking pictures against Gateway of India as well as with the photographers. Sharing her picture from the visit Sanya Malhotra says,

"Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega."

 

 

 

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Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega. . . Smile please!📸 #photograph #gatewayofindia @photographamzn #9daystogo

A post shared by Sanya Malhotra💥 (@sanyamalhotra_) onMar 6, 2019 at 12:39am PST

The film brings to the screen the story of a photographer at Gateway of India who convinces a stranger to act as his love interest to help his ailing grandmother. Nawazuddin Siddiqui will essay the role of the photographer, while Sanya Malhotra plays his muse.

Earlier, Sanya Malhotra who had a working birthday took out time and celebrated the special occasion with the paparazzi. Recently, National Award-winning filmmaker Ritesh Batra hosted a special screening of Photograph for film students prior to its theatrical release. Post the screening, the director interacted with the students and engaged in a discussion about films and their making.

Sanya garnered immense love and appreciation for her performance in Photograph when the film premiered at Sundance Film Festival and the Berlin International Film Festival 2019. The trailer brings to screen a sweet, innocent, and refreshing chemistry with Nawazuddin Siddiqui and Sanya Malhotra's first association.

Written and directed by Ritesh Batra, Photograph is presented by Amazon Studious in association with The Match Factory and is slated to release in India on March 15, 2019.

Also read: Team Photograph shares a video on Nawazuddin Siddiqui's character

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Earlier this year, while performing at a military training centre in south Kashmir's Pulwama district, singer Ameya Dabli recalls receiving a disturbing piece of news from the army chief Lt Ranbir Singh. Four terror attacks had taken place at a nearby hillock on the same day. The hill, as he soon learnt, was located less than a kilometre away from the centre.

"The chief said to me, 'Don't worry. We will protect you'. This one reassuring line was enough to allay our fears in that high tension zone," he says. Dabli and his team of musicians went on to deliver a power-packed two-hour performance regaling the audience with musical compositions of poems penned by Kabirdas, Guru Nanak, Amir Khusro and Tulsidas. "We didn't realise how those two hours flew by. You see, that's the power of music," he says. Since then, Dabli has performed at several other conflict regions of the country, including eight districts of Jammu and Kashmir, and four in the Northeast.

Singing for peace
It was three years ago that Dabli, a Bhandup resident, conceptualised Ekam Satt, which are essentially pro bono concerts curated for the Indian Armed Forces and civilians, in order to not just motivate jawans, but also bring peace. Born in a family of music lovers - his mother Anuradha Dabli is a trained classical and light music exponent - the 38-year-old was inducted into singing from the age of seven. "But, the idea to use music as a peace building tool was something that took shape during my last stint as the marketing head of Ronny and Zarina Screvwala's Swades Foundation. Here, I got the opportunity to interact with a lot of non-profits," he says.

Dabli, who holds a robust 15 years of corporate experience as marketing head with the Tata Group, HSBC and Citibank, now straddles a music career along with a venture where he mentors start-ups and NGOs to start their businesses. Till date, he has performed over 1,500 concerts across 15 countries. "Initially, it took us a good six months to curate the songs for Ekam Satt, because we wanted it to be a good blend of sufi, folk and contemporary music. We even got RS Mani, the music arranger of Veer Zaara to help us. But now, it's seamless," he says.

While Dable's pieces comprise the works of legendary poets such as Mirabai, Narsinh Mehta, Khwaja Garib Nawab and Tukaram, the songs are infused with peppy global music styles like hip hop, reggae and opera to make it livelier. "When we approached the Army headquarters in New Delhi with the concept, they loved it and immediately asked us to come on board," he says.

On the shaadi front
Interestingly, Dabli is also a sought-after name when it comes to weddings and sangeet and has performed at the glitzy wedding of Sasha Rawal - sister of Bollywood's leading fashion designer Kunal Rawal - and Samarth Bajaj, and very recently, the engagement of Isha Ambani and Anand Piramal. He has also organised gigs for Kumar Mangalam Birla, David and Lali Dhawan, Aditya Birla and Adi Godrej. "It's not the typical shaadi scene. My forte is the pheras, something that most people don't pay much attention to," he laughs. "I perform something called the signature wedding chants, where I don't just recite mantras, but also provide explanation of the vidhis or rituals," adds Dabli, who perfected his Sanskrit under the tutelage of his father, Professor PV Dabli, a scholar in the language.

Dabli says juggling his entrepreneurial venture with his musical endeavours does test his ability to multi-task. "Sometimes, I don't know which one to focus on more. But that's what happens when you love whatever you do equally," he smiles.

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Yami Gautam moved to Mumbai a few years ago to pursue her dream career to be an actor. She has achieved that dream of hers in a fast-paced city of Mumbai finding many successes to her credit. The year 2019 has begun on a high for the actress who's January release, Uri became a blockbuster success. The actress is soon going to be seen in various projects, announcements of which are soon to happen.

It's been said Mumbai is a city of dreams, also it is famously known it's a city that never sleeps. After having lived in suburbs of Mumbai these years, Yami Gautam took to the not so easy task to find herself her dream home in Mumbai. The URI actress has just moved into her new house from western suburbs to Bandra.

Yami Gautam hails from Chandigarh where she lived during her education and growing up years and originally was born in Bilaspur in Himachal Pradesh. Whenever she is not shooting she packs her bag to live with her family in Chandigarh and Himachal. But she always dreamt of a good spacious home of her choice in Mumbai. Due to her busy work schedule and constantly travelling across the world for work she was unable to find the home sooner. She will be now he spending time to design the interiors on her new cosy abode.

Speaking about it, the source said, "Yami was in a hunt for a new house for some time now. She was peculiarly looking for something specific. Having lived for a considerable time in western suburbs, she was looking at several options and finally narrowed down at a house in Bandra. She's just moved into the apartment and will be working to putting the house together for the next few weeks as per her likes. Her sister Surilie too would be moving in with her. The house suits the likes of Yami's sensibilities of a pretty but operational functional house and that's how she plans to do it up too."

Also read: Yami Gautam visits her hometown in Himachal

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The trailer of Student Of The Year 2 was launched today. The movie, which stars Tiger Shroff as the lead actor, marks the Bollywood debut of two pretty ladies - Ananya Panday (daughter of actor Chunky Pandey) and Tara Sutaria. While Tara is playing the character of Mia, Ananya is playing the role of Shreya in the 'SOTY' sequel.

While Tiger Shroff was seen doing his usual best - dance, action and power-pact dialogue deliveries, Tara and Ananya looked fresh and promising, throughout the trailer.

Check out Student Of The Year 2's trailer:

The first instalment of the movie, which released in 2012, marked the debut of actors Alia Bhatt, Varun Dhawan and Sidharth Malhotra in Bollywood. The film was directed by Karan Johar. SOTY2 has been directed by Punit Malhotra and produced by Karan Johar.

Director Shashank Khaitan, who has worked with Dharma Productions with films such has Humpty Sharma Ki Dulhania, Badrinath Ki Dulhania and Dhadak, took to Twitter, and wrote: "Go Puneet... let the high school games begin ... again ... @iTIGERSHROFF #TaraSutaria #AnanyaPandey @karanjohar @DharmaMovies".

Varun Dhawan also tweeted the trailer and wrote alongside: "Here’s wishing all the new student #tara #ananya and the tiger of our industry @iTIGERSHROFF congratulations on getting into st Teresa. Great job Punit #SOTY2Trailer"

Alia Bhatt wished the team luck and wrote: All the best guys!!!! Looking like soo much fun... @iTIGERSHROFF #AnanyaPanday #TaraSutaria.

Deanne Panday commented on Ananya Panday's Instagram post saying, "So proud of you Ani."

Bhavana Pandey, was all praises for her daughter, after watching the trailer. She wrote, "Fab" on Ananya's Instagram post.

