A while back, I blogged about what it means to be Cloud Native. One of the key issues is multi-tenancy. As I discussed in that blog, there is a huge cost benefit in resources to multi-tenancy. This is how we can afford to run http://cloud.wso2.com and offer multi-tenant Tomcat currently for free beta use.

Today Amazon announced Elastic Beanstalk. They call it a PaaS. Unfortunately Elastic Beanstalk is only multi-tenant at the VM layer - in other words it is fundamentally IaaS not PaaS. In other words you don't get the true benefit of PaaS: every Beanstalk user has to pay for at least one EC2 instance. Amazon tries to put this in a nice light:

Each of your Elastic Beanstalk applications will be run on one or more EC2 instances that are provisioned just for your application. 

WSO2 Stratos is designed to share the cost of the infrastructure fairly. In other words we will be charging for CPU, Bandwidth and Disk space, not for just having an app sitting waiting for requests.

Effectively Beanstalk is a nice pre-packaged runtime with some good tooling. I have no doubt it is a major improvement over the existing model and from the look of it the tooling is pretty slick. But calling it a PaaS is simply a fairytale.

Uma Chingunde of Render compares building a PaaS with her previous experience running the Stripe Compute team. Host Jeremy Jung spoke with Chingunde about the role of a PaaS, building on public cloud providers, build vs buy, choosing features, user experience, managing databases, Series A vs later stage startups, and why internal infrastructure teams should run themselves like product teams.

<strong>EXPECTATIONS</strong> A launch-pad is always special, especially so when it is that of a star son. Moreover, when the debut affair is a love story then you do expect soulful music as well. This is what makes one look forward to what does Sunny Deol has in store for the launch of his son Karan Deol along with newcomer Sahher Bambba. The good thing is that he brings on board hottest sensations Sachet-Parampara to put together the soundtrack with Siddharth-Garima doing the honours as the lyricists. Rishi Rich produces the music and his touch is quite visible in there. <img class="aligncenter size-full wp-image-1014370" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/09/Music-Review-Pal-Pal-Dil-Ke-Paas.jpg" alt="" width="720" height="450" /> <strong>MUSIC</strong> Newcomer Hansraj Raghuwanshi, who is known for his devotional songs, makes his Bollywood foray with <strong><em>'Aadha Bhi Zyaada'</em></strong>. A number about living life to the fullest, this one is a peppy outing and in fact reminds one of <em>'Sochna Kya Jo Bhi Hoga Dekha Jaayega'</em> from Sunny Deol's <em>Ghayal</em>. That song was rendered by Bappi Lahiri and incidentally Hansraj's voice pretty much sounds similar to that of the veteran composer-singer. Meanwhile, Karan Deol too makes an intermittent appearance as a rapper in this song which does carry the sound of <em>'Jai Bhole'</em>. The song that is set to become an anthem in time to come though is the title track <strong><em>'Pal Pal Dil Ke Paas'</em></strong>. An excellent number that is very high on melody and showcases the best side of composers Sachet-Parampara, it has poetic lyrics by Sidharth-Garima that makes a very strong impression. Meanwhile, the song is made special due to the voice of Arijit Singh who is superb all over again and also Parampara Thakur who shows once again that other than being an efficient composer, she is also a very good singer. No wonder, the song deserves to be heard in a repeat mode and that is evident in the kind of confidence that the makers have as well, what with <em>'Pal Pal Dil Ke Pass'</em> arriving in as many as three more versions. Whether it is the second version, the 'celebration' version or the one which goes by the title <strong><em>'Suun le Rabb'</em></strong>, the song is beautiful every time it is heard and one just can't let the melody go off from one's mind and heart. Composer Tanishk Bagchi makes a special appearance with a solitary number, <strong><em>'Ho Jaa Awara'</em></strong>. He too demonstrates once again that there is a lot more to him than the recreated versions that he is largely known for, what with this one turning out to be yet another beautiful number in <em>Pal Pal Dil Ke Paas</em>. Monali Thakur is the one who kick-starts the proceedings for the song and somewhere also reminds one of the kind of pitch that Hema Sardesai used to take in her songs back in the 90s. Ash King is her accompanying partner in this peppy-n-sweet outing. It is back to Sachet and Parampara and this time around other than being the composers, they are also the singers for three songs in a row. First to arrive is <strong><em>'Ishaq Chaliya'</em></strong> which has a good hook to it and makes one tap feet instantly. A Punjabi-Hindi number, this one has a good pace as well and lends a happy sound to the overall outing. A difficult song to sing, especially the manner in which Sachet brings on the hook words, this one takes a bit of time to grow on you but eventually you get a good hang of it. This is followed by <strong><em>'Dil Uda Patanga'</em></strong> which has Parampara Thakur taking the lead and Sachet Tandon joining her soon enough. A song which has a teenage feel to it with an Indi-pop flavour, there is certain innocence to it that should work with the teenagers if the film manages to strike a chord with the audiences. Play this one loop and you won't be disappointed at all. Third song that arrives in the voice of Sachet and Parampara is <strong><em>'Maa Ka Mann'</em></strong> and this one is a devotional piece with a difference. While the sound of 'Satnam Shri Waheguru' keeps playing in your mind during the track's duration, you like the manner in which there is a soulful feel being carried. This one should make for a good situational piece in the film's narrative. <strong>OVERALL</strong> The music of <em>Pal Pal Dil Ke Pass</em> was expected to be good but the soundtrack actually goes on to exceed expectations. Sahcet-Parampara, Sidharth-Garima and Richie Rich do quite well in their biggest album till date where they are entrusted to put together music for the two newcomers. There is certain consistency in the film's music and that is always on the cards as well when there is a single team put together in charge instead of multiple composers, lyricists and singers. This one is a winner. <strong>OUR PICK(S)</strong> <em>‘Pal Pal Dil Ke Paas’</em>, <em>‘Ishaq Chaliya’</em>, <em>‘Ho Jaa Awara’</em>

