A follow-up to the book by the same name, this intriguing film shows how one American family has weaned itself off fossil fuels.

This fascinating film reveals disturbing facts about malnutrition and infant mortality, and the role of insidious corporations in perpetuating these problems.

If you care about water quality and ethical textile production, then this is a project worth supporting. Watch the trailer and be inspired to help.

South Carolina health department announces a human rabies case sourced from a bat.

From Gasland II to Dirty Business, some of the most active environmental documentary makers in the country are joining forces to build a movement.

Leading a coalition of investment institutions which managed to include a paragraph on the need for sustainable reporting, Dr. Waygood says this small text can make a difference.

See this fascinating documentary about the dedicated man who created a forest the size of Central Park.

Complete Tax Forms Fast, Easy, And Secure For Taxpayers And Accountants

The Leukemia & Lymphoma Society exists to find cures and ensure access to treatments for blood cancer patients. We are saving lives not someday, but today.

Van Grack's withdrawal follows the release of documents in the case, which Flynn's defenders say show evidence of government wrongdoing.

Made in Senegal takes an in-depth look at the rise of Liverpool forward Sadio Mané, who is the current African player of the year. The documentary will be exclusively available across Europe on Rakuten TV’s free Rakuten Stories channel from 8 April.

One virus; 18 ways of seeing the world. Covid Latam is a collective project documenting the coronavirus pandemic as it unfolds across Latin America. Photographers – 9 men and 9 women – are working in 13 countries: Colombia, Brazil, Peru, Bolivia, Ecuador, Argentina, Chile, Uruguay, Venezuela, Guatemala, Costa Rica, Cuba and Mexico to document the unfolding story of the pandemic through the Covid Latam instagram account

The hit docuseries on Michael Jordan and the 1990s Chicago Bulls scores big as entertainment, but journalistic compromises make it little more than longform branded content

Not long after ESPN scored its first ever Academy Award for Ezra Edelman’s nonpareil OJ: Made in America, a masterclass in longform investigative journalism that drew comparisons to Mailer and Caro, the network announced another multi-part documentary series centering on an American sports icon. The Last Dance, a 10-part film jointly produced with Netflix, promised an unvarnished deep dive into one of the most transformative stars and feted dynasties in the history of sports: Michael Jordan and the 1990s Chicago Bulls.

The anticipation only mounted with the release of a glossy extended trailer at Christmas that teased never-before-seen footage and a star-studded roster of interviewees – Barack Obama! Justin Timberlake! – along with the participation of Jordan himself, who has spoken only sparingly about the Bulls’ imperious reign and dumbfounding break-up in the two decades since his playing days. Initially slated for a June release alongside this year’s NBA finals, ESPN swiftly moved up the premiere date to April after the coronavirus pandemic went scorched earth on its spring programming schedule.

When the trailer of Shank’s hit the Internet two years ago, it garnered over 2,00,000 views in under a fortnight. And, why not? Until then we had not really seen stylised montages of modaks and varan bhaat being served in a fine-dining ambience. The trailer had us curious about Ashay Dileep Javadekar’s film, which looked like a documentary. Where is this Shank’s, the Marathi fine-dining place, we wondered. Two years on, with the release of the film online, we have the answers.

The 1 hour, 11 minute-long film, shot on a Canon Powershot and iPhone 6, traces the journey of Shashank Joshi, a man who nurtured and nourished his dream of being a chef, right from his boyhood days in a small town in Maharashtra. We know him, little by little, through his family, especially one cousin he is close to. We know him through his college friend, through food critics and historians, and most importantly, his mentor’s daughter Pauline with whom he has the most extraordinary journey. We see how he had to fight the odds, and nearly give up before he makes his dream a reality.

