'My trajectory right now is five steps forward, two steps backwards.'

Pfizer is shifting its oncology and chemotherapy product lines from Australia to Gujarat and aims to increase the share of local products in the Indian market.

Madurai was originally a forest called Kadambavanam i.e. a Vanam forest of Kadamba trees.One day Lord Indra spotted a farmer praying to a Shiva linga in the forest and told King Kulasekara Pandya about the linga. The king built a temple around the

Illustration/Uday Mohite

Oh, wretched irony, that President Ram Nath Kovind — whom BJP president Amit Shah unabashedly introduced as a Dalit when nominating him as a Presidential candidate — should himself introduce a caste system, where it never existed before: India's august National Film Awards. The President informed the Directorate of Film Festivals (DFF) three weeks earlier that he would leave the award function in an hour. But the winners were informed only a day earlier, that the President would give away only 11 of the approximately 137 awards at the 65th National Film Awards; the rest would be given away by Information and Broadcasting Minister Smriti Irani, and Minister of State Rajyavardhan Rathore. As the award winners' invitations stated that they would receive the award from the President of India, they wrote to the DFF about a breach of trust, "65 years of tradition was being overturned in a jiffy," and nearly 55 winners boycotted the function.

Nothing spoke of the sordidness of this prestigious event as that photograph with just two disturbed award winners, in a hall full of empty chairs. The names of the 30 award winners who protested were not even announced. It is heartbreaking that a number of award winners, including Fahadh Faasil, who won Best Supporting Actor for Thondimuthalum Driksakshiyum, and Parvathy, who won Special Mention for Take Off, both in Malayalam, returned home without their National Awards. We are proud the National Awards still go to those truly deserving them, mostly. Bollywood, which usually hogs the limelight, is shown its true place in Indian cinema at the National Film Awards. Malayalam cinema won 11 major awards, Hindi cinema only eight in comparison; Bengali and Assamese cinema won five each; Marathi cinema won four; Tamil and Telugu cinema won three each.

The President, who is 72, gave no reasons for his self-styled, one-hour Cinderella rule. If he had medical issues, he could reasonably have declined, or split the awards into two sessions.

I have had the honour of attending four National Film Awards — once as an award winner, and thrice on the National Film Award Jury, in 2008, 2011 and 2014. Bungling and uncertainty are a given. I had won the National Award for Best Film Critic for 1998, but received the award only in 2000, because of unstable governments. As I'm usually at the Berlin Film Festival in February, I had asked the DFF about likely dates since October, but they said they would know only at the last minute. I was at the Berlin Film Festival when I was swiftly summoned to New Delhi, so my parents Indu Shedde and S Rammohan went to New Delhi, and my mother received the National Award on my behalf from President KR Narayanan.

On the other hand, Ramendra Naresh, a Dalit student who topped the MCA programme at the Babasaheb Bhimrao Ambedkar University, refused to accept his gold medal from President Kovind at the convocation scheduled last December, to protest against the growing atrocities against Dalits. Along with all this year's award-winners, I applaud Naresh as well.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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Illustration/Uday Mohite

Believe it or not, exciting things are happening in Konkani cinema. I am familiar with Indian films in at least 10-12 languages, but it was a real discovery watching the best Konkani films on the jury of the 9th Goa State Film Festival Awards, that was given last week. To know who the top Konkani stars are, what subjects interest them — the church often looms large. The Best Film (Konkani) went to Nilesh Karamunge’s Mahaprayan (The Last Journey), Best Director (Konkani) to Rajiv Shinde’s K Sera Sera (Ghodpachem Ghoddtelem, Whatever Will Be Will Be), and Best Film (Marathi) to Sainath Parab's Disha (Direction). Mahaprayan was a real discovery, of which more anon. K Sera Sera, which swept nine awards, told two parallel stories of an ambitious career woman and a retired man, struggling to keep his family together, starring actor-producer Rajesh Pednekar and Palomi Ghosh. It had rich technical and acting credits, some ‘imported’ from outside Goa. Sadly, Miransha Naik’s powerful Juze was not in competition, but Nilesh Malkar’s Soul Curry smartly ‘imported’ Bollywood star Jackie Shroff for wider appeal. Shroff even dubbed for himself in Konkani and won a Special Jury Award for Best Actor.

