If you would like to take part in a project about love and loss, we’d like to hear from you

After losing his father and younger sister in recent years, photographer Simon Bray has an appreciation of what it feels like to lose someone close to you, and through his photography project Loved&Lost, he offers the opportunity to acknowledge and celebrate those who are no longer with us.

If you have lost someone through coronavirus and would like to take part, we’d like to hear from you.

The German Society for Nature Photography (GDT) has announced its Nature Photographer of the Year 2020. 

This year, for the first time in the GDT's history, voting was carried out online, due to the pandemic. 

Ready for your weekly dose of amazing animal photos?

These are sure worth your time.

Here's a link to our previous list, in case you missed it.

In days when face-to-face interaction is so 2019 and millions of people all over the world are zooming in with other people, it is only natural that the people on the internet will find a way to get the cats involved too. 

So, they created a fake screenshot of a zoom call by taking a pic of a cat in a steamy position, put it in a video call frame, and adding a photo of another cat shocked by it. 

And the result? Simply brilliant. And hilarious. 

The post Shot in the arm. appeared first on Indexed.

Almost 14 years ago to the day, Reese Butler, the founder of HopeLine, asked me if I thought the PostSecret community could raise enough money to prevent the nation’s suicide prevention hotline from closing. The crisis-line needed over $25,000 to continue its mission. I posted a plea on this website and one week later over […]

This week is a bit scattered, but it’s SCATTERED AWESOME, so who are we to complain? We’ve got some great book deals, delightful new art, and some behind-the-scenes photos for the making of the trailer! April Fool’s Redux Last week’s prank of a re-release of the Peace Talks trailer with “improved” visual effects was ridiculously [...]

via http://www.flickr.com/photos/taffeta/2463140032/

via http://www.flickr.com/photos/sixbyten/3026779821/sizes/l/

via http://www.flickr.com/photos/mr_carl/2342040541/in/set-72157604144345854/

Global warming has already made parts of the world – including cities in Pakistan and the United Arab Emirates – hotter than the human body can withstand

Currently making the rounds: I was suspicious, though. It’s too good to be true. So I snooped about, and found the original on the ADL website. OK, now, really — who thought they needed to edit the original sign to make it less evil and more obviously stupid? That was a waste of effort. Just […]

Photographers who work for Unicef have taken candid shots of their children's lives during lockdown.

Indian shuttlers Ashwini Ponnappa and N Sikki Reddy have finally got some time to pause and reflect due to the COVID-19 pandemic and they are making the most of it by creating a database to analyse their past performances while waiting for another shot at Olympic qualification. The coronavirus outbreak has left over 1.2 lakh people dead and infected nearly 2 million globally, and brought all sports activities, including badminton, to a halt after countries imposed lockdowns. Ashwini and Sikki are doubles specialists and endured an underwhelming season last year. The time at hand has given them a chace to analyse the past performances.

"We don't have any one to sit and do analysis for us, so now that we have time, I'm doing some analysis of our performance. I am jotting down points, about areas where I can improve. I started with my matches and then other players on tour," Ashwini, who represented India at the London and Rio Olympic Games, told PTI. "You can always watch and analyse and understand the patterns but it is different when you see things on paper. It is more concrete. So trying to set up a complete database. My brother will help me out. He made an app for me in the past." Ashwini and Sikki fell at the first hurdle 13 times in 20 tournaments last year, and exited from the second round thrice.

Ashwini also picked up a calf injury during the Syed Modi International but the duo was still confident of qualifying by performing well in the remaining Olympic qualifiers. But with Badminton World Federation (BWF) cancelling all tournaments due to the coronavirus pandemic, their fate remains uncertain. "The problem is we don't know the new BWF rules regarding the qualification. There is one year left now, you can't take a two year old performance to select for Olympics, it has to be present performance, so we have to wait," said Sikki. "In badminton, there is a ranking cut off, so how will they accommodate the cancelled qualifiers, how will they count the ranking points, everything is too messed up now," she added. Sikki and Ashwini had reached the finals at Hyderabad Open Super 100 and Maldives International Challenge, last year.

The Indian pair is ranked 28th and will need to be inside top 16 on April 29, 2021 -- the new Olympic cut off date. Ashwini said: "Me and Sikki were confident of doing well in the 4-5 tournaments left but now no one knows what would be the criteria of Olympic qualification and BWF can't really say anything with things changing every moment." They are using the coronavirus-forced break to learn cooking, besides doing some wall practice and exercises for physical fitness. Talking about the effects of the lockdown on mental health, Sikki said: "We have been travelling a lot all these years and now for a month, we are at home, it is fine. But what if it is for 2-3 months, then it will get tough to stay away from the game.

"So it is important to stay motivated for once the lockdown is lifted because you will in a comfortable zone in the break and then all of a sudden you will need to push yourself." Ashwini added: "...now that Olympics have been postponed, nothing is certain and it is tough, you have to be really strong." The economic fallout of the coronavirus outbreak has hit sports hard and Ashwini said badminton too will be affected. "It will hit in terms of sponsors, in terms of tournaments being conducted because countries need sponsors to host events, and after this, I'm not sure what the economic status of many countries would be. "The way things are, it is will be tough to host tournaments, it will not be easy for countries to have tournaments with many big companies shut and struggling to survive," she signed off.

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New study finds a growing number of places with intolerable conditions

The reticent Sunny Deol could not resist sharing a picture from the family album like most of his colleagues, who are keeping fans entertained by uploading throwback photographs. He posted a snapshot from his younger days with father Dharmendra.

The actor wrote, "Flashback... dad, my sister and me (sic)." He is seen indulging in a pillow fight and trying to beat the two 'into pulp'.

 

 

 

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Flashback Dad my sister and me #life

A post shared by Sunny Deol (@iamsunnydeol) onApr 22, 2020 at 11:53pm PDT

Netizens found the picture amusing. They wondered if his trademark 'dhai kilo ka haath' was in action even during his childhood days. But looking at his scrawny frame, one user quipped, "Uss time haath 50 gm ka tha aur aab dhai kilo ka (sic)." Sunny paaji could only laugh out loud.

On the work front, Sunny Deol has given his nod to a thriller, which will be helmed by South director Hanu Raghavapudi. "It's not a remake of any South film. It's an interesting subject, loaded with action and suspense. The character is different from what I have done till date. Though it's too early to say anything about my role, it requires me to put in some extra efforts," Deol told mid-day.

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The pandemic has truly bought the world to a standstill and staying at home is the need of the hour. However, some people are still working outside the comfort of their homes in order to fight against Covid-19. Sanya Malhotra expresses her gratitude towards them.

