Photographers who work for Unicef have taken candid shots of their children's lives during lockdown.

Embarking on a promotional spree, Sanya Malhotra had a fun interaction with real-life photographers clicking pictures against Gateway of India as well as with the photographers. Sharing her picture from the visit Sanya Malhotra says,

"Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega."

 

 

 

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Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega. . . Smile please!📸 #photograph #gatewayofindia @photographamzn #9daystogo

A post shared by Sanya Malhotra💥 (@sanyamalhotra_) onMar 6, 2019 at 12:39am PST

The film brings to the screen the story of a photographer at Gateway of India who convinces a stranger to act as his love interest to help his ailing grandmother. Nawazuddin Siddiqui will essay the role of the photographer, while Sanya Malhotra plays his muse.

Earlier, Sanya Malhotra who had a working birthday took out time and celebrated the special occasion with the paparazzi. Recently, National Award-winning filmmaker Ritesh Batra hosted a special screening of Photograph for film students prior to its theatrical release. Post the screening, the director interacted with the students and engaged in a discussion about films and their making.

Sanya garnered immense love and appreciation for her performance in Photograph when the film premiered at Sundance Film Festival and the Berlin International Film Festival 2019. The trailer brings to screen a sweet, innocent, and refreshing chemistry with Nawazuddin Siddiqui and Sanya Malhotra's first association.

Written and directed by Ritesh Batra, Photograph is presented by Amazon Studious in association with The Match Factory and is slated to release in India on March 15, 2019.

Also read: Team Photograph shares a video on Nawazuddin Siddiqui's character

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Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

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A frame from the series, Music for Everyone. Pic/Yuyang Liu

The town of Siem Reap in Cambodia is a fascinating blend of history, modernity and culture. While the magnificent temple complex of Angkor Wat is no more than 6 km away from the picturesque location, it is also home to artisan collectives and Cambodian Cultural Village that gives a glimpse of the country's diverse cultural heritage. Since 2005, the city has also been the venue for Angkor Photo Festival & Workshops (APFW), a non-profit cultural association founded by noted names in photography from across the world - including members of Magnum Photos - to nurture Asia's photographic community by providing an affordable and self-sustainable platform for professional training.

From the series, Two Eyes Good, Four Eyes Bad. Pic/Rebecca Chew

Over the years, emerging photographers from India, Bangladesh, Pakistan, Iran, Indonesia, Japan and Cambodia among other Asian countries have attended tuition-free professional workshops, worked on a photo story inspired by their surroundings and showcased their project at the end of the festival. The APFW alumni community is a thriving one, where collaborations and creative exchange is common. Photographers from Mumbai, too, have participated in the festival, and to introduce emerging lensmen from the city to its upcoming edition in December, APFW alumni will conduct an interactive session this Saturday. The session, being held in Mumbai for the first time, is part the Angkor Hangover series of events organised across Asia.

From the series, Bokator, on young Cambodians trying to resurrect a traditional form of martial arts. Pic/Zishaan A Latif 

"The mentors are people whose work I admire. And when a group of 30 individuals with eclectic practices and realities specific to their countries come to learn from them, they also learn from each other," says freelance photographer and filmmaker Aishwarya Arumbakkam, who participated in the festival in 2016 and is one of the organisers of the Mumbai session. Multimedia projections by photographers from the 2016 batch are also a part of the evening.

From the series, Ahp. Pic/Aishwarya Arumbakkam

While applications are shortlisted on the basis of merit, freelance photographer and alumna Karen Dias explains that to keep the programme accessible and inclusive, there is no upper age limit for applicants. Fellow alumnus of the 2009 batch, Zishaan Akbar Latif, recalls, "As a budding photographer, you are terrified of showing your work, but you realise that others are in the same boat, too. Being in that quaint part of the world at a workshop that's different from its uptight counterparts helps you loosen up," he shares.

APFW organising committee member Andrea Fernandes, who has been associated with the festival for five years, sums up its nature, "This event is initiated by alumni and this is the direction we want the festival to go in - where every person associated can have a space to speak about their work and collaborations."

ON: May 12, 5 pm to 7 pm
AT: Trilogy by the Eternal Library, Raghuvanshi Mills Compound, Senapati Bapat Marg, Lower Parel.
CALL: 8080590590

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U/A: Drama romance
Dir: Ritesh Batra
Cast: Nawazuddin Siddiqui, Sanya Malhotra
Ratings: 

Ritesh Batra's The Lunchbox, achieved international success six years ago, and despite two international projects (one with Robert Redford and Jane Fonda) along the way, Batra comes home again, to his comfort zone. He has on offer here, a rather chaste story of kinship, bordering on romance between two acutely lonely souls. Sounds familiar, doesn't it?

While the construct here is similar to The Lunchbox, it doesn't garner a matched significance because of the inherent familiarity in the set-up. This time around he takes on an unlikely pairing of opposites — Sanya Malhotra as Miloni, a CA foundation-course topper from a typically repressed middle class gujarati home, and Nawazuddin Siddiqui as Rafiq, an impoverished photographer, overburdened with familial responsibilities.

Romance for Batra is not about heavy emotion and carnality. It is a process of revealing your innermost fears without putting them into words for someone you can share them with. Both Rafiq and Miloni experience loneliness in varying degrees, and for diverse reasons. Rafiq is impoverished, shares his one-room tenement in a slum colony with fellow photography peddlers.

Check out the trailer here:

In comparison, Miloni is well-heeled; on her way to being considered successful in life. They come from different social strata, and if they spent time thinking about it, they would never have entertained the fanciful notion of getting together. It's a random connection at best, which is made further intriguing by the lie it gets embroiled in. Repressed emotions find an outlet for Miloni in this covertly rebellious action. For Rafiq, they become an aspirational pursuit bordering on hope.

Batra focuses his viewfinder on the warmth that develops between the two characters. It is quite clear that they are drawn to each other based on their individual needs. The timely play of Bollywood songs heightens the possibility of romance for a bit. Peter Raeburn's sweetly compelling score lends nuance to some of the quietly definite moments in the film.

The narrative is an assemblage of beautiful events shot with breath-taking lucidity — by cinematographers Tim Gillis and Ben Kutchins. Mumbai beckons hauntingly as the two central characters make this seemingly fleeting tryst last a lot longer than what seems possible in real life. Photograph is the emblematic representation of that connection we seek in these disconnected times. It speaks to us, but not as much in words as in the moments that warm our hearts.

Also Read: Ritesh Batra's Photograph gets a thumbs up from critic

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Mid-day online journalists interact with the frontline workers in a new series 'Real heroes of coronavirus'. Media photographers, reporters, railway staff and medical workers tell their stories of grit, determination and every-day challenges in times of the pandemic.

Mid-day senior photographer Shadab Khan is out on the field capturing striking photos of people, health-workers, the police and the city as part of his daily assignment at a time when coronavirus pandemic is spreading rapidly in Mumbai and the entire nation is under lockdown.

 

 

 

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Alhamdulillah just got to know that my covid-19 swab test report is Negative by the grace of god. I tested my self 2 days ago during the special covid-19 test for Media persons who are on field by BMC medical team in Mumbai as our services comes under essential services during this pandemic we have to work on field and visit to all over the city for relentlessly bringing out timely good pictures, news and updates daily, through all the perils and under the most trying conditions. Special thanks to @my_bmc @cmomaharashtra_ @middayindia

A post shared by Shadab Khan (@photographer_shadab) onApr 25, 2020 at 3:53am PDT

We spoke to Shadab Khan about his work and what it's like to be a news photographer in times of pandemic.

Here's an excerpt from the interview.

How has the global pandemic impacted your work?

The coronavirus outbreak hasn't affected our work as such. Since we come under the essential service providers and ours is a field job, it's the same daily routine. The focus is more on pandemic photos as we visit sensetive areas and try to get pictures of people who may have broken lockdown rules and also capture shots of how the police are handling the situation. Nowadays, we also visit contaminated areas to get photos of medical staffs conducting COVID-19 tests and get visuals of the epidemic situation in Mumbai. For us, the work has only increased due to the outbreak of the global pandemic.

Nowadays, do you prepare yourself mentally before going out on assignments?

To be honest, there is no mental preparation as such. But I offer prayers five times a day and pray that I go safely and come back home safely. As a media-person, I also consume a lot of news and keep reading about the International guidelines laid down for photojournalists as to what precautions should be taken. I do this as it helps me to stay motivated in the fight against coronavirus. It is the first time that I am experiencing a pandemic which has changed our lives. I have never covered something like this ever before. Although I have covered riots and other sensetive events, a pandemic that takes place only once in 100 years is a different experience. I have been following international reports and guidelines to take precaution and prepare mentally to fight the COVID-19 crisis.

Shadab makes sure that his equipment, bag and mobile are sanitised in order to take precautions against COVID-19

How do you protect yourself?

Face mask, hand sanitisers and hand gloves are mandatory when I am leaving the house. With the increasing number of cases in Mumbai, we have to take extra precautions as our camera equipment is metal. While shooting, we are constantly handling the camera with our hands and our eyes are exposed when we are focusing to click the pictures. To ensure our safety, we sanitise the camera every two to three hours. Besides the equipment, I also sanitise my mobile phone with a spray sanitiser that I carry with me. After completimg a shooting assignment in a contaminated area, I make sure that the camera equipment is sanitised before keeping them in the bag.

Do you take any precaution while heading back home after doing on-field reporting?

Though it is risk to be outside during the pandemic, the real challenge begins when we get back home to be with our families. Since the outbreak of the coronavirus, I have isolated myself to another room and make sure that I maintain social distancing with my family members. While leaving for work and after coming back home, I don't hug my children. Since day one, I am practising self-quarantine to keep my family safe and away from any risk. Infact, I take more precautions at home than I do while I go out. The epidemic is so dangerous that one cannot be sure how the infection will strike.

 

 

 

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A man sleeping outside his house during lockdown to prevent the spread of new coronavirus at Vakola in Mumbai, Wednesday, April 15, 2020. Indian Prime Minister Narendra Modi on Tuesday extended the world's largest coronavirus lockdown to head off the epidemic's peak, with officials racing to make up for lost time. PIC/SHADAB KHAN Paparazzi#Fashion#bollywood#lovemyjob#photography#Mumbai#India#middayindia#covid19#fightagainstcorona

A post shared by Shadab Khan (@photographer_shadab) onApr 16, 2020 at 8:09am PDT

During the COVID-19 coverage did you face scary moments? Which has been your scariest moment?

It is scary to visit crowded localities nowadays to cover the pandemic. In the beginning it was not a problem but since the police have imposed strict rules in these areas, we are facing issues. On few occasions, people in these localities have attacked and abused us, blaming the media for the strict police action. But all localities are not the same. We keep calm and ensure that we don't fight back or argue with the people when faced with a hostile situation. To ensure our own safety, we move out of the place quickly if we are confronted by the crowd.

Did you face challenges from the police while covering the COVID-19 pandemic?

In the beginning the police officials were not aware that the media comes under the essential services list and stopped us from entering certain areas which led to arguments sometimes. But gradually they understood and let us do our jobs. When they see the cameras and we show them our press cards, they ask us where we are going and all, that's it.

How is your department and the organisation supporting you?

We are getting the support of our department and the organisation in every possible way. I have been working in mid-day for 15 years and the organisation has been always supportive, our managers do not pressurise us for assignments. My reporting officer calls twice a day and inquires about my whereabouts and tells me to be extra careful while visiting contaminated zones and avoid going to sensitive areas frequently. We are always told to ensure safety first before work.

Shadab feels that practicing social distancing in Dharavi where people are cramped in small houses is nearly impossible

Although he covers different areas every day, Shadab makes it a point to visit a contaminated area at least once a day to check if any new development has taken place. Speaking about Dharavi, which has emerged as one of the biggest contaminated zones in Mumbai, Shadab said, "I visit Dharavi to see how the labourers are doing and how the small scale industries are coping with the COVID-19 epidemic"

"Everyone is talking about social distancing but it is not possible in Dharavi. Most houses in the locality are 8X8 small houses with 8 to 10 people cramped inside. In order to click a picture, one has to stand at the door and shoot, social distancing in areas such as Dharavi is almost impossible. The lanes in Dharavi are so narrow that if people are coming from the other side it is impossible to walk past them without making physical contact," added Shadab.

Besides Dharavi, Shadab carries out his photo assignments in Bandra, Sion and Wadala.

What is your message to the general public?

We are out on the roads because we have a responsibility as essential service providers. I would request people to stay home as far as possible. Only by staying home will you be safe! Follow the guidelines laid down by the government and maintain social distancing.

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On a Wednesday morning, the cottages that line St Roques Road in Bandra bask in the winter sun. The lane is quiet, except for the occasional bark of a pet or scooters zooming off into the nearby Ranwar village. As a taxi driver wipes the dust off his kaali peeli, Jay Weinstein approaches him with a camera in tow. He doesn't ask for his name, ethnicity or life story; only for a couple of photographs. Seeing him puzzled, the Australian-origin photographer breaks into crisp Hindi, "Main kahin bhi jaata hoon, anjaane logon ki tasveer banata hoon [Wherever I go, I make images of strangers]."

Hearing the familiar language, the driver is game to play the subject. First, he's asked to wipe the expression off his face and stand next to his cab. Satisfied with the shot, Weinstein tells him, "Ab muskuraiye [now smile]," and captures his wide grin on camera. The interaction lasts only for a few minutes but we spot the driver smiling even after Weinstein's DSLR is back in his bag.

Jay Weinstein documents  the smile of a taxi driver in Bandra. Pics/Bipin Kokate

This connection forms the essence of the 38-year-old's ongoing photography project, So I Asked Them to Smile (SIATS). Over the last two years, Weinstein has shared 250 portrait pairs - non-smiling and smiling frames of kids and adults from all walks of life - on digital platforms. Next week, he will display 30 most compelling frames for the first time at an exhibition.

The photographer shows the images he takes to each subject

The backstory
It was a trip to Bikaner in 2013 that gave birth to this project. When Weinstein raised the camera to photograph a man with a wispy beard, he was greeted with a stern look. Miffed, he turned away, only to hear the man urging him to take his picture. "We make judgments about strangers in binaries as friendly-unfriendly or good-bad. These are rarely accurate. The idea is to change the way we view a stranger, and see how their smile changes our assumptions," says the US-born photographer, who spent his growing up years in Vrindavan, studied recreational sports coaching in Australia and returned to Mumbai in 2004 to pursue acting.

"He was jumping around in the water with a friend one afternoon, as I wandered down Juhu Beach," says the photographer

Soon, he ventured into advertising, and rekindled his love for travel and photography. "It gave me a reason to notice things that we walk past, and start conversations with strangers," says Weinstein, who considers the art meditative. "The calmer you are, the more of the outside world you notice."

"She was exploring the stunningly restored Kaiyuan temple complex one evening, with her daughter in Quanzhou, Fujian, China"

Say cheese
For the last few years, he has turned a full-time traveller and spends most of his time in India. "I love Mumbai but when you step out, you realise how different the rest of India is," shares Weinstein, who has visited Meghalaya, the interiors of Maharashtra, Orchha in Madhya Pradesh and the coast of Kerala, where he found his subjects to be camera-shy. "In rural areas, I also had to translate 'smile' as 'daat dikhaao' since they don't understand the meaning of muskurana."

Language also poses a barrier in non-English speaking countries. "In China, instead of 'say cheese', they say 'chetz', which means eggplant," he laughs. What's the next country on his wishlist? "Pakistan. The project's initial followers were Pakistanis. I assumed they wouldn't be happy seeing these photographs but realised where else would they have seen images of Indians as humans, without an agenda. Indians don't get to see their photographs this way either."

From: December 20 to 26, 11 am to 7 pm
At: Jehangir Art Gallery, Kala Ghoda
Call: 8828472412

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Portrait-making tips
While there is enough information about how to get your technique right, I'd suggest you interact with your subjects and treat them with dignity

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Anand Ahuja and Sonam Kapoor

Remember when a "candid" photograph at a wedding meant pictures of the couple and guests stuffing their faces with food? Well, thank God, that seems to have changed. If the recent celebrity weddings — Sonam Kapoor and Anand Ahuja's, or Virat Kohli and Anushka Sharma's, or even Meghan Markle's with Prince Harry — are anything to go by, awww-inducing candids are here to stay. Did we all not drool on those candids from #everydayphenomenal, as the Kapoor-Ahuja wedding was branded on Instagram? We spoke to three photographers who explain the art behind the perfect candid.

'Never doctor a moment'
Anand Rathi, who along with his team at Reels & Frames, is the one who showed us perfect moments from #Sonamkishaadi. Rathi has won several awards globally, and is seen as one of the pioneers of 360-degree wedding films. He says that the photographer has to learn the art of being invisible, and still be omnipresent. "The toughest part is to not stand out but still roam around freely. So we stick to the dress code of the wedding," he tells us, adding that he never likes to over-dose on flash.

Anand Rathi

"You can't doctor a moment. If you missed that perfect moment when the bride smiled at the groom, it's okay. Just be ready to capture the next one." His favourite moment from the Kapoor-Ahuja wedding was when Anand kissed Sonam on the cheek. "Nobody asked them to do that!" In the end, Rathi says that photographer needs to be ready with his equipment, but also a smile. "People always respond to friendly faces."

Log on to reelsandframes.in

'It's not our job to gather people'
THE most important thing to do is get comfortable with the bride and groom. You need to understand them, but even they should know that when they are hiring me, they will get an artistic style, and they need to be okay with that," says Monisha Ajgaonkar, founder and director, The Photo Diary.

The photographer, who has been popular on the on the wedding circuit for a while now, is known for her edgy and different pictures. The JJ graduate started out by shooting a concert she attended to impress a girl she had a crush on, and then diversified when she photographed a friend's wedding.

Monisha Ajgaonkar

"We get all the main shots as candids; we don't really do the 'posey' pictures — a we are not there to gather people around. That's not candid!" Her favourite shot in recent times was when she shot a bride dressed in a Cindrella gown in Kodaikanal. "She was just walking, and I said stop. And, it was perfect!"

Log on to thephotodiary.net

'It's like catching a fish — A hit or miss'
Nikhil B of Tell-A-Tale Studios feels that a good candid is a culmination of many points. "You need to know fashion photography, and also be well-versed with a documentary style. You need to have knowledge of product shots, and how light works. It all looks effortless but a lot of work goes behind it."

Tell-A-Tale was founded by Nikhil and photographer Mamta Kalambe, both visual artists who specialise in wedding photography along with making food videos. Nikhil says that taking the perfect candid is like going fishing — you may get a great picture or you may end up with nothing.

Nikhil B

"It's a hit or miss. The main thing is to remain aware at all times, keep watching without intruding. It's like ice hockey terminology — always have your sticks on the ice. Be ready." His favourite shots are taken usually during the time of varmala, because as he says, he loves "capturing the emotion and excitement that comes when the garlands
are exchanged."

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All of Chris Wallace's wedding bookings were either cancelled or postponed due to the Coronavirus, but the UK-based wedding photographer didn't let that deter him. Wallace took it upon himself to recreate a wedding ceremony using LEGO figures lying around his house. He named the bride and groom Florence and Fred, and spent many hours preparing for the wedding. He even staged several scenes and big moments seen frequently in Christian weddings and then proceeded to click photos of them. He used his experience capturing weddings to make it seem natural.

The bride getting dolled up for her wedding

The bride walked down the aisle with a Harry Potter figurine, whereas groomsmen Ghostbusters, Chewbacca and a 1980 Lego spaceman stood at the altar to support the groom. "I've found myself with quite a bit of free time on my hands and thought it'll be a fun thing to do," said the photographer to the New York Post. "The ceremony was held outdoors in the most gorgeous of settings, filled with the greenest of plastic leaves and most colourful plastic flowers," he added.

Posing for a family photo. Pics/carpediemphotographycheshire.co.uk/Chris Wallace

Wallace said: "I tried drawing upon the experiences I had with weddings, to capture the big moments while making it seem natural." As the lockdown is anticipated to last till June, he plans to do another shoot soon.

Girl, I want you real clean!

A New Yorker hung fliers to look for a 'germ free' partner during the Coronavirus crisis

Pic/New York Post

A single man from New York, who is looking for love, hung dating fliers across the city, saying that his potential lover must be healthy, fit and clean.

The man, identified only as Brad, also said in the flier that he is "seeking a girlfriend for Coronavirus and beyond." He describes himself as a healthy, attractive, and well-settled man, looking for "germ-free monogamy". "I was single when the lockdown began and was wondering how and when dating would be possible again," Brad told the New York Post.

"This is no time for casual dating or hook-ups, so I am seeking a long-term and exclusive relationship," he added. Brad said that he has already received responses from "high-quality women" and is looking forward to meeting some for six-foot-apart dates.

Papi Gudia 2.0

An area in Mexico City became one of the most searched addresses on Google Maps this week, after photos of a creepy, doll-covered house located there, went viral on social media. The post was first shared by TikTok user Fernando Mata, who was looking for creepy content for his social media. It later turned out that this was the address of a small esoteric shop, and the dolls were merely an advertising strategy to attract prospective customers.

This teen is a gender-bender

Pics/@puutan_318, Instagram

A Japanese 18-year-old boy, has been getting a lot of attention on the Internet for cosplaying as an Asian schoolgirl. Puutan, whose real name is reportedly Tatsuya, has been flaunting selfies in feminine clothes, as well as a long hair wig. He currently has over 27,000 followers on YouTube, and 23,000 followers on Instagram.

Mexicans want beer to survive quarantine

Mexico's decision to halt production of most non-essential products due to the Coronavirus pandemic, has led to a polarising debate in the country on whether beer should be considered an "essential" during lockdown. "Beer supplies should be guaranteed, because beer helps people get through quarantine on better terms," said the National Alliance of Small Business in a press statement.

Village gets ghosts to keep people indoors

Kepuh village in Indonesia has resorted to an unusual way to ensure that the locals stay indoors. Those who step out of their homes at night will have to face pocong—shrouded ghosts believed to represent the souls of dead people. The pocongs are actually volunteer youths trying to help maintain the lockdown.

Crime junkies can get rich in 24 hours flat

A video streaming service is seeking a true crime buff to make $1,000 (R75K) during the Coronavirus lockdown by watching 24 straight hours of documentaries. The chosen candidate will be given a pre-selected list of true crime documentaries to watch.

Bugging you

A swarm of bugs descended over a beach at Cayton Bay, Yorkshire, leaving locals stunned. The bugs, later identified as European Chafer Beetles, are said to have washed up on a few beaches in the area. The cause is still being investigated. "I was stunned to realise they were living creatures. There were just masses and masses of them," said Sue Weatherill, a local resident, to Daily Mail. Pics/@ChrisBull52, Twitter

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Teachers always try to motivate students to learn! And what is a best way to learn other than involving your pets in your study? A legal scholar, Marie-Amelie George in her trial to make learning fun asked her students to send her the pictures of their pet doing the most unusual of all activities they do –doing homework.

