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The National Gallery presents “Van Gogh: Poets and Lovers” To mark its 200th anniversary, the...

Our staff of reporters and photographers at the Inlander has been working tirelessly to cover the coronavirus pandemic and all of its implications for the Inland Northwest — on jobs, schools, employment, the restaurant industry, arts organizations, hospitals and much, much more. However, we’ve also tapped into a boundless resource that is our region’s community of writers, and in recent days they’ve shared with Inlander readers an awe-inspiring series of essays and stories that has left us inspired, hopeful, heartbroken and more than a little grateful…

Today, we hear from unhoused people in the East Bay on their role in the presidential race. Then, photos and voices from the lives that are swept up when an encampment is cleared.

Today, a local Iranian farmer grows the herbs of home. Then, an art exhibit encourages visitors to look inside themselves to feel empowered. And, Bay Poets brings us an oracle.

[Written by Stephen Wright] Bermudian poets Elijah Bean and Rhys Campbell have collaborated to create a collection of work that views the “world through a spiritual lens.” Lumin: A Poetic Collaboration, published on December 1 and features 87 poems, was borne out of weekly meetings at sunrise in Astwood Park in Warwick, where the pair […]

Welcome to The Great Hall of Poets, our poetry feature showcasing the talent of Middle-earth fans. So come and join us by the hearth, and enjoy!

If you have a Tolkien/Middle-earth inspired poem you’d like to share, then send it to poetry@theonering.net  One poem per person may be submitted each month. Please make sure to proofread your work before sending it in. TheOneRing.net is not responsible for poems posting with spelling or grammatical errors.

The Steward and the White Lady

by: Cassie Hughes

She lay bereft of all she loved and wished her life was done,
That King had never called her back from limbo’s darkened home,
Within these hallowed healing halls her heart felt caged anew,
What now for maid without a shield? No cause to cleave unto?

In waking dreams she wandered there a ghost in living form,
Her hopes and dreams dispersed as dust, her mind encased in storm,
‘Twas thus he first did spy her there caught up in moonlights glow
And from that moment lost his heart to Rohan’s greatest jewel.

Fair Eowyn he then pursued though she desired naught
But finding honour within death, this goal, her only thought,
With inner strength he persevered and piece by piece did steal
Away despair and hopelessness, her zest for life reveal.

At last the scales fell from her eyes, she finally perceived,
The wise and steadfast prince of men to whom her heart had cleaved,
The Steward and the Lady found at last their just reward,
A strong, enduring love in which to live in light restored.

~~ * ~~

I've included this following poem to commemorate Remembrance Day. It's one I wrote as part of my Literature degree in memory of my Grandfather. Lest We Forget

Grandad Speaks

by: Kelvarhin

They called me Jack,
Though my mates
Called me Snowy.

A hazel-eyed beauty,
From London’s east-end,
Became my life’s love.
Two adored daughters,
Completed our home.

War intervened,
To the R.A.F. I soared.
Not to drop bombs,
Or dogfight in the sky,
Dinghy Drop rescues
Were my choice to fly.

The fates made their call,
Rescuers missing,
Lost over North Sea.
Three simple words,
All that were shared.

Missing in action.

No body to mourn,
No grave to cry on.
A telegraphed epitaph,
My Loves only memorial.

~~ * ~~

Baltimore : Johns Hopkins University Press, [2009]

Ranjani Sivakumar’s Birdsong by Birdsong, to be performed in Hyderabad on September 2, explores the relationship between birds and music, sourced from the works of poets and writers

English language poets of the Indian diaspora were celebrated at a recent event in London.

Dr. Haranath Kolicherla chosen for Lifetime Achievement Award; Imani Deepa Venkat to get Seva Award

Money talks ... in verse.

"Money is a kind of poetry," the poet Wallace Stevens once wrote. That might be so, but poems rarely pay the poet's bills. Still, poetry reading in the U.S. has skyrocketed in recent years, according to the National Endowment for the Arts' Survey of Public Participation in the Arts.

The Academy of American Poets announced Thursday that it has received a $4.5 million grant from The Andrew W. Mellon Foundation for the Poets Laureate Fellowship program — believed to be the largest-ever from a philanthropic institution for poetry. That's enough to fund the program for the next three years.

