Sooraj Pancholi had a dream debut in HERO [2015], a film produced by Salman Khan. The film underperformed at the box office but the hype of the film was such that it opened at Rs. 6.85 crore, which was the highest then for a film featuring debutants. Sooraj then, shockingly, disappeared and four years later, he’s finally back with SATELLITE SHANKAR. So does SATELLITE SHANKAR emerge as a great entertainer and meet the expectations raised by the trailer? Or does it fail to entice? Let’s analyse. <img class="aligncenter wp-image-1038693 size-full" title="Movie Review: Satellite Shankar" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/11/Movie-Review-Satellite-Shankar1.jpg" alt="Movie Review: Satellite Shankar" width="720" height="450" /> SATELLITE SHANKAR is about the extraordinary journey of a soldier that brings a nation together. Shankar (Sooraj Pancholi) is a rifleman posted near the LOC in Jammu and Kashmir. He is very popular in his regiment because of his jovial nature. He carries with him an idol of Lord Shankar. He pretends that it’s a satellite that can help him connect to anyone in the world. With this little trick, he keeps the officers motivated, despite them not getting leaves. In a firing by the Pakistani forces, Shankar gets hurt. He’s admitted in the hospital and though the injury is not serious, he is asked to rest for eight days. Shankar requests his commanding officer, Cheema (Sanjay Gurbaxani) that he’ll like to go to his hometown, Pollachi, in Tamil Nadu to meet his mother and get her cataract treated. Cheema agrees on the condition that Shankar reaches the base 8 days later at 8 am. Shankar promises to be back on the stipulated day and time by giving a ‘Sainik shapath’. Shankar’s colleagues request him to hand over gifts and other items to his family members while he’s on his way to his hometown. Shankar then begins his three-day-long journey on the train from Jammu. As soon as he commences the trip, an old couple in his bogie are asked to leave as they have boarded the wrong station. While helping them find the right train at the next station, Kathua, Shankar ends up missing his own train. He along with Meera Bakshi (Palomi Ghosh), a vlogger, then take a taxi to Pathankot, where their respective trains was to halt. Again, Shankar is not able to make it on time in his train while helping Meera. However, the family member of an army colleague Subedar Jeetu Singh (Pradeep Singh) picks up Shankar’s luggage from his train when it halts at a station in Punjab. Shankar reaches Jeetu Singh’s residence in Bagha and uses his ‘satellite’ to spread happiness and solve their problem. Shankar then heads to Agra to finally catch his train to Pollachi. Yet again, Shankar gives it a miss as he gets busy in saving people who were in a bus that had met with an accident. Interestingly, even Meera is there in the bus and Shankar gets captured in her video. He overnight becomes a hero of the nation. Meera takes it upon herself to find Shankar and she sets off to find him. Her followers cross the million mark and they too get involved in this journey to ensure that Shankar not only reaches his hometown soon but also that he’s able to adhere to his ‘Sainik Shapath’ and report back to base 8 days later at 8 am. What happens next forms the rest of the film. Vishal Vijay Kumar and Irfan Kamal's story is utopian but has potential and can be best described as ‘Munna Bhai meets Bajrangi Bhaijaan’! Vishal Vijay Kumar and Irfan Kamal's screenplay however don’t do justice to the plot in hand. A few scenes stand out individually but as part of the film, they seem a bit convenient and unconvincing. Vishal Vijay Kumar and Irfan Kamal's dialogues however are appropriate. But a few dialogues are in Punjabi, Tamil and Bengali and are difficult to comprehend. There should have been subtitles for these lines. Irfan Kamal's direction is weak and a bit unpolished. He had a great subject in hand but first he messed it up at the screenplay stage. Then, with his execution, he spoilt it even more. The first 15-20 minutes seem very silly and one might wonder what exactly is happening in the film. The concept of the ‘satellite’ gets clear only after 30-35 minutes in the Punjab village scene. The film boasts of very filmy and convenient plot points and it needed an expert direction so that viewers can digest it. In the absence of it, it’ll be difficult for them to really get engaged with the film. <img class="aligncenter size-full wp-image-1038694" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/11/Movie-Review-Satellite-Shankar2.jpg" alt="" width="720" height="450" /> SATELLITE SHANKAR’s beginning portions might seem bizarre. The concept of the ‘satellite’ might not be easy to comprehend. Even the scene of Shankar getting injured in the cross-border firing is not well helmed, although the idea is interesting. The film gets a bit interesting as Shankar gets in the train and he ends up missing it. However, he misses his train three times and that becomes too much. What stands out in the first half is the scene in the Punjab village and the bus accident sequence. Post-interval, the film has some fine moments but again, the direction and script play spoilsport. Still, the film remains somewhat engaging. However, the climax is when the film really falls down. The stone pelting part looks completely forced and mars the rhythm and even tone of the film. Sooraj Pancholi gives a very fine performance and he’s sure to amaze you with his sheer hard work. There’s this earnestness in the way he has played the part and it’s completely in sync with his character. Also, he is quite entertaining and watch out for the scene where he imitates Prime Minister Narendra Modi! Megha Akash (Pramila) is lovely and lends able support. Her scene at Salem railway station is memorable. But sadly, her track is not well handled and it lacks conviction. Palomi Ghosh has a brilliant screen presence and leaves a tremendous mark. Upendra Limaye (Inspector Chavan) is dependable. Pradeep Singh, Anurag Mishra (Anwar Hussain), Anil K Reji (Sridhar), Asif Basra (Taxi Driver), Subrat Dutta (TC) and Sanjay Gurbaxani are fine. Music is nothing special. <em>'Pyaar Ka Satellite'</em> is like a theme track and is the only song that works. <em>'Aari Aari'</em> is foot tapping but comes at a time when viewers are dazed about the film’s concept. <em>'Tere Sang'</em> is forgettable while <em>'Jai He'</em> has a patriotic feel and hence stands out. Sandeep Shirodkar's background score is appropriate. Jitan Harmeet Singh's cinematography is excellent. The film has been shot in real locations to bring the authenticity and the various locales are well captured. Abbas Ali Moghul's action is dated. Tariq Umar Khan's production design is as per the requirement of the film. Same goes for Dipika Lal and Anirudh Singh's costumes. White Apple's VFX is decent. Chandan Arora's editing is sany complaints. On the whole, SATELLITE SHANKAR is a well-intentioned flick but poor script and direction play spoilsport. At the box office, it’ll have a tough time because of lack of awareness.