Sanya shares, "All those frontline workers, doctors, nurses and essential service professionals who are putting their lives at stake for us, I salute your efforts and determination towards the citizen and the nation."

Adding a social message for one and all Sanya further adds, "This only goes on to bring us a message that we must cooperate with all these workers and stay at home, until this pandemic is eradicated".

During these tough times, we need to work as one and fight together to eradicate the problem from its roots. This is the time where the the quote "United we stand, divided we fall" fits the situation and we must be one. Sanya Malhotra is putting out a strong message and using her influence in a positive manner.

On the work front, Sanya has a stellar line ups of projects being 'Shakuntala Devi' where the actress will be playing Anupama Banerjee while sharing the screen with Vidya Balan, Guneet Monga's Pagglait and Anurag Basu's Ludo.

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Actress Sobhita Dhulipala, who has been accused of making false claims of 'self-timing' a magazine photoshoot, has issued a statement in self-defence.

A few days ago, Sobhita had posted a few of her pictures claiming she had clicked the images with a self-timer. However, the authenticity of her claim came under scrutiny after snapshots, showing Sobhita being clicked on her terrace by a man, went viral on social media. Seeing the viral images, many followers started questioning her and accused her of lying.

 

 

 

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A post shared by Sobhita Dhulipala (@sobhitad) onApr 24, 2020 at 9:42am PDT

Sobhita then penned a lengthy note, explaining that the man had just offered to help. "Quite a few people have written to me about the image I last posted. It is upsetting and I am little taken aback by how urgently many have jumped to unkind conclusions, this is also a moment for me to learn something deeper," she wrote.

She added: "I stand by the flow of events I'm sharing with complete transparency:

1. I style myself, go to the terrace with a coffee mug and a couple of tools to prop up my phone to take pictures.

2. There are people on the terrace and one kind gentleman upon learning that I'm trying to shoot my pictures, offers help.

3. After he graciously shoots a few pictures in the frame I wanted, I thank him and we depart.

Neither was the picture shot by him used by Cosmopolitan (It doesn't belong with the magazine's mandate) nor am I anything but proud of this wonderful collaboration with the magazine.

I only posted it along with the official ones because I like it. I recognise that I should have altered the caption text to mention that the second image was not part of the magazine shoot. I wish I had a more exciting, dramatic story but alas, truth often wears plain robes! Stay home and stay safe," concluded the model-turned-actress, best known for her roles in the web shows "Made In Heaven" and "Bard Of Blood".

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Actor Randeep Hooda on Saturday shared a glimpse from his Hollywood debut in the upcoming Netflix film 'Extraction' with a safety slogan 'Don't step out' amid lockdown to curb the spread of coronavirus.

The 43-year-old actor took to Instagram and shared a glimpse from the film where Hooda is seen in commando mode to save a boy while holding a gun in his hand. The 'Highway' actor is seen dressed in black commando dress while he runs for safeguarding a boy.

 

 

 

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Only if this boy hadn’t stepped out! Don’t step out or.... . #Extraction #Lockdown @Netflix_in @netflix @netflixfilm @thesamhargrave @therussobrothers @agbofilms @chrishemsworth @rudhrakshjaiswal1

A post shared by Randeep Hooda (@randeephooda) onApr 25, 2020 at 2:27am PDT

The 'Sarabjit' star captioned the post as, "Only if this boy hadn't stepped out! Don't step out or... #Extraction #Lockdown."

Earlier this week, Hooda shared a video from the movie's shooting in India and announced its streaming date as April 24.'Extraction also stars Australian actor Chris Hemsworth and some of the parts have also been filmed in India. In the video, the production staff of 'Extraction,' along with Randeep and Hemsworth are seen talking about India and how different the feeling was to shoot in the country.

 

 

 

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India isn't just about heat, but a lot of warmth too.. here's a glimpse into shooting #Extraction in India Streaming on Netflix from 24th April @Netflix_in @netflix @thesamhargrave @therussobrothers @agbofilms @chrishemsworth @tsigel @ptnewall @leecleary1 @outthayr @danielstevens1 @artoflegitsu @rostacosta @rudhrakshjaiswal1 @dkharbour @golfarahani @priyanshupainyuli @battlecat_stunts_inc @dargan_fire @danlawsonjohnston @matteo__silvi @luca_vannella @tessjosephcasting @indochinaproductions @luca_vannella @tessjoseph19 #joewhelan #tomharrison

A post shared by Randeep Hooda (@randeephooda) onApr 20, 2020 at 11:40pm PDT

The Netflix film also marks the 'Kick' actor's Hollywood debut.

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Embarking on a promotional spree, Sanya Malhotra had a fun interaction with real-life photographers clicking pictures against Gateway of India as well as with the photographers. Sharing her picture from the visit Sanya Malhotra says,

"Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega."

 

 

 

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Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega. . . Smile please!📸 #photograph #gatewayofindia @photographamzn #9daystogo

A post shared by Sanya Malhotra💥 (@sanyamalhotra_) onMar 6, 2019 at 12:39am PST

The film brings to the screen the story of a photographer at Gateway of India who convinces a stranger to act as his love interest to help his ailing grandmother. Nawazuddin Siddiqui will essay the role of the photographer, while Sanya Malhotra plays his muse.

Earlier, Sanya Malhotra who had a working birthday took out time and celebrated the special occasion with the paparazzi. Recently, National Award-winning filmmaker Ritesh Batra hosted a special screening of Photograph for film students prior to its theatrical release. Post the screening, the director interacted with the students and engaged in a discussion about films and their making.

Sanya garnered immense love and appreciation for her performance in Photograph when the film premiered at Sundance Film Festival and the Berlin International Film Festival 2019. The trailer brings to screen a sweet, innocent, and refreshing chemistry with Nawazuddin Siddiqui and Sanya Malhotra's first association.

Written and directed by Ritesh Batra, Photograph is presented by Amazon Studious in association with The Match Factory and is slated to release in India on March 15, 2019.

Also read: Team Photograph shares a video on Nawazuddin Siddiqui's character

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Akash Ambani and Shloka Mehta's 'mala and mehendi' function in Mumbai was a fun event that had dance, music. Since the families have urged guests to let the private events remain as private as possible, the social networking world gave just a glimpse into Thursday's celebrations at the Dome, NSCI, Worli.

One video doing the rounds with the wedding's hashtag #AkuStoleTheShlo shows the bride's family dancing away on a fancy stage to "Iski uski" from "2 States". The stage was quite elaborately decorated according to the images that surfaced on social media.