In 1983, Dharmendra launched his older son Sunny in the love story BETAAB, which proved to be a huge success in all respects. 36 years later, life comes full circle as Sunny Deol now takes up on himself to launch his older son Karan Deol with PAL PAL DIL KE PAAS. Sunny is not just the producer - he also dons the director’s hat. The film has been in the making for a long time and has been shot in virgin locales of the Himalayas. So does history repeat with PAL PAL DIL KE PAAS and does it turn out to be a success? Or does it fail to touch the hearts of the viewers? Let’s analyse. <img class="aligncenter size-full wp-image-1020825" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/09/Movie-Review-Pal-Pal-Dil-Ke-Paas-IMG.jpg" alt="Movie Review Pal Pal Dil Ke Paas IMG" width="750" height="450" /> PAL PAL DIL KE PAAS is a love story set amidst the beauty of Himalayas and the ugly politics of Delhi. Karan Sehgal (Karan Deol) resides in Manali and is the owner of the very popular Camp Ujhi Dhaar. He lost his parents in an avalanche when he was 10 while they were on the hunt for the elusive snow leopard. The costliest trekking package offered by Camp Ujhi Dhaar is worth Rs. 5 lakhs and involves solo trekking with an expert. Vlogger Sahher Sethi (Sahher Bambba) from Delhi, who has just taken a break from her boyfriend Vinny (Aakash Ahuja), signs up for it as an excuse to escape from her nagging relatives who are to visit her house. The expenses are borne by her company for which she vlogs. Sahher is known for tarnishing the image of hotels and tour companies with her acidic vlogs and she’s all set to do the same with Camp Ujhi Dhaar too. She believes charging Rs. 5 lakhs is akin to a daylight robbery by the camp. Karan himself takes up the responsibility of taking Sahher for the 5-day trek. Initially, she detests Karan and says negative stuff about him in her daily vlogs. Karan, on the other hand, too doesn’t think too high of Sahher. But slowly, they fall for each other. Sahher changes her mind and realizes that the trek is the best thing that has happened to her.  She returns to Delhi and continues to be in touch with Karan. She breaks up with Vinny, infuriating her. But he doesn’t show and pretends to be cool with her decision. Karan, unable to survive without her, reaches Delhi when she hints him that she misses him too. They profess their love for each other. Vinny decides to put a devious plan into motion to bring back Sahher in his life. He’s aided in this plan by his elder brother Sushant Narang (Aakash Dhar), who’s running for the elections and the son of Ratna Narang (Meghna Malik), who’s into politics since two decades. What happens next forms the rest of the film. Jasvinder Singh Bath and Ravi Shankaran's story is beaten to death and very ordinary. It’s shocking that a story like this was approved in today’s day and age. Jasvinder Singh Bath and Ravi Shankaran's screenplay is also poor, especially in the second half. The first half is also nothing great but the mountaineering bit makes it watchable. Jasvinder Singh Bath and Ravi Shankaran's dialogues are also nothing memorable at all. Sunny Deol's direction is simple and decent. He executes the mountaineering scenes very well in the first half. Also, he does justice to the visuals and locales at his disposal. Unfortunately, since the script itself is so weak and outdated, his execution fails to save the film. He tries to enhance the film’s appeal with action and even a sequence on the racing circuit. Then there’s a bizarre snow leopard sequence but it works as he directs it well. But these factors can’t be of much help when the script itself is