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Saturday Memo: STP … Big road closures … milk-carton madness … royal baby watch


Ten thousand bicyclists: The grand parade of neon and spandex is under way as thousands of bicyclists departed Husky Stadium this morning for the Rose City. It’s an annual classic where the greyhound riders will finish the 200-mile ride in a single day. The big pack will finish Sunday, exhausted but happy to be in […]




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How a ‘raucous predeath farewell birthday party’ inspired Luis Alberto Urrea’s bestseller ‘The House of Broken Angels’


Moira’s Seattle Times Book Club will meet online on May 13 to discuss “The House of Broken Angels.” Author Luis Alberto Urrea will speak online in a Seattle Arts & Lectures presentation on May 20.




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Snowboarding visionary Jake Burton Carpenter dies at 65


Whether you had a gold medal hanging from your neck, were just learning how to stand on a snowboard, or were one of those flustered skiers wondering where all the kids in the baggy pants were coming from, you knew the name “Burton.” Jake Burton Carpenter, the man who changed the game on the mountain […]




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Stock Alert: Alexion Pharma Loses 5% After Portola Acquisition News

Shares of Alexion Pharmaceuticals, Inc. (ALXN) are down more than 5 percent or $5.37 in Tuesday's morning trade at $98.47. The stock has traded in a range of $72.67 to $136.51 in the past 52 weeks.




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Rose Liberto, North Carolina Nurse, Dies At 64 Of COVID-19

NPR's Scott Simon remembers Rose Liberto, a nurse at Atrium Health North East Hospital in Charlotte, N.C., who died of COVID-19. She was 64.




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BEETHOVEN, L. van: Piano Concertos Nos. 2 and 6 (fragment) / Piano Concerto, WoO 4 (S.-M. Vetter, Hamburg Symphony, Ruzicka) (OC1710)




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GLASS, P.: Violin Concerto No. 2, `American Four Seasons` / Violin Sonata (Plawner, Vila, Bern Chamber Orchestra, P. Bach) (8.559865)

Philip Glass has become an iconic figure in American music. His works are often inspired by collaborations with other leading musicians, and the proposal of an “American Four Seasons” by the violinist Robert McDuffie to reflect Vivaldi’s famous masterpiece resulted in a concerto which evokes the Baroque spirit of early 18th-century violin tradition. With the Concerto’s range of moods, listeners are invited to decide for themselves which season the music evokes. The Violin Sonata sees Glass’s melodic and harmonic language haunted by the ghosts of Brahms, Fauré and Franck, “the meditativeness of this piece bringing a unique energy” for award-winning violinist Piotr Plawner.




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Wind Concertos - BOTTI, S. / TURNER, J.L. / GRYC, S.M. (Heavy Weather) (Koffman, Mendoker, M. Goldberg, Hartt Wind Ensemble, Adsit) (8.574087)

The Hartt School Wind Ensemble presents recent concertante works by three contemporary American composers—demonstrating once more the versatility of the ensemble, heard here in conjunction with soloists. Susan Botti’s sull’ala is inspired by flight, expressed in rhythm, harmony and texture, while Jess Langston Turner describes powerful meteorological phenomena in Heavy Weather. In Guignol, Stephen Michael Gryc conjures witty banter and frenetic action from his puppet hero.




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SKORYK, M.: Violin Concertos (Complete), Vol. 1 - Nos. 1-4 (Bielow, Ukraine National Symphony, Sirenko) (8.574088)

Myroslav Skoryk, a postgraduate student of Dmitry Kabalevsky, is one of Ukraine’s leading composers and teachers. His works range from opera and ballet, a symphonic transcription of Paganini’s 24 Caprices, and his cycle of nine Violin Concertos written over a 45-year span. They draw on elements of Carpathian folklore and are saturated in expressive dialogues, lyricism and elegy while also exuding powerful intensity. Skoryk’s sensual writing is frequently contrasted with syncopated motifs, cadenzas, fugal episodes and march rhythms. This is the first of two volumes.




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MAYR, J.S.: Mass in E-Flat Major (Szczepańska, Krödel, M. Schäfer, Ochoa, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.574057)

Mayr’s great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with its clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr’s imposing, tonally consonant and expressive setting can be heard in all its grandeur and eloquence. With its striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.




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ZÁDOR, E.: Sinfonia Technica / Music for Clarinet and Strings / Trombone Concerto (Sólyomi, Fejér, Budapest Symphony Orchestra MÁV, Smolij) (8.574108)

The music of Eugene Zádor is both warmly expressive and colourful. The composer took great delight in writing for overlooked solo instruments, as his Trombone Concerto, garnished with elements of Hungarian folklore, clearly shows. The easy-going, gypsy-influenced Music for Clarinet and Strings is a beautifully proportioned quasi-concerto. The Sinfonia Technica, composed much earlier when he was living in Vienna, and something of a one-off, is an enchanting and exuberantly orchestrated example of ‘industrial music’.