 

 

 

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Glimpses of the decor last night for the #Mala&Mehndi of #AkashAndShloka at NSCI Dome ! âÂœ¨

A post shared by Akash Ambani Weds Shloka Mehta (@akashwedsshloka) onMar 7, 2019 at 10:10pm PST

 

 

 

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Glimpses of the decor last night for the #Mala&Mehndi of #AkashAndShloka at NSCI Dome ! #BigFatIndianWedding . . . #akashambani #shlokamehta #nitaambani #ishaambani #anantambani #radhikamerchant #antilia #ambani #akashwedsshloka #akashambanipreweddingbash #mukeshambani #india #bigfatindianwedding #richindian #akashshlokawedding #akustoletheshlo #luxurylifestyle #royalwedding #antilia #Decorgoals #weddingdecoration #ambaniwedding #shlokamehtamehndi #shlokaakashmehendi #nscidome #mehendi #mehndi

A post shared by Akash Ambani Weds Shloka Mehta (@akashwedsshloka) onMar 7, 2019 at 10:14pm PST

Pre-wedding celebrations have been on in full swing at the Ambani and Mehta houses. Akash is the son of Reliance Industries Chairman and Managing Director Mukesh Ambani, while Shloka is the youngest daughter of diamond merchant Russell Mehta. There is huge interest in the wedding, especially after the scale at which the industrialist's daughter Isha got married last year.

A dandiya night in Mumbai was followed by a three-day star-studded celebration for Akash and Shloka in St. Moritz, Switzerland, last month. Functions have been on in Mumbai since the beginning of March.

They reportedly had a Harry Potter-themed party where Guru Randhawa took the stage, as well as a musical night concert with Shreya Ghoshal behind the mic. An 'Anna Sewa' was also organised on Wednesday night at the Jio World Centre, which is the venue for all three forthcoming functions.

After the wedding on March 9 is a celebration on March 10, followed by a reception on March 11. The main galas are likely to attend to be attended by a slew of guests from the Bollywood, political and sports world.

Check out the photos and videos here...

 

 

 

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Shloka’s fam, #TeamBride killing it at the dance floor at the Mehendi Night! 🕺🏻💃🏻 . . #AkashAmbani #ShlokaMehta #AkuStoleTheShlo #MukeshAmbani #NitaAmbani #IshaAmbani #AnandPiramal #KokilaBenAmbani #AnantAmbani #RadhikaMerchant #AmbaniWedding #India #Celebrations #IndianWedding #AkashShloka #AkaShloka #RoyalWedding #BigFatIndianWedding #Mehendi #MehendiNight #Dance #DancePerformance

A post shared by Akash Ambani 💍 Shloka Mehta (@akustoletheshlo) onMar 7, 2019 at 11:48am PST

 

 

 

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First glimpse of how grand the “Mala & Mehendi” function of Akash Ambani & Shloka Mehta is! ♥ï¸Â Love it. Also, zoom into the first picture as much as you can, because, the bride to be, Shloka is sitting right there in the centre! 😍🤩 . Follow @akustoletheshlo for all the latest updates about the Ambani Wedding. ðŸ¤Â— . . #AkashAmbani #ShlokaMehta #AkuStoleTheShlo #MukeshAmbani #NitaAmbani #IshaAmbani #AnandPiramal #KokilaBenAmbani #AnantAmbani #RadhikaMerchant #AmbaniWedding #India #Celebrations #IndianWedding #AkashShloka #AkaShloka #RoyalWedding #BigFatIndianWedding #Mehendi #MehendiNight #WeddingRituals #BrideToBe

A post shared by Akash Ambani 💍 Shloka Mehta (@akustoletheshlo) onMar 7, 2019 at 6:10am PST

 

 

 

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Shloka Mehta’s Mala & Mehndi to take place today at NSCI Dome 5.15 pm onwards!

A post shared by Akash Ambani Weds Shloka Mehta (@akashwedsshloka) onMar 7, 2019 at 4:50am PST

Ahead of the wedding of his son, industrialist Mukesh Ambani has sent boxes containing sweets to the around 50,000 police personnel in the metropolis. Every police station in Mumbai is receiving the boxes from the family of the Reliance Industries chairman, whose son Akash Ambani is getting married here on March 9, an official said.

The boxes are accompanied by a small card carrying the names of Mukesh Ambani, his wife Nita and their children and messages seeking blessings and good wishes, said a police constable, who recently received one such box. "I got the box of sweets from police station and came to know it has been sent by Ambani's family on the occasion of his son's wedding," he said.

Also Read: Akash Ambani-Shloka Mehta wedding: Here's all that you need to know

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A constable attached to MIDC police station was arrested on Saturday for raping a 20-year-old who was caught stealing chocolates from D-Mart in Powai. The accused, Madhukar Avhad, has been arrested by the Powai police for rape.

The Powai police said, on February 6, they received a call from the D-Mart staff informing them about a woman caught stealing 10 chocolates from the store. Avhad, who was on duty at the time, visited the mall and took a detailed note in writing from the woman that she would not repeat the act. Avhad then took her Aadhaar card details and phone number.

The next day, Avhad called to the woman telling her he would return her Aadhaar card and statement. He then took her to a hotel near Aarey Road saying he would return it to her there.

On reaching the hotel room, Avhad forced himself on her and even took a selfie on her phone. Avhad then refused to return her statement and Aadhaar card telling her to meet him again. On Saturday, the woman's husband saw the selfie on her phone and registered a case of rape against the constable at Powai police station.

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While speculations of Malaika Arora and Arjun Kapoor getting married in April were rife, the former was seen making the most of summer nights by partying with her girl squad - Kareena Kapoor Khan, Amrita Arora Ladak, Delnaz Daruwala, Mallika Bhat and Vahbiz Mehta. Amrita Arora's husband Shakeel Ladak and fashion designer-producer Vikram Phadnis were also part of the bash, which was held at Shakeel-Amrita's residence.

Well, the terrace party seemed to be one crazy night, and the pictures that the celebs shared from the bash, doing rounds on social media, are proof enough!

Malaika Arora posted this picture on her Instagram account and captioned: "Summer nights .... terrace nights @amuaroraofficial @shaklad @vahbizmehta @delnazd @mallika_bhat @vikramphadnis #bebo#ammusterrace [sic]"

Shakeel Ladak with wife Amrita Arora and her best friend Kareena Kapoor Khan. Bebo looked stunning in a black crop top and high waisted jeans, Amrita opted for a black crop top and printed shorts.

Group picture - (L to R) Malaika Arora, Amrita Arora Ladak, Vahbiz Mehta, Kareena Kapoor Khan, Vikram Phadnis, Delnaaz Daruwala and Shakeel Ladak

Malaika and Vahbiz Mehta posed for a selfie. Vahbiz had also accompanied Malla to her Maldives vacation.

Well, this picture of Amrita Arora kissing her husband, shared by Vahbiz Mehta on her Instagram stories caught everyone's attention. Isn't it romantic? 

