Those who have grown up on a staple Bollywood diet may not be very charmed with The Extraordinary Journey of the Fakir but it might be a fun ride for hopeless romantics.

The storytelling style is warm and appealing with the right amount of humour, anecdotes and lessons for life.

Reddy’s direction is impressive. He knows his material well and keeps it on a tight leash, never skipping a beat.

Kabir Singh is an unmistakably misogynistic film, but the sad part is that it’s exactly these troubling portions that the filmmakers peddle as intense love.

Even in its fourth outing, never once does Toy Story 4 feel like a cash-grab sequel; like it was made by profit-hungry executives focused on milking a successful brand.

Despite being the origin story, Annabelle Comes Home lacks the innovation. It’s a pretty straight forward tale of werewolves coming out of thin air and screaming their lungs out up close.

There are moments in Anubhav Sinha’s Article 15 that are so disturbing they feel like a punch to the gut.

Apart from the really stretched action sequence in the end, there isn’t a lot to complain about in Spider-Man: Far From Home.

Shoplifters is a great effort, and is narrated without any intrusive music – a horrible feature that mars most Indian films. Not to be missed this weekend.

Unlike the previous seasons, the Duffer Brothers have made sure that the new season has more humour.

The movie could have done with more fleshed-out characters and a psychological density that is sorely absent in the haphazard handling of the plot's crisis line.

Mangesh Hadawale’s direction, unfortunately, lacks the finesse that we saw in his award-winning Marathi film Tingya.

Connecting the dots of this feel-good story and filling in the colours is actor Hrithik Roshan along with a talented ensemble of actors.

Hrithik Roshan-starrer Super 30 is about Patna-based mathematician Anand Kumar who succeeds against all odds.

'Gullak' celebrates a small-town in North India, family and its stories that we all probably reminisce about every day.

The Lion King’s newest version without a shadow of a doubt is a marvel of creative technology. It is the sort of film that parents would like to take their kids to watch over the weekend.

The film seems like a grim gangland saga that inadvertently becomes funny, and an attempted spoof of a gangland saga that is far from funny.

'Typewriter' is a Netflix Original horror series produced by Shah Rukh Khan's Red Chillies Entertainment. All episodes are available for streaming now.

Kangana Ranaut once again turns in a bravura performance- sincere, believable and watchable all the time.

Diljit Dosanjh is affable but profoundly bland as Arjun Patiala. Varun Sharma as Arjun's side-kick Onida and Kriti Sanon as Ritu Randhawa are tolerable.

In 'Judgementall Hai Kya,' Kangana Ranaut is solid, and Rajkummar Rao brings a real element of mystery to his character, never allowing us to feel like we’ve entirely figured the guy out.

Hobbs and Shaw delivers more than what it promises. It’s a solid adrenaline-pumping film with an unwavering focus.

The movie makers stay true to their promise of, “The Only Sex Film for the Whole Family” and the film ends up being a straitjacketed one for it.

AndhaDhun's most noticeable performance comes from Tabu. She is delightful to watch.

Director Prashant Singh’s Jabariya Jodi is a film that props up a love story by the aforementioned premise.

Planning to watch Uri: The Surgical Strike this weekend? Read our review of the film first.

Based on Nickelodeon's wildly popular Dora The Explorer series, this live-action adaptation is engaging and entertaining, but silly at times.

Scary Stories to Tell in the Dark is a clever and well-crafted adaptation of Alvin Schwrtz's ubiquitous horror series of three books of short stories.

Batla House combines all the essential tropes of mainstream Bollywood films in remarkably entertaining fashion, and make you sit and notice the fluidity of the narrative.

The making of Ganesh Gaitonde has everything you would expect from a classic Netflix tale, and more. Which means, you’re in for a thrilling time.

Akshay Kumar's Mission Mangal recounts the story of this mammoth event in the tried and tested, personal anecdotal style.

'Once Upon a Time in Hollywood' may not be Quentin Tarantino’s best, but it’s a laidback, change-of-pace offering that delivers many unexpected pleasures.

Mission Mangal is enjoyable and entertaining. With Akshay Kumar and Vidya Balan, director Jagan Shakti delivers a space movie that lifts off and frequently soars.

Batla House is a fascinating premise, and an especially unlikely character for John. But the film can’t decide what it wants to be – a melancholic character piece, or a thriller with chases and shootouts.

Thurop Van Orman, a voice actor and cartoonist, makes his debut as a director and a reasonably competent one at that.

While Season 1 makes you reflect upon your actions, Season 2 established that there's another side to every story. Season 3 tries to explain that nothing's black and white.

On the technical front, the film is astutely mounted with all the trappings of an A-grade action film. The fight sequences are brilliantly choreographed, picturised and layered.

If you’re in the mood for guilty pleasure, 'Crawl' is not a bad way to spend an evening. Read our review of 'Piranha 3D' director's new creature flick here.

The impressively staged but ultimately exhausting action sequences take up the bulk of screen time, but they can’t salvage this soulless film that has all the depth and emotional wallop of a video game.

Chhichhore is all about its characters, frankly, and the hoops they're made to jump. In them you'll likely find traces and memories of your own youth.

Shraddha Kapoor and Sushant Singh Rajput bring a touch of glamour and of course, the much sought after romance to campus life.

This film is another example of how filmmakers lose grip on the story in the sequel. IT Chapter 2 is a letdown, and isn’t worth your penny.

Dream Girl will surely entertain the film going audiences while sparking off an important conversation on gender constructs in Indian cinema.

For most part of it, Section 375 keeps you confused about the possible outcome of the case, and that’s a moral victory the director can claim.

In Dream Girl, Ayushmann plays Karam, an unemployed young man in Gokul, Mathura, who takes a job at a call centre. Read our review of the film here.

Section 375 is a well-made film with a persuasive argument that is nevertheless disturbing. read our review of the film here.

Fortune favours the brave and this one with all the talent it's equipped with plus 'The Zoya Factor' certainly seems to hold the promise of box office success. Read our full review below.

Sonam Kapoor and Dulquer Salmaan's The Zoya Factor is not an unwatchable film by any measure. But it squanders the opportunity to say something about the world we live in, and our reliance on luck as both a crutch and an excuse.

Bard of Blood, directed by Ribhu Dasgupta, presents Emraan Hashmi as a rogue spy who goes inside Balochistan for a dangerous mission.

Bulbul Can Sing unfolds unhurriedly, as if matching the pace of life in a small village. It can get testing especially in the later half, but stay with it.