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As long as the choosing beggars continue to present themselves, it's up to the rest of the world to serve them up reality checks, free of charge. This particular impatient choosing beggar experienced a nice wakeup moment, after pestering an artist to rush a free drawing, after they already received one free drawing. The artist absolutely delivered. 

As his great grandson launches a competition to "inspire like Churchill", we look at the PM's wartime words.

Mimics might one day synthesize drug molecules, turbocharge natural photosynthesis

Kartik Aaryan has a knack to take social media by storm with his remarkable videos and post and even his hit series. After seeking help from the netizens to help him to decide whether he must remove his facial fuzz or grow a quarantine beard, the actor now leaves us in splits with a fun video with his sister Dr. Kritika.

Kartik Aaryan has posted an adorable video where he's showing his displeasure as he comps into a roti made by her sister. The perfectionist that the actor is believes in not taking this lightly and decides to teach his sister a lesson, obviously all in a joke. Kritika who's seen with a rolling-pin in her hand is animatedly flung around by Aaryan and almost thrown out of the balcony. Aaryan ends the video looking nonchalant with the harsh (and obviously funny) treatment and the rolling pin in his hand.

The actor has captioned the video wittily saying, 'no compromises on quality!' Now that's one funny video that made our not-so-happening-Sunday, brighter and better. These siblings are always seen pulling each other's leg and always indulging in tomfoolery like any normal siblings do. We love this actor and his amazing sense of humour.

Have a look right here:

 

 

 

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No Compromise on Quality😇 #KokiToki

A post shared by KARTIK AARYAN (@kartikaaryan) onApr 19, 2020 at 4:34am PDT

Kartik Aaryan has been doing every bit to fight the pandemic and educate the masses. His internet-breaking show Koki Poochega has been trending on all platforms ever since its inception. Moreover the actor's heroic act to pledge Rs 1 crore to the PM Cares Relief Funds, is truly commendable. Kartik Aaryan's wit and his nobles' causes are truly making him a true-blue hero in every sense in these tough times. Hats off to the youth icon!

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Bollywood actors Vicky Kaushal and Rajkummar Raos housing complex here has been partially sealed after an 11-year-old tested positive for COVID-19. The complex in Mumbai's Andheri area is home to Bollywood actors including Vicky, Rajkummar and Patralekhaa, and Chitrangda Singh.

The child is the daughter of a director who resides in the C-wing of the complex, prompting the BMC to partially seal the A and B wings and also sanitise the entire complex, reports timesofindia.com. The residents of the complex have reportedly been asked to follow strict quarantine rules and take extra precautionary measures to contain the spread of the infection.

Over the past weeks, reports have stated that several buildings of film and television actors, including actress Ankita Lokhande's, were also sealed after confirmed positive COVID-19 cases were found in the area. Bollywood personalities who have been hospitalised after testing COVID-19 positive so far are producer Karim Morani, his daughters Zoa and Shaza Morani, and singer Kanika Kapoor. All of them have been discharged after recovering.

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Kartik Aaryan has truly proved to be a crusader in these difficult times. It first all began with his hit monologue #CoronaStopKaroNa which took the social media by storm where he explained the importance of social-distancing. And he didn't stop his self-made awareness-programme for the masses there. Aaryan went ahead and turned his hit monologue into a rap and later even turned into a virtual chat show host to spread the right information about the pandemic.

Kartik Aaryan launched his hit show Koki Poochega a couple of days back on his YouTube channel and broke the internet. His smart initiative to use his star power, to enlighten his innumerable followers about Coronavirus is commendable. Our Koki not just met COVID-19 warriors and got insights about the fatal infection and the plight, but he also made the chat show lighter in these dark times with his effortless charm. His first interview with Sumiti Singh, India's first COVID-19 survivor, was filled with humour and laughter. Kartik followed the pattern in his other two episodes - Dr Meemansu Buch and MP, Police officer Madhurveena. All three episodes were packed with knowledge, laughter and fun moments which left a lasting effect on social media, but it also has to be noted that Kartik has chosen all of three of his interviewees to be women.

Kartik Aaryan has done extensive research for his chat show. He made sure that his first chat show is not just an amateur one, where he just interviews them and experts only details out of them. Amidst all this, Kartik wanted all his initial episodes to have female interviewees. A source close to the actor tells us, that the heartthrob wanted the women to speak out loud through his show. "While the first COVID 19 survivor happened to be a girl, he made sure that the doctor and a cop that he interviews are women. He wanted to know how a young female doctor is curing patients and selflessly working for the nation. Even with his police-episode, he wanted to know how a lady cop's life in this lockdown when she's on duty. And it wasn't done with as an act of sympathy, but he just wanted to show the world, that how women can achieve anything they want to. Women are also a driving force in serving the nation, which is usually not brought out in the media and Kartik made sure he puts across this strong point out there too without even making a hullabaloo about it. He also made sure he just doesn't centre his show around Mumbai and get the warriors from the city. But he picked these real-life heroes across the nation."

Kartik Aaryan recently pledged Rs 1 crore to the PM Cares Relief Funds and this act hailed him as a true hero in the public eye, for donating such a generous amount at such a young age.

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Kartik Aaryan's social media post never misses chuckling the internet away, especially during the times of quarantine, as he shares funny videos on social media, many a time featuring his sister Kritika Tiwari. However, his last video attracted much criticism, so much so that the actor had to delete the post.

Shot at the comfort of their homes, Kartik Aaryan enacts the character of a guy who is seen punishing his sister Kritika Tiwari for making bad roti (a type of Indian bread). Unhappy with the rotis given to him, Aaryan in the "funny" video catches her by her pleated hair, spins her around and flings her from the terrace. He captioned the video: "No compromise on quality."

The video did not go out well with the netizens. The skit enacted by Kartik and Kritika was described as domestic violence by many. Filmmaker Onir took to Twitter to write, "Idiotic .. someone should tell him since he is too dumb to understand that a lot of responsible Film industry members have put out a message against domestic violence and this is NOT FUNNY. But then who are we taking to ... [sic]"

He further added, "He is very popular. like his long speech from the film. But unfortunately, misogyny is very often camouflaged as "entertainment" or " real love" [sic]"

Sona Mohapatra, "I have begun to believe that thus is a new PR strategy for many. Put out misogynistic content or even hire a multiple #MeToo accused & then wait for the feminists to speak up & protest & thus amplify? Free ka publicity. Case in point Kabir Singh, Indian Idol & maybe this too? [sic]"

This guy has become a youth idol by consistently ðŸÂŒŸing in misogynistic films &is happy 2extend it to his disgusting #lockdown video. DV in India is skyrocketing many women stuck 24/7 with their https://t.co/EF3ixCUdY6 this out #India.He influences many more millions than Tangoli https://t.co/g6dyLFvnEf

— ShutUpSona (@sonamohapatra) April 21, 2020

Check out the video that Kartik posted:

Earlier, Kartik Aaryan, throughout the lockdown period, made distinctive efforts through social media, be it through his monologue or rapping, to raise awareness among the people about coronavirus and the importance to stay at home.