This one too stole our hearts! Amrita Arora and Shakeel Ladak completed ten years of their marriage on March 4, 2019. The couple tied the knot on March 4, 2009. The two have been inseparable. They have two sons, Azaan (9) and Rayaan (7).

 

 

 

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Summer nights...... #bebo♥ï¸Â#ammusterrace

A post shared by Malaika Arora (@malaikaaroraofficial) onApr 18, 2019 at 11:03am PDT

Looking at the pictures, this indeed looked like one perfect summer night!

Also Read: Malaika Arora and Arjun Kapoor spotted at a hospital in Bandra, see photos

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Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

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Kareena Kapoor Khan. Pic/Rane Ashish

In the last few months, we have been a bit awestruck by how hot Kareena Kapoor Khan has been looking — be in stills and videos from her new movie, Veere Di Wedding, which releases in June, or in behind-the-scenes-clips, or basically all her public appearances. The hip and sexy styling, the lustrous hair, the impeccable make-up, and the undeniable, and oh-so-Bebo swag, has helped us see the new mother in a new light, yet again. When we meet her at a suburban hotel, wearing an off-white pant suit, her hair pulled back, and her green eyes set on us with a smile, we are slightly flustered. And we ask, how are you giving 30 somethings, even the one with kids, such hotness #goals.

"No please! Honestly, I have always been very fitness conscious. Everyone is saying I have lost weight so fast, but I have taken a year and a half. It has happened over time. It's not for the movies, but just for me. Like I always say, feed me karela for lunch and dinner and I am happy," she tells us nonchalantly. There is no blueprint plan for the evolution in her style as well, says the 37-year-old. Instead, she says that the movie, where she has been styled differently from previous avatars is responsible for turning up the heat. "That's one of the reasons I did the movie. It's young and fresh. I could have come back in an author-backed role, playing a titular character. But I chose not to. I just had a baby, and I wanted to do something that's young and the language for which is different," she says. She laughs when she recalls Veere Di Wedding producer Rhea Kapoor being wary of bringing the movie to her, because she is a mainstream actress who has been a part of the Khan movies, making Rs 100 crores and more.

A still from Veere Di Wedding

"There is no hero. I have never worked with four girls. No one expected me to do this. When I read the film, I wanted to do it. A mainstream actress would ask 'but what am I doing?' But with Veere, it's about the language of the film that's about four friends. No one has the bigger part." This is where she says, that it's her choices that have always set her apart. And we agree. "I did Chameli when I was 21. I also did Ki & Ka, even though Arjun is younger to me. I did Udta Punjab, even though mine is just a parallel track," she says, and when we point out that she dies in the middle of the movie, she says "Ya! I had to make sure something happened with my character so that people remembered me. I needed that moment. I want to do something different. My attitude towards movies has changed — I may say no to a big-budget films. My headspace is not that." We steer things back to her drop-dead vibe these days. We all can diet and work out, but what is she doing every day that makes her glow?

And the answer is simple. "Happiness," she smiles, "You have to make yourself happy. You have to find joy in smaller things in life, not just success. I am happiest when I am having coffee or a glass of wine with a friend and chatting. Or when I am reading a book, not a script, trying to prove that I have 30 scripts lined up." When we ask her what is she reading these days, we find common ground. "I love reading crime thrillers, especially Jo Nesbo and Agatha Christie. I keep watching the Poirot series again as well. Saif and I are hooked." Seeing her love for Christie, we recommend Japanese author Keigo Higashino to her, and she says, "Please write down the name for me!" We come back to us telling her how we have all been obsessing over her swag on social media, even though she doesn't have an account. "I may not be there but I am there na! And my friends and family keep putting stuff up. I am very much there. Anyway, I don't think anyone wants to hear my opinions — there are so many opinions out there. Wasn't it better that you and I had a chat instead of you already knowing everything about my life?"

Also Read: Kareena, Sonam, Swara And Shikha Had 10 Stylist For Veere Di Wedding

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A frame from the series, Music for Everyone. Pic/Yuyang Liu

The town of Siem Reap in Cambodia is a fascinating blend of history, modernity and culture. While the magnificent temple complex of Angkor Wat is no more than 6 km away from the picturesque location, it is also home to artisan collectives and Cambodian Cultural Village that gives a glimpse of the country's diverse cultural heritage. Since 2005, the city has also been the venue for Angkor Photo Festival & Workshops (APFW), a non-profit cultural association founded by noted names in photography from across the world - including members of Magnum Photos - to nurture Asia's photographic community by providing an affordable and self-sustainable platform for professional training.

From the series, Two Eyes Good, Four Eyes Bad. Pic/Rebecca Chew

Over the years, emerging photographers from India, Bangladesh, Pakistan, Iran, Indonesia, Japan and Cambodia among other Asian countries have attended tuition-free professional workshops, worked on a photo story inspired by their surroundings and showcased their project at the end of the festival. The APFW alumni community is a thriving one, where collaborations and creative exchange is common. Photographers from Mumbai, too, have participated in the festival, and to introduce emerging lensmen from the city to its upcoming edition in December, APFW alumni will conduct an interactive session this Saturday. The session, being held in Mumbai for the first time, is part the Angkor Hangover series of events organised across Asia.

From the series, Bokator, on young Cambodians trying to resurrect a traditional form of martial arts. Pic/Zishaan A Latif 

"The mentors are people whose work I admire. And when a group of 30 individuals with eclectic practices and realities specific to their countries come to learn from them, they also learn from each other," says freelance photographer and filmmaker Aishwarya Arumbakkam, who participated in the festival in 2016 and is one of the organisers of the Mumbai session. Multimedia projections by photographers from the 2016 batch are also a part of the evening.

From the series, Ahp. Pic/Aishwarya Arumbakkam

While applications are shortlisted on the basis of merit, freelance photographer and alumna Karen Dias explains that to keep the programme accessible and inclusive, there is no upper age limit for applicants. Fellow alumnus of the 2009 batch, Zishaan Akbar Latif, recalls, "As a budding photographer, you are terrified of showing your work, but you realise that others are in the same boat, too. Being in that quaint part of the world at a workshop that's different from its uptight counterparts helps you loosen up," he shares.

APFW organising committee member Andrea Fernandes, who has been associated with the festival for five years, sums up its nature, "This event is initiated by alumni and this is the direction we want the festival to go in - where every person associated can have a space to speak about their work and collaborations."

