Illustration/Amit Bandre

New Delhi: On an average, a college student in India checks his mobile phone over 150 times a day, according to a study conducted by Aligarh Muslim University and the Indian Council of Social Science Research (ICSSR).

The research, titled "Smartphone Dependency, Hedonism and Purchase Behaviour: Implications for Digital India Initiatives", has been conducted in 20 central universities, where 200 students each were interviewed.

"Anxiety and fear of missing out on information make university students check their mobile devices as many as 150 times a day on an average, an activity which can have adverse effects on the students' health as well as academics. "Only 26 per cent of the respondents said they use smartphones primarily to make calls. The remaining respondents use smartphones for other purposes such as accessing social networking sites, Google searches and for entertainment such as watching movies," said Mohammed Naved Khan, the Project Director.

At least 14 per cent of the students use smartphones for three hours or less in a day while around 63 per cent of them use it for four to seven hours daily.

"It came as a shock to us that around 23 per cent (of students) use the devices for more than eight hours a day," Khan added.

According to the study, eighty per cent of the students own a mobile phone and most of them prefer smartphones owing to convenience in the installation of applications, host of features, and ease of use and also work as affordable substitutes for a computer. The study conducted by researchers at AMU has been funded by the ICSSR with an aim to understand various facets of smartphone dependency and addiction among college-going students.

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Cousins Ayush, Aryan and Arjun Asher enjoy some quiet book reading time with their friend Rudra Shukla at their Worli residence. Pic/Ashish Raje

Of gods and humans

Author Arshia Sattar is no stranger to mythological retellings. Best known for her English translation of Valmiki's Ramayana, Sattar recently released a new children's collection titled Garuda and the Serpents (Juggernaut Books), which draws from the Puranas, the Mahabharata and the Ramayana to deliver stories that will evoke both wonder and delight. From tales of why the gods and the asuras churned the ocean, to how Vishwamitra and Vasishtha became enemies for life, these marvellous adventures of gods and humans is not to be given a miss. And, with Sattar, who has a PhD in South Asian Languages and Civilizations from the University of Chicago, helming the narrative, these stories, we know, rest in safe hands.

Garuda and the Serpents by Arshia Sattar
Age Group: 10+
Price: Rs 350

A rare friendship

The recently-released graphic novel, Indira (Context, Westland), definitely has a special place in history. The young adult novel, which has been brilliantly executed by writer Devapriya Roy and animation filmmaker and illustrator Priya Kuriyan, begins with the story of Indira Thapa, a Std VI student at a government school, who is given an assignment to write an essay around her namesake. Over the course of a long, hot summer and a curious friendship with an artist who is working on a biography of Gandhi, Thapa gets tangled up in the life and times of the country's only female prime minister Indira Gandhi. Through graphic panels and beautiful prose, Roy and Kuriyan lead us through Gandhi's rich legacy, including her rise during the Bangladesh War (1971) and fall, post the Emergency (1975-77). This one is for teenagers who'd like to revisit history differently.

Indira by Devapriya Roy and Priya Kuriyan
Age Group: 13+
Price: Rs 599

Magic on wheels

Lavanya Karthik's Neel on Wheels (Duckbill) is what we think, should be on every kid's must-read list. The book, illustrated by Habib Al, tells the story of Neel, who is wheelchair bound. But, that's hardly holding him back. Neel's wheelchair transforms itself to fight dragons and monsters and chase away scary creatures of the night. One of the prize winners in the Children First contest — started to create more books featuring children with disabilities as protagonists — this book deals sensitively with his challenges and the lovely relationship between Neel and his younger brother, who regards him with awe and respect.

Neel on Wheels by Lavanya Karthik and Habib Al
Age Group: 5+
Price: Rs 299

Family matters

Sharanya Manivannan's poetry is a sheer delight to read. With The Ammuchi Puchi (Puffin Books), the poet and writer has collaborated with illustrator Nerina Canzi to tell the story of Aditya and Anjali, who love listening to their grandmother's stories. Unfortunately, their lives fall apart on the night their grandmother passes away. Suddenly, her stories seem to lose their meaning. It's only when something magical happens that they feel their grandma is with them, after all. The dreamy illustrations complement the poetic prose, for a poignant story.

The Ammuchi Puchi by Sharanya Manivannan and Nerina Canzi
Age Group: 4-7
Price: Rs 199

Grandma knows best

No summer reading is complete without escaping into the stories by author Ruskin Bond. In his new book, Memories of Hills and Dales (Rupa), Bond's protagonist is an affectionate, brimming-with-stories grandmother, who shares tales of the past with her granddaughter Koki. From a mysterious kiss by a stranger in the dark to schoolboys taking off for a trek to a glacier, an old kite-maker reminiscing about his heydays and a beautiful village girl whose charms a city boy can't resist, this slice-of-life collection — many of which are autobiographical — takes us through the life in the hills and the joys, sorrows and excitement it holds.

Memories of Hills and Dales by Ruskin Bond
Age Group: 8+
Price: Rs 195

Suitcase memories

Nidhi Chanani's heart-warming debut graphic novel, Pashmina (HarperCollins India) weaves a tale about the hardship and self-discovery that is born from juggling two cultures. The story revolves around Priyanka Das, who has many unanswered questions — why did her mother abandon her home in India? What was it like there? And, most importantly, who is her father, and why did her mom leave him behind? Pri's mom avoids all these questions. For Pri, her homeland only exists in her imagination, until she finds a mysterious pashmina tucked away in a forgotten suitcase. When she wraps herself in it, she is transported to a fantasy world more vivid and colourful than anything she could have ever imagined. But to know whether this world is for real, she needs to travel further. For young readers, Chanani creates a world that magical through her prose and illustrations.

Pashmina by Nidhi Chanani
Age Group: 8+
Price: Rs 399

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Over a phone call from Kolkata, Vikram Rajan*, an audio engineer and guitarist formerly based out of Mumbai, wants us to listen to a track that he has composed. It's available on Soundcloud and, as we stream it, we more or less agree that its flavour of electronica-jazz could accompany a languorous Sunday evening. "For a long time, I had been unable to come up with something good. And, then, I composed this around March while I was microdosing and sometimes, megadosing on acid," says Rajan.

The 33-year-old is referring to a way-of-life that's effectively snapping the ties between drug abuse and the creative arts. This is a lifestyle experiment that some of the brightest techies in Silicon Valley are engaging in, and has got psychiatrists and anti-drug crusaders distraught. "From a 100 mics paper, I take about 20 mics, twice a week, giving the doses a 2-3 days gap. The effects of acid last for about six hours for me," says Rajan, who started experimenting with drugs as a teenager.

After a litany of prescriptions failed to control her mood swings and depression, Ayelet Waldman found relief in LSD. The former federal public defender authored A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life, in 2016. She wrote: "(It) made room in my mind not necessarily for joy, but for insight. It allowed me a little space to consider how to act in accordance with my values, not just react to external stimuli. This, not the razzle-dazzle of pleasure, was its gift." Pic/Getty Images

In need of a quick glossary before we proceed? Acid is officially called Lysergic Acid Diethylamide (LSD), a psychedelic drug banned in India, the possession of which can lead to imprisonment from one to 20 years under the Narcotic Drugs and Psychotropic Substances Act. LSD is often illegally sold in the form of stamps, with the hallucinogen embedded on blotter paper. Mics is micrograms, that's one-millionth of a gram. A microdose is when you have about one-tenth of a recreational 'party' dose, which starts at about 200 mics.

"With microdosing, you are not tripping — this is not a trip. The euphoria isn't there. It's not about feeling good, it's about calmness," continues Rajan. Microdosing first hit headlines after Steve Jobs' passed away in 2011, when a number of inspiring tales on how LSD became the new go-to substance for enhanced performance by tech employees hit the net. Espresso became passé. 'Flow states' were the new yoga. While Jobs did more than just microdose (he was known to have gone all the way), Silicon Valley techies are reportedly doing acid in quantities such that their effects are 'sub-perceptual', where you won't "see stuff" but you harness its "positive" effects.

A dropper with CBD cannabis oil, used for medicinal purposes. Initial research in the area has shown that patients can reap the benefits without its full-blown 'high' effects

Paul Austin, founder of The Third Wave, where you will find a manifesto on microdosing, defines it as, "the act of integrating sub-perceptual doses of psychedelics, such as LSD or Psilocybin Mushrooms, into your weekly routine for higher levels of creativity, more energy, increased focus, and improved relational skills." The Third Wave, according to Austin, follows the first two waves, in which psychedelics were used indigenously for thousands of years, and then, in the 60s and 70s, when they were a part of American counterculture. Austin writes that The Third Wave is upon us, "brought about by recent developments in cannabis legalisation and psychedelic research — and it will change the way mainstream culture perceives psychedelic use."

Classically acid, now weed
For Rajan, however, it wasn't sub-perceptual Silicon Valley that got him to ration his 100 mics stamps, each of which costs about R2,000. It was simply a matter of demand and supply. Mumbai had better stuff than Kolkata, and more availability. Microdosing has classically been associated with LSD, but now has been extended to cannabis as well. Austin's website has guided instructions for microdosing on nine drugs, including cannabis and ayahuasca. Mumbai-based communications officer Varna Kumar*, 25, smokes a mandatory post-work joint every night in order to cope with anxiety and panic attacks. "I feel I have worked enough through the day, without much time to understand what I am going through. At night, when I am by myself, I smoke a small joint to achieve REM sleep," she says. The joint, a mix of two strains, sativa and indica, help her body relax. It makes her anxiety seem defeatable, is how she describes it. Her counsellor, who also smokes up, has not advocated this as a coping mechanism. "It's different from when I am smoking up recreationally during the weekend or when I am away on a vacation. I will do three to four joints when I have nothing to take care of," she says.

Rajan doesn't buy it. He offers an example that may be best contemplated upon or contested by those who have done both LSD and cannabis. "With weed, you are either stoned, or you are not. You will need to smoke up as soon as the high wears off. When you get stoned, your mind becomes passive. But, microdosing on LSD allows you to be calm enough to multitask, allowing a lot of information to be funnelled into your brain easily. You are alert, you are awake," he says, adding, "What is LSD all about? When you start tripping, you see a shift in perspective." You need not agree with Rajan, as he himself says, "We are all chemical reactions", with each of us reacting differently to drugs.

Covert, not convenient
Microdosing will often be compared to that hard-earned and well-deserved one drink after work hours. It's nothing like that, microdosers will tell you, and so will psychiatrists and rehab therapists. For one, microdosing has none of the ease of getting a drink at your favourite pub. You will be persecuted in your search for your creative spell or a calmer mind. Next, it's not even like getting a drug prescription that your GP advises you to have for the course of a fortnight. Kumar and Rajan know it all too well. Microdosing means self-experimentation, knowing when you are crossing the threshold into recreational high dosages. Cannabis, for instance, is best microdosed through edibles, like space brownies, which are available legally in some parts of the world. It's probably the reason why microdosing is yet to take on Silicon Valley proportions in India. "Here, we don't often get to know what strain of cannabis we are using, or where it is sourced from," says Kumar. Saying "this stuff is craazzyy" is, therefore, not enough if you want to microdose. "If you are living with family, it's hard to make edibles. All this means that the convenience factor associated with a drink is not the same with this covert process," she adds.

The idea of the junkie, with matted hair and piercings, is a stereotype that microdosing is replacing. It's no longer cool to be a junkie, especially in the vegan-conscious, gluten-free, aerial yoga health lifestyle that we are seeing around us. Microdosing may be the most metrosexual among the various kinds of drug use, and it carries the allure of high-performance and alleviation of mental health issues, with published studies to back these up. But doctors and psychiatrists are warning us about the glamourisation of microdosing, even as research to mainstream it for mental health is going on. Psychiatrist Dr Samir Parikh says, "Microdosing encourages the thought process that you need a drug for enhanced performance or better creativity or to calm your nerves. This will mean that students microdose before exams, athletes before a run, couples before a wedding, and the next thing you know, because someone has to attend a birthday bash. There is no end to important situations in life. We are making people believe that a student could have scored an additional five marks in an exam had she just microdosed. Can you imagine the perils of this philosophy?" he says. He backs this up with the number of risks associated with prolonged drug abuse, such as a permanent change in brain circuitry, cerebrovascular diseases, and panic attacks.

Then there are those who will argue that moderation as 'one-drink-a-day' is more addictive than the weekend drunken revelry. Is addiction, even in microdoses, still addiction, where the brain searches for rewards compulsively? Kumar disagrees. "Microdosing is the difference between dependence and addiction. For example, I am dependent on a cab to take me to the station. Can I get through my day without it? Can I walk to the station? Yes, I can. That's what microdosing is. I can get through my day without a joint, but a joint just makes it a little easier," she says.Psychiatrist Dr Yusuf Merchant, who runs a rehabilitation centre at Kalyan, says microdoses pose the risk of turning into overdoses. "With any drug, the body learns to metabolise it faster. Which means, that the quantity for a microdose will keep increasing and your hold on reality will keep getting more tangential."

Rajan himself admits to a 'bad trip'. LSD users will tell you that recreational doses are best done in settings that you feel comfortable in, to enjoy, or cope, with the hallucinations. With microdosing, you are headed into your office or your studio to function better. Rajan had once taken more than a microdose, leading him to have a panic attack, the kind where he couldn't even see his hands. The golden rule, he says, is that if you don't go on a full trip, you will never know what a microdose is.