Poetry is like "the little engine that could ... with its outsized power, with its tremendous potency," Elizabeth Alexander, who is the president of the Mellon Foundation, tells NPR. As a poet, she believes the grant will help that engine "move a little faster."

Through fellowships to individual poets laureate, "we're able to create the conditions and open up the creativity of poets, not only to make their own poems, but also to think 'how can communities use poems? How can we let poetry be a way that we can explore what it means to be American in all these different places in real time?,'" Alexander says. (The Mellon Foundation is among NPR's recent financial supporters.)

"It's a game-changer," says poet and former NEA Chair Dana Gioia. He says that while multimillion-dollar grants to performing arts institutions is commonplace, the poetry world has made do on tiny grants from small funders. "Usually it's $25,000 and you're supposed to be grateful."

The Poets Laureate project began last year and provides grants from $50,000 to $100,000 to 13 poets around the country. Molly Fisk, the poet laureate of California's Nevada County, spearheaded workshops that encouraged more than 800 schoolchildren to write poems responding to devastating wildfires in the state. Ed Madden, poet laureate of Columbia, S.C., tells NPR he believes in "poetry as public art," including poetry readings on city buses. For his fellowship, he launched a youth and community workshop and interactive map called "Telling the Stories of the City."

Claudia Castro Luna, Washington state's poet laureate, held workshops at eight stops along the Columbia River — "places where cultural programming of the kind I am providing is rare," she tells NPR. Luna says the yearlong project One River, Many Voices "brought an injection of joy and beauty, an enthusiasm for words."

Academy of American Poets Chairman Michael Jacobs says in a statement that the organization is "thrilled that this extraordinary grant from the Mellon Foundation will help us continue to fulfill our mission and enable us to meaningfully fund poets who are involved in the civic life of their communities."

The $4.5 million grant is not the largest philanthropic gift to poetry. That distinction goes to Ruth Lilly who pledged an unrestricted $200 million to Chicago's Poetry Foundation in 2002. But it is believed to be the largest grant ever made by a philanthropic institution to support poets.

Gioia says having a large foundation like Mellon put real money toward the art form "is both visionary and practical," and a reflection of poetry's growing popularity among all age levels and backgrounds.

"Thirty years ago, I was seen as an eccentric for loving poetry. Now I'm just stating the obvious," he says. As Gioia's own poem Money puts it:

It greases the palm, feathers a nest, holds heads above water, makes both ends meet.

Guidelines for the 2020 round of fellowships are posted on the Academy of American Poets' website. Poets laureate "of a state, city, county, U.S. territory, or Tribal nation after having been formally appointed" are eligible.

This content is from Southern California Public Radio. View the original story at SCPR.org.

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Our staff of reporters and photographers at the Inlander has been working tirelessly to cover the coronavirus pandemic and all of its implications for the Inland Northwest — on jobs, schools, employment, the restaurant industry, arts organizations, hospitals and much, much more. However, we’ve also tapped into a boundless resource that is our region’s community of writers, and in recent days they’ve shared with Inlander readers an awe-inspiring series of essays and stories that has left us inspired, hopeful, heartbroken and more than a little grateful.…

This week, we bring you a very special talk with Abiodun Oyewole of The Last Poets. We chatted with him about his extensive and fascinating life and work. We’re very proud to bring you this incredible bit of living history.

See http://theciphershow.com/episode/19/ for full show notes and comments.

This show, we bring you Umar bin Hassan of The Last Poets. Umar is a long-running and key member of the legendary group, and we talk to him about everything he’s seen. From his youthful adventures as a shoeshine boy to being forced out of his hometown on pain of death; from being a veritable prince of Harlem to his battles with drug addiction; from Gil Scott-Heron to Miles Davis — we travel through it all.

See http://theciphershow.com/episode/51/ for full show notes and comments.