ON: May 12, 5 pm to 7 pm
AT: Trilogy by the Eternal Library, Raghuvanshi Mills Compound, Senapati Bapat Marg, Lower Parel.
CALL: 8080590590

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U/A: Drama romance
Dir: Ritesh Batra
Cast: Nawazuddin Siddiqui, Sanya Malhotra
Ratings: 

Ritesh Batra's The Lunchbox, achieved international success six years ago, and despite two international projects (one with Robert Redford and Jane Fonda) along the way, Batra comes home again, to his comfort zone. He has on offer here, a rather chaste story of kinship, bordering on romance between two acutely lonely souls. Sounds familiar, doesn't it?

While the construct here is similar to The Lunchbox, it doesn't garner a matched significance because of the inherent familiarity in the set-up. This time around he takes on an unlikely pairing of opposites — Sanya Malhotra as Miloni, a CA foundation-course topper from a typically repressed middle class gujarati home, and Nawazuddin Siddiqui as Rafiq, an impoverished photographer, overburdened with familial responsibilities.

Romance for Batra is not about heavy emotion and carnality. It is a process of revealing your innermost fears without putting them into words for someone you can share them with. Both Rafiq and Miloni experience loneliness in varying degrees, and for diverse reasons. Rafiq is impoverished, shares his one-room tenement in a slum colony with fellow photography peddlers.

Check out the trailer here:

In comparison, Miloni is well-heeled; on her way to being considered successful in life. They come from different social strata, and if they spent time thinking about it, they would never have entertained the fanciful notion of getting together. It's a random connection at best, which is made further intriguing by the lie it gets embroiled in. Repressed emotions find an outlet for Miloni in this covertly rebellious action. For Rafiq, they become an aspirational pursuit bordering on hope.

Batra focuses his viewfinder on the warmth that develops between the two characters. It is quite clear that they are drawn to each other based on their individual needs. The timely play of Bollywood songs heightens the possibility of romance for a bit. Peter Raeburn's sweetly compelling score lends nuance to some of the quietly definite moments in the film.

The narrative is an assemblage of beautiful events shot with breath-taking lucidity — by cinematographers Tim Gillis and Ben Kutchins. Mumbai beckons hauntingly as the two central characters make this seemingly fleeting tryst last a lot longer than what seems possible in real life. Photograph is the emblematic representation of that connection we seek in these disconnected times. It speaks to us, but not as much in words as in the moments that warm our hearts.

Also Read: Ritesh Batra's Photograph gets a thumbs up from critic

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Mid-day online journalists interact with the frontline workers in a new series 'Real heroes of coronavirus'. Media photographers, reporters, railway staff and medical workers tell their stories of grit, determination and every-day challenges in times of the pandemic.

Mid-day senior photographer Shadab Khan is out on the field capturing striking photos of people, health-workers, the police and the city as part of his daily assignment at a time when coronavirus pandemic is spreading rapidly in Mumbai and the entire nation is under lockdown.

 

 

 

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Alhamdulillah just got to know that my covid-19 swab test report is Negative by the grace of god. I tested my self 2 days ago during the special covid-19 test for Media persons who are on field by BMC medical team in Mumbai as our services comes under essential services during this pandemic we have to work on field and visit to all over the city for relentlessly bringing out timely good pictures, news and updates daily, through all the perils and under the most trying conditions. Special thanks to @my_bmc @cmomaharashtra_ @middayindia

A post shared by Shadab Khan (@photographer_shadab) onApr 25, 2020 at 3:53am PDT

We spoke to Shadab Khan about his work and what it's like to be a news photographer in times of pandemic.

Here's an excerpt from the interview.

How has the global pandemic impacted your work?

The coronavirus outbreak hasn't affected our work as such. Since we come under the essential service providers and ours is a field job, it's the same daily routine. The focus is more on pandemic photos as we visit sensetive areas and try to get pictures of people who may have broken lockdown rules and also capture shots of how the police are handling the situation. Nowadays, we also visit contaminated areas to get photos of medical staffs conducting COVID-19 tests and get visuals of the epidemic situation in Mumbai. For us, the work has only increased due to the outbreak of the global pandemic.

Nowadays, do you prepare yourself mentally before going out on assignments?

To be honest, there is no mental preparation as such. But I offer prayers five times a day and pray that I go safely and come back home safely. As a media-person, I also consume a lot of news and keep reading about the International guidelines laid down for photojournalists as to what precautions should be taken. I do this as it helps me to stay motivated in the fight against coronavirus. It is the first time that I am experiencing a pandemic which has changed our lives. I have never covered something like this ever before. Although I have covered riots and other sensetive events, a pandemic that takes place only once in 100 years is a different experience. I have been following international reports and guidelines to take precaution and prepare mentally to fight the COVID-19 crisis.

Shadab makes sure that his equipment, bag and mobile are sanitised in order to take precautions against COVID-19

How do you protect yourself?

Face mask, hand sanitisers and hand gloves are mandatory when I am leaving the house. With the increasing number of cases in Mumbai, we have to take extra precautions as our camera equipment is metal. While shooting, we are constantly handling the camera with our hands and our eyes are exposed when we are focusing to click the pictures. To ensure our safety, we sanitise the camera every two to three hours. Besides the equipment, I also sanitise my mobile phone with a spray sanitiser that I carry with me. After completimg a shooting assignment in a contaminated area, I make sure that the camera equipment is sanitised before keeping them in the bag.

Do you take any precaution while heading back home after doing on-field reporting?

Though it is risk to be outside during the pandemic, the real challenge begins when we get back home to be with our families. Since the outbreak of the coronavirus, I have isolated myself to another room and make sure that I maintain social distancing with my family members. While leaving for work and after coming back home, I don't hug my children. Since day one, I am practising self-quarantine to keep my family safe and away from any risk. Infact, I take more precautions at home than I do while I go out. The epidemic is so dangerous that one cannot be sure how the infection will strike.

 

 

 

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A man sleeping outside his house during lockdown to prevent the spread of new coronavirus at Vakola in Mumbai, Wednesday, April 15, 2020. Indian Prime Minister Narendra Modi on Tuesday extended the world's largest coronavirus lockdown to head off the epidemic's peak, with officials racing to make up for lost time. PIC/SHADAB KHAN Paparazzi#Fashion#bollywood#lovemyjob#photography#Mumbai#India#middayindia#covid19#fightagainstcorona

A post shared by Shadab Khan (@photographer_shadab) onApr 16, 2020 at 8:09am PDT

During the COVID-19 coverage did you face scary moments? Which has been your scariest moment?

It is scary to visit crowded localities nowadays to cover the pandemic. In the beginning it was not a problem but since the police have imposed strict rules in these areas, we are facing issues. On few occasions, people in these localities have attacked and abused us, blaming the media for the strict police action. But all localities are not the same. We keep calm and ensure that we don't fight back or argue with the people when faced with a hostile situation. To ensure our own safety, we move out of the place quickly if we are confronted by the crowd.

