On Oct. 17, American Industrial Partners announced its definitive agreement to acquire PPG’s U.S. and Canadian architectural coatings business, which generated $2 billion in 2023 revenue.

The Reclaimé Collection’s new line extensions offer the visual and charm of a floor constructed from reclaimed, vintage wood in a laminate flooring construction, according to Quick-Step.

October 3, 2014 This week on Basic Black: an editorial cartoon about Secret Service lapses creates a firestorm and we look at Eric Holder's legacy in civil rights law and racial justice. From special programs such as the death of Nelson Mandela and a deep dive into the causes of the racial eruption in Ferguson, MO, to an exploration of the rapid rise of black immigration in Massachusetts or the use of the n-word in major league locker rooms, Basic Black conversations respond in the moment to events in politics, culture, art, and community. Panelists:
- Callie Crossley, Host, Under the Radar with Callie Crossley, WGBH News
- Phillip Martin, Senior Reporter, WGBH Radio
- Kim McLarin, Assistant Professor of Writing, Literature, and Publishing, Emerson College
- Michael Jeffries, Associate Professor of American Studies, Wellesley College

October 17, 2014 Democrat Martha Coakley and Republican Charlie Baker are in a dead heat in the Massachusetts governor's race. The margin of error in the polls for both candidates is slim, but can voters in communities of color fill the margin with a victory, sending one of them to the governor's office? Are the campaigns of the independent candidates resonating with black, Latino, or Asian voters? This week on Basic Black, we look at how the candidates for governor are delivering their message to communities of color in the race to the finish line on November 4. Panelists:
- Latoyia Edwards, Anchor, New England Cable News
- Phillip Martin, Senior Reporter, WGBH News
- Peniel Joseph, Professor of History, Tufts University
- Marcela Garcia, Regular Contributor to the Boston Globe's Editorial and Op-Ed Pages
- Paul Watanabe, Director of the Institute for Asian American Studies, UMass, Boston

April 3, 2015 It comes down to one dollar versus a few cents. A report by the Federal Reserve Bank of Boston reveals that for every one dollar in a Boston white household, black and brown households have only pennies. While this stark reality may not be new to some, the report details the widening wealth gap, and predicts dire consequences for future generations. Later in the show, intense response still pouring in to a controversial column in Deadline Hollywood questioning whether there's too much diversity on network television. We also get an introduction to Shaun Blugh, Boston's first-ever Chief Diversity Officer.


Panelists:
- Callie Crossley, host, Under the Radar with Callie Crossley, 89.7 WGBH
- Phillip Martin, senior reporter, WGBH News
- Kim McLarin, Associate Professor of Writing, Literature, and Publishing, Emerson College
- Trinh Nguyen, Director, Office of Jobs and Community Services
- L. Duane Jackson, Managing Member, Alinea Capital Partners

Video of the B9 robot from "Lost In Space" and his most famous catchphrases.; Credit: timtomp (via YouTube)

Robert Kinoshita, the Los Angeles native who designed the iconic robots from "Lost in Space" and "Forbidden Planet," has passed away. He was 100 years old.

Konishita died Dec. 9 at a Torrance nursing home, according to the Hollywood Reporter, citing family friend Mike Clark. His creations included "Forbidden Planet's" Robby the Robot, the B9 robot from "Lost in Space," Tobor from "Tobor the Great" and more. Kinoshita also created "Lost in Space's" iconic flying-saucer-shaped Jupiter 2 spaceship.

Kinoshita built the original miniature prototype of Robby the Robot out of wood and plastic by combining several different concepts, according to the Reporter; the Rafu Shimpo reported that he struggled with the design.

"I thought, what the hell. We’re wasting so much time designing and drawing one sketch after another. I said to myself, I’m going to make a model," Kinoshita told the Rafu Shimpo in a 2004 interview. "Then one day, the art director sees the model. He says, ‘Give me that thing.’ He grabbed it and ran. ... Ten minutes later, he comes running back and puts the model back on my desk and says, ‘Draw it!’"

Watch Kinoshita and his colleagues talking about the construction of Robby the Robot:

Robby the Robot's construction

The 1956 classic sci-fi movie "Forbidden Planet" — based on Shakespeare's "The Tempest" — went on to be nominated for a special effects Oscar.

Kinoshita later served as art director on the 1960s sci-fi TV series "Lost in Space," creating the arm-flailing robot — named B9 — who delivered the classic line "Danger! Danger, Will Robinson!" That robot received as much fan mail as the actual humans on the show, according to the Reporter.