That ailing pain
The push for microdosing is coming from a quarter where its future seems to be most secured — pain management. Mumbai-based homemaker Susheela Kamath*, 48, was diagnosed with stage II breast cancer a couple of years ago, and having undergone nearly a year's worth of chemotherapy and radiation, the accompanying pain and nausea, were all too real. Her daughter provided her with high-grade hash oil. The dealer provided her with a tiny spoon, the kind that you are handed inflight to stir your coffee with. "I had to initially understand, through a lot of trial and error, by gauging my mother's mood, on what a microdose for her would be. Hash oil is very potent," says the daughter.

A little drop of it on her toast every day, helped Kamath cope with pain. "From the third day to the tenth day after chemotherapy, my mother would have about three to four spoons a day, and, on other days, just half a spoon," says the daughter. Coping with the pain meant she could do more during her day, and also have an appetite. Now, months after she has wound up chemotherapy and radiation, she has bid adieu to the prescription drugs that came along with it, and the hash oil as well, without yearning for that high. Unfortunately, unlike medical grade marijuana that is available in some countries, and still not permitted in India, the daughter did not know if the oil had cannabidiol (CBD), which gives marijuana its medical properties, or tetrahydrocannabinol (THC) which gives you the "high".

Dr Kailash Kothari, interventional spine and pain management specialist at Fortis Hospital, Mulund, says that there is not enough evidence to either prove or disprove that microdosing on cannabis can help with pain management, the way opioids, such as morphine, act on the nervous system. "Do cannabinoids work like tranquilisers or do they have long-term effect? There is not enough research as of now," he says, adding, "Getting dependent on these takes a lot of time and not something that can happen in about 15 days of use." In the meanwhile, you can enjoy a night of quiet or a better track on Soundcloud by rationing your stash. But, is it short-term solace or long-term abuse?

*All names have been changed on request to protect identity

Stretching from the imposing skyrises of Colaba and Malabar Hill to the fishermen's colonies in Worli, the prestigious VVIP Mumbai South Lok Sabha constituency is the richest in the country making it a high-stakes affair for the two main contestants - Shiv Sena sitting MP Arvind G. Sawant and rival Milind M. Deora of the Congress.

Despite being wealthy, the constituency is barely 'generous' in exercising its franchise - it was way back in 1967, when George Fernandes won on a single point agenda of providing sufficient water supply to all, that 67.42 per cent electorate voted.

Again in 1991, the voting percentage plummeted to an abysmal 38.65, giving credence to the belief that people in high-rises remain indifferent to the political process. But in 2014 the percentage went up to a modest 52.48.

The population of Mumbai South is approximately 20 lakh and the voter strength is 14,85,846 including 15 per cent of some of the country's richest, a large 70 per cent dollop of middle-class and a sprinkling of 15 per cent eking out an existence in slums in what is one of the few fully urbanized constituencies of India.

Unconcerned by the turnout figures, Shiv Sena's Sawant exudes is optimistic of winning again.

"I am the voice of the masses and the classes. I have been present whenever and wherever I was needed in the past five years," Sawant told IANS.

On his rival Deora, he shot back: "Where was he for the past four years and nine months? This is what commoners and business community ask me. It is my work for all sections and my contacts with the masses that will decide the election."

Though incommunicado despite repeated attempts by IANS, the former Union Minister Deora has remained unflustered by the opposition barbs.

After all, in a political-corporate coup of sorts, last fortnight, he secured the open support of key players from India Inc, sending panic waves in the ruling Bharatiya Janata Party-Sena combine.

Ranked as one of the most cosmopolitan constituencies, Mumbai South is beset with many problems that have remained unresolved over the years.

"There are hundreds of old buildings, ancient sewage lines, house gullies, traffic congestion and slum pockets in Darukhana, BPT, Colaba and Worli which are of great concern," Waris Pathan, All India Majlis-e-Ittehadul Muslimeen's sole Mumbai MLA, told IANS.

Though there is the ambitious Coastal Road project coming up, Patyan says "a lot will depend on its implementation, or it will be disastrous for the entire city".

Besides, there is the gnawing problem of security in the region which has witnessed two of the worst terror strikes in the country - the 1993 serial bomb blasts and the 2008 terror strikes.

Not surprising, since this constituency is home to the country's most affluent business districts which contribute hugely to the national exchequer, some of the poshest residential complexes, Indian and foreign banks, and national and international firms are headquartered here.

There are also offices of global corporates, airlines, embassies, luxury hotels, swanky restaurants and pubs, global tourist attractions, open shopping plazas, malls and multiplexes, reputed schools, colleges, an array of heritage buildings, the official residences of Maharashtra Governor, Chief Minister, the Chief Justice of Bombay High Court and other judges, the Legislature and the Mantralaya.

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Mumbai: Bollywood actor Kangana Ranaut has said Indians were, in the past, enslaved by an 'Italian government', in a veiled jibe at the Congress party. The 32-year-old, while speaking to reporters after casting her vote at a polling station in Khar area in Mumbai on Monday, said, "This (polling day) is a very important day for us, it comes only once in five years. I feel India is gaining independence today in real sense. Earlier, Indians were slaves of British, Mughal and Italian governments. Please exercise your Swaraj (independence) and vote."

The 'Italian government' remark is an apparent reference to UPA chairperson Sonia Gandhi, who was born and raised in Italy. Gandhi was the president of the Congress party for nearly two decades before handing over responsibilities to her son Rahul Gandhi in December 2017. Kangana went on to say that the situation that prevailed in the country was the worst during Congress' government at the Centre.

"The political leaders used to chill in London and the country used to suffer from an array of issues like poverty, pollution, rapes etc. The situation in our country was worst when Congress was in power. Now that our time has come, we should vote in large numbers," she added.

Polling was held on Monday for 72 seats across nine states including five seats in Bihar, one in Jammu and Kashmir, three in Jharkhand, six each in Madhya Pradesh and Odisha, 13 each in Rajasthan and Uttar Pradesh, eight in West Bengal and 17 in Maharashtra. An overall voter turnout of 64.05 per cent was registered in the fourth phase of polling. Seven-phase elections will end on May 19, and results will be declared on May 23.

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Haitham with Shah Rukh Khan on the sets of Dil Hai Hindustani where the two sang SRK’s chartbuster Jabra Fan

When we meet Haitham Mohammed Rafi inside the dimly-lit sets of a popular music reality show, he stands out from those sitting beside him. The white of his traditional dishdasha and the colourful turban — called the massar — make him look like an anomaly. The 23-year-old appears to be closely observing his fellow singer — a girl half his age — who is on stage and singing the famous DDLJ-towel song, 'Mere Khwabon Mein Jo Aaye,' when we raise our hand and call for his attention. There is instant recognition.

"Wallah!" he yells out in Arabic. "How come, you here?" he goes on, in his Middle-Eastern accent.

It has been three years since we first met Haitham. The last time it was in his hometown Muscat, the capital city of the Sultanate of Oman. "I will sing in Bollywood, someday, Inshallah!" he had then rapped, much to the amusement of this correspondent. At the time, we had wished him luck, without mocking his expectations or pointing out the risks.

Last week, when a video of filmmaker Karan Johar sitting in stunned silence after Haitham’s performance of Naina Thag Lenge, went viral on Arab social media, this writer was glad she had kept mum then.

Haitham, an Omani national, has just made it in the final 11 of the first season of music reality show Dil Hai Hindustani. Being an Arab, has only worked in his favour. For the judges, Johar, Badshah, Shalmali Kholgade and Shekhar Ravjiani (of Vishal-Shekhar fame), the first question on their mind was, “Can an Arab sing in Hindi?”

"Okay, maybe!" "But, that good!"

"I have Mohammed Rafi’s blessings," Haitham jokes. Not like, we hadn’t been meaning to ask him the story behind his namesake. Haitham al Balushi takes his middle name, Mohammed Rafi, from his father, who was surprisingly christened by the veteran Hindi singer himself. "Though Omani, my grandfather was a huge fan of Mohammed Rafi," he recounts. “When my father was born, Rafi saab was performing in Bahrain. My grandfather, who was working there, went for the show and managed to have a quick chat with him backstage," he says, adding, “He told Rafi saab, I want you to name my newborn.” The rest, as the Balushi family recalls, is history.

Until seven months ago, Haitham worked as a personal banker with a leading national bank in Muscat. “It was so boring. I hated going to work...it was suffocating," he says. Unable to take it anymore, Haitham put in his papers, and ferociously started looking for opportunities to sing. "I wanted to pursue my passion," he says. We ask him what that is? And, pat comes the reply, "I want to become the first Arab playback singer and composer in Bollywood." Haitham has been harbouring that dream since he was 11.

In Oman, Haitham says, there is no concept of vocal training. "If you're a good singer, you're a good singer." His only source of Bollywood music was audiocassettes and CDs as a child, and later YouTube. "So, when I told my Omani friends that I wanted to become a singer, they laughed. They said, 'You can’t make it big in India…it is so tough'."

On an Indian friend’s advise, he started listening to a lot of ghazals. "I was told that it would help me get my nuances and accent right," he says. His favourite ghazal singers are Jagjit Singh and Rahat Fateh Ali Khan. But, that's how Haitham’s Bollywood dreams first took flight.

In 2012, he became the first Omani to win Muscat Idol, which sees participants mostly from the Indian Diaspora. From there on, due to dearth of a great body of work, Haitham started composing music for Omani TV shows. “But, I realised that I wasn’t enjoying Arabic music. Each time, I sang in Hindi, I was happier,” he says. Of the 500 songs he has composed, 450 were in Hindi. “My mum knew I wasn’t meant for Oman. So, she kept pushing me to try my luck at Indian reality shows,” he says. He tried thrice and failed. The fourth time, he decided to think practically and opted for 'The Voice Ahla Sawt', the Arabic version of the international music show. “Even there, I could not fit in,” he says. This December, after five years of working towards his dream, he got the call. And, that too, from India.

Here, he is still just another contender at the show. But, back home, things have changed for Haitham. After a video of his performance went viral, Omanis in Muscat, who he claims love Hindi cinema, have gone into an overdrive. “I’ve already signed 13 shows in Muscat and Dubai,” he says. “My friends are buying the Indian digital channels, just to watch my show.”

"I think it's a proud moment for my country," Haitham says. Just as we end, he gets his cellphone out, and shows us a photograph of his, clicked with Shah Rukh Khan, where the two are facing each other, striking the latter's signature pose. “India has already opened its arms to me," he gushes.

Why Cheat India
U/A: Drama Satire
Director: Soumik Sen
Cast: Emraan Hashmi, Shreya Dhanwanthary
Rating:

The 'curse of the second half' in Hindi pictures is simply so severe, especially when it comes to films with well-known faces, that even as I find myself really enjoying a movie, there's a radar at the back of the brain constantly cautioning one to only hope that the post-interval portions even live up to the first half — by half. If so, then as an audience, you're pretty much through.

Is this movie an exception in that regard? Well, it eventually starts descending to such levels of random, thoughtless spinning of the yarn that by the end of it you're not even too sure it's the same film that you had started with in the first place. And hell yeah, it begins really well, what with highlighting the academic strains of being a teenaged 'padhaku' kid, Sattu (the boy's so brilliantly cast), in a lower-middle class family in Lucknow, coaxed into cracking a coveted engineering entrance exam (they don't call it IIT for some reason). For, how else does the father who's invested all his money into his child's supposed dream see his pension scheme through?

The film shines much-needed light on a common Indian teenaged nightmare, as sincerely presented in stand-up comedian Biswa Kalyan Rath's rather under-rated Amazon Prime series, Laakhon Mein Ek (2018). While sticking to searing realism — getting its time-setting, the year 1998 right, down to baggy trousers, and Force 10 type sneakers — the filmmakers manage to give the hero, Emraan Hashmi, a filmy sort of entry, smartly slipping in a soothing ballad, as well. Well done!

Hashmi plays a one-man racketeer who sneaks in smart kids, with counterfeit hall tickets, to max entrance tests on behalf of rich children, sitting at home, paying their way to top colleges as a result. You sort of know where the film might be going with this. And, maybe, that's the problem. Proxy contestants at overcrowded competitive exams for key educational institutions, where even well-prepared students wait for Godot to get in, is a huge multi-crore, organised industry, involving a system wholly corrupted, from top to bottom. Technology would have plugged some of the holes already; one's unaware to what extent.

If you haven't heard as much about this underworld, one should legitimately blame the news media for it — particularly in the case of the 2013 Vyapam (Madhya Pradesh Professional Examination Board) Scam, for instance, where close to 40 people, most of them whistleblowers, have mysteriously died, while the investigations are still on (or not quite) —but largely under-reported in the mainstream press.

And I thought this is what the film could be about — unearthing an earth-shaking scandal that should ideally knock you off your head. But, no, this is a film that attempts to combine strong commentary on the education/examination system, with a high-paced, heist thriller, with belaboured twists and turns, while trying to balance all of it with the urban slickness and high-life that Hashmi's inevitably romantically inclined, unscrupulous characters aspire for, and achieve, in his typical capers.

Watch Why Cheat India Trailer

So whatever fault you may find in the film possibly exists in the story/script to start with. And perhaps the reason is Hashmi himself, for he can't help but get on the big screen with strong baggage of the sort of flicks that have made him the star he is. The audience is obviously to blame for it, and the fact that Hashmi remains still an under-rated actor, because he is hardly commercially lauded for parts where he wholly goes off the beaten path — Dibakar Banerjee's Shanghai (2012), I'm told, tanked; Danis Tanovic's Tigers (2018) went straight to OTT (Zee 5), both being his career's best works.