Mahaprayan is one of those rare films, that makes a powerful social critique while accomplishing an amazing technical feat: the whole 83 minute-film is a single take, shot by Sameer Bhaskar. What’s more, it is the debut feature of an ex-army man, Nilesh Karamunge. Inspired by a real incident in Odisha, the film is about Tulsidas (Dhananjay Amonkar) who, unable to afford a hearse to take his dead wife from the hospital to his distant village for cremation, walks home all the way, carrying her corpse on his shoulders, accompanied by his young daughter Kaalika (Aarya Ghare). The pair meet many people who refuse to help — hospital staff, passengers in a bus, the police, and when a kind forest official finally helps them, the media pounces on him for ‘misusing’ a government jeep. The crew did many rehearsals, shooting in real time as they walked 3.5 km in the noonday sun. The film is a scathing attack on the government and our society. The charming and mature Aarya Ghare, just nine, won Best Actress.

Mahaprayan vaults to one of the year's most gratifying discoveries in Indian cinema, its accomplishments far exceeding its modesty and flaws. K Sera Sera is a polished work, given Konkani cinema’s constraints. And let's get some perspective here: while most regional Indian cinemas started in the 1920s or earlier, the first Konkani film, Mogacho Anvddo, was released only in 1950. The Hindi and Tamil industries make, on average, 250-350 feature films a year, but the fledgeling Konkani industry makes barely five to seven features a year. And there is no doubt that Konkani cinema got kick-started since the International Film Festival of India (IFFI) was held in Goa since 2004, and the locals were consistently exposed to world cinema. And look what it's offering now — you do a double take.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com.

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Actress Keerthy Suresh as Savitri in Mahanati

Telugu cinema — specifically Baahubali 1 and 2 — knocked the daylights out of Bollywood. Now comes the ravishing Telugu-Tamil film Mahanati (Great Actress, in Telugu; Nadigaiyar Thilagam in Tamil), directed by Nag Ashwin, a biopic on top film star Savitri garu (a Telugu honorific). This sensuous, period, feminist film, starring Keerthy Suresh and Dulquer Salmaan, rivals Bollywood's best. Kommareddy Savitri (1937-1981) was a remarkable female superstar of Telugu and Tamil cinema, who acted alongside top Tamil and Telugu stars such as Sivaji Ganesan, MG Ramachandran (MGR), Gemini Ganesan and Nandamuri Taraka Rama Rao (NTR), often got paid more than the heroes, and even produced and directed six films in the 1960s and 1970s, some with an all-female crew, featuring these top heroes — all practically unthinkable today. Savitri acted in nearly 200 films in Telugu, Tamil and Hindi, including Pelli Chesi Choodu, Devadasu, Missiamma, Maya Bazaar and Pasamalar, peaking in the 1950s and 1960s, and the films she directed include Chinnari Papalu. Her career spiralled downwards after she secretly married co-star Gemini Ganesan (then already married to Alamelu and in another relationship with Pushpavalli with whom he had Hindi film star Rekha), and his jealousy and alcoholism drove her to drink; she cut back on her career to appease him, turned alcoholic herself and went to ruin. The film has released worldwide, including in India; it is currently also showing in Mumbai with English subtitles.

Indian biopics on women film stars — including Milan Luthria's Dirty Picture on Silk Smitha with Vidya Balan (Hindi); KG George's Lekhayude Maranam: Oru Flashback (Lekha's Death: A Flashback) on actress Shobha's alleged affair with a top director (Malayalam), and Ranjith's Thirakkatha (Screenplay) on Srividya and her alleged affair with a top Tamil star (Malayalam) — are mostly tragedies. What is remarkable about Mahanati is that while it shows Savitri's courage, feistiness, stardom and generosity, it also shows her poor decisions in love, marriage and finance. She is a homebreaker and an alcoholic who also neglects her children. Yet, the film valourises her as someone who believed that life is short, and so made the best of it. In fact, the film, presented by Vyjayanthi Movies, is produced by two women, sisters Swapna Dutt and Priyanka Dutt of Swapna Cinemas.