The effort made by the actor in his 'Pyaar Ka Punchnama' inspired monologue, grabbed the attention of many, including that of Prime Minister Narendra Modi. After getting praise and a retweet for his first monologue video by PM Modi, the actor has promised to "keep reminding everyone" about the importance of self-isolation during the coronavirus outbreak.

But, Kartik, this one definitely wasn't entertaining!

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Actor Kartik Aaryan has urged all COVID-19 survivors in the country to donate their blood plasma for the recovery of those who are battling the pandemic. Kartik reposted a video of COVID-19 survivor. She is seen donating her blood plasma.

"I donated my blood plasma today A person who has recovered from COVID is able to make antibodies against it. Also if you don't have any pre-existing ailments you are considered a healthy body and CAN donate your blood plasma, if willing, for the benefit of patients in a critical condition. With great joy and pride I am able to share that I fit all the necessary criteria to donate plasma and did so today at the Red Cross Ahmedabad," she wrote in the caption of the video. She then focussed on the procedure to donate the plasma, which she said is similar to donating blood.

 

 

 

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So proud of @sumitisingh 👏🏻👏🏻 I urge all survivors to check with their doctors and donate their blood plasma if eligible to help critical patients who are on the road to recovery.🙏🏻 Also a big Thank You Sumiti for spreading awareness #KokiPoochega . . . #Repost @sumitisingh ・・・ I donated my blood plasma today— A person who has recovered from COVID is able to make antibodies against it . Also if you don’t have any pre existing ailments you are considered a healthy body and CAN donate your blood plasma, if willing, for the benefit of patients in a critical condition. With great joy and pride I am able to share that I fit all the necessary criteria to donate plasma and did so today at the Red Cross Ahmedabad. The procedure:- The procedure to donate plasma is the same as when you donate blood. There is one needle that is used to draw blood from your body, and the blood runs through tubes that carry it into a machine. That machine separates the plasma from the blood . The same needle sends back blood to your body while the (yellowish coloured) plasma is collected in a bag. It's all toO cool. This happens through multiple cycles. I was also informed that the body will replenish the plasma in 24 - 48 hours. Dear Positives/Now Negatives... This was my first blood plasma donation experience. My feelings were oscillating between nervousness and excitement . On one part I was unsure about the procedure and how I’d feel thereafter . On the other hand there was a desire to contribute in any way I could in the war against COVID. If it helped anyone , anywhere I was doing it . Expect 2 needle pricks. The first one to check if you have antibodies .The second one to draw blood out and transfer it back in. The procedure lasted 30-40 minutes. Most of this time I was fine, however for 3- 4 minutes I felt nauseous and light headed. My doctors at the Red Cross, immediately helped me with what I was feeling and put me at ease. I have been completely fine, thereafter. SVP hospital is the first in India to get approvals for trials for Plasma Therapy and I wish them all the luck in the world & thank them for taking me through this. If I can do it.... maybe you can too

A post shared by KARTIK AARYAN (@kartikaaryan) onApr 22, 2020 at 4:43am PDT

"There is one needle that is used to draw blood from your body, and the blood runs through tubes that carry it into a machine. That machine separates the plasma from the blood. The same needle sends back blood to your body while the (yellowish coloured) plasma is collected in a bag. It''s all too cool. This happens through multiple cycles. I was also informed that the body will replenish the plasma in 24 - 48 hours, [sic]" she explained.

"Dear Positives/Now Negatives... This was my first blood plasma donation experience. My feelings were oscillating between nervousness and excitement . On one part I was unsure about the procedure and how I''d feel thereafter . On the other hand there was a desire to contribute in any way I could in the war against COVID. If it helped anyone , anywhere I was doing it. Expect 2 needle pricks. The first one to check if you have antibodies .The second one to draw blood out and transfer it back in. The procedure lasted 30-40 minutes. Most of this time I was fine, however for 3- 4 minutes I felt nauseous and light headed. My doctors at the Red Cross, immediately helped me with what I was feeling and put me at ease. I have been completely fine, thereafter. SVP hospital is the first in India to get approvals for trials for Plasma Therapy and I wish them all the luck in the world; thank them for taking me through this. If I can do it.... maybe you can too, [sic]" she wrote.

Kartik had interviewed her on the first episode of his online chat-show Koki Poochega, and lauding her effort he urged all survivors to follow her example.

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Sometimes, things that are done out of humour and harmlessness turn out to be unexpected for Bollywood celebrities. The recent example is Kartik Aaryan, who took to his Instagram account to share a video where he could be seen eating a Roti cooked by his sister. What followed was Aaryan grabbing her ponytail and swinging her around. This didn't go down very well with the netizens.

He was slammed for the video by a lot of people and was also called out for being misogynistic. Even singer Sona Mohapatra slammed him and called it a publicity stunt. And now, seeing the scathing reactions, the actor has taken the video down. Few other videos of him and his sister are still on his Instagram account where they both can be seen having fun. And Sona took to her Twitter account again to appreciate the actor for pulling down the video.

Have a look at her tweet right here:

I think it’s fabulous & worth cheering that @TheAaryanKartik took note & brought down his problematic video. I appreciate his response & I do hope to see him in films that are more responsible in their gender messaging too. Love & regards to you Aaryan. May we all grow & evolve.

— ShutUpSona (@sonamohapatra) April 22, 2020

Also, he has been very active with his initiative called Koki Poochega, where he interacts with the survivors of the Coronavirus pandemic. On the work front, Aaryan will be seen in films like Dostana 2, Bhool Bhulaiyaa 2, and an action-drama with Om Raut in 3D!

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Hum Aapke Hain Koun actor Mohnish Bahl celebrates his 28th wedding anniversary with wifey dearest Aarti Bahl. The actor posted the sweetest anniversary wish for Aarti, wherein he shared a photo of them from their wedding day.

Mohnish Bahl captioned the photo, "No words to express my gratitude for 'always being by my side' You made me understand the meaning of Ardhangini. Love you Janmon Janmon infinite."

 

 

 

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@aarti.bahl No words to express my gratitude for 'always being by my side' ... You made me understand the meaning of Ardhangini. Love you Janmon Janmon infinite ♥️♥️♥️

A post shared by Mohnish Bahl (@mohnish_bahl) onApr 23, 2020 at 12:22pm PDT

How lovely do Mohnish and Aarti look on their wedding day? All decked up in traditional finery, Aarti Bahl looks exquisite, while Mohnish Bahl looks quite dapper, don't you think?

Aarti Bahl, Ekta Sohini before marriage, also shared a memory from their wedding day. She wrote, "You are my superhero. You are my everything. I LOVE YOU. Thank you for being YOU. Happy anniversary."