And so he goes back to being himself: the trademarked flawed hero, who eventually justifies his wily actions as a natural outcome of a multiple-choice, rote-learning system that gives very few kids a choice beyond acing it to get ahead. How a scamster like his character is the solution still, and not the issue, is beyond me. Have to say though, what the audience will empathise with is the fact that far too few fine courses/colleges exist for far too many desi children: a progressively massive problem staring us in the face and an even uglier future. This affects everyone. To be fair, the government is just as clueless on how to deal with it as this totally confusing 'pop-con' pic.

Also read: Emraan Hashmi: Change of Cheat India title is illogical, ridiculous

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India post – a subsidiary of the Ministry of Communications – stepped in to help the residents of Madh Island, after a report in mid-day highlighted their plight regarding cash. They had been plagued by dysfunctional ATMs since the national lockdown was announced due to the COVID-19 pandemic. But very few transactions were successful, since most residents didn't have their active mobile numbers linked to their Aadhaar cards — which is a must for availing the service.

After reading mid-day's April 26 report, India Post sent a team of three postmen to the area on Monday, to provide door-to-door cash withdrawal services — at no extra charge — via their mobile phones. Using their government-authorised mobile phones, these postmen helped residents withdraw money from their bank accounts and handed the cash to them—provided their bank accounts and active mobile phone numbers were linked to their Aadhaar accounts. Although a handful of residents were able to carry out successful transactions, a majority of residents could not avail the service since either their active phone numbers were not linked to their Aadhaar cards or their bank accounts.

One postman = 1 micro ATM
Speaking to mid-day, Saranya U, senior superintendent of Post Office of Mumbai North Division (under whose jurisdiction Madh Island falls), said that each of the postmen deployed for this service is equipped with government-approved mobile phones that are pre-loaded with the India Post Payment Bank (IPPB), as well as a biometric scan device that can be connected to the mobile phone. "For us, each postman acts like a micro ATM. Using their mobile phones, each of them could enable people to withdraw up to R50,000 from their bank accounts," she said. This limit was extended from R10,000 to R50,000 in the light of the COVID-19 situation.

She explained that a person had to simply run their biometric fingerprint scan through the device connected to the postman's mobile phone (Aadhaar requires thumbprints to cross-confirm). "If a bank account has been linked to the Aadhaar account, then money can be withdrawn from that account. The person's current active mobile number is also required since an OTP will be sent to it. Another step also includes authenticity confirmation from UIDAI," she said.

If all these criteria are fulfilled, people can withdraw money from the comfort of their homes. "However, we were able to distribute only R11,000 in total because most people either don't have their Aadhaar or active mobile numbers linked to their bank accounts. We carried out a total of 25 transactions, but only 4 of them were successful," said Saranya, adding that India Post's door-to-door cash withdrawal service is more popular in rural areas.

'It was easy'
India Post also reached out to Manisha Suryavanshi, a resident who is disabled with polio in a leg, and was mentioned in the mid-day report. "I was surprised to see them. They ran me through the entire process… and I got the amount instantly in my hands. I also received a debit message on my mobile phone…it was easy and we were not charged for the service," she said.

4
No. of successful transactions

25
No. of total transactions attempted

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When speaking of Indian mythology, the focus is on the stories, symbols and rituals of major religions such as Buddhism, Jainism and Hinduism. We ignore the mythologies of the various tribal communities of India, who have lived in the subcontinent long before the arrival of Aryan migrants. Their stories are fascinating.
The Santals found in Bengal, Odisha and Jharkhand speak of how humans emerged from the egg of a goose and a gander, created by the gods, which included the High God, Thakur-Dev, the smaller spirits known as Bongas. In the beginning, they say the whole world was water, until the earthworms collected earth and placed it on the back of a turtle. Did this story inspire the Hindu idea of the earth on a turtle upheld by elephants?

The Korkus, scattered across the states of Madhya Pradesh and Maharashtra, tell the story of a deer pursued by their ancestors that disappeared in a mountain cave. While waiting outside the cave, they were met by an ascetic, who gave them some rice to eat. The ascetic then introduced himself as Shiva and asked them to permanently settle down as farmers, not hunters. Another story recounts how Ravana strayed into the scenic but unpopulated forests. When he prayed to Shiva to populate those forests with people, Shiva directed his messenger, the crow, Kageshwar, to collect red soil from the hilly region. Shiva made two statues from the soil, of a man and a woman. However, before Shiva could infuse them with life, an angry Indra got his horses to destroy the statues. This, in turn, angered Shiva, who made two dogs out of the red soil, infused them with life and drove Indra's horses away. Shiva then remade the two human statues and infused life into them. Known as Moola and Moolis, they are the ancestors of the Korku tribe. The Korku worship Shiva, Ravana and the dog. And the driving away of Indra does allude to some rejection of 'civilised' Aryans, though Shiva himself is a Vedic god.

The Baigas are a tribe dispersed across Madhya Pradesh. They say that in the beginning, there was only water all around and no land. Then, Brahma made land in the midst of the water. Immediately, two people emerged from the land—one a brahman and the other a sadhu Naga Baiga. Brahma gave the brahmin some paper to start studying and writing. He gave the Baiga a tangiya, or a sickle. He also gave the Baiga some kodo and kutki grains and ordered him to start farming. From that day on, the Baigas have been farming, while brahmins focussed on getting educated.

Because there are over 500 tribes in India, and each one has a unique mythology, their mythology is often ignored when studying wider trends and patterns. They are often seen as being simpler, etiological (explaining causes), sometimes proto-history, but rarely having deep psychological insight. This could be the prejudice of the researcher or simply the nature of tribes, where the focus is less on introspection and more on ritual rhythms of life. It is easy to see the influence of Hindu lore on tribal mythologies, but the reverse flow is also true.

Stories of boars raising earth from the bottom of the sea found in Vedas could very well have tribal origins.

The author writes and lectures on the relevance of mythology in modern times. Reach him at devdutt.pattanaik@mid-day.com

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For a few days now, this paper has been reporting about Indians who have been stranded overseas and are unable to fly out to their home country because of the lockdown.

India now has a plan in place to bring back lakhs of Indians stranded overseas. The evacuation aircraft will be bringing Indians back from overseas today. For many, their ordeal may thankfully be ending. For others who have not got that much-awaited call from Indian Commissions overseas, it is still wait and hope for the best.

mid-day had reported about an older couple from Mazagaon, who are stranded in New Jersey, because of the lockdown. They were finding it very expensive to continue living in the USA, and to compound problems, finding medication was difficult too.

An entrepreneur from Mumbai has been stranded in Nepal. A family of four from Dahisar has been marooned in Sri Lanka, and have very similar problems to that of the New Jersey couple. There are several seafarers from Tamil Nadu in Sri Lanka begging to come home.

One does understand governmental constraints and all the difficulties of managing a mammoth population.

Yet, it would be good if High Commission officials at least make themselves available to answer queries.

If there are genuine problems like acquiring life-saving or absolutely necessary medication, our officials need to see how Indians can procure these, so that they are at least out of that predicament, which seems very dire. What they need most is the reassurance that they are counted, their fate matters and that they will be evacuated in the end. People are struggling in foreign lands, many extremely lonely and living on little more than hopes and prayers, the authorities must demonstrate that they are there and they care.

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Pooja Sudhir's search for a signature scent ended after graduation. She moved from deodorants to body mists and was finally looking to mature into a perfume user, when she found a scent with musky notes that she instantly liked. "The counter manager rushed to me, saying, 'But, ma'am, this is for men.' I think that's where it all started," she says about her fascination for unisex perfumes. Sudhir, an educator with DSB International School, now oscillates between the male fragrances put out by Body Shop, M&S and Titan Skinn.

Pic/Getty Images

A scent is considered unisex when it uses traditionally masculine notes like leather, smoke and wood, but is meant to be worn by both men and women. Historically, women's fragrances have carried floral or fruity notes. "I have often wondered why female perfumes are gentle and mellow, and almost always with a floral base," Sudhir, 32, says.
The gender stereotyping of scents she is alluding to could in fact, be a product of marketing and not so much about preference.

Educator Pooja Sudhir wonders why female scents are distinguished by floral notes only

The head of communications for Forest Essentials', an indigenous beauty brand with foundations in Ayurveda, says it has little to do with nature telling us what we should or shouldn't wear. "Fragrances are best chosen depending on mood, occasion, seasonality, and your personality rather than gender." Their best-selling body mists are proof. They tend to include oud, Kerala lime or vetiver. "For us, choosing the oud and green tea combination was less about gender and more about picking ingredients that are inherently Indian. That these fragrances have male and female appeal is an added advantage."

Gaurav and Jahnvi

Jahnvi Lakhota Nandan heads The Perfume Library, a four-year-old boutique label that operates from New Delhi and Paris. She speaks of the 30 gender-fluid scents that both, men and women have been seen to pick up. "For instance, the Aphtoori perfume combines notes of jasmine and cigar, and it is our fastest selling among women," she says. Nandan's friendship with designer Gaurav Gupta has propelled a collaboration that's now sealed in a bottle. Gupta launched AGAIN, his debut unisex scent last week, one with zero floral tones. "It [decision to launch a unisex scent] was a no brainer. I am gender-fluid by personality, and I don't see the world in slots. Gender divides are more to do with social conditioning."

The just-launched fragrance, AGAIN

Manan Gandhi, the head of Bombay Perfumery, a-young-but-talked-about fragrance house from the city, would agree. Musk is not only for men, he asserts. Chai Musk, one of his best performing perfumes, blends sandalwood, ginger, lemongrass and musk. Of the eight fragrances he currently offers, two are unisex. "Women are not particularly concerned about female-specific infusions. They look for natural ingredients, intensity and retention. They prefer a scent that lasts," Gandhi explains. Internationally, the unisex beauty concept raged in the 1990s when Calvin Klein launched CK One and Comme des Garçons introduced its eponymous fragrance. It was the big, disruptive idea from 27-years ago.

1020 is one of two unisex scents by Bombay Perfumery

In 2017, fashion continues to champion the genderless idea, whether in clothes or fragrance, and the user is more keen to find an intimate perfume story to participate in than be slotted in grooves. Tom Ford, Chanel, Kiehl's, L'Occitane and the homebred Kama are all part of the gender-neutral narrative in India.

Ahsan Hami doesn't quite get the debate over male and female in the world of scents. "It may be a talking point internationally, but in India, we have always patronised unisex scents. All attars are unisex, and India is one of its earliest manufacturers," he says of a tradition that dates back to the Mughal times. His store, A Hami Bros, on the chaotic Mohammad Ali Road, was established in 1939.

The shelves don't hold "for men" and "for women" labelled bottles. Vetiver, an earthy scent, is usually associated with masculine fragrances, but Hami says his experience has proven that its deep notes and instant cooling effects make it a favourite with his women customers, along with smoky oud. He says, "We don't need international trends telling us unisex perfumes are cool. We've known it for 500 years."

India is riding the fashionable wave inspired by Bollywood as 2017 saw movie buffs buying trends inspired by their favourite stars online, says an annual fashion report by e-commerce site Flipkart. The latest findings and trends of 2017 by Flipkart Fashion saw shoppers getting their hands on trendy outfits inspired by Bollywood.

According to the findings, Alia Bhatt, Varun Dhawan starrer "Badrinath Ki Dulhania"; Aditya Roy Kapoor, Shraddha Kapoor starrer "Ok Jaanu"; Arjun Kapoor, Shraddha starrer "Half Girlfriend"; Vidya Balan starrer "Tumhari Sulu"; Salman Khan starrer "Tubelight" and Kangana Ranaut starrer "Simran" ruled the fashion sense of the millenials.

According to Flipkart fashion report, Alia Bhatt's latest hit became the fashion guide for Indian outfits in 2017. Her style statement in the movie refreshed shopper's style quotient by purchasing cold shoulder cholis, bandhani lehenga skirts and jhumkas donned by her in the movie, said a statement. Flipkart sold thousands of jhumkas and bandhani skirts within the first month of the movie's release. The first week alone saw the sales of 2,500 plus pairs.

Shraddha made a popular fashion statement of embroidered shorts and skirts in the remake of the iconic Rahman classic "Humma Humma" in "Ok Jaanu". She again made fashion trend with skater dresses, off shoulder tops and layered looks in "Half Girlfriend". From silks to Kanjeevarams to georgettes and crepes, Vidya has always shown her love for the sari. In "Tumhari Sulu", the actress created trends again with people buying saris inspired by her looks. Smaller cities like Bhopal, Chandigarh, Nagpur and Indore shopped for the Vidya Balan look.

Another fashion trend that hit the country was the Kangana-inspired red dress from the movie "Simran". Also men's fashion wasn't far behind as Salman Khan's look with the brown shoes hanging around his neck in "Tubelight" created a lot of buzz making fans wanting to get their hands on a pair at the earliest. The brown shoes topped men's footwear search across cities for two weeks on Flipkart after the movie released.

Except for the headline, the story has not been edited by mid-day online. This story is taken from a syndicated feed & is published on AS IS basis.

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Veteran Indian goalkeeper PR Sreejesh has been left disappointed with the postponement of Tokyo Olympic Games due to the Coronavirus pandemic which has wreaked havoc across the world. India last won a gold in Hockey in 1980 in Moscow Olympics. Since then, they have participated in eight Olympic editions but have failed to make a podium finish. And after qualifying for the Tokyo Games, the team was in high spirits and were looking forward to end the medal drought.

However, their dream remains unfulfilled for now as the International Olympic Committee has postponed the Games to summer 2021. "It's disappointing that the Olympics has been postponed. We have been focussing only on the Olympics in the last one year. We qualified for the Olympics and started very well at the FIH Hockey Pro League, but then the COVID-19 crisis began and everything changed," Sreejesh said.