While Warda Nadiadwala commented "Ananya... Kickass", Neelam Kothari wrote "All the Best"

Student Of The Year 2 is slated to hit the screens on May 12.

Also Read: Here's everything you need to know about Student of The Year 2

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Illustration/Devdutt Pattanaik

It is common amongst Western scholars and their Westernised students to differentiate between the Vedic yagna and the Puranic puja, rituals that define the two major phases of Hinduism, one that flourished over 3,000 years ago and one that emerged 2,000 years ago. Of course, at the other extreme, we have the bhakta-Indologists who insist that Hinduism has no history, or phases, or evolution — that everything was homogenous and static, until Muslims came into the land 1,000 years ago. The truth is somewhere in between, as usual.

Vedic yagna is conventionally translated as 'sacrifice' and Puranic puja is translated as 'worship'. This translation is the basic problem. Both are based on Christian templates of religion where God of Abraham demands sacrifice (giving up something dear for the pleasure of God) and worship (adoration, veneration of God). Anyone who has actually performed the two rituals, or at least studied the two rituals carefully, will notice that the sacrifice and worship constitutes only part of the ritual, the first half — the second half is about asking for something in return, the fruit of the sacrifice or ritual known as phala-stuti, which is common to both yagna and puja. This makes yagna and puja essentially exchanges with the divine. There is the giving part (sacrifice, and worship, if one wants to call it that); this is followed by the receiving part, or at least the desire for something in exchange. Anyone who performs a yagna or puja knows that the ritual always ends with asking for something, material or spiritual, from the divine. This exchange makes it different from a prayer.

Yagna was designed by Brahmins 3,000 years ago as an elaborate ceremony to invite (avahan) celestial beings (deva) who rode celestial chariots (rathas). Communication was established using fire (agni) as medium, chants (mantra) and special offerings (soma). The yagna acknowledged through symbolic enactment and ritual role-playing the role the devas play in creating and sustaining and even destroying the universe. Having acknowledged the gods, and given them offerings to their satisfaction, a petition is made to them — for children, gold, grain, cattle, horses, power, fame, health — before they are allowed to go (visarjan).

But in yagna, the gods have no form. And they have no permanent residence. They come from the realm of the stars and so the yagna is performed in open air. Yagna could not be performed during rainy seasons, the four monsoon months (chatrumaas) which became linked to inauspiciousness. But, about 2,000 years ago, increasingly gods were seen as images and icons housed in caves and in temples. These sacred icons (archa) were venerated (archana). The ritual involved the same principles as the Vedic yagna – inviting the god to inhabit the image built, then bathing and decorating and feeding and praising and feeding and entertaining that image, before the petition is made. The devotee gives in order to get.  While humans were bound by debt (rinn), and had obligations, the gods were free of debt and so had no obligations. They were untouched by karma. And so what they gave was dependent on their grace! The devotee (bhakta) hence worshipped (bhaja) the divine being (bhagavan) and sought his grace (prasad). This is an exchange, a giving for receiving, unlike a covenant or a contract, which is about giving and taking and obligations that is cornerstone of Abrahmic religions. Exchange (yagna) connects (yoga) the world by establishing relationships (bandhu). Thus, through yagna and puja, we can theoretically connect with the infinite.

The author writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com

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An injured Kashmiri is rushed to SMHS Hospital in Srinagar after he was hit by bullets in a clash with Indian security forces on May 6. Pic/AFP

Last week at a lunch, I met a senior minister in the J&K government. He belonged to the People's Democratic Party, which used to represent "soft separatism" in Kashmir but, in 2015, formed a government in coalition with the pseudo-nationalist BJP. The PDP has since then lost its support base. "It does not mean the National Conference has picked up that support," the minister said, referring to the Valley's pre-eminent pro-India party: "only some of it". None of that lost support has drifted to national parties like Congress or BJP. One wonders where that support has gone.

One clue is in the ground situation in the Valley, characterised by unrelenting violence. South Kashmir's Shopian district is a warzone; just yesterday, five civilians were killed and five militants shot dead there. An assistant professor at Kashmir University who had joined militancy a mere 36 hours earlier was among those killed. Imagine what it must take to drive an academic to pick up a gun. Every week is like this, and behind the casualty figures is the suffocating atmosphere of clampdowns on entire villages, the security forces' scorched earth policy by burning houses, the unending detention of the political resistance leadership, the military's omnipresence, the curfews, the strikes, the disappearances, and the corpses. No wonder Kashmir is called an "open prison". Ramzan, next week, may bring some respite.

"The difference between now and the '90s," the minister said, referring to when the insurgency first emerged, "is that in those days, when one boy was killed, ten others stood to take his place. Now, when a boy is killed, 30,000 people immediately gather to protest his killing and mourn his martyrdom."

One may wonder where the government figures in all this. In J&K, due to its long-festering separatism and the Pakistan factor, the Centre manages security matters under a "unified command". This makes sense for border management and counter-insurgency operations. Yet it often collides with the local police, under the state government, particularly when the armed forces commit crimes. The state police often have to step back, and the consequence has been deleterious; this was evidenced recently when, after the rape-murder of a nomadic child in Kathua, supporters of the accused expressed disbelief in the local police's professional investigation.

Chief Minister Mehbooba Mufti seems to have all but given up. Her ministers are living it up, some making frequent foreign trips. The BJP reshuffled its part of the coalition, and surprisingly, the minister said, it's a better lot this time. This may be a moot point because nobody expects the government to last beyond 2018. "It will be over a few months before the general election," the minister says. "Mehbooba wants out but needs a reason to walk out of the coalition." The same might be true of the BJP, though one can't imagine it giving up power in J&K, hard-won after so many years.

The Centre is unconcerned by the daily reports of violence and more violence. It suits Delhi's hardline "iron fist" policy. It is sitting back and watching the war of attrition against Kashmiris. BJP general secretary Ram Madhav has publicly said: India tried various approaches in Kashmir but now it is the RSS's turn. Which, starkly put, is to hold the territory even if all residents disappear in the process.

The minister pointed out that Governor NN Vohra's term - at ten years he's the longest serving in J&K - runs out by July. Governor Vohra got his second term by default because of the talent deficit in Prime Minister Narendra Modi's team. If he weren't well into his 80s, he might have defaulted his way into remaining this time also. His time has seen the emergence of a "new insurgency", highlighted by violent summers like that of 2010, 2012 and, of course, 2016, when thousands were injured by pellets. Some say that 2016's disturbances are still continuing.

It is difficult to say that Vohra has been a successful governor, but perhaps it's better to let him stay than to replace him with an RSS man. "At this point, what more harm can an RSS man do," the minister said. "Maybe they can replace him with Yashwant Sinha," he says, referring to the former finance minister who recently left the BJP. Sinha has visited J&K since September 2016 and shown empathy. He has been a thorn in the government's side, however, publicly pointing out its economic mismanagement. Modi brooks no dissidence, and even though the best way to quieten Sinha might be such an appointment, it's unlikely to happen.

That, in a nutshell, is the current Kashmir story. Degradation and violence, while the metaphorical Nero in Delhi plays his fiddle. Except in the legend, it was Nero himself who had Rome set on fire.

Aditya Sinha's new book will be out in May. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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A still from Marvel Studio's Avengers: Infinity War

Maybe because they thought I was some angrez-type, dissing one after another loads of films being dished out in the early 2000s - inevitably, a film producer or the other would proudly remind me back then, about how India (in this case, Bollywood) was absolutely the only movie market in the world where Hollywood, or the appearance of a Spielberg or George Lucas film in theatres, made no difference to the lives of local filmmakers, Subhash Ghai, Yash Chopra, if you may.

