WIRED and fxguide.com traveled to Wellington, New Zealand for an exclusive look at the work of acclaimed visual effects studio WETA Digital on Man of Steel. In this exclusive video, find out how Krypton's "Liquid Geo" display tech was designed and brought to life.

Get a bots'-eye view of the "human exclusion zone" in a massive warehouse where an army of high-tech robots finds and fulfills up to 30,000 orders a day.

WIRED's exclusive behind the scenes look at the making of "World War Z" reveals how the visual effects artists at MPC used massive crowd simulations and hand animation to create the devastating swarming of Jerusalem by a zombie horde.

Wired editors Chris Kohler and Peter Rubin experience the new HD 1080p version of the Oculus Rift virtual reality headset at the E3 expo. Watch their reactions and hear their detailed review in this episode of Wired's Game|Life.

WIRED breaks down an exclusive clip from "Pacific Rim" with John Knoll, Chief Creative Officer from Industrial Light & Magic, exploring how design decisions affect the success of a blockbuster visual effects shot.

Special Correspondent Cara Santa Maria goes on safari at SDCC 2013 in search of the most expensive item at the con.

Medicine has an expiration stamp—but Is it actually, you know, serious? Or are those sell-by dates just a Big Pharma racket? Mr. Know-It-All gives you a healthy dose of the truth.

Years before he hacked Donkey Kong and became an internet sensation, game designer Mike Mika engineered another epic hack that had an even bigger impact on his life.

Angry Nerd used to love Pixar. Then they got lazy, churning out one tired sequel after another. Has this once shining beacon of creativity totally sold out?

WIRED has an exclusive look at the visual effects of Director Neill Blomkamp's dark futuristic thriller, Elysium. Find out how the artists at "Image Engine" brought the patrolling packs of armed robots to life and turned the real world nirvana of Malibu into the orbiting playground of the space bound elite.

Daenerys Targaryen's dragons on HBO's Games of Thrones are fan favorites, and WIRED has an incredible, exclusive look at how they were brought to life with feature film quality by the visual effects artists at Pixmondo. Virtual wind tunnels, water simulations and real world references all played a part in constructing their realistic behaviors.

Members of the band Calexico play an acoustic version of Crystal Frontier in Frank Lloyd Wright’s Taliesin West.

See how the chefs at the Momofuku Culinary Lab create dishes packed with umami flavor!

Amp up the umami at home with this recipe from our friends at Bon Appétit. Alison Roman, in the BA test kitchen, worked with Dan Felder, head of R&D at David Chang's Momofuku Culinary Lab in New York, to develop this recipe for optimum umami pow.

Genius is everywhere - but we're wasting it. In the November issue of WIRED, we explore how to unleash the great minds of tomorrow. Plus 26 winter gear essentials, the Nest Protect, North Korean Instagrams, and much more! Online and on Tablets: 10.15.2013 On Newsstands: 10.22.2013

A signature sequence in Gavin Hood’s newest film Ender’s Game is the zero-G battle room, a place where the titular character played by Asa Butterfield trains in space. Hoping to create a sense of weightlessness, the filmmakers shot actors in a mix of harnesses and on wires against a greenscreen set.

We got the PlayStation 4! Sony’s new console comes out on November 15 in the US, but we went to Sony’s Tokyo HQ and asked engineering director Yasuhiro Ootori to give WIRED an exclusive look inside the new system—literally. Like, he takes it apart piece by piece and explains what all the parts do, and how they fit together.

From medical vaccines to financial services to educational resources, connectivity is key. Bill Gates and President Bill Clinton explain the positive impact of being plugged in on a global scale. For more from Bill Gates and President Clinton, check out the December 2013 issue of WIRED.

With American exceptionalism waning, is the U.S. destined to be left in the dust? Bill Gates and President Bill Clinton talk about the significance of building a future of shared success and responsibility in order to create a thriving global economy. For more from Bill Gates and President Clinton, check out the December 2013 issue of WIRED.

How do we end poverty? Design for the developing world? Eradicate polio? Those are the kind of questions that Bill Gates, guest editor of WIRED's December issue, wants to answer. We're looking at how technology and science can invent a better world—with an interview with Bill Gates and President Bill Clinton, a guiltless gift guide, prototypes of planet-saving gadgets, and a few glow-in-the-dark mosquitos. Online and on Tablets: 11.12.13 On Newsstands: 11.19.13

Bill Gates and President Bill Clinton have managed to transition from Microsoft co-founder and former U.S. commander-in-chief to hands-on philanthropists. With a passion for charity and aid work, the two describe their health- and education-focused initiatives, and explain why their statuses don’t mean squat when they’re helping out in developing nations. For more from Bill Gates and President Clinton, check out the December 2013 issue of WIRED.

Passion and optimism often go hand-in-hand, which couldn’t be truer for Bill Gates and President Bill Clinton when it comes to their outlook on the future. The two share their thoughts on the rapid pace and excitement of today’s innovations, and how humanity’s balance between conflict and cooperation will continue to fuel economic opportunity for years to come. For more from Bill Gates and President Clinton, check out the December 2013 issue of WIRED.

To create the world of Asgard in Thor: The Dark World, filmmaker Alan Taylor enlisted the help of digital effects company The Third Floor. Using a process called previsualization, The Third Floor created fully rendered low-res CG sets and characters, allowing the director to see, plan out, and experiment with scenes before shooting them.

Find out how animation company Animal Logic used complex feather and muscle simulation systems to depict the prehistoric animals in Walking With Dinosaurs.

Consider it electronic Lego. littleBits consists of tiny modules that snap together to form circuits, creating simple devices and teaching basic electronics.

This steel toolbox from Japanese brand Trusco adds a double-hinged lid and some slick design to the classic form.

Is the education system ready for a revolution? In this World Economic Forum discussion Jose Ferreira, CEO and founder of Knewton, explains how a more personalized, adaptive program would increase access to education and improve the quality of teaching.

David Eisenberg, co-founder and CEO of Floored, explains how his company transforms real estate floor plans into 3D experiences using Intel's agile technology, allowing consumers to skip the walkthrough and take a virtual 3D tour instead. Brought to you by Intel.

Infrared5 co-founders Chris and Rebecca Allen are revolutionizing the multi-screen experience. With their popular computer game Brass Monkey they’re bringing people together with socially, multi-screen experiences that turn smart phones into game controllers and PC/Tablets into consoles. Brought to you by Intel.

Director Peter Jackson and FXguide’s Mike Seymour reveal how a pivotal seven-minute action sequence in The Hobbit: The Desolation of Smaug was created with a combined 98 hours of footage from aerial shots, green-screen sets, live-action shoots, and complex CG environments.

For the latest reboot of sci-fi classic RoboCop, filmmakers opted for a mix of visual effects to achieve a realistic look. Fxguide’s Mike Seymour dives into the combination of creating a special effects suit for star Joel Kinnaman to wear, and the post CGI work that helped bring the half-man/half-robot to life.

Hollywood is always trying to sell us crazy computer interfaces. Wavy hands and holograms? Never gonna happen. But now Fox News is in on the game, too—and the Angry Nerd is unfairly unbalanced about the network's giant, newsgathering touch screens.

And on the eighth day, we got apps. Fxguide’s Mike Seymour details the how the upcoming blockbuster, Noah, was able to control the mechanics of a giant custom rain machine in a studio that size of two football fields with the use of a single iPad app.

Industrial Light & Magic was tasked with updating the helicarriers in the new film Captain America: The Winter Soldier. FXguide’s Mike Seymour talks to the visual effects company to find out what new details were added to the S.H.I.E.L.D. aircrafts, and how the effects team created a digital modeling environment for the epic helicarrier crash scene.

In Brick Mansions, parkour co-founder David Belle shows off his wall-climbing, window-jumping, rail-surfing action skills. So why isn't Belle the new Bruce Lee? This should be the greatest genre in cinema history. Angry Nerd blames the French.

In 1983 after the critical and commercial failure of Atari’s E.T. the Extra-Terrestrial video game, the company allegedly dumped millions of cartridges into a landfill in Alamogordo, N.M. Now, more than 30 years later, the site is being excavated and filmed for an upcoming docu-series by The Incredible Hulk screenwriter Zak Penn. The day before the big dig we headed south to talk with Penn about the urban legend. Plus, check out our exclusive first look at the excavation site.

It’s been dubbed The Great Video Game Burial of 1983, but did Atari really toss millions of cartridges of its biggest flop: E.T. the Extra-Terrestrial? Chris Kohler is onsite to witness an excavation of the landfill to see if the joke’s really on us, and to talk with those involved with the project, including original game designer Howard Scott Warshaw.

In The Amazing Spider-Man 2, Jamie Foxx stars as Electro, the glowing antagonist to Andrew Garfield’s Spidey. In this video, learn how Sony Pictures Imageworks used a combination of makeup and CGI to turn the Academy Award winner into a blue, electrically-charged villain--with inspiration from lightning, neurological networks, and nebulas.

Angry Nerd has been to the future and he brings back an important message: don’t see the new X-Men movie. With a scrambled timeline and inclusion of too many sub-franchises, the film adds a new dimension to the “days of future past” continuum: straight confusion.

After Roland Emmerich missed the mark with Godzilla in 1998, we had reason to be skeptical of Gareth Edwards’ new remake. Fxguide’s Mike Seymour goes inside the special effects behind the latest incarnation, in which effects company MPC designed the largest Godzilla yet, featuring an animalistic appearance with anthropomorphized traits.

Angelina Jolie stars in Disney’s new Maleficent, featuring a forest world of detailed visual effects. Mike Seymour delves into how facial movement experts Digital Domain, worked to re-create realistic, fully digital counterparts to the story’s three fairies.

In X-Men: Days of Future Past, the mutant clan goes head-to-head with the Sentinels—a group of dystopian-era robots. Effects experts MPC created the Sentinels’ special effects using a follicle-like animation, comprised of tiny scales. Mike Seymour explains how they accomplished the technically complicated designs.

With Darth Disney holding the keys to Star Wars, the fate of the expanded universe is at stake. Since the movies are only a fraction of the franchise’s stories, Angry Nerd makes a desperate plea to the only one who can help save the unabridged material: George Lucas.

Chris Dixon, general partner at venture capital firm Andreessen Horowitz, thinks you should reconsider the power of bitcoin. In conversation with WIRED’s Steven Levy, the tech entrepreneur and investor explains why the digital payment system has the potential to enable new behaviors and innovations.

We set out on a three-day, off-road adventure into the Cascade Mountains of Washington State to test the best gear for getting away from it all.  Music - “Let the Black Horse Ride” Performed By: BROTHERS NYC (brothersnyc.com)

Founder and COO of Unruly Media, Sarah Wood, explains the myths, value, and impact of video content in an evolving digital landscape.

The design phase is over, and now it's time to prove that the 14-foot-tall creature can be built. As the team starts to build the prototype, challenges arise due to the creature's size and scale.

In the latest incarnation of Dawn of the Planet of the Apes Andy Serkis and Toby Kebbell deliver human motion-capture performances to help bring the realistic apes to life. Shot with a combination of high-speed cameras, Mike Seymour breaks down the tech behind shooting the motion-capture scenes on location versus on a sound stage.

Watch Matt Winston and the crew assemble the giant creature on Hollywood Boulevard before its big reveal on Jimmy Kimmel Live. Plus, watch Kimmel and his sidekick Guillermo take the nearly 14-foot tall, 2,000-pound creature for a ride. Watch the Kimmel segment here: https://www.youtube.com/watch?v=plmBWOL5LBw

On location at #SDCC2014, Angry Nerd talks about the new comic-book films he supports (Mad Max: Fury Road) and those he opposes (Ben Affleck's Batman).