Anoushka Shankar, who scored the recently restored silent film, Shiraz, recalls the challenge of the task, her upcoming India tour with the film and why Mumbai will always remain special

An emperor's love for his queen was immortalised in white marble in 1653. Three centuries later, when cinema was still at a nascent stage in India, the Taj Mahal and the love story of Shahjahan and Mumtaz Mahal became one of the earliest subjects to be celebrated on the big screen with Franz Osten's silent classic, Shiraz (1928). Almost 90 years on, the film starring Himanshu Rai, Charu Roy, Seeta Devi and Enakshi Rama Rau was restored to its former glory by the British Film Institute (BFI), in a manner most fitting.

The music for Shiraz is a blend of Indian and western instrumentation

While sitar player and composer Anoushka Shankar was invited to score the music of the film, she will also present a live performance, alongside a screening in four Indian cities, being brought here by the British Council and BFI.
We spoke to Shankar about what went into reliving an era musically. Edited excerpts from an interview:

How did a project of this nature come about?
The BFI undertakes frequent film restoration projects, and in 2017, as part of the UK-India Year of Culture, they decided to work on Shiraz. When they asked me to do the score, I was thrilled. I had been wanting to start scoring films for some time. And this seemed like a lovely fit with my musical background and skill set.

Stills from the restored film

How did you approach the music for a silent film?
It's much more challenging to score for a silent film because there's no conversation, and this means it needs constant music. The sheer volume of output required was huge. While we tried to give a feel of the time in which the film is set and the time in which it was made, we also wanted the audience to enjoy a cinematic effect in the music with a rich, modern sound. In some ways, it's been the most creative process that I have been a part of. I found it incredibly fulfilling.

Shiraz: A Romance of India. Pics/British Council and BFI

What does the music sound like?
We are an eight-member orchestra, and it's relatively evenly spaced out for the Indian and western instrumentation. We've used Indian percussion, the bansuri, sitar, cello, piano, violin, clarinet and some elements of live electronic music as well. It's a long film of an hour and 47 minutes, and throughout the duration, I have tried to create variety. For example, the opening piece is purely classical and then, within the course of the first half hour, we move to a different soundscape. When scoring the film, I knew it was going to be a live show as well and I was mindful of making music that people would want to sit and listen to and watch as a show.

