It's the eve of the Texas Book Festival so make sure you check out the festivities on the Capitol grounds! And here's a tentative list of projects from Austin authors and illustrators releasing next year! For previous years, go here.

Picture Books, Easy Readers, and Board Books

WHAT DO YOU DO WITH A VOICE LIKE THAT? by Chris Barton, ill. by Ekua Holmes (Simon & Schuster/Beach Lane 2018).

MIGHTY TRUCK: ON THE FARM, by Chris Barton, ill. by Troy Cummings (HarperCollins, May 2018).

PENGUIN AND TINY SHRIMP DON'T DO BEDTIME, by Cate Berry, ill. by Charles Santoso (Balzer + Bray/HarperCollins 2018).

ABRAHAM LINCOLN'S DUELING WORDS, by Donna Janell Bowman, ill. by S.D. Schindler (Peachtree, 2018)

THE BOOK THAT JAKE BORROWED, by Susan Kralovansky (Pelican 2018).

COUNTING COLORS IN TEXAS, by Susan Kralovansky (Pelican 2018).

KATE, WHO TAMED THE WIND, by Liz Garton Scanlon, ill. by Lee White (Schwartz & Wade, Spring 2018).

FRANCES IN THE COUNTRY, by Liz Garton Scanlon, ill. by Sean Qualls (Neal Porter Books/Roaring Brook Press, Summer 2018).

DEAR SUBSTITUTE, by Liz Garton Scanlon, ill. by Chris Raschka (Disney-Hyperion, Summer 2018).

STALEBREAD CHARLIE AND THE RAZZY, DAZZY SPASM BAND,  by Michael Mahin, ill. by Don Tate (Houghton Mifflin Harcourt, 2018).

PAR-TAY: DANCE OF THE VEGGIES (AND THEIR FRIENDS), by Eloise Greenfield, ill. by Don Tate (Alazar Press 2018).

POTATO KING: THE STORY OF JUNIUS G. GROVES, by Don Tate (Knopf 2018).
 

Middle Grade

THE BOY, THE BOAT, AND THE BEAST, by Samantha Clark (Paula Wiseman Books/Simon & Schuster, Summer 2018).

KNOCKOUT, by K.A. Holt (Chronicle, Spring 2018).

DEAR ME (tent. title), by K.A. Holt (Scholastic, Summer 2018).

THE PARKER INHERITANCE, by Varian Johnson (Scholastic, Spring 2018).

THE CAMELOT CODE: THE ONCE AND FUTURE GEEK, by Mari Mancusi (Disney-Hyperion, Oct. 2018).

GIRLS WHO CODE: LIGHTS, MUSIC, CODE, by Jo Whittemore (Penguin Workshop, Spring 2018).

REVENGE OF THE TEACHER'S PETS, by Jennifer Ziegler (Scholastic, June 2018).

Young Adult

HEARTS UNBROKEN, by Cynthia Leitich Smith (Candlewick Press, 2018).

AVENGED, by Amy Tintera (HarperTeen, May 2018).

Moving away from folktale retellings and mythology, the duo shows children navigating mundane everyday issues

Medical illustrators around the world are creating accurate visualizations and public education materials of SARS-CoV-2, the coronavirus that causes COVID-19.

Advice for those who are trying to get published or who want a longterm career in the publishing industry: you need to develop a thick hide when it comes to criticism. 

No matter what stage you are in your career, if you are putting yourself and your work out there for people to see (whether it's agents or editors or art directors or reviewers or other readers), you WILL get criticism. It might be criticism in the form of critiques from a trusted group of writer or illustrator friends. It might be a form rejection letter or detailed rejection letter. Even after you get a contract, you will be getting feedback and change requests from your editor or art director. After your book comes out, some people will not like your book -- and some of those people may be reviewers.

If you are sensitive to harsh judgement, you need to find a way to cope with this early on if you want to stay in the game. Just don't do it in public!

For critiques of your work, never make changes right away. This is especially important for those who are insecure about their own skills! Let the feedback sit for at least a day or two (longer if you can wait), THEN come back to it with more objectivity. Do you agree with the feedback? Don't blindly make a change to your manuscript if you don't agree or understand why.

And never, ever respond to negative reviews in public.

Some useful resources:

Gail Carson Levine has great advice about how to take criticism, particularly from a critique.

11 Writers On How They Deal With Criticism - by Jason Diamond.

6 Top Tips For Dealing With Criticism Of Your Writing - from WritersEdit. This piece advises AGAINST reading all (if any) of your reviews in Goodreads and other places geared toward readers; I've heard this piece of advice from a prominent author in her workshop as well.

Deal With Criticism Like A Pro - by Bryan Collins on WritetoDone. This advice is mainly geared toward negative feedback from an editor; Bryan is a nonfiction freelance writer.

Online Resource