 

 

 

View this post on Instagram

A post shared by Aarti Bahl (@aarti.bahl) onApr 23, 2020 at 12:38pm PDT

Mohnish and Aarti Bahl's daughter, Pranutan, too, took to social media to wish her parents happy anniversary. She shared a picture of them with their arms around each other.

 

 

 

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sticking by each other’s side. always. happy anniversary 💕

A post shared by Pranutan Bahl (@pranutan) onApr 23, 2020 at 9:41pm PDT

Here's wishing Mohnish and Aarti Bahl the very best on their wedding anniversary!

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One of the most stunning actresses of the 90s, Divya Bharti married filmmaker Sajid Nadiadwala in 1992. The couple got secretly married at Nadiadwala's Versova apartment. Divya Bharti converted to Islam and reportedly also changed her name to Sanah Nadiadwala. Unfortunately, on April 5, 1993, Divya fell off the balcony of the fifth storey apartment.

Sajid Nadiadwala then tied the knot with Warda Khan in 2000 and the couple has two kids together, Sufyan and Subhan. And even after 20 years of marriage, Warda Khan Nadiadwala still gets trolled and compared with Divya Bharti.

In a candid chat with Bollywood Hungama, Warda opened up about the same saying, "I know people keep throwing these questions sometimes. Sometimes they think I am being trolled. Divya is still very much a part of our lives. Her family, her dad, her brother Kunal, they are like our family, they are a part of each celebration."

She added, "So when you guys try to troll me, please know that I am not getting trolled. On her anniversaries and birthdays, we speak to each other. When my children watch her movies, they call her 'Badi Mummy'. So, guys, she is still a very, very beautiful part of our lives."

Wards also spoke about how husband Sajid is still extremely close to Divya Bharti's father and brother. "Sajid is so close, Sajid is like a son to dad, after mumma (Divya's mother) passed. You can't even imagine how close dad and Sajid are. And Kunal and Sajid too. They talk just like brothers would. And I have not tried to replace her ever. I have made my own place. She is a part of my life. Sometimes people say, 'Divya Bharti bahot acchi thi'. Of course, bahot acchi thi yaar. We love her."

Divya Bharti kickstarted her career down south in 1990 with the Telugu film Bobbili Raja. She soon took the Hindi film industry by storm with her performances in Shola Aur Shabnam, Deewana and Balwan.

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Glass containers in which Arora has collected soil from different parts of Aarey. PICS/ABIGAIL D’Souza 

A conversation with artist Vikram Arora throws up a vital piece of insight into the issue of deforestation at Aarey Colony. Arora, along with four artists from Hong Kong and a Serbian national based in Mumbai, is spending a few days living with locals in the city’s jeopardised green cover, and he tells us, “The tribals here have a family that doesn’t include only the people they live with. It includes the trees they planted, the animals and birds that depend on those trees, the leopards around them and so on. So everything is inter-dependent, and the fallout [of deforestation] is ecological in nature, because the birds don’t have those trees any more. And the leopards will confront humans because their habitat has been taken away.”

This is the issue that forms the backbone of a project called Forest Tales: Mysteries Hidden in Concrete. It involves the six people creating individual works of art based on their experience of living in the heart of Aarey Colony, immersing themselves in the local culture by tilling the soil that nurtures the food that their hosts cook for them.

Chim Chi Ho tilling soil

Arora tells us that one of his projects, for instance, requires him to collect 33 types of soil from different parts of Aarey, symbolic of the 33 hectares of land in the area that is lost to the demands of construction work for the disputed Metro project. “I will put these bits of soil into 33 different containers on which I will draw Warli art, a traditional tribal style. The idea is to archive the memory of the soil in case that land is also taken away in the future. I will present the different glass containers as an installation to show how, if we proceed without long-term planning, we will end up building a fragile future for ourselves,” he says.

The other project he has embarked on is called Cut Me a Slice of That. For it, he will bake a pie inspired by savelya, a local sweet dish made with coconut and jaggery, which his host taught him to make. He will then serve that pie cut into different pieces when the various works of art are showcased to the public at an event later this week. “It’s meant to reflect the sentiment of how the land grab is taking place, piece by piece. For example, every time there is an emergency in the city, the NSG commandos are given a space in Aarey. A veterinary college is also given space here if they want it. Now the Metro wants its chunk too for the car shed. So, they keep taking this land away piece by piece, through rampant deforestation,” he explains.

(From left) Michael Leung, Vikram Arora, Gum Cheng, Yip Kai Chun and Chim Chi Ho, the artists living in Aarey. Katarina Rasic is not in the photo

Arora adds, however, that not everyone in the local community is against displacement. A few padas (settlement clusters), he says, are happy because they think they will get a house in a tower, though they eventually might never get to reach this carrot being dangled before them. “They are driven by economic sensibilities, thinking they will be moving into high society when, and if, they get those houses. But the whole idea is not only about them shifting base. Instead, it’s about the trees that are being cut to facilitate that process,” he says, pointing out how unless this urbanisation challenge is managed in a sensitive manner, ecological concerns are bound to be sacrificed at the altar of rampant concretisation.

Vikram Arora

ON May 20 AT Keltipada, Adivasi Pada, Unit no 18, Aarey Milk Colony, Goregaon East.
LOG ON TO artoxygen.org

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The 'late' patriarch 'showman' Raj Kapoor's guru-mantra, 'the show must go on' continues to inspire his three illustrious actor-director sons Randhir, Rishi and Rajiv Kapoor.

On Thursday, at the legendary R K Studios at Chembur, on Ganeshotsav following an elaborate Pujan, the sacred Ganesh aarti was performed by Randhir, Rajiv and 'nonagenarian' actor Vishwa Mehra (popularly called 'Mamaji' who was very close to Raj-saab and his family) late afternoon at 3.30 pm.

The Ganeshotsav at R K Studios assumed extra-sentimental significance this year, because the iconic studio-property has been put up for sale. If the realty deal goes through, this could possibly be their last obeisance within their hallowed studio premises, witness to glorious cinematic history. It was an emotionally overwhelming moment for the Kapoors and the large number of guest-devotees when 'Mamaji', 92, broke down while performing the aarti. Rajiv spontaneously assisted 'Mamaji'.

Rajiv and Randhir Kapoor with guests and staffers at the aarti

The loyalist said, "It was 63 years ago that the first Ganeshotsav was held at RK and I have been with Raj Kapoor-saab even prior to that. The golden era I spent with creative genius Raj-saab, all his buddies and his technical crew flashed in my mind, from the time we shot 'Awara' (1951) in RK studios. Suddenly, I realised that none of those senior talented masters are alive and I was perhaps the odd surviving man out."