Watch the robot's feud with "Lost in Space's" Dr. Smith:

The robot vs. Dr. Smith

The "Lost in Space" robot even inspired a B9 Robot Builders Club, featured in Forbes. Kinoshita sent a message in 2000 to the club, thanking them for their support for the robot he originally nicknamed "Blinky."

"I'm truly flabbergasted and honored by your support for 'Blinky!' It's a well-designed little beauty," Kinoshita wrote. "Your thoughtful remembrance is something we designers seldom are lucky enough to receive."

Kinoshita described the thought process behind its design in a 1998 interview.

"You're laying in bed, and something comes to you," he said. "Until, finally, you get to a point where you say, 'This could work,' 'OK, let's see what the boss man says.' And you present it to him."

He told the Rafu Shimpo that he tried to create his robots to disguise the fact that there was a person inside. "I tried to camouflage it enough so you’d wonder where the hell the human was," he said.

Both the Japanese-American Kinoshita and his wife, Lillian, were sent to an Arizona internment camp during World War II, though they were able to get out before the end of the war and moved to Wisconsin, according to the Reporter.

While in Wisconsin, Kinoshita learned industrial design and plastic fabrication, designing washing machines for the Army and Air Force before returning to California, according to the Rafu Shimpo.

Kinoshita said that he had to overcome racial prejudice to break into working in Hollywood.

Kinoshita attributed his long life to clean living — along with daily doses of apple cider vinegar, family friend Clark told the Reporter.

Kinoshita also worked as a designer and art director on numerous classic TV shows, including "Kojak," "Barnaby Jones," "Hawaii Five-O," "Bat Masterson," "Sea Hunt," "Tombstone Territory," "Star Trek" creator Gene Roddenberry's "Planet Earth" and more, according to his IMDB. His last TV show was 1984's "Cover Up."

Kinoshita grew up in Boyle Heights, according to the Reporter, attending Maryknoll Japanese Catholic School, Roosevelt High School and USC's School of Architecture. His career began with work on 1937's "100 Men and a Girl." Kinoshita graduated cum laude from USC, according to the Rafu Shimpo.

Watch Kinoshita speak at his 95th birthday gathering with the B9 Robot Builders Club. He said he hoped to make it to 100, and he ended up doing so.

Kinoshita's 95th birthday speech

This content is from Southern California Public Radio. View the original story at SCPR.org.

The backdrop of the stage with the Oscar Award is seen onstage during the 84th Academy Awards announcement held at the Academy of Motion Picture Arts and Sciences Samuel Goldwyn Theater on Jan. 24, 2012 in Los Angeles.; Credit: Kevin Winter/Getty Images

The Academy Awards have made history with breakthroughs for minorities in the past — but with this year's nominations, observers are noting how white the Oscars are, with no actors of color nominated in any of this year's acting categories.

It marks the least diverse nominations since 1998. People have been speaking out about this disconnect, with films like "Selma" being shut out of the acting nominations (though it did pick up a Best Picture nomination).

This content is from Southern California Public Radio. View the original story at SCPR.org.

Bradford White and its renewed support of Explore the Trades with a $17,000 grant.

Here is the methodology behind the survey:

Edimakor provides an AI subtitle generator to support multiple languages and enables accurate subtitling with hardly any human involvement.

Stories are everywhere. When they don’t exist we make up the narrative — we join the dots. We make cognitive leaps and fill in the bits of a story that are implied or missing. The same goes for websites. We make quick judgements based on a glimpse. Then we delve deeper. The narrative unfolds, or we create one as we browse.

Mark Bernstein penned Beyond Usability and Design: The Narrative Web for A List Apart in 2001. He wrote, ‘the reader’s journey through our site is a narrative experience’. I agreed wholeheartedly: Websites are narrative spaces where stories can be enacted, or emerge.

Henry Jenkins, Director of Comparative Media Studies, and Professor of Literature at MIT, wrote Game Design as Narrative Architecture. He suggested we think of game designers, ‘less as storytellers than as narrative architects’. I agree, and I think web designers are narrative architects, too. (Along with all the multitude of other roles we assume.) Much of what Henry Jenkins wrote applies to modern web design. In particular, he describes two kinds of narratives in game design that are relevant to us:

Enacted narratives are those where:

[…] the story itself may be structured around the character’s movement through space and the features of the environment may retard or accelerate that plot trajectory.

