Local Burmese fisher Maung Lay shows how his family has traditionally teamed up with rare river dolphins and explains why their partnership is now at risk. (Video by Demelza Stokes and Mark Scialla)

Using new technologies, Smithsonian entomologists are using detailed photo of ant faces to understand the differences among the 12,000 species

Looking at the future of geopolitics, the author reveals the surprising results of his research. Read more at http://www.smithsonianmag.com/specialsections/40th-anniversary/George-Friedman-on-World-War-III.html

Read more at http://www.smithsonianmag.com/history-archaeology/The-Beer-Archaeologist.html One of the brains behind the famed Delaware brewery talks about what goes into producing one of their beers.

More on biomimicry: http://j.mp/RI3OOB Scientists believe the iridescent wings of the morphos butterfly could be used in technology to benefit humans.

Part of the visual album of Joan Baez' "Whistle Down the Wind," this cover of Joe Henry's "Civil War" was directed by New York University's Deborah Willis

Human remains discovered at Wharram Percy are about to be examined by an expert, in a bid to determine what happened. Is it a medieval murder mystery—or something far more sinister?

From the stars moving across the night sky to clouds moving over snow-capped mountains, photographer John Eklund captures the beauty of the region

Largely recognized for her leading role in the bus boycott of 1955, Rosa Parks was an enduring activist for the Civil Rights Movement. Throughout her numerous decades of service, Parks left behind a legacy of hope, inspiration, and leadership for millions around the world. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

Hailing from an area known for its raucous music and dance traditions, the Kalapriya Dance Troupe perform at the opening of the "Garden and Cosmos" exhibit (Anika Gupta). Read more at: https://www.smithsonianmag.com/smithsonian-institution/dance-of-the-desert-hindu-folk-performance-brings-raucous-rhythms-to-the-mall-1-180941518/

National Portrait Gallery historian David C. Ward discusses images of Abraham Lincoln that document his life in the White House (Anika Gupta, Beth Py-Lieberman, Jesse Rhodes and Ryan Reed). Read more at http://www.smithsonianmag.com/history-archaeology/life-of-lincoln.html

Television reporter Shannon LaNier is a direct descendant of the third President of the United States. (Credit: Drew Gardner)

The Huichol people of west-central Mexico have designed the Vochol—a car turned work of art

Fannie Lou Hamer, a voting rights activist, suffered unspeakable violence and intimidation at the hands of white supremacists and police. Her response: to elevate her cause by launching a long-shot campaign for the U.S. Senate

Credit: Cade Martin / © & ™ Lucasfilm Ltd

Recently digitized footage shows the 5th Div. cemetery dedication on Iwo Jima with band, gun salute and officers speaking. In the final scene, tow Marines kneel over the temporary resting place of 3/13 PFC Ernest T. Langbeen. (U.S. Marine Corps History Division and Moving Image Research Collections, University of South Carolina)

African cuisine has always been well represented in the United States, particularly in dishes characterized as “Southern” in origin, like gumbo or hoppin’ john. But even before chef Serigne Mbaye’s New Orleans eatery Dakar NOLA was named (https://www.eater.com/24175309/james-beard-awards-2024-winners-restaurant-and-chef-awards) the Best New Restaurant of 2024 at the James Beard Awards this week, the contributions of the African diaspora to the American diet had at last begun to enjoy a long-overdue reappraisal via reality television, Netflix docuseries and, most important, a number of widely praised dining establishments: If you want to book a table at Tatiana (https://www.tatiananyc.com/story/) in Manhattan, Dept of Culture (https://www.deptofculturebk.com/) in Brooklyn or Kann (https://kannrestaurant.com/) in Portland, you’d better plan ahead, because their tables are often booked up well in advance. In this episode, Smithsonian contributor Rosalind Cummings-Yeates explains how the ascendancy of pan-African cuisine from “auntie” restaurants into the rarefied fine dining sphere is part of a larger and more meaningful campaign of cultural reclamation. And Mbaye tells us why it was so important to him to make Dakar NOLA (https://www.dakarnola.com/) a showcase of the distinctive flavors of Senegal, where he spent his formative years. Read Rosalind's Smithsonian story about the rise of West African fine dining in the U.S. here (https://www.smithsonianmag.com/arts-culture/these-chefs-are-elevating-african-and-caribbean-cuisines-from-carryouts-to-fine-dining-180984466/) . See the full list of 2024's James Beard Award winners here (https://www.jamesbeard.org/blog/the-2024-james-beard-award-winners) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz / photography by Katherine Kimball, Joshua Brasted, and Jeremy Tauriac Music by APM Music.