Bhave in a still from the film

A generous part of the film is made of lush close-up shots of Maharashtrian food that is sure to get Indians, especially those from the state, excited. And for Westerners, well, it’s Indian food like they have never seen before — a far cry from tandoori chicken, paneer masala and dal makhni. The screenplay uses a documentary narrative to tell a fictional story. Javadekar seems to be an ardent believer of the phrase: God is in the details. The care with which each character has been crafted, from dialogues to props and their stories, you forget that none of it is real. That’s also because of the convincing performances the actors bring to the table. Makarand Bhave becomes Shashank, in the controlled passion with which he narrates his story. Playing Pauline Bonnet-Joshi, his partner in crime, is Melissa Ehrlich Blevins. She brings so many moods into her account, from compassion, to vulnerability, excitement, and determination. The supporting cast is also impressive.

Besides telling an absorbing story, Shank’s makes us ponder on questions like how the West perceives Indian cuisine, the importance of educating customers on the food, and also, the gender bias in the industry, a reality that is larger than we wish to acknowledge. Food for thought, quite literally. The film can be streamed seamlessly, at a reasonable price on a pay-per-view platform. Shank’s heroes Maharashtrian food like never before, but, more than that it urges dreamers, aspiring restaurateurs in this case, to make their real voices heard. Minus a few rough edges in production, the film might remind you of Chef’s Table. That’s interesting because when this film was made, Chef’s Table was yet to hit the screen. A word of caution though: Do not watch it on an empty stomach, unless you are looking to work up an appetite.

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A still from Some Stories Around Witches

In the tribal villages of Odisha, a teenage girl kills an elderly relative believing that she is a witch and the cause of her father’s death. Overnight, a village turns into a mob to kill three people — a man and two women — who were identified as witches by a witch doctor. Meanwhile, a family is threatened and ostracised, for it is believed they bring ill fate, after they cook meat.

Lipika Singh Darai

The audience is engaged with three real life incidents in the 53-minute documentary, Some Stories Around Witches. Directed by Bhubaneswar-based FTII alumnus Lipika Singh Darai and produced by the Public Service Broadcasting Trust (PSBT), the film explores the politics of witch hunting and the humanitarian crisis surrounding it. It will be screened tomorrow as part of the 22nd edition of Dr Bhau Daji Lad Mumbai City Museum’s monthly screening programme, Movies At The Museum.

“There is a mystery surrounding tradition and myths about witchcraft but we should also see it in the light of socio economics and politics to understand the complexity of the events. The cases are very sensitive and my priority was to make the camera’s presence insignificant,” says Darai, who will be present for a Q&A session post the screening, which marks its premiere in Mumbai.

At the event, also catch the screening of another PSBT production, There Is Something In The Air. Directed by Delhi-based filmmaker Iram Ghufran, the Hindi-Urdu documentary is a series of dream narratives, and accounts of spiritual possession as experienced by women ‘petitioners’ at the shrine of a Sufi saint in north India.

A new Michael Jordan television documentary has become a smash hit for NBA fans whose hope of watching the playoffs these days was scuttled by the coronavirus pandemic. "The Last Dance" details the career of the NBA legend who led the Chicago Bulls to six titles in the 1990s, with editions three and four of the 10-part saga telecast on Sunday. It was the top ESPN telecast in the advertiser-prized 18-to-34 demographic since the shut down of sport due to the coronavirus pandemic.

In all, 6.1 million people watched the opening episodes in the United States, making the documentary Twitter's top trending topic and ESPN's most watched original program since the network began producing such shows 16 years ago. An average of 5.9 million viewers watched the latest episodes aired in the US on Sunday. "The Last Dance" mixes previously unaired behind-the-scenes footage taken by a special camera crew with the Bulls during their 1997-98 NBA championship run with the retelling of Jordan's amazing story from his youthful days to Chicago's amazing dynasty run of six 1990s NBA titles.

The project was set to be broadcast in June when the NBA Finals were scheduled, but when sports programs were wiped out due to the global virus pandemic, ESPN advanced the release date. The Jordan documentary's blockbuster success looks likely to spark similar projects. Kobe Bryant, the Los Angeles Lakers superstar who died in a January helicopter crash, had a personal camera crew follow him around during his final NBA season, ESPN reported last week, hinting that behind-the-scenes footage could become part of a Bryant documentary.