"But though it is disappointing that the Games are delayed, when you take the health and safety of the players into consideration, the best thing to do is to postpone the Games instead of cancelling it," he added.

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Uncertainty is so intrinsic to sports that elite athletes will not have much trouble coping up with a pandemic-forced lockdown, feel India's top sports psychologists as they become a part of their journey into an unchartered territory. Rocked by the COVID-19 pandemic, which has impacted minds as much as health and productivity, sports pyshologists Dr Chaitanya Sridhar, Nanaki J Chadha, and Keerthana Swaminathan are dealing with athletes across disciplines and economic spectrum, being their "sounding board, friend" and enabling them to process the magnitude of the situation.

"When you are dealing with athletes, you can broadly divide them in three categories—the elite, the ones who are at national level aspiring to make it and the next group is academy bunch. The reaction to lockdown will be different," said Dr Sridhar, who is associated with JSW Sports and has worked with GoSports Foundation and IPL franchise RCB.

For performance analyst and sports psychologist Nanaki, this is the time when "you help them steer clear of negative thoughts." For Keerthana, there is light at the end of the tunnel where a lot of athletes, who probably had injuries or may have been going through slump in form, get a chance to "recuperate both physically and emotionally" in the time away from sport.

But yes, there is also the disappointed lot, which was hitting the peak in what was to be an Olympic year. "As a psychologist, it breaks my heart to see those who were really peaking before the big tournament. They are the ones likely to be disappointed more. But I am a big believer in Rahul Dravid's statement: 'Control the controllables'."

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Legendary shooter Abhinav Bindra believes once the coronavirus pandemic subsides, it could be a blessing in disguise for Indian sports due to absence of much foreign exposure. "The post-COVID-19 world could be a blessing in disguise for India. There may not be so much foreign exposure and this may allow India to build proper sporting infrastructure. We need to build our own coaches and our own support staff," Bindra said on Monday. The entire sporting calendar has come to a grinding halt across the world due to the coronavirus pandemic. Major sporting events, including Tokyo Olympics and Wimbledon, have either been postponed or cancelled.

Bindra, India's only individual Olympic gold medallist, alongwith Nandan Kamath, lawyer and managing trustee GoSports Foundation, on Monday addressed the newly-appointed assistant directors and other senior officials of Sports Authority of India (SAI) during a special session. Bindra said that as sports administrators they need to work towards creating an alternate skill development programme for athletes to ensure their well-being in the long run.

"We need to look after athletes because the very nature of sport is that more will fail than succeed. It is important that athletes have backup plans in case their sports career doesn't work out," he pointed out. Bindra further said that sports administrators need to understand the psychology of an athlete to be able to build them up because athletes pass through different phases because of the nature of sport and the probability of failure.

"An expert can give a larger overview of the various elements that go into sporting performance and that's where you will understand where performance is built and what are the various elements that go into performance and then you will start to have a better and deeper understanding of where performance is built. Results at a competition cannot be the only denominator when planning for an Olympic Games or an Asian Games," he added.

Bindra spoke at length on his experience as an athlete and also on the future of sports in India. "The one per cent (of athletes) makes all the difference in sport, and as our sports ecosystem starts maturing, we need to start focussing on that one percent for all athletes," he said.

Stressing on the need to build a strong talent identification and nurturing programme, he added, "Getting foundations right is important, a lot of work on that has already been started with the Khelo India programme and also emphasis placed on junior programme of different sports.

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Bajrang Punia, World silver-medallist wrestler

Wrestling is a contact sport. When wrestling will resume, there is no way you can avoid physical contact. But I don't think there would be any hesitation. I don't see any change happening.

Sachin Tendulkar, cricket legend

Players will be wary for some time when it comes to using saliva [to shine the ball]. High fives and hugging your teammates will be avoided for some time. They will be conscious to begin with and may maintain social distancing.

Vijender Singh, India's only male boxer to win an Olympic medal

Athletes will be more cautious. Certainly, training abroad won't be all that easy. Less tournaments will happen and whenever they happen, I am not sure what the participation would be like.

Joshna Chinappa, Top squash player

I think I will have to be extra careful on flights as those are the main transporters of germs around the world. My first instinct after the game is to shake hands with the opponent but now things might change there also.

Bhaichung Bhutia, Former India football captain

Sports events will gradually come back to what they were before and can be held behind closed doors for now. Till the time a vaccine is out, I don't think they can have people inside as it involves a lot of risk.

Mahesh Bhupathi, Multiple-time Grand Slam winning former tennis player

Sport won't change. Things will be normal once COVID-19 goes away.

Abhinav Bindra, India's only individual Olympic gold-medallist

The post-COVID-19 world could be a blessing in disguise for India. There may not be so much foreign exposure and this may allow India to build proper sporting infrastructure.

MC Mary Kom, Six-time world champion and Olympic bronze-medallist

Once a vaccine is developed, things can go back to how they were before but until then, travelling will be less frequent, training will not exactly be a team thing and tournaments, I don't know how they will resume.

Text:PTI

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National rowing coach Bajrang Lal Takhar, 39, wants India's ace rowers, Sawarn Singh and Dattu Bhokanal to make the most of the Coronavirus-caused lockdown by working on their mental toughness.

Takhar, the first to win an Asian Games individual gold [Guangzhou 2010], is keen that the duo fine-tune their technique and emerge mentally stronger when the lockdown is over.

"Dattu performed well at the Rio Games in 2016 [finishing 13th in men's single sculls] in his maiden Olympics. Sawarn is also a good rower. My advice to them is to become mentally strong if we want to win at the Olympics. At the top level, there is not much to differentiate in terms of physical fitness. Being mentally strong can make a huge difference. They [Sawarn and Bhokanal] also need to work on their technique," Takhar, who has been guiding the rowers via video conferencing from his hometown in Maganpur, Rajasthan, told mid-day on Monday.

Meanwhile, Takhar urged patience from those expecting a rowing medal at the Tokyo Olympics. "They [Sawarn and Bhokanal] will surely qualify for the Tokyo Games. They will make it to the final as well, but we may have to wait for another Olympics [Paris 2024] to win a medal," felt Takhar.

Sawarn, 30, has won gold in quadruple sculls along with Bhokanal, Om Prakash and Sukhmeet Singh at the 2018 Jakarta Asian Games, while he bagged a bronze in single sculls at the Incheon Games in 2014. Bhokanal, 29, won silver in single sculls at the 2015 Asian Rowing Championships in Beijing.

Takhar has urged the Rowing Federation of India (RFI) to concentrate on rural areas if they wish to tap upcoming talent.

"The RFI needs to search for talent in rural regions. Getting physically strong people is extremely crucial to succeed in rowing. We have worked on certain plans to train aspiring players," he concluded.

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The Boxing Federation of India (BFI) asserted that the International Boxing Association (AIBA) acted in haste after the hosting rights of the 2021 men's world championship were taken away from the country for non-payment of host city fee. In a statement, AIBA handed over the championship, originally allotted to India in 2017, to Serbian capital Belgrade. The BFI acknowledged the delay in payment but blamed it on procedural complications arising out of the AIBA's failure to resolve issues with regards to the account in which the money was to be transferred.

Delay in payment

The payment of what is estimated to be USD 4 million was due to be made on December 2 last year. "After New Delhi didn't fulfill its obligations to pay host fee as mentioned in the Host City Agreement terms, AIBA has terminated the contract. Therefore, India would have to pay a cancellation penalty of USD 500," the AIBA said in a statement. The elite competition would have happened for the first time in the country.

The BFI, headed by Spicejet Airlines owner Ajay Singh, said the AIBA could not clearly tell where to transfer the money. "We have reason to believe that the decision to change the venue of WCH-2021 was taken in haste without due consultation with BFI...the penalty that is imposed is shocking and surprising. Both parties are working for an amicable solution. BFI is confident that the penalty will be waived off and we will host World Championships in future," the BFI statement read.

AIBA's account frozen

AIBA has been suspended by the International Olympic Committee (IOC) for administrative and financial mismanagement. "The AIBA account in Lausanne was frozen. The account of AIBA in Switzerland as mentioned in Host City Agreement is still inoperative. AIBA intended to have some previous payments through an account in Serbia. "As Serbia is in the Grey List of Financial Action Task Force (FATF) countries, Indian Banks do not normally send money to Serbia. AIBA could not resolve these issues," said the BFI.

"The account of AIBA in Switzerland, as mentioned in Host City Agreement, is still inoperative," it added.

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The Indian women's hockey team has raised funds to the tune of Rs 20 lakh to help in the fight against the COVID-19 pandemic.

The Indian team raised the money through an 18-day fitness challenge, which concluded on May 3 and resulted in raising Rs 20, 01,130. The funds have been donated to Delhi-based NGO Uday Foundation. The funds will be used to provide basic necessities for patients at various locations, migrant workers and slum dwellers.

"The response we have received was really overwhelming. People, especially Indian hockey lovers from across the globe took part in the challenge and contributed to the cause. "On behalf of the Indian Women Team, I would like to thank everyone who took part in this initiative to help the poor," India skipper Rani Rampal said.

The challenge involved the team members who came up with different fitness tasks that ranged from burpees, lunges, squats to spider-man pushups, pogo hops and more. Each day a player gave a new challenge and tagged 10 people on their social media handles to take up the challenge and donate Rs 100 to the fundraiser.

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Potato Chops

"Despite having lived in the city for years, not many people are even aware of the existence of this cuisine," begins Sajida Khan, founder of Culinary Craft studio, which will be the venue for a workshop on East Indian fare this weekend.

Mumbaikar Lloyd Rodrigues will conduct the session where he will teach participants how to make four East Indian dishes. The first is the Mutton Stew, which is a combination of vegetables like carrots, peas, onions and tomatoes, and mutton blended with mild spices.

The second item on the menu, shares Rodrigues, is the East Indian Potato Chops, a much-loved snack featuring crumb-coated potato mash stuffed with spiced minced meat.

"The third is a rice dish, which is colloquially referred to as Wedding Rice, since it is usually prepared as part of the East Indian wedding spread," informs Khan. The dish is akin to a pulao, and comes topped generously with fried onions and shavings of almonds and cashew nuts.

No meal is complete without dessert. And the sweet dish that participants will learn to make is a unique preparation called Letri.

Rice is a staple in the community's meals, and this dessert, too, makes use of colourful rice vermicelli mixed with generous amounts of coconut and jaggery.

Sergio Perez yesterday acknowledged that Force India faces a critical financial situation that has forced him to consider his future in Formula One. The popular Mexican driver said the Silverstone-based outfit remains one of his favoured options, but he feels he must consider other offers and hopes to clarify his thinking during Formula One's upcoming European summer break.

"At this moment, the situation is critical. There's no secret that financial problems have held the team back quite a bit. If you look at the results, we are fifth in the constructors' championship and you cannot imagine the financial issues that we've had so far.

It just shows the potential this team has. Definitely, I would like to see what happens in the coming weeks and months with the team, because I believe it is a great team," he said. "Now, during the summer break, I will have a good idea what's happening, and then I will take a decision," he added.

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Suraj Narredu astride Lady in Lace

Growing up in a racing family and watching my father (Satish) and uncle (Malesh) riding as top jockeys, shaped my destiny, and I started riding at a young age. Though record books will tell you that I climbed the ladders of success rather swiftly, no jockey can experience a real sense of fulfillment unless he wins the greatest race of them all — the Indian Derby at Mahalaxmi.

And because both, my father and uncle, had won the great race as jockeys, it was almost a question of continuing the family tradition. So it was a dream realised when I won the 2015 Indian Derby with Be Safe (trained by Malesh), who matched the record of my father, having won the big race both as jockey and trainer. Be Safe thus marked a new chapter in my career. Now I get another opportunity to have my moment in the sun. This Sunday, I will ride another, very capable Derby aspirant in Lady In Lace, trained by Prasad Raju of Hyderabad. Here's why I consider her so special.

I was on the bench with an injury when Raju sent her into the care of my trainer-brother Rajesh Narredu in Bangalore. From the sidelines, I watched her winning two races — one with an apprentice rider (M Ayyer), and the other, with jockey YS Srinath, who also went on to win two more races, including the Fillies' Championship, when she went back to Hyderabad. The trainer optimistically pitched her in the Hyderabad Derby, and in blinding rain, Prevalent Force (ridden by jockey Srinath who had switched allegiance) had to go to the bottom of the well to contain Lady In Lace.

It was a big let down for Raju. Though I had not ridden the filly yet, I felt she was high-class material. The Pune Derby was round the corner. I used my persuasive skills to convince Raju that Lady In Lace should take her chances. She was supplemented at a prohibitive cost with a late entry fee. The rest, as the saying goes, is history. Lady In Lace put up a jaw-dropping show. It was Raju's first Derby winner, and I was thrilled to be part of his team.

Later, Lady In Lace did not even break a sweat when winning the Golconda 1000 Guineas. Shapoor Mistry, a keen judge of horseflesh, opted to buy a 50% share in the filly — that's vindication of the class I always knew she had. She further confirmed my opinion about her when storming past her adversaries late in the lane in the Indian 1000 Guineas. An infection disrupted her training schedule, and she skipped the Indian Oaks. However, she was impressive in a recent mock race. I galloped her on Monday over a mile, and she could not have done better. I strongly believe Lady In Lace is peaking at the right time.

While Mira Nair's The Namesake (2006) introduced Irrfan to the art-house West as Ashoke Ganguli, there was a 2012 profile of his in The New York Times (by Kathryn Shattuck) that, he reckoned, alerted many in the Hollywood establishment to the person behind the roles he'd done thus far.