Did you face challenges from the police while covering the COVID-19 pandemic?

In the beginning the police officials were not aware that the media comes under the essential services list and stopped us from entering certain areas which led to arguments sometimes. But gradually they understood and let us do our jobs. When they see the cameras and we show them our press cards, they ask us where we are going and all, that's it.

How is your department and the organisation supporting you?

We are getting the support of our department and the organisation in every possible way. I have been working in mid-day for 15 years and the organisation has been always supportive, our managers do not pressurise us for assignments. My reporting officer calls twice a day and inquires about my whereabouts and tells me to be extra careful while visiting contaminated zones and avoid going to sensitive areas frequently. We are always told to ensure safety first before work.

Shadab feels that practicing social distancing in Dharavi where people are cramped in small houses is nearly impossible

Although he covers different areas every day, Shadab makes it a point to visit a contaminated area at least once a day to check if any new development has taken place. Speaking about Dharavi, which has emerged as one of the biggest contaminated zones in Mumbai, Shadab said, "I visit Dharavi to see how the labourers are doing and how the small scale industries are coping with the COVID-19 epidemic"

"Everyone is talking about social distancing but it is not possible in Dharavi. Most houses in the locality are 8X8 small houses with 8 to 10 people cramped inside. In order to click a picture, one has to stand at the door and shoot, social distancing in areas such as Dharavi is almost impossible. The lanes in Dharavi are so narrow that if people are coming from the other side it is impossible to walk past them without making physical contact," added Shadab.

Besides Dharavi, Shadab carries out his photo assignments in Bandra, Sion and Wadala.

What is your message to the general public?

We are out on the roads because we have a responsibility as essential service providers. I would request people to stay home as far as possible. Only by staying home will you be safe! Follow the guidelines laid down by the government and maintain social distancing.

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Bianca Belair, WWE's NXT superstar, has now made it to the main roster on WWE Raw and is bringing the house down. Bianca Belair has performed for two matches on WWE Raw in the past 2 weeks and seems to be making her way to the top in the women's division. In an interview, she discusses how she was discovered, why she calls herself the 'EST', creating her own ring gear and more.

How did Mark Henry first discover you? And what is the most useful piece of advice he’s given you from your tryout and beyond?
“After my track career I wanted to find something I could still be competitive in, so I was doing Crossfit and I really stood out…all the other girls were just wearing regular shorts and t-shirts and I was coming out in tutu’s and big bows and just really standing out. At a lot of Crossfit competitions I was getting on the mic and, without even knowing it, cutting promos. Mark Henry came across a video of me at a Crossfit event on the internet and he contacted me and asked me if I’d ever thought of being in the WWE… He got me in the door but he made it very clear from the very beginning that “this is all going to be on you”… It gave me a lot of confidence and it really pushed me. Ever since then he has always been someone I can go to for advice”

You famously declared yourself the ‘EST of NXT’, and now the ‘EST of WWE’. Can you explain to people who don’t know, what that means?
“The ‘EST of WWE’ means that I am a hybrid athlete. I’m not just good in one area, I’m not just good at one thing, I’m not just strong, I’m not just someone who can go in there and do flips and be a showcase athlete. I’m someone who can do it all. I’m not just average in different areas, I’m the best in every single area. I’m the strongEST, the fastEST, the quickEST, the roughEST, the greatEST, the smartEST, I’m the bEST. All those end in EST. I just see myself as being the absolute best in every single area that you can think of.”

You’re a Superstar with a host of skills, one of which is making your own gear. Has that always been a passion for you? Which ring gear have you designed that means the most to you, and why?
“I have been pretty creative and pretty hands on my whole life. I get it from my dad who is always doing something, always making something. My mum is the same way. They are super creative and I just grew up in that environment. I used to sew when I was younger, my mum had this little Christmas cookie jar that had everything in it but cookies. At first I started sewing pillow cases together, I didn’t even know what I was doing, but it carried over into High School and I used to sew and make my own outfits… It carried over into WWE because I do everything the best and I do everything myself, it’s a huge part of my character. Probably my favourite gear is my Black History Month gear that I wore at NXT TakeOver: Portland. Black History Month is really important to me because I really feel that Black history is American history is World history, and I’m very passionate about that. So that’s probably my favourite gear that I’ve made and it has the most sentimental value to me.”

Do you see your position as a WWE Superstar carrying a responsibility to set an example for young girls and women around the world?
“The further along I get in my career the more I see that I do have a responsibility and I take that very seriously. Especially with women and young girls we are often taught to shrink ourselves, and that is a big part of my character is to never shrink yourself to soothe anyone’s insecurities, you never dim your light for anyone. You go out there and you shine bright, it’s even in my theme song: “watch me shine now”. It’s something that I really want to stress to young girls, especially within the community that I come from… Go out there and show them who you are and don’t hold back. I hold that responsibility very close to my heart and it’s not just for young girls or for women, it’s for everyone. You have to be your biggest supporter, you have to be your biggest cheerleader.”

What are Bianca Belair’s future WWE ambitions?
“The cliché answer is to be RAW Women’s Champion, or if I’m on SmackDown to be SmackDown Women’s Champion, or to eventually be NXT Women’s Champion. Of course, I want to be the Champion on all three brands at some particular time but, honestly, I just want to go out there and leave an impact no matter where I’m at. I feel like I did that with NXT, I left an impact. When people think back to this era in WWE history I want to be one of the names that pops up as one of the key players regardless of if I’ve won one match or one hundred matches. I want to leave a legacy, I want to leave an impact.”

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WWE former Diva and superstar Nikki Bella is quite an active sports star on Instagram. Nikki Bella is currently engaged to her Dancing With The Stars partner Artem Chigvintsev, who is a Russian professional dancer during season 25.

Nikki Bella went on to share a picture of her cosied up in bed watching some television along with Artem after she put on her make-up. Nikki also went on to say that she was trying her hardest to seduce Artem into giving her a foot massage. Take a look at the fun post below on Instagram.

 

 

 

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Did my makeup in time to take a nap and watch some TV with my A. Trying my hardest to seduce my way into getting a foot massage lol 🤰🏽💋

A post shared by Nikki Bella (@thenikkibella) onApr 26, 2020 at 2:03pm PDT

Nikki Bella began dating Artem following her break-up from WWE superstar John Cena. John Cena and Nikki Bella got engaged in April 2017 but called off their wedding a year later in April, just a month prior to tying the knot.

Nikki Bella and Artem Chigvintsev began dating in January 2019 and a year later, the couple announced they were engaged. On 29 January, Nikki Bella announced that she and her twin sister Brie Bella were expecting a child, respectively.