not upto the mark. PAL PAL DIL KE PAAS has a very poor commencement, showing Karan’s childhood and his present-day life. Sahher’s entry scene is also unconvincing and the attempt to be funny falls flat. The interest is set once the trek begins. The finest scene of the film is when Sahher faints due to altitude sickness and Karan puts her on his back and treks on a steep slope. The rest of the scenes are okay and the interest is maintained due to the locales and the trekking factor. The second half begins well with the <em>'Dil Uda Patanga'</em> track. Things then go downhill as there’s no story as such in the second half. And whatever story is there is very clichéd and routine. Moreover, it’s very predictable. The action scene raises interest and individually, it works. But as part of the film, it won’t be lapped up by the audiences. The finale is very simplistic and unconvincing. <span style="text-decoration: underline;"><strong>Pal Pal Dil Ke Paas Public Review | Sunny Deol | Karan Deol | Sahher Bambba | FDFS</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/pal-pal-dil-ke-paas-public-review-sunny-deol-karan-deol-sahher-bambba-fdfs/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Karan Deol puts a genuine effort but still, it falls short. He’s too raw and still needs guidance to become a fine actor. In the scene where he’s racing, he has a weird smile on his face and it takes away the impact. The attempt to roar like his father in the action scenes will work with the front benchers though. Sahher Bambba meanwhile does very well and has a wonderful screen presence. Aakash Ahuja is fine as the villain. Kamini Khanna (Sahher’s grandmother) is adorable and raises laughs in a funny scene. Meghna Malik leaves a huge mark. Aakash Dhar, Simone Singh (Sahher’s mother), Sachin Khedekar (Sahher’s father), Nupur Nagpal (Natasha), Vijayant Kohli (Kapil Gupta) and Kallirroi Tziafeta (Karan’s mother) are decent. Music is okay but some of the songs are shot well. <em>'Pal Pal Dil Ke Paas'</em> comes at a significant juncture. <em>'Ho Jaa Awara'</em> is the best of the lot thanks to its picturisation. <em>'Dil Uda Patanga'</em> comes next. <em>'Aadha Bhi Zyaada'</em> fails to work due to Karan’s acting. <em>'Ishaq Chaliya'</em> is forgettable. <em>'Maa Ka Mann'</em> is very soulful but comes at a very unconvincing point in the movie. Raju Singh and Rishi Rich's background score is quite exhilarating. Himman Dhameja and Ragul Dharuman's cinematography is spectacular. The locales of Himachal Pradesh are shot beautifully. The whole team deserves credit for shooting the film at locations that have been never before explored on celluloid. Not just the mountain scenes, even the second half is shot nicely. Resul Pookutty's sound design adds to the effect. Amardeep Behl and Tina Dharamsey's production design are appealing. Niharika Khan and Vishakha Kullarwar's costumes are very glamorous, especially the ones worn by Sahher Bambba. Vikram Dahiya's action is spot on. Prime Focus's VFX is quite okay and could have been better in the snow leopard sequence. Devendra Murdeshwar's editing could have been slicker, considering that the film is too long at 153 minutes. On the whole, PAL PAL DIL KE PAAS has an outdated storyline, with just the mountain scenes and Sunny Deol’s direction saving the day to an extent. As a result, the film will have a very tough time at the box office.

Actor-turned-politician Sunny Deol's son Karan's debut film "Pal Pal Dil Ke Paas" will now hit the screens on September 20 instead of its initial release date of July 19.

Pal Pal Dil Ke Paas squanders whatever potential it had, feels Sukanya Verma.