This week, we talk to Kevin Coval and Nate Marshall. Kevin and Nate, along with Quraysh Ali Lansana, are co-editors of the new poetry anthology The Breakbeat Poets. The book is billed as being “the first poetry anthology by and for the Hip-Hop generation,” and features the work of 78 different poets, representing several different generations of hip-hop fans and practicioners. The book is a first step in creating a Breakbeat Poet movement – a way of bringing the poetics and aesthetics of hip-hop into the world of poetry.

Kevin, who longtime Cipher listeners may remember from his appearance on Episode 52, is the author of many book including Schtick, L-vis Lives: Racemusic Poems, Everyday People and Slingshots: A Hip-Hop Poetica. He is the founder of Louder Than a Bomb: The Chicago Youth Poetry Festival, Artistic Director at Young Chicago Authors, and teaches at the University of Illinois at Chicago.

Nate is the author of NAACP Image Award-nominated book Wild Hundreds. He is a founding member of the poetry collective Dark Noise, and is also a rapper.

See http://theciphershow.com/episode/137/ for full show notes and comments.

Rockford is getting not just one, but two poets laureate -- an adult and a youth. The adult poet laureate position will be a two-year position, and probably one year long for the youth. Rockford Area Arts Council (RAAC) Executive Director Mary McNamara Bernsten said the committee is still working that out. But, she said, people may start nominating poets next week. To be qualified for the positions, candidates must have lived in Rockford for at least one year. Adult candidates must be at least 18 years old by Oct. 23, 2020. Youth candidates must be aged 13-17 by that same date. McNamara Bernsten said the poets laureate will appear at public functions. She gave examples like Stroll on State, high school and college graduations, and the swearing in of officers in the police and fire departments. "You may be reading poems at ceremonial events," McNamara Bernsten said. "You could at the unveiling of a new building or bridge. You could be at city council meetings or other public meetings."

As the days of social distancing become weeks, some have turned to poetry to cope with such strange times. OPB spoke with a few Oregon poets to hear what they are writing about right now.

Welcome to The Great Hall of Poets, our regular monthly feature showcasing the talent of Middle-earth fans. Each month we will feature a small selection of the poems submitted, but we hope you will read all of the poems that we have received here in our Great Hall of Poets. So come and join us by […]

Smeetha Bhaumik

The poet-artist, for whom this is the second Glo/NaPoWriMo attempt, says, "Platforms like these are precious to a poet, because of the sense of community and writing in unison that they offer. Writing to new prompts every day is a challenge in itself, and an exciting one; I say this because I have seen unexpected beautiful verses emerge out of my pen [or mouse]." For Bhoumik, it's tough to pinpoint where her tryst with poetry began, "I have grown up with poetry as a background motif in an environment of science and engineering that dominated my Bengali household. So, its aesthetics have been with me all along. Though I took up writing much later, it was as if I had written it all my life. It just flowed," she says.

Moonlit haibun writes itself,
silver crescents that speak to silence
often.
On the walls trellises of poetry,
On the night:
Shadows
Of poems
To come

Ritu Poddar

A NaPoWriMo novice, Poddar says for her, the takeaways are many. "This has been the most productive and creative month of my life so far. I learnt that passion alone cannot take you anywhere but, passion combined with discipline can," she shares. Speaking of the challenges she faced, Poddar says, "There were days when I would easily find inspiration or an idea to write about. But on others, even the prompts could not help. I have stayed up all night to ensure I don't break the chain of writing continuously."

Collecting from every corner of my body
Debris of past heartbreaks,
Stench of hoarded guilt,
Leftovers of repeated mistakes,
Scraps of untreated anguish
Digging hard to pull out weeds of hurt
Rooted deep into the memory bed.
Cutting cobwebs of relations I weaved,
Which had turned into fetters.

When Washington-based poet and publisher, Maureen Thorson began the National Poetry Writing Month (NaPoWriMo) in 2003, little did she realise that it was going to turn April into the busiest month for poets across the world? The objective is to pen down 30 poems in 30 days — spurred on by prompts (available on the official NaPoWriMo blog) and a general camaraderie that allows you to find the much sought-after inspiration writers are constantly pining for. Today, this has become a global community, with most preferring to call it Glo/NaPoWriMo. It has found its way into the lives of many Indian poets.  We speak to four of them as the month comes to an end.