Book-banning might seem like a relic of less enlightened times, but the practice is back in a big way. The American Library Association reports (https://www.smithsonianmag.com/smart-news/american-library-association-names-2022s-most-banned-books-180982048/) that 2022 saw more attempts to have books removed from public libraries than in any prior year this century — indeed, it documented more than twice as many attempted bans in 2022 than in 2021. In schools, attempts to keep certain books out of the hands of students have been even more aggressive and draconian. What’s new about these efforts is the subject that binds the most-challenged titles: Most of them address themes of LGBT+ identity or gender expression. In this episode, we talk with journalist Colleen Connolly about Thomas Morton’s New English Canaan, the first book ever to be suppressed in North America. What did the Puritans find so threatening about it, and how has this book echoed through subsequent centuries? Then we’re joined by Dr. Carla Hayden, Librarian of Congress, for a wide-ranging conversation about the history of book bans in the United States, how a resurgent wave of book bans in many states differs from those of prior eras, and why organized attempts to prevent specific people from reading specific books usually fail. A transcript of this episode can be found here (http://smithsonianmag.com/history/a-brief-history-of-banned-books-in-america-180983011) . Read Colleen’s Smithsonian story about New English Canaan here (https://www.smithsonianmag.com/history/how-americas-first-banned-book-survived-and-became-an-anti-authoritarian-icon-180982971/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Read more at http://www.smithsonianmag.com/history-archaeology/Nikita-in-Hollywood.html As part of a diplomatic mission, Soviet premier Nikita Khrushchev traveled across the United States, meeting Americans from New York to Iowa to California.

A new study reveals the secrets and chemical makeup behind "Shreckstoff"

After five people perished on a controversial submersible dive to the wreckage of the Titanic in June, we got to thinking about what genuine undersea exploration looks like. In this episode, we speak with Tony Perrottet, who profiled the late OceanGate CEO Stockton Rush for Smithsonian magazine in 2019, about our ancient fascination with exploring hostile environments. Then we’re joined by Susan Casey, who has written four best-selling books about the ocean and its creatures, the newest of which is The Underworld: Journeys to the Depths of the Ocean. Susan tells us why understanding the ocean is key to humanity’s survival, and how, while serious research and shipwreck tourism may have some overlap, they remain two very different things. Read Tony Perrottet’s June 2019 (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) Smithsonian (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) profile (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) of Stockton Rush. Learn more about Tony and his work at his site (http://tonyperrottet.com/) . Read an excerpt from Susan Casey’s new book, The Underworld: Journeys to the Depths of the Ocean (https://www.smithsonianmag.com/science-nature/inside-the-nerve-racking-dive-to-an-active-submarine-volcano-180982687/) . Learn more about Susan and her work at her site (https://susancasey.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz (contains elements by Madelgarius (https://commons.wikimedia.org/wiki/File:Titan_(mod%C3%A9lisation_sketchup_-_twilight_render_-_Gimp).jpg) , via Wikimedia Commons under CC BY-SA 4.0) Music by APM Music.

Watch this commercial for Stopette spray deodorant from 1952

Stanley Feder, founder of Simply Sausage, walks us through what it takes to make truly outstanding links.

