This is the third opening of the 10.5 km long coastal road project within a period of three months

Rajendra Jadhav, a traffic constable who remained in a comatose state for the last eleven months died on Sunday night at his residence in Worli. Jadhav, who was posted at Tardeo Traffic Division, had collapsed while on duty in April 2018 after suffering a stroke.

After treatment in Bhatia Hospital, he was shifted back to his home as per doctor's instructions as there was no improvement in his health. He passed away in his residence, his last rites were performed at the Worli Crematorium on Monday afternoon.

A batchmate on condition of anonymity said, "Jadhav's family was receiving his salary up until now. But the worry is what happens to his 7-year-old son, who suffers from rare congenital heart disease and needs an injection every alternate day for the same? We are currently trying to collect funds in order to aid his family," he added.

The fateful day
On 2nd April 2018, Rajendra Jadhav was walking towards a traffic chowky at Nana Chowk, Tardeo, when he suffered a stroke and collapsed on the ground. He was rushed to Bhatia Hospital, where it was revealed that he suffered a cardiac arrest due to which his brain was deprived of oxygen supply. After a month’s treatment, he slipped into a coma.

After being treated at Bhatia Hospital, which is not on the panel of the Mumbai Police Health scheme, he was shifted to Bombay Hospital followed by JJ Hospital. "Due to cardiac arrest, Jadhav went into a vegetative state," informed a colleague of Jadhav on condition of anonymity.

Babasaheb Dhangar, the constable in-charge at Tardeo Traffic said, "I worked with Jadhav for almost 4 years. He was very loyal and always ready to lend a helping hand. From the day he fell ill, we tried our best to help him and his family. We collected around Rs 4 lakh through contribution and his batch mates, too, contributed as much as they could," he added.

After initial treatment at Bhatia Hospital, Jadhav was shifted to Bombay Hospital. After a brief stay for a month, Jadhav was taken home as per instructions by the doctors. Another surgery was performed on him at JJ Hospital but it was not successful. 

Also Read: Mumbai: 25-year-old constable risks life to save family from blaze in Girgaum

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Welcome to Gutterland. Nothing is normal down here. There is a bakery, but it sells potty cakes. There is a king, but he's mad (his minister, though, is sinister, as can happen in real life). The sewage workers are locked in battle with vicious demons disguised as poisonous gases and polythene bags. And in case you're in the mood for music, the resident French opera singer is happy to oblige.

That's the sort of cuckoo world that the audience for a new musical will be introduced to when it's staged this weekend. It's called Utterly Gutterly Atrocious after a delicious butter brand's tagline. And the two central characters in it are a hare and tortoise, who have set out to change the way we all run the rat race, asking us, "Why climb the ladder of success if we are anyway headed for disaster?"

The zany plot also has space for a love story between a mysterious old man, D'Lalit, and Lady Saga, the opera singer. But it's the main relationship between D'Lalit and a boy named Suvarna that director Purva Naresh uses to address injustices that arise out of caste and class divides. For, on the surface, Utterly Gutterly Atrocious might seem like a loony musical meant for laughs. But there are deep insights within the story that make us sit up and think about why, for instance, the job of manual scavenging is burdened only on one set of people.

The cast

The production stars children from Worli Koliwada, who have had little or no prior experience in theatre. Their involvement was a result of Project Swachh Worli Koliwada, which the play's venue has initiated in collaboration with various organisations. Speaking about the experience, child actor Shubham says, "When we were told about the reason behind the activities and the story of the performance, we realised how drama and theatre are a reflection of life. And if a big group is giving us the opportunity to be a part of theatre, why should we miss out?"

Why indeed, and you shouldn't miss out either on watching a play that highlights how we need to make the world a fairer place. For, it's high time we collectively ensure that Gutterland never becomes a true-to-life depiction of our own world.

ON March 3, 12 pm and 4 pm
AT G5A, Shakti Mills Lane, Mahalaxmi 
Log on to bookmyshow.com
Entry Rs 200

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Gallery Art & Soul

How often have we heard friends say, "Let's grab a drink?" and the next thing you know, you are headed to Lower Parel? That same enthusiasm, purposefulness, and the promise of an evening well-spent are what art spaces in and around that part of the city are gearing up for this year.

Priyasri Art Gallery

Starting June 29, art lovers can say hello to the Mumbai Midtown Arts Collective (MMAC). An initiative by Anupa Mehta and Rashmi Dhanwani, the MMAC will bring together seven spaces in Worli, Dadar, Byculla and Lower Parel to build upon a format that their counterparts in South Mumbai have cracked over the past few years.

Tao Art Gallery

In this city, artists and visitors mark their calendars for Art Night Thursdays, the second Thursday of every month, when galleries have extended hours instead of their usual closing time of around 6 pm. Similarly, the MMAC will host Art Night Fridays, to be held on the third Friday of the month once every quarter. There will also be Art Sundays, when galleries will remain open, and workshops and sessions will be held in public spaces.