The film is told through Madhuravani (Samantha Akkineni), a journalist in the 80s, investigating Savitri's story with her photographer boyfriend Vijay Anthony (Vijay Deverakonda) after Savitri is found in a hospital, after being in a coma for a year. Nag Ashwin, in only his second feature after Yevade Subramanyam, shows outstanding assurance and craftsmanship. Throughout, there are scenes switching seamlessly from Savitri's real and reel life; and the period sets have been gorgeously recreated, including a 'stairway to heaven'. Keerthy Suresh carries the film with aplomb: sparkling, yet dignified, even in her despair. Top Malayalam star Dulquer Salmaan sportingly plays second fiddle and charming rake. Sai Madhav Burra's screenplay packs in a lot. LA-based Spanish cinematographer Dani Sanchez-Lopez's cinematography is marvellous: ironically, he digitally shot the period parts and used super 16mm film stock for the more recent 80s. The costumes by designers Gaurang Shah, Archana Rao and stylist Indrakshi Pattanaik are exquisite, as are Shivam Rao and Kolla Avinash's sets. Mickey J Meyer's music is versatile and soulful. At 2h 57mins, the editing by veteran Venkateswara Rao Kotagiri flags a little, yet keeps you engaged till the end.

Meenakshi Shedde is South Asia Consultant to Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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During his career of close to five decades that has been predominantly defined by a loverboy image, Rishi Kapoor has romanced over 45 actresses on screen. He struck magic with each romantic shot and managed to weave a dream with each song, opposite each of his leading ladies. Yet, there are the ones who have seemed a little more special than the others, facing the camera with him.

Dimple Kapadia:

Rishi Kapoor's first role as a hero in Bollywood was in "Bobby" opposite Dimple Kapadia and he nailed it at the first chance. He proved he could be the lover boy every girl craves for! His rocking chemistry with 16-year-old Dimple Kapadia in the film remains etched in the songs and romantic scenes.

Neetu Singh:

They would carry their romance onto real life, but not before delivering films like "Kabhi Kabhie", "Khel Khel Mein", "Amar Akbar Anthony" and "Zehreela Insaan" among others. Their sizzling on-screen chemistry transpired into off-screen romance and Neetu Singh eventually quit acting to become Rishi Kapoor's wife Neetu Kapoor. Their song "Ek main aur ek tu" in "Khel Khel Mein" continues to be a favourite across generations.

Sridevi:

Rishi Kapoor and Sridevi will perhaps go down in Bollywood as one of the best-looking pairs! Although "Nagina", "Chandni" and "Banjaran" were heroine-centric films with Sridevi in title roles, their chemistry was worth applauding. Their song "Chandni o meri Chandni" - incidentally the only song Sridevi sang -- is a timeless hit.

Jaya Prada:

She was a frequent co-star. Jaya. like Dimple Kapadia, made her Bollywood debut opposite Rishi Kapoor. Their first film together was in 1979, titled "Sargam". Rishi and Jaya Prada have together appeared in several movies including "Sindoor", "Ghar Ghar Ki Kahani", "Gharana" and "Dhartiputra". The song "Dafaliwale defali baja" in "Sargam" was huge.

Tina Munim:

Rishi Kapoor and Tina Munim cycling - a rare picture in sepia mode

"Karz" cast Rishi Kapoor opposite Tina Munim. Each song of the film is a super hit. And the film itself emerged a blockbuster. Movies featuring this pair include "Yeh Vaada Raha", "Bade Dil Wala" and "Aap Ke Deewane" among others.

Moushumi Chatterjee:

Some of the popular movies featuring the Rishi Kapoor-Moushumi Chatterjee pair include "Zehreela Insaan", "Phool Khile Hain Gulshan Gulshan" and "Do Premee". "Zehreela Insaan" also starred Neetu Singh. The Kishore Kumar track "O hansini" featuring Rishi and Moushumi became an instant hit and is still counted among one of Bollywood's best romantic numbers. Moushumi Chatterjee later in her career has also worked in Rishi Kapoor's one and only directorial flick "Aa Ab Laut Chalen".

Poonam Dhillon:

Poonam Dhillon and Rishi Kapoor made another very popular pair of the eighties. They starred together in movies like "Sitamgar", "Yeh Vaada Raha", "Zamana", "Biwi O Biwi", "Ek Chadar Maili Si", and "Tawaif".