Where's Rishi?
Conspicuous by his absence was charismatic Rishi Kapoor, a staunch Ganesh-bhakt. He has his own Ganapati idol at his Pali Hill home. Rishi said, "Unfortunately, owing to some prior commitment, I just could not make it. But the very next day [Friday morning] I went for Ganesh darshan at RK."

Tradition to continue
A sentimental Randhir said, "As long as the studios are there, the ceremony will exist, Whenever we shift to another location and office premises, the annual Ganeshotsav tradition will continue. We share a divine bonding with Lord Ganesha. We were compelled to sell the studios, as we were incurring huge losses. Especially after the devastating fire that broke out at RK, it was just not economically viable to reconstruct it. Film folk were also reluctant to travel all the way to Chembur," he finished.

Also Read: R.K. Studios Sale: Rishi Kapoor Reveals Why They Took The Decision

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Yes, you would have possibly spotted him somewhere. Probably in a movie. Most thi­nk that actor Ash Chand­l­er, who is performing wi­th his outfit Redux this weekend, has taken up mu­sic recently. The tr­uth is he fi­rst came to India (fr­om the US, where he grew up) in 1999 to release a Hindi pop album, and actually started out as stand-up comedian. 

While he paid attention to his acting career, it was when he had an accident four years ago that he felt revived — as did the musician in him. And he formed Ash Chandler Redux with Angelo Colaco (drums), Keith Donald (bass), Rahul Wadhwani (keys), Ulric Sequeira (guitar), Anand Vaity (saxophone, clarinet) and Heather Andrews (vocals).

The gig will include their re­ndition of jazz standards and tango cl­a­ssics in Spanish. "I want to write songs about lo­ve, and the nature of hum­a­ns. My original work hasn't be­en political. But I do be­lieve in spreading the me­ssage that everyone has to start accepting th­e­mselves and not seek va­lidation. It's crucial for pe­ace. Every drop of bl­o­od will result in 10 mo­re drops," he concludes.

ON March 3, 7 pm
AT NCPA,Tata Theatre, Nariman Point 
LOG ON TO bookmyshow.com
Cost Rs 300 onwards

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A woman's spirit is one of ability, perseverance, and courage no matter the situation or circumstance. This women's Day Viviana Mall in association with Nina Foundation is celebrating these abilities and perseverance of differently-abled women. The abilities of Women on wheelchairs.

A stand - up comedy act, a wheelchair acrobatic performance and a fashion show all by women on wheelchairs to celebrate the many abilities these women have that makes them just like us. In addition, there will be a special talk by Virali Modi and Dr. Ketna Mehta on the special occasion of Women's Day.

The event will kickstart a campaign to provide job opportunities and the required skills training to equip them with opportunities for the future by inviting organisations and institutes to make provision for these women!

When: March 7, 2019 at 5.30 pm onwards

Where: Viviana Mall, Thane

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Microsoft

The fast-emerging field of Artificial Intelligence, which has suddenly caught the attention of the IT industry and the governments across the world, is facing a large skills shortage, a top Microsoft official has said.

The Artificial Intelligence (AI) is also facing the challenge of appropriate use of data, group programme manager of Microsoft Learning Matt Winkler told PTI.

"There is a pretty large skills shortage. Lots of folks are talking about it (AI). A lot of folks are very, very excited about it and then they want to go and make that real. And when they go to make that real, there's a really large skills shortage," Winkler said.

That's why it's so exciting to be trying to bring these technologies to more developers because it's going to bring more people into the mix, he said. Winkler said the second challenge is really around data.

"How do you get the data in the right shape? How do you prepare the data? Because all of the AI in the world is based on data, and so what makes it interesting is the data that you have, the data that your business has, that what you understand about your customers. So how do you most effectively use that data to go and produce models," he said.

Then within kind of any individual product project, one of the key challenges is the same thing that the industry has seen with software, which is, if one tries and do too much, the project gets much harder.

"And so we'll often times see failed projects, which are the result of trying to create just the most amazing thing having done nothing," he said.

At the recently concluded developers conference ¿ Build 2018 ¿ Microsoft's CEO Satya Nadella talked about how to make AI accessible for everyone.

"Our guidance to a lot of customers to pick a domain and pick a used case where you have a high, high-quality data and that it is really well understood. Start there, get some wins with that and then start expanding the use cases so far," Winkler said.

Microsoft is partnering with multiple players in both the private and governmental sectors to use AI for public good.

"Absolutely, AI is being used for public good. For instance, it is being used in school districts in order to predict drop-out rates in India.

"We see a ton of healthcare applications: patient re-admission rates is very very popular one. We have seen medical image analysis. We are doing some really interesting work doing diabetes prediction through scans of retinas," Winkler said.
Microsoft is working with the Snow Leopard Trust, a non-profit organisation dedicated to the preservation of the snow leopard and parts of Nepal and India to analyse in real time the presence of snow leopards.

"So it's fundamentally changed the way they do their research," he said, adding that the Microsoft is working with three-four other conservation agencies doing similar things.

"For a lot of the customers, what AI is enabling is not just an incremental... but It's something they fundamentally couldn't do before. So it really does introduce a step change for the things that they want to do in their business," Winkler added.

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Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

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Artworks by Mehmet Guleryuz

"I am a representative, a child, a product, of the 1968 generation. I am a witness and a participant, a reactionary and an activist who was shaped by and responded to the changing social and political climate of my times. I have always seen every aspect of that which surrounds us as political, and I have always felt duty-bound to respond to these things as an artist," says Mehmet Güleryüz about the impact of the political climate of Turkey on his creative process. Evident through the fervent strokes seen in his artworks, the 80-year-old artist, one of the biggest names to emerge from the contemporary art scene of the country, has indeed responded to the many changes that have simmered around him over his 55-year career. The artist speaks about his creative journey as an actor, teacher and an artist, with the opening of his first show in the city, On The Road.

How has theatre affected your style of art?
My talent and gift for painting in parallel to that of my love of the fine arts as a whole forced me to take a leap into my simultaneous passion of theatre. You could say that I learned painting in the theatre. The problems that I had in reaction to the classic way in which the arts were taught forced me to make a choice to leave the field of fine arts studies and pursue an education/career in the performing arts. As a result of studying acting studio methodologies and our "emotion works", it also offered the scope where even though one was bound within the guidelines of the script, there was the opportunity to rediscover a new aspect. This gave me the invaluable opportunity to return to painting with my own methodology and vision, to understand what it was that I needed to do in painting. My very nature was open to improvisation, and to a sort of action painting that was in harmony with this sort of an expression and what I could call the foundation stone of my art.

How would you like to reiterate the importance of drawing to upcoming artists?
The act of drawing is open to everyone. It doesn't differentiate nor does it reject or exclude anyone. Everyone can, essentially, draw. The person who is responsible for that line, who can understand that when s/he draws, s/he only gains the identity of a painter after his or her decision to become a master of it.

Could you tell us about the paintings in this exhibition?
Although this is a selection from a different period of time covering over 40 years, it does not cover all processes. It contains only partial information of a very long journey. But at its core, it is always predominantly weighted in the human condition.

Has your journey to India inspired you in any way so far?
For anyone who cannot directly or intimately connect with it, India could be considered tera-incognita. It could be said to contain the unknown, but that which must definitively be discovered and experienced and learned from. Just imagine what this means for an artist, for someone like me. This is an experience which I am relishing and enjoying very much.

Till: April 24
At: Jehangir Art Gallery, Kala Ghoda
From: April 26 to May 30
At: Jamaat, Colaba
Call: 22820718

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The eight-year-old's name floats about in your head like a fly - not so long ago, buzzing around insouciantly - fallen into a cup of tea gone stale and cold. A child, who would have perhaps stared at you with demurred confusion were you to read the chargesheet for her abduction, rape, and murder to her. "Myean beyni! Emuk matlab kya chu may wann te (My sister! Tell me what does that mean)," she would have asked in Kashmiri. The case sparked widespread national outrage, and social media was taken by storm. However, amid much of the hammering that has taken place after the Kathua rape, a relatively quieter means of dissent surfaced in the form of art on Instagram. Meet its makers.

Orijit Sen,
A veteran artist based in Delhi
"I had been hearing things but I was busy with deadlines so I wasn't aware of all the details until I took a break. When I read about the case and the chargesheet, it made me sick, but then I saw her photograph and it left a deep impact. It haunted me. I added the horse because I read that she had been abducted when she was out herding horses.

It was like her guardian spirit. The wildflowers in her hand signify flowers she may have collected and the meadows around, because I read that playing in the meadows was her favourite thing to do. The shadows on her face are to obscure her identity and in all, I was just trying to capture the vulnerability and innocence of a child her age. I think to me, the image portrays a child of the meadow, returned," he explains.

Abhilash Menon,
visual artist and illustrator from Mumbai
"When the agony gets too much, the voice inside me takes over. The hands of a criminal are always eager to touch flesh, with insane brutality. Such criminals don't shy away from wearing the mask of cast, creed, colour, religion or politics - as depicted by the five fingers in the image - but when the masks come off, they are all the same.

The five fingers here are in the shape of the male genitalia, establishing the mindset of such criminals - decadent and unbeknownst to human values and pain. Irrespective of their background, they should be delivered the harshest common punishment, so that others abhor an act such as this. Punish these delinquents and bring peace to the soul of that little girl."

Sourabh Basu,
Student and Kolkata-based graphic designer
"My illustration focuses on the multiple thoughts running through her head in the moments before her death. She might have cried, struggled in pain, the pitch of her voice might have been unbearable. She might have cried out for her mother, hence the text 'Ma'.

But it also depicts that she was in a temple, a goddesse's shrine, which to most of us is also an abode of the mother. In those last minutes, she must have been filled with hatred toward the world and its cruelty."

Satish Acharya,
Well-known Kundapur-based cartoonist
"I couldn't believe that people could be so cruel to an eight-year-old. Her thoughts started haunting me. I was saddened to see that some people were shamelessly defending the rapists. I did a series of three cartoons. The first one was about how the little girl is receiving so much love from us, but what she deserves more is justice.

The next two panels are about how nothing has changed since the brutal Delhi gang rape. In spite of a revised law named after the victim, rapes continue to be used as a tool to scare and hurt women, to settle political scores, to impose age-old gender biases and caste hierarchy. What was also worrying was how divided the country was unlike in the case of Nirbhaya which was protested in one voice."

Saira Khan,
Toronto-based Health Studies and Psychology student
"This artwork is not only dedicated to the eight-year-old, but to every child who has been a victim of rape and physical and psychological harm. The news of the Kathua rape reminded me of Zainab, a six-year-old Pakistani girl who was raped and murdered in January.

The illustration is that of a faceless and nameless girl and the hashtag #Justicefor, has been left incomplete to depict that in a society where rape and violence against women is ingrained, one name can soon be replaced with another. The shards represent brutality and crimes against women and children. The use of red paint is to depict the urgency of the message," she explains.

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Palash Kothari. Pic Courtesy/Fahama Sawant

It's a hot, toasty afternoon in Mumbai. We can see bits of the pumpkin-coloured sky through the window blinds. The phone rings once, twice. On the other end is 21-year-old Palash Kothari aka Sparkle and Fade. "I really don't know what to expect," Kothari admits, speaking about his upcoming gig with Bengaluru-based producer-drummer duo Nikhil Narendra and Shreyas Dipali.

The Fringe is a new gig series to be launched in the city, which will feature artistes who create hybrid music. "Hybrid is very open. It can be analogue or digital, classical or jazz, acoustic or electronic, basically the coming together of conventional and non-conventional methods," explains Sainath Bhagwat, programmer at Mixtape, a Mumbai-based artist and event management company.

Nikhil Narendra + Shreyas Dipali. Pic courtesy/Mayuresh Vartak

"In the current scenario, there's a bulk of electronic and live music being made, which cannot be performed/consumed in a traditional club space. The idea for this night was born out of a collective desire to create a platform to showcase these artists in the right environment," Sainath adds.

Unsure of what to call Kothari's music, we dawdle between electronic and bedroom producer (a term used for musicians making and producing experimental music in their bedrooms) hoping to understand the use of Hindustani classical samples in his older EPs. "I am not sure what to call my music either. I began playing the synth when I was three and then, I trained in Hindustani classical. That was my first step into music, so the influence comes from wanting to put a little bit of me as a child into the music I make now," he elaborates.

"I was listening to pop and EDM in high school. Swedish House Mafia's concert in India inspired me to finally put my music out. Then I got bored, because it wasn't satisfying. So, I started making music that I felt right about. I mellowed down a little as a person and I guess that comes through in the sound, which is more solitary now," he says.

For Kothari, while the influences are aplenty, not mimicking takes conscious effort. "I am working on something now. So, I am going to stop listening to other music because it's difficult not to emulate them. I don't see any point in making music that already exists. In effect, this will probably also be my last gig before my new stuff is out," he signs off.

ON: May 10, 9 pm onwards
AT: The Quarter, Royal Opera House, Girgaum.
LOG ON: TO insider.in
CALL: 8329110638
COST: Rs 499

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With the lockdown prompting students and parents in uncertainty, schools in Mumbai have been acting on requests received from parents on rolling back fees and refunding miscellaneous fares.

According to a report in The Times of India, city schools have been rolling back fees for bus and canteen as children are attending classes online and not availing the services.

Parents have been requesting for financial relief from the school as they have been facing pressure in terms of their jobs and businesses due to the lockdown imposed by the government due to the Coronavirus outbreak. A parent was quoted by the newspaper as saying that the requests for carrying forward a portion of tuition fees and/or additional variable costs to the next term were also made, to which schools replied that they are looking for ways to address the concerns in the best possible way.

The Dhirubhai Ambani International School in Bandra Kurla Complex issued a notice to students and parents that states, "During this time, as we offer virtual classes, your child is not availing the school transport service and the canteen snack facility. Taking this into account, the school has decided to refund the charges paid toward these services for the current quarter of 2020."

Addressing the concerns by parents, the management of the Children’s Academy Group of Schools said that they have decided to roll back on the fee hike. The school’s trustee Rohan Bhatt was quoted by the newspaper saying that "We understand that the parents also might be going through a difficult period financially and, hence, have decided to roll back the fee hike for at least six months," adding that they are also allowing parents to pay the fees at their own pace. However, the trustee also mentioned that if the situation persists, the school may face trouble in paying the salaries of teachers and staff.

On the other hand, some parents said that they are willing to pay the schools until they can afford to and as long as children are getting their education from online classes. Lauding the efforts by the teachers, a parent was quoted by the newspaper as saying, "The efforts the teachers and school are putting into teaching the kids is phenomenal. My child is learning everything from football to keyboard through online classes. So as long as we can, we would be willing to support the school."

Meanwhile, on the circular issued by the Maharashtra state education board, asking schools to be considerate while demanding fees for the ongoing and the next academic year, state education minister Varsha Gaikwad said on Friday that the parents can lodge a complain to the district education officers if schools are forcing them to pay during the lockdown period.

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All looked well-organised for the 1,111 passengers of the Lokmanya Tilak Terminus (Kurla)-Basti, Uttar Pradesh train that departed on Friday evening. However, chaos erupted amid delays as migrants were hurriedly packed like sardines into buses and transported to LTT, with social distancing forgotten.

The train transporting migrants from Meghwadi and Jogeshwari was the first to leave from the city. Sources said that of the originally 40 buses planned, just a few seemed to be pressed into service.

According to eyewitnesses, in the beginning, every bus had only 30 passengers and eight such buses arrived at LTT. But the process became tedious with just a handful of buses, which then had to make multiple trips to Jogeshwari.

The buses that came after 3:30 pm did not follow social distancing, with some people standing and some sitting on the footboard.

"We woke up at 5 am and were waiting with our kids and luggage. We expected to be taken to CSMT. But at the last minute, after the medical check-ups, we were packed into buses and brought to LTT. The confusion and chaos drained us, but finally, here we are on the train, going back home," a happy Dinesh Jaiswal, group leader of 13 people from Sonwara village said.

"We had filled forms five to six days ago at the local police station and were told last night that we would be taken to CSMT," said Shakil Ahmed, a tailor and painter, and group leader of 27 people from Gonda village.

Another resident, Manish Yadav, said that at the village they will at least stay with their family and struggle along with other villagers. "Mumbai is where we came to earn, but our roots are in the village. We stay well in the village where needs are minimal. With no sight of when the lockdown will lift, we cannot afford to stay in Mumbai at the mercy of free food," Yadav added.

"After they were brought to the railway station, group leaders were given tickets, which cost about R685 per head and then they were lined up and sent to respective coaches. Only two persons were allowed to sit in one bay. The train will reach Basti district on May 9," a railway official said.

Speaking on the last-minute chaos caused due to the change from CSMT to Kurla, Central Railway's chief spokesperson Shivaji Sutar said special trains are being run only on request of state governments. "We run trains if sending and receiving states agree. As per their request, we kept a train ready at LTT Kurla station," he said.

While nodal officer in-charge of the operation Dinesh Desai did not respond to calls, another official said that it would have been difficult to monitor every stage of the operation and these passengers all had a medical check up before embarking on the bus journey, so it was safe for them to be around each other.

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Bollywood stars may have rallied behind daily-wage workers during the lockdown, but Pravin Rana, a vertically-challenged artiste, admits he had little hope of them coming to his aid. After all, for far too long, his community has been relegated to the fringes of the industry. However, he was in for a surprise — earlier this week, Salman Khan extended financial support to members of the All India Special Artistes Association (AISAA), a wing of the Federation of Western India Cine Employees (FWICE).

"Nobody cares much for us, but Salman bhai stood by us during these trying times. We were surprised when we learnt that Rs 3,000 had been deposited into our accounts on Tuesday. No other actor has come forward to help us," says Rana, who worked alongside the superstar in Bharat (2019). "During the shoot too, he asked us to reach out to him when in need," he adds.

Shameem Ahmed, a member of AISAA who also featured as one of the circus artistes in Bharat, adds that Khan has promised help in the coming months. "We don't get work on a daily basis. We are grateful to FWICE and Salman Khan for helping us with ration and financial help amid the lockdown. We have been told he will make a deposit next month, too."

BN Tiwari, president, FWICE, informs that about 90 vertically challenged actors come under the purview of the association. "Almost 45 of them have received Salman's donation, the rest will get it in a few days," he says.

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With less than a few hours to go for the telecast of the much anticipated 'India's biggest' virtual concert, Bollywood superstar Shah Rukh Khan on Sunday expressed his happiness to participate in the event -- 'I For India.'

The 54-year-old star took to Twitter and wrote: "Happy to participate in #IForIndia... a concert to raise funds for those affected by Covid-19."

Happy to participate in #IForIndia... a concert to raise funds for those affected by Covid-19.
Sunday, 3rd May, 7:30 PM IST.
Concert dekhiye aur yaad rakhiye... Sab Sahi Ho Jayega.

Watch it LIVE here: https://t.co/OYQnGdXB19 pic.twitter.com/9d9WsnZIij

— Shah Rukh Khan (@iamsrk) May 3, 2020

"Sunday, 3rd May, 7:30 PM IST. Concert dekhiye aur yaad rakhiye... Sab Sahi Ho Jayega," his tweet read.

Many stars participating in the event have taken up to social media this morning to show their support and to invite their followers to tune in to the concert.

The event dubbed as the 'India's biggest concert' by ace filmmaker Karan Johar, is an attempt to spice the lockdown with a dose of entertainment while raising funds for COVID-19 relief.

The director and Zoya Akhtar have joined hands to organise a virtual concert 'I For India' which will feature over 85 celebrities.

Other celebrities joining SRK for the event will include, Kareena Kapoor Khan, Alia Bhatt, AR Rehman, Kareena Kapoor Khan, Arijit Singh, Anushka Sharma, Hrithik Roshan, Farhan Akhtar and band, Javed Akhtar, Madhuri Dixit, Vicky Kaushal and more.

The event will also have some global celebrities like musicians Joe Jonas, Kevin Jonas, Bryan Adams, Nick Jonas, actor Sophie Turner, and comedians Mindy Kaling and Lilly Singh.

The virtual concert will stream live on Facebook on May 3 at 7.30 PM IST.