Bryant, a five-time NBA champion, scored 60 points in his final NBA game in 2016, which capped the worst season in Lakers history at 17-65. Dwyane Wade, a member of the 2008 US Olympic "Redeem Team" that won Beijing gold after a 2004 bronze at Athens, says he is already executive producing a documentary about that collection of NBA talent.

A lingering hatred

ESPN has aired discussion shows about the documentary after telecasts, with Sunday's episodes about Jordan's lingering hatred of the Detroit Pistons leading to Monday interviews with former Detroit star Isiah Thomas, notably about the Pistons snubbing the Bulls for post-game handshakes when Chicago swept the defending champions out of the 1991 playoffs.

"I hated them," Jordan said in the fourth chapter of the documentary. "And that hate carries even to this day." Thomas was not selected as a member of the 1992 Barcelona US Olympic gold medal "Dream Team" -- an NBA all-star lineup that featured Jordan -- and Thomas said Monday on ESPN that he hoped the handshake snub wasn't the reason why he didn't make the historic lineup.

"If I'm not part of the Dream Team for that lapse of emotion, for not shaking somebody's hand, then I'm more disappointed today than I was back then when I wasn't selected," Thomas said. "I paid a heavy price. If that moment meant I'm not selected to be on the Dream Team because of that moment, that's hurtful. That cuts deep."

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In the light of the COVID 19 Pandemic, the 2020 Hot Docs Festival in Toronto, which is the world's largest documentary film festival was in jeopardy but the Film Festival, has decided to uphold & celebrate the spirit of movie making & film-makers, by showcasing a multi-platform 'festival-at-home' experience to its audience that kick-starts on May 28.

The only Indian film premiering at this prestigious international festival is Sona Mohapatra's documentary, Shut Up Sona. Directed by Deepti Gupta, the feature length film resonates with every woman's search for equal space in a culture ridden with millennia of misogyny. This is a film about music, art, social change, and a clashing of the ancient and the modern & this political story is told via the journey of Sona Mohapatra & her relentless fight for a voice. Her unapologetic personality has been rendered beautifully in the 85-minute film that takes the audience through the alleys of Vrindavan to the doorstep of a Dargah, rooting it in the diverse culture of the country, & questioning the patriarchy even prevalent in the Uber cool alleyways of Bollywood.

The film that premiered at MAMI in 2019 & won a critics guild award there, has gone on to make a big impact at the Rotterdam Festival, Goteborg Festival, even winning a special mention at Impact Docs Award. Speaking about it, Sona says, "With the world locked down & in anxious times, music, storytelling, cinema & art play an even more important role in helping us get back on our feet as a society."

She adds, "I am grateful that SHUT UP SONA will find an entirely new audience in another part of the world through the Hot Docs Festival. I couldn't have imagined that our film would be selected in these top festivals of the world when we were making it. That it is a universal story that is finding resonance across the globe validates my journey as an artist who has never felt restricted to being just a singer. I carry my country, it's art, it's present & its history within me. In telling my story, I hope to connect the disparate dots within my culture to build a narrative that portrays a more nuanced view of the hopes & aspirations of India."

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Moshe Holtzberg praying with the Rabbi at Chabad House on Wednesday. Oren Rosenfeld, Israeli documentary maker, who flew with the family to Mumbai from Tel Aviv on Tuesday says the 11-year-old is aware of his past and what it represents. Pic Courtesy/Oren Rosenfeld

It's nearing 4.30 pm, and there's much activity at the Magen David Synagogue in Byculla. Carpets are being laid out and guests who will probably have to wait long are being offered tea and coffee. There's a lawn outside where - with the sun not at its shiniest best thanks to Mumbai's faux winter - a few tables and chairs have been laid out with white satin sheets that the brain registers as celebratory. In the midst of the activity, avoiding the scaffolds that still line the freshly painted blue walls of the 154-year-old synagogue, stands Devina Sankar, a Los Angeles resident who is in Mumbai on a three-week vacation. Looking into a Sony PXW-X70 handycam, she reminisces her school days spent next-door, where as a naughty student she'd often have her ears twisted. It elicits a sound of surprise from the man behind the camera, Oren Rosenfeld. An Israeli filmmaker, in India to document Mumbai's Jewish community, Rosenfeld is collecting several such accounts of the Jewish community's India experience.