Volte Art Projects

Art Night Thursdays was conceptualised in 2011, along with Mumbai Gallery Weekend, by a group of about eight galleries in South Mumbai. It continues to visibly draw more visitors than what they would have on most other days. To boil it down to basics, it is a mix of two factors — geography and programming.

Piramal Museum of Art + their Byculla gallery

For most Mumbaikars, a weekday visit to South Mumbai, particularly Colaba and Kala Ghoda, where a number of galleries are located, usually means wrapping up early from work, and making at least a 45-minute trip from the suburbs. Art Night Thursdays mean that visitors from Jogeshwari or Mulund can spend more time with exhibitions, walkthroughs and talks.

Anupa Mehta Arts & Advisory

"There is a reason why we are planning for Fridays and not Thursdays. That's the day most professionals working in this part of town will step out and unwind," says Dhanwani, founder of The Art X Company, an arts management consultancy, which will drive MMAC.

Saffronart

There's enough for everyone
Mehta and Dhanwani tell us that the idea to form a central Mumbai collective is not new, and has been on their minds for some time now. And, then, last year, some of the midtown art spaces got a massive push for the first time during Mumbai Gallery Weekend, an outreach programme with a series of art events. Mehta, an arts consultant, who runs Anupa Mehta Arts & Advisory from the studio that earlier used to be a gallery, The Loft, at Lower Parel, could see the difference.

Anupa Mehta and Rashmi Dhanwani

"We had a tea party here, and I expected the regular audience to turn up. Instead, a different crowd dropped by — people who had heard that there was something going on," she says. Lower Parel and Mahalaxmi now have a number of creative clusters, such as indie design studios, today. These areas also house and employ well-travelled aesthetes with disposable incomes.

Dhanwani cites a report by KPMG in India and FICCI (February 2018), titled Visual arts industry in India: Painting the future, which stated that 'a new segment of art buyers in India consists of entrepreneurs, company executives and professionals... An increasing number of young art enthusiasts in their late 20s to early 40s are attending shows at art galleries and festivals, to both participate in workshops as well as buy original artwork.

Pics/Ashish Raje; Map/Deshna Mehta; Imaging/Ravi Jadhav

"Lower Parel has a sizeable presence of such professionals, who are open to different experiences such as catching a comedy or music gig or a new exhibition. Although there is the perceived notion that art is an elite preoccupation, these barriers can be lowered to open arts spaces even further," she says.

Focus on accessibility
In recent years, Lower Parel and its surrounding pincodes have turned into the great corporate heart of the city, drawing thousands through railway networks and SUVs for work and leisure. Mehta says that history always speaks through, as the place that was once devoted to mills, and mill workers. It is reason why accessibility is a key focus of the MMAC — how do you draw the waiting staff from the nearby pub as much as corporate consultants? "We forget that art is the great equaliser, and Lower Parel is a constant reminder that different classes co-exist here," says Dhanwani.

The MMAC, interestingly, is not a homogenous clutch of galleries, but has, under its umbrella, a museum, an arts advisory, an auction house, and galleries that have been around for more than a decade, and those that are fairly new. More are likely to join hands in the near future (check MMAC's Facebook page for more info).

The MMAC, thus, strategically, means more visibility to these spaces, and the recognition of the presence and growth of another art district, co-existing with the one in Colaba. "We are complementing our friends in South Mumbai. We hope that many more area-specific art circles may occur, and cater to local communities," says Mehta. She adds that with galleries showcasing a range of artistic practices, there is a growing audience for all.

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Around 50 students from hostels run by the Social Welfare Department in Mumbai's Worli area have requested the state government to let them go home amid the lockdown.

While the department has ensured that these students are provided with food, a majority of them hail from rural Maharashtra and are scared due to the increasing number of COVID-19 patients in Mumbai — particularly in Worli.

There are three Social Welfare Department-run hostels in Worli's BDD Chawls — building number 116 and 118. While the hostel in building 118 is a boy's hostel, building number 116 has both boys and girls.

Ashok Bansode, resident student

Ashok Bansode, an engineering student who hails from Akkalkot in Solapur said, "Initially, we were getting proper food. But as the cases kept rising in Worli area, restrictions came in place and now we are just being served dal and rice every day. We are also wondering whether or not the department will take responsibility for us."

The hostel management asked the students to get their medical check-ups done before seeking permission to travel home. But considering their financial conditions, nobody has money to arrange for private transportation.

"The way arrangements were done for students in Kota, we should also be given such help. We cannot arrange for our own transportation," Bansode added.

Suraj Kamble, another resident student said, "We should be taken home directly where we can remain in home quarantine. But if we are sent to any institutional quarantine or told to travel through railways, that can put us in danger of contracting the virus. All the Kota students are in home quarantine currently,"

Sachin Bansode, member of Chhatrabharati — a students' organisation which is helping these stranded students to go back home — said, "These students too have the right to go back home. Many of them are from rural parts of Maharashtra and don't have funds to head home on their own. We are in the process of understanding how they can be helped without compromising on safety."

Three
Total no. of Social Welfare Department hostels in BDD chawl

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Bandra-Worli Sea Link