(Shortlink to this post: https://debbieohi.link/goodnight-ganesha)

I met Nadia Salomon through the SCBWI and am also familiar with her online. I love her enthusiasm, positive outlook, and the support she has shown fellow members of the kidlit community over the years! I was excited to get a sneak peek of GOODNIGHT GANESHA, her debut as a picture book author. The bedtime story celebrates nigthtime rituals as two young children visit their grandparents in India. SUCH gorgeous illustrations by Poonam Mistry. Thanks to both Nadia and Poonam for answering some questions about the book as well as their advice for young writers and illustrators!

Nadia Salomon lives in northern California with her family. Nadia writes picture book, middle-grade, and graphic novel manuscripts with themes of South Asian and Caribbean culture, STEM, non-fiction, and humor. Nadia is the winner of the 2020 SCBWI Service Award and the 2019 SCBWI WOOP Honor Award for work of outstanding progress on her non-fiction, picture book manuscript, MYRLIE: A VOICE OF HOPE. You can find out more about Nadia on her website, Twitter, Facebook, Instagram and YouTube. You can sign up for her newsletter here.

Poonam Mistry is a freelance illustrator living in the UK and graduated in 2010 with a degree in Graphic Design and Illustration at the University of Hertfordshire. Poonam creates her beautifully intricate images by hand using fine liners and then digitally alters them. You can find out more about Poonam on her website, Twitter, and Instagram.

Synopsis of GOODNIGHT GANESHA (Philomel, Aug. 31, 2021):

"As nighttime falls over the city, two children visiting their grandparents in India find there’s so much fun to be had! Whether it’s listening to epic stories or observing rituals in the puja room, there are many moments that make this time together special. In this beautiful, rhyming ode to bedtime, the only thing more universal than getting ready for bed and saying goodnight is the love between children and their grandparents."

Inspiration photo from Poonam Mistry.

Q. What was your path to publication?

Nadia: I'm a #PitMad success story. I landed my amazing agent, Ammi-Joan Paquette, through twitter pitching! That's about three years after joining SCBWI. But my debut, GOODNIGHT GANESHA, is not the story she faved, but instead what I call a 'hot potato' idea inspired by my child. I wrote the draft in October of 2017. I sent it to several editors and agents I had connected with through conferences, but received lots of champagne rejections before shelving it. It was one of 21 manuscripts I shared with my agent in March of 2018. She loved the concept, but asked me to write the story in lyrical prose. After rounds of revisions, in January of 2019, she finally accepted the manuscript. She sent it out on sub. Six months later, in July of 2019, we sold the manuscript to Liza Kaplan, a senior editor at Philomel Books. I am now traditionally published. From concept to release will be 3 years, 10 months, 14 days to be exact.

Q. What interaction did you have with the illustrator, if any, during the process?

Nadia: Poonam and I interacted behind the scenes, but we NEVER discussed GOODNIGHT GANESHA or the art for the book. I trusted her whole-heartedly. All work related communications went through our editor. We became friends behind the scenes - coping through the pandemic, bonding over shared culture, family, and everything else in between, but we NEVER had convos as she worked on the book. The one time was at the end, when Poonam completed the art and asked me, "DID YOU SEE THE FINAL ART YET?" And I was like, "Uhm...NO." She was so excited. She said she put a lot of extra details and hoped I liked it. I was so antsy, but stayed calm. A few days later I received the final art. It was just incredible! We had a good cry messaging back and forth over the final art and what this project meant to each of us. We're about to contribute a piece of Telugu Culture and Kalamkari art into kidlit; we're ecstatic and proud of what we created together.

Q. What was your illustration process for GOODNIGHT GANESHA?

Poonam: For Goodnight Ganesha, I began by actually taking photographs around my parent's house. They have a lot of decorative ornaments and wall hangings all around their home so this was the perfect starting point for the book. Nadia's text is so poetic and beautiful so I sketched the imagery I felt best represented each spread and would really showcase her words- usually I have several versions for each part of the text and pick the ones I like the most. Once this was approved, I sketched out larger versions on thick cartridge paper and used black ink to draw in the designs in neat. This is where I added all the patterns and details. Mostly I took inspiration from traditional Indian art such Kalamkari textiles and Madhubani art. I layered the patterned very much like you would see on sarees and fabrics. After completing the drawing, I used Photoshop to add colour and additional patterns to finish it off. Some of the spreads have a patterned border- this was because I wanted them to look like wall hangings and Kalamkari textile pieces- big pieces of art!

Q. What advice do you have for young writers?

Nadia: Read, read, read. Write your stories. Make writing a habit. Write, write, write. Use the power of storytelling to change the world through joy. Explore your emotions, your memories, and create new classics. There's someone out there, an adult, another child, a pair of hands waiting to read your story that may impact or influence their life. No matter your age, your size, your voice - your words have value.

Q. What advice do you have for young illustrators?

Poonam: My biggest piece of advice is to do art that is true to yourself. My style is a real reflection of the things I love and what makes me who I am. It is my visual voice. Also always keep drawing and be experimental in the media you use. Although my work is mostly digital, I love painting in my style!

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For more insights from book creators, see my Inkygirl Interview Archives.

Ordered accordingly.