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Despite the sealed borders keeping him from returning home to India, Sonu Nigam has been neck-deep in work, supporting causes for daily-wagers, and raising awareness for relief funds for the country. It's been a month since Nigam, who is currently holed up in Dubai, began the cumbersome task of breathing life into a passion-project, the brainchild of his industry associate Srinivas. Along with Indian Singers Rights Association CEO Sanjay Tandon, the duo reached out to 100 artistes from across India for the creation of the 14-language track, One nation one voice, which is set to be unveiled by Lata Mangeshkar.

"We had been struggling to find a Sindhi [singer], and that's when we reached out to Ghanshyam Vaswani. Though disconnected from mainstream [music], he has been a ghazal singer for decades. My mother was proficient in Sindhi. So Ghanshyamji and I collaborated for those portions. Similarly, Papon [worked on] the Assamese [verses], Bhajan Soporiji and Kailash Kher did the Kashmiri track, Mame Khan crafted Rajasthani [verses] and Krishna [Beura], the Odia portions," Nigam tells mid-day of the song that also includes lines in Bengali, Marathi, Malayalam, and Tamil.

The coalescing of an assortment of home-bound artistes for a single track becomes simpler when employing a digitally transferable background score that they can individually lay their vocals on. But Nigam was creating an acapella piece, which didn't have instruments to play second fiddle in supporting his endeavour.

"We sent two songs to all the singers. One [included] the base track that had been created by [a select few], and included sounds, layers and harmonies. No instruments were used to create this, and it was upon this piece that the singers [recorded their vocals]. We also gave them a reference piece of how we wanted the song to sound, but offered an empty space [for them to experiment]." Those singers who do not have a home-studio had to let the acapella piece play in the background as they recorded their vocals over it, he informs.

There's a peculiar cheer in his voice when he talks of Asha Bhosle's involvement in this number. "With her being by our side, this project has become invaluable. At 86, she has opened this song like a boss. You find yourself wondering how someone at that age can sing so beautifully. I was reduced to tears on hearing her 30-second performance."

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Star couple Aishwarya Rai Bachchan and Abhishek Bachchan's daughter Aaradhya Bachchan paid an artistic tribute to all the frontline workers who are combating COVID-19. Both Aishwarya and Abhishek took to Instagram to share a picture of the doodle by their little in-house artist.

The doodle featured two hands joined with 'Thank You' and 'Dhanyawaad' written on them while sketches of frontline workers like healthcare workers, teachers, media professionals, police officials, army personnel, and sanitisation workers are seen surrounding the thanking hands. The lower portion of the sketch featured Aaradhya standing and holding the hands of her parents who are both seen standing on her either side.

The 8-year-old also sketched the necessary precautionary measures against COVID-19 like the use of hand sanitiser, mask, and soap in her tribute to frontline workers. The sketch ended with the message of 'stay home, stay safe.'

And it's lovely! Check it out:

 

 

 

View this post on Instagram

✨❤ï¸ÂðŸŒŸðŸ‡®ðŸ‡³ðŸŒðŸŒ¸ðŸ¥°my darling Aaradhya’s Gratitude and Love ❤ï¸Ââœ¨ðŸ™

A post shared by AishwaryaRaiBachchan (@aishwaryaraibachchan_arb) onMay 3, 2020 at 11:39am PDT

The entire Bachchan family along with megastar Amitabh Bachchan and his actor wife Jaya Bachchan are currently staying at home like many other Bollywood celebrities.

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Neha Kakkar has been on a roll ever since she began her career in Bollywood. Right from Cocktail that came out in 2012, people knew she had it in her to establish her foothold in the industry that's otherwise driven by unpredictability. It has been eight years and she only continues to climb higher.

It's only because of the sheer hard work that she seems to have created a history of sorts recently. Do you she has become the second-most viewed female artist on YouTube, leaving Selena Gomez and Becky G way behind? The singer took to her Instagram account to announce and share this great news with all her fans.

Have a look right here:

 

 

 

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Can't be more thankful!!!! ♥️🙌🏼🥺 Jai Mata Di 🙏🏼 Aapki Nehu 🥰 #NehaKakkar . @youtube @youtubeindia

A post shared by Neha Kakkar (@nehakakkar) onMay 6, 2020 at 8:40pm PDT

One of the other strong reasons for her massive popularity is her stint as the Indian Idol judge, another very well-known and massively successful singing reality show. She also knows how to keep her fans and followers entertained with her unique Instagram posts. Let's see what's next in store for this singer!

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Actor Kartik Aaryan said playing two characters in one movie would seem scary, but if the transition from Veer to Raghu in "Love Aaj Kal" was smooth he credits the film's director Imtiaz Ali for it. The actor feels Ali brings out great performances from actors in his movies.

Kartik took to Instagram and shared a still from "Love Aaj Kal", and also a picture of himself along with Ali. Alongside the image he wrote: "When you first dream of being in films, you act in front of the mirror and nail it every time, and the world of movies seems magical.?Then you get a movie. You see the camera and are unnerved. It's bigger than the suitcase you brought to Mumbai. The bright lights seem to be scolding you for not landing on a one inch tape mark and wasting everyones time."

"The first few years become about trying not to look nervous.?Then you get an Imtiaz Ali movie. The moment he narrates the story, you are pulled into a dream. I don't even remember seeing the camera on his set, he‘d always be standing wherever I looked after cut. He was never at the monitor, he was by my side. The lights on Imtiaz Ali's set help you find those tape marks," he added.

Kartik claimed he never experienced the kind of love and appreciation he got for his performance in "Love Aaj Kal". "And that too from some of my favourite filmmakers and people I most respect in the industry. How ironic that the making of this film felt most effortless. It would scare me to think of doing two characters in one movie. And here, I didn't even realise how smoothly I was being transitioned between #Veer and #Raghu," he wrote.

"For an actor, there is no better environment than being In front of that mirror. Imtiaz Ali takes you there. This is the reason why so many great actors' greatest performances have been in Imtiaz Ali films," Kartik added.

The actor then praised Ali and called him a "magician". "Imtiaz Ali director nahi hain, jadugar hain (Imtiaz Ali is not a director but a magician)! Thank you sir for giving me the best performance of my career yet. @imtiazaliofficial #LoveAajKal."

"Love Aaj Kal" co-starring Sara Ali Khan released on Valentine's Day this year. It traced love stories of two different eras -- the first is set in the late 1980s-early nineties, and unfolds between Raghu and Leena. The other love story, set in the present time, happens between Veer and Zoe.

The film is a retelling of Ali's own film of 2009 that starred Deepika Padukone and Saif Ali Khan, and was a hit. "Love Aaj Kal" 2020 fared below expectation at the box-office and was also critically panned.

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Bigg Boss 13 contestant Arti Singh urges people to practice yoga during these times of COVID-19 stress. The quarantine has given a chance to people to do the things that they didn't otherwise get time for, owing to their busy work schedules.