Rakhee Panth

Panth quit her job as a school teacher to pursue writing full time. This was her first NaPoWriMo attempt and she says the experience was exhilarating. She began writing when she was 11 and published her first short story at 14 in Children's World Magazine. "Writing is a lonely profession. This forum encourages writers across the world to stay inspired and motivated as a community [albeit virtual]. It is believed that creativity often follows its own graph but NaPoWriMo pushes you to harness your creative energy every day and expand your horizon in a guided manner — something that many writers are hungry for in our country. It helps inculcate discipline and is a creative and fun alternative to structure your writing process," she says.

When rain finally falls
And takes with it
The earth's sorrow,
Winnows its way
Into her heart
And stays,
I will call to you then

When eternity stops
And time stands still
I shall have dissolved you in me

Aashish Vaidya

The blog, which is maintained by Thorson features a participant every day. Aashish Vaidya was one of the few Indians to be named. Originally from Vadodara, Gujarat, Vaidya says that his foray into poetry was encouraged by his grandfather, and began with their affinity for Hindi ghazals. "Ghazal singing is that beautiful confluence of good poetry, good singing and good music. I wrote poems and articles sporadically in high school, and in college, for newsletters and community magazines. But, I can relate to Picasso's quote 'Every child is an artist. The problem is how to remain an artist once we grow up.' So for many years, the desire to write lay dormant, as the proverbial life happened," he says. Vaidya, who is participating in the challenge for the fourth time, believes its significance is manifold. "It provides this huge nudge to write. And if you tap into the NaPoWriMo blog community, you can also find other individuals around the globe, who are writing. And in many cases, they are struggling to write, like you, at this maddening pace." he says.

But, talking anything rational with them is more
Like 'burning daylight,' or 'whistling up the wind.'
I mean it takes a special someone with,
'Too many cobwebs in the attic,' to believe someone who is
'Slicker than a slop jar or a boiled onion.'
I mean, come on y'all, howdayya believe someone who,
'Knows more ways to take your money than a roomful of lawyers.'

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates.

The dim light of candles engulfs Andheri's Harkat Studios in a warm glow. A 25-member audience settles on the mattresses around an elevated gadda under a spotlight. The mushaira's (poetic symposium) setting is perfect. Before seven Urdu shayars begin the performance, Devroop Sharma of Irshaad poetry collective acquaints the audience with the basics: Say 'mukarrar' for an encore and 'waah waah' as applause.

(Clockwise from top) Artistes Devroop Sharma, Khan Faisal Barkaati and Ashwani perform at the mushaira held last weekend. Pics/Tanvi Phondekar

For the next two hours, the fragrance of Urdu fills the room as the shayars - including 20-year-old Khan Faisal Barkaati, and Ashwani, who recites poetry in a Haryanvi accent - share original nazms on love, heartbreak, politics, education and motherhood. They make it interactive, asking the audience to complete a misra (a couplet line). They also ensure the guests aren't overwhelmed by the language, by explaining the meaning of lesser-known words like ilm (knowledge) and baa-safaa (chaste) before narrating the verses. Some members in the audience repeat the words under their breath to savour their taste. One of them, Sankalp Rawal, tells us after the show that was held last Saturday, "I understood 70 per cent of what was recited but still enjoyed the performance."

Shamir Reuben and Hussain Haidry

For Sharma, that's an achievement. "The idea isn't to spoon-feed but help expand your vocabulary. When you don't understand a word, you look it up and then, enjoy the shayari more. It stays with you even after the performance," says the 29-year-old poet and salsa dance teacher, who launched Irshaad six months ago, to promote regional language poetry.

Mohammed Sadriwala

Urdu takes the centre stage
Recent months have seen a spurt in groups supporting the language. Earlier this year, Studio Tamaasha kicked off Urdu Readings, a series of dramatic readings of Urdu short stories, conceived with the help of academic Aslam Parvez. Its finale will be held on October 28.

The Poetry Club (TPC) introduced Mehfil, where members discuss popular Urdu poets, besides Hindi and English. "We wanted to challenge the notion that Urdu is difficult to understand. We use words from it in everyday conversation without realising it. Like, darwaza," says Ankita Shah, co-founder of TPC, which will host the next session in November at G5A.

Write and learn
Workshops that help you hone Urdu poetry skills are also finding takers. Last month, Karan Talwar, curator at Harkat Studios, collaborated with Sharma to present a ghazal-writing workshop. Led by college professor Abhishek Choudhary, it deconstructed the form to drive home the point that every ghazal uses the same kind of metre. "The idea was to help the participants realise that a ghazal isn't difficult to master, if you know the math of it," says Talwar. On October 27, the duo is also collaborating for Kissagoi, comprising theatrical readings of original Urdu stories by three young poets.

Meanwhile, a Hindi and Urdu spoken word masterclass, titled Lafzon Ki Kaarigari, saw 15 participants aged 18 to 40 in attendance. Held last Sunday, it was curated by YourQuote, a mobile app for writers to share original poetry. The 25-year-old poet Mohammed Sadriwala, who conducted it with fellow poet Rakesh Tiwari, says he was impressed at the turnout. "When I started out in 2014, I saw eight out of 10 poets performing in English at open mics. Today, over 50 per cent use Urdu in their performance. It's more expressive. There's also a certain pride in performing in your own language," he observes. Another masterclass is scheduled for next month.

"Of the 2.5 lakh Indian users of our app, 35 per cent [87,500] prefer writing in Hindi and Urdu. That's also because today, more content consumed online is in regional languages," says the app's co-founder Harsh Snehanshu.

Case in point: 31-year-old Indore-born, Mumbai-based Hussain Haidry's poem, Hindustani Musalmaan, which went viral as soon as Kommune launched it on its platform in February, and at last count had seen 5 lakh views. "People are more receptive and attentive to Urdu. Credit goes to [Delhi-based] organisations such as Rekhta Foundation, which are responsible for reviving and preserving the language," says Haidry, a go-to artiste to add to the line-up at Hindustani poetry performances. He also narrated his poems at The Urdu Exhibit, a launch event for Design Fabric's latest issue featuring artworks themed on the language.

Haidry will perform next on October 12 at a Hindi-Urdu poetry open mic at The Cuckoo Club, curated by Kommune as a prelude to their debut spoken word festival. "We've also prepared a list of new, young poets writing in the language. A pure Urdu poem may be difficult to understand but the younger poets are mixing it with Hindi to make it conversational and audience-friendly. It also has a greater impact when used to make a political and social commentary. While at it, they are keeping Urdu alive," says Shamir Reuben, member of the storytelling collective.

Poetry meets activism
Talwar adds that celebrating Urdu is important in today's political scenario. "Recently, at a curatorial workshop in Delhi, I learnt that India doesn't have an Islamic art gallery. That's strange considering it's an integral part of our culture. At a time when Islamic influences in Indian art and culture are being underplayed, curating Urdu-focused events is our shot at activism, where we try to rediscover the language in a safe space."

Jonathan Bate has penned a biography about the life of poet William Wordsworth. Author says William who was born in Cumberland did his best work after meeting Samuel Taylor Coleridge.

Hayden Library - PQ7084.M244 2017

The African Section, African & Middle Eastern Division is sponsoring “Conversations with African Poets and Writers”, featuring Lesley Nneka Arimah, author and 2019 Winner of the Caine Prize for African Writing, on Thursday, February 20, 2020, from 12:00 -1:00PM, in the Whittall Pavilion, Ground Floor, Jefferson Building, Library of Congress, 11 First St. SE, Washington, DC.  A book signing and a display of Africana books and other materials follow. 

The Conversations with African Poets and Writers Series presents interviews with current African diaspora writers committed to the literature of continental and diasporic Africa (fiction, non-fiction, poetry, drama, literary criticism) and readings from their written works. Authors include established writers as well as highly talented ‘new’ and emerging writers.

Please forward inquiries to Laverne Page at (202) 707-1979 or email mpag@loc.gov.

Request ADA accommodations five business days in advance at (202) 707-6362 or email ADA@loc.gov.

Click here for more information.

MEDIA PhonCD P L339 tra

Barker Library - PS591.G38 N472 2018