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Mawa modak

Modak is Ganesha’s favourite dish and therefore, Ganesh Chaturthi celebration is incomplete without this Indian sweet. Modak has evolved with time and is now available in myriad forms, including steamed and fried forms. Thanks to restaurants and chefs in Mumbai, who are taking initiative to give a tasty twist to the traditional sweet dish.

This year on Ganesh Chaturthi, Executive chef Kamlesh Rawat of 180 Degrees Grand Sarovar Premiere in Goregaon has prepared a massive 5kg Mawa Modak to mark the occasion. The modak will be there on display until Sunday, August 27. Do not forget to drop in to take a glance of this mighty modak.

5kg Mawa Modak at Grand Sarovar Premiere

Read the recipe of the modak here:

Prep time: 30 minutes
Cooking time: 40 minutes

Ingredients:

1. 3Kg Mawa(if hariyali mawa is good texture)
2. 1.5 Kg sugar or add as per taste
3. 200 Gm. Cardamom powder
4. 10 Gm. Saffron
5. 200 Gm. Ghee for Modak greasing

Method:
1. Heat pan in low flame and put mawa on it. As the mawa starts melting, keep stirring it on low flame.
2. When the mawa begins to melt add sugar in it and stir again.
3. When the mawa starts bubbling, add cardamom and saffron in the mixture.
4. Keep stirring on low flame until the mixture starts leaving the bottom of pan.
5. Transfer the mixture into a big bowl and wait for it to cool.
6. Place the mixer on a greased plate and mould it in the shape of a modak.
7. Garnish with saffron on top and the Mawa Modak is ready to be served

Where: Grand Sarovar Premiere, AK Plaza, SV Road, Goregaon West, Mumbai

Modak platter

Malai modak, chocolate modak, mawa modak, Ganpati Bappa's feast is incomplete without a plate of modaks. And, so is ours during Ganesh festival! But, this Ganeshotsav, ditch the calorie laden modaks and try their healthy alternatives. We bet the modaks taste yummy and are perfect sweets to indulge in during the festival in Mumbai. What more do you need when you have more 'goodness' on a platter?

1. Oats modak: Made with jaggery instead of sugar, Oats modak is an all time favourite healthy Indian dessert to savour during Ganesh festival. Crush the oats to give a fine texture to the dessert. Keep a frying pan in low flame and put jaggery on to it. Once the jaggery melts, add coconut oil, crushed coconut, powdered oats and assorted crushed dry fruits. Make a fine mixture and keep it aside to cool down. Once the mixture cools down, place it in a modak mould, press hard and take it out gently. Place it on a plate, garnish with pistachio and your nutritious oats modak is ready to be served.

Oats modak

2. Figs and dates modak: Soak dates and figs in hot water for some time. Once it turns soft, drain the water and grind it to make a fine paste. Take a handful of almonds and cashews and ground it into a fine powder. Heat a pan, add ghee, dates and figs mixture and powdered nuts gradually. Cook it for a while and place it aside to call down. Put the mixture in a modak mould, press it, and take out from the mould once the shape is formed.

3. Chana Dal ka Modak: Consumption of legumes in any form is good for health. Boil chana dal in a pressure cooker, drain out excess water and mash the dal to make a smooth paste. Add jaggery and ¼ water to a pan. Keep the pan in low flame and stir the jaggery until it melts. Add chana dal and 1/3 cup of grated coconut to the jaggery syrup. Mix everything and cook on a low flame until a thick mixture is formed. Let it cool down before you start shaping it in the form of modak. Fill the mould with the mixture for healthy and delicious chana dal modak.

Ukadiche Modak

4. Ukadiche Modak: Also known as steamed modak, this is one of the popular and nutritious versions of modak available in the market. The sweet dumplings are made from rice flour. Add rice flour in a pan of boiling water. Mix well, knead into a soft dough and keep it aside to cool down. Heat ghee and add coconut, jaggery and poppy seeds to it. Make a thick mixture and let it cool for a while. Make rice balls, stuff the centre of the balls with the mixture and put them in a modak mould. Moisten the modaks with little water and place them in a steamer. Steam for around 10 minutes and serve warm.

5. Dark chocolate modak: Heat dark chocolate and milk in a pan until it turns into a smooth mixture. Add crushed digestive biscuit crumbs to make the modak more nutritious and knead to form a soft dough. Once the paste cools down, put it in a modak mould and serve. Garnish it with finely chopped nuts.

None of these modaks is made of sugar and is therefore perfect for those on a diet plan or those who are looking out for healthy alternatives of the traditional dessert. Yet, these are delicious in taste and are ideal to indulge during the festival. The recipes are simply too. So, why not give it a try at home?

Nobody knows when the lockdown will end and when life will come back to normal. But for those who have access, they are spending their quarantine by watching web-series, films, and reruns of classic television shows. So on one hand, we have Ramayan and Mahabharat, on the other spectrum lies something called Four More Shots Please, Season 2!

This show is what we call the ultimate triumph of a woman's liberation. Their tendency to do all the possible shenanigans and be unabashed and unapologetic about it is what has made this web-series so catchy and contagious. And one of the leads, Sayani Gupta, a fine actor to the hoot, recently in an interview with Radio City's RJ Harshil, she talked about the show's popularly, how she has been spending time at home, and a lot of other entertaining stuff.

As expected, the first question was about the number of interviews she has given about the show amid this lockdown. She sounds perplexed and says, "I have really lost track, so many, it's insane you know. I give at least 1 or 2 interviews every day. But I have now started my own live videos that is a series of my interactions with some of my friends from the industry, it's called Shy-Me-Not. I've had four sessions so far."

The next question is about her journey from FTII (The Film and Television Institute of India) to films and she takes a deep breath since the answer is going to be really long. She says, "I am from Kolkata and went to Delhi for college and did theatre. I wanted to go to the National School of Drama but decided against it because my seniors, M.K Raina and Habib Tanvir, told me how it was going through a turmoil in terms of syllabus and management. But going to FTII was one of the best decisions of my life, I spent three-and-a-half years over there. It's because of the institute that I'm sitting for this interview today."

She added, "I knew nobody would spot me at a cafe and cast me for a film, and I knew this process would take time but I actually got my first film in the first month of being in Bombay, Second Marriage Dot Com. The director had seen my short film that was made during my education at the FTII. I don't like the world struggle, I feel the journey has been very interesting. I also did a travel show that was once in a lifetime experience, I also assisted Manav Kaul on a film that's going to come out soon."

She also spoke about her character Khanum from Shonali Bose's Margarita With A Straw and said, "To get such a character is a once in a lifetime opportunity, for both Kalki and me. Such films aren't made too often. It was a very performance-heavy part, she was blind and an activist. There was so much to do, and of course, she was homosexual. There was so much scope for performance. I'm happy people took me seriously."