This is a couple of years after the last season of HBO series In Treatment that I recall Irrfan calling up from the US to say he was particularly proud of. And a few months before the release of Andrew Webb's franchise reboot, The Amazing Spider-Man, where he played the antagonist, Rajit Ratha.

Titled 'Bollywood Hero, American Everyman', the NYT piece went on to ask, "Could Mr Khan become the first Indian to capture the lead in a mainstream American movie?" It began with Irrfan himself declaiming, "Hollywood isn't ready for an Indian leading man." And Ang Lee later agreeing, while arguing, "But maybe he can do it for us [Asians]. He's definitely rare and very special." Irrfan was dubbing for Lee's Life Of Pi at the time.

The fact is, up until Irrfan had spent over a decade and half in Bombay, after graduating from National School of Drama (NSD), doing grunt-work on television, with shows after shows—some of them hugely popular, like Chandrakanta, Star Bestsellers, Banegi Apni Baat (that he also directed episodes of)—starting from late '80s, all through the '90s, let alone Hollywood, even Indian cinema wasn't ready for him as an Indian leading man!

That real deal happened only with the British filmmaker Asif Kapadia casting Irrfan in and as The Warrior (2001), in a slow, quiet, Himalayan Western, if you may, with his haunting eyes adding to the striking visuals. Thereon, young Kapadia scripted an Oscar-winning career as one of the world's top documentary whizzes (Senna, Amy, Diego Maradona).

Irrfan finally captured desi imagination with his inimitably insouciant, proper desi-cool turn as the rustic college goon in Tigmanshu Dhulia's Haasil (2003). A lot of local filmmakers, he said, could place him as the new villain in town. He refused a few such roles, only to mesmerise audiences even more as the obsessed lover in Vishal Bhardwaj's magical Maqbool (2004)—unreservedly a masterpiece that Bhardwaj found hard to match, leave aside with Irrfan (though Haider and 7 Khoon Maaf with the actor were decent attempts).

Thus, a star was proverbially born. Although he'd been around in Bombay all along. This is no time for rona-dhona on ways the film industry functions, while it was always a pleasure to chat about all of this, on occasion, with Irrfan. He never held back on what he felt or thought, about people and pictures.

Will never forget this one time he told me on a TV interview how embarrassed he felt watching the "aaj mere yaar ki shaadi hai" (desi-wedding type) shindig around Slumdog Millionaire (2009) at the Academy Awards stage, with Anil Kapoor over-excitedly jumping about, while he hadn't even heard of Danny Boyle before signing up for the film! Or in another interview where he complained about why Shah Rukh Khan had to play out two schizophrenically different films (one with himself all over it) in Billu (2009), with no one ending up liking either, as a result.

That's how Irrfan was, even in public — charmingly candid, but meaning no malice whatsoever, of course. Despite much that he'd been through. To be fair, just casually scan the timeline for when he moved to Bombay. This was the fallow phase when 'parallel cinema' that had inspired him to become a film actor in the first place, had altogether been phased out. Many of the filmmakers had moved to television.

Irrfan got to do the historical docu-drama Bharat Ek Khoj (1988) with Shyam Benegal. He found a chance to work with Govind Nihalani in Drishti (1990) or Basu Chatterjee in Kamla Ki Maut (1989), in the evening of their careers.

The mainstream space almost wholly consisted of action stars, and thereafter, what he called "chocolate boys". Irrfan was neither. The key issue with him as a young aspirant, he said, was to imagine who he could be like. Until Naseeruddin Shah, from the generation before him, he confessed, metaphorically showed him the way — first from Jaipur where he grew up, to NSD, in Delhi.

An abiding memory of Naseer on screen, Irrfan recalled in a TV interview, was from Umrao Jaan (1981), where he flirts with Rekha's character, who is visibly annoyed and asks what he's up to. He casually mentions, "Waqt hai toh kuch toh karein, saath (Since there's time let's do something together)."

The first time I saw Irrfan on the big screen was in an NFDC production, Fareeda Mehta's Kali Salwaar (2002), where he plays writer Saadat Hasan Manto, staring at the heroine in the balcony, from across the street. What are you up to, he asks her. "Jhak maar rahi hoon (Doing nothing)," she says. "Chalo saath mein jhak maarte hain (Let's do nothing together)," he retorts indifferently. Few have seen that film. Don't remember much of it either — impossible to erase that casually killer moment from memory.

For all the years he was altogether bored of bulk-acting on TV in Bombay, whatIrrfan found the hardest to do was keep the inspiration alive — even while he found none of it in his work. He found most of it in watching films, right from the time he bought a video-player with his first salary in the city.

No actor I know from his generation was as well-versed with world cinema as Irrfan. One of his dreams was to be in the same frame as the French hero Gerard Depardieu. Can't thank him enough for introducing me to the Turkish-German star-director Fatih Akin, much before Akin became a thing. Or filmmaker Michael Winterbottom, who Irrfan, of course, worked with in A Mighty Heart (2007). It is said Wes Anderson specifically pencilled in a part for him in The Darjeeling Limited (2007). In conversations, he was always ready with a recco.

Perhaps exposure of this sort could also frustrate an actor, in contrast to the eco-system that surrounds him. Irrfan spoke quite often about having decided to quit acting altogether in his early years, since television was all he was doing, and the sort of movies he wished for weren't going to materialise anyway. This is the phase, he said, he actively worked on his craft, since he had nothing to lose. And much less to hope for. To keep himself busy, he said, he toyed with ways to gently seduce the camera, besides attempting to "live in the moment".

Irrfan in a still from Inferno 

This became perhaps what critics/reviewers might over-use the word "nuance" to explain many of his performances that highlighted most of all, minimal face-acting — least amount of gestures that also kept space for dramatic revelations, when you least expected them. He was the finest film practitioner of 'less is more' — hitting its highest note perhaps with Dhulia's Paan Singh Tomar (2011) that, despite a fair festival run, remained in the can for the longest, before finding theatrical release to top Bollywood awards that year.

More specifically, he could hold a moment. Also there was something infectious about his performances, if you notice, say Deepika Padukone match her smiles and telling eye-contacts with his, in Shoojit Sircar's Piku (2015). Same between Konkona Sensharma and him in Anurag Basu's Life In A Metro (2007). Or, most recently, actor Deepak Dobriyal playing off Irrfan's thoroughly restrained yet feisty/OTT comic timing in Angrezi Medium (2020), his last release.
That's what earned him most respect from peers and public alike.

I was at a breakfast interview with Naseer in Lucknow (he was shooting for Dedh Ishqiya) when Irrfan joined in (he was there filming Bullet Raja). Throughout, Naseer, who's generally frugal with praise and an idol of sorts to Irrfan, called him "Khan Saab" — referring perhaps also to his aristocratic lineage, although he's had a fairly modest upbringing.

There was still something naturally royal about Irrfan's presence, both off but, more so, on the screen. This was a handicap, at least according to one filmmaker critic of his I know. He was incapable of coming across as "low-status", even in roles that demanded so. This is where Nawazuddin Siddiqui held an advantage, apparently. There was minor tattle going on about a rivalry of sorts between fellow NSD alumnus Nawaz, 45, and Irrfan, 53. Much of it had to do with the phenomenal success of Ritesh Batra's The Lunchbox (2013), arguably the greatest Indian success abroad, that both starred in.

The fact is, Nawaz could never do what Irrfan could, and vice versa. As is true for all unique talents. That royal demeanour no doubt would've helped Irrfan bag the role of Mesrani (probably named after Ambani), the Indian-origin richest man, who's the main villain in the gigantic Jurassic Park franchise film, Jurassic World (2015).

His last major outing in Hollywood was with Tom Hanks in Inferno (2016). This is before he headlined the ambitious Japanese mini-series Tokyo Trial (2017; currently available on Netflix). Just look at that line-up abroad, even while he'd confound producers back home picking up a hardcore art-house film like Qissa (2013), although scoring huge in the box-office with the comedy, Hindi Medium (2017).

Irrfan had been ailing since 2018, diagnosed with a rare, neuro-endocrine cancer. He was never seen in public thereafter. He made sure of that—nothing to mess with our memories of him. The common adage '50 is the new 40' (in line with people in other decades) couldn't have been more aptly applied than with Irrfan. He was at the cusp of something bigger, having kick-started his career with definitive, defining roles, only in his mid 30s!

At 20, he told me, he had trained all the actors of Mira Nair's Oscar-nominated Salaam Bombay (1988), but failed to star as one of the boys in it, because he was too tall to fit into the frame with them. He lived and learnt a lot about life from those street kids.

The Irrfan I knew came across as a deeply sensitive man. The ongoing wave of Islamophobia bothered him no end. He had dropped Khan from his name. Unsure if being racially profiled twice at American airports had anything to do with it. He also had a strong dislike for traditional stardom-led ways of Bollywood— mildly upset by stuff like, how much he was paid by a friend for a role, and how much was offered to his co-star, for the same picture.

But he also had a playful, roving-eye, happy-high side, behind that gambheer/serious exterior. He was surrounded by friends and well-wishers, I noticed, when graciously invited by his wife Sutapa (they met at NSD), to participate in his episode of the biographical show, Jeena Isi Ka Naam Hai (2012). After all these years, the show's anchor, Bollywood star Raveena Tandon asked where I saw Irrfan in the pantheon of the (more popular) superstar Khans. In a league of his own, obviously.

Some of the fun part of Irrfan's personality you find organically channelled into madcap entertainers like Dil Kabaddi (2008) or Karwaan (2018). Or you could just watch him happily descend into YouTube level sketch-comedy with an AIB video gone viral! Better still, you could catch the totally terrible Thank You (2011), that he certainly did for the bread, butter, or more likely, cheese. Outside the preview screening of one of these flicks, he came up to say I must've got "jaded" watching so many movies. Yeah, right!

If it wasn't for Rajesh Khanna, could Irrfan have carried on as an AC repair mechanic? That's what he had visited the superstar's Carter Road bungalow as, much before he had thought of becoming an actor, or formally moved to Bombay. Irrfan had trained to fix appliances. His father was in the business of selling tyres. That visit as an AC-repair guy to Khanna's residence, he recalled in an interview, somehow ignited in Irrfan the belief that he simply couldn't work for the money. He needed something more to keep him engaged.

Before he left for NSD, Irrfan's father had passed away. His mother Saeeda Begum was worried that he was going to become a "naach-ganewallah". Whatever that means, he promised her, "Aapko sharminda nahin hone doonga (I won't let you down)." He didn't. Saeeda Begum, 95, passed away three days before him.

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Kulmeet Makkar, CEO, Producers Guild of India (PGI), died on Friday morning. He was 60.

Makkar suffered a massive heart attack and passed away in Dharamsala, PGI spokesperson told PTI.

In a statement PGI remembered Makkar for his immense contribution in the growth of Indian film and television industry.

“Today we lost our pillar of strength. Kulmeet is irreplaceable. His passion, integrity,resourcefulness and commitment were only matched by his deep empathy and unique ability to find a way through the toughest situations.

“Today we have lost someone who has played an integral role - always unassumingly and behind the scenes to nurture and grow the Indian film and television industry. Our dearest Kulmeet, you will always be missed. Your legacy will live on,” the statement read.

Many from the film industry including filmmakers Karan Johar, Ashoke Pandit, Subhash Ghai and actor Sanjay Suri among others paid tributes to Makkar on social media.

Johar said he tirelessly worked towards advancement of the film industry.

Kulmeet you were such an incredible pillar to all of us at the Producers Guild of India....relentlessly working for the industry and towards its enhancement and advancement... you left us too soon...We will miss you and always Remember you fondly.... Rest in peace my friend, he posted on Twitter.

Kulmeet you were such an incredible pillar to all of us at the Producers Guild of India....relentlessly working for the industry and towards its enhancement and advancement... you left us too soon...We will miss you and always Remember you fondly.... Rest in peace my friend... pic.twitter.com/GUcapyjfMo

— Karan Johar (@karanjohar) May 1, 2020

Ashutosh Gowariker wrote, "A sad day for the Film & Television Producers Guild of India! The CEO #KulmeetMakkar has passed away. Kulmeet, THANK YOU for always being there - to help, solve, inform, strategize, corporatize & build relations! You will be missed! Heartfelt condolences to the family.”

A sad day for the Film & Television Producers Guild of India! The CEO #KulmeetMakkar has passed away.

Kulmeet, THANK YOU for always being there - to help, solve, inform, strategize, corporatize & build relations!
YOU will be missed! 🙏

Heartfelt condolences to the family! 🙏 pic.twitter.com/pKJjgYSiWl

— Ashutosh Gowariker (@AshGowariker) May 1, 2020

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With less than a few hours to go for the telecast of the much anticipated 'India's biggest' virtual concert, Bollywood superstar Shah Rukh Khan on Sunday expressed his happiness to participate in the event -- 'I For India.'

The 54-year-old star took to Twitter and wrote: "Happy to participate in #IForIndia... a concert to raise funds for those affected by Covid-19."

Happy to participate in #IForIndia... a concert to raise funds for those affected by Covid-19.
Sunday, 3rd May, 7:30 PM IST.
Concert dekhiye aur yaad rakhiye... Sab Sahi Ho Jayega.

Watch it LIVE here: https://t.co/OYQnGdXB19 pic.twitter.com/9d9WsnZIij

— Shah Rukh Khan (@iamsrk) May 3, 2020

"Sunday, 3rd May, 7:30 PM IST. Concert dekhiye aur yaad rakhiye... Sab Sahi Ho Jayega," his tweet read.

Many stars participating in the event have taken up to social media this morning to show their support and to invite their followers to tune in to the concert.

The event dubbed as the 'India's biggest concert' by ace filmmaker Karan Johar, is an attempt to spice the lockdown with a dose of entertainment while raising funds for COVID-19 relief.

The director and Zoya Akhtar have joined hands to organise a virtual concert 'I For India' which will feature over 85 celebrities.

Other celebrities joining SRK for the event will include, Kareena Kapoor Khan, Alia Bhatt, AR Rehman, Kareena Kapoor Khan, Arijit Singh, Anushka Sharma, Hrithik Roshan, Farhan Akhtar and band, Javed Akhtar, Madhuri Dixit, Vicky Kaushal and more.

The event will also have some global celebrities like musicians Joe Jonas, Kevin Jonas, Bryan Adams, Nick Jonas, actor Sophie Turner, and comedians Mindy Kaling and Lilly Singh.

The virtual concert will stream live on Facebook on May 3 at 7.30 PM IST.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Just a few hours ahead of the much-anticipated event, Bollywood stars including Akshay Kumar, Kareena Kapoor, Saif Ali Khan, and Bhumi Pednekar invited people to join for the telecast of 'India's biggest' virtual concert- 'I For India.' The 'Khiladi' star Akshay, took to Twitter and shared a montage of the pictures featuring all the stars coming together from their homes for the virtual concert. He wrote, "We bring you India's biggest at-home concert - #IforIndia. Click the donate button and make a difference. Sunday, 3rd May, 7:30 pm IST. 100% of proceeds go to the India COVID Response Fund by@GiveIndia."

We bring you India’s biggest at-home concert - #IforIndia. Click the donate button and make a difference.
Sunday, 3rd May, 7:30pm IST.
Watch it LIVE- https://t.co/DGhmShw3aI
Donate now- https://t.co/cEgmMhAdHa
100% of proceeds go to the India COVID Response Fund by @GiveIndia pic.twitter.com/aBqlPZN1Zp

— Akshay Kumar (@akshaykumar) May 3, 2020

Kareena Kapoor Khan took to Instagram and shared a picture along with Saif where she urged people to join in the concert and donate to the India COVID-19 Response Fund set up. She wrote, "From my home to yours.

Watch me on India's biggest fundraising concert - #IForIndia, a concert for our times., 3rd May, 7:30 pm IST. Watch it LIVE worldwide on Facebook. Tune in. Donate now. Do your bit. Link in bio. #SocialForGood.100% of proceeds go to the India COVID Response Fund set up by @give_india"

 

 

 

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From my home to yours. Watch me on India’s biggest fundraising concert - #IForIndia, a concert for our times. Sunday, 3rd May, 7:30pm IST. Watch it LIVE worldwide on Facebook. Tune in. Donate now. Do your bit. Link in bio. #SocialForGood 100% of proceeds go to the India COVID Response Fund set up by @give_india

A post shared by Kareena Kapoor Khan (@kareenakapoorkhan) onMay 2, 2020 at 11:18pm PDT

Bhumi Pednekar took to Instagram and shared a picture featuring herself holding the 'I for India' placard. Along with the post, she wrote, From my home to yours. Watch me on India's biggest fundraising concert - #IForIndia, a concert for our times.Sunday, 3rd May, 7:30 pm IST. Watch it LIVE worldwide on Facebook."

Abhishek Bachchan also shared his picture holding the 'I For India' placard' and inviting people to join in the virtual concert. He wrote, "From my home to yours. Watch me on India's biggest fundraising concert - #IForIndia, a concert for our times. Sunday, 3rd May, 7:30 pm IST. Watch it LIVE worldwide on Facebook. Tune in. Donate now. Do your bit."

Other celebrities including Vicky Kaushal, Parineeti Chopra and Alia Bhatt also urged people to join in the concert.

Earlier in the day, many stars participating in the event took to social media to show their support and to invite their followers to tune in to the concert.

The event dubbed as the 'India's biggest concert' by ace filmmaker Karan Johar, is an attempt to spice the lockdown with a dose of entertainment while raising funds for COVID-19 relief.

The director and Zoya Akhtar have joined hands to organise a virtual concert 'I For India' which will feature over 85 celebrities.

Other celebrities joining SRK for the event will include, Kareena Kapoor Khan, Alia Bhatt, AR Rehman, Kareena Kapoor Khan, Arijit Singh, Anushka Sharma, Hrithik Roshan, Farhan Akhtar and band, Javed Akhtar, Madhuri Dixit, Vicky Kaushal and more.

The event will also have some global celebrities like musicians Joe Jonas, Kevin Jonas, Bryan Adams, Nick Jonas, actor Sophie Turner, and comedians Mindy Kaling and Lilly Singh.The virtual concert will stream live on Facebook on May 3 at 7.30 PM IST.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Despite the sealed borders keeping him from returning home to India, Sonu Nigam has been neck-deep in work, supporting causes for daily-wagers, and raising awareness for relief funds for the country. It's been a month since Nigam, who is currently holed up in Dubai, began the cumbersome task of breathing life into a passion-project, the brainchild of his industry associate Srinivas. Along with Indian Singers Rights Association CEO Sanjay Tandon, the duo reached out to 100 artistes from across India for the creation of the 14-language track, One nation one voice, which is set to be unveiled by Lata Mangeshkar.

"We had been struggling to find a Sindhi [singer], and that's when we reached out to Ghanshyam Vaswani. Though disconnected from mainstream [music], he has been a ghazal singer for decades. My mother was proficient in Sindhi. So Ghanshyamji and I collaborated for those portions. Similarly, Papon [worked on] the Assamese [verses], Bhajan Soporiji and Kailash Kher did the Kashmiri track, Mame Khan crafted Rajasthani [verses] and Krishna [Beura], the Odia portions," Nigam tells mid-day of the song that also includes lines in Bengali, Marathi, Malayalam, and Tamil.

The coalescing of an assortment of home-bound artistes for a single track becomes simpler when employing a digitally transferable background score that they can individually lay their vocals on. But Nigam was creating an acapella piece, which didn't have instruments to play second fiddle in supporting his endeavour.

"We sent two songs to all the singers. One [included] the base track that had been created by [a select few], and included sounds, layers and harmonies. No instruments were used to create this, and it was upon this piece that the singers [recorded their vocals]. We also gave them a reference piece of how we wanted the song to sound, but offered an empty space [for them to experiment]." Those singers who do not have a home-studio had to let the acapella piece play in the background as they recorded their vocals over it, he informs.

There's a peculiar cheer in his voice when he talks of Asha Bhosle's involvement in this number. "With her being by our side, this project has become invaluable. At 86, she has opened this song like a boss. You find yourself wondering how someone at that age can sing so beautifully. I was reduced to tears on hearing her 30-second performance."

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Amidst the perilous times of the pandemic, global artists assembled on a live platform for a charitable home-to-home fundraiser concert- I For India concert to raise money for GiveIndia COVID-19 relief fund on 3 May, 2020. Hrithik Roshan, was also one of the artists who was a part of this initiative and as a special sight, the actor sang a song with the accompaniment of a piano.

A source close to the event shared, "Hrithik spent over 7 hours practising the piano and singing. He is neither a professional singer nor a pianist but he put additional efforts and learnt the piano notes for this one, on his own." It is not easy to play the piano and sing together for someone who is new to both but Hrithik worked hard for this performance.

The objective of the philanthropic concert was to pay tribute to those who are working on the frontlines and to provide 100 per cent proceeds from the fundraiser concert to the India COVID Response Fund, to support on-ground relief efforts.

 

 

 

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So the equation goes as: Non pianist + non singer x 7 hours = 😐 (On phone speaker) and. 😬 (on headphones). . . I FOR INDIA. . Thank you Zoya and Karan and the rest of the team for initiating, conceiving, constructing , designing and assembling all of us together for something so needed and important. Proud. 👏. @zoieakhtar @karanjohar

A post shared by Hrithik Roshan (@hrithikroshan) onMay 3, 2020 at 11:19pm PDT

Amidst this lockdown, Hrithik Roshan who has music running in his family, has taken to it too and spends a lot of his time learning music on his own. The effort made by Hrithik was very evident in his heartwarming performance that won many hearts. The actor also urged and inspired everyone to mark their donations.

Through these challenging times, Hrithik has time and again extended his support to the fight against COVID-19. With this, another initiative, the actor continues to inspire everyone and spread positivity.

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The I for India concert saw the biggest names in Bollywood come together to raise money for GiveIndia.org. The nation witnessed 85 Indian and global stars come on one platform to raise funds for GiveIndia Covid-19 relief fund for a fundraiser concert which was held live on 3 May, 2020. One of the most surprising performances was delivered by the worlds youngest action star Tiger Shroff.

Fans of the actor got to witness a whole new side of him as he flaunted his singing prowess. Tiger October and the yesteryear classic Roop Tera Mastana were the songs of Tiger's choice. The actor sang his heart out but had sunglasses on Tiger felt shy.

Tiger Shroff Sings Roop Tere Mastana To Raise Funds During I For India Concert#TigerShroff @iTIGERSHROFF #IForIndia @TeamTIGERSHROFF @AyeshaShroff pic.twitter.com/tNBSU54633

— TIGER SHROFF Planet™ 𝓐𝓴𝓼𝓱𝓪𝓲 (@TIGERSPLANET) May 3, 2020

The actor stunned the audience as he showed off his skills to the point where fans want him to come up with his own single and also to sing in his forthcoming films.

 

 

 

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I love my INDIA ðŸ˜ÂÂŽðŸ˜ÂÂŽ

A post shared by tigershroff (@tigershroff_95009_) onMay 3, 2020 at 7:56am PDT

On the work front, Tiger's recent release Baaghi 3 was a box office hit and saw the actor take action to the next level as he battled against a nation. The actor will next be seen in the sequel of Heropanti which will release in 2021.

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Zoya Akhtar is a pioneer when it comes to thinking outside the box and delivering the best of content. The director has done it once again with the "I for India initative" to help reduce the impacts of Covid-19.

The initiative has been making headlines ever since it was announced with everyone waiting for the event to go live. Spanning over four hours, the Facebook live event saw 85+ celebrities from Bollywood take part in it including international celebrities like Will Smith and Mick Jagger joining in as well along others.

The event saw artists do various performances in the safety of their homes to raise money for GiveIndia.org to support frontline workers fighting the Covid-19 pandemic and also to help people like daily wage workers who have been affect due to the ongoing crisis.

The vision for the concert was three-pronged: to entertain those locked down in their homes. To pay tribute to those who are working on the frontlines. And to raise funds for those who have no work and no home and do not know where their next meal is coming from.

Needless to say, the concert was a huge success and managed to raise substantial amounts of funds that will indeed benefit those in need. The 'I for India' initiative was organised by Zoya Akhtar and Karan Johar.

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The I For India concert was possibly the best initiative by the Hindi film industry ever since the Coronavirus pandemic began. The intent was to raise money to financially help all those warriors or the unsung heroes that are battling day and night to ensure the crisis ends soon. All the major Bollywood celebrities went live on Facebook and paid a tribute to them in their own style.

Let's talk about two of the best tributes, that of Hrithik Roshan and Alia Bhatt. Talking of Roshan first, he took to his Instagram account to share a video where he could be seen singing and playing the piano at the same time, and confessed he knows neither. He sang the Tere Jaisa Yaar Kahaan song and it's a must-watch.

Have a look right here:

 

 

 

View this post on Instagram

So the equation goes as: Non pianist + non singer x 7 hours = 😐 (On phone speaker) and. 😬 (on headphones). . . I FOR INDIA. . Thank you Zoya and Karan and the rest of the team for initiating, conceiving, constructing , designing and assembling all of us together for something so needed and important. Proud. 👏. @zoieakhtar @karanjohar

A post shared by Hrithik Roshan (@hrithikroshan) onMay 3, 2020 at 11:19pm PDT

Coming to Bhatt, she crooned her own song from Udta Punjab, Ik Kuddi, and had the company of her elder sister Shaheen Bhatt. One of her fan-clubs posted the video. Don't miss this either:

 

 

 

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Ikk Kudiiii 😍😘Uffff her voice 😭🔥💘 __________________________________ @aliaabhatt and @shaheenb join the #IForIndia initiative ❤✨ __________________________________ Follow for more 👉 @aliabhatt_heart 🌸 - - #aliabhatt #alia #aliabhatt_heart #followforfollowback #follow4followback #followtrain #follow #followｍe #followfollow #followmeto #followfollowfollow #followmeto #followyou #follower #followers #followbackinstantly #followmeplease #follow4like #followbacknow #followparty #followalways #likeforlikes #likelike #like4follow

A post shared by ❥ Alia Bhatt Fanclub☀ (@aliabhatt_heart) onMay 4, 2020 at 12:05am PDT

As mentioned above, this is indeed a heartfelt initiative and we hope the crisis ends soon. Way to go!

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Ayushmann Khurrana has enrolled himself for an online course on Indian history. The actor-singer considers learning a life-long process. "I'm a seeker of knowledge," he says. Being a history buff, he decided to make the most of the current time on hand.

"We have a fascinating history; it's rich and diverse. I want to learn more about our past. The session will be an enriching and fulfilling experience," he adds. It will also come in handy if Khurrana is roped in for a historical in the future.

Recently, Ayushmann, accompanied by Virat Kohli, Kriti Sanon and Sara Ali Khan joined hands for a new initiative called 'Mat Kar Forward'. Sharing the same on Instagram, Ayushmann wrote, "No one thought they'd catch it, no one thought it would become a pandemic. But we can change this and the change begins with you. #MatKarForward @indiatiktok"

 

 

 

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A post shared by Ayushmann Khurrana (@ayushmannk) onMay 4, 2020 at 1:25am PDT

The initiative urges people to not share any unverified message, picture or video, on any social networking sites.