This was true for India, up until a decade ago; and yes, not true for anywhere else. Still, since the names mentioned to me were of filmmakers (no doubt, well-known/mainstream), I argued, this had a lot more to do with the reliably desi, nearly mythological star-system, that movies pivoted around and audiences lined up in cinemas for. You need a face to build a following (for anything). Any branding intern will tell you that. Hollywood had its own star-system. Few filmmaking cultures, apart from India and the US, did.

So sure, the handsomely paid Tom Cruise or Julia Roberts, or for that matter Superman/Batman, were huge in India as well. But, their films merely ran at exclusive cinemas for English films in bigger cities (say Chanakya, Sterling in South Delhi/Bombay).

Did the cash-rich Hollywood not wish to partake in the desi star, plus song, mainstream movies that enchanted millions? By late 2000s, American studios began setting up offices in Mumbai, cheekily over-paying Bollywood's lead cast, getting into lopsided deals favouring local producers, to make a direct entry into Indian markets, at last.

Bollywood films, more or less, remained the same, in terms of scale. For they weren't here to change the status quo. It suited them. The budgets (for them) were pocket-change, anyway. Major Indian filmmakers continued to feel safe in the face of a captive audience. In about a decade though, one region, small-town at a time, the American studios, having deepened a desi distribution network, began to spread out the release of their own global blockbusters that none in India could potentially compete with. The economics simply wouldn't match.

Spiderman first spoke to its audience in Bhojpuri in 2007. Ronald Emmerich's 2012 (2009), with the Taj Mahal in a shambles in the promo, with no such scene in the picture, had curious villagers walk over to nearest theatres to catch the end of the world. By 2012, even Ang Lee's deeply meditative, Life Of Pie, collecting R90 crore, had thumped the Akshay Kumar masala picture, Khiladi 786 (releasing around the same time), by a R20 crore margin!

Woah. Did desis stop loving their super-stars? Nope. They still do. Here's what happened. Hollywood altogether destroyed its own, entire 'star-system' instead - making films not about actors (or even directors, for that matter), but relentlessly concentrating their massive might/resources/energy on propping up super-heroes (several for the price of one), gigantic disasters, and dazzling 3D/IMAX special effect, to effectively conquer the earth while, sometimes, saving it on the big screen.

Perhaps 2015 was a turning point, when up until mid-year, three out of India's top five hits had emerged from Hollywood (rightly subtitled in English, even in their English versions). Fast & Furious 7 (basically racing cars) was the first film to hit R100 crore mark. Avengers: Age of the Ultron, and Jurassic World, had wholly crowded out domestic competition on the opening weekend.

These movies may have lacked a singular creative voice/vision, but they were fail-safe in the boardroom's understanding of markets, and shares. As is expectedly the case with the latest, stupendous success of Marvel's Avengers: Infinity War (having grossed over a record-breaking R200 crore, already) - where nothing exceeds like excess!

The global fan-boy pressure to get off on this pic (like many others), made critic-proof by critics themselves, is such that you simply don't want to be that guy pooping on everyone's parade. It's like being the first fellow to suggest the whisky being served from a Blue Label bottle at the boss's house-party tastes suspiciously like Aristocrat Premium: "Kya baat kar raha hai?" Naah, don't wanna be that guy!

Curiosity is irresistible. There's nothing to call out. Conditioning is complete. Indians can probably see in Thanos's quest for 'infinity stones' their own uncles, who wear similar rings for inter-planetary changes! Balance of the universe sounds a lot like 'srishti ka santulan' from Abhishek Bachchan's Drona.

The film itself being a Bollywood multi-multi-starrer, where in the end, Amrish Puri wins, and if you wonder how dead superheroes might stage a comeback-hey, Ekta Kapoor's been spinning this for decades. The premise of so many avengers, guardians, and devils, all in one, is lost on no one who devours Hindu mythology, with 330 million gods anyway. Yeah, this is desi entertainment. I say this listening to actor Ranveer Singh's voice in the Hindi trailer of Marvel's forthcoming Deadpool 2 go: "Kitna traas dega, Thanos." Sach mein, bro!

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Pic/AP

One of the better things during the Karnataka Assembly election, no matter who emerges the single largest party tomorrow, was Congress president Rahul Gandhi's press conference in Bangalore. You may not have seen it on TV. It is on YouTube, however. Rahul again comes across in a light different to the whispers about him during the past two decades, proving how it was all the doing of a well-oiled BJP machine. My favourite part was Rahul's take on Prime Minister Narendra Modi's recent visit to Wuhan in central China for an "informal" summit with President Xi Jinping.

Here's what he said:
"I expected the PM to go to China as the leader of our country [and] speak to them about Doklam... He didn't say a word. [He] had a conversation with the Chinese President with no agenda. Are you telling me there's no agenda? There is an agenda, it's called Doklam; there is an agenda, it's called the Maldives; there is an agenda, it's called Nepal... The agenda is that we're surrounded on all sides; it's pretty clear. But you guys don't like to raise that, I don't know why.

"Our foreign policy has been completely decimated. And it's because the PM views foreign policy as an individual exercise. He's of the impression that he can go have a conversation with the president of China, or he can go have a conversation with the president of Nepal, and everything will magically happen.

"The PM needs to carry his own people with him. Are there any conversations going on with the finance minister, with the defence minister about this type of strategy? No. It's a one-man show."

Briefly: China tried to seize the Doklam plateau in Bhutan last year but after a 73-day standoff against our troops, it backed down. It has reportedly since built an infrastructure leading to Doklam. In the Maldives, China is displacing India: President Abdulla Gameen last year welcomed three Chinese warships, and last month hosted the Pakistan army chief. In Nepal, despite Modi's visit this weekend to promote Janakpur, Sita's birthplace, as a religious tourism spot, the Nepalese have drifted from us after India's five-month blockade in 2015 - we were pushing for greater political inclusion of the Madhesis. Modi is a villain for the Nepalese, as evident on social media.

China has seized advantage of India's pathetic neighbourhood behaviour, and, as Rahul said, has India surrounded. No wonder many think Modi went to beg Xi to keep relations calm in the run-up to the 2019 parliamentary election. That Modi's governance is election-oriented is no secret. Will the Chinese will play ball? When the two-day "informal" summit ended, the Indian side issued a statement and reportedly urged the Chinese to issue their own. Compare the two and you see a difference: while India mentioned a strategic direction to our respective armies to avoid tension on the Line of Actual Control, China only said the armies would follow past protocols. Joint statements are never easy, but individual statements are a piece of cake.

Modi had to supplicate himself because he cannot afford to go into the 2019 election after a showdown with China. Even a short skirmish will humiliate India. Unlike tension on the Line of Control with Pakistan, which benefits Modi since it can be dovetailed into communal rhetoric, tension with China gives Modi no benefit. Modi cannot help but humour China.

The Chinese were amenable to being humoured since they have now what they wanted in Doklam. China nowadays also wants to be seen as a responsible global power: hence it has nudged North Korean leader Kim Jong-Un into meeting his South Korean counterpart and, next month, with Donald Trump. China has also reached out to Japan, with whom relations are more complicated than with India.

Mainly, it was because Modi agreed to humiliate the Dalai Lama, the Tibetan Buddhist spiritual leader who has lived in India since 1959. India prohibited its ministers from attending a Dalai Lama function (ironically, to thank India) and asked him to shift it from Delhi to his base in Dharamsala, Himachal Pradesh. It was an insult; worse, he privately expressed the fear that he might be expelled.

The Chinese gave us time but they did not give Modi a hug. In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Rahul Gandhi is right: Modi has decimated India's foreign policy. It's too bad that this and other aspects of his press conference were ignored by the TV media. But then, after Gujarat, Karnataka has been good practice for him. Modi's obsession with the 2019 election means that governance will suffer, so Rahul will get more occasions to show the public his mettle.