Four hundred years ago, escaped slaves formed the village of Palenque. The town’s younger generations have reconnected with their African roots through cultural traditions handed down from their ancestors (Kenneth Fletcher/SmithsonianMag.com). Read more at http://www.smithsonianmag.com/travel/colombia-dispatches.html

Watch breathtaking underwater footage off the Panama coast, where coral reefs reproduce in a flurry of carefully-timed action. Read more at http://www.smithsonianmag.com/arts-culture/A-Coral-Reefs-Mass-Spawning.html

This relic from ancient Persia had a profound influence on the Founding Fathers. More on the Cyrus Cylinder: https://www.smithsonianmag.com/smithsonian-institution/the-cyrus-cylinder-goes-on-view-at-the-sackler-gallery-1334866/

The American Ingenuity Award winner describes what it takes to tell a great story

Video by David VanZandt

The past hundred years have seen more than one high-profile prosecution branded as the “crime of the century.” The shocking 1924 crime that was among the first to carry the title turned out to be a harbinger of how public mania around criminal cases could influence the legal system, and how psychiatry would be used and abused by prosecutors and defense attorneys alike as the 20th century wore on and gave way to the 21st. Smithsonian editor Meilan Solly introduces us to teens Nathan Leopold and Richard Loeb and their botched, but still deadly, effort to perpetrate “the perfect crime.” (https://www.smithsonianmag.com/history/why-leopold-and-loeb-committed-cold-blooded-murder-in-the-crime-of-the-century-180984345/) What happened next was also surprising: After confessing to the abduction and murder of 14-year-old Bobby Franks, they were spared capital punishment thanks to their famed attorney Clarence Darrow. True-crime historian Kate Winkler Dawson then tells us how public interest in Leopold and Loeb’s fate helped solidify true crime as a durable subject of fascination. She also tells us about the tools used by the prosecution that were in their infancy during the famed case. Read Meilan Solly's Smithsonian story about Leopold and Loeb here (https://www.smithsonianmag.com/history/why-leopold-and-loeb-committed-cold-blooded-murder-in-the-crime-of-the-century-180984345/) . Learn more about Kate Winkler Dawson, her books, her podcasts, and her work at her site (https://www.katewinklerdawson.com/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz / photography by Katherine Kimball, Joshua Brasted, and Jeremy Tauriac Music by APM Music.

Hung Huynh, winner of Season 3 of Top Chef, prepares the giant clam two different ways, raw and fried. Read more at http://www.smithsonianmag.com/science-nature/Happy-As-Clams.html

Ancient Greeks were endlessly fascinated by Egyptian culture, and especially the Egyptian Gods whom they saw as versions of their own. So much so that they ended up adopting Egyptian culture and customs as their own.

The National Gallery of Art organized a comprehensive exhibit of Robert Frank's work (Images courtesy of: National Gallery of Art; Produced by: Diane Bolz and Brian Wolly)

[Harry Carney Home Movies], Ruth Ellington Collection, Archives Center, National Museum of American History

The Peacock Room at the Smithsonian’s National Museum of Asian Art has it all: friendship, betrayal, revenge, and… peacocks. Learn more about the iconic artist James McNeill Whistler and his shocking feud with patron Frederick Leyland in this new episode of National Treasure. --------- To learn more about the Peacock Room at Smithsonian's National Museum of Asian Art, read below: How Golden Peacocks on a Dining Room Wall Destroyed a Longstanding Friendship in Victorian Society https://www.smithsonianmag.com/smithsonian-institution/how-golden-peacocks-on-a-dining-room-wall-destroyed-a-longstanding-friendship-in-victorian-society-180984735/ Digital Editorial Director: Brian Wolly Director of Programming: Nicki Marko Supervising Producer & Scriptwriter: Michelle Mehrtens Producer & Editor: Sierra Theobald Motion Designer: Ricardo Jaimes