(RAJESH BINDAL) JUDGE Jammu 05.05.2020 Paramjeet Whether the order is speaking: Yes/No. Whether the order is reportable: Yes/No.

PARAMJEET SINGH 2020.05.06 14:02 I am approving this document

Bollywood actress Sonakshi Sinha may have followed her father’s footsteps into Bollywood, but she is very close to her mother Poonam Sinha. She has not just inherited Poonam‘s elegance and graciousness, but lives by her mother’s three important rules.

Poonam Yadav (4/19) snapped four wickets, two in successive deliveries of the 12th over to break the backbone of Australia's chase.

Poonam Dhillon and Rishi Kapoor were a popular pair of the eighties. They starred together in around 10 films, notably Sitamgar, Yeh Vaada Raha, Zamana, Biwi O Biwi, Ek Chadar Maili Si, and Tawaif. The actress looks back at working with the late Rishi Kapoor, and is too shocked to express her grief.

It is difficult at this moment for me to even talk about Rishi. It is very painful to talk about him in the past tense. So many images of him are coming in my mind.

Devastated !!! Rishi kapoor gone !! What terrible news today!! No words to express. My heart breaking for Neetu, Ranbir, Riddhima ,Daboo, Chimpu & Rima !!

— Poonam Dhillon 🇮🇳 à©´ (@poonamdhillon) April 30, 2020

He really was one of my favourite actors. Over the years people would ask me which co-star have you been a fan of or admired. I have always said Rishi Kapoor and Kamal Haasan. They are my two co-stars from whom I have really learnt a lot. I have been a grear fan of both of them.

Rishi really is one of the finest, most effortless and natural actors we had. All through his life he had this romantic and loverboy image. But the variety of roles he did -- whether it is playing a villain or a bad guy or an old man, any kind of role, put him in any role and he would shine in it. He really was a complete actor and I think the most shining star of the Kapoor family.

We have done quite a number of films together. Anywhere in the world I have traveled to, people would tell me "Yah vaada raha" is one of their favourite songs. People would even convey the same on Insta and Twitter. It has been an immortal creation of R D Burman featuring Rishi Kapoor and myself.

As a person, he was somebody with an amazing sense of humour. He would always reply to texts or WhatsApp messages with something whacky or funny. He was a person who had a zest for life. He was full of life. He enjoyed everything from his work to even being on Twitter! Sometimes he wrote very meaningful and great comments (on social media).

He really lived his life to the fullest. I just wish he had not gone so soon. He still had a lots to do. It is very sad.

When I last met him, he was looking so good and nice. We would text each other on occasions like birthdays, Diwali, New Year and other festivals. I had recently sent him a message wishing him good health. Today, I am going through my old messages with him, our conversations.

It is not an easy time to talk about him like this but he is really a person I would miss as a friend, as a co-star. I would sometimes jump into him asking why are we not doing any film together and we would have a banter about it. He would sometimes say, maine ek do film ki, achha role tha, mujhe laga tu karegi nahi!

I don't think he was ready to go. I don't think this is the perfect time. It must be so very traumatic for his children Riddhima and Ranbir. I can't imagine what his entire family must eb going through. Unfortunately, this is such a time that I can't even go and meet his family, share their grief and pay my last respect to him. I am sitting alone at home and thinking about him.

He will always be immortal. He has given such a fantastic body of work. He was outstanding in every role. I wish I could spend some more time with him after he came back from New York. When I met him a few months ago, he told me tu ghar nahi ayee mujhse milne ke liye! He was an old friend and we could tell each other things as it is! I regret not meeting him recently. God bless him and his family. He was a tremendous actor and will always be remembered for his roles!

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I have lost count of the number of films I did with Rishi Kapoor, especially in the early '80s. There were movies like Biwi-O-Biwi (1981), Tawaif (1985), Sitamgar (1985), Zamana (1985), Ek Chadar Maili Si (1986), Dosti Dushmani (1986) and many more.

I was a newbie then, but he was willing to work with fresh faces. At that time, he was the only star who had no qualms about teaming up with novices. I would tell him that he deserved to be in the Guinness Book of World Records for collaborating with the maximum number of new heroines. He could rattle off names [of all those he worked with], and would often wonder where some of them disappeared.

He was a natural and spontaneous actor, one who would laugh and fool around with the unit off camera, but instantly [transform] into the character when [we] rolled.

You could see the passion in his eyes as he enacted scenes.

Like all Kapoors, he too loved his food. The most distinct memory I have is going to RK Studios and [enjoying] the lavish spread and hospitality of the Kapoors.

I was in touch with him even when he was in the US for treatment. If I messaged him late at night, he would wonder why I was awake at that unearthly hour. Former minister Arun Jaitley, who passed away last year, was also seeking the same treatment at the same hospital in New York. As I also knew him, Rishi would often tell me that he would invite Jaitley to his home for a meal.

When he came back, we caught up with each other. He was not pretentious. He would not hide that he loved his drink. His wife Neetu would ensure that he had healthy meals, but, as soon as she would leave the room, he would quickly take a bite of [the food he was forbidden from eating]. He was childlike.

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Cham : Springer, c2019.

The actress has been posting pictures of herself in films with Bollywood's greatest heroes, and has an interesting thing to say about each.