Aditya Sinha's next book, The Spy Chronicles: RAW, ISI and the Illusion of Peace, co-written with a former RAW chief and a former ISI chief, is out next week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week

If you think about it, the reason the girl (Juhi Chawla) can't be with the boy (Aamir Khan) in Mansoor Khan's directorial debut Qayamat Se Qayamat Tak (1988) - path-breaking romance for its time - is rather simple. Years ago, the boy's father had killed the girl's uncle. This is because the uncle had impregnated the boy's aunt, but forced to marry someone else - abetting her suicide.

Now, why this uncle and aunt couldn't get together isn't quite clear in this adaptation of Romeo And Juliet. Unlike the couple in Sairat (2016), both belonged to rich, neighbouring families, from the same (Rajput) caste. The thorn in their backsides was the khadoos patriarch (Goga Kapoor). He enjoyed the sole right to decide who his son (and later his grand-daughter) would marry. Also, that girl had slept with his son out of wedlock.

For a movie mirroring such rigid, patriarchal values, it's amazing that it remains, up until 2018, a rare occasion where the heroine (Juhi) falls for first, and actively chases the hero (Aamir) - a sign of ultimate gender equality (to my mind), making it one of the most feministic films I know. QSQT - perhaps the first Hindi film to be referred to by its abbreviated title - finished 30 years of its release this week. Aamir, who also shared writing credit for the movie, organised a special screening with cast and crew to mark and discuss the moment.

I just saw QSQT myself, after several years, to observe with much relief that the film hasn't aged much (certainly not as much as humans have, since), although it's not as young as the all-time favourite, Mansoor's Jo Jeeta Wahi Sikander (1992), which still looks as fresh as last Friday's catch.

One of the things that Mansoor revealed after the QSQT screening, which is rather ironic given the film's subject, were the constant creative differences/fights he would have with his late father, producer-writer Nasir Husain, during the making, making others worry if they could ever move on. That way, QSQT is full of ironies.

To begin with, for a 2-hour, 43-minute movie, there are only four-and-a-half songs. This, coming from Nasir, king of Bollywood musicals, who produced, among other great soundtracks, the 10-minute-plus medley in Hum Kisise Kum Naheen (1977; best piece of music ever).

Once, being told that a track in QSQT had been composed, while it hadn't been, Nasir decided to hop over to the studio of music composer sons of Chitragupta, Anand-Milind, giving them only a 15-minute heads up. In that interim, Anand-Milind came up with the song, Aye Mere Hum Safar.

Don't know if the pressures were equally high throughout, for I recently discovered the track, Return To Alamo (1977) by The Shadows, which even by Bollywood's liberal standards for 'inspiration', seems shockingly lifted, note for note, even tempo intact, for the number Akele Hain Toh Kya Gham Hai. The only stroke of genius being that a war-cry has been turned into a romantic melody!

In 1995, Mansoor and Aamir teamed up to unofficially remake Kramer Vs Kramer (1979), even picking up scenes from the original, while one of the main songs was copied from The Godfather score. I once asked Aamir if he thought this was a complete, creative low. He didn't agree.

What young Mansoor, and indeed Aamir, did with one foot firmly on traditions and family customs/values, and the other on relatively modern sensibilities/outlook with QSQT, is take baby steps out of the shadows of the veteran Nasir Husain. This is very similar to how the Barjatyas' reticent scion Sooraj, 25, made his directorial debut with Salman Khan in Maine Pyar Kiya (MPK, 1989), and Yash Chopra's son Aditya, 24, smartly, gently pushed the mainstream bar with Shah Rukh Khan in his first film, Dilwale Dulhania Le Jayenge (DDLJ, 1995).

Together, with soft romances involving hardened parents, the three newbie Khans invaded Bollywood, gradually extricating it from the '80s 'Angry Young Man' hangover, rape-avenger actioners, and family melodramas driven by baffling sensibilities of the money-making, assembly line movies, adapted from the South. QSQT, originally titled Nafrat Ke Waaris, was as much 10 years ahead of its time, as comforting for mainstream audiences from 20 years before. I remember older family members (and teenage girls alike) being struck by Aamir and Juhi, who were formally "introduced" in the film, although Aamir had earlier already starred in Ketan Mehta's Holi (1984).

Leading up to QSQT's release, a hoarding teaser campaign had been launched across Mumbai (and perhaps other cities), with just the question, "Who's Aamir Khan? Ask the girl next door!" The billboards turned into QSQT's posters upon the film's release. Yup, it's been 30 frickin' years. Of course, we know who's Aamir Khan. What film-buffs have always been curious about ever since, and for good reason, is what's he up to next! We always inevitably remember his last film. Which is why, I suspect, QSQT, unlike MPK, DDLJ, if you think about it, hasn't actually got its due.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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BS Yeddyurappa submits his resignation as Karnataka chief minister to Governor Vajubhai Vala in Bengaluru on Saturday. Pic/PTI

At a press conference moments after BS Yeddyurappa quit as Karnataka chief minister for the third occasion in his life, this time after just two impotent days, Congress president Rahul Gandhi was asked if he would demand Governor Vajubhai Vala's resignation. Just the day before, Rahul had tweeted that Vala's decision to invite Yeddyurappa to form a government, despite being short of a majority and not having any other party's support, was "unconstitutional". Yet, with the press he was philosophical: "What's the point?" Rahul said. "Even if Governor Vala is made to go, Prime Minister (Narendra) Modi would put another puppet in his place, who will take exactly the same decisions."

Rahul repeatedly stressed the point that the RSS, through Modi, is out to destroy all institutions in India because it respects no institution other than the RSS. Modi did not behave like a democrat, he said, but like a "dictator". (Also, the Congress president referred to his BJP counterpart as "murder accused Amit Shah".)

Some Indians don't mind Modi being a dictator. They think democracy in India is too slow and needs to be speeded up. Not only is this sentiment justified by pseudo-Darwinism — so what if the poor get left behind? — it doesn't seem to bother them that subverting Constitutional niceties may backfire on them one day, when the Great Leader is replaced by someone else, perhaps another regional leader in a hurry. For now it's okay if their Governors try one thing in Manipur and Goa, and then try the opposite in Karnataka.

Rahul did not mention, however, the elephant in the room: the occupant of the highest constitutional office in the land. For much of the republic's life we have had some pretty ordinary occupants in Rashtrapati Bhawan, and one need not go far back in history to find some awful examples. Pratibha Patil was nominated by the UPA to be India's first woman president, but she was far from a leading advocate of gender-equality or even equal-pay issues during her career; her elevation was simply an exercise in tokenism —much in the way that Ram Nath Kovind's is. (Another pedestrian candidate, to my mind, was fixer and murky backroom boy Pranab Mukherjee, who in 2012 end-gamed then Congress President Sonia Gandhi into nominating him.)

President Kovind isn't even the first dalit in Rashtrapati Bhawan. The first was KR Narayanan, who unlike President Kovind, had a distinguished career as a diplomat and an academician before he became vice-president (and in 1997, president). President Kovind's achievements have been modest in the field of education; and though he was personal assistant to Prime Minister Morarji Desai, he has been a Hindutva ideologue for over a quarter of a century. The RSS considers him its man.

President Kovind isn't anywhere near the stratosphere of popularity achieved by the other NDA nominee for president, the late APJ Abdul Kalam, who succeeded Narayanan in 2002. On the contrary, President Kovind was earlier this month left looking diminished thanks to former information and broadcasting minister Smriti Irani (repeatedly the proverbial bull in Modi's china shop) who mismanaged his presentation of the National Film Awards, provoking many artistes to boycott the function. (The photos were catastrophic, showing rows of empty seats at the function.)

President KR Narayanan distinguished himself in office with a couple of correct Constitutional decisions that shocked the political establishment, because he acted impartially rather than be the government's rubber stamp. In October 1997, he returned the recommendation by then Prime Minister IK Gujral's to put UP under President's Rule. He is the only president to have refused to impose central rule (he did it again the next year), setting an important precedent for federalism.

Given the recent partisanship of members of the Election Commission and of the Supreme Court, and with Governor Vala's naked and shameless partiality — he disregarded recommendations by various Centre-State Commissions set up since Independence on the Governor's role in inviting a party for government formation — you need not be a rocket scientist to predict President Kovind's behaviour if the 2019 election produces a hung parliament.

Imagine a scenario where the BJP wins about 180 seats and the Congress wins about 185, or the other way around. Forget for a moment how the pre-poll and post-poll alliances shape up. Then ask yourself the question: who will President Kovind invite first to form the government? This must be weighing on the minds of Rahul Gandhi and his team. It is obvious to most of us why Modi appoints whoever he appoints to high Constitutional office — it is to do his bidding. President Kovind's critical moment in history will come when he will have to make a choice — to be another KR Narayanan, or to be another Vajubhai Vala.

Aditya Sinha's latest book, The Spy Chronicles: RAW, ISI, and the Illusion of Peace (HarperCollins India), written with former spychiefs AS Dulat and Asad Durrani, is out this week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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The most erudite can be swayed by numbers alone. Representation pic

The only reason a semi-circle of well-connected writers, and well-paid editors seemed to loathe Chetan Bhagat so vehemently is because he is so widely read, perhaps even loved, and they aren't, I (rightly) thought — standing in the periphery of that semi-circle at a literary fest after-party, over half a decade ago. With that bitchy conversation over-valuing Bhagat's national impact going nowhere, I stepped out to grab a drink.

Bhagat was at the corner of the bar at Indigo, where a big-shot industrialist, now I forget if it was Anand Mahindra or Ness Wadia (and that's not even the point), somberly walked up to him to check on what's going on in Indian politics. His vishesh tippani followed. Now, where to go?

The most erudite can be swayed by numbers alone, in this case the number of Bhagat's English young-lit readers. Do these numbers always signify democracy? It could produce the opposite effect. Let's look at politics in a bit, but we do know a little about mass news, entertainment, although it's hard to tell one from the other.

They're crafted around second-guessing audience's supposed tastes, often where one thing works, automatically everybody else follows, and therefore an entire industry, over time, step by step, splicing out everything that doesn't fit into the larger, determined hole, produces a mainstream media that looks the same —across. Pick up the most popular radio, television stations, websites, newspapers, or even movies (creating stars, or special effects), and you'll know. One size must fit all. Your circus, my monkeys. It's a numbers' game. And numbers can be gamed.

Is politics that aims for more complicated arithmetic, and much larger audiences, another field that defies free-market, with greater competition only inhibiting choice, and progressively screwing up quality? Survey the national scene. Examine its broad product categories that, weeding out the highest common multiple over time, every political party has conveniently fit into, in order to appeal to the lowest common denominator: Nehru/Gandhi, Sangh, Ambedkar, Lohia, Left (and those opposing them, of course). Grand promises of abolishing poverty (1971), 'acche din' (2014) etc, although well-meaning, are merely side-shows, and tag-lines.

Every politician, ideally, must check one or the other box, holding uniformly same and sometimes inter-changeable opinions on a variety of complex issues. That's what you need/scream to lord over vast public resources/institutions. Target in place. Hit-job ordered. Distraction complete. Groups vote en masse. Design is set.

Educational qualifications, past experience, passing tough exams/interviews that test competence, are for minions entrusted with growing/protecting a small company's pocket change. If you're part of none of the above cult groups, the newbie Aam Aadmi Party, for instance, you do appear like an "anarchist". It's easy to be portrayed as one. This is basically show-business, albeit of relatively not such good-looking people.

How did we get here? Because Ambedkar, the father of Indian Constitution, said we would. If, for one, he ironically stated, we fell prey to 'personality cults', or quoting John Stuart Mill, "lay liberties at the feet of even a great man, trusting him with powers, which enable him to subvert institutions." Two, if political democracy did not follow actual social democracy on the ground (unqualified liberty, equality, fraternity, for all). It didn't. So where do the regular folk stand? Between a rock, and a hard place. But you must pick a side. It makes life simpler.

And you must vote. Have to vote. It's your right. Your privilege. You must vote. This is democracy. They go to vote — for one, or perhaps, against the other. As they did in Karnataka. In a tri-partite fight, the party with the lowest number of seats, steps in to form a government, with the help of the party they fought against. The one with the highest number of seats looks at how they could "poach" from the other two, whose MLAs were locked up! It didn't matter what they fought for, or against.
The popular television anchor with the second highest English news ratings asks the gentleman from the scavenging team how they would manage the numbers. Arrey! He names his captain; and winks, pretty much. They both laugh out loud, in public, on TV, simultaneously. This is supposed to be "horse-trading" to form a "stable" government.

The highest read Indian English writer, Bhagat, weighs in with a pragmatic tweet, that must be seen as our form of public intellectualism — calling horse-trading an "art form". Yes, the election is over. Another will follow. The voter looks puzzled. Or maybe doesn't. Now let's just frickin' move on, right. No, you wanna question this? Oh.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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Yakuza 6 is the final chapter in the Kazuma Kiryu saga and the debut of a new engine for the game. For those who have never played Yakuza before, there is a handy back story that you can read through complete with choice visuals from the previous game. Even without the story mode, the game is self-sufficient and you won't feel like you are missing something. It plays out like a melodramatic Japanese movie — there are lots of cut-scenes and it will be a while before you go around breaking bones and destroying property. Fortunately, the story is decent enough to keep you engaged, considering it is around 30 hours long.

For the uninitiated, you play Kazuma Kiryu, a yakuza, who is part of the Japanese mafiosi. The idea of the game is to go around completing the tasks assigned in the story mode. However, you are also in Japan, which means there are many fun distractions to while away time. In the past, these distractions have been many and made Yakuza a game that you could play forever. In Yakuza 6, however, the side activities are few, but they are well made. Some choices are playing mahjong, working out, playing baseball, visiting a hostess bar or a cat café.

The biggest addition to the side activities is the Clan Creator mini-game, where you direct gang members in a top down view of a brawl. You can add special characters to your clan, by defeating them in combat. This mini-game is a lot of fun, even though defeating your foes is often too easy. The overall combat in Yakuza is also super easy. Kiryu is capable of handling multiple thugs with just a few basic moves. You can pick up anything off the street and use it as a weapon. Building rage can trigger special moves, which is essentially just beating people senseless with whatever you have in your hand. The simplicity of combat makes it easy to learn, but it can get repetitive after a while.

Visually, the new engine shows off the cut-scenes and characters really shine through. The motion is seamless and once you are in an area, the game never stutters. Japan is recreated beautifully, it is like you are roaming the streets of the country. You can enter stores, narrow lanes and explore anything that is on the map. The game is a fitting end to the story of Kazuma Kiryu. The top-notch storytelling and the graphics more than do justice to the Yakuza series. More side activities and layered combat could have kept the game interesting beyond the main storyline, but despite all of this, Yakuza manages to entertain.

Yakuza 6: The Song of Life
Rating: 4/5
Developer: Sega
Publisher: Sega
Platform: PS4
Price: Rs 2,999

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Pic Courtesy/Sameer Malhotra

Why am I biking so much? Maybe, because I work only as much as I need to," says actor Satyadeep Misra, who you will remember as Rosie's suitor Johnny from Bombay Velvet and TV series P.O.W. — Bandi Yuddh Ke, where he played a soldier. We are sitting at his Versova home talking about bikes over a glass of gin.

Kemmu and Misra's social media is full of riding clicks, including those taken outside Café Monza in Kharghar, where they ride down on Sundays. Pics/Instagram

The cupboard next to us in the living room, is topped with helmets, which he says will grow in number. If you follow Misra on Instagram, you know that over the last year, he has biked to Uttaranchal, Himachal, Goa, Nepal and Hampi. His biking friends include actor Kunal Kemmu, who will next be seen in Karan Johar's Kalank, and whose social media feed is also full of riding clicks. Some of these see him posing with his bike, and some are taken with Misra outside Café Monza in Kharghar, where they ride down early on most Sunday mornings for breakfast.

Satyadeep Misra

Misra has a Ducati Scrambler, and Kemmu used to have a MV Agusta Brutale 1090 RR, and now has a Ducati Scrambler too. Their retail indulgences include biking jackets, one helmet after another, gloves and of course, biking boots. "After the Uttaranchal trip, riding became a big part of my life. I wake up only thinking of riding. The question on my mind always is 'when is my next biking trip going to be?' I think I work, just so I can ride," says Misra.

Kunal Kemmu

Unlike Misra, who caught the bug last year, Kemmu harboured the dream of biking since school, because he thought it was "cool". "My uncle bought me a bike, but the day it got delivered, I was in college, and my father sent it back," he tells us. "I have always been a rider. But, it's only in the last six months that I have started to enjoy what it's all about. I have made friends with those who ride with me. And I have been getting all this gear that improves the riding experience," says the new father, who is quick to tell us that the one thing wife Soha Ali Khan tells him, is to be careful.

In Robert M Pirsig's Zen and The Art of Motorcycle Maintenance, the author writes, "In a car, you're always in a compartment, and because you're used to it, you don't realise that through that car window everything you see is just more TV. You're a passive observer and it is all moving by you boringly in a frame. On a cycle the frame is gone. You're completely in contact with it all. You're in the scene, not just watching it anymore, and the sense of presence is overwhelming."

When Misra speaks of riding on a bike, he compares the feeling to flying. "If you see my bike, which is an off-roader, it's high up there, and as you are sitting on it, you too are sort of squatting in air. So, when you are cruising along, it does feel like you are flying," he says. When we ask, what he thinks about when he rides, he says, "It's hard to think because you are focussed on the road. All your instincts are tuned to the road, and keeping the bike in control. But as you start doing it more, it gets easier to disconnect and ride. As I said, it's the closest I have come to flying."

For Kemmu, it started off by being about the sound, speed and how the bike looks. But, in recent times, he has felt it become a stress buster. "There are days when you will be stuck in traffic, and feeling baked in all that gear, but then, there will be days where it will be a breeze. The risk factor also adds to the romance. At the end of the day, it's about the relationship between man and machine, and that's priceless."

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"
The cast and crew of Malgudi Revisited

Malgudi - the famous fictitious place that RK Narayan created - has a certain sense of innocence that seems incongruous with the fast pace of life in a city like Mumbai. It offered the characters a chance to enjoy the simpler pleasures of life, be it a young boy following the journey of a paper boat down a nullah or chucking pebbles into a lake. But now, people here can also get a chance to spend a day in the laidback town, as Tantra Theatre Group brings it to life in a series of short plays called Malgudi Revisited.

In it, a narrator will take the audience around different locations, making them meet the locals who populated Narayan's much-loved book. The day begins early, at 8 am, with a visit to the school where Swami - one of Narayan's most iconic characters - studied with his friends. Their exploits were of an everyday nature. And yet, there were lessons embedded in the story that are relevant even today, such as how a wall of conflict can be broken down with just a bit of empathy and understanding.

The short play featuring the astrologer

Then, around noon, the audience will be taken to a chowk where they will meet "the talkative man", who narrates a story called Old Man of the Temple. It deals with how the talkative man had once encountered a ghost while driving by a roadside temple, who possessed the spirit of the young man at the wheel. Krishna Battar, the ghost, was the one who had built the temple. But his spirit refused to leave the area even after his death, since there was no one else to take care of the holy place. Eventually, the talkative man convinces Battar that it is important to let go of the past, no matter how tough that is. And in the end, it seems that Battar has understood this point, because the next time the man comes around to that temple, the ghost is nowhere to be seen.

Later in the afternoon, the scene shifts to a bank, where a watchman is sitting outside the gate. This watchman tells the audience about how, after retiring from his job, he had discovered a talent for making paper dolls. He had received a lot of love for the same, but one day, he got a registered letter from a bank whose manager had been one of the recipients of his dolls. Now, back at that time, receiving a registered letter invariably spelt financial doom for a person. So, the watchman cursed himself for giving the manager his gift, and the insane fear he felt about opening the letter finally made him lose his mind. The irony, though, is that the envelope had contained a sum of `100, which the manager had sent the watchman, elated with his gift.

Soumitra Acharya

After that, in the evening, the audience is taken around to a marketplace, where they meet an astrologer whose quick thinking saves him from being pummelled by a man he had once tried to kill in his village. And finally, the narrator notices that a light is still switched on in the bank, so he goes to find out if someone is still working there. In the process, the audience comes across the character who was the protagonist of a story called Forty Rupees a Month. This man had decided to quit his soul-crushing job to spend more time with his family. The sum of Rs 40 was not completely peanuts back then. But it still didn't allow him to take his wife and children out for movies, for instance, and so he decided to hang up his boots. But at the last moment before submitting his resignation letter, he found out that he had got a pay hike of `5, and that made him change his mind about packing up his working life and calling it a day.

Soumitra Acharya, who directed and wrote the short plays, and also essays the role of the narrator, reveals this plot structure to us. He also points out how relevant Narayan's stories continue to be. "For instance, the main character in Forty Rupees a Month might well be me, where instead of taking my family out for a movie, my ambition could be to take my parents on a foreign trip. So, like him, even I am stuck in my comfort zone, and refuse to get out of that rut come what may," he says, pointing out how some issues remain constant through the years, and some places like Malgudi - fictitious as it may be - have a sense of timelessness that persists through the ages.

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Gully Boy
U/A: Drama
Director: Zoya Akhtar
Cast: Ranveer Singh, Alia Bhatt, Siddhant Chaturvedi
Ratings: 

What does it take to so gently bottle up an overflowing volcano like Ranveer Singh, into a completely subdued bloke like Murad? Who is yet someone with such seething anger within, wholly internalised, that you can almost sense his brain inhaling life and surroundings, and exhaling potent words of poetry, in response? It's the script/story, Gully Boy, of course.

Kya bolta hai, bhaay! Lead actor Singh, like this newspaper, grew up in the city this film is set in. He's perhaps, for the first time, playing a character so close to home, and yet so far. For it's also a city that so perennially lives in the cross-section of classes, that all it takes for you to see Bombay and Mumbai at once, is to draw your curtains wide, from any point in the bustling metropolis.

Singh's leading man Murad operates from right at that casual intersection - a college-going temp driver during day (or night), and an amateur rapper, 24x7. There's, on the one hand, plush interiors of high-rise Bombay. And, on the other, stuffy squalor of the city's lower-deck (worthy of poverty tourism), shot by Jay Oza, in a natural gold-dust palette - almost like a dream.

Around these two natural extremes, and with several layers between, Gully Boy is foremost a befitting tribute to Bombay - among very few places in the world where popular art has traditionally existed as possible exit-route for someone born into rags, or resigned to fate/naseeb.

A lot of the times, it's taken a full chawl/slum to raise a star (lyricist, composer, actor, name it). Besides, Internet has made showbiz redundant, making it possible for anyone to pole-vault into stardom, with growing hits, likes, and shares on social media - a fact that was equally well tackled, around a Baroda girl, in Advait Chandan's recent Secret Superstar (2017). And it's the same Internet providing access to inspirations, worldwide.

This is in that sense a global story with a Mumbai heart - totally bereft of any obvious, on-screen self-awareness. Only fair that it should come from director Zoya Akhtar (Luck By Chance, Zindagi Na Milegi Dobara) who, if I'm not mistaken, first developed deep interest in filmmaking through Mira Nair's iconic Salaam Bombay! (1988).

Not one to make gender distinctions among directors, or indeed actors (talent's talent, of course), but I do feel it is Akhtar's deft touch that allows for the female lead character (25-year-old Alia Bhatt: astoundingly amazing, almost as always), and her life's story and insecurities, to take root, and equally flower within a film that is essentially centred on two Mumbai, local, raapchik Rap artistes.

And there's as much to be said about the fact that while the film entirely belongs to Singh, it's his co-rapper (brilliant debutant Siddhant Chaturvedi), who gets to walk around with all the swag instead. It's the interplay between the main and minor characters, spot-on twang, dialogues (by Vijay Maurya), and indeed a superb play-list (put together by Ankur Tewari) that truly makes this movie, the food of love - at 155 minutes, very much a long main course, too.

Maybe because I watched Gully Boy among an altogether Mumbai audience, or perhaps it would the same anywhere: Never have I observed folk at a press preview periodically break into loud claps during key dramatic sequences, especially given that the scenes have been quite subtly staged, in fact. This is a new kind of 'Angry Young Man' movie, in effect - seamlessly merging sub-culture with pop mainstream.

Also Read: From Scarlet Macaw to Unicorn - Ranveer Singh's flora and fauna inspired clothes are hilarious

People in my hall, or indeed outside it, would have first heard about a booming, Mumbai Rap/Hip-hop underground scene, with open-mic nights, and proper gigs at venues like Anti-social (also referenced in the pic), only a few years ago. It's almost at the same time that stand-up comedies in the city began to draw totally untested, raw greenhorns concentrating on the all-important self-expression - or content (which can't be taught) - and then, delivery (which can be learnt).

Rap, or Rhythm and Poetry, you can tell, similarly opens lines of (a very visceral form of) communication - between heartfelt (often antsy) words, thumping beats, and the crowds that instantly relate to both.

This film, as per its opening slate, is a "shout-out" to budding Mumbai stars Naezy (Naved Sheikh) and Divine (Vivian Fernandes). Their story, and of desi rap itself, is still unfolding, as we speak. When it's written in hindsight, I'm pretty sure, this film will be considered, the high-point, if not the turning point, for the genre, after all!

Also Read: Exclusive: Naezy on Gully Boy: People are looking at us like we're pioneers of Indian hip hop

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Mere Pyare Prime Minister
U/A: Social drama
Dir: Rakeysh Omprakash Mehra
Cast: Anjali Patil, Om Kanojiya
Ratings: 

What's the first thing you wonder about this film, given its title, and the fact that no head honcho of a democratic state in world history has ever had as many biopics - shorts, docs, features, web-series - simultaneously being made on him/her, even while they're still in office?

So, well, no, this isn't really a film on Prime Minister Narendra Modi. Or it is, only by suggestion, since a boy writes a letter to the PM, which would be Modi (who else), but we don't see his lookalike on screen (unlike Uri, and many others in the pipeline).

Be that as it may, a film that focuses on the problem of urban, open defecation, the eradication of which should be on the agenda of every corporator/legislator, and of course the PM (current, or ones to follow), belongs to proper public service advertising/announcement (PSA) space, rather than propaganda of any kind.

Why are your suspicions slightly legit still? For it's hard to explain why the filmmakers would go ahead with this PSA script (unless they're genuinely struggling, or been forced into coming up with one), when every element here has been dished out plenty of times before, and there is no attempt to top any of it either.

Check out the trailer here:

And you could go right from trying to meet, or connect, with a head of state (I Am Kalam, My Name Is Khan), to detailing life among kids in a Mumbai slum (Salaam Bombay, Slumdog Millionaire), or in general, the Mumbai slum itself (Dharavi, Gully Boy), to addressing head-on how the poor in India (men, but women, in particular) have to bear the burden of shitting in the open, because there are no frickin' loos, which is what the rather entertainingly done, recent Akshay Kumar picture, Toilet: Ek Prem Katha, was all about.

Even as a peek into the lives of Mumbai slum-dwellers, who constitute about half the metropolis, the Iranian Majid Majidi's Beyond The Clouds (2017) seemed a far more perceptive, original and thought-provoking take, than this local, thoroughly distant, predictably upper-class view of the lives of the downtrodden others, with every conceivable cliche that must dictate it - rape, domestic violence, drunken males, and Sheela Ki Jawani, Baby Doll type of Bollywood songs/entertainment as the only route towards momentary escape.

This is the sort of film that ideally aims to ride on its supposedly noble intentions alone, rather than engaging characters or story, the gist of which is that there's a little boy (a wonderfully cast Om Kanojiya), who does odd jobs selling newspapers, condoms, etc.

He shares a lovely bond with his single mother (Anjali Patil). He writes a letter to the PM hoping for a public toilet in his slum. That the right to shit in peace must involve a petition to the PM, no less, is tragic enough. That you don't feel for anyone in this film (let alone, the issue), with the camera hovering around a bunch of parallel songs/story-lines, aimed to extend a simple short film into a full-length feature, is perhaps worse.

Also Read: Watch video: The fun-filled making of Mere Pyare Prime Minister's title track

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COVID-19 has now reached the doorstep of the state government, with four Mantralaya staff members testing positive for it. The state health department officials confirmed 27 deaths in Maharashtra, which was the highest number reported in a single day and the state's count of cases climbed to 8,590.

Civic officials said that of the four Mantralaya staffers, three tested positive on Sunday while one was confirmed on Monday. "They were on duty and include a sweeper and a driver. Contact tracing is underway and we will test the high-risk contacts," said a civic official. The official added that a portion of Mantralaya may be cordoned off if necessary. Guardian Minister Aslam Shaikh said that the staffers were taken to Kasturba Hospital for testing.

Four more ward boys of the TB Hospital in Sewri tested positive on Sunday taking the total count of infected staff members to 14. "One of the ward boys had directly gone to Kasturba Hospital and was admitted with symptoms. He has been shifted to the ENT Hospital. Two others are Thane residents and had sore throats," said Dr Lalitkumar Anande, medical superintendent of the TB Hospital, adding that two of the ward boys have been kept in isolation at the staff quarters.

No new cases in Mahim, Dadar
The number of cases in Dharavi continued to rise with 13 new cases reported on Monday. Majority of the new patients were senior citizens taking the total count in the area to 288. Civic officials said that no new cases were reported from Dadar and Mahim for three consecutive days and while 17 patients were discharged from Dadar, nine were discharged from Mahim on Monday.

The cumulative cases in Mumbai city are 5,776 while the total cumulative deaths here are 219. State health officials said that there were 522 new cases in Maharashtra, of which 369 were from Mumbai. Of the 27 deaths, 15 were from Mumbai, six in Amravati, four in Pune and one each in Jalgaon and Aurangabad. Among the deceased patients, 22 suffered from other ailments including diabetes and hypertension.

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Uttar Pradesh CM Yogi Aditya Nath was quick to call his Maharashtra counterpart Uddhav Thackeray after two Hindu sadhus associated with Kashi's Juna Akhara were lynched by a mob in Palghar last week.

On Tuesday, Thackeray responded by ringing up the UP CM to express his concern over the murder of two sadhus in Bulandshahar. Thackeray said he was expecting Palghar-like prompt police action in arresting the culprits and suggested not giving a communal colour to the incident.

According to a Maharashtra CMO release, Thackeray told Yogi that he was with the UP government in protesting against the heinous crime. Yogi's response was not known.

Thackeray had assured Yogi that the Palghar incident wasn't communal, but a fall-out of rumour-mongering. The government and Opposition continue to exchange barbs and accusations as the lynching is being probed.