The pictures that make up for an under-rated photography genre, prove that pets can be a cute study companion. George posted a picture of a dog doing what looks like it is reading a book that started a trail of pictures of their pets enlightening themselves with some reading.

I ask my students to send me photos of their dogs doing class work. It’s an under-appreciated photography genre. pic.twitter.com/oxXFicXmue

— Marie-Amélie George (@ProfMAGeorge) April 15, 2020

The picture posted on April 16, garnered more than 352,400 likes and was retweeted over 52,600 times. Here are some more pictures of pets doing their homework.

Cats only check your work w a disapproving gaze. pic.twitter.com/zmWXmF7QeK

— 0000 1000 0110 0111 0101 0011 0000 1001 (@CJHicks15) April 16, 2020

He has his own work area.... A bit small though. pic.twitter.com/AxT505vgob

— Ryan Sorensen (@ryanoss123) April 16, 2020

pic.twitter.com/GLsZZBYo9E

— Libby Adler (@libby_adler) April 15, 2020

Beanbag likes to study maps. pic.twitter.com/j5XFshS7HN

— Karla (@Heyitskarla) April 16, 2020

What do you think of this new genre in photography?

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Imports - Coloring Agents & Photographic Chemicals (Census) in the United States increased to 1236.45 USD Million in March from 1180.53 USD Million in February of 2020. Imports - Coloring Agents & Photographic Chemicals in the United States averaged 632.30 USD Million from 1989 until 2020, reaching an all time high of 1260.98 USD Million in December of 2018 and a record low of 160.16 USD Million in March of 1989. This page includes a chart with historical data for the United States Imports of Coloring Agents & Photographic Chemica.

Imports Intra Eu - Photographic Or Cinematographic Products in the United Kingdom decreased to 11.92 GBP Million in February from 17.59 GBP Million in January of 2020. Imports Intra Eu - Photographic Or Cinematographic in the United Kingdom averaged 28.92 GBP Million from 1996 until 2020, reaching an all time high of 59.57 GBP Million in June of 2001 and a record low of 11.92 GBP Million in February of 2020. This page includes a chart with historical data for the United Kingdom Imports of Intra EU - Photographic Or Cinematogra.

Imports - Photographic Apparatus Equipment & Supplies in Singapore increased to 379.72 SGD Million in March from 365.65 SGD Million in February of 2020. Imports - Photographic Apparatus Equipment & Suppl in Singapore averaged 397.54 SGD Million from 2014 until 2020, reaching an all time high of 631.35 SGD Million in November of 2015 and a record low of 323.92 SGD Million in January of 2016. This page includes a chart with historical data for Singapore Imports of Photographic Apparatus Equipment & Sup.

Imports of Photographic Equipment Sitc in the United States decreased to 1035 USD Million in March from 1064 USD Million in February of 2020. Imports of Photographic Equipment Sitc in the United States averaged 1078.49 USD Million from 2010 until 2020, reaching an all time high of 1385 USD Million in October of 2018 and a record low of 137 USD Million in January of 2010. This page includes a chart with historical data for the United States Imports of Photographic Equipment Sitc.

The editor of arthistorynews.com welcomes the decision of the National Gallery in London to let visitors photograph works – and hits back at critics who say it will make people look at art in the ‘wrong’ way  

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Michelle Dockery, 37, and her partner Jasper Waller-Bridge, right, were photographed together shopping in Sainsbury's near the Downton star's home in north London on Friday.

Jesy Nelson's boyfriend Chris Hughes is at the centre of a police investigation after he became embroiled in a violent altercation after Tuesday night's NTAs

The former Love Island star, 27, was seen to launch a shocking attack after he was called 'a c**t', when the photographer in question failed to capture a shot of Chris with his girlfriend Jesy Nelson

The full length frock barely contained the 25-year-old's gravity defying assets and a knee high split gave a glimpse of the stunning star's toned legs.

The TOWIE star, 28, admitted Chris' scuffle with a paparazzi photographer did not come as a surprise to her after they previously had an argument at the awards.