Meenakshi Sheshadri:

Apart from the multiple award-winning "Damini", Rishi Kapoor and Meenakshi Seshadri have together appeared in movies like "Ghayal", "Hero", "Shahenshah" and "Ghatak". The actress, who currently resides in the US, paid a surprise visit to Rishi Kapoor a few years ago. The actor took to Twitter to admit that he could not recognize his Damini co-star for a moment! The songs "Jab se tumko dekha hai sanam" and "Gawah hain chand taare" in "Damini" featuring this jodi remain evergreen.

Madhuri Dixit:

 

 

 

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A post shared by Madhuri Dixit (@madhuridixitnene) onApr 29, 2020 at 10:19pm PDT

Madhuri Dixit and Rishi Kapoor have appeared in movies like "Sahibaan", "Yaraana" and "Prem Granth". The song "Dil dene ki ruth ayee" from "Prem Granth" enjoys a huge number of views on YouTube even today. Last year when Madhuri Dixit tweeted wishing Rishi Kapoor on his birthday, the actor had replied: "Thank you Madhuri. I have to make a super hit film with you that's my mission. Love to the family."

Juhi Chawla:

Rishi Kapoor and Juhi Chawla have featured together in several movies like "Bol Radha Bol", "Rishta To Ho Aisa", "Ghar Ki Izzat" and "Saajan Ka Ghar" among others. This jodi deserves a special mention because Rishi Kapoor was shooting the last film of his life with Juhi, which he could not complete. The film titled "Sharmaji Namkeen" was being directed by Hitesh Bhatia. The actor fell sick while shooting for the movie in Delhi recently.

Rishi Kapoor has worked with many other popular actresses including Rakhee, Rekha, Hema Malini, Shabana Azmi, Raveena Tandon, Divya Bharti, Manisha Koirala and Tabu. The actor with his looks and divine smile won the hearts of ladies from eight to eighty.

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The passing away of two of the biggest names of Hindi Cinema, Rishi Kapoor and Irrfan Khan, will never be forgotten. April 29 and 30 will be marked as two of the darkest days of all time when we lost the doyens of acting. Khan passed away on April 29 due to the complications arising out of the Colon infection, whereas Kapoor breathed his last on April 30 after a two-year battle with leukemia.

Almost the entire Bollywood took to their social media accounts to pay homage and tributes to their legacy and selfless contribution to Cinema with their powerful and path-breaking performances. And now, Meenakshi Seshadri, who worked with Kapoor in Damini in 1993, has also taken to her social media account to share her sorrow and pain on their demise. The video is surely likely to leave you emotional.

Have a look right here:

 

 

 

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Rest in peace Mr. Rishi Kapoor and Mr. Irfan Khan. You both will be remembered forever & our love and support for your family, friends and fans will be never ending. I know my words not enough but you both shall surely have a great life and fortune in your upcoming birth on this beautiful mother earth. RIP #bollywood #love #india #instagram #hollywood #tollywood #salmankhan #tiktok #mumbai #like #deepikapadukone #follow #instagood #actor #fashion #bollywoodactress #actress #kollywood #katrinakaif #aliabhatt #music #indian #priyankachopra #bollywoodsongs #likeforlikes #beautiful #shahrukhkhan #bollywooddance #shraddhakapoor #bhfyp

A post shared by Meenakshi Seshadri (@meenakshiseshadriofficial) onApr 30, 2020 at 5:14pm PDT

And if you remember, Rishi Kapoor had even tweeted a picture of himself posing with his Damini co-star all the way back in 2015 when she paid him a surprise visit at his residence. Remember this?:

Any guesses who this is? I didn't recognise her for a moment. What a lovely surprise. Name in 30 mins no hints. pic.twitter.com/RbYfF1l7Wx

— Rishi Kapoor (@chintskap) June 30, 2015

Kapoor and Khan went away too soon but will always be alive in our hearts. The world, through their work over the years, will not let them die!

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The novel begins with the death of a scientist, who warns a woman politician in new Delhi about the impending danger to the life of Raghav Mohan, who is the beloved Prime Minister of the country.

Filmed in 2019, the documentary celebrates the legend of Meenakshi Amman, Mother Goddess, queen, and patron deity of the ancient city of Madurai.

Meenakshi-B Coal Block

Meenakshi Coal Block

Online Resource

Online Resource

Lekhi insisted that the identity of the victim was in public domain even before her tweet.