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Sudip Sharma's Paatal Lok, which is produced by Anushka Sharma and will drop on Amazon Prime Video on May 15, was shot in 110 locations across six Indian cities. "We wanted to explore different cultures, and perspectives, and [narrate] tales from various regions of India. The idea was to present to the audience what they possibly didn't know, or at least, in a manner they weren't familiar with. It is set in parts of Delhi and Punjab," says Sharma of the nine-part investigative crime drama that follows an inspector chasing four suspects nabbed in the assassination of a renowned journalist, and the subsequent dangerous fate he is met with.

Anushka Sharma

"I have spent a lot of time in Delhi, Punjab, Bundelkhand, and UP while researching for previous projects. Delhi is also the apex of Indian politics, and where the power centres lie. That most media channels operate out of Delhi was another reason to set the series there. The city is fascinating owing to its location too. It has the feel of a frontier town, bordering certain lawless parts of Uttar Pradesh, Haryana and Rajasthan."

Gurgaon, and parts of Haryana, particularly Rohtak, were the primary areas where the Jaideep Ahlawat, Neeraj Kabi, and Gul Panag starrer was filmed.

Sudip Sharma

"While 70 per cent of the show has been shot at actual locations, the rest was done in Mumbai, where we recreated certain areas. We researched on various aspects, like what a cop station actually looks like, and the design and aesthetics of a Delhi policeman's home, and [integrated] that into the show to make it authentic," says Sharma, who filmed in Delhi, Gurgaon, Rohtak, Chitrakoot, Ahmedabad, and Mumbai.

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Ramayana actress Mahika Sharma is stuck in the United Kingdom owing to the ongoing coronavirus pandemic that has prompted nationwide lockdowns all over the world. Far away from family and friends, the F.I.R actress has been in self-quarantine all alone in the foreign city and celebrating the Indian New Year distributing self-made sweets.

"Being Indian girl, and coming from a very religious Brahmin family I was always taught a girl should learn to adjust and survive in any circumstances away from family and should care to bring joy all around to let people feel her presence. Here in London I'm in a friend's apartment. Its a new year time in India. Be it Bihu in my home state Assam. Pôhela Boishakh at Kolkata or Vaisakhi.. Its a new year for India. So for celebrating it I'm making sweets here and greeting to people here. Its my luck," she said.

Later talking about coming back to nation. Former Miss teen northeast said, "I want to return India as soon as possible. But I don't want to take any risk. I'm safe and healthy here.. so won't return till things genuinely change and provide me a healthy and safe travel."

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Actor Kushal Tandon is totally against the use of TikTok application in India, especially amid the outbreak of the novel coronavirus. Not only this, he has demanded a ban on the app that originated in China.

"While the whole world is f****d coz of China, but still guess what are Indians and many others are giving them the revenue from s*** #tikTok, while China made TikTok for people who were useless and who had nothing to do, and look at us all haha, every one is on TikTok, ban TikTok ...proud of never using TikTok," Kunal wrote on Instagram.

 

 

 

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Ban TIk tok 🙏🤟

A post shared by Kushal Tandon (@therealkushaltandon) onApr 16, 2020 at 8:01am PDT

Kushal's post comes after Vivek Dahiya showed his support for the application.

"For those suggesting we should ban made In China. remember -- the mobile phone you use to express your thoughts about banning an app was also assembled in the same part of the world so are 7 out of 10 products in every average household. China is branded the manufacturer of the world, whether we like it or not. Am pretty sure the founder of this app was not responsible for conspiring the coronavirus. Additionally, Hydroxycloroquine used for recovery is either made In India or China. The bottom line is. we are all interdependant in this global marketplace. II one nation is a Buyer, then the other is a Seller. and both need one another to move forward. towards a single Goal of prosperity. Unless of course, we are fully self sufficient in everything but no such example exists," Vivek had said.

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There cannot be a greater feeling for any actor when he's known by the name of the characters he has essayed on the big screen or even the small screen. If Amjad Khan was Gabbar Singh, Amrish Puri was Mogambo, Shah Rukh Khan was Raj and Rahul, Feroz Khan was Arjun. Yes, the Arjun from Mahabharat.

Such was the popularity of the role and such was the impact on people that he was rechristened as Arjun Feroz Khan. You may know him as the villain from a lot of Bollywood films of the 90s but it was this iconic television show that shaped his career and made him a household name. Speaking to Hindustan Times about being selected for the show and how it made history, he spilled the beans on everything.

He said, "It's a proud moment to watch Mahabharat with the present generation. It's a good opportunity for them to know more about their culture. It was a game-changer for Indian television. It impacted people's lives. Due to the lockdown, everyone is at home and they're glued to their television sets to watch epics like Mahabharat and Ramayan. Even my grandchildren are watching it and they're amused to see me shooting arrows."

History isn't made easily so expectedly, getting such a fascinating role wasn't easy for the actor either. He recalls the day when he went for the audition. "I went in and saw actors like Deepak Parashar, Raj Babbar and Govinda, among others there. The auditions for Mahabharat were going on and Govinda told me to give it a shot. I was given two pages of dialogues in Hindi. I told him to read out the lines in Hindi so that I could rewrite them in English."

He added, "A week after when I didn't get a call back, I went to his office. I was asked to wear my costumes and a moustache. I went up to Chopra Saab's cabin in the first floor and he was sitting their along with our writers, Dr Rahi Masoom Raza and Pandit Narendra Sharma and they told me that I've been locked to play Arjun." And as they say, the rest is history! He was addressed as Arjun by everyone, even his mother. What greater validation can an actor ask for?

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The governments of India and the Philippines on November 22 announced that they would be cooperating more closely on customs matters.

Representational picture

New Delhi: If you've ever felt disgusted when your partner paid more attention to his/her phone on a date then you are not the only one. Most adults in India paid more attention to their smartphone than their partner when they were together, a new study has revealed.

Sixty per cent of adults surveyed said their partner paid more attention to their own smart device when they were together on a date.

The study, titled "Three's Company: Lovers, Friends and Devices" and released on Wednesday by Intel Security, aims to understand the online behaviour of people and how it affects their relationship with friends and significant others.

Money, gifts and a dinner in a glamorous restaurant mean nothing in a relationship when the partners pay no attention to each other. The study found that 57 per cent of those studied had to compete with their partner's smartphone for attention on a first date.

An intrusion into a relationship leads to a quarrel which is corroborated by the fact that 75 per cent of the adults reported getting into an argument with a friend, significant other, or family member over being on a device while together.

The study involved 1,400 Indian adults who use an internet-connected device on a daily basis.

Amid this lack of attention in relationships, it was revealed that 46 per cent of couples share passwords to social media accounts, 38 per cent share passwords to personal email accounts and, interestingly, nearly 35 per cent of adults share their work-specific devices and accounts with their significant other.

Intel Security suggested using long passwords including numbers, and lowercase and uppercase letters, as well as symbols.

This Valentine's Day, if you are planning to make your partner smile, make sure to pay more attention to his/her words than the text on your smartphone.

New Delhi: If you think your spouse is not watching Netflix shows in your absence, you are wrong. Forty-six per cent Indian couples -- second only to Hong Kong -- cheat on their significant other by binging ahead to watch Netflix shows, a new survey has revealed.

Surprisingly, 39 per cent streaming couples in India even said watching 2-3 episodes ahead would be a reason for a breakup.

Conducted by the online survey firm SurveyMonkey and involving 30,267 responses for on-demand streaming website Netflix, the report defines cheating as watching a TV show ahead of your significant other.

"In India where 79 per cent couples believe that streaming is a way to spend time together, almost 60 per cent of couples consider binging ahead as cheating and nearly half have even admitted to this 'offence,'" the findings showed.

The Indian culture has a reserved place for humour. So unsurprisingly, 61 per cent of the couples cheat on comedy shows -- higher than the global average of 44 per cent.

"A third or more of Indian respondents have watched ahead on every other genre polled, including documentaries, sci-fi, fantasy, drama and horror," the study noted.

Netflix cheating in India is not intentional as 78 per cent of cheating is unplanned. It is the temptation that makes Indian couples fallible.

Forty-three per cent of Indians 'cheat' out of 'fear of missing out' (FoMO) so that they could keep up with conversations with friends and co-workers.

Cheating on your partner even when you share a room requires special skills. Forty-two per cent Indians said that when one partner falls asleep, they secretly watch Netflix shows.

But some relationship rules are bizarre. A quarter of Indians said that a partner who falls asleep deserves to be cheated on.

Hong Kong has 59 per cent of cheaters in Asia followed by 46 per cent in India. Globally, the Netherlands has the most loyal viewers at 73 per cent.

Representational picture

Women rule the dating game in India: A nationwide research undertaken by a dating app recently has revealed that a whopping 46 percent of women respondents said they are happy to take the lead in planning a date, while the corresponding number for men stood at 62 percent.

The research also suggests that even as gender roles are interchanging; more than 53 percent of the female respondents were willing to choose a fulfilling relationship over a career. Also, 48 percent women said they prefer brains over brawn, while 52 percent men prefer success over good looks. About 47 percent men and 48 percent women respondents said they are open to sharing their Facebook password with their partners.

India's youths seeking love online: Thanks to an increasing range of dating apps, majority of Indian youths are looking for love online, revealed a recent study conducted in Delhi. Experts say that the mammoth surge in the user base of these apps is being fuelled by youth's "changing narrative, thinking and preferences".

Did you watch the match yesterday? When it comes to first dates, individuals who meet each other through a match-making process in India discuss a lot of sports after the conversations on family, a survey has revealed.

The survey found that 21 percent Indian men talk about sports during their first date with a prospective match after family, which still dominates the conversation. As per the study, 14 percent of women love to talk about sports during their first meeting. The surveyors also found that for women, family still comes the first with 70 percent of them talking about it on their first meeting, only 44 percent men discuss the topic.

Indian men want women to pop the question: Traditionally, it's the guys who pop the question to take a relationship forward but an increasing number of Indian men now prefer if women make the first move, according to a recent survey conducted by a popular matrimonial website. 6,500 single Indian men in the age group of 25 to 36 across the country were studied as part of the survey.

As many as 71.7 percent respondents shared that they would like it if a woman proposed to them instead. As many as 63.8 percent of the men surveyed were of the opinion that the country's modern day women are confident enough to make the first move towards a relationship, while 36.2 percent of them said that it's hard for them to believe that a woman can make the first move because tradition has always seen men do so.

Oslo: India ranked 122nd, behind terror-riven Pakistan and poorest-of-poor Nepal in the global list of the happiest countries, according to a United Nations report released on Monday.

India came down by three slots, as last year it was placed at 118th spot. It was behind the majority of South Asian Association for Regional Cooperation (Saarc) nations, apart from war-ravaged Afghanistan, that stood at 141.

Among the eight Saarc nations, Pakistan was at 80th position, Nepal stood at 99, Bhutan at 97, Bangladesh at 110 while Sri Lanka was at 120. However, Maldives did not figure in the World Happiness Report.

Norway took the top spot from Denmark as the happiest country in the world.

The Scandinavian nation, which was ranked fourth in last year's report, jumped to the top this year on the basis of several key calculations, including levels of caring, freedom to make life decisions, generosity, good governance, honesty, health and income.

Other factors by which 155 countries were measured in the annual World Happiness Report are: inequality, life expectancy, GDP per capita, public trust (i.e. a lack of corruption in government and business), and social support.

Denmark, Iceland, Switzerland and Finland round out the top five, while the Central African Republic came last in the World Happiness Report.

Western Europe and North America dominated the top of the table, with the US and Britain at 14th and 19th positions, respectively.

Syria placed 152 of 155 countries -- Yemen and South Sudan, which are facing impending famine, came in at 146 and 147.

The World Happiness Report was released to coincide with the United Nations' International Day of Happiness on March 20.

A consignment of hydroxychloroquine from India has reached the US, the global COVID-19 hotspot, days after New Delhi lifted a ban on the export of the anti-malarial drug to America and some other countries on humanitarian grounds to help them combat the coronavirus pandemic.

More than 1.7 million people have tested positive and 108,867 people have died from the novel coronavirus globally. The US has emerged as the global hotspot with 20,580 deaths and nearly 530,000 cases, according to Johns Hopkins University data. America has replaced Italy as the country with the highest number of COVID-19 deaths at 20,597, the data shows.

Earlier this week, India at the request of President Donald Trump cleared the export of 35.82 lakh tablets of hydroxychloroquine to the US along with nine metric tons of active pharmaceutical ingredient or API required in the manufacturing of the drug.

"Supporting our partners in the fight against COVID-19. Consignment of hydroxychloroquine from India arrived at Newark airport today (Saturday)," India's Ambassador to the US Taranjit Singh Sandhu tweeted. Hydroxychloroquine has been identified by the US Food and Drug Administration as a possible treatment for the COVID-19 and it is being tested on more than 1,500 coronavirus patients in New York.

Anticipating that it will work, given the initial positive results, Trump has bought more than 29 million doses of hydroxychloroquine for potential treatment of COVID-19 patients. The arrival of consignment was welcomed by Americans.

"US will never forget this great humanitarian gesture by India. Under President Trump and Prime Minister Narendra Modi, the two largest democracies of the world have come together than ever in the past,' said New York-based Al Mason, a real estate consultant and a Trump supporter. "A wonderful gesture by India to its friends in need," tweeted Dr Sampat Shivangi.