2014 has seen another 12 months of tantalising sporting action. Sportsmail have captured these historic moments step-by-step through our own brilliant photography team.

For veteran attendee Matthew Joseph, it was 13 years ago that he was bitten by the Glastonbury bug. So he decided to captured the magic on camera.

Neighbours throughout the complex in Waterloo, in Sydney's inner city, stepped outside on their balconies after hearing a mystery man playing the keyboard and singing the song.

A stunning picture of a hare standing in a field at dusk has won the German Society for Nature Photography's 2020 Nature Photographer of the Year contest.

Phil Penman spent 15 years in New York City as a Hollywood pap, shooting Tom Cruise, Katie Holmes, Madonna, Johnny Depp, Britney Spears, Mike Tyson and countless others.

Travel website Scenic found 14 old images of various historical landmarks and  says those who can get 11 to 14 right are 'professional grade' in their knowledge of geography.

Spanish talk show celebrity, Raul De Molina talks about his life as an award winning photo journalist in Miami, Florida during the 1980s before he became famous on television.

The 44-year-old actress looked elegant as ever as she visited  French photographer Henri Cartier-Bresson's The Eye of the Century exhibition at Leica Gallery in Los Angeles

Photographer Nuray Gonulalan was amazed when she looked up and saw the familiar punctuation symbol - often associated with shock or panic - hovering above her in Mogan Lake, Ankara, Turkey.

An Australian photographer in Rio covering the 2016 Olympic Games has become the latest robbery victim with $40,000 of camera gear stolen in a sting led by a woman.

Andy Warhol's estate is suing photographer Lynn Goldsmith after her claims that his 1984 portraits of Prince were copied from her 1981 publicity photograph of the late musician.

RICHARD KAY: Alan Davidson of the Daily Mail spent half a century - yes, 50 years! - riding shotgun on London's nightlife, lowlife, political life and celebrity just about everywhere.

Prince Charles has shared a heartwarming photo of him hugging his grandson Prince Louis. The Prince of Wales released the photo to celebrate his grandson's second birthday.

The Duchess of Cambridge, 37, told how Prince George, 5, and Princess Charlotte, 3, 'love' taking photographs outside as she spoke about her hobby at a London event yesterday.

The annual contest aims to crown the best image taken by local, regional and national news media snappers in the UK at Royal Rota engagements over the past year. So which is your favourite?

Enthusiastic amateur photographer Kate Middleton, 37, appeared keen to capture memories from her tour of Pakistan, and was seen carrying her camera during a royal visit yesterday.

Alexandra Cearns, a photographer from Perth, curated Perfect Imperfection, which collates heart-warming snaps of pooches and felines living with disabilities.

A stunning series of photographs reveal how a 'stray flame' eventually turned into a towering inferno that engulfed Paris's Notre Dame Cathedral overnight.

It is estimated that about 900 streets across the US have a Martin Luther King memorial -  photographer Susan Berger has since 2009 photoed many of them in urban areas and off the beaten track.

Mitchel Wu, 57, from LA, tells amazing stories in just single photographs, with the help of a whole host of familiar toys - from popular Disney and Lord of the Rings characters, to Hasbro's Power Rangers.

My Kitchen Rules 'friendly pirate' Ash Keillah removed his eyepatch to reveal an empty eye socket during a deleted-scene, last month. 

She's known for her hard-hitting journalism on The Project.

An Australian photographer has taken to the air to catch a glimpse of the Sydney skyline at this years Sydney Vivid festival.

NYC photographer Jeremy Cohen, 28, has photographed people hanging out on nearby roofs in Brooklyn. He's seen then painting, dancing, working out, and playing guitar.

Former NRL star Sam Burgess' two children are regularly seen with their stylish mother Phoebe Burgess on Instagram. 

Out of 11,086 entries from photographers around the world, judges went about selecting 50 finalists for a nature-themed contest run by photo app Agora. The winner will be announced March 4.