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High Vibe Honey: Week Of 23rd February 2020 + What To Do If You Feel Lonely!

By galadarling.com
Published On :: Sun, 23 Feb 2020 17:24:57 +0000

Do you struggle with feeling lonely or alone? Hilariously, you’re not alone! Loneliness is an epidemic, and in fact, it’s the number one public health crisis. We are increasingly disconnected from one another, while at the same time we have more opportunities to connect than ever. So if you find it hard to make friends, […]

The post High Vibe Honey: Week Of 23rd February 2020 + What To Do If You Feel Lonely! appeared first on Gala Darling.


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Moai 3: Trade Mission

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Published On :: Sat, 02 May 2020 04:00:00 -0400

Exclusive offer from Giveaway of the Day and MyPlayCity! No third-party advertising and browser add-ons! The Hero and Bright Light return in an all-new adventure to reclaim a stolen artifact and crush the threat to their kingdom and their people! Rebuild decimated villages, defeat enemies, and survive off the land as you enjoy hours of addictive gameplay! With all of this and more, Moai 3 is poised to be your next great adventure!


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NFPA and HFSC Take Home Fire Sprinkler Week 2020 Virtual; Help Us Fill the Digital World with Life Safety Messages May 17-23

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Published On :: 2020-04-20T17:40:00Z

As the world continues to deal with the ongoing demands of COVID-19, NFPA and the Home Fire Sprinkler Coalition (HFSC) have cancelled live events that week in favor of a North America wide virtual effort to show the value of home fire sprinklers from May


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  • home fire sprinkler week
  • covid-19
  • coronavirus
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Where do baby magnetars come from? Mysterious 'fast radio bursts' may provide clues.

By feedproxy.google.com
Published On :: Sun, 03 May 2020 13:37:50 +0000

Magnetars — highly magnetized, rapidly rotating super-dense stars — are among the most enigmatic creatures to inhabit the cosmos and their origins are shrouded in mystery.


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How amateur satellite trackers are keeping an 'eye' on objects around the Earth

By feedproxy.google.com
Published On :: Sun, 03 May 2020 13:38:28 +0000

Around the planet, a loosely knit but closely woven band of amateurs monitor the whereabouts of satellites — be they secretive spacecraft, rocket stages, orbital debris or lost space probes.


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'Star Wars': Summary of the franchise and its effect on space technology

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Published On :: Mon, 04 May 2020 04:44:02 +0000

A long time ago — roughly four decades — the world was introduced to Jedi knights, lightsabers, droids and the Force. Before long, elements of the space fantasy had an effect on real-life space technology.


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The UAE is going to Mars. Here's the plan for its Hope orbiter.

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Published On :: Mon, 04 May 2020 11:41:19 +0000

The United Arab Emirates had its sights set on Mars the day before it launched its second satellite ever.


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The moon isn't 'dead': Ridges on lunar surface show signs of recent tectonic activity

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Published On :: Mon, 04 May 2020 11:53:13 +0000

The moon isn't "dead" after all: Newly discovered ridges on the moon's surface are leading scientists to think that the moon might have an active tectonic system.


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On This Day in Space! May 4, 2011: 1st official 'Star Wars' Day celebration

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Published On :: Mon, 04 May 2020 12:03:06 +0000

On May 4, 2011, the first organized "Star Wars" Day celebration happened in Toronto. See how it happened in our On This Day in Space video series!


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Scientists keep debunking 'monster black hole' discovery. So, what's the deal with binary system LB1?

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Published On :: Mon, 04 May 2020 16:00:15 +0000

As scientists continue to weigh in, one thing is clear: the "monster black hole" discovered in 2019 doesn't exist.


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Disney Plus drops epic 'Star Wars: The Skywalker Saga' trailer for May the Fourth

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Published On :: Mon, 04 May 2020 16:21:03 +0000

"Star Wars: The Rise of Skywalker" arrives on Disney Plus for Star Wars Day today (May 4), putting all nine films from the Skywalker saga in one place for fans and yes, there is a trailer.


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The 2020 Eta Aquarid meteor shower peaks tonight! See 'crumbs' of Comet Halley rain on Earth

By feedproxy.google.com
Published On :: Mon, 04 May 2020 17:29:10 +0000

The Eta Aquarid meteor shower peaks overnight tonight (May 4), with the best views arriving before dawn on Tuesday (May 5).


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Elon Musk shows off Starship prototype's rocket engine ahead of test fire (photo)

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Published On :: Mon, 04 May 2020 19:39:24 +0000

SpaceX founder and CEO Elon Musk just tweeted an image looking up at the belly of the latest Starship prototype, the SN4, which is on the test stand ahead of a key engine firing.


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Chaos reigns in detailed new views of Jupiter's icy moon Europa

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Published On :: Mon, 04 May 2020 19:43:22 +0000

Scientists have gotten their best look to date at three chaotic patches on the icy surface of Jupiter's moon Europa thanks to decade-old images from a long-defunct spacecraft.


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Official: Taika Waititi to co-write and direct 'Star Wars' film

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Published On :: Mon, 04 May 2020 20:09:28 +0000

"Thor: Love and Thunder" writer/director Taika Waititi has signed on to write and direct a "Star Wars" film.


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Book week 2019: Jane Setter's Your Voice Speaks Volumes

By separatedbyacommonlanguage.blogspot.com
Published On :: Mon, 25 Nov 2019 17:28:00 +0000

Welcome to the first review post of Book Week 2019. See the intro to Book Week 2019 to understand more about what I'm doing this week.

I'm starting with the most recent book in the ol' pile of books from publishers:

Your voice speaks volumes
it's not what you say, but how you say it

by Jane Setter
Oxford University Press, 2019


Jane is Professor of Phonetics at the University of Reading (UK) and a recipient of the prestigious National Teaching Fellowship. (As you can see, we are on a first-name basis, as we travel some of the same Public Linguist circles.) I mention the teaching fellowship because it is relevant: Jane is excellent at making linguistics, particularly phonetics, crystal clear for the uninitiated. She uses that talent to great effect in her first book for the general public. 

This book speaks squarely to a general British audience — and to those who want to know more about English-language issues and attitudes in this country. I'm writing this on a day when my social media feed has given me (a) the story of a man wrongly arrested for public drunkenness in Brighton—because the police had mistaken his Liverpool accent for slurring and (b) a misreading of the relevance of accent in the US (as a means to say something about how accents are read in the UK). But I'd have at least two such things to tell you about on any other day when I might have written this post. Accents make the news in Britain because they matter inordinately. Differences that might not be discernible to those from other countries are imbued with layers and layers of meaning and subjected to piles and piles of prejudice. 

As I warned in the intro to Book Week, I have not been able to read the whole book. But I was able to get through much more than I thought I'd be able to in a single evening (four of the seven chapters: 1, 2, 3, 7). Part of my speed was because I could skim the bits that were explaining linguistic facts that I already knew. (That's not to say that the facts here are too basic. I've just had a helluva lotta linguistics education.) But it is a zippy read throughout. Setter uses personal and celebrity stories to demonstrate the everyday relevance of the phonetic and sociolinguistic facts that she's explaining. (Hey look, I seem to revert to last-name basis when I'm reviewing someone's book.) 

The chapters I haven't yet read are those that I'd probably learn the most from: on the use of linguistics in forensic investigations, on voices in performance (including accent training for actors and why singers' accents change in song—which she should know, since she's also a singer in a rock band), and on transgender and synthesized voices. I started with the chapter that relates most to my work ('English voices, global voices') and then went back to the beginning where I was most likely to run into things I already know. That's good from a reviewing perspective, because I can say with confidence that Setter covers well the things that I know need to be covered for her audience. But as I got further into the book, the more unexpected things I learned. I ended in the chapter on women's and men's voices, and I will tell you: I learned some things! To give an example, I liked her interpretation of a study in which women and men were asked to count to ten using various kinds of voices, including 'confident' and 'sexy'. It turns out men generally don't have a 'sexy voice' to put on, while women do, and this might tell us something about what we're sociali{s/z}ed to find sexy—and why.

It's hard to write about sound —and especially about linguistic sounds for a general audience. Writing for linguists is easy, because we have a lot of practice in using the International Phonetic Alphabet (IPA). But you don't want to fill a book for non-linguists with letters that don't make the same sound as they make in English spelling, or letters they've never even seen before. Setter mostly talks about accents without having to get into the kind of phonetic minutiae that excite linguists and make laypeople glaze over. Where she does need technical terms (e.g. lexical sets), she explains them carefully and clearly. But happily for all of us, Setter wrote this book in the internet age. Throughout the book, there are scannable QR codes by which one can hear the sounds she's talking about. (You can get there without a QR reader too, the web URLs are provided.)

For readers of this blog with an interest in US/UK issues, there is plenty of comparison between UK and US and discussion of "Americani{s/z}ation". These are discussed with an assumed familiarity with British Englishes and less with American Englishes.

This book is an important instrument for fighting accentism and other linguistic prejudice in the UK. It might make a nice gift for that person in your life who says they "care deeply about the English language", but really what they mean is "I like to judge other people's use of the English language". 

But more than that, it is a great demonstration of what the study of phonetics can do. I really, really recommend it for A-level students in English (language) and their teachers, as it touches on many of the areas of linguistics taught at that level and would surely inspire many doable research projects. 

Let me just end with: congratulations on this book, Jane!


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Book week 2019: David Adger's Language Unlimited

By separatedbyacommonlanguage.blogspot.com
Published On :: Tue, 26 Nov 2019 18:18:00 +0000

Welcome to the second review post of Book Week 2019. See the intro to Book Week 2019 to understand more about what I'm doing this week. Next up we have:

Language unlimited
the science behind our most creative power

by David Adger
Oxford University Press, 2019


This is a book for people who like to think about HOW THINGS WORK. It's a serious work of popular science writing, which carefully spells out the mysteries of syntax. And by mysteries, I mean things you've probably never even noticed about language. But once they're pointed out, you have to sit back and say "Whoa." Because even though you hadn't noticed these things, you know them. Remember a few years ago, when the internet was hopping with posts about how we subconsciously know which order to put adjectives in? That's kid's play compared with the stuff that Adger'll teach you about the things you know but don't know about.

Adger (who is Professor of Linguistics at Queen Mary University, London) describes the situation carefully, clearly, and engagingly, using copious examples and analogies to communicate some really subtle points. (I particularly liked the explanation of form versus function in language, which drew on the form versus the function of alcohol. Chin-chin!) He draws in evidence from neurology, psychology, and computer science to both corroborate his points and to introduce further questions about how language works.

As I said in the intro to Book week, I have not read all the books I'm reviewing absolutely cover-to-cover. In this case, of the ten chapters, I read 1–3, 7, and 10—and skimmed through the other chapters. The early chapters make the case that there's more to linguistic structure than meets the eye and that human linguistic abilities must consist of something special—they must be qualitatively different from the types of cognition that other animals use and that humans use in non-linguistic communication. Later ones cover issues like how children experience and acquire their first language and what happens when computers try to learn human language. Throughout, the examples feature Adger's partner Anson and his cat Lilly.  I almost feel like I know them now. Hi Anson and Lilly!

Adger makes clear from the start that his book makes a particular argument in favo(u)r of a particular way of explaining language's mysteries—and that particular way is a Chomskyan way. This means that he makes the case for a Universal Grammar that underlies all human language. I was struck by his willingness and ability to take this all the way for a lay audience. By chapter 9, he is explaining Merge, the key tool of Chomsky's Minimalist Program. 

Now, here I have to say: this is not the kind of linguistics I do. It's not just that I'm not a syntactician—though I have, from time to time, dipped my toe into theories grammatical. It's also that I lost faith in theoretical monotheism when I moved from a very Chomskyan undergraduate degree to a more ecumenical linguistics department for my (post)graduate studies. When I arrived for my PhD studies, the department wanted to know which syntactic theories I'd studied, so they could determine which courses I needed to take. I could not tell them. After four years of studying Chomskyan linguistics, I thought I had spent four undergraduate years studying "Syntax". No one had told me that I was studying a theory of syntax, just one among several theories.

Ever since, I have tended to agnosticism and s{c/k}epticism when it comes to syntactic theory. (This is probably how I ended up as not-a-syntactician; I don't know that it's possible to have a career in grammatical studies without adhering to one theoretical church or another.) Being a lexicologist has meant that I don't have to take sides on these things. And so I play around with different theories and see how they deal with the phenomena I study. When I listen to the evangelists, I listen warily. I tend to find that they oversimplify the approaches of competitor theories, and don't learn as much from them as they could (or, at least, sometimes don't give them credit for their contributions). This is all a very long explanation of why I skipped to chapter 7—the chapter where Adger responds to some non-Chomskyan ideas (mostly personified in the chapter by Joan Bybee).

So (mostly BrE*) all credit to Adger for spending a chapter on this, and for citing recent work in it. I generally thought his points were fair, but I did what I usually do in response to such theoretical take-downs: I thought "ok, but what about..." I do think he's right that some facts point to the existence of a Universal Grammar, but I also think it's not the only interesting part of the story, and that it's premature to discount arguments that explore the possibility that much of what happens in language learning is based in experience of language and general cognitive abilities. But then, I would think that.

I definitely recommend the book for people who are interested in the scientific approach to language, but I'd skip the final chapter (10). It is an oddly tacked-on bit about sociolinguistic phenomena, precisely the kinds of things that are not even approached in the theory the rest of the book has been arguing for.

I congratulate Adger on this strong work that makes extraordinarily abstract concepts clear.





P.S. Since I'm not doing Differences of the Day on Twitter this week, here's little chart of use of all credit to (frequency per million words) in the Corpus of Global Web-Based English, for good measure.



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Book Week 2019: David Shariatmadari's Don't Believe a Word

By separatedbyacommonlanguage.blogspot.com
Published On :: Fri, 29 Nov 2019 00:05:00 +0000

Welcome to the third review post of Book Week 2019. In the intro to Book Week 2019, I explain what I'm doing this week. In the end, there will be four posts. I thought there would be five, but one of the books has (orig. BrE) gone missing. Having had a day off yesterday, I will also have a day off tomorrow, so the final review will appear during the weekend. Probably.

Anyhow, today's book is:

Don't believe a word
the surprising truth about language

by David Shariatmadari
Norton, 2019 (N America)
W&N, 2019 (UK/RoW)


David Shariatmadari writes for the Guardian, often about language, and is one of the sensible journalists on the topic. The number of sensible journalists writing about language has really shot up in the past decade, and judging from reading their books, this is in part because of increasingly clear, public-facing work by academic linguists. (Yay, academic linguists!) But in Shariatmadari's case, the journalist is a linguist: he has a BA and MA in the subject. And it shows—in the best possible way. 

The book is a familiar genre: busting widely held language myths. If you've read books in this genre before, you probably don't need these myths busted. You probably know that linguistic change is natural, that the border between language and dialect is unfindable, that apes haven't really learned sign languages, and that no form of language is inherently superior to another. Nevertheless, you may learn something new, since Shariatmadari's tastes for linguistic research and theories is not always on the same wavelength as some other books directed at such a general audience.

Once again, I'm reviewing with a partial view of the book (this is the practical law of Book Week 2019). In this case, I've read chapters 1, 5, and 9 and skimmed through other bits. The introductory chapter gives us a bit of insight into Shariatmadari's conversion to full-blown linguist, as a reluctant student of Arabic who was quickly converted to admiration for the language and to the study of language as an insight into humanity. "It's not hyperbole to say that linguistics is the universal social science", he writes. "It intrudes into almost every area of knowledge."
UK cover

I chose to read chapter 5 because I'd had the pleasure of hearing him talk about its topic at a student conference recently: the popularity of "untranslatable word" lists. Goodness knows, I've contributed to them. What I liked about the talk was his detective work on the words themselves—some of the words and definitions presented in lists of 'untranslatables' are practically fictional. And yet, those of us who don't speak the language in question often eat up these lists because of our ethnocentric need to exotici{s/z}e others. This leads inevitably to discussion of linguistic relativism—the notion that the language you speak affects the way you think—and the bad, old (so-called) evidence for it and the newer evidence for something much subtler. The chapter then goes in a direction I wasn't expecting: introducing Natural Semantic Metalanguage (NSM), an interesting (but far from universally taught) approach to meaning that uses about 65 semantic building blocks to represent and compare meanings across languages. NSM adherents make the case that few, if any, words are truly equivalent across languages. But while any word in one language may have no single-word equivalent in another language, that doesn't mean those words are untranslatable. It just means that translating them can be a delicate and complicated thing.

US cover
The final chapter (9) takes the opposite view to David Adger's Language Unlimited (in my last review), and argues that the hierarchical (and human-specific) nature of linguistic structure need not be the product of an innate Universal Grammar, but instead could arise from the complexity of the system involved and humans' advanced social cognition. While Adger had a whole book for his argument, Shariatmadari has 30-odd pages, and so it's not really fair to compare them in terms of the depth of their argumentation, but still worth reading the latter to get a sense of how linguists and psychologists are arguing about these things.

Shariatmadari is a clear and engaging writer, and includes a good range of references and a glossary of linguistic terminology. If you know someone who still believes some language myths, this might be a good present for them. (Though in my experience, people don't actually like getting presents that threaten their worldview. I still do it, because I care more about myth-busting writers earning royalties than I care about linguistic chauvinists getting presents they want.) It would also make an excellent gift for A-level English and language students (and teachers) and others who might be future linguists. After they read it, send them my way. I love having myth-busted students.


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Book Week 2019: Gretchen McCulloch's Because Internet

By separatedbyacommonlanguage.blogspot.com
Published On :: Mon, 02 Dec 2019 12:37:00 +0000


Welcome to the final review post of Book Week 2019. In the intro to Book Week 2019, I explain what I'm doing. The 'week' has turned out to be eight days. If you're perturbed about that, I'm happy to offer you a full refund on your subscription fees for this blog.

On with the show. Today's book is:


Because Internet

Understanding the new rules of language (US subtitle)
Understanding how language is changing (UK subtitle)

by Gretchen McCulloch
Riverhead, 2019 (N America)
Harvill Secker, 2019 (UK)


Gretchen McCulloch describes herself as an internet linguist: writing about internet language for people on the internet. She actually does a lot more than that, with daily blogging at All Things Linguistic for years and being one half of the Lingthusiasm podcast team and writing on all sorts of linguistic themes for all sorts of publications. So, I expect many readers of this blog will already know her and have heard about this book. 

US Cover
I expected Because Internet to be good, knowing Gretchen's work, but I also probably (in my grumpy, middle-aged, oh-do-we-have-to-talk-about-emojis-again? way) expected it to be faddish. There have been too many just-plain-bad, (orig. AmE) jumping-on-the-bandwagon books about emojis, and I've got(ten) a bit sour on the topic. 

This book is so much more than I expected it to be. 

I should have known better. Having read and heard much of her work, I should have expected that this would be a truly sophisticated approach to language and to general-audience linguistics writing. So far in Book Week 2019, I've recommended the books as gifts for A-level students/teachers, science lovers, and language curmudgeons. This book is good for all those groups and more. 

UK cover
The key is in the subtitle(s).* This is not just a book about emojis and autocomplete (and, actually, autocomplete isn't even in the index). This is a book about the relationship between speech and writing and how that's changed with technology. It seamlessly introduces theories of why language changes, how change spreads and how communication works in a time when the potential for change is high and the potential for changes to spread is unprecedented. 

That seamless introduction of linguistic concepts is the reason I've started this book from the beginning and not skipped around (unlike for other books in Book Week—where the rule is that I don't have to read the whole book before I start writing about it). In most books about language for non-linguists, I'm able to skim or skip the bit where they talk about the basics of how language works and the classic studies on the topic and the ideas springing from them. McCulloch covers those issues and those studies (the Labovs, the Milroys, the Eckerts), but since this is intertwined with looking at how language is changing in the 21st century—because (of the) internet—it was worth my while to read straight through. The great thing about the language of the internet is: even when it looks really different from non-internet language, it's still illustrating general principles about how language, communication, and society work. But it also shows how society is changing because of technology, particularly in changing who we are likely to interact with or hear from, In the process, it gives a history of the internet that's enlightening even for those of us who've lived through it all. (I've just flipped open to a section about  PLATO at the University of Illinois. One of my student jobs was working in a PLATO lab, playing Bugs-n-Drugs [aka Medcenter] while signing people in and out. That game was not good for my hypochondria, but I have awfully fond memories of PLATO.)


Another thing to appreciate about McCulloch's book is how unreactionary it is. She doesn't set up her discussion as "You've heard people say these stupid things about the internet, but here's the TRUTH." (A style of writing that I can be very, very guilty of.) She mostly just makes her case gracefully, based on what the language is doing, rather than reacting to what other people say the language is doing. Rather than 'This, that and the other person say emoji are a new language, but they're not', she just gets on with explaining how emoji fulfil(l) our communicative need to gesture. It's a positive approach that academic linguists will have had trained out of them by the requirements of academic publishing.

This is a bit of a nerdview 'review'. Usually reviews tell you some fun facts from the book they're reviewing, whereas I'm telling you what I've noticed about its information structure. That's because that's what I really look for in books as I prepare to write a new one. In terms of information, in this book you'll learn, among other things:
  • which "internet generation" you belong to and how your language is likely to be different from other generations'.
  • what punctuation communicates in texting/chat and how that differs from formal writing
  • how language change can be traced through studying strong and weak social links and geographic tagging on Twitter
Inevitably, the book is mainly about English, in no small part because English rules the internet. But it does make its way to other languages and cultures—for instance, how Arabic chat users adapted their spelling to the roman alphabet and how emojis are interpreted differently around the world.  In the end, she briefly considers whether space is being made for other languages on the internet.

It's a galloping read and you'll learn all sorts of things.


So, on that happy review, I declare Book Week 2019 FINISHED.


* I love the transatlantic change in subtitles, since it completely illustrates the point of chapter 8 of The Prodigal Tongue: that Americans like to talk about language in terms of rules, and Britons in terms of history/tradition. I've also written a shorter piece about my personal experience of it for Zócalo Public Square.


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'X's Y' versus 'the Y of X'

By separatedbyacommonlanguage.blogspot.com
Published On :: Sun, 29 Mar 2020 21:45:00 +0000

[I had said I'd be blogging weekly, but that didn't happen when I had to travel for family reasons. I have got(ten) back to it, not that you'll always notice. I've decided that my goal is to *write* for the blog each week, but not necessarily to publish. So, I started writing this one last week, finished this week.]

I'm doing a lot of reading about the genitive case at the moment. Grammatical case is some kind of marking (e.g. a suffix) that shows what 'job' a noun is doing in a sentence. You might know a lot about case if you've studied German or Latin or Finnish (or some other languages), which have case suffixes on nouns. You'll know a little about case from being an English speaker who knows the differences between they, them, and theirs. Modern English marks pronouns for case, but not other nouns, except...

Old English (Anglo-Saxon) had a robust case system, which it got from the ancestor it shared with German. The case suffixes pretty much died during Middle English. (English lost a lot of other kinds of suffixes over the centuries too, in part because suffixes are the kinds of things that get swallowed up in speech and in part becuase they're the kind of thing that become vulnerable when different languages come into contact—as happened for English and Norman French nearly 1000 years ago.) But one English case suffix, rather than disappearing, morphed into something else, and that something is the scourge of English spelling, the apostrophe-s: 's. 

So in the Old-English poem Beowulf, you can read about Grendles guðcræft. That -es on the name of the monster Grendel is the forebear of 's. We can translate it as something like 'Grendel's power' or 'Grendel's warcraft'. That (masculine, singular) genitive case marker says that there's a very close relation between Grendel and the guðcræft. Grendel is the power's source or its possessor.


But when that poem gets translated into Modern English, the translators sometimes translate the -es as an 's and sometimes not:
the might of Grendel (Francis Gummere)  
Grendel's power of destruction (Seamus Heaney)
That's because something else happened in Middle English: English started using of in the way that French uses de to express genitive relations—because French got all up in English's business at that point. Because of that change, of occurs only 30 times in Beowulf (where it has its original meaning of 'away from' or 'off'*), but over 900 times in Gummere's translation of it (where it means next to nothing).

So English has ended up with two ways of expressing those kinds of relations. We tend to talk about them as being 'possessive' relations and of the X in X's Y or the Y of X as 'the possessor'.  But the relation is not necessarily possessive. Think about something like the theft of the bicycle and the bicycle's theft: the bicycle doesn't possess the theft. The relations between the nouns in 's/of expressions are varied and hard to pin down (but they are very close relationships, covering a lot of the same ground as the genitive in Old English).

We don't exactly use 's and of interchangeably, though, and even where we can use both we often have preferences for one or the other. One of the strongest predictors of whether it'll be 's  or of is the animacy of the thing in the X position (the 'possessor'). Linguists often talk about an animacy hierarchy in which expressions that refer to  animate things are preferred in certain positions in sentences over non-animate things. In terms of what's animate, humans (the teacher, Heidi) come above animals (the badger, the parrot) and collectives (the company, the union), which come above objects (the table, the book).  All of the below noun phrases are "grammatical" but the higher up the list we go, the more apt people are to use the 's instead of the of phrase, all other things being equal:
the teacher's size        the size of the teacher
the badger's size         the size of the badger
the union's size           the size of the union
the table's size            the size of the table
A lot is going on in that 'all other things being equal' (a phrase used in both AmE and BrE, but AmE also likes all else being equal). Some other things that swing a possessive in favo(u)r of 's phrasing rather than of phrasing are:
  • heavier (more syllables/more complex syntax) possessed NPs rather than lighter ones
    (the table's dirty and worn-out alumin(i)um edge vs the dirty and worn-out alumin(i)um edge of the table)
  • the need for denser texts, as in newspaper headlines 
  • speech (rather than writing)
  • informal writing style (rather than more formal writing styles)
  • the dialect being spoken
So, on the last point: English in general used to be a much stronger avoidance of 's on inanimate object names. Inanimate possessors have become more and more accepted in English over the last 200 years or so. But that change has been happening faster in American English than British. This is like a lot (but not all!) of other changes in English (see The Prodigal Tongue, or if you really like to read about statistical methods, Paul Baker's book)—the change has roots deep in English's history, but goes faster/slower in different places. In this change's case (like some others), the "newer" form ('s on inanimates) is perceived as less formal and it's more condensed (and therefore quicker to say/read). Both of these properties might characteri{s/z}e some differences between the cultures that maintain the "standard" versions of English in the two countries. AmE tolerates more informality and more brevity in more situations.

So, having been thinking about all this, I did a Difference of the Day on Twitter, showing these two charts:


Here you can see that North Americans are much more happy than others to say the book's cover or the book's title or the table's edge or the table's width (or whatever other nouns might go after book's and table's). Here's the flipside, the of versions, which I didn't post on Twitter.



The table chart goes with what we'd expect to see: BrE doing a lot more with of than AmE. But the book table has AmE doing more of the book than BrE. You know why? Because American talk about books more. No, really:


So that's a lot more detail than you needed in order to see the AmE/BrE difference, but, hey, reading is good for you!

*Why does off look like of? Because they used to be the same word!

Some of the things I've been reading that influenced this post:
Carlier, Anne and Jean-Christophe Verstraete. 2013. Genitive case and genitive constructions: an introduction. In Carlier and Verstraete (eds.), The genitive. Amsterdam: John Benjamins.

Carlier, Anne, Michèle Goyens and Béatrice Lamiroy. 2013. De: a genitive marker in French? Its grammaticalization path from Latin to French. In Carlier and Verstraete (eds.), The genitive. Amsterdam: John Benjamins.

Szmrecsanyi, Benedikt and Lars Hinrichs. 2008. Probabilistic determinants of genitive variation in spoken and written English: A multivariate comparison across time, space, and genres. In Terttu Nevalainen, IrmaTaavitsainen, Päivi Pahta, and Minna Korhonen (eds.), The Dynamics of Linguistic Variation: Corpus Evidence on English Past and Present. Amsterdam : John Benjamins.


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By cozinhadobomgosto.com
Published On :: Fri, 10 Apr 2020 12:01:07 +0000

Que tal um copinho barato, fácil e rápido de fazer para esta Páscoa!? Nosso COPINHO DE PÁSCOA com decoração de coelho é perfeito para colocar docinhos e presentear ou vender! Confira no vídeo ao vivo o passo a passo.

O post COPINHO DE PÁSCOA (Coelho com Doces) apareceu primeiro em Cozinha do Bom Gosto.


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By cozinhadobomgosto.com
Published On :: Tue, 14 Apr 2020 22:00:30 +0000

Um pequeno lembrete para que todos tomem cuidado com álcool gel, principalmente na cozinha! Em época de Coronavírus, temos usado muito o produto nas mãos, em superfícies e embalagens. Apesar de muito eficiente para a higienização, é inflamável e muitas vezes suas chamas não são visíveis aos olhos!

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By cozinhadobomgosto.com
Published On :: Thu, 23 Apr 2020 22:02:15 +0000

Este salgadinho leva apenas 3 ingredientes na massa e fica PERFEITO! Você pode fritar ou assar! Recheie com o que você quiser. Como sugestão, te ensino um recheio de carne econômico e delicioso! Anote os ingredientes:

O post Bolinho com massa de 3 ingredientes apareceu primeiro em Cozinha do Bom Gosto.


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By community.nfpa.org
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By community.nfpa.org
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By inhabitat.com
Published On :: Tue, 21 Apr 2020 17:30:00 +0000

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By inhabitat.com
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By inhabitat.com
Published On :: Fri, 24 Apr 2020 15:30:00 +0000

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Published On :: Tue, 21 Apr 2020 02:55:42 PDT

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Published On :: Tue, 21 Apr 2020 09:20:33 PDT

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Published On :: Wed, 22 Apr 2020 11:14:29 PDT

Watch out Apple users! The default mailing app pre-installed on millions of iPhones and iPads has been found vulnerable to two critical flaws that attackers are exploiting in the wild, at least, from the last two years to spy on high-profile victims. The flaws could eventually let remote hackers secretly take complete control over Apple devices just by sending an email to any targeted


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Published On :: Thu, 23 Apr 2020 03:01:01 PDT

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Published On :: Fri, 24 Apr 2020 03:38:56 PDT

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Published On :: Mon, 27 Apr 2020 23:54:03 PDT

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By feedproxy.google.com
Published On :: Tue, 28 Apr 2020 05:03:47 PDT

Researchers have uncovered a potential means to profile and track online users using a novel approach that combines device identifiers with their biometric information. The details come from a newly published research titled "Nowhere to Hide: Cross-modal Identity Leakage between Biometrics and Devices" by a group of academics from the University of Liverpool, New York University, The Chinese


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Published On :: Thu, 30 Apr 2020 04:07:09 PDT

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By feedproxy.google.com
Published On :: Tue, 05 May 2020 09:57:29 PDT

The Coronavirus crisis introduces critical operational challenges to business continuity, placing high stress on organizations' management. As a result, CIOs and CISOs face a double challenge on the cyber risk front – apart from the new risks that the mass transfer of employees working remotely brings, capturing the management mindshare for further investments in security becomes harder than


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Facebook Launches 'Discover,' A Secure Proxy to Browse the Internet for Free

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Published On :: Wed, 06 May 2020 06:19:38 PDT

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Pâte Brisée : Jêrôme's 4-ingredient wine-based shortcrust pastry is easy, versatile, delicious for savory quiche or sweet, delectable pie!

By feedproxy.google.com
Published On :: Thu, 07 May 2020 11:46:58 +0200

I can tell you--after seeing them in the bathroom mirror this morning--this shortcrust pastry recipe will give you les poignées d'amour. That's French for "love handles." Même pas peur? Not even scared? Good! Read on and discover a truly delicious and versatile pâte brisée. I should know...I've tested 10 of them in the past week--ever since you asked for the recipe! Today's Word: la pâte brisée : shortcrust pastry, a rich dough for making pie crust Audio: Listen to the words pâte brisée in this soundfile En cuisine, la pâte brisée est une pâte servant de base aux tartes salées ou sucrées. La pâte brisée désigne généralement une pâte composée principalement de farine et de matière grasse sans sucre. In cooking, shortcrust pastry is a dough used as a base for savory or sweet pies. Shortcrust pastry generally refers to a dough composed mainly of flour and fat, without sugar. Jérôme's Pâte Brisée: 4-ingredient Shortcrust Pastry (makes one large or two small tarts!) Ingredients... 2 cups flour 2 teaspoons baking powder 1/2 cup white wine 1/2 cup sunflower oil Note: ordinary white wine is all you need. Leftover wine will work as long as it hasn't turned to vinegar. For...


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