Apart from doing daily household chores, cooking and catching up on films and web-series, Arti has also been practicing yoga. "I used to practice yoga daily when I was in Lucknow but I lost touch in between. Now that we are all home and have time in our hands, I have got back to doing it daily. Usually, I try to do it as soon as I wake up or in the evenings, depending upon how I am feeling that day," she said.

"Yoga has positively affected me as it helps calm down my mind. I encourage everyone to do a short session of yoga every day, as these are testing times we are all facing. Yoga will essentially keep you calm and patient," she added.

 

 

 

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Hey Abbie..(abs ) Finally now I can see you little little... you are surely on the way and coming very very soon! Till then for everyone here’s the first photo which was taken on the 15th of march and the other one was today..! I just want to say that I know it's not the best but slowly and steadily I will get there soon. I have shed 5 kgs from the 15th of march till now. Aur aisa nahi hai ki koi pathhar tode! I am into 50 minutes of yoga and 40 minutes of brisk walking every alternate day. And definitely the biggest fight between all the exercises has been the late night cravings. Every night I feel like hogging maybe because of the boredom and also the stressful situation right now. And as you all might know, I am an emotional eater and that's why I had put on 8 kgs inside the big boss house. Like everyone one I also have #CheatDay and you all won’t believe that on my birthday I ate so much, including chinese food that I was craving for. I dont kill myself by not eating what I want, so I do hog once a week. I actually salute people who are consistent with their diet! I wish I was like that but nevertheless I'm still getting there slowly. Thoda jyada time lagega... maybe one month more then all the people who are disciplined, but well that's me and that’s fine. This is the time where you can actually try to improve yourself physically and mentally as well as also emotionally! Because zindagi ki daud se thoda aaram milega kuch logon ko isse!#MyFitnessStory

A post shared by Arti Singh (@artisingh5) onApr 12, 2020 at 5:26am PDT

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Indian cinema lost two icons, one week ago. On April 29, actor Irrfan Khan passed away after his prolonged battle with neuroendocrine tumour. Veteran actor Rishi Kapoor breathed his last on April 30 after two years of battle with leukemia. Tributes have been pouring in for the two actors who have made immense contribution to the cinema.

In the memory of two stars, Colors TV will be paying tribute to them with an event called Dard-e-Dil: A Tribute to the Legends. The virtual event will witness artists’ from films and TV who will celebrate the achievements of the actors and send in their pre-recorded videos. This will also be followed by some musical performances.

The line-up includes Maniesh Paul serving as the host of the event, comedian Bharti Singh, singers Sukhwinder Singh, Aditya Narayan, Abu Malik, and TV actors and former Bigg Boss contestants Hina Khan and Devoleena Bhattacharjee. Arjun Bijlani will be crooning ‘Om Shanti Om’ from Karz whereas Aditya Narayan is set to perform ‘Suit Suit Karda’ from Hindi Medium. Hina Khan has already recorded ‘Teri Umeed Tera Intezaar’ from Deewana.

The event is set to be aired this weekend!

ALSO READ: Irrfan Khan could have been part of Anand Gandhi’s pandemic movie Emergence

Some financial activities will start in Maharashtra from Monday onwards, said Chief Minister Uddhav Thackeray on Sunday. "Tomorrow onwards we are starting some financial activities. If we don't run our economy now, we will be in a financial crisis after we come out of the corona crisis. We are starting some business activities in a limited way. Fortunately, several of our districts have zero positive cases," said the Chief Minister during a press conference.

We're in talks with the centre. I'm confident that a solution will come out in the coming days. Don't worry. We're gradually starting work in Maharashtra. If it's possible you can come back to work,you'll continue with your livelihood: Maharashtra CM to migrant labourers in state pic.twitter.com/IMElkKXnQm

— ANI (@ANI) April 19, 2020

Appealing to migrant labourers in the state, the Chief Minister said: "We are in talks with the Centre. I am confident that a solution will come out in the coming days. Don't worry. We are gradually starting work in Maharashtra. If it is possible you can come back to work, you will continue with your livelihood."

"I give you my word that Maharashtra government will take you to your homes the day this crisis ends. I believe that when you go back to your homes, you should go back happily and not out of fear," the Chief Minister assured the migrant labourers.

He informed that over 66,000 tests have been conducted in the state so far. "95 per cent of these are negative. Around 3600 are positive, 300-350 of these have recovered and have been discharged. 75 per cent are either mildly symptomatic or asymptomatic. 52 patients are serious. We are looking at saving their lives," said Thackeray.

The total number of positive coronavirus cases across the country is 15,712, including 12,974 active cases. So far, 2,230 patients have either been cured or discharged while 507 deaths have been recorded in the country, as per data provided by the Union Ministry of Health.

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"A telephonic survey on COVID-19 is being undertaken where you shall receive calls on your mobile from 1921 number. Please participate in this survey with your information," the Union Ministry of Health and Family Welfare tweeted.

#IndiaFightsCorona

Please call the 24x7 toll free National Helpline number 1075 for support, guidance and response to health related queries on #COVID19. States' helpline nos. are available below ⬇️#StayAtHomeSaveLives

Via @MoHFW_INDIA pic.twitter.com/ruMHz8Ww3J

— #IndiaFightsCorona (@COVIDNewsByMIB) April 22, 2020

The survey is to be carried out by the National Informatics Centre (NIC) and calls will be coming on mobile phones from the number 1921. "The citizens will get a call on their mobile phones by NIC by the number 1921. Participate in good measure to enable proper feedback of prevalence and distribution of COVID-19 symptoms," read a photo attached in the tweet.

The government has asked people to be aware of any other calls by pranksters or calls from any other numbers in the guise of such a similar survey.

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Playing game of cards and hosting parties to kill time during the nationwide lockdown, two truck driver in Andhra Pradesh's Vijayawada city spread coronavirus to as many as 38 persons, officials said on Sunday.

One of them infected 24 people while organising a game of cards at his house and inviting his neighbours and friends to join in. According to officials, he had gone to Kolkata in West Bengal to ferry some goods and returned to the city on April 4 via Odisha.

Feeling bored, the driver invited neighbours and friends for a game of cards while his wife invited womenfolk from nearby houses.

When the truck driver tested positive, officials questioned him and came to know about his activities since his return hoe. Those who came in contact with him were screened and most found infected.

Another driver spread the virus to 14 people. Investigations revealed that he had gone to Dubai and returned via Sri Lanka and Chennai last month. Without observing home quarantine, he attended parties and thus spread of virus.

Vijayawada is a hotspot in the state and it accounts for more than 100 of the 177 positive cases reported so far in Krishna district.

District collector Imtiyaz Ahmed said unless people cooperate in checking the spread of coronavirus, government efforts alone can't yield the desired results.

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