Smithsonian Institution Secretary Dr. David Skorton joins some of the world’s leading thinkers in a spirited discussion about our ever changing planet

It’s not the most urgent news story that’s gripped the world since 2020, but it might be the weirdest: The last three years have seen more 400 “encounters”— many reports have used the word “attacks”—between orca whales and boats in the Strait of Gibraltar. Because the orcas are particularly fond of tearing the propellers off of yachts, the temptation to characterize these six-ton, pack-hunting, demonstrably intelligent mammals as class warriors fighting back against the 1 percent is strong, and the memes have been fun (https://knowyourmeme.com/memes/events/orca-wars-killer-whales-attacking-boats) . But trying to understand animal behavior in human terms is a mistake. In this episode, we speak with Carlyn Kranking (https://www.smithsonianmag.com/author/carlyn-kranking/) , Smithsonian’s assistant digital science editor, about why stories about animal behavior are so popular with our readers, and how she decides which ones deserve more scrutiny. Then, I speak with Lori Marino, a biopsychologist with a specific focus on whale and dolphin intelligence, about what’s really happening between the orcas and the yacht set. Dr. Marino invites you to learn more about The Whale Sanctuary Project at their site (https://whalesanctuaryproject.org/about-the-whale-sanctuary-project/) . You can also see Dr. Marino in the documentary films Blackfish (2013), Unlocking the Cage (2016), and Long Gone Wild (2019). Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . And read the transcript of this episode here (https://www.smithsonianmag.com/science-nature/are-wild-animals-really-just-like-us-180982939/) . There’s More to That (https://www.smithsonianmag.com/podcast) is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

As the dams begin to come down, the National Park Service looks back at the region’s history and prepares for the welcome changes to the ecosystem

In the spring of 1945, with the Third Reich crumbling, the Nazis hid their stolen art in a sealed salt mine. But when U.S. troops arrived, they found that the opening to the mine had been destroyed.

Smithsonian magazine's poetry consultant recites his poem commissioned for a special photography issue

Each year, the Lakota of the Great Plains commemorate their victory over the United States army at the Battle of the Greasy Grass, better known in American history as the Battle of Little Bighorn Photographs by Aaron Huey Directed and Edited by Kristin Moore

ARTICLE: https://www.smithsonianmag.com/history/civil-war-veterans-come-alive-in-audio-and-video-recordings-97841665/ In this exclusive clip from the 1930s, Confederate veterans step up to the mic and let out their version of the fearsome rallying cry.

(Footage: Erin Trieb. Video Editing: Nicole Boliaux)

Ranchers and wildlife advocates are at odds over how to handle the gray wolf's return to the Rockies

Looking at the future of geopolitics, the author reveals the surprising results of his research. Read more at http://www.smithsonianmag.com/specialsections/40th-anniversary/George-Friedman-on-World-War-III.html

Read more at http://www.smithsonianmag.com/history-archaeology/The-Beer-Archaeologist.html One of the brains behind the famed Delaware brewery talks about what goes into producing one of their beers.

More on biomimicry: http://j.mp/RI3OOB Scientists believe the iridescent wings of the morphos butterfly could be used in technology to benefit humans.

More on the crocs at Smithsonian.com: http://j.mp/SWhbxZ The two Cuban crocodiles are the first for the zoo since 1988.

An exclusive group of thought leaders gathered at the museum to discuss how the world prepares for the next global pandemic, raises public awareness, and explores potential responses and solutions

Television reporter Shannon LaNier is a direct descendant of the third President of the United States. (Credit: Drew Gardner)

What was the motivation behind the American Ingenuity Award winner's medical breakthrough that will save thousands of lives

African cuisine has always been well represented in the United States, particularly in dishes characterized as “Southern” in origin, like gumbo or hoppin’ john. But even before chef Serigne Mbaye’s New Orleans eatery Dakar NOLA was named (https://www.eater.com/24175309/james-beard-awards-2024-winners-restaurant-and-chef-awards) the Best New Restaurant of 2024 at the James Beard Awards this week, the contributions of the African diaspora to the American diet had at last begun to enjoy a long-overdue reappraisal via reality television, Netflix docuseries and, most important, a number of widely praised dining establishments: If you want to book a table at Tatiana (https://www.tatiananyc.com/story/) in Manhattan, Dept of Culture (https://www.deptofculturebk.com/) in Brooklyn or Kann (https://kannrestaurant.com/) in Portland, you’d better plan ahead, because their tables are often booked up well in advance. In this episode, Smithsonian contributor Rosalind Cummings-Yeates explains how the ascendancy of pan-African cuisine from “auntie” restaurants into the rarefied fine dining sphere is part of a larger and more meaningful campaign of cultural reclamation. And Mbaye tells us why it was so important to him to make Dakar NOLA (https://www.dakarnola.com/) a showcase of the distinctive flavors of Senegal, where he spent his formative years. Read Rosalind's Smithsonian story about the rise of West African fine dining in the U.S. here (https://www.smithsonianmag.com/arts-culture/these-chefs-are-elevating-african-and-caribbean-cuisines-from-carryouts-to-fine-dining-180984466/) . See the full list of 2024's James Beard Award winners here (https://www.jamesbeard.org/blog/the-2024-james-beard-award-winners) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz / photography by Katherine Kimball, Joshua Brasted, and Jeremy Tauriac Music by APM Music.

Read more at http://www.smithsonianmag.com/history-archaeology/Nikita-in-Hollywood.html As part of a diplomatic mission, Soviet premier Nikita Khrushchev traveled across the United States, meeting Americans from New York to Iowa to California.

After five people perished on a controversial submersible dive to the wreckage of the Titanic in June, we got to thinking about what genuine undersea exploration looks like. In this episode, we speak with Tony Perrottet, who profiled the late OceanGate CEO Stockton Rush for Smithsonian magazine in 2019, about our ancient fascination with exploring hostile environments. Then we’re joined by Susan Casey, who has written four best-selling books about the ocean and its creatures, the newest of which is The Underworld: Journeys to the Depths of the Ocean. Susan tells us why understanding the ocean is key to humanity’s survival, and how, while serious research and shipwreck tourism may have some overlap, they remain two very different things. Read Tony Perrottet’s June 2019 (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) Smithsonian (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) profile (https://www.smithsonianmag.com/innovation/worlds-first-deep-diving-submarine-plans-tourists-see-titanic-180972179/) of Stockton Rush. Learn more about Tony and his work at his site (http://tonyperrottet.com/) . Read an excerpt from Susan Casey’s new book, The Underworld: Journeys to the Depths of the Ocean (https://www.smithsonianmag.com/science-nature/inside-the-nerve-racking-dive-to-an-active-submarine-volcano-180982687/) . Learn more about Susan and her work at her site (https://susancasey.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz (contains elements by Madelgarius (https://commons.wikimedia.org/wiki/File:Titan_(mod%C3%A9lisation_sketchup_-_twilight_render_-_Gimp).jpg) , via Wikimedia Commons under CC BY-SA 4.0) Music by APM Music.

Watch this commercial for Stopette spray deodorant from 1952

Watch breathtaking underwater footage off the Panama coast, where coral reefs reproduce in a flurry of carefully-timed action. Read more at http://www.smithsonianmag.com/arts-culture/A-Coral-Reefs-Mass-Spawning.html

Fly through, and over, ancient Rome's winding streets, broad plazas, forums—even its most famous monuments

More on the 16th Street Baptist Church bombing: http://j.mp/15wAByw A former Freedom Rider describes what it was like walking among the rubble of the 16th Avenue Baptist Church

Researchers and scientists work together together to find a way to play recordings made by the studio of inventor Alexander Graham Bell

Ancient Greeks were endlessly fascinated by Egyptian culture, and especially the Egyptian Gods whom they saw as versions of their own. So much so that they ended up adopting Egyptian culture and customs as their own.

Gasp! The answer will amaze you. Still Image Credit: MaFelipe / iStock

[Harry Carney Home Movies], Ruth Ellington Collection, Archives Center, National Museum of American History

The Peacock Room at the Smithsonian’s National Museum of Asian Art has it all: friendship, betrayal, revenge, and… peacocks. Learn more about the iconic artist James McNeill Whistler and his shocking feud with patron Frederick Leyland in this new episode of National Treasure. --------- To learn more about the Peacock Room at Smithsonian's National Museum of Asian Art, read below: How Golden Peacocks on a Dining Room Wall Destroyed a Longstanding Friendship in Victorian Society https://www.smithsonianmag.com/smithsonian-institution/how-golden-peacocks-on-a-dining-room-wall-destroyed-a-longstanding-friendship-in-victorian-society-180984735/ Digital Editorial Director: Brian Wolly Director of Programming: Nicki Marko Supervising Producer & Scriptwriter: Michelle Mehrtens Producer & Editor: Sierra Theobald Motion Designer: Ricardo Jaimes

Anthony Atala | Smithsonian Magazine’s 2016 American Ingenuity Award Winner for Life Sciences The director of the Wake Forest Institute for Regenerative Medicine, Atala is a surgeon and leading expert in creating living human tissues and organs to replace those that are defective or damaged. He has spent the past decade attempting to construct living organs using 3-D printing technology. Atala implanted the world’s first laboratory-grown organ into a human in 1999 and, this year, he and his colleagues “printed” cartilage, bone and muscle tissue before successfully implanting them into a lab animal. That’s a crucial first step toward Atala’s long-term goal of overcoming the dire shortage of donated organs with custom-made body parts. Read more about Atala's work: http://smithmag.co/SiiV2J | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

Taylor Swift and Beyoncé have achieved a degree of power in the music industry that singer/songwriters of earlier eras like Joan Baez—as the folk icon tells us—never even contemplated. Six decades ago, Baez was part of a folk revival that regarded music not merely as entertainment but as a vessel for political engagement and social change. In the documentary Joan Baez: I Am a Noise, the now-83-year-old musician and activist reflects on her career and legacy. Smithsonian senior editor Jennie Rothenberg Gritz interviewed Baez about the film and about the shifting intersection of art and activism. We present excerpts from that conversation in this episode. Then, veteran music critic Evelyn McDonnell discusses how the political dimensions of pop music have changed since Baez’s era, and what it means that many fans now look Beyoncé and Taylor Swift not just for great music, but for comment on the state of the world. Clips from Joan Baez: I Am a Noise in this episode are used with permission from Magnolia Pictures & Mead Street Films. Learn more about that film here (https://www.magpictures.com/joanbaez/) . Evelyn McDonnell’s latest book is The World According to Joan Didion (https://www.harpercollins.com/products/the-world-according-to-joan-didion-evelyn-mcdonnell?variant=41001679487010) . You can learn more about Evelyn and her work at her site, Populism (https://populismblog.wordpress.com/about-2/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Senior historian Sid Hart discusses the highlights of the National Portrait Gallerys Hall of Presidents. (Filmed and Edited by Ryan Reed / Produced by Beth Py-Lieberman, Megan Gambino and Jesse Rhodes). Read more at https://www.smithsonianmag.com/smithsonian-institution/tour-the-portrait-gallerys-hall-of-presidents-on-presidents-day-39165669/

Christopher Nolan's epic new film "Oppenheimer" is no mere biopic… nor is it the first attempt to capture the father of the atomic bomb in fiction. We look at prior dramatizations of this very complicated man—including one wherein J. Robert Oppenheimer played himself!—and examine why they worked or didn't. In the episode: Physicist-turned-photographer Minesh Bacrania shares his experience photographing inside the top-secret labs at Los Alamos National Laboratory, where J. Robert Oppenheimer and other scientists created the first nuclear weapon. Next, with Christopher Nolan’s film Oppenheimer exceeding commercial expectations, Smithsonian magazine writer Andy Kifer discusses the complexities of Oppenheimer's genius and how prior attempts to depict him in film and television and on stage have fared. Read Andy Kifer’s “The Real Story Behind Christopher Nolan’s Oppenheimer” here (https://www.smithsonianmag.com/history/the-real-history-behind-christopher-nolans-oppenheimer-180982529/) . See Minesh Bacrania’s photographs of Los Alamos and read Smithsonian senior editor Jennie Rothenberg Gritz’s text here (https://www.smithsonianmag.com/history/exclusive-behind-scenes-look-los-alamos-lab-where-robert-oppenheimer-created-atomic-bomb-180982336/) or in the July/August 2023 issue of Smithsonian. There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Genevieve Sponsler, Adriana Rozas Rivera, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Archaeologists uncover an exciting find: a tomb that predates most of the others in the area by around 2,000 years. Inside, is a series of perfectly preserved inscriptions on a panel known as a "false door’."

Two weeks before he died, the legendary astronaut wrote a letter in recognition of Jeff Bezos' work, read at the 2016 American Ingenuity Awards Smithsonian magazine American #IngenuityAwards

Learn about this often misunderstood creature

The 6888th Central Postal Directory Battalion was the only unit comprised entirely of Black women to have been deployed overseas during World War II, and it had served a critical function: clearing the backlog of mail that marked the only line of communication between American soldiers in Europe and their loved ones back home. In this episode, we speak with retired Army Colonel Edna Cummings, who made it her business to get the 6888 their belated recognition, and with Smithsonian magazine senior writer Jennie Rothenberg Gritz, who wrote about Col. Cummings' quest (https://www.smithsonianmag.com/history/how-all-black-female-WWII-unit-saved-morale-battlefield-180981540/) for the March 2023 issue of Smithsonian. NOTE: In the interval since we recorded our interview with Col. Cummings, another veteran from the 6888 has died. With the passing of Crescencia J. Garcia last month at the age of 103, there are now five women who served in the 6888 during World War II who remain alive. Learn more about the women of the 6888th Central Postal Battalion at the Women of the 6888th site (https://www.womenofthe6888th.org/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Margaret Wertheim talks about how math and climate change inspired her to start the Hyperbolic Crochet Coral Reef project. Read more at: https://www.smithsonianmag.com/arts-culture/how-to-crochet-a-coral-reef-69064479/

Reclining and dining in the ancient classical world

The science behind rat zombies

Collector David Cammack owns three of the 43 remaining cars in existence designed by Preston Tucker, which he puts on display in a secluded museum in Virginia. Editor's Note: We're sad to report that David Cammack passed away on Sunday, April 7, 2013 at the age of 84.

Do you ever wonder what secrets lie beneath the sands of Egypt? Prepare to be astonished as we unveil the untouched tomb of King Tutankhamun. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

From gender roles to etiquette to fashion, step back in time to learn more about the real lives of the Regency women who inspired 'Bridgerton.' --- To read more about the Regency era - and 'Bridgerton' - check out these articles from Smithsonian Magazine: What 'Bridgerton' Gets Wrong About Corsets: https://www.smithsonianmag.com/history/what-bridgerton-gets-wrong-about-corsets-180976691/ The Real History Behind 'Queen Charlotte: A Bridgerton Story' https://www.smithsonianmag.com/smart-news/the-real-history-behind-queen-charlotte-a-bridgerton-story-180982130/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Producer: Nicki Marko Video Editor: Sierra Theobald

Lindow Man, believed to be a victim of human sacrifice, remains one of the best preserved ancient bodies in all of Europe. The level of detail on his face is staggering—not bad for a 2,000-year-old mummy

Used more for grasping than locomotion, seahorse tails are both flexible and uniquely strong. (Video courtesy Dominique Adriaens, UGent)

Staff writer Abigail Tucker recounts the scene of a beach littered with horseshoe crabs and a sky filled with red knots. Read more at http://www.smithsonianmag.com/science-nature/Return-of-the-Sandpiper.html

Rather than pouncing on its prey, the larger Pacific striped octopus extends a tentacle and taps its victim, startling it into the octopus's deadly embrace. (Video courtesy Roy Caldwell, UC Berkeley)

It's been helping humans in myriad ways for over a million years, our host Eric Schulze has more