Sites like Amazon, New Adventures, or your portfolio are enacted narrative spaces: Shops or service brochures that want the audience to move through the site towards a specific set of actions like buying something or initiating contact.

Emergent narratives are those where:

[…] spaces are designed to be rich with narrative potential, enabling the story-constructing activity of players.

Sites like Flickr, Twitter, or Dribbble are emergent narrative spaces: Web applications that encourage their audience use the tools at their disposal to tell their own story. The audience defines how they want to use the narrative space, often with surprising results.

We often build both kinds of narrative spaces. Right now, my friends and I at Analog are working on Mapalong, a new maps-based app that’s just launched into private beta. At its heart Mapalong is about telling our stories. It’s one big map with a set of tools to view the world, add places, share them, and see the places others share. The aim is to help people tell their stories. We want to use three ideas to help you do that: Space (recording places, and annotating them), data (importing stuff we create elsewhere), and time (plotting our journeys, and recording all the places, people, and memories along the way). We know that people will find novel uses for the tools in Mapalong. In fact, we want them to because it will help us refine and build better tools. We work in an agile way because that’s the only way to design an emerging narrative space. Without realising it we’ve become architects of a narrative space, and you probably are, too.

Many projects like shops or brochure sites have fixed costs and objectives. They want to guide the audience to a specific set of actions. The site needs to be an enacted narrative space. Ideally, designers would observe behaviour and iterate. Failing that, a healthy dose of empathy can serve. Every site seeks to teach, educate, or inform. So, a bit of knowledge about people’s learning styles can be useful. I once did a course in one to one and small group training with the Chartered Institute of Personnel and Development. It introduced me to Peter Honey and Alan Mumford’s model which describes four different learning styles that are useful for us to know. I paraphrase:

1. Activists like learning as they go; getting stuck in and working it out. They enjoy the here and now, and are happy to be dominated by immediate experiences. They are open-minded, not sceptical, and this tends to make them enthusiastic about anything new.
2. Reflectors like being guided with time to take it all in and perhaps return later. They like to stand back to ponder experiences and observe them from many different perspectives. They collect data, both first hand and from others, and prefer to think about it thoroughly before coming to a conclusion.
3. Theorists to understand and make logical sense of things before they leap in. They think problems through in a vertical, step-by-step logical way. They assimilate disparate facts into coherent theories.
4. Pragmatists like practical applications of ideas, experiments, and results. They like trying out ideas, theories and techniques to see if they work in practice. They positively search out new ideas and take the first opportunity to experiment with applications.

Usually people share two or more of these qualities. The weight of each can vary depending on the context. So how might learning styles manifest themselves in web browsing behaviour?

• Activists like to explore, learn as they go, and wander the site working it out. They need good in-context navigation to keep exploring. For example, signposts to related information are optimal for activists. They can just keep going, and going, and exploring until sated.
• Reflectors are patient and thoughtful. They like to ponder, read, reflect, then decide. Guided tours to orientate them in emergent sites can be a great help. Saving shopping baskets for later, and remembering sessions in enacted sites can also help them.
• Theorists want logic. Documentation. An understanding of what the site is, and what they might get from it. Clear, detailed information helps a theorist, whatever the space they’re in.
• Pragmatists get stuck in like activists, but evaluate quickly, and test their assumptions. They are quick, and can be helped by uncluttered concise information, and contextual, logical tools.

An understanding of interactive narrative types and a bit of knowledge about learning styles can be useful concepts for us to bear in mind. I also think they warrant inclusion as part of an articulate designer’s language of web design. If Henry Jenkins is right about games designers, I think he could also be right about web designers: we are narrative architects, designing spaces where stories are told.

—∞—

Event Begins: Thursday, November 14, 2024 4:00pm
Location: Student Activities Building, Maize and Blue Auditorium, 515 E Jefferson St, Ann Arbor, MI, United States
Organized By: University Career Center

If you are interested in interning for the Office of Governor Whitmer, please join us on Thursday, November 14 from 4:00 PM - 5:00 PM at the Maize & Blue Auditorium (located on the 1st floor of the Student Activities Building).Staff and recruiters from the Governor’s office will be visiting campus to provide an overview of their internship program for both Spring 2025 and Summer 2025. If you are in the Public Service Intern Program or pursuing professional opportunities in government, this is the event for you! Please come prepared with some questions toask the speakers as there will be Q&A for students who attend.  

Event Begins: Thursday, November 14, 2024 12:00pm
Location: Burton Memorial Tower
Organized By: School of Music, