Thane rural district's Navghar police are finally making the right noises following repeated complaints against noisy bikers by locals. The police have begun a heavy crackdown against bikers using modified silencers that create much noise, contributing to the already terrible noise pollution levels in the city.

The police are not just seizing such bikes but also destroying the modified silencers in front of their owners. More than 55 cases have been registered so far in this regard and more than 35 silencers have been destroyed in the last couple of weeks.

People living in Bhayander East have been forced to endure a cacophony of noises that the modified silencers or bikes with no silencers at all make. Also, patients admitted to nearby hospitals had complained to the local police on multiple occasions but no concrete action was taken so far.

Police fool violators
Action initiated against such bikers in the past has posed quite some challenge to the police who claim that if these bikers are followed, most of them speed away without a thought for their own lives or that of others. In such a situation, it is difficult to catch hold of them, said an officer of the Navghar police station. "We thus adopted a new method. We have formed a special team, members of which dress up as different people - beggars and godmen - and patrol areas around traffic signals to nab such bikers. The idea has worked so far," said PSI Vijay Takke from Navghar police station.

Locals have welcomed the move. "It is a nightmare for us as these bikes zip past our houses almost every day and it becomes extremely disturbing, more so for children and elderly people," said a local who had filed many complaints against errant bikers in the past. "The police action has now reduced the number of noisy bikers but the drive must not stop," he added.

55
No. of cases against errant bikers registered so far

35
No. of modified bike silencers destroyed so far

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Counterfeit notes with a face value of Rs 15.76 lakh were seized from three persons in Mumbra area here in the early hours of Saturday, police said.

Assistance Commissioner of Police Ramesh Dhumal said the police had received a tip-off that some persons were going to arrive in Kismat Colony, carrying counterfeit notes with them.

Jainkumar Chunnulal (41), Mohammad Dilshad (26), both from Uttar Pradesh, and local resident Javed Ahmed Ansari (30) were arrested and a bag of counterfeit notes in Rs 2,000 denomination was seized from their possession, he said.

Jainkumar and Dilshad had allegedly procured the notes from Asansol in West Bengal by paying Rs 3.50 lakh, the ACP said. Police were probing if the contraband had any link with the ongoing election campaign, he said.

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Marking the occasion of Mahashivratri along with the success of her film Luka Chuppi, Kriti Sanon visited a Shiv temple in the suburbs of Mumbai to express her gratitude to the almighty.

With an opening of Rs 8.01 crore, Luka Chuppi marked Kriti Sanon's highest opener, as the lead actress. Amidst her busy schedule, Kriti visited Shiv Mandir in Santacruz to offer prayers and thank the almighty for showering her with love from the audience.

Check out some pictures here:

Kriti Sanon clicked at Shiv Temple in Santacruz (All Pictures/Yogen Shah)

Kriti Sanon clicked at Shiv Temple in Santacruz with her mother

Kriti Sanon clicked at Shiv Temple in Santacruz with her mother

Riding high on the success of her recent film Luka Chuppi, Kriti Sanon has been garnering love and appreciation for her quirky character Rashmi.

Kriti Sanon obliges a fan with a selfie outside the temple

Earlier, the actress visited Cinema halls to gauge the reactions of the audience as well as sold tickets at the theatre herself, surprising her fans with her sweet gesture. The actress has carved a place for herself with strong characters delivering remarkable performances there by winning the hearts of the audience.

Beginning the year with Luka Chuppi, Kriti Sanon is all set to offer a plethora of diverse characters this year with her films hailing from different genres. She will be next seen in Arjun Patiala, Housefull 4, and Panipat.

Also Read: Exclusive: Kriti Sanon on Panipat character: Killing people with sword was powerful

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Aamir Khan had a customary cake-cutting ceremony with the media at his Bandra home, holding a press conference. On his birthday, the actor, who turned 54 today, made an announcement of his next film titled Laal Singh Chadda. Aamir's next release is a remake of Hollywood film Forest Gump (1994). The film starred Tom Hanks and Robin Wright and was based on a novel of the same name.

Following this, Aamir Khan will take off for North Ireland to attend the ongoing Belfast Film Festival. He will be in conversation with Nasreen Munni Kabir on 16th to discuss his body of work.

Check out the pictures of Aamir Khan's 54th birthday celebrations here. (All pictures/Shadab Khan, Yogen Shah)

Aamir Khan's 54th birthday celebration

Aamir Khan was accompanied by his wife Kiran Rao.

Aamir Khan cuts his birthday cake

Fans across the nation have been pouring in wishes for Aamir by posting the actor's pictures, which also saw a strong social trend with the #HappyBirthdayAamirKhan.

Aamir Khan and wife Kiran Rao at his 54th birthday celebrations with media persons

Kiran Rao clicked while feeding the birthday cake to Aamir Khan

Known as Mr Perfectionist of the industry, Aamir Khan for Bollywood has over the years created an image that many look up to. From making films that address the pertinent issues of the society, to speaking his mind on raging issues even off camera, Aamir Khan has always been the one with a calculative brain and has used his position to impart a change in the society.

On the professional front, Aamir Khan likes to explore with the character he plays and the actor likes to surprise his fans with new characters. To experiment with roles, Aamir grows his hair and beard before every film. This also gives him the flexibility to play with multiple looks in one film. We wonder, what Aamir Khan's look would be in Laal Singh Chadda!

Here's wishing a very happy birthday to Aamir Khan!

Also Read: Aamir Khan is a family man, these picture-perfect frames are proof!

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An engineering graduate, Navin Noronha is also an openly gay stand-up comedian, who uses his humour to acquaint people with the struggles of the LGBTQ community. Watch him at his comedy special, The Good Child, which covers humorous takes on what it's like to grow up queer in India. From stories about coming out and online dating, to tackling family and gay relationships, Noronha will cover it all.

ON March 22, 8.30 pm
AT The Habitat, Khar West 
LOG ON TO bookmyshow.com
ENTRY Rs 250

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Two decades ago, drinking wine was restricted to snooty pseudo-intellectuals who turned the experience into flavour profiles of tannins and acids, melons and mango, and grape varieties that we could barely pronounce.

We now sip in times when the pourer, who once intimidated us with technical terms, explains the story of the vineyard, the grape and body with passion in layman’s terms.

When we stepped into 266 Wine and Bar Room, we were quickly reminded of the Kala Ghoda Wine Bar that recently opened in the much-loved backroom of Kala Ghoda Café. The space is done up in hues of light blue and grey, with light fixtures adding a warm, amber glow from low-wattage tungsten bulbs. We settle into blue sofas, preferring the comfort to the high stools that may turn tricky after a few glasses.

266 Charcuterie and Cheese Board

The 266 Charcuterie and Cheese Board (Rs 675) is an indulgence with brie, camembert, cheddar, strawberries, walnuts, olives and chicken and pork cold cuts. Between nibbles and sips, we realise this is a space we’d love to hang out at for conversations or even some alone time.

The platter beautifully compliments the wines. The thirstier one among us has signed up for an old world red wine flight (Rs 1,800) that takes her from an Italian pinot noir by Folonari, which is crisp and medium-bodied, to a full-bodied French syrah by Domaine Gayda, a Spanish Monastrell and finally, a fresh Italian Umani Ronchi of Montepulciano d’Abruzzo. Of the lot, the syrah’s peppery, fruity notes get the highest applause.

World maps should have been taught according to wine regions of the world, we think, as we enjoy the joyride through this mini trip across some of the world’s finest wine counties. On the other hand, we sip a honeyed South African Chenin blanc by Tall Horse (Rs 850) which is tart-y, fruity and light on the palate.

Tomato stew with prawns and Malabari paratha

The food at this wine bar draws our attention too. We take a risk and order the tomato stew with prawns (Rs 575) that comes with a side of flaky, buttery Malabari paratha (Rs 60). It’s a great example of wine pairing with Indian food. The broth is sweet, tangy and cuts the acidity of the wine. With the cheese board now reduced to crumbs of brie and cheddar, we settle for a dark chocolate and olive oil mousse (Rs 425) that gives our spirited sojourn a bittersweet (pun not intended) end.

AT 266 Wine and Bar Room, next to Shopper’s Stop, Linking Road, Bandra West
TIME 4 pm to 12 am
CALL 8879101350

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266 Wine and Bar Room didn't know we were there. The Guide reviews anonymously and pays for meals

If you are in the mood for some jokes or just want to take a break from mundane life, then this stand-up comedy act is for you. Featuring two boys and girls Shaad Shafi and Joel D'souza, and Sumaira Shaikh and Urooj Ashfaq respectively, the evening will see the four crack some of their favourite jokes and also try out new material.

ON April 27, 8.30 pm to 9.30 pm
AT The Habitat, 1st and 4th, Hotel Unicontinental, road number 3, Khar West
CALL 9833358490
LOG ON TO insider.in
Cost Rs 200

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Coolpad 'Note 6'. Pic courtesy/Twitter

Chinese handset maker Coolpad launched 'Note 6', an offline exclusive product in India on Tuesday. Two of the most notable features of Note 6 are 5.5-inch HD display and 8MP+5MP dual front cameras. The company in a statement said that smartphone will be available from Tuesday in 32GB and 64GB internal storage variants with 4GB RAM for Rs 8,999 and Rs 9,999 respectively.

Note 6 is powered by a Qualcomm Snapdragon 435 chipset, backed by 4,070 mAh battery and runs on Android 7.1 Nougat Operating System (OS). "Coolpad 'Note 6' will offer a great value for money smartphone for Indian customers," said Syed Tajuddin, CEO, Coolpad India.

"We are also planning to introduce more aggressive offline devices in the next few months to expand in the offline market through our retails partners and multi-brand outlets," Tajuddin added.

Coolpad "Note 6" will be available at over 300 multi-brand stores across eight states including Delhi-NCR, Telangana and Maharashtra.

(Edited by mid-day online desk, with inputs from IANS)

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Instagram has introduced a feature that allows users to make payments. The Facebook-owned photo-sharing app will now allow users to add their credit or debit card with their profile and set up a security pin. They can make purchases within the photo-sharing service and make payments without having to leave the site, Cnet reported.

Payments is the next big thing for tech giants who are looking at retaining users in the form of customers by offering them a one-stop destination for all their needs, including social, photos, and now e-commerce. The new native payments feature is currently available through limited partners and businesses on Instagram.

(Edited by mid-day online desk, with inputs from ANI)

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Representational picture

California: A year after introducing the ability to send or request money on Android app, Gmail is finally extending its pay friends feature to its iOS users.

As part of the new update version 5.0.180422, iOS users will be able to send and request money from Gmail, Cnet reports.

In addition to that, iOS users will also be able to snooze emails. The feature makes the email disappear for a while and then show up later as a fresh email.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Popular instant messaging platform, WhatsApp, has rolled out a new feature that allows users to view content from Facebook and Instagram within the app. The update is expected to increase user engagement in the messaging platform.

The latest update has been rolled out for select iOs users. WhatsApp support will allow users to play Instagram and Facebook videos within the app, without exiting the chat. Presently, a user who receives videos or images from Facebook, Instagram or any such app would be redirected to these apps to view the content. However, this is set to change with the new update, reports The Verge.

The latest update also introduced the ability to add and revoke admin privileges from users in a group chat. It empowers admins to edit the subject, description, and icon of a chat that is already underway. In November 2017, WhatsApp rolled out an update through which one can view YouTube videos directly inside the messaging app, in picture-in-picture mode.

If a YouTube link has been sent on a conversation, then users can directly view the video through the link on WhatsApp itself, as it will no longer be re-directed to YouTube. Instead, the YouTube clip will appear within a small floating window on your screen, thus implying that you can watch YouTube videos and message at the same time.

On a related note, the update is also expected to be rolled out to Android users in the coming weeks.

(Edited by mid-day online desk, with inputs from ANI)

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Popular photo and video sharing app, Instagram, rolled out an interesting "call-to-action buttons" for businesses on Wednesday. With the help of this feature, Instagram users can now book tickets, order food, make appointments and reservations from the app itself. 

With "Instagram Direct" and by adding these buttons to their profile, businesses would help customers connect with the third-party partners from the platform.

"Starting today, businesses will have a better way to manage their messages. Users will be able to see important new customer messages in the main 'Direct' inbox, instead of in the pending folder," the company said in a blog post.

"Users will also be able to star and filter conversations to come back to messages they would want to follow up on. Additionally, in the coming weeks we'll begin testing quick replies so that you can easily respond to common questions," the company said.

According to Instagram, over 200 million users visit a business profile every day and over 150 million people have conversations with businesses through Instagram's "Direct" every month. The Facebook-owned app plans to expand this list to cover partners across all countries aiming to help businesses have more opportunities to connect and communicate with their customers.

(Edited by mid-day online desk, with inputs from IANS)

Samsung Galaxy Note 9. Pic courtesy/YouTube

South Korean electronics giant Samsung has confirmed that its flagship Galaxy Note 9 would have a new version of company's Airtificial Intelligence (AI)-powered assistant "Bixby 2.0".

Speaking to The Korea Herald, Gray G. Lee, Head of the AI Centre Under Samsung Research, revealed that the Galaxy Note 9 will be the launch device for "Bixby 2.0", Forbes reported.

Lee said that "Bixby 2.0" would be more than just a personal assistant.

It would be an 'artificial intelligence platform' which enhances the performance and user experience across the phone.

Bixby itself would also have enhanced natural language processing, improved noise resistance capability and faster response times.

According to the executive, Samsung now has a 1,000-strong AI workforce and would consider merger and acquisitions of promising AI businesses.

He also revealed Samsung expects Bixby to be running on 14 million Samsung devices by the end of 2018.

The German research firm GfK has revealed that Samsung became the leader in the Indian flagship smartphone market, garnering 49.2 per cent share in the first quarter of 2018.

In the full financial year (April 2017-March 2018), Samsung registered 55.2 per cent market share in the Rs 40,000 and above price segment, said GfK that reports final consumption of the devices and not only shipments.

In March alone, the South Korean giant registered a massive 58 per cent market share in the flagship segment, riding on the success of Galaxy S9 and S9+ smartphones that were available for sale in India from March 16.

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Representation Pic/AFP

My mother died at 84, on September 1, 2015. I was two oceans away, settling my son into his new university life in Montréal. Back in Mumbai, my two sisters and brother did what had to be done. Relatives were notified, last rites performed, and the body taken to the electric crematorium where we'd interred my father decades ago.

Cremation is a sombre moment. The tears have almost dried up, the words have been said. After years of watching a slow decline, death is not a surprise. So they stood there, my siblings, in the crematorium manager's office, to receive the warm earthen pot with the ashes of the woman who had made us everything we were.

Waiting with them was a fellow, a crematorium worker, blase about yet another death but eager for the customary tip. He made some money-seeking sounds, and my sister, distracted, pressed a Rs 1,000 note into his hand. We normally get Rs 2,000, he murmured. She gave him a second note. He still hung around, and then leaned forward to whisper. Apparently, a senior officer of the crematorium would drop by to see how things were going. It was normal, she was told, to give him Rs 3,000.

My sister, never at a loss for fire, asked him what he had done to merit that sum. It was the tradition, she was told. Haggling over a tip seemed the wrong action for the moment, so she gave him the money. But when she reached home, she Internetted out the email address of BMC's erstwhile municipal commissioner, explaining in plain, unfettered English that he was paying a salary to a staff of flesh-eating vultures who feasted off the grief of Mumbai's bereaved.

To her astonishment, within hours, she had received an invitation to meet with the man himself, three days away. A strange thing happened the following morning. The crematorium's manager and his money-grubbing workers, who had sought and received 'tips', showed up at our house. The envelope they handed over contained all the money they had extorted.

"Please take your tips back, madam," they beseeched my sister. "Just kindly cancel that appointment you have with the municipal commissioner." "Ah, no, I didn't make that appointment, so I cannot be the one who cancels it," said my sister. When she went to the Andheri office that issues death certificates, her name triggered an immediate flutter of interest. Apparently her letter to the commissioner was all the news that day. Many employees congratulated her for standing up to the crematorium's predators. At the BMC three days later, there were more surprises. The manager and key staff of that particular crematorium had been invited and were sitting in the outer room with hangdog looks. The commissioner wasted no time with them.

"You are accused of soliciting and extorting exorbitant tips from grief-stricken family members in the moment of their greatest grief — in return for doing a job that you are already paid to do," he said. "Please sign here, and here and here." He pushed letters of confession towards each of them, and they signed without a murmur. "These letters will be photocopied and mailed to every crematorium worker in Maharashtra, as an object lesson," he said.

They looked at their shoes wretchedly. "That's not all," he continued. "You are all hereby suspended from your jobs for a period of four months. This too will be made known to all your colleagues." He paused. "You may go now," he said, ending the meeting. Mumbai has surprised me in the past with its compassion. I remember during the biblical floods of 2005, when 1,094 people died and thousands were stranded in their cars, householders came out with coffee, tea and hot breakfast for those stranded souls as dawn broke.

But there is a dark underbelly to Mumbai, and it is predatory, ruthless, and astute. In 1996, I wrote in mid-day about a schoolboy, Murtuza, hit by a lamppost too close as he hung out of a train approaching Chembur. The wheels ran over both his legs. He was rushed to Sion Hospital, where he died despite all efforts.

But when his parents came to collect the body from the morgue, they found a leg missing. None of the ward boys seemed to know where it was. Eventually, it was whispered that the leg might be miraculously 'found' if a certain amount was paid to a ward boy. And so it was. That was 1996. Living in distant Bangkok, where too I'm certain corruption smiles, but in more sophisticated ways, I hear often that in the new India of the Modi raj, there is less tolerance for everyday corruption. Moments like this make me believe they may be right.

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com

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A still from Marvel Studio's Avengers: Infinity War

Maybe because they thought I was some angrez-type, dissing one after another loads of films being dished out in the early 2000s - inevitably, a film producer or the other would proudly remind me back then, about how India (in this case, Bollywood) was absolutely the only movie market in the world where Hollywood, or the appearance of a Spielberg or George Lucas film in theatres, made no difference to the lives of local filmmakers, Subhash Ghai, Yash Chopra, if you may.

This was true for India, up until a decade ago; and yes, not true for anywhere else. Still, since the names mentioned to me were of filmmakers (no doubt, well-known/mainstream), I argued, this had a lot more to do with the reliably desi, nearly mythological star-system, that movies pivoted around and audiences lined up in cinemas for. You need a face to build a following (for anything). Any branding intern will tell you that. Hollywood had its own star-system. Few filmmaking cultures, apart from India and the US, did.

So sure, the handsomely paid Tom Cruise or Julia Roberts, or for that matter Superman/Batman, were huge in India as well. But, their films merely ran at exclusive cinemas for English films in bigger cities (say Chanakya, Sterling in South Delhi/Bombay).

Did the cash-rich Hollywood not wish to partake in the desi star, plus song, mainstream movies that enchanted millions? By late 2000s, American studios began setting up offices in Mumbai, cheekily over-paying Bollywood's lead cast, getting into lopsided deals favouring local producers, to make a direct entry into Indian markets, at last.

Bollywood films, more or less, remained the same, in terms of scale. For they weren't here to change the status quo. It suited them. The budgets (for them) were pocket-change, anyway. Major Indian filmmakers continued to feel safe in the face of a captive audience. In about a decade though, one region, small-town at a time, the American studios, having deepened a desi distribution network, began to spread out the release of their own global blockbusters that none in India could potentially compete with. The economics simply wouldn't match.

Spiderman first spoke to its audience in Bhojpuri in 2007. Ronald Emmerich's 2012 (2009), with the Taj Mahal in a shambles in the promo, with no such scene in the picture, had curious villagers walk over to nearest theatres to catch the end of the world. By 2012, even Ang Lee's deeply meditative, Life Of Pie, collecting R90 crore, had thumped the Akshay Kumar masala picture, Khiladi 786 (releasing around the same time), by a R20 crore margin!

Woah. Did desis stop loving their super-stars? Nope. They still do. Here's what happened. Hollywood altogether destroyed its own, entire 'star-system' instead - making films not about actors (or even directors, for that matter), but relentlessly concentrating their massive might/resources/energy on propping up super-heroes (several for the price of one), gigantic disasters, and dazzling 3D/IMAX special effect, to effectively conquer the earth while, sometimes, saving it on the big screen.

Perhaps 2015 was a turning point, when up until mid-year, three out of India's top five hits had emerged from Hollywood (rightly subtitled in English, even in their English versions). Fast & Furious 7 (basically racing cars) was the first film to hit R100 crore mark. Avengers: Age of the Ultron, and Jurassic World, had wholly crowded out domestic competition on the opening weekend.

These movies may have lacked a singular creative voice/vision, but they were fail-safe in the boardroom's understanding of markets, and shares. As is expectedly the case with the latest, stupendous success of Marvel's Avengers: Infinity War (having grossed over a record-breaking R200 crore, already) - where nothing exceeds like excess!

The global fan-boy pressure to get off on this pic (like many others), made critic-proof by critics themselves, is such that you simply don't want to be that guy pooping on everyone's parade. It's like being the first fellow to suggest the whisky being served from a Blue Label bottle at the boss's house-party tastes suspiciously like Aristocrat Premium: "Kya baat kar raha hai?" Naah, don't wanna be that guy!

Curiosity is irresistible. There's nothing to call out. Conditioning is complete. Indians can probably see in Thanos's quest for 'infinity stones' their own uncles, who wear similar rings for inter-planetary changes! Balance of the universe sounds a lot like 'srishti ka santulan' from Abhishek Bachchan's Drona.

The film itself being a Bollywood multi-multi-starrer, where in the end, Amrish Puri wins, and if you wonder how dead superheroes might stage a comeback-hey, Ekta Kapoor's been spinning this for decades. The premise of so many avengers, guardians, and devils, all in one, is lost on no one who devours Hindu mythology, with 330 million gods anyway. Yeah, this is desi entertainment. I say this listening to actor Ranveer Singh's voice in the Hindi trailer of Marvel's forthcoming Deadpool 2 go: "Kitna traas dega, Thanos." Sach mein, bro!

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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"Pheroze… is it true what I've heard? Dr Viegas was privy to the buzz around Dhobi Talao that had reached some of his nonagenarian friends at Kyani's. They were chatting about it last morning over their brun-maska routine," Lady Flora checked with her old friend during their daily midnight stroll. The two had to re-route their trail post the Metro III work, and were now happier around Rampart Row, Lion Gate and the back lanes of Colaba. Sir PM Mehta rolled his eyes and adjusted his spectacles; he was a tad surprised at how quickly the news had spread among their ilk.

"Well, if you must know, Lady Flora," he began, "The gods who run Victoria Terminus…oops! I mean Chhatrapati Shivaji Maharaj Terminus, are planning to install air-conditioners inside the railway station. Isn't it a highly questionable and extremely debatable suggestion?" The timing couldn't have been more apt though. The city was reeling under another humid and terribly uncomfortable May. Crows and pigeons were falling off the sky, and sparrows, well; the poor little winged fellas didn't stand a chance as water fountains, spouts and pyaus vanished by the day. The city's residents carried on with their daily grind and commute as they braved the elements. Seasons may change, but Bombaywallahs don't complain, as the two icons had grown to realise.

Sir PM and Lady Flora were both witness to all kinds of challenges with each summer that hit Bombay. Yet, and somehow, the idea of an air-conditioned railway terminus, didn't sit well with the duo. "You see, Pheroze," as she wiped a few droplets of sweat off her freshly restored face, "This must be just a rumour. What do those old bumbling uncles sipping on their chai know about the real khabar. I am pretty sure this won't go through," she said, trying to calm her own doubts, and then convince her friend. "Tell me, Pheroze, does it make sense logistically, and from a heritage viewpoint?"

Sir PM was happy to take the stand. "Lady Flora, when several great architects and urban designers, most of whom hailed from the British Isles, were commissioned to plan these magnificent Gothic and Victorian landmarks in a tropical city for the public, a common feature that bound their plans was the focus on ventilation. This was a departure from the norms of buildings in their part of the world. From what I can recall of a chat with the very talented FW Stevens - who designed the terminus and the corporation building - his plans kept the city's humidity in mind," he shared.

"Not only did they 'Indianise' the style by including fine motifs and emblems that celebrated the Indian Subcontinent but they also created high arched windows and ceilings with plenty of avenues for cross ventilation that made possible for the sea breeze to pass through." By now Lady Flora was all ears. They had reached the iconic terminus and she gazed at the landmark with new-found reverence. "Pheroze, this will be tragic - if they were to go ahead and box up the fine architectural template of this place. I cannot recall even the historic St Pancreas station having to face this kind of predicament."

Sir PM's face looked wrinkled with worry. "I know that one thing is sure to happen if this is passed – the station will be less of a train terminus and more of a comfortable and very, very crowded sanctuary for all those who wish to nap or relax in 'AC' comfort. Heaven help us! Lady Flora do please consider my suggestion to retreat to Panchgani for the summers, will you?"

mid-day's Features Editor Fiona Fernandez relishes the city's sights, sounds, smells and stones...wherever the ink and the inclination takes her. She tweets @bombayana Send your feedback to mailbag@mid-day.com

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The desire to stream his speeding stunt live on social media cost a 20-year-old engineering student his life, while his cousin, who accompanied him, is battling for his life in hospital. He had stolen the keys to his uncle's car. This report highlighted once again that social media distractions and driving are a lethal mix.

The police have identified the deceased as Shivam Prakash Jadhav from Kharadwadi in Pimpri. He died on the spot. His cousin Hrishikesh Vilas Pawar, 22, was cited as critical and undergoing treatment in a Pimpri Chinchwad-based private hospital.A senior police officer was quoted in the report as saying that the car was speeding at 120 kmph. The passenger was streaming live on Instagram when the driver asked him to show the speedometer. Later, he lost control of the car, and it rammed into a grid separator.

The thrill of speed coupled with the thrill of likes, adulation and congratulatory messages is so potent that there can never be enough said about desisting from using social media while driving. Even earphones are a no-no when driving because your hands may be free, but the mind is elsewhere on the conversation and your focus and attention is compromised.

Here, we also had another factor thrown into the tragic cocktail. The driver was speeding. It was the passenger who was streaming live on Instagram, but the driver's attention was compromised as he was distracted by Instagram. It was evident that the young men were on a suicide mission unknown to them.

Let there be more awareness and we want to see a blitzkrieg on social media how it is not cool to drive and be on social media at the same time. Speed should be similarly panned. Youngsters, this is so not cool. Losing a life for some likes? Certainly not.

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Pics/Gautam Benegal

The setting of Gautam Benegal's A1 Chiken Sope cartoons is largely familiar to those who get their meat from the local market. The air is thick with down feathers, and dismembered bits of chicken scattered about, with butchers being none too fussy about our sensitive nerves. In Benegal's hands, however, this scene is turned into a humorous commentary of our contemporary socio-political scenario.

A1 Chiken Sope series, where we meet a butcher named Salim Bhai and his rather chatty coop of chicken, has been one of Benegal's longest series. The National Award-winning animation filmmaker and cartoon first invented A1 Chiken Sope in 2006 for the supplement of a newspaper, after a bird flu scare, when people had stopped consuming chicken. The poultry business was evidently suffering. A minister smuggled in a tandoori chicken leg into the Lok Sabha, and started eating it to prove that it was perfectly safe. "I drew a cartoon of a chicken shop where one bird boasts to another, showing the headlines, 'Hey guys check this out, my second cousin, twice removed, made it to the Lok Sabha'," says Benegal, 52. In 2009 A1 Chiken Sope found more takers, the year when Benegal joined Facebook.

Having made nearly a thousand cartoons in this series, he says, "On social media, you can post a rough sketch and it becomes a mass pool of conversation with several people contributing to it, which is not the case with mainstream media," he says. The chicken, or chiken as Salim Bhai's shop terms them, play the role of both the naive public and the court jester. In one cartoon, the chicken bid adieu to their former coop-mate, bundled in a black bag, as Salim Bhai hands it over to a customer. "There goes Sonu... recruited into the militia," says one hen. "The chicken's work is to get slaughtered. They are a captive population, but a large percentage is happy at being kept. There is a person who is their benefactor, and is selling them out. We are all chicken," he says, adding, "There is an existential angle to this. The only way to escape is to stop being chicken," he says.

About 35 of these cartoons will be shown at Chemould Prescott Road, Fort, starting May 25, for 10 days. You may want to pay close attention to Benegal's caricatures, where the strength of these cartoons lies. Rather than state the obvious visually, Benegal thrives on allusions and references. Everything is an open secret. "I draw a lot from the earlier part of the century, when cartoons were couched in symbolism and stylised references. The latter is true in my case — it's like guerrilla warfare. You won't be able to put your finger on it, but everybody knows and everybody smiles about what they are seeing," says the cartoonist, whose first brush with the art was as a 15-year-old with Satyajit Ray's children's magazine, Sandesh.

There is a certain rawness to them, with a lack of standardisation that we may see with daily cartoons in mainstream media. And Benegal is not interested in polishing them up either. His taste in cartoons, for that matter, is very James Thurber, the American cartoonist who was featured regularly in The New Yorker, and the late Abu Abraham, whose worked for several publications, including Punch and The Observer. "We are used to a very gentle form of cartooning in India, be it themes or visuals. I wanted A1 Chiken Sope to be very ad hoc, much like how politics in India is," he says.

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Sanjukta Basu

Delhi-based photographer Sanjukta Basu had an epiphany right before her 39th birthday. "I was introspecting on the years gone by, and realised that although I had achieved much, I didn't think I had reached a 'destination'. It was as if I was lost at sea, and needed direction. But then I decided to embrace the fact that I go where the wind takes me. I was going to be 40, and this was me. I wasn't going to change. That's how my first tattoo took shape in my mind," says Basu, who once practiced law.

And so, her first tattoo was a sailboat, with a wave and birds in flight, with the line "wherever the wind takes me". This was also the time the idea of a project on women with tattoos took shape. Typically, some of them got one to signify something profound, like a break up with a lover or a violent relationship. Others didn't think it needed a reason. "The project is about challenging the stereotype around women with tattoos. They don't get them because they are slutty or hippie, or because they are reckless," she argues.

The photographer, who is on the lookout for new subjects to shoot in Mumbai and Delhi, says, ideally, all women should get in touch with her and tell her their stories. Sunday mid-day got Basu to shares some of her favourites.

Vimala is an aviation professional, and loves wings. Years after she got married to the man she loved, she realised he was addicted to gambling, and draining her of finances. At 48, when she found herself free from the toxic relationship, she got a tattoo — a heart with wings. It was time to fly again.

Parama, Sanjukta's first subject for the Women And Body Art project, is not one person. Within her sits the essence of Kolkata, the city she comes from and loves. The tattoo on her forearm and is an image of Kolkata landmark Victoria Memorial, an angel atop it. It signifies her belief that something good lies in everything she sees.

Archana, a women's rights activist, grew up in a protective, privileged Tamil Brahmin family. While she has grappled with body image issues, she also didn't know that you could be anything else other than a doctor, an engineer or a lawyer. When she went to college, she met women from a variety of backgrounds and, before she knew it, the seeds of female solidarity had been sown. Her first tattoo is a symbol of feminism, and she got it on the day she learnt that feminism in fact, had a symbol.

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At the heart of No Lights No Lycra (NLNL) is the belief that everyone can dance. This free-form workout in the dark was thought up by Australian dance students Alice Glenn and Heidi Barrett in 2009 in Melbourne as a means to truly let go and express oneself.Creative freelancer and the woman behind the Mumbai chapter, Yooti Bhansali, says, "You can dance like nobody's watching, because nobody can see you and also, they're busy enjoying their new-found freedom. From a small room full of nutty dancers in Melbourne, this community has spread to major cities in Australia, London, Hong Kong, Beijing, New York, and is now Mumbai."

Bhansali heard about NLNL from an Australian friend. Is Mumbai ready for such a thing, we ask. "We've seen music gigs in art galleries, movies in bars and quizzes in microbreweries. So, getting people in a dark room to dance doesn't seem much of a stretch," she says Bhansali has got several queries from people across age groups, who are excited about the prospect of a physical activity that's fun. "It's not a party. It's a place where you dance freely. Of course, you could just dance in the dark in the privacy of your home, but let's be honest — would that be as much fun?"

When: 8am, May 23
Where: The Bandra Base, Baitush Saraf Bldg, TPS III, 29th Off Waterfield Rd, Bandra West
Entry: Rs 399, cash only. Get a friend for free

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There is nothing like a blind tasting to make you realise how your senses need an overhaul. But when there is chocolate involved, then it's a worthwhile endeavour. Especially when the chocolate-maker that invites you is the 140-year old Du Rhone Chocolatier from Geneva, which is a Swiss handmade chocolate brand. After I tasted a few chocolates at the new Du Rhone Chocolatier store that opened this week at Peddar Road (our favourite was the Coline which is a dark ganache with 70 per cent cocoa beans from Brazil and Papua New Guinea), we were treated to a fun game of blind chocolate tasting. We liked what CEO and owner Frederico Marangoni had to say, when he said he never wants Du Rhone to be a mass produced chocolate. "It's as old school as it gets. Every flavour is taken directly from the root. When you taste raspberry, that's real raspberry jelly," said Marangoni, and we have to agree, especially after tasting the richness of the chocolates.

The game was simple — smell a flavour, taste a chocolate and then write down what we experienced. The first one was our lucky one, as it's the only one we got right. We took in a whiff of orange, and bit into a delicate slab of chocolate. And then what Marangoni said suddenly made sense to us. "Most factory made chocolates have thick outer crusts and barely any chocolate inside. Here, the exterior is thin and fine, and full of rich chocolate inside. You can't have more than two at a time." And he was right.

Pic/Sneha Kharabe

I then tasted lemon (which I identified as peppermint), raspberry (which I called strawberry) and passionfruit (which I felt was kiwi). If you are dying to eye roll right about now, know that I am already doing it. The best part of this experiment was that I got to try these ultra fine, luxurious chocolates that made me feel like we were getting a taste of Swiss tradition. It also made me sure of the fact that we would be visiting the store again soon, to try out the Mocca Glacé, whose ingredients are a well-kept secret. But when you make chocolate as good as Du Rhone, it makes sense to guard with your life.

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Redoing your office interiors? Try out some of the must-have elements in office spaces like the right furniture, adding nature to the surroundings and activity based settings. Ishan Thacker, Associate Director, Vector Projects (I) Pvt. Ltd. and Amit Ramani, Founder and CEO of Awfis Space Solutions list some recommendations.

1. The right furniture: This plays a pivotal role in any kind of work space setting. Offices need to invest in the right kind of furniture to increase their employees' efficiency. Opt for something that has high functionality over ordinary designs. Adjustable desks and chairs can be a good choice; multipurpose furniture can also be added to save space. Another new entrant in the space is reconfigurable furniture that can be customized as per need. It provides both the required flexibility as well as privacy.

2. Go back to nature: Add in a little nature to your premises with biophilic designs. The latest trend in the office space, the presence of plants and other natural elements can add positivity within the environment and improve the air quality.

3. Activity-based settings: It is exciting to be at a workplace that engages you with diverse group of people and gives you the opportunity to network and collaborate. Flexible workstations, new age cabins, activity-based settings including comfortable couches and beanbags, breakout zones, meeting lounges and pods are some of the attractions in an office that provide a natural crossroad for employees to meet and share ideas, thereby enhancing their motivation levels and productivity.

4. Ergonomic lighting: Our cortisol level drops significantly under artificial and poor lighting conditions and dimly lit workplaces strain the eyes, causing headache and drowsiness. This can lead to poor productivity. Natural light is the best. Daylight that filters through the space not only affects employee well-being but also boosts the energy and mood level. Consider making the best use of natural light and swap the florescent bulbs with personal lamps, string lighting, and soft coloured bulbs to keep your employees alert and attentive.

5. Aesthetic appeal: Everything from layout, to furniture and even artwork is subject to appeal in a workplace. The idea is to create a transcendental experience for the user and to design a warm casual space that works as an incubator for ideas. Materials like wood and metal bring warmth and rustic feel to the space. Keeping in mind the fact that the office workspaces today are dynamic in nature and are witnessing rapid changes, the workplace style should be bold, industrial and vibrant with new age materials, technology and decluttered design vocabulary.

6. Technology: A modern office space is incomplete without the right technology. Integrated systems, fast-speed internet connections and latest hardware and software are things your office must have to appeal to the incoming tech-savvy generations. Not only that, office can also invest in mobile devices or rather agile settings to help one switch easily from one place as to another. The new workforce prefers more flexibility which will in turn result in enhanced productivity.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."

Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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Caroline (Laura Mishra) pours out her fears about her rocky marriage to the governess Ms Chacko (Pooja Nair)

All the world's a stage, but that doesn't make all of us actors, as we discovered after three long hours of watching an adaptation of Agatha Christie's Go Back For Murder by the theatre group, Making Noise. The play follows the protagonist Chloe Miranda (played by director Laura Mishra), on her journey to prove her mother innocent of her father's murder.

The catch is, the murder happened 15 years ago, and her mother is no longer around to defend herself, having passed away in prison. So, Chloe joins hands with her lawyer Filip Calisto (male lead essayed by Navin Talreja) to piece together who really killed her father. They track down friends and family members who were present on the day of the murder. Everyone returns to the scene of a crime in Goa to recreate the events leading up to the murder.

True to form, the tight plot devised by the queen of crime writing keeps the audience guessing until the very end when the killer is finally revealed in the denouement.

Unfortunately, there is another murder that needs to be addressed — that of the play itself. The warning signs appeared from the very beginning: Actors stumbling over their words, even forgetting their lines at times; lacklustre delivery was a problem throughout the play. Direction was, dare we say, missing. Actors killed a ridiculous amount of time milling about on stage, unable to hold still even during conversations with other characters. As a result, even though the advertised run time was two hours and 15 minutes (including the interval), the audience was trapped for an extra 45 minutes. The delay did not go unnoticed by the director, who apologised for having taken up so much time.

It would not be an exaggeration to call the performance a snoozefest; many in the audience had nodded off within the first half hour, while others gave up and left the auditorium midway.

Actor-director Laura delivered one of the few believable performances but failed to draw out the same from her cast. There were other peculiar directorial calls, such as one of the characters holding the same cigarette to his mouth for over two hours. In all the scenes with multiple characters, several actors had visibly zoned out on stage while the lead actors droned on. A theatre aficionado who accompanied us said it was like a "school play", hardly the kind of fare one would expect to see at St Andrew's Auditorium.
When: May 27, 7.30 pm
Where: St Andrews Auditorium
Entry: Rs 200-Rs 1,000
Contact: 26410926

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Representational picture

London: While scientists agree that the Sun will die in approximately 10 billion years, they were not sure what would happen next, until now. A new study now says that it will turn into a massive ring of bright, interstellar gas and dust, known as a planetary nebula.

"This is a nice result... We even have found out what the Sun will do when it dies!" said one of the researchers Albert Zijlstra, Professor at the University of Manchester in Britain.

A planetary nebula marks the end of 90 per cent of all stars active lives and traces the star's transition from a red giant to a degenerate white dwarf.

But, for years, scientists were not sure if the Sun in our galaxy would follow the same fate as it was thought to have too low a mass to create a visible planetary nebula.

To find out, the team developed a new stellar, data-model that predicts the lifecycle of stars.

The model, detailed in the journal Nature Astronomy, was used to predict the brightness (or luminosity) of the ejected envelope, for stars of different masses and ages.

"When a star dies it ejects a mass of gas and dust - known as its envelope - into space. The envelope can be as much as half the star's mass. This reveals the star's core, which by this point in the star's life is running out of fuel, eventually turning off before finally dying," Zijslra explained.

The new models show that after the ejection of the envelope, the stars heat up three times faster than found in older models.

This makes it much easier for a low mass star, such as the Sun, to form a bright planetary nebula. The team found that in the new models, the Sun is almost exactly the lowest mass star that still produces a visible, though faint, planetary nebula.

"It is only then the hot core makes the ejected envelope shine brightly for around 10,000 years - a brief period in astronomy. This is what makes the planetary nebula visible," Zijslra said.

"Some are so bright that they can be seen from extremely large distances measuring tens of millions of light years, where the star itself would have been much too faint to see," Zijslra added.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Innovation Driven Approach and Creative Content Soars Radio City’s Share% to 12.4% (Source: RAM, Delhi, 12+ All)
Mumbai : May 08, 2018: Radio City 91.1FM, India’s leading radio network, backed by its innovative and enriching content has yet again dominated the capital city of India, emerging as a strong no.2 radio station as per the RAM (Radio Audience Measurement) ratings in Delhi for the week 12-15, 2018. Pioneering unique 360-degree intellectual properties spread across entertainment genres and superiority in programming content helped, Radio City secure a remarkable Share% of 12.4% over the past four weeks.
Radio City is #2 based on Share % in Delhi. (Source: RAM, Markets: Delhi, Demographic: 12+ All, Statistic: % Share, Daypart: Mon-Sun 12 am - 12 am, Place of Listening: All, Week 12-15 2018).

Commenting on the performance, Mr. Abraham Thomas, CEO, Radio City said, "We are very excited to see growth in reach for Radio City in Delhi over the past few weeks. These ratings reinforce the loyalty conferred by our listeners in the city and encourages us to continue our effort in providing them with enriching content. Our innovation first approach has truly paid off as we can see that our station has emerged No.2 in Delhi amongst listeners and advertiser. Truly Dilli ki Rag Rag Mein Daude Radio City”

Radio City has also emerged as the No.1 player as per the latest RAM ratings In Bangalore with Share % of 25.4% Source: RAM, Market: Bangalore, Demographic: 12+ All, Statistic: % Share, Daypart: Mon-Sun 12 am - 12 am, Place of Listening: All, Week 12-15 2018). Radio City ranks No 1 in Mumbai with Share % of 16.5% Source: RAM, Market: Mumbai, Demographic: 25-44 Sec AB, Statistic: % Share, Daypart: Mon-Sun 12 am - 12 am, Place of Listening: All, Week 12-15 2018).

Radio City’s consistent top rating once again proves its popularity in one of the most competitive and prominent markets by providing its listeners with innovative and clutter breaking content

About Radio City 91.1FM:

Radio City, a part of Music Broadcast Limited (MBL) is a subsidiary of Jagran Prakashan Ltd. Radio City was the first FM radio broadcaster in India and brings with it over 16 years of expertise in the radio industry. as on March 31, 2017, Radio City reached out to over 52.5 million listeners in 23 cities covered by AZ Research (Source: AZ Research Report).

Music Broadcast Limited currently has 39 stations, including 11 newly acquired stations in Phase III auctions. Radio City in its third phase expands to Kanpur Ajmer, Kota, Bikaner, Udaipur, Patiala, Patna, Jamshedpur, Nasik, Kolhapur and Madurai.

Radio City has spearheaded the evolution of FM radio programming by offering content that is unique and path-breaking. The network introduced humor and the concept of agony aunt on radio with Baber Sher and Love Guru respectively. It also initiated the Radio City Freedom Awards and provided a launch pad to budding singers with Radio City Super Singer, the first-of-its-kind radio talent show in India. Through its ‘Rag Mein Daude City’ philosophy, the network has adopted a local approach that resonates with the listeners while inculcating a sense of city pride and infusing local culture and flavour on-air. The network provides terrestrial programming along with 51 other web-stations, through its digital interface, www.radiocity.in.

Radio City has been featured consistently in ‘India’s Best Companies to Work For’ study conducted by Great Place to Work Institute. The network has repeatedly been called out as amongst the best in the media industry. In 2017, the company was included in the list for the 6th time.

For further details, log on to www.radiocity.in

Stretching from the imposing skyrises of Colaba and Malabar Hill to the fishermen's colonies in Worli, the prestigious VVIP Mumbai South Lok Sabha constituency is the richest in the country making it a high-stakes affair for the two main contestants - Shiv Sena sitting MP Arvind G. Sawant and rival Milind M. Deora of the Congress.

Despite being wealthy, the constituency is barely 'generous' in exercising its franchise - it was way back in 1967, when George Fernandes won on a single point agenda of providing sufficient water supply to all, that 67.42 per cent electorate voted.

Again in 1991, the voting percentage plummeted to an abysmal 38.65, giving credence to the belief that people in high-rises remain indifferent to the political process. But in 2014 the percentage went up to a modest 52.48.

The population of Mumbai South is approximately 20 lakh and the voter strength is 14,85,846 including 15 per cent of some of the country's richest, a large 70 per cent dollop of middle-class and a sprinkling of 15 per cent eking out an existence in slums in what is one of the few fully urbanized constituencies of India.

Unconcerned by the turnout figures, Shiv Sena's Sawant exudes is optimistic of winning again.

"I am the voice of the masses and the classes. I have been present whenever and wherever I was needed in the past five years," Sawant told IANS.

On his rival Deora, he shot back: "Where was he for the past four years and nine months? This is what commoners and business community ask me. It is my work for all sections and my contacts with the masses that will decide the election."

Though incommunicado despite repeated attempts by IANS, the former Union Minister Deora has remained unflustered by the opposition barbs.

After all, in a political-corporate coup of sorts, last fortnight, he secured the open support of key players from India Inc, sending panic waves in the ruling Bharatiya Janata Party-Sena combine.

Ranked as one of the most cosmopolitan constituencies, Mumbai South is beset with many problems that have remained unresolved over the years.

"There are hundreds of old buildings, ancient sewage lines, house gullies, traffic congestion and slum pockets in Darukhana, BPT, Colaba and Worli which are of great concern," Waris Pathan, All India Majlis-e-Ittehadul Muslimeen's sole Mumbai MLA, told IANS.

Though there is the ambitious Coastal Road project coming up, Patyan says "a lot will depend on its implementation, or it will be disastrous for the entire city".

Besides, there is the gnawing problem of security in the region which has witnessed two of the worst terror strikes in the country - the 1993 serial bomb blasts and the 2008 terror strikes.

Not surprising, since this constituency is home to the country's most affluent business districts which contribute hugely to the national exchequer, some of the poshest residential complexes, Indian and foreign banks, and national and international firms are headquartered here.

There are also offices of global corporates, airlines, embassies, luxury hotels, swanky restaurants and pubs, global tourist attractions, open shopping plazas, malls and multiplexes, reputed schools, colleges, an array of heritage buildings, the official residences of Maharashtra Governor, Chief Minister, the Chief Justice of Bombay High Court and other judges, the Legislature and the Mantralaya.

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Voting day is here, but not all of us remember how exactly to go about it. Don't worry, mid-day's refresher has it all covered. Among the most important things to remember is to not forget to carry any one of the 11 accepted identity proof documents (see: Valid proof of identity) and to not use your mobile phone in and around the polling booth. Voting begins at 7 am sharp and will last until 6 pm.

While some of us may have got the voting slips, those who haven't got theirs need not panic. All you need to do is go up to one of the helpdesks set up at street corners and look for your name. If your name is on the list, the corresponding voting booth number and other details will be mentioned there. You can also look for your name online before leaving the house on https://electoralsearch.in. If your name is not on this list, you cannot vote. No argument. Do remember to register yourself on https://www.nvsp.in before the assembly elections.

Police officers being briefed about bandobast duty a day before voting day in the city. Pic/Sameer Marakande

No mobile phones

Mobile phones cannot be used within 100 metres of the polling booth, but for the working population of the city, who either votes on its way to or from work, you may carry your phone with you but must remember to either switch it off or keep it on silent mode. Cars and bikes, too, will have to be parked 100 metres away from polling booths. Only designated vehicles carrying people with disabilities will be allowed close to polling booths.

Only 11 valid ID documents

Please remember that the voter slip is not proof of identity. You have to also carry any one of the 11 identity cards. If you have none of them, once again, you cannot vote.

Please do not argue with the election duty staff, they have no role to play in this.

Shivaji Jondhale, Mumbai City Collector, said, "If there is no name on the electoral list, then people cannot vote. It is very important to be a registered voter. Further, if there is no voting slip but your name is on the electoral list of the Election Commission and you have a valid ID card, then by checking with the help desk you can find out the polling station and can exercise your right to vote."

Wait for the beep

The confusion about the long press while registering your vote on the electronic voting machine was cleared by Collector officials. They said your vote is considered registered once the long beep is heard. Do keep your finger pressed on the button until you hear it or your vote will not be registered.

Live Blog: Elections 2019 Phase 4 Live Updates: Anil Ambani, Rekha cast their vote

Come out and vote!

The Election Commission has taken various measures to ensure citizens come out and vote. The total number of voters in the city, is 96.39 lakh. The EC and Collector offices of the city are aiming at a voting percentage of at least 61% this time from 41% in 2009 and 51% in 2014.

Citizens, too, have come forward to help increase voter turnout. An ALM from Juhu has organised a pick-up for senior citizens to the polling booths. The EC, too, has organised help for people with disabilities. Further, in order to ensure proper transport system during the voting process, the Collector offices have organised 2,985 vehicles in Mumbai suburban district and 1,769 vehicles in Mumbai Island City.

There is a staff of 15,000 working in the island city and over 60,000 in the suburbs on election duty. There are 2,601 polling stations in the island city which has two constituencies, and 7,472 polling stations in the suburbs that have four constituencies, said officials.

Also read: Elections 2019: Mumbai Police to deploy 40,000 cops on election duty; issue guidelines

Students, take that selfie!

This year, the EC and government officials have been explaining the electoral process to young students in the hope that it reaches their parents at home. One of the initiatives is the 'selfie' movement, where students have been urged to take their parents to polling booths and put up selfies on social media with their parents after voting.

96.39l
No. of voters in Mumbai

61
Voting percentage that the Election Commission is expecting in Mumbai

Also read: Elections 2019: 422 polling stations in Mumbai declared 'critical'

Valid proof of identity

• Passport
• Driving licence
• Identity card issued by the Election Commission/Central and state government/ Public Enterprises / Local Body Institutes
• Bank passbook with photograph
• PAN card from the Income Tax Department
• ID card given by the Census Commissioner
• Job Card under Employment Guarantee Scheme
• Health card from the labour ministry
• Pension passbook or pension payment order with photograph of the retired employee
• ID card of MLA/MP
• Aadhaar card, too, will be considered as identity proof

Also read: Elections 2019: Popular politicians and key battles in Mumbai

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A voter turnout of 6.82 per cent was recorded in the first two hours in Maharashtra's 17 seats on Monday as polling for the fourth and last phase of Lok Sabha elections in the state got underway.

Voting begins for fourth phase of #LokSabhaElections2019 in 72 constituencies, across 9 states. pic.twitter.com/WrwCeb0s6X

— ANI (@ANI) April 29, 2019

#Mumbai: Voters queue outside polling booth number 40 & 41 in South Mumbai parliamentary constituency. #LokSabhaElections2019 pic.twitter.com/tRnHiTURvo

— ANI (@ANI) April 29, 2019

Mumbai: Visuals from polling station number 212-222 at Vibgyor School in Mumbai North West constituency where preparation ahead of voting is underway. Voting for the fourth phase of #LokSabhaElections2019 will begin at 7 AM today. pic.twitter.com/CTA3M5Fnhf

— ANI (@ANI) April 29, 2019

Polling began at 7 am and long queues were seen outside many booths. BJP MP Poonam Mahajan, industrialist Anil Ambani, Congress nominee Urmila Matondkar and actor Rekha were among the early voters in Mumbai. State education minister Vinod Tawde, BJP candidate from Mumhai-North East Manoj Kotak and Congress nominee from Mumbai-Central Eknath Gaikwad also exercised their franchise in the initial hours.

Mumbai: Preparations are underway at polling station 283 in Hill Road, Bandra West. Voting for the fourth phase of #LokSabhaElections2019 will begin at 7 AM today. pic.twitter.com/hdRkIs8a63

— ANI (@ANI) April 29, 2019

Mumbai: Visuals of preparation from polling booth number 40 and 41 in Mumbai South constituency. Voting for the #LokSabhaElections2019 will begin at 7 AM today. pic.twitter.com/U78lVcawtj

— ANI (@ANI) April 29, 2019

Mumbai: A woman being carried to cast her vote at polling booth number 181 in Mahim by her family member and polling staff. #LokSabhaElections2019 pic.twitter.com/V7loyU0CWJ

— ANI (@ANI) April 29, 2019

Mumbai: Anil Ambani casts his vote at voting centre number 216 at GD Somani School in Cuffe Parade. #LokSabhaElections2019 pic.twitter.com/II9VZJvjmV

— ANI (@ANI) April 29, 2019

#Mumbai: Actor Anupam Kher casts his votes at polling booth no.235-240 in Juhu. #LokSabhaElections2019 pic.twitter.com/o7ZGITSzrF

— ANI (@ANI) April 29, 2019

#Mumbai: Actors Bhagyashree and Sonali Bendre after casting their votes at a polling booth in Vile Parle. #LokSabhaElections2019 pic.twitter.com/cJFwpTtgKA

— ANI (@ANI) April 29, 2019

The voting figures till 9 am are as follows: Nandurbar-8.73 per cent, Dhule-6.31 per cent, Dindori -7.28 per cent, Nashik-6.69 per cent, Palghar-7.86 per cent, Bhiwandi-6.21 per cent, Kalyan-5 per cent, Thane-6.77 per cent, Mumbai-North- 7.85 per cent, Mumbai-North West 6.90 per cent, Mumbai-North East- 7 per cent, Mumbai-North Central 5.98 per cent, Mumbai-South Central-6.45 per cent, Mumbai- South 5.91 per cent, Maval-6.67 per cent, Shirur-7.07 per cent and Shirdi 7.28 per cent.

#Mumbai: NCP Chief Sharad Pawar after casting his vote at polling booth 31 in Tardeo. #LokSabhaElections2019 pic.twitter.com/G8VNrNwESd

— ANI (@ANI) April 29, 2019

As many as 40 polling booths in these constituencies, including 26 in suburban Mumbai, are being managed women. As many as 3.11 crore voters spread across the Mumbai metropolitan region and northern and western Maharashtra are eligible to exercise their franchise to decide the fate of 323 candidates in the fray in these 17 seats.

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Edited by mid-day online desk with inputs from Agencies

A major fire broke out at a Big Bazaar outlet in Matunga West area on Monday afternoon. As per reports, the fire broke out in a ground-plus-one building housing. However, no casualties have been reported so far.

Several Fire Brigade personnel, one ambulance and a Quick Response Vehicle reached the spot to douse the flames. Five fire engines have also been deployed at the spot, said the officials.

All the people inside the store at the time of the fire were reportedly were to rushed out to safety and no casualty has been reported as yet. Firefighting operations were continuing.

A similar incident occurred last week in South Mumbai. According to reports, a fire broke out at the famous Crawford Market area. Reports also state that four fire engines were immediately rushed to the spot.

The fire engines are currently making efforts to douse the flames at Crawford Market. No casualty was reported in the incident, he said.

The blaze erupted around 10.50 am at the shopping centre located behind a mosque on Abdul Rahman Street and spread rapidly in the complex, the official said.

Several electronic goods, plastic, stationery items and electric installations were gutted in the fire, he said.

Four fire engines, as many water tankers, and a quick response vehicle were rushed to the spot, he said. The fire brigade personnel managed to extinguish the flames after hectic efforts for about an hour, he said.

Also Read: Mumbai: Major fire at a chemical plant in Dombivli MIDC

The exact cause of the blaze was yet to be ascertained, the official said, adding that a probe was on into the incident.

(With inputs from PTI)

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One of the major issues faced by the voters of the Mumbai North West constituency was that most of their names were missing from the voters' list, and they did not get much guidance at the polling booths. Those who did not find their names on the list, had to return without casting their votes, and they even complained that the officials posted at the polling stations could not address their queries.

The fight in the constituency is between sitting MP and Shiv Sena – BJP candidate Gajanan Kirtikar and Congress NCP candidate Sanjay Nirupam. Due to the scorching summer heat, most people preferred to vote in the early morning and evening hours. Long queues were spotted outside polling stations at Jogeshwari East, Goreagaon, Dindoshi, Andheri East and Versova.

The Pathak family whose names were missing from the list

Missing names

A family of three — senior citizen Parashar Pathak, his wife Anju Pathak and daughter Silky Pathak had landed at the Gyan Kendra School in Andheri West early to cast their votes, however they were shocked to find their names missing from the list. Speaking to mid-day, Silky said, "My mother had a doctor's appointment, so we decided to first cast our votes and then head to the clinic. But we were shocked to see that our names were missing. The officials at the polling station could not help us in any way, and after wasting two hours we left."

Shilpa Ajgaonkar from Goregaon East, who faced the same problem, said, "Though my husband's name was there on the voters' list, my name was missing. I had no option but to return after two hours without voting because even the polling officials could not help." Forty-six-year-old Genevieve Da Silva said that the election officials at the entrance of the St Anthony High School told her that her name was not there on the electoral roll. However, her husband, Clinton, could vote.

Goregaon East resident Shilpa Ajgaonkar's name was missing from the list

Senior citizens enthusiastic

Even though senior citizens of the North West constituency showed a lot of enthusiasm this time, many of them said that the facilities at the polling centres could have been better. A residents' association in Juhu had arranged for a pick-up and drop facility for senior citizens and even wheelchairs were available at polling stations.

Speaking to mid-day, Juhu resident Shankar Adnani, 82, said, "We are happy that adequate arrangements had been made for senior citizens at our centre and we did not face any difficulty in reaching the polling booth." However a youngster, who voted at the Gyan Kendra School polling station in Andheri West, said, "At the Gyan Kendra school, ramps for senior citizens were kept only at one place. Some of them, who had to vote at the adjacent building, were made to sit on chairs, which were then carried to the booth."

First-time voter Devangshi Haria from Four Bungalows

No ink applied

Meanwhile, first-time voter Muskan Gupta, who cast her vote at the Gyan Kendra School, said that an official at the booth forgot to mark her finger with ink. "I have cast my vote but the official in-charge might have forgotten to ink my finger. Even I was not aware of the exact process."

First-time voters
Four Bungalows resident and a first-time voter Devangshi Haria said, "I always wanted to vote and I am happy that I could do it this time. More youngsters should come out and vote because this is the process of nation building." Versova resident Mahesh Babaji Padyal, who is also a first-time voter, said, "I have been waiting to cast my first vote since over a year now and finally I could do it. I feel happy that my vote will play an important role in deciding the fate of the candidate, who will represent us in the Lok Sabha."

First-time voter Mahesh Babaji Padyal from Versova

Kurla resident Rita Vishwakarma was a happy mother on Monday since both her children — 19-year-old son Chandraprakash Vishwakarma and 22-year-old daughter Komal Vishwakarma — voted for the first time. As no one had explained them the voting process, the brother-sister duo said they figured it out themselves.

Muskan Gupta, whose finger was not inked

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Josh Feinberg will also perform in Pune, Goa, Gangtok and Dubai this month

Few royal residences in India could be imagined without the rich sound of ragas flowing through them. Connoisseurs of Indian Classical music, nobles and royals often hosted artistes in their homes, where intimate concerts formed an important cultural tradition. But as the era of royalty ended, and with the advent of theatres and proscenium stages, these baithaks as they were called, faded away.

A baithak session in progress

As part of an initiative to revive this tradition, music lovers of Mumbai can attend one such baithak tonight, where acclaimed US-based sitarist Josh Feinberg will share his insight into the Maihar Gharana through an interactive performance. To be held at a private bungalow in Malabar Hill, the baithak will see Feinberg present a traditional Hindustani sitar recital with Ariff Khan on the tabla.

Feinberg, who started learning Western Classical music and Jazz when he was four, was introduced to the sitar as a 12-year-old. The music of Ustad Ali Akbar Khan and Pandit Nikhil Banerjee made a lasting impression on him. Feinberg became a student of Khan in 2004 and continued learning from him at his music school in California until the virtuoso passed away in 2009. “The sitar’s elegance and grace drew me to it. Hindustani Classical music is beautiful, deep, complex, and offers scope for improvisation. It is one of the great music traditions of the world,” shares the artiste, who tours the US, Canada, India and Europe.

“I grew without much exposure to Indian Classical music and got introduced to it only when I started learning Kathak from Pandit Chitresh Das. When I moved to India and began teaching the dance form here, I realised the students weren’t exposed to Classical music either. I wanted to change that,” says Seema Mehta, Kathak artiste and director of Chhandam Nritya Bharati, organisers of the baithak. The baithak series - with the aim to host one gathering every quarter - began in 2014, and was initially for the dance school’s students and their parents. It’s popularity grew as more music lovers heard of it.

Feinberg summarises the idea, “I like both situations. At a concert, the audience is far away that it allows the musician to get immersed in his music. In a baithak, there is a direct connection with the audience. The musician derives energy from the appreciation he receives.”

Google unveiled a special Doodle on the occasion of Nowruz. The doodle showed the letters Google logo redesigned as flowers with butterflies and bees flying around them.

Nowruz, which is also known as the Iranian New Year and the Persian New Year occurs on 21 March or the previous or following day, depending on where it is observed.

The festival is celebrated worldwide by the Iranian peoples, in Western Asia, Central Asia, the Caucasus, the Black Sea Basin and the Balkans.

Nowruz marks the first day of the first month (Farvardin) in the Iranian calendar. It has been celebrated for over 3,000 years.

The moment the sun crosses the celestial equator and equalizes night and day is calculated exactly every year, and families gather together to observe the rituals.

Nowruz is a secular holiday for most celebrants that is enjoyed by people of several different faiths, but remains a holy day for Zoroastrians.

Last Sunday evening, nearly 400 people made it to Juhu's Novotel Hotel to watch a screening of Pulp Fiction. What made the evening special was that the "seats" i.e. the gaddas were laid by the pool, with cool breeze blowing in from the Arabian Sea.

It was the first film screening in the city organised by SteppinOut Movie Nights, which has presence across Chennai, Delhi and Bangalore. Ojal Kulkarni, the brand head for the firm, says they chose Novotel for its cool vibe and plan a movie night at the venue every two months.

In a city that's brimming with cinephiles it only makes sense to have non-commercial venues that will screen the classics as well as the indie films. And, Novotel promises to be a killer of a venue. Tickets will range from Rs 300 to Rs 400 and the movies will be chosen after a poll is conducted on their FB page.

But, if you can't wait until then to catch a screening of some well-curated films, along with other lovers of cinema, here are the some of the other venues in the city to watch out for.

(From left) Kamal Sidhu, Purab Kohli, Dino Morea, Maria Goretti, Cyrus Sahukar, Mini Mathur, Cyrus Broacha, Luke Kenny. Location Courtesy/The Bombay Canteen; Pics/Rane Ashish

When video killed the radio star in the 1990s, we were not complaining. Our eyes were glued to the TV as cable television made its debut. We had heard our rock and pop idols on FM, and now, we had them, in our living rooms. MTV had landed, followed by Channel V. Along with them came a glam and chatty species called VJs. On them we pinned our hope for a favourite song, crushed on them, and sought fashion wisdom during our fumbling teenage years. Suddenly, we had new pin-up stars.

At a reunion of India's first set of VJs at Lower Parel's The Bombay Canteen, we saw model-VJ from MTV and Channel V Kamal Sidhu; the brain behind Channel V Luke Kenny; mad-hatter MTV VJ Cyrus Broacha; crush-worthy Channel V VJ Purab Kohli; model-actor with dear dimples Dino Morea; MTV's effervescent Mini Mathur; MTV's Mr Comical Cyrus Sahukar and MTV VJ-turned-food TV host Maria Goretti.

Madness ensued, with a whole lot of laughter and wisecracks. There were blows below the belt but not a brow was raised. For us, the '90s kids, they were the epitome of cool. It's true that we saw them in a different light — some of them are now parents — but they are just as charming.

Launching with the '90S
Kamal: I think I speak for everyone when I say, without the '90s, we wouldn't have had a career.

Mini: I was doing TV much before music television arrived. At that time, all of it was based out of Delhi, and only fiction came out of Bombay. But the music channels made it all cool.

Cyrus S: There were a handful of these networks in operation. It was a great time to be in and we got away with murder.

Luke: One of the things that happened was that the 18 to 24 demographic was created. That's the demographic for youth programming even today. Once 2000 rolled in, the concept of the TV anchor was born, but the VJ had died.

Kamal Sidhu makes a point as Purab Kohli listens in

Kamal: While the role of the VJ was fairly new to India, around the world there were VJs we were exposed to. In Canada, we had a local music channel, which didn't allow MTV to enter the country. There was Downtown Julie Brown (who hosted Club MTV from 1987 to 1992). On the show, the light switch went on, with the camera going up her legs and under her skirt, while she went, 'Waba Waba Waba Downtown Julie Brown'. She was among the real pioneers. When MTV launched in Asia, we beamed shows from Hong Kong. And, then, we launched in India with a party at the Taj Mahal Hotel [in 1992] in Mumbai. It was called The Bombay Blast Weekend. It received a lot of backlash, I remember, because the riots (Babri Masjid) had just happened.

Where i want to be: Vjing
Maria: I used to watch Kamal and Danny [McGill] VJ, and, suddenly, I was one of them. I didn't know what I was getting into until I did. The thing about VJing in the '90s was that it let you be who you wanted to be. I was lucky to be part of something I loved. Today, everyone wants to be something more, so, a lot of people get nudged out of television. MTV put Indian VJs on air and that changed something. It was now damn cool to be Indian; there was no need to have an accent. I didn't realise I was cool but apparently, I was.

Purab: I joined Channel V as a host for a travel show, and, gradually, when other slots opened, I started VJing too. There was a serious naiveté back then and VJing wasn't thought of as a stepping-stone to other things.

Cyrus Sahukar tells a story to Luke Kenny

Cyrus S: We were all there with the knowledge that this where we want to be.

Behind the scenes
Purab: There were times when we shot close to five episodes a day. It was intense. Sophiya [Haque], Laila [Rouass] and Meghna [Reddy] would do their own make up, write their own shows and select their own music. There was a transition, when I came in 1999 to Channel V. There was one show where we were asked to write and select songs. We would run it by Luke.

Cyrus B: Luke? Was everything right?

Purab: Yes!

Cyrus B: Luke himself didn't know what his designation was.

Purab: He would approve songs and that was our process.

Maria: Producers hated it when VJs would get together because that meant no one would be working. Once a year, we did a show together for Christmas or New Year and that would be a blast. I miss all of us working together — miss the travelling, the early morning flights, sleeping at airports because we had missed our plane. When I look back I realise that what I did was part of history.

Music then, music now
Luke: What do I think of the indie music scene? It's very niche, and some of the musicians have a chip on their shoulder. But, that aside, what business are they doing? Few manage to get paying gigs, and whoever turns up to support, comes, has a drink, pays R300 and then doesn't buy the album. How does it help the artist? I have been consulting with Channel V recently, and we are trying to go back to the model where the music channel only plays music, and supports indie acts by giving their originals air time.

Cyrus Broacha monkeys around as Dino Morea greets Kamal Sidhu

Kamal: I remember they would send us pop music videos at the Hong Kong office. And most of them were bad. We had to consciously decide to help some artists with their videos. And then Rahman and acts like Indus Creed came in, and the videos changed.

Luke: Kids today love their pop as they did back in the '90s.

Kamal: It was more authentic back then.

Luke: That's because the labels saw a market and invested in it. No one sees a market in today's indie scene.

Cyrus S: They were competing with an international kind of space and knew that spending money on videos was requisite. Everybody was trying to match international standards.
Kamal: And then everything got homogenised into one game plan — the Bollywood game plan.

The '90S role model
Dino: I landed in Bombay in December 1997, looking for opportunities and I remember sharing a room, not even a flat, with a girl who wanted to be a model too. Back in Bangalore, I remember seeing Kamal. I was in college and had to go meet a photographer. There she was, shooting for some perfume or cosmetics ad, and I was like, "Whoa!" Models were these superstars then. I did stare at her.

Kamal: Did I stare back at you?

Dino: (Laughing) I don't think you noticed me.

Sinking into reality
Kamal: A big change from the '90s, well, is that reality television came about, for better or worse.

Luke: One of the earliest reality shows to come was Channel V's Popstars, from which [girl band] Viva emerged. History rewrote itself in that decade with reality television.

Cyrus B: There was also MTV Bakra, which started towards the end of 1999.

Kids with an edge
Kamal: I think it was the time of the Asian liberation. Everything was booming. Also, it was a time for adjustment. Parents of '90s kids looked at people like us and questioned our place as role models. They said, we need to control the remote control.

Luke: No, there was no parental control at all.

Purab: I think it was because those kids were the first movers into the globalisation space.

Cyrus S: Even I used to come home and watch TV. It was a time when I had a VCP, not even a VCR.

Luke: Do you know why those kids had an edge over today's? Because they didn't have these. (Points to a mobile phone).

Maria: I think it was because there was a more organic interaction between people. The communication was real, which I don't see today. These days, it's about the phone. My kids just asked me why they don't have the blue tick on Instagram. Everyone is looking into their phones. We have become tech-savvy but have lost a bit of the soul. (Snapping her fingers). It's now all about reaching a place and changing the game.

Your fav music video of the '90S was?
Luke: Pretty Child by Indus Creed
Cyrus Sahukar: Ice Ice Baby by Vanilla Ice
Dino: Can't Touch This by MC Hammer
Kamal: Anything by AR Rahman
Maria: Freedom by George Michael
Mini: All Sukhbir and Lucky Ali videos

Why Cheat India
U/A: Drama Satire
Director: Soumik Sen
Cast: Emraan Hashmi, Shreya Dhanwanthary
Rating:

The 'curse of the second half' in Hindi pictures is simply so severe, especially when it comes to films with well-known faces, that even as I find myself really enjoying a movie, there's a radar at the back of the brain constantly cautioning one to only hope that the post-interval portions even live up to the first half — by half. If so, then as an audience, you're pretty much through.

Is this movie an exception in that regard? Well, it eventually starts descending to such levels of random, thoughtless spinning of the yarn that by the end of it you're not even too sure it's the same film that you had started with in the first place. And hell yeah, it begins really well, what with highlighting the academic strains of being a teenaged 'padhaku' kid, Sattu (the boy's so brilliantly cast), in a lower-middle class family in Lucknow, coaxed into cracking a coveted engineering entrance exam (they don't call it IIT for some reason). For, how else does the father who's invested all his money into his child's supposed dream see his pension scheme through?

The film shines much-needed light on a common Indian teenaged nightmare, as sincerely presented in stand-up comedian Biswa Kalyan Rath's rather under-rated Amazon Prime series, Laakhon Mein Ek (2018). While sticking to searing realism — getting its time-setting, the year 1998 right, down to baggy trousers, and Force 10 type sneakers — the filmmakers manage to give the hero, Emraan Hashmi, a filmy sort of entry, smartly slipping in a soothing ballad, as well. Well done!

Hashmi plays a one-man racketeer who sneaks in smart kids, with counterfeit hall tickets, to max entrance tests on behalf of rich children, sitting at home, paying their way to top colleges as a result. You sort of know where the film might be going with this. And, maybe, that's the problem. Proxy contestants at overcrowded competitive exams for key educational institutions, where even well-prepared students wait for Godot to get in, is a huge multi-crore, organised industry, involving a system wholly corrupted, from top to bottom. Technology would have plugged some of the holes already; one's unaware to what extent.

If you haven't heard as much about this underworld, one should legitimately blame the news media for it — particularly in the case of the 2013 Vyapam (Madhya Pradesh Professional Examination Board) Scam, for instance, where close to 40 people, most of them whistleblowers, have mysteriously died, while the investigations are still on (or not quite) —but largely under-reported in the mainstream press.

And I thought this is what the film could be about — unearthing an earth-shaking scandal that should ideally knock you off your head. But, no, this is a film that attempts to combine strong commentary on the education/examination system, with a high-paced, heist thriller, with belaboured twists and turns, while trying to balance all of it with the urban slickness and high-life that Hashmi's inevitably romantically inclined, unscrupulous characters aspire for, and achieve, in his typical capers.

Watch Why Cheat India Trailer

So whatever fault you may find in the film possibly exists in the story/script to start with. And perhaps the reason is Hashmi himself, for he can't help but get on the big screen with strong baggage of the sort of flicks that have made him the star he is. The audience is obviously to blame for it, and the fact that Hashmi remains still an under-rated actor, because he is hardly commercially lauded for parts where he wholly goes off the beaten path — Dibakar Banerjee's Shanghai (2012), I'm told, tanked; Danis Tanovic's Tigers (2018) went straight to OTT (Zee 5), both being his career's best works.

And so he goes back to being himself: the trademarked flawed hero, who eventually justifies his wily actions as a natural outcome of a multiple-choice, rote-learning system that gives very few kids a choice beyond acing it to get ahead. How a scamster like his character is the solution still, and not the issue, is beyond me. Have to say though, what the audience will empathise with is the fact that far too few fine courses/colleges exist for far too many desi children: a progressively massive problem staring us in the face and an even uglier future. This affects everyone. To be fair, the government is just as clueless on how to deal with it as this totally confusing 'pop-con' pic.

Also read: Emraan Hashmi: Change of Cheat India title is illogical, ridiculous

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Dumbo
U/A: Family, Fantasy
Cast: Colin Farrell, Michael Keaton, Danny DeVito
Director: Tim Burton
Rating: 

Disney's attempt to lend more darkness and quirks to this live-action remake of its 1941 animated classic about a baby elephant whose ears double as wings, Dumbo, pays off with loads of cuteness but the director Tim Burton's signature strangeness is missing. Burton's craft is more simplistic here - even though the film is a sort of circus fantasia with all the aspects of an imagination running wild.

The owner of a struggling circus, Max Medici(Danny De Vito) enlists a man(Colin Farrell) and his two children to care for a new born elephant that can fly. Of course, the contretemps are not merely about a flying elephant but also about those opportunistic times when diabolical people sought to make their fortunes off the sweat of lesser mortals.

Check out the trailer here:

With Michael Keaton and Danny DeVito on the same page here, one would have expected something more whimsical and intriguing but this production doesn't quite fit the bill. Burton's attempts to stuff up the visuals with a surrounding darkness doesn't set flight to the imagination. Ehren Kruger's screenplay is inconsistent and chaotic. Character development is uneven so even the leads don't come across as engaging. Burton's attempts to give vein to the freakish performer doesn't have much impact because the plotting is quite wayward. Even the presence of snake charmer Pramesh Singh (Roshan Seth) and the resident circus "mermaid," Miss Atlantis (Sharon Rooney), who strums a ukulele by the fireside and sings "Baby Mine," feels out of place in this extravaganza that lacks connect and soul!

Also Read: Disney's 'Dumbo' will take you to new heights

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Notebook
U/A: Romance
Dir: Nitin Kakkar
Cast: Zaheer Iqbal, Pranutan Bahl
Ratings: 

I, for one, am not of the belief that remakes are a bad thing. If made well, they can stand their ground and even shine, in some cases, better than the original. Given that Notebook is directed by Nitin Kakkar (the man behind the luminous gem Filmistaan), I had a fair share of expectations, despite the underwhelming trailer. Kakkar's powerful storytelling in the unassuming Filmistaan played in my mind as I walked in to watch Notebook, an adaptation of the Thai film, The Teacher's Diary that released in 2014.

It's not a good sign when, in a love story, children steal your heart over the lead pair. Individually, both debutants Zaheer Iqbal and Pranutan Bahl sparkle, but they meet only at the fag end of the film. Kakkar draws out adequate performances from both, playing to their strengths, using the naivety of the novices to build on some screen charm. But with so much solo heavy lifting and a wobbly screenplay in tow, Kakkar delivers far short of what he is capable of.

Watch the trailer here:

As a plus, the film uses the picturesque settings of Kashmir, blending it with good music. The story, much like the original, traces the unlikely love life of Firdaus (Bahl) and Kabir (Iqbal). She leaves behind a notebook full of sketches and doodles; he is her replacement in a school where they teach. The notebook becomes a source of hope for Kabir, who connects deeply with her over the pages. She is an unusual teacher in an abusive relationship. As Kabir struggles to bond with the children, the notebook comes handy. The rest of the film paves the way to their final interaction.

Kakkar remains faithful to the original design, transporting his viewers into a world of innocence. It is concerning that the director never delves deep into the problems of the state, bringing forth its elements for a pure cosmetic use. A child with a fundamentalist father is a needless addition to the plot. Kabir's former job as a soldier, and his Kashmiri pandit background, also do little to add to the larger plot. It's a balanced view, but not a bold one; too simplistically handled, which is unlike Kakkar's risque style.

Watch it for the adorable kids, and if you are excited about star children in general, Pranutan is a good deal as a first timer.

Also Read: Notebook celeb review: Bollywood unanimously touts the film as a sweet and genuine

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No Fathers In Kashmir
U/A: Drama
Dir: Ashvin Kumar
Cast: Kulbhushan Kharbanda, Soni Razdan, Zara La Peta
Ratings: 

So grim and unnatural are the goings-on in Kashmir, that it's almost hard to find yourself not questioning the films that claim to mirror the realities in the Valley. Ashvin Kumar's No Fathers In Kashmir is empathetic in its approach, but critiques the militarisation in the state. Kumar narrates the story through the eyes of Noor, a teenager oblivious to the situation in the Valley.

Like those of her kind, she continues to showcase her life on social media, ever so often posing with a terrorist because... Well, why not? Unaware of the repercussions of her actions, Noor eventually stumbles upon some harsh truths pertaining to her family. Her father, Basheer was picked up by the Army, and never returned. The more she delves into the details, the more the skeletons she finds in the closet - literally!

Kumar uses Noor's naïvety to explore the plot from the perspective of a third person, elucidating how Kashmir's normal is actually bizarre, claustrophobic and heartbreakingly inhuman. At the crux of the film is an innocent love story involving Noor and Majid, who bond over their unfortunate but common fate as both their fathers were taken away by the Army.

Lucidly shot, and wonderfully executed, the film seems to evade the point that it attempts to make at first, but is more aligned post-interval. Shots involving the goings-on in interrogation rooms, graves that see militants dumped in masses, and the common sighting of stray dogs roaming around with severed parts of the human body, successfully invoke the fear that the makers desire. It's a matter that should most certainly be discussed in mainstream media.

To drive home this point, Kumar successfully highlights the effects of the situation on children when he showcases one kid elaborating on the difference between a terrorist and a militant, to his friend, and attempts to state how those perceived as enemies of the state, have clarity of intention in their heart. The actors are perfect, especially the children.

Kumar's film, however, isn't without loopholes. But you are willing to let them pass because the film makes a brave point - no one deserves to be woken up in the midst of the night by the resounding noise of bullets. Can this be rectified? The film makes an earnest plea, urging us to do our best.

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Your mother gets more and more confused these days. She forgets names, does not recognise usually familiar faces and often starts speaking only to forget the rest of the sentence. She gets tired easily and slumbers a lot. Sometimes she drools like a baby while asleep on the easy chair. You feel a little sadness inside: she is 73, poor thing.

Old age sucks.

Your father, who ran marathons and stayed fit all his life, can hardly take a reliable step any more. His gait is unsteady, he seems wobbly and you constantly fear that he will fall. He has taken a couple of tumbles already and been injured. Poor man, he is 79.

This is how the end begins, you think, with halting steps and frequent falls. It will lead, you suppose, to dementia, forgetfulness, perhaps Alzheimer's, dignity pads, nannies and probably finally pneumonia through too much food going down the wrong way.

You realise both of them will need more care and probably more of your time. One day you might notice a tremor in his hand which makes it impossible for him to feed himself — and an ayah will be hired for the job. This will only get worse, you tell yourself, until the day they find release through death. With any luck, it will not be a lingering, painful one.

This, you tell yourself, is what ageing and senility look like. You don't look forward to the day it will come to you.

My mind has been on the elderly in our lives ever since COVID-19 entered our world. It has a particular appetite for taking away our senior citizens, particularly those over 60, we are told, and more especially if they have underlying conditions. No matter who you are, how young you are, you will one day watch a beloved parent or senior relative decline — and like the overwhelming majority of us, you will dismiss it as creeping old age.

What if you were very very wrong about the signs of old age? What if all the things we call ageing are the result of a single missing vitamin called B12?

My digging began around 2010 when my mother started falling forward every time she stood up. Her hands were unsteady, her once 20-20 vision was blurry, she misheard things, spoke disjointedly, frequently forgot names and faces and frequently dozed off while watching TV. She was then 77, and I thought — she's getting old.

I began reading and googling, meanwhile, and one day, I made a list of all the behaviours and symptoms that I naturally assumed were a part of normal ageing.

Clumsiness
Irregular gait, stumbling
Frequent falls
Forgetfulness
Depression and moodiness
Deteriorating vision
Disorganised speech
Tangential or incoherent thinking
Easily tired, needing more sleep
Being feeble, anaemic
Trembling
Being incontinent (not being able to hold pee in)

Guess what? Every one of these is a symptom of a deficiency of vitamin B12, otherwise known as cobalamin. It is one of the most complex vitamins, with a single cobalt atom in the centre, and the only one that your body does not synthesise. Vegetarians and vegans must get it through dairy or soy products. Eating meat and animal products like dairy products, milk and cheese provide your body with the 2.4 or so micrograms you need every day.

That microscopic amount, it seems, is all your body requires to maintain a healthy central nervous system, produce healthy DNA and make red blood cells.

And then old age starts creeping up on you. Unknown to you, your stomach starts producing less gastric juices, and this directly affects your body's ability to synthesise vitamin B12 from the food you eat. Some people turn into belch and fart factories as they age, struggling with acid reflux at night, popping proton pump inhibitors and antacids. These pills make it even harder for your body to synthesise and absorb vitamin B12.

Your near and dear see what they suppose are signs of senility but they're actually the first signs of a developing B12 deficiency in your ageing parents — weakness, fatigue, shakiness, unsteady gait, incontinence, low blood pressure, depression and other mood disorders, and cognitive problems like poor memory. Since B12 is water-soluble and stored by the body in the liver along with other B vitamins, the deficiency cannot be detected in a blood test until the level drops below 250 picograms per millilitre of blood serum.

There is no good estimate of how many senior citizens we label as aged without checking if they are actually only displaying signs of vitamin B12 deficit. Once detected, it can often be fixed with a single injection once or twice a year.

My mother did have a vitamin B12 deficiency. Injections restored her to a semblance of a more normal life for some years till she died of other causes.

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com
Send your feedback to mailbag@mid-day.com

The views expressed in this column are the individual's and don't represent those of the paper

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No one informed us that my brother had been killed. We heard about his death on news," said Rakesh Tiwari, the brother of Kalpavrishkgiri Chikne Maharaj who was lynched in Palghar earlier this month, from Uttar Pradesh's Bhadohi taluka where the deceased priest's family lives.

On the night of April 16, a frenzied mob of close to 450 tribals lynched 70-year-old Chikne Maharaj, another priest and their driver, suspecting them to be thieves, at Gadchinchale village. While the incident made headlines across the nation, Chikne Maharaj's family learnt about his death only two days later.

Rakesh told mid-day over the phone that neither the police nor the authorities in the state informed them about his demise. We learnt through the news two days later that Kalpavrishkgiri had been brutally murdered in Palghar, he said.

Kalpavrishkgiri had left his home in Uttar Pradesh at the age of nine and was reunited with his family after 20-long years. When Kalpavrishkgiri was nine years old, he left home for Gramsabha Bhusavla school at Bhadohi one day, and never returned. We searched for him across the town but didn't find him." After reuniting with him 26 years later, the family learnt that he had gone to Nashik to become a monk, Rakesh said.

"We found his address when Kalpavrishkgiri was about 35-year-old and learnt that he had become a priest. After leaving UP, he had gone to Trimbakeshwar Shiva Temple to become a monk and later moved to Mumbai. He was a priest at Vandevi temple at Jogeshwari East. We accepted him and I used to meet him whenever I visited Mumbai."

Kalpavrishkgiri wanted to attend the last rites of our mother, who died on March 22, said Rakesh, adding that he couldn't make it to Uttar Pradesh due to the lockdown in Mumbai announced by the Maharashtra government in an attempt to contain the spread of the novel Coronavirus.

"On March 22, I called to my brother to inform him about our mother's demise, but due to the restrictions he could not attend her funeral. He was our mother's favourite son," Rakesh told mid-day. Rakesh said, "Our wish was to attend my brother's final rites but we received the information very later and that too from the media."

He also accused the police of failing to save his brothers and the two others with him. The videos clearly show that the police surrendered my brother to the mob, who then brutally thrashed him to death, said Rakesh, adding that the police could have saved Kalpavrishkgiri.

"Not a single police officer informed us about his death," Rakesh told mid-day.

Tilghate was driving Chikne Maharaj and Sushil Giri to Surat where the duo were headed to attend the last rites of a head priest, Ramgiri Maharaj. However, they came across the tribals, who were enraged by the rumours that a gang of child lifters were active in the region. While the police maintain that close to 450 people were part of the mob, a local leader had said as many as 2,500 tribals had gatheredthat night.

16 April
Day the two priests and their driver were lynched

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The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.

A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.

Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."

While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.

It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.

The next date of hearing in the case is June 11.

11 June
Date of the next hearing in the case

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The Maharashtra cabinet has reiterated its recommendation, that Chief Minister Uddhav Thackeray be made a member of the legislative council from the governor's quota, which has two vacancies. The cabinet had requested this to the Raj Bhavan following a decision taken on April 9, but the delay has created a political tussle between the Bharatiya Janata Party (BJP) and Maha Vikas Aghadi at a time the state needs a stable government.

It is necessary for Thackeray to become a member of either house within six months of taking charge of the CMO (before May 26). The elections to the council were postponed because of the pandemic, and the CM was left with no option but to seek a seat in the governor's quota. The term of the vacant post will end in the first week of June, but that will save the CM's resignation, because he could be in the office without being a member of the either house till he gets elected in the rescheduled upper house polls.

In a stunning statement some days ago, Shiv Sena MP Sanjay Raut had accused the Raj Bhavan of being part of a political conspiracy. In view of the tussle, the cabinet met on Monday under the chairmanship of Deputy Chief Minister Ajit Pawar, to pass a resolution to send Governor Bhagat Singh Koshyari the recommendation again. Since Pawar's authority of chairing cabinet meetings in the absence of the CM was challenged before the high court on the ground that the Dy CM position had no constitutional validity, and the CM had not authorised him to conduct the cabinet meeting, Tuesday's reiteration is considered as making the state's case stronger. But a minister said Pawar was authorised by the CM on April 9 and the MVA detractors were making false claims. The cabinet has decided to tell the governor that the state government was fighting the pandemic with all its might and teamwork.

"The pandemic is intensifying and in such a grave health crisis the state needs a stable government," said its statement.

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The city's battle against the COVID-19 has finally started to show some positive results with the doubling rate of positive cases increasing from 8.3 days to 10 days. According to findings of the Central Committee, the doubling rate of cases was recorded between April 7 and April 17, which indicates that cases might now increase at lesser speed. While the doubling rate period at the national level is 9.5 days, the same in Maharashtra was 8.9 days.

Noting this, the Central Committee has lauded the Brihanmumbai Municipal Corporation's (BMC's) preventive measures, said a senior civic official.

Mortality rate decreases
In its findings, the Committee has analysed the number of infected patients and observed that the mortality rate among them in the BMC area was lower compared to that of the state. At the state level, an average of 4.3 patients are dying per 100 infected patients and in the BMC area, an average of 3.9 patients are dying every 100 infected patients. A civic official said that few days ago the average mortality rate of infected cases in the BMC area was 6.3 per cent, which too had reduced.

However, BMC now faces the challenge to cater to areas where earlier the rate of doubling of cases was low but has increased in the last couple of days. Wards like G South, G North and E, which have been reporting a high number of cases, are seeing an increase in the doubling rate period.

Earlier, on an average the cases used to double every 10.6 days in G south but now it has gone up to 17.6 days. But R central ward has seen a reverse trend. Its doubling rate period has gone down to 5.5 days from 16.9 days.

Contact tracing
The first COVID-19 positive case was detected on March 11, and since then the civic body has been tracing contacts of positive patients. Till April 26, as many as 1,29,477 were found through contact tracing, of which 21,053 were high-risk group contacts and 1,647 cases were positive.

The BMC, however, claimed that they were being able to control the number of cases due to the containment zones as people cannot move from one area to another and spread the infection. An analysis of the statistics of medical tests conducted across the country reveals that comparatively most number of the tests had taken place in the BMC jurisdiction. As many as 66,000 tests have been conducted in the city so far, an official said.

Containment efforts
Speaking on condition of anonymity, a senior civic official said, "The doubling rate period of 10 days is better than the national average of 9.5 and the mortality rate of 3.9 is better than the state as well as national figures. This has been done through containment efforts and aggressive contact tracing and quarantining."

He added, "Today, the battle against Coronavirus is being fought with the active cooperation of the municipal corporation, police, various government departments, private hospitals and many others. We once again appeal to the citizens of Greater Mumbai Municipal Corporation to follow the guidelines."

21,053
No. of high-risk group contacts found till April 26

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The Brihanmumbai Municipal Corporation (BMC) has started mobile dispensaries to curb the spread of COVID-19. Currently they will move about in the areas most affected by the disease such as Worli, BDD chawls, Lower Parel, Currey Road etc.

It was decided to start mobile dispensaries to prevent the spread by reaching out to people and detecting patients. While the service began on Wednesday in the severely affected G South ward, the doctors will move to other areas later. More than 600 COVID-19 positive patients have been found in G South Ward.

A doctor, a nurse and an assistant will be available in the mobile dispensary. It will be stocked with medicines for cold, cough and fever, and in case of a suspicious patient of COVID-19, a thermal scanner has also been placed in the vans. The vans will provide the service from 10 am to 7 pm.

After their check-ups, people will be treated with pills for minor fever etc. But if a suspected patient of COVID-19 is found, she or he will be hospitalised. The mobile dispensaries aim to find such patients in red zones to help curb the spread of the disease.

The mobile dispensaries were launched at the NSCI club in the presence of Mayor Kishori Pednekar. In all five mobile dispensaries have been started.

Mayor Pednekar told mid-day, "Medicines for cold, cough and fever are available in these dispensaries. If a suspect patient is found during the check-up, he will be taken to the OPD of a COVID-19 deisgnated hospital and examined immediately."

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Almost two weeks since the lynching of the three men from Mumbai in Palghar, no fresh arrests have been made in the case, as the tribals involved in the crime continue to give the police the slip. The investigating team says a few of them are hiding in the hills and pelt stones at the police whenever they inch closer to them.

Some others, the police say, have taken shelter in the houses of relatives in Jawhar forest division, while some have crossed the border to hide in Dadra and Nagar Haveli.

While the police continue to hunt for the culprits, many of them are a demotivated lot, as three more personnel were suspended for 'dereliction of duty' in the lynching case. Some of them claim police personnel were also beaten up by the mob and are being suspended and transferred for no fault of theirs.

Police on the hunt for the tribals

Fled with food and family
After lynching the trio – Chikne Maharaj, 70, Sushil Giri, 35, and their cab driver Nilesh Tilghate, 30 - on the night of April 16, and before the police crackdown next morning, almost all the inhabitants of Gadchinchale village and nearby hamlets took off with food and family members including kids, said Sonudaji Borsa, a watchman at the forest post and a witness to the barbaric incident.

Helped by other villagers?
Police sources have not ruled out the possibility that residents of other hamlets in the forest supply food and other essentials to the tribals in the night, when the police team scales down the hills. Police sources told mid-day that they have received inputs that a few of the tribals have taken shelter at distant relatives' houses in Jawhar forest division and some went to Dadra and Nagar Haveli.

"The villagers are aware of the geography of the jungle and hilly regions of Palghar and Dahanu. On April 17, most of them managed to run towards the dense forest and climb the hills. Chances are very high that they have crossed the area bordering Dadra and Nagar Haveli as they know the internal jungle routes," said a police officer.

The investigating team under the supervision of Atulchandra Kulkarni, Additional Director General of Police (CID), Maharashtra Police has also retrieved the dumb data (mobile locations etc) of the lynching site to track those who were present at the spot either to instigate the mob, or kill the trio, or out of curiosity. Till now the Palghar police have arrested 110 people including nine juveniles in connection with the mob lynching. A total of three FIRs have been registered at Kasa police station and the complainants are API Anandrao Kale, PSI Sudhir Katare and SDPO Bhagwat Sonawane of Jawhar division.

At least 19 arrests across border
The fourth FIR was registered at Khanvel police station after the reinforcement coming from Talasari via Dadra and Nagar Haveli was stopped by a mob of 250 people and the Additional SP was attacked. The superintendent of police of Dadra and Nagar Haveli, Sharad Darade told mid-day that 19 accused have been arrested under sections of IPC, Disaster Management Act and Prevention of Damage to Public Property Act. "All are residents of Chisda in Khanvel," said Darade, who added that the matter is being investigated considering all the angles including the Maoist link.

Tribals were jobless
The tribals work in the brick factories in Bhiwandi. "The tribals go to Bhiwandi with their wives and children to work there. They remain there for four months and return in June and work for the cultivation of paddy. But due to the lockdown, all the workers in these factories were sent back home in March. Had there been no lockdown, all the people would have been working in the brick factories in Bhiwandi," said a retired police officer.

Three more policemen suspended

Three more policemen have been suspended for 'dereliction of duty' in connection with the mob lynching.

They include Assistant Sub-Inspector Ravindra Salunkhe and Head Constables Santosh Mukane and Naresh Dodi.

"Salunkhe, who is set to retire next year, is the policeman seen in the video with Chikne Maharaj. Those commenting and making decisions based on the video must know that he (Salunkhe) too was beaten and threatened by the mob on April 16," said a Palghar police officer.

"It is really discouraging that the policemen are being suspended and transferred for no fault of theirs. Transfers and suspensions are very easy for senior police officers. But show us the courage to tackle a frenzied mob of 2,500 with a handful of policemen," challenged a policeman.

Earlier PSI Katare and API Kale were suspended and 35 policemen attached to Kasa police station were transferred.

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Maharashtra Chief Minister Uddhav Thackeray on Wednesday called Prime Minister Narendra Modi about his nomination to the State Legislative Council. According to sources, Thackeray asked for PM Modi's help, saying if it doesn't happen, he will have to resign. The PM said that he would look into the matter and get more details. The Maharashtra Cabinet on April 28 once again asked Governor Bhagat Singh Koshyari to nominate Chief Minister Thackeray to the State Legislative Council.

Earlier on April 9, the state Cabinet had recommended Thackeray's name for one of the two vacant MLC seats that were to be nominated by Koshyari to the Legislative Council to avoid a constitutional crisis. Thackeray was sworn-in as the Maharashtra Chief Minister on November 28, last year. He is currently not a member of either of the House -- Legislative Assembly or Legislative Council.

According to the Constitution, Thackeray has to be elected to either Assembly or Council within six months in order to continue in his post.

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