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WEINBERG, M.: Clarinet Music - Clarinet Concerto / Clarinet Sonata / Chamber Symphony No. 4 (Oberaigner, Schöch, Michail Jurowski) (8.574192)

Mieczysław Weinberg was familiar with the clarinet from his youth, given its prominent place in klezmer bands and theatre ensembles, and he wrote three works specifically for the instrument. In the Clarinet Concerto he draws a wide range of textures from the accompanying strings, over which the soloist explores the clarinet’s extremes of register in virtuosic fashion. Despite having been written when Weinberg was still in his mid-twenties, the Clarinet Sonata is a mature work with Romantic and folkloric elements. His last completed work was the Chamber Symphony No. 4, an impassioned piece with a wrenching chorale theme and role for obbligato clarinet.




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STRAUSS II, J.: Blindekuh [Operetta] (R. Davidson, Kunkle, Bortolotti, Sofia Philharmonic Chorus and Orchestra, Salvi) (8.660434-35)

Blindekuh (‘Blind Man’s Buff’) was Johann Strauss II’s sixth operetta and his least known. Neglected for well over a century, it was revived by Dario Salvi and the forces on this album in January 2019. The work’s initial lack of success is hard to explain but it may have been caused by a confusing libretto—the music itself is vibrant and captivating with waltzes, polkas, mazurkas, marches and bel canto arias. Performed in a concert version without dialogue, and in accordance with performing traditions, this production restores the work to the status of one of Strauss’s most melodically seductive works.




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BEETHOVEN, L. van: Celebrate Beethoven - Concertos (9.30210)




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WHARTON, E.: Ethan Frome (Unabridged) (NA0421)

Set deep in the remote countryside of Massachusetts, New England, in a world of small-town prejudice, pettiness and rural poverty, the story of Ethan Frome explores the crippling marriage of a young man to an older woman and his love for her vibrant young cousin, Mattie, who lives as a dependent in the Frome household. His feelings lead to a day of explosive emotions with tragic consequences. Published in 1911, two years before Wharton divorced her husband, the novel integrates the raw experiences of the author’s own life to create a powerful tale of the tragic destruction of innocent love, in a stark, compressed and unified form. Over time, the book has gained the reputation of being Edith Wharton’s best work.




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Podcast: Ludwig van Beethoven–the concertos (Mar 27, 2020)

BEETHOVEN, L. van: Celebrate Beethoven - Concertos 9.30210 Beethoven’s concertos enjoy the spotlight in this podcast from Raymond Bisha. It serves as a companion resource to the latest digital album in our series marking the 250th anniversary of the composer’s birth. The technical and musical demands Beethoven makes of his concerto soloists shine centre-stage in this compilation of wonderful performances of movements from his ...more




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Piano Concertos - MOZART, W.A. / BEETHOVEN, L. van / HAYDN, J. (Gulda, Keilberth, Müller-Kray, Rosbaud) (1959-1962) (SWR19088CD)

International Piano, May 2020

View PDF  




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NIELSEN, C.: Flute Concerto / IBERT, J.: Flute Concerto / ARNOLD, M.: Flute Concerto No. 1 (Andrada, Frankfurt Radio Symphony, J. Martín) (ODE1340-2)

Review by Christian Hoskins
Gramophone, May 2020




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SHOSTAKOVICH, D.: Violin Concerto No. 1 / TCHAIKOVSKY, P.I.: Symphony No. 5 (Skride, Leipzig Gewandhaus Orchestra, A. Nelsons) (NTSC) (ACC-20478)




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SHOSTAKOVICH, D.: Violin Concerto No. 1 / TCHAIKOVSKY, P.I.: Symphony No. 5 (Skride, Leipzig Gewandhaus Orchestra, A. Nelsons) (Blu-ray, Full-HD) (ACC-10478)




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MAHLER, G.: Symphony No. 5 / TCHAIKOVSKY, P.I.: Piano Concerto No. 1 (Live aus der Elbphilharmonie) (SoRyang, Yutaka Sado) (NTSC) (Gramola20004)




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Guitar Concertos (Italian) - BOCCADORO, C. / GIULIANI, M. / SOLLIMA, G. / VIVALDI, A. (Segre, I Pomeriggi Musicali, Boccadoro) (DE3546)




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Violin Concertos (Italian) - VIVALDI, A. / BONPORTI, F.A. / LOCATELLI, P.A. (Fanfoni, Ghidoni, C. Lazari, Martynov, Mezzena, Quarta) (CDS7861.10)




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FRANCK, C.: Djinn (Les) / Symphonic Variations / Prélude, choral et fugue / Prélude, aria et final(Biret Concerto Edition, Vol. 9) (8.571403)




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PENDERECKI, K.: Symphony No. 6, `Chinesische Lieder` / Clarinet Concerto (Genz, Wojciechowski, Polish Chamber Philharmonic, Rajski) (CDAccordACD270)




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KOCH, J.: Concertos (Dreamscapes) (Fukačová, Tichindeleanu, Kruse, Odense Symphony, J. Brown) (6.220579)




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Concertos - KUHLAU, F. / BARTH, C.F. / GADE, N.W. (Concertos from 19th-Century Denmark) (O. Nordahl, Aarhus Symphony, Thorel) (6.220664)




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SØRENSEN, B.: Mattina (La) / Serenidad / Trumpet Concerto (Concertos) (M. Fröst, Helseth, L.O. Andsnes, Helseth, Skalstad, Søndergård) (8.226095)




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VIVALDI, A.: Concertos for Strings, RV 114, 119, 121, 127, 133, 136, 150, 154, 157, 159, 160, 164 (The Paris Concertos) (Modo Antiquo, Sardelli) (TC672260)




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MARGOLA, F.: Chamber Music - Concertos for Soloist and Orchestra (Convervatorio Arrigo Boito di Parma Orchestra) (TC901390)




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MOÓR, E.: Concerto for 2 Cellos / Suite for 4 Cellos / Cello Sonata (S. Hess, D. Stromberg, Nuremberg Symphony, Piehlmayer) (OC1704)




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DOHNÁNYI, E.: Piano Concertos Nos. 1 and 2 (Gülbadamova, Rheinland-Pfalz State Philharmonic, Matiakh) (C5387)




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BRAHMS, J.: Piano Concerto No. 2 / Handel Variations (Vogt, Royal Northern Sinfonia) (ODE1346-2)




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BALADA, L.: Clarinet Works - Caprichos Nos. 6 and 7 / Double Concerto (Ivanov, Rominski, Polaczyk, Eryılmaz, Larson) (8.579056)

Barcelona native Leonardo Balada’s creative style has been labelled ‘Dalí’s surrealism in music’—an aspect of his work explored in this programme through the technique of ‘sound transformation’ in which abstract musical materials become familiar melody. Fusing traditional and contemporary elements, Caprichos Nos. 6 and 7 engage intimately with Spanish culture and history, while the virtuoso Double Concerto, heard here in an arrangement for flute, clarinet and piano, blends well-known Mexican folk tunes with the composer’s distinctive avant-garde style.




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Violin Recital: Arnoldi, Roberto - ANZAGHI, D. / ARNOLDI, N. / GARBARINO, G. / SPINOSA, R. / VACCHI, F. (New Music for Solo Violin) (TC940003)




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SKORYK, M.: Violin Concertos (Complete), Vol. 2 - Nos. 5-9 (Bielow, Ukraine National Symphony, Sirenko) (8.574089)

Myroslav Skoryk is one of Ukraine’s leading composers and teachers, with a portfolio of works that include opera, a symphonic transcription of Paganini’s Caprices, and a cycle of nine violin concertos written over a 45-year span (Volume 1 is on 8.574088). Concerto No. 5 utilises jazz elements and a vivid fugato, while Concerto No. 6 explores the use of sensual moods and provocative dance rhythms. Syncopation and lyricism suffuse Concerto No. 7, while No. 9 is both touching and dramatic. Concerto No. 8 offers a representation of events in Chopin’s life through quotations, in combination with Skoryk’s own distinctive musical voice.




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SIERRA, R.: Cantares / Loíza / Triple Concierto (Trío Arbós, Cornell University Chorus and Glee Club, Xalapa Symphony, Marcelletti) (8.559876)

Roberto Sierra’s refined compositional voice is subtly combined with contemporary musical techniques and his Puerto Rican heritage in the three works recorded here. Cantares, commissioned by the Cornell University Chorus and Glee Club to celebrate the university’s sesquicentennial anniversary, evokes ancient Peruvian, Aztec and Afro Caribbean voices lost in time. The virtuoso Triple Concierto transforms the popular Caribbean rhythms of salsa, bolero and merengue into complex contemporary expressions, while the polyrhythmic layers of Loíza conjure a Puerto Rican town known for its strong African traditions.




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PRADO, J.A.R. de A: Piano Concerto No. 1 / Aurora / Concerto Fribourgeois (Rubinsky, Minas Gerais Philharmonic, Mechetti) (8.574225)

At the time of his death in 2010, Almeida Prado was one of Brazil’s most internationally admired composers, one who created music of unique sonority and colour, rooted in his native country. In Aurora (‘Dawn’) he employs his newly developed ‘transtonality’ to radiant effect, while the Concerto Fribourgeois features a collage technique. In his Piano Concerto No. 1 Almeida Prado explores a cogent structure in which the soloist opens up, rips apart or transforms the theme and variations, in a work that is both grandiose and luminous.




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MAYR, J.S.: Due duchesse (Le) [Opera] (M. Schäfer, T.M. Herbert, Bavarian State Opera Chorus, Simon Mayr Choir, Concerto de Bassus, Hauk) (8.660422-23)

As one of the leading operatic composers of his generation, Johann Simon Mayr nurtured a fascination with the chivalric stories of medieval England. Le due duchesse, an opera semiseria with buffa elements, is set during the reign of the 10th-century King Edgar. Huntsmen’s and Knights’ choruses and troubadour-like songs give great vivacity to a score that is both lyrical and dramatic. Mayr’s compound of Viennese Classicism and Italianate melodic beauty, allied to his ambitious writing and a skilful libretto, produced an important and influential opera couched in his own unmistakable idiom.




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HAYDN, J.: Cello Concertos Nos. 1 and 2 (N. Clein, Recreation - Graz Grosses Orchester, Hofstetter) (OC1895)




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BEETHOVEN, L. van: Symphonies / Concertos / Overtures (Cologne Radio Symphony, South West German Radio Symphony, Baden-Baden, Rosbaud) (SWR19089CD)




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BEETHOVEN, L. van: Piano Concertos (Complete) (Mustonen, Tapiola Sinfonietta) (ODE1359-2T)




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BEETHOVEN, L. van: Folk Songs (Bohnet, D. Johannsen, Klimbacher, Herzer, Christelbauer, B. Bartos) (8.574174)

George Thomson of Edinburgh, a notable promoter of Scottish music, encouraged settings of his nation’s folk songs. In particular, he found a rich source of arrangements in Vienna, where he commissioned first Haydn and then Beethoven to set a large sequence of poems, including those of Robert Burns and Sir Walter Scott. Thomson envisaged simple works, agreeable to amateurs, but Beethoven found it impossible to compose within such limitations and his settings, which include Irish and Welsh songs, with the accompaniment of strings and piano, have proved perennially popular.




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MicroStrategy integrated with Hortonworks Data Platform (HDP) running on IBM Power Systems

MicroStrategy is a business intelligence tool that allows data to be explored and visualized. MicroStrategy supports Hadoop environments as a data source. Read this article for details about how MicroStrategy Desktop was tested to integrate with and visualize data in Hortonworks Data Platform (HDP) on IBM POWER8.




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vStorm Enterprise integrated with Hortonworks Data Platform (HDP) running on IBM Power Systems

Veristorm vStorm Enterprise makes data migration to Hadoop environments flexible, secure and easy. vStorm already supports data movement to Hadoop solutions running on Linux on IBM Power Systems. Read this article for details about how vStorm was tested to integrate with and move data specifically to Hortonworks Data Platform (HDP) on IBM POWER8.




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Tableau integrated with Hortonworks Data Platform (HDP) running on IBM Power Systems

Tableau is a business intelligence tool that allows data to be discovered and visualized. Tableau supports Hadoop environments as a data source. Read this article for details about how Tableau Desktop was tested to integrate with and visualize data in Hortonworks Data Platform (HDP) on IBM POWER8.




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QlikView integrated with Hortonworks Data Platform (HDP) running on IBM Power Systems

QlikView is a business intelligence tool that allows data to be discovered and visualized. QlikView supports Hadoop environments as a data source. Read this article for details about how QlikView was tested to integrate with and visualize data in Hortonworks Data Platform (HDP) on IBM POWER8.




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On demand data in Python, Part 2: The magic of itertools

Python's motto has always been "Batteries included," to highlight its extensive standard library. There are many well-kept secrets among the standard modules, including itertools, which is less well known in part because iterators and generators are less well known. This is a shame because the routines in itertools and related modules such as functools and operators can save developers many hours in developing big data operators. Learn by copious examples how to use itertools to address the most common MapReduce-style data science tasks.




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ISV solution ecosystem for Hortonworks on IBM Power Systems

This article provides a list of ISV solutions that can augment the capabilities of Hortonworks Data Platform (HDP) running on Linux on IBM Power Systems. Solutions cover many categories including business intelligence (BI) tools, advanced analytics, and so on.




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Chris Ware on how Peanuts, his mother and being bullied in school made him a cartoonist

The American cartoonist spoke with Eleanor Wachtel about how his childhood shaped his distinctive art style and outlook on life.



  • Radio/Writers & Company