How has composing music for Shiraz impacted you as a musician?
Whenever I take up any music project, it involves a mix of something that I have to offer, but also an opportunity where I can learn and grow. With Shiraz, I have grown a lot as a composer. I have learnt how to orchestrate my own music for an ensemble within a western harmony, in a way that allows Indian music to stay. I have also learnt a lot technically.

Around the time Shiraz premiered in London, the Taj was called a blot on Indian culture by an Indian politician...
If you take out the politics and think of it in terms of people, it's like one person putting another person down in order to make himself feel bigger. There is a lack of confidence in that. If someone is a fantastic human being in a way that's different from me, it doesn't make me a bad human being. We are different, but we can both be wonderful. As a culture, we have so much diversity in our history that there is room to celebrate everything.

How do you look at Mumbai as a performance venue?
Mumbai is a place that I have been coming to since I was a child. As a classical musician, it's such an important city. I have had years of memorable concert experiences here with my father initially, and with my own work in more recent years. I am always happy to play for Mumbai. It's a kind of place where you get a cosmopolitan audience that listens to diverse types of music.

On: November 5, 7.30 pm
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Fast bowler Ishant Sharma said that he can't pick between his seven-wicket haul at Lord's in 2014 and the fifer he took in India's maiden pink ball Test against Bangladesh in November 2019.

"Both of them are equally memorable," Ishant said in a video tweeted by his Indian Premier League side Delhi Capitals. "Taking seven wickets at Lord's is obviously something I can't forget. And taking those five wickets with the pink ball also I can't forget because after 12 years I had taken a five-wicket haul."

Ishant's 7/74 was crucial in India recording a historic win at Lord's over England in 2014. It was the first time in 28 years that India had won a Test at the famous stadium.

Ishant's career went through many troughs after that before he resurfaced and became an integral part of the fierce pace battery that Virat Kohli's team now possesses alongwith Jasprit Bumrah and Mohammed Shami.

In the pink ball Test against Bangladesh at the Eden Gardens, Ishant blew the opposition away in the first innings and ended up with figures of 5/22. It was his first fifer at home since 2007.

Ishant last played for India at Wellington in their first Test against New Zealand before his ankle injury resurfaced. He was expected to play for Delhi Capitals in the 2020 edition of the IPL but it has been postponed indefinitely due to the coronavirus pandemic.

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Ex-Australia skipper Michael Clarke has revealed that legendary spinner Shane Warne shared a boisterous relationship with former coach John Buchanan and they never got along. Speaking on Big Sports Breakfast, Clarke said: "The fact him and John didn't get on and Warnie didn't respect John Buchanan as a coach at all, that he thought I'm not getting told what to do from this dude. "If it was Ricky Ponting there, Warnie would have found a way to either bite his tongue or he might have said something to Ricky one-on-one...it wouldn't have been in front of everyone. At that stage Warnie was so done with John Buchanan he didn't care," he added.

Clarke, the 2015 World Cup-winning captain, also divulged details of the Australian dressing room culture when both him and Warne were together in the side. He said that the leg-spinner chose cigarettes for the three-day training camp instead of the essential items which the players were allowed. "For someone like Warnie who loved a smoke, he pretty much told them he is not coming unless he can bring his smokes. It was World War five," Clarke said.

According to Clarke, Warne and Buchanan had a deal where the latter told the former that he would have to chuck a piece of clothing for every pack of cigarettes he took. "Warnie flicked his three pairs of undies, flicked his three pairs of socks and put six packs of darts in and off we went.

"In the middle of the bush, sleeping bag only, no cover, no shelter, on the ground and it was pitch black. All you could see was this orange light coming out of someone's sleeping bag and it was Warnie just sucking his dart back," Clarke said.

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Former Australian pacer Brett Lee, regarded as one of the finest bowlers cricket has ever produced, talks about his experience while bowling to Sachin Tendulkar, the latter's batting approach against Shane Warne and how Warne would express his anger when failing to dismiss Sachin. All this in a tete-a-tete on a talk show.