We have seen Gupta in a lot of films over the last few years like Fan, Jolly LLB 2, Jagga Jasoos, and Article 15, so how has she been balancing between this medium and the OTT platform! This is what she has to say, "In these last three years, I have been shooting every day and I've actually done two shifts, three shifts. I have done Inside Edge 1 & 2, Four More Shots 1 & 2, a British series called The Good Karma Hospital that's out now, but I've also done nine films," and she flashes her smile! Talking about her character Rohini from Inside Edge, she says, "I don't know anything about cricket, I have seen the sport with my parents. My father was working for All India Radio and his office was right next to the Eden Garden. But I was never aware of the technicalities of cricket and neither was I interested."

She continued, "Karan Anshuman told me about this even before Excel was producing it. After a few months, the creative producer of Excel called me and said they have a fabulous role, come and meet us. When I read the part, I asked them if they were sure they wanted me to play this, but I guess all of them were confident about me as an actor for some reason and I'm really grateful to them." And then it was time to talk about her character Damini Rizvi Roy from Four More Shots Please, and her initial reaction on reading it.

"I hate the word bold and the context in which you are using it is wrong because even according to the dictionary, it's the boldness of mind. People really misinterpret things by using the term bold. Four More Shots was a very important show when I read it for the first time, and I felt it was amazing that a group of women was trying to make a show which actually was about women. It was trying to normalise everything about the life of a woman. I think it's one of those very important shows, and it's crucial to have such a show in the mainstream narrative, and even the criticism that comes and mostly from men about our sex and smoking, you can understand how regressive, repressed and patriarchal our society is even now."

She added, "When men do all these things and we all have seen it, nobody bats an eyelid, and everyone is like,'Oh my god! Friendship'! The moment it's about women that have chosen to live a particular life and are normal with it, like I am, people tend to have issues. There are lots of topics that are being handled with a lot of sensitivity and depth in the second season. You have workplace gender bias, you have body shaming, you have LGBT rights, you have a homosexual wedding, freedom of expression, freedom of speech. It has everything a woman faces in the urban space or rural space. We are getting long letters and messages, it's crazy."

She continued, "It's moving people because it is making a difference to them." In between, she answers a fan who asks if a woman having sex with multiple men is empowerment for her. She says, "No, it's not, and nobody is saying drinking and smoking is empowerment. But people do go out and drink and smoking is not even shown in the entire season two. Women who go out and drink and choose to have sex with whom they want to, and have control over their sexuality, should be not looked at as a taboo. It's normal, we all do it!"

"Also, you have to realise it's about celebrating yourself and women for their rights, it's about subverting these constant pressures of women. The problem is that women are always shown as these crazy stereotypes, either she's virginal and the hero is trying to woo her and have sex with her, the hero is marrying her, or a vamp who's breaking the hero and heroine's home. Nowhere are women, in most of the mainstream narratives, shown as themselves. What is the problem with having sex with multiple partners? So many people do."

She seems to be raising the right points and makes a very important observation. "Sex was always shown as something done to women and never a choice that women are making. If I want to be intimate with someone or be in a romantic liaison with someone, it's my choice. That needs to be respected and celebrated. Having said that, our intention is never to encourage smoking and drinking or go out and partying, that's not the point. But if there are people who do it, there shouldn't be a taboo about it, even in India. You see Sex in the City, you see Girls, you see Friends, any Hollywood series or show or film and it's fine, but the moment you see Indian girls doing it, you're like, 'OMG'!

"Everyone does it so what's the problem in showing it or representing it authentically! It's a show made by women, it was the need of the hour to represent women authentically," she added. Well, this was truly straight from the heart, and in case you are yet to discover Four More Shots Please, watch it and decide whether you agree with Sayani Gupta or not! But one thing people will agree with is that she's truly a fine actor!

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It's going to take a while before we can swallow the fact that Irrfan Khan is no more with us. He fought till his last breath and refused to give up. To be able to smile and spread happiness despite your own struggles is the very notion of any artist in the world, and Khan was one such gem that will always continue to shine.

He was admitted to the Kokilaben hospital last night due to colon infection and passed away today morning. Nearly all the Bollywood celebrities paid homage to the actor on their social media accounts by sharing messages and pictures. Shah Rukh Khan called him his friend, inspiration, and the greatest actor of their times.

However, Deepika Padukone, who shared screen space with him in Shoojit Sircar's Piku, shared a black picture that reflected the void that his unfortunate demise has left in Bollywood. She also shared a broken heart in the form of her caption.

Have a look right here:

 

 

 

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💔 #irrfankhan

A post shared by Deepika Padukone (@deepikapadukone) onApr 29, 2020 at 3:51am PDT

Irrfan Khan and Deepika Padukone were supposed to collaborate once again for a film that was to be directed by Vishal Bhardwaj, but due to the actor's illness, it was pushed indefinitely. May Irrfan's soul Rest In Peace!

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Everyone's firsts are always special and stay with them forever. For this actress as well, her debut film was a real life character which affected the lives of many and served as an inspiration, breaking a lot of stereotypes about women. Her character demanded alot from her and the actress had to choose either to give in her all or lose it all.

The actress chose to give in her all, playing a real life character is exciting until the tough part comes across. Being an outsider and a well known dancer of reality shows her character was of a wrestler. Hair being one of the finest jewel a woman has, the actress even chopped it off to breathe more life to her character. The film emerged as a glorious success and the actress was now popularly known as 'The Dangal Girl'.

We are talking about Sanya Malhotra. Being an outsider, the actress played a real life character and Dangal has become as one of the classics and the film always invokes a sense of motivation due to its storyline and dedication towards winning and always working hard and moving ahead in order to achieve your desired goals. A strong step in Bollywood and the actress didn't have a halt ever since.

Sanya being a lover of always doing something different, has always chosen quality scripts and characters that would connect to the audiences. Being an outsider the actress has built her fanbase from scratch. Some of the actresses’ films include Badhaai Ho, where the actress won hearts and looked extremely natural on-screen. Joining hand with more opportunities, the actress is having three major films in her plate.

Sanya will be seen playing tge role of Anupama Banerjee, and also the actress is going to show herself in varied age groups alongside Vidya Balan.

The next one being Pagglait followed by Ludo. The actress has blended well in the industry and made a place for herself. Sanya works on quality scripts and ensures to give a fine delivery of work that her viewers enjoy and always hunts for a new character which challenges her to become better.

The actress has built a strong connect with her audiences by always keeping them involved in her life through various BTS. Apart from being a great actress, Sanya is also a phenomenal dancer and often shares many of her moves on her social media. Sanya is truly a star one can root for.

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