Anthony Atala | Smithsonian Magazine’s 2016 American Ingenuity Award Winner for Life Sciences The director of the Wake Forest Institute for Regenerative Medicine, Atala is a surgeon and leading expert in creating living human tissues and organs to replace those that are defective or damaged. He has spent the past decade attempting to construct living organs using 3-D printing technology. Atala implanted the world’s first laboratory-grown organ into a human in 1999 and, this year, he and his colleagues “printed” cartilage, bone and muscle tissue before successfully implanting them into a lab animal. That’s a crucial first step toward Atala’s long-term goal of overcoming the dire shortage of donated organs with custom-made body parts. Read more about Atala's work: http://smithmag.co/SiiV2J | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

From Smithsonian.com's story on Dave Shealy, Florida's self-proclaimed skunk ape expert: www.smithsonianmag.com/science-nature/trail-floridas-bigfoot-skunk-ape-180949981/

Read more at http://blogs.smithsonianmag.com/aroundthemall/2008/12/music-of-the-tropics-balinese-drum-troupe-performs-at-the-sackler/ Bells and gongs are the sounds behind Gamelan music, which has different variants from one Indonesian island to the next.

In WW2, the British made destroying German dams a key strategic target in order to kneecap the German industrial effort. To accomplish this, they needed a special plane to deliver the payload: the Lancaster Bomber.

Watch newsreel footage of Angel Macias' astonishing performance at the Little League World Series.

Our photographer gets up close and personal with orcas in Norway. Credit: Jacques de Vos and Jeremy Goncalves with Valhalla Orca Expedition

Alexander Nemerov looks back at the artist's life and how earlymisfortunes shaped his interpretation of the 1940s

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

You don’t actually see microwaves, you only see what they do to your food. So how, exactly, does it warm up your lunch?

Taylor Swift and Beyoncé have achieved a degree of power in the music industry that singer/songwriters of earlier eras like Joan Baez—as the folk icon tells us—never even contemplated. Six decades ago, Baez was part of a folk revival that regarded music not merely as entertainment but as a vessel for political engagement and social change. In the documentary Joan Baez: I Am a Noise, the now-83-year-old musician and activist reflects on her career and legacy. Smithsonian senior editor Jennie Rothenberg Gritz interviewed Baez about the film and about the shifting intersection of art and activism. We present excerpts from that conversation in this episode. Then, veteran music critic Evelyn McDonnell discusses how the political dimensions of pop music have changed since Baez’s era, and what it means that many fans now look Beyoncé and Taylor Swift not just for great music, but for comment on the state of the world. Clips from Joan Baez: I Am a Noise in this episode are used with permission from Magnolia Pictures & Mead Street Films. Learn more about that film here (https://www.magpictures.com/joanbaez/) . Evelyn McDonnell’s latest book is The World According to Joan Didion (https://www.harpercollins.com/products/the-world-according-to-joan-didion-evelyn-mcdonnell?variant=41001679487010) . You can learn more about Evelyn and her work at her site, Populism (https://populismblog.wordpress.com/about-2/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Have you ever wondered why these birds strike this peculiar pose? Find out in this one-minute video, where Ask Smithsonian host Eric Schulze walks us through the reasons behind the majestic bird’s one-legged stance.

Senior historian Sid Hart discusses the highlights of the National Portrait Gallerys Hall of Presidents. (Filmed and Edited by Ryan Reed / Produced by Beth Py-Lieberman, Megan Gambino and Jesse Rhodes). Read more at https://www.smithsonianmag.com/smithsonian-institution/tour-the-portrait-gallerys-hall-of-presidents-on-presidents-day-39165669/

Watch how the artist directs his team so when a photograph is taken, Bolin is completely camouflaged by his surroundings

Geese have known something for millions of years that humans have only recently figured out for themselves.

The team at the Ol Pejeta Conservancy needs to transport Kinani, a blind male elephant, to a 4,000-acre compound where he'll be able to roam freely without disturbing other wildlife. Weighing in at nearly eight tons, it'll take careful maneuvering and custom equipment to bring the animal to his new sanctuary.