20,597
N. of deaths in the US

1,10,005
No. of deaths worldwide

Death toll in Europe passes 75,000

Over 75,000 people have died from the Coronavirus in Europe, with 80 per cent of the fatalities occurring in Italy, Spain, France and Britain, according to an AFP tally. With a total of 75,011 deaths from 909,673 infections, Europe is the hardest-hit continent in the COVID-19 pandemic, which has killed more than 1,10,000 people worldwide.

Stay put: Indian students in US told

India's Ambassador to the US Taranjit Singh Sandhu has advised the Indian students, stranded in America due to the sudden closure of universities and the ongoing lockdown back home because of the coronavirus pandemic, to stay where they are and assured them help in this crisis situation. Sandhu addressed the concerns of over 500 Indian students who attended the Instagram Live session hosted by the Indian Embassy on Saturday. There are an estimated 250,000 Indian students in the US, a significantly large numbers of whom are stranded due to the sudden closer of the universities and asked to vacate their hostels and follow stay-at-home order issued by the authorities. The Indian government imposed a 21-day nationwide lockdown from March 24 to stem the tide of the fast-spreading disease and also suspended rail, road and air services during the period. "At this time the most advisable thing to do is stay where you are," Sandhu said.

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The penultimate day of 21-day lockdown saw the number of coronavirus cases in the country reach 9352 with 905 new cases reported in the last 24 hours. The government's action plan to contain the spread of COVID-19 has stared yielding results in 25 districts across 15 states which have not reported any case in the last 14 days

Fifty one people died in the last 24 hours taking total toll 324. As many as 25 staff members of Mumbai's Bhatia hospital tested positive for coronavirus and number of cases in the city has reached 1549. The number of those who have died has reached 100 in the city. Maharashtra with 2,064 cases continues to be the worst affected followed by Delhi with 1,154 cases and Tamil Nadu with 1075 cases. The number of containment zones in Delhi has been increased to 47.

New cases have been reported from several states including Kerala, Rajasthan and Uttar Pradesh. Nagaland reported its first COVID-19 case following which several localities and a hospital in Dimapur hve been sealed. Uttarakhand Health Department said that no new positive COVID-19 case emerged in the state for the fifth day in a row.

Prime Minister Narendra Modi will address the nation at 10 am on Tuesday and is likely to talk about the further course of action to deal with the crisis posed by virus. Union ministers and senior officials returned to work in their offices on Monday and work was done by following social distancing norms.

The Indian Council of Medical Research (ICMR) said 2,06,212 COVID-19 tests were conducted till yesterday. "The pace at which we are conducting tests today, we have a stock with which we can conduct tests for the next six weeks easily," ICMR's head scientist Dr Raman R Gangakhedkar said at the daily media briefing on COVID-19 situation.

He said consignment of COVID-19 kits is expected to arrive from China on April 15 In Delhi, traders at Delhi's Azadpur Mandi have been told to follow the odd-even rule according to their shed numbers to maintain social distancing. There will be staggered time for sale of vegetables and fruits in the mandis.

In Mangaluru, a case has been registered against two minors at East Police station after they violated the lockdown norms. They will be produced before the Juvenile Justice Board. A 17-year old was caught trying to sneak his friend out of his apartment complex using a suitcase.

"A17-year-old resident of Orchid Apartment Balmatta invited his friend, a resident of Motisham Apartment, Pandeshwar to stay with him on April 11, " said PS Harsha, the Commissioner of Police, Mangaluru. The friend wanted to return back to his apartment in Pandeshwar the next day but due to strict security put in place, he got inside a large trolley suitcase.

Based on the suspicion, security personnel alerted the residents of the building and opened the suitcase from which they were shocked to find a boy stepping out.

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New Delhi: With 1,211 fresh cases of coronavirus reported in the last 24 hours, the total number of confirmed cases of COVID-19 in the country has reached 10,363 including 339 deaths, said Lav Aggarwal, Joint Secretary, Health and Family Welfare, here on Tuesday.

As many as 1,036 people have recovered from the disease so far, said Aggarwal during the daily media briefing on the coronavirus. "In one day, 179 people were diagnosed and found cured," he added.

"A total of 10,363 confirmed cases have been reported in India including 339 deaths and 1,036 people, who were COVID-19 positive have recovered. Out of the total deaths, 31 deaths have been reported in the last 24 hours," said Aggarwal.

Aggarwal said that an evaluation of each district and city will be done till April 20.

"An evaluation of each district and city will be done till April 20 in which it will be evaluated what measures did that authorities take in these cities and districts to combat COVID-19," he said.

"Based on the results of this litmus test approach, permission will be granted for some selective activities to those districts and cities which controlled the situation effectively. Detailed guidelines will be issued soon," he added.

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With 1,076 new COVID-19 cases reported in the last 24 hours, India's tally of coronavirus cases has risen to 11,439, said the Union Ministry of Health and Family Welfare on Wednesday. Out of the total tally, 9,756 cases are active while 1,306 patients have been cured/discharged and migrated. With 38 new deaths reported in the last 24 hours, the death toll rises to 377.

According to the ministry, Maharashtra is the worst-affected state with 2,687 cases of which 259 patients have recovered/discharged while 178 patients have lost their lives due to the virus. Delhi comes in at the second position with 1,561 cases of which 30 patients have recovered while 30 patients have succumbed to the virus.

Tamil Nadu is the third state with over 1,000 cases at 1,204 cases of which 81 have recovered and 12 have died due to the deadly virus. Rajasthan is nearing the 1,000 mark with 969 cases of which 147 people have recovered while 3 patients are dead. Madhya Pradesh reported 730 cases including 51 patients recovered and 50 patients dead.

On Tuesday, in an address to the nation, Prime Minister Narendra Modi announced that the 21-day national lockdown has been extended till May 3.

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Congress leader Rahul Gandhi on Wednesday demanded the Central government to bring back Indian workers stranded in the Middle East due to the COVID-19 crisis.

"The #Covid19 crisis & shutting of businesses in the Middle East have left thousands of Indian workers in deep distress & desperate to return home. The Govt must organise flights to bring home our brothers & sisters most in need of assistance, with quarantine plans in place," Gandhi tweeted.

The #Covid19 crisis & shutting of businesses in the Middle East have left thousands of Indian workers in deep distress & desperate to return home. The Govt must organise flights to bring home our brothers & sisters most in need of assistance, with quarantine plans in place.

— Rahul Gandhi (@RahulGandhi) April 15, 2020

In India, a total of 11,439 COVID-19 positive cases have been reported, including 1,305 cured/discharged and 377 deaths.

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With the coronavirus lockdown forcing people to stay at home, they are turning to the internet to keep their spirits up such a turbulent time. The social media is flooded with hilarious memes, videos and other posts that not only kept the netizens entertained but also spread awareness about the importance of maintaining  social distance.

Not just new content, even old content is making rounds of social media which is being seen in pretext of the lockdown. Union Minister Smriti Irani has shared a video to explain the importance of staying at home during the lockdown.

The video originally posted by popular Youtuber Ashish Chanchlani  in his page, Ashish Chanchlani Vines shows what would happen if American films were made in India. Portraying as a thriller, the video shows a man being chased by a masked man dressing like a ghost. As the man reaches at the doorstep of his house, he stops to remove his shoes and socks before stepping in, which customary in Indian households. After being prompted by the man, the killer removes his shoes too.

The union minister for Women and Child Development and Textiles posted the video on Instagram and captioned it as, "Lockdown Humour. Stay Home, Stay Safe!

 

 

 

View this post on Instagram

A post shared by Smriti Irani (@smritiiraniofficial) onApr 12, 2020 at 9:54pm PDT

The post garnered 193,272 views and 23,209 likes on the photo-sharing app where many of her followers thanked her sharing the video along with posting hilarious reactions. One user said, "Culture with ever care vision (sic)." Another user said, "Kahani ghar ghar ki." A user said, "Nowadays, after entering the house both of them should wash their hands thoroughly too before continuing their run, otherwise donon ko corona mar degi!"

What do you think about this video?

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With 941 more COVID-19 cases in the last 24 hours, India's coronavirus tally crossed the 12,000 mark with the tally reading at 12,380 cases, said the Union Ministry of Health and Family Welfare on Thursday. Out of the total tally, 10,477 patients are active cases while 1,489 patients have been cured, discharged and migrated. With 37 more deaths reported in the last 24 hours, the death toll has risen to 414.

According to the ministry, Maharashtra has reported the maximum number of positive COVID-19 cases with 2,916 cases including 295 recovered/ discharged and 187 dead. Delhi comes second on the list with 1,578 positive COVID-19 cases. The tally also includes 40 patients recovered/ discharged while 32 patients have died due to the infection. Tamil Nadu is third on the list and recorded 1,242 cases including 118 recovered and 14 patients have died due to the virus.

Rajasthan has crossed the 1,000 cases mark with 1,023 cases including 147 recovered and three patients dead. Madhya Pradesh is hovering around the 1,000 cases mark with 987 positive COVID-19 cases including 64 recovered and discharged and 53 fatalities.

Prime Minister Narendra Modi on Tuesday announced that the nationwide lockdown--scheduled to end on April 14--will be extended to May 3.

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Six Indian companies are working on a vaccine for COVID-19, joining global efforts to find a quick preventive for the deadly infection spreading rapidly across the world, says a top Indian scientist. Nearly 70 'vaccine candidates' are being tested and at least three have moved to the human clinical trial stage, but a vaccine for the novel coronavirus is unlikely to be ready for mass use before 2021. As COVID-19 infects more than 1.9 million in the world and claims 1,26,000 lives, Indian scientists are also part of the global fight against the disease.

"While Zydus Cadila is working on two vaccines, Serum Institute, Biological E, Bharat Biotech, Indian Immunologicals, and Mynvax are developing one vaccine each," Gagandeep Kang, executive director of the Translational Health Science and Technology Institute, Faridabad, told PTI. Kang is also vice chair of the Coalition for Epidemic Preparedness Innovations (CEPI), which noted in a recent study that the "global vaccine R&D effort in response to the COVID-19 pandemic is unprecedented in terms of scale and speed".

But it is a complicated process with many stages of testing and many challenges, explained experts. A vaccine for the new coronavirus, SARS-CoV-2, may not take 10 years that other vaccines do but it could be at least a year before it is proven safe, effective, and made widely available, they said. "Vaccine development is a lengthy process which often takes years, with many challenges," said E. Sreekumar, chief scientific officer at the Rajiv Gandhi Centre for Biotechnology (RGCB) in Kerala.

"Generally, vaccines take several months to pass the different stages of testing, and then approvals also take time. For COVID-19, we don't expect a vaccine to come in this year," agreed Rakesh Mishra, director of the CSIR-Centre for Cellular and Molecular Biology (CCMB) in Hyderabad. Vaccine testing typically begins with animal and lab testing before going on to different stages of human testing.

"The human testing phase is composed of many phases," Sreekumar told PTI. "Phase one trials are small-scale, usually involving few participants, to assess whether the vaccine is safe for humans. Phase two trials often involve several hundred subjects, and mainly evaluate the efficacy of the vaccine against the disease," he said.
The final phase involves thousands of people to further assess the efficacy of the vaccine over a defined period of time, and can last several months, Sreekumar said.
"That is why we don't see a vaccine coming in at least a year from now."

Even after the vaccine is ready, he explained, there are a lot of challenges, including whether the vaccine is effective in all populations, and if it can be used for different strains of the novel coronavirus, which might start mutating as time passes. "There are lots of vaccines which are being tested for COVID-19, some of which are in the stage 1 clinical trial," Mishra added.

"But we still don't know how fast they will proceed towards a vaccine and they can take several months to reach any point," he said. According to the World Health Organization (WHO), three vaccine candidates are in the clinical testing phase, meaning they are able to be tested on humans, while nearly 70 are in the preclinical phase -- either in lab testing, or animal studies. Though Kang named six companies, the WHO has listed only Zydus Cadila and Serum Institute from India as among the global firms working on a COVID-19 vaccine.

As of April 8, 2020, said CEPI, the global COVID-19 vaccine R&D landscape includes 115 vaccine candidates, of which 78 are confirmed as active and 37 are unconfirmed.
Of the 78 confirmed active projects, 73 are currently at exploratory or preclinical stages, noted the CEPI team in an analysis published in the journal Nature reviews drug Discovery last week.

The most advanced candidates have recently moved into clinical development, including mRNA-1273 from US-based biotechnology company Moderna, Ad5-nCoV from Chinese biopharma company CanSino Biologicals, and INO-4800 from American pharmaceuticals company Inovio. Others in this list include LV-SMENP-DC and pathogen-specific aAPC from Shenzhen Geno-Immune Medical Institute in China.

Numerous other vaccine developers have indicated plans to initiate human testing in 2020, the CEPI scientists said. Experts believe the genome sequencing of the new coronavirus provided by scientists in China shows it shares 79 per cent of the same genetic material as severe acute respiratory syndrome (SARS) and 50 per cent of the same material as Middle East respiratory syndrome (MERS), a species of coronavirus which infects humans, bats, and camels.

This allows developers to use groundwork already created in research for vaccines for those viruses. Australia's national science agency CSIRO announced earlier this month that it has begun preclinical tests of a vaccine developed by Oxford University in the UK. A striking feature of the vaccine development landscape for COVID-19 is the range of technology platforms being evaluated, including nucleic acid (DNA and RNA), virus-like particle, live weakened virus, and inactivated virus approaches.

The CEPI noted that many of these platforms are not currently the basis for licensed vaccines, but experience in fields such as oncology is encouraging developers to exploit the opportunities that next-generation approaches offer for increased speed of development and manufacture.

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