Thackeray had issued a warning against communalising the Palghar incident with a special emphasis on the Hindi-speaking religious leaders who threatened to march towards Maharashtra to seek answers from the CM.

When the Palghar issue seemed to be alive, more so because of a police case against a news anchor, the anti-BJP lobby raked up the UP killing asking right-wingers many questions. Congress spokesperson Sachin Sawant questioned the silence over the UP incident. "This happened in a BJP-ruled state. The BJP politicised the Palghar lynching but is now keeping silent," he said.

April 16
The day three men were lynched in Palghar

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Bollywood actor Irrfan Khan, who had been undergoing treatment for Neuroendocrine tumour since the last two months, breathed his last on Wednesday. On Tuesday, the Paan Singh Tomar actor was admitted to Kokilaben Hospital for a colon infection. While a host of Bollywood celebrities mourned his death, politicians across parties took to Twitter to pay homage to the most 'Versatile' actor of the Indian Film Industry.

Irrfan Khan’s demise is a loss to the world of cinema and theatre. He will be remembered for his versatile performances across different mediums. My thoughts are with his family, friends and admirers. May his soul rest in peace.

— Narendra Modi (@narendramodi) April 29, 2020

Saddened by the demise of the late actor, PM Narendra Modi said that Irrfan Khan's demise is a loss to the world of cinema and theatre. While offering his condolence to the the late actor's family, PM Modi said that Irrfan will be remembered for his versatile performances across different mediums.

With the untimely demise of #IrrfanKhan, we lost a versatile actor.
Not just a hardworking actor but he was also a good cricketer but couldn’t persue due to lack of funds. His TV and film presence is unparalleled and has been giving confidence & motivation to many.
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— Devendra Fadnavis (@Dev_Fadnavis) April 29, 2020

Remembering the fond memories that he shared with the late actor, former CM of Maharashtra and BJP leader Devendra Fadnavis said that Irrfan was also a good cricketer but couldn't persue it due to lack of funds. While Rajya Sabha Member and actor Shatrughan Sinha said that Irrfan was a man of few words, but a volcano of talent.

Here's how other's paid homage to Irrfan Khan:

Heartfelt condolences on the untimely demise of a self made, brilliant, versatile actor par excellence our own #IrrfanKhan. He was certainly one of the best in our film industry. A thorough gentleman & fine human being @irrfank. A man of few words, but a volcano of talent.

— Shatrughan Sinha (@ShatruganSinha) April 29, 2020

Saddened to hear about the demise of #IrrfanKhan.

One of India’s most versatile actors and a true gem of a person, my thoughts are with his family and friends in this hour of grief. Om Shanti.

— Piyush Goyal (@PiyushGoyal) April 29, 2020

Sorry to hear about the untimely passing of #IrrfanKhan. He was a truly talented & versatile actor, who helped India shine around the world. His presence will be missed on & off screen. My thoughts & prayers are with his friends & family.

— K C Venugopal (@kcvenugopalmp) April 29, 2020

Saddened to hear about the passing of Irrfan Khan. The Indian film industry has lost a much accomplished artist, who was also a warm, affectionate and humble person. He will be missed by all!#IrrfanKhan #RIPIrfan pic.twitter.com/QrfhJxSYBR

— N Chandrababu Naidu #StayHomeSaveLives (@ncbn) April 29, 2020

सिनà¥Â‡à¤Â…भिनà¥Â‡तà¥Â‡ à¤Â‡रफान à¤Â–ान याà¤Â‚à¤Âšà¥Âया निधनाà¤Âšà¥Â€ बातमà¥Â€ à¤Âà¤Â•à¥Â‚न दà¥Âà¤Âƒà¤Â– à¤Âालà¥Â‡. à¤Â…तिशय सà¤Â‚à¤Â˜रà¥Âष à¤Â•रà¥Â‚न पà¥Âढà¥Â‡ à¤Â†लà¥Â‡लà¥Âया या à¤Â…भिनà¥Â‡तà¥Âयानà¥Â‡ à¤Âœाà¤Â—तिà¤Â• सिनà¥Â‡मात à¤Â†पलà¥Âया à¤Â…भिनयाà¤Âšा ठसा à¤Â‰मà¤ÂŸविला हà¥Â‹ता. तà¥Âयाà¤Â‚à¤Âšà¥Âया निधनानà¥Â‡ दà¥Â‡श à¤Âà¤Â•ा महान à¤Â•लाà¤Â•ाराला मà¥Âà¤Â•ला à¤Â†हà¥Â‡.
तà¥Âयाà¤Â‚ना भावपà¥Â‚रà¥Âण शà¥Âरदà¥Âधाà¤Â‚à¤Âœलà¥Â€ðŸ™ðŸ¼

— Aaditya Thackeray (@AUThackeray) April 29, 2020

No stereotypical looks, no six-pack, no fancy dance steps, no dynastic claim to a place in Bollywood. It was just talent & a breathtaking screen presence. #IrrfanKhan your courage to speak up when others chose silence was your biggest asset & will be missed the most. God speed.

— Omar Abdullah (@OmarAbdullah) April 29, 2020

We've lost a tremendous actor who shattered all the stereotypes of what a 'Bollywood hero' should be.
Heartfelt condolences. #IrrfanKhan

— Prakash Ambedkar (@Prksh_Ambedkar) April 29, 2020

My sincere tributes to the great magician of an actor, the legendary #IrrfanKhan who weaved magical emotions into his characters with utmost ease in each of his acts!

Indian Cinema will struggle to fill the void to be felt by his absence!Condolences to near & dear#RIPIrrfanKhan

— Tejashwi Yadav (@yadavtejashwi) April 29, 2020

Omar Abdullah, former CM of Jammu and Kashmir said that Irrfan had talent and a breathtaking screen presence which helped him cement a place in the Bollywood film industry. Poitician and advocate Prakash Ambedkar said that the Irrfan shattered all the stereotypes of what a 'Bollywood hero' should be, while former Deputy Chief Minister, Bihar, Tejashwi Yadav said that Irrfan weaved magical emotions into his characters with utmost ease in each of his acts!

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A Mulund railway yard master, who retired from his 35-year-old job recently, was so busy in the last working month of his career, that he ended up staying at the rail terminus for a month, to handle despatching essential commodity trains, giving priority to supplies for citizens over his family.

Vilas V Pagare, 60, who retired on April 30, joined the railways around 1984 and had been posted at Central Railway in various designations. His earlier posting was at Vasind station. He retired as Chief Yard Master at Mulund Container Terminal. "The lockdown has been the most challenging time of my career. It was supposed to be my retirement month, but as the lockdown came into effect, more and more trains with essentials needed to be despatched. I decided to stay at the Mulund Container Terminal from March 23 the day the lockdown of the railways was announced, to April 22 to handle the growing number of freight trains and loading and unloading at the terminal," a proud Pagare told mid-day.

His family comprises two grown up sons and his wife. "The railways have given me everything and this was the least I could give back not just to the railways, but to society," he said, of prioritising work over family. During this time, he handled 40 trains, their deformation, loading and unloading and re-formation.

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Two Shramik Special trains carrying more than 2,100 migrant workers left on Tuesday night from Kalyan junction in neighbouring Thane district, the Central Railway (CR) said. One of them, carrying nearly 1,200 migrants, left for Darbhanga in Bihar, a CR release said. The end-to-end service departed at 8.37 pm carrying only the registered and nominated passengers cleared by the Maharashtra government, the release said.

The second end-to-end Shramik special train left for Guntakal (Andhra Pradesh) around 11 pm, carrying nearly 930 migrants, according to Railway officials.

On Monday, the Central Railway had operated two Shramik special trains between Akola-Lucknow and Bhiwandi- Jaipur.

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