In between interviews with his subjects, primarily Eddna Samuel (a Parel resident who Rosenfeld poetically calls the needle through which he will thread the narrative of his feature-length documentary), he points out that the synagogue, which is currently being prepped for the launch of a monthly magazine celebrating India-Israel ties and the Jewish community here titled, Namaste Shalom, is a Baghdadi-Jew synagogue. It's a community that most recall for its best-known Mumbai member, David Sassoon. "What's interesting here is that the Baghdadi Jews and Bene-Israelis [Jewish settlers in India who trace their history to the Lost Tribes] have come together. There are certain prayers in Judaism that cannot be conducted if there are less than 10 men. So, to fulfill that requirement, the Bene-Israelis come over to Baghdadi synagogues to up numbers," he adds.

Rosenfeld meets Baby Moshe's uncle Moshe Holtzberg at the Nariman Point home of common friend Suril Desai, also executive producer of the Mumbai Jews documentary. Moshe Senior, a Rabbi, lives in New York, and has flown in for the three-day visit of the family to Chabad House which he worked to ensure was not shut down. Rosenfeld says that while members of the Chabad House usually don’t mingle with other Jewish communities, the 26/11 attacks changed that in Mumbai, achieving the opposite. Pics/Atul Kamble

The timing of the magazine's launch, admits Rosenfeld, couldn't have been better. While the media seems to have almost given this a miss, just a few kilometres away Prime Ministers Narendra Modi and Benjamin Netanyahu are setting the stage for better economic and strategic ties between the two countries at Colaba's Hotel Taj Mahal Palace. "But, I don't think they planned it that way."

Almost as if answering a question unasked, Rosenfeld, who runs the Jerusalem-based Holy Land Productions and has worked on projects for the BBC and National Geographic, says "I don't need to be there [i.e. Colaba]. I already have great shots from yesterday." What Rosenfeld refers to is the almost exclusive access he enjoyed as a journalist to Baby Moshe, 11, whose parents Rabbi Gavriel Holtzberg and Rivka Holtzberg were killed during the terror attacks at Chabad House on November 26, 2008. Baby Moshe (referred to as such because he shares his first name with his uncle) made his first visit to Mumbai post 26/11 on Tuesday amidst much media frenzy. Rosenfeld was invited by the Holtzberg family (Gavriel and Rivka's parents) to travel with them on the flight from Tel Aviv to Mumbai last week, and later Baby Moshe's first steps into Nariman House after the time his parents were killed along with four others.

Devina Sankar, a Los Angeles resident in Mumbai on a three-week vacation, speaks to Rosenfeld outside the Magen David Synagogue in Byculla where the Namaste Shalom magazine was launched on Thursday. Pic/Sayyed Sameer Abedi

On putting the boy through this, Rosenfeld says, "Baby Moshe always has his four grandparents around him. Plus, there's a psychologist who travels with him. He is showing signs of awareness of his past." Rosenfeld, who has a young son the same age as Moshe, says, "In Judaisim, a boy is said to become an adult at the age of 13, which is when the Bar Mitzvah is held. Moshe is almost that age now."

Initially, shy, Baby Moshe soon became comfortable with Rosenfeld's presence. A photograph the filmmaker picks from his iOS gallery is of the child standing before a luggage conveyor belt at Mumbai T2 alone. "He stepped away from his grandparents and waited at the carousel to pick up his heavy bag," he says, about a symbolic scene.

Chabad House, says the 41-year-old filmmaker, across the world has represented a community that has stood away from local communities. "They are more traditional and have stricter kosher rules." What the Mumbai attacks did, however, was to bring all of the city's Jews together. "On Tuesday, at a local Jewish community event, Moshe's grandparents were invited to speak. This [members of a Chabad House mingling] doesn't happen anywhere. If the idea of the terror attack was to shake the community, it did the opposite. It only made them stronger."

Yet, this might only inform a small part of the documentary. Had it not been for the connection between the communities forged after the attacks, the two would have been separate entities. What he is looking for is a Mumbai Jew's life in the city. "In Israel you have a lot of Jews who have come from different countries. However, the ones from India still share a deep connect with the country. They are in touch with their families and return here for vacations."

The travel back and forth is important. Samuel, when the camera is turned away from her, expresses how a multi-entry visa would help everyone. But that's for the PMs' ears. For Rosenfeld's camera, she talks about the excitement of seeing an article, on her life and her community, appearing in Namaste Shalom. And, when that's done, Rosenfeld disappears into the sidelines and records the rest of the evening. A coffee he was drinking is hastily put to rest on the floor as a BJP dignitary he probably doesn't recognise makes a late entry.

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Caribbean territory Aruba has released instructions on the completion of transfer pricing documentation and released model templates for completion.

On April 17, 2020, the President of Poland signed legislation into law to extend transfer pricing documentation deadlines, as part of a package of additional COVID-19 economic support measures.

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On the occasion of the OECD High Level Policy Forum on Migration taking place on December 1 and 2 2014, Secretary General Angel Gurria congratulates President Obama on taking action to address the unsustainable situation of undocumented immigrants.

As part of its project on transfer pricing simplification, the OECD has released a White Paper on Transfer Pricing Documentation. Comments of interested persons are requested by 1 October 2013.

On 30 July 2013, the OECD invited comments from interested parties on the White paper on Transfer Pricing Documentation, released as part of its project on transfer pricing simplification. The OECD now publishes the comments received.

Interested parties are invited to comment on this paper prepared by the OECD in the context of revision to Chapter V of the Transfer Pricing Guidelines.

On 30 January 2014, the OECD invited comments from interested parties on the Discussion Draft on transfer pricing documentation and country-by-country reporting. The OECD now publishes the comments received.

The OECD will hold a public consultation on the discussion draft on transfer pricing documentation and country-by-country reporting on 19 May 2014 at the OECD in Paris, France.

Responses are invited to the questions included in a consultation document on issues and suggestions related to the impact of the Report on BEPS Action 6 on the tax treaty entitlement of non-CIV funds.

Today the OECD released key documents, approved by the Inclusive Framework on BEPS, which will form the basis of the peer review of Action 13 Country-by-Country Reporting and for the peer review of the Action 5 transparency framework.

Today the OECD released the key document, approved by the Inclusive Framework on BEPS, which will form the basis of the peer review of the Action 6 minimum standard on preventing the granting of treaty benefits in inappropriate circumstances.

Public input is sought both to obtain further evidence on the misuse of CBI/RBI schemes and on effective ways for preventing abuse.

The Platform for Collaboration on Tax – a joint initiative of the IMF, OECD, UN and World Bank Group – is seeking feedback from the public on a draft toolkit designed to help developing countries in the implementation of effective transfer pricing documentation requirements.

As part of the ongoing work of the OECD/G20 Inclusive Framework on BEPS (Inclusive Framework), the OECD invites public comments on the Review of the BEPS Action 13 minimum standard.

The doctor at the heart of this film shows dauntless compassion

Alex Gibney’s film portrays its subject as all but flawless. Can that be right?

There are potent moments here amid the stage-managed gloss

Corneliu Porumboiu’s film introduces us to a man with big ideas for the beautiful game

Driven by ubiquitous video technology, a new wave of films – such as the award-winning ‘Gaza: Chronicles of a Conflict’ – favours rawness and immediacy over explanation and context  

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When Liliana Pertenava decided to go all-in on crypto by investing $2,000 in a mining rig in 2017, she went so far down the crypto rabbit-hole she decided to make a documentary about it. If you’re locked-down and looking for something to watch, you could do worse than sit down and watch “Crypto Rush,” which […]

Back in 2018 Templafy — which had come up with a way for enterprises to more easily make templates out of standard documents (yes, it’s a thing) — raised an additional $15 million from existing investors as an extension of its earlier Series B round taking it to $40.2 million raised. The company integrates with enterprise infrastructure to […]

G.S.R.(E) - dated 05.10.2011 - The Companies (Filing of documents and forms in Extensible Business Reporting Language) Rules, 2011

They both found fame as solo artists.