On his early experience bowling to Sachin Tendulkar on Star Sports’ show Cricket Connected, Brett Lee said, "I was 22 years when I got my first opportunity to play against the Little Master. I nicked him off and I thought I’m done. I didn’t care about a Test match since I was so happy to get Sachin Tendulkar out."

Talking about Sachin Tendulkar’s technique batting against Shane Warne, Brett Lee said, "He used to advance down the wicket a few times and invited Warne to bowl a fraction too short. Sometimes, he would wait patiently on the back foot and play those beautiful shots. It was almost like he was playing cat and mouse with Warne and not many batsmen can play cat and mouse with Shane Warne because he’s so talented. But on days, Sachin Tendulkar was toying with Warne and that does not happen often."

About Shane Warne expressing his anger for not being able to get Sachin Tendulkar out, Brett Lee revealed, "The way Sachin used to read bowlers out of their hand, the different technique he used to play different balls was pure class. There were times when Warne would try and get the trajectory a bit different through the air and sometimes, he would try and get a few balls to drop. Every time he would try the subtle variations, there was only Sachin who would pick them up. Warne would bamboozle other batsmen around the world, but Sachin would watch the hand much better than most of the other batsmen. Warne hated it, he would come back and say that he tried everything to get Sachin out, but he couldn’t.”

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Australian spin legend Shane Warne has offered a unique answer to the question of how to swing the ball without using saliva or resorting to tampering in a post COVID-19 world -- make one side of it heavier to ensure that it doesn't need any shining. Warne feels it can help fast bowlers generate swing even on flat wickets and permanently eradicate ball-tampering. "Why can't the ball be weighted on one side so it always swings? It would be like a taped tennis ball or like with the lawn bowls," Warne told the Sky Sports Cricket Podcast.

There is speculation that the use of saliva to shine the ball will be stopped to cut down the risk of the highly contagious. Responding to the extraordinary situation, Australian manufacturer Kookaburra has started developing a wax applicator -- which could be ready in a month -- as an alternative to saliva and sweat to help bowlers shine cricket balls in the post COVID-19 world.

"I'm not sure you'd want it to hoop around corners like Wasim (Akram) and Waqar (Younis) but it could swing and give the seamer something on flat wickets when it's hot and the pitch is at its flattest on day two, day three," Warne said. "It would actually be a really good way to move forward, as you know no one needs to do anything to the ball.

"You wouldn't have to worry about anyone tampering with it with bottle tops, sandpaper, or whatever. It would be a good competition between bat and ball," he added. The iconic spinner said while bats have become bigger and lighter, the ball has not evolved over the years and his suggestion can bring about a balance. "Have a look at how the bats have evolved. If you pick up one of the bats you started with in the 80s, and then one you used at the end of your career, it's like four of your old ones stuck together - but the thing is lighter!

"So why has the ball not evolved? If anything, it has got worse," added Warne, who is currently in the middle of shooting a documentary on his life for Amazon.

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The Disneyland theme park in Shanghai will reopen on May 11 under "enhanced health and safety measures," the firm said. Only limited attendance will be allowed initially, and visitors will need to book tickets and make reservations in advance. Social distancing will be maintained in lines for amenities, in restaurants, on rides and other facilities and sanitisation and disinfection will be boosted, it added.

With warmer weather and new virus cases and deaths falling to near-zero, China has been steadily re-opening, parks, museums and tourist sites such as the Great Wall of China and the Forbidden City ancient palace complex in Beijing. China has reported two confirmed cases and 20 new asymptomatic infections.

China asks US for proof
China on Wednesday dared US Secretary of State Mike Pompeo to show "enormous evidence" he claimed to have to prove that the virus originated from a lab in Wuhan and said he has no proof to back up his claims.

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Invest Hong Kong, Hong Kong's inward investment agency, has encouraged Mainland Chinese companies to make use of new tax incentives in Hong Kong.

A surgical robot called Toumai laparoscopic robot was developed by Shanghai's MicroPort. The robot completed its first prostatectomy on a 65-year-old

Here are the photos of Sushant Singh Rajput and Jacqueline Fernandez in their Netflix original Drive.

Challenging Star Darshan's most-ambitious film Raja Veera Madakari Nayaka was launched with a customary pooja at Gavi Gangadeshwara Temple in Bengaluru on Friday, 6 December.