After promising to refund the donations of members who questioned the stewardship of his church's finances, outspoken Tennessee Pastor Greg Locke has reneged on that offer. His attorney has allegedly threatened at least one donor who asked for their money back.

Weeks after failing to reach an agreement with Pastor Matthew Queen to vacate his position after he pleaded guilty to making a false statement to federal authorities about a sexual abuse investigation, Friendly Avenue Baptist Church in Greensboro, North Carolina, announced that he has resigned.

Pastor and bestselling author Voddie T. Baucham announced Monday that he and his family will be returning to his native United States after a decade living abroad in Lusaka, Zambia.

Here are seven people who wrongly predicted that Vice President Kamala Harris was going to win the presidential election. They include a widely respected election predictor, a veteran Democrat strategist, and a conservative columnist.

In a historic political comeback on Tuesday, former President Donald Trump was reelected for a second, nonconsecutive term to serve as the 47th president of the United States, and he has promised to “help our country heal” after a bruising campaign during which he escaped two assassination attempts.

Vice President Kamala Harris has conceded the election, promising Americans that there will be a “peaceful transfer of power” and stressing loyalty “to our God,” while also promising to keep fighting.

After President-elect Donald Trump was declared the 47th president during the early morning hours Wednesday, many U.S. political and business leaders have weighed in to congratulate him for his historic political comeback.

The 2024 election yielded mixed results for the pro-life movement, with voters in several states supporting pro-abortion ballot measures as such referendums came up short in other states. 

The Latino Christian vote shifted strongly in support of President-elect Donald Trump in the 2024 presidential election, according to exit polls.

Leaders of pro-life advocacy groups are celebrating former President Donald Trump’s victory in the 2024 presidential election, citing his win as evidence that the American people do not support the unfettered abortion access endorsed by the Democrats.

President-elect Donald Trump announced Thursday that longtime GOP operative Susie Wiles will be his White House chief of staff, making her the first woman to hold the position.

As former President Donald Trump heads back to the White House to serve a second, non-consecutive term, his wife, former first lady Melania Trump, is returning to the national spotlight. Here are four things to know about her background, political views and marriage. 

President-elect Donald Trump announced that former acting director of U.S. Immigration and Customs Enforcement Tom Homan will serve as "border czar" in his new administration.

A CNN panel discussion about the 2024 presidential election results got heated Friday night as one guest faced allegations of "transphobia" for asserting that the Democratic Party's staunch support for allowing trans-identified males to compete in women's sports contributed to the election loss.

President-elect Donald Trump has asked Rep. Elise Stefanik, R-N.Y., to be the U.S. ambassador to the United Nations.

The Republican Party has secured a majority of the seats in the United States House of Representatives, having already secured the White House and the U.S. Senate.

The U.S. State Department reportedly offered a therapy session and mental health services for employees distressed by President-elect Donald Trump's recent electoral victory last week, including what one source described as a "cry session."

Vice President Kamala Harris’ unsuccessful presidential campaign ended with over $20 million in debt, a report has revealed, as the introspection following the 2024 presidential election continues. 

A Christian counselor is asking the U.S. Supreme Court to block enforcement of a Colorado law that regulates what licensed professionals can say while discussing unwanted same-sex attractions with clients, arguing that the state government censors speech it disfavors. 

A federal judge has temporarily blocked a recently passed Louisiana law that would require public school classrooms to display the Ten Commandments.

Delaware elected 34-year-old Sarah McBride as the nation's first trans-identifying individual to serve in the U.S. Congress.

The details of an unsealed Iranian murder-for-hire plot to kill President-elect Donald Trump raise questions about how the current administration will act, as President Joe Biden previously warned Iran that the United States would consider its targeting of the Republican nominee as an "act of war." 

Suzannah Clark (Harvard University) Title and description TBA A reception will follow.

Pheaross Graham (Stanford) Title and description TBA A reception will follow.

Jennifer Iverson (University of Chicago) Title and description TBA A reception will follow.

Gavin Steingo (Princeton University) Title and description TBA A reception will follow.

Cecily Nicholson is an Assistant Professor in the School of Creative Writing at University of British Columbia. Nicholson is the author of four poetry books, Triage, From the Poplars, Wayside Sang, and Harrowings, and past recipient of the Dorothy Livesay Poetry Prize (2015) and the Governor General’s Literary Award for poetry (2018). She is the first honouree of the Phyllis Webb Memorial Reading award from the Poetry in Canada Society (2023) and 2024/2025 Holloway Lecturer in Poetry and Poetics at UC Berkeley.Ana María Ochoa Gautier is Professor and Chair of the Department of Music, and faculty member at the Center for the Study of Ethnicity and Race at Columbia University. Her recent book, Aurality, Listening and Knowledge in Nineteenth-Century Colombia (Duke University Press, 2014) was awarded the Alan Merriam Prize by the Society for Ethnomusicology. She is also the author of Músicas locales en tiempos de globalización (Buenos Aires: Norma 2003) and Entre los Deseos y los Derechos: Un Ensayo Crítico sobre Políticas Culturales (Bogotá: Ministerio de cultura, 2003). She writes on music and cultural policy, forced silence and armed conflict, and genealogies of listening and sound in Latin America and the Caribbean. Her current projects explore the bioacoustics of life and death in colonial histories of the Americas. She has been a Distinguished Greenleaf Scholar in Residence at Tulane University (2016) and a Guggenheim Fellow (2007-2008). She has served on the advisory boards of the Society for Cultural Anthropology, the Démos project at the Cité de la Musique - Philharmonie de Paris, and the Smithsonian Center for Folklife and Cultural Heritage. She will be a visiting professor in UC Berkeley’s Department of Music in Spring 2025.Tom McEnaney is Associate Professor in the departments of Comparative Literature and Spanish & Portuguese, and the Director of the Berkeley Center for New Media. His research concerns the intersection of literature, sound technology, and politics. He is the author of many articles and the book Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas. His new book, with Judith Peraino, will be out in August and is titled We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond. The 2024/25 series includes: Rizvana Bradley (Film & Media), Asma Kazmi (Art Practice/BCNM), Tehmina Khan (College Writing Program), Roshanak Kheshti (TDPS), SanSan Kwan (TDPS), Fae Myenne Ng (Ethnic Studies), Cecily Nicholson (English), Ana María Ochoa Gautier (Music), Andy Shanken (Architecture/Art History), and Stephanie Syjuco (Art Practice).

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Piano students from the studio class, Music 168CS, perform a variety of solo works Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

“In spite of cold weather”: music for winter17th- and 18th-century music for the winter season from England, France, and ItalyDavid H. Miller, directorSafety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required.Purchasing tickets in advance is highly recommended Social Media Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter: @ucbmusicdept Youtube: Berkeley Music channel Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu with as much advance notice as possible and at least 7-10 days in advance of the event. PERFORMANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE

Pasolini, World Music, and the Demise of the Film ComposerWhile somewhat neglected in the English-language literature on film music, Pasolini’s daring use of pre-existing music in his early films—most notably Bach’s sacred music and Vivaldi—marked a watershed in the history of the subject. It also places him alongside such figures as Godard and Kubrick (among others) in an ideal pantheon of mavericks who broke away with the traditional division of labor that underpinned the creation of film soundtracks. Pasolini’s decision to hire Morricone for the music for The Hawks and the Sparrows(1966) could have signaled a change in direction. In fact, following that first collaboration, the relationship between Pasolini and Morricone soon turned into something of an embarrassment for the composer. By the early 1970s, Morricone’s role was to merely arrange already-existing repertoires “scavenged” on various recordings by the omnivorous and ever up-to-date poet/director. Pasolini’s gleeful embrace of reproduced music calls to mind André Malraux’s “museum without walls” and his celebration of the library as both a cabinet of curiosities and workshop. Focusing on Medea(1969) and the so-called “Trilogy of Life,” this talk examines Morricone’s work as mediated and indeed guided by Pasolini the consumer, curator and ultimately producer—for Arabian Nights(1974)—of recordings.Short BioGiorgio BiancorossoGiorgio Biancorosso’s work investigates the boundaries of music and sound in the theater, cinema and digital media. He is the author of Situated Listening: The Sound of Absorption in Classical Cinema(Oxford University Press, 2016) and Remixing Wong Kar Wai: Music, Bricolage, and the Aesthetics of Oblivion(Duke University Press, 2024). Biancorosso is the co-founder and editor of the journal SSS (Sound-Stage-Screen) and the co-editor of Scoring Italian Cinema: Patterns of Collaboration(Routledge, forthcoming).Biancorosso is Professor of Music and inaugural director of the Society of Fellows at The University of Hong Kong. He is currently 2024-25 Luce East Asia Fellow in Musicology at the National Humanities Center, N.C.

Max Abner and Dahlia Nayar, Ph.D. candidates in performance studies, will present their in-progress dissertation research.Max Abner is a PhD candidate, musician, and curator who hails from Louisville, KY, has deep roots in Chicago, and is currently based in Oakland. Working from an anti-colonial settler positionality, he draws together discourses from sound studies, Indigenous studies, and critical theory to approach what he calls settler sound, a concept that accounts for the ways in which contested relations to colonized land play out in aural aesthetics. His dissertation attends to settler sound in the Bay Area experimental music/sound art scene. He has essays set for publication in Revealing Posthuman Encounters in Performance (Routledge) and Power in Listening: The Sound Out! Reader (NYU Press), his recorded curations can be heard on his music label Pontac Publications, and his live performance curations can be experienced at Beauty Supply Arts in Oakland. Dahlia Nayar’s project studies embodied manifestations of Quiet in multiple mediums of minoritarian performance. Her study curates a constellation of contemporary artists working in dance, theater, sound, and visual art with an attention to how Quiet emerges through bodies in relation to layered contexts and multiple subjectivities. She proposes that, as a minoritarian aesthetic, Quiet activates an ephemeral commons through resonance and attunement that allows expansive possibilities of relationality. Prior to her doctoral studies, Dahlia toured nationally and internationally as a choreographer, performer, and multimedia artist. She is a recipient of the Jacob Javits Fellowship, Massachusetts Cultural Council Fellowship in Choreography, and the National Dance Project Touring Award.

Javanese Gamelan-New and Traditional:An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

‘Un Matisse Qui Chante’: Image, Sound, and Story in The Umbrellas of CherbourgWalter Frisch (Columbia University)The year 2024 marks the sixtieth anniversary of the release of Les Parapluies de Cherbourg(The Umbrellas of Cherbourg, 1964), which has since become a beloved classic in France and around the world. Diverging in many respects from the aesthetics of the contemporary Nouvelle Vague, Umbrellaswas a bold experiment by writer-director Jacques Demy and composer Michel Legrand that also departed markedly from traditional film musicals. Umbrellaswas sung from beginning to end, without any spoken dialogue. The creators aimed for a “transposed realism” that also bore little resemblance to opera. Legrand’s score, composed in close collaboration with Demy, was recorded before any filming began. The painterly costumes and sets were also coordinated with the music and screenplay. Umbrellashas been recognized as reflecting important cultural, political, and social issues of the France of its day, including modernization and commodification in the decades after World War II, the pervasive impact of Algerian War of 1954–1962, and changing family values during an early wave of feminism in France. More recently, Umbrellashas been interpreted within the framework of queer cinema. This talk will explore the genesis and unique qualities of Umbrellas, as well as some of these important contexts.Note: Frisch recommends watching Les Parapluies de Cherbourgin advance, if possible. It is available with subtitles on several streaming platforms. A reception will follow.

Students of the Vocal Studies Program perform English Art Songs from the 19th and 20th centuries.Jeffrey Sykes, pianoNikolas Nackley, director Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

The Department of Music holds an annual concerto audition in the fall semester, open to current members of the UC Berkeley Symphony Orchestra and to music majors performing on non-orchestral instruments (i.e. piano, voice, instruments from other cultures). Free and open to the publicInformation for Applicants: The deadline to submit application forms is Wednesday, November 6, 4pm in the Music Department office, 104 Morrison Hall. The application form can be found here(PDF file). Copies of the form are also available in 104 Morrison Hall. The audition jury is made up of Music Department faculty and outside professionals. Winner/s will be chosen to perform their concerto with the symphony, usually by the end of the next calendar school year.General audition rules:Applicants performing on standard orchestral instruments must be current members of the UC Berkeley Symphony Orchestra. The auditions are also open to Music majors who perform on non-orchestral instruments including piano, voice, guitar, instruments from other cultures, etc. Applicants must currently be studying privately with department faculty. Concerti for single and multiple soloists, arias, concert songs, song cycles are all permitted. Repertoire must be suitable for the normal symphony orchestra, otherwise there is no restriction on style, length or period. The normal audition duration is 10-12 minutes at the jury panel’s discretion. Applicants are required to arrange for their own piano accompanist to play the orchestral reductions at the audition; the accompanist’s name must be included in the application. In cases of difficulty finding or affording an accompanist, the music department will provide one – this service includes ONE rehearsal the week of the audition and possible additional time for warm-up on the day of the audition. Applicants may present excerpts of their choice (which should be representative of the whole work), but must be prepared to play any part of the entire work if asked to do so by the panel. Memorization is preferred but not mandatory. Lengthy extended orchestral tuttis should be omitted during the audition. The jury panel reserves the right to choose several winners or none. Winner(s) must be prepared to attend all rehearsals and performances as arranged with the conductor. Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Javanese Gamelan-New and Traditional: An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director

Strum - Jesse MontgomerySymphony No. 2 - BeethovenSymphony No. 1 - BrahmsThomas Green, conductorNoam Elisha, conductor  Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Karola Obermueller Composition Colloquium (Morrison 250) – Nov. 15time, timbre, and transformation  abstractMy creative research revolves around a collection of themes which I return to again and again in my composing. I will discuss these areas of inquiry, how they connect to each other, and in which ways they form / govern / appear in my compositions. short bioKarola Obermüller’s composing, described by the NYT as “hyperkinetic music”, is constantly in search of the unknown. Her unique voice began forming in collages of sound made with tape recorders and evolved later with composition degrees obtained in Nuremberg, Saarbrücken, and at the Mozarteum Salzburg. Her sense of rhythm and form was forever changed by studying Carnatic and Hindustani classical music in India. Since receiving a doctorate from Harvard, Obermüller taught composition and co-directed the composition area at the University of New Mexico before joining the Department of Music at UC San Diego in 2023. Her music can be heard on CD (WERGO, New Focus Recordings, Brilliant Classics) and at karolaobermueller.net.

Featuring spirituals & anthems sung by Candace Johnson and the University Gospel Chorus. Concert also includes spontaneous improvisation based on audience input from the “idea box” provided at the start of show. Bring your favorite uplifting quote or share your own daily musing! Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

It's not often I am surprised by comments that are generated by my columns in The Christian Post. So imagine my surprise at being taken aback by some comments generated by my July 4th column.

"God in Eternity and Time" has been well received by all segments of the Evangelical community, and its irenic spirit has been much appreciated, drawing accolades from across the Evangelical theological spectrum.

I must confess that I have never penned a column with a heavier heart. My beloved country, the United States of America, is in trouble.

Jack Smith’s prosecution (or was it “persecution”) of Gov. Bob McConnell was so overly zealous that it provided an extremely rare unanimous Supreme Court repudiation of it. Bob McConnell’s legal expenses amounted to a devastating $27 million.

In one of the last public addresses Dr. Adrian Rogers delivered before his untimely demise at the age of 74, he warned pastors of the mortal threat presented to their ministries by the sins of lust and pride.

For me, someone raised in the segregated South, having attended segregated schools, a segregated church, and living in a segregated neighborhood, his sermon to America was a clarion call to commitment and action in support of a cause that was demanded both by our founding documents and, more importantly, by the Gospel proclaimed in the New Testament.

The UDHR articulates in its 30 articles every human being’s basic, fundamental rights and freedoms and affirms those rights as universal and unalienable. The UDHR directly led to the development of the concept of international human rights law.

If you've spent the last several years staring into the abyss of transgenderism, you learn to endure it by drinking deeply of some good biblical medicine: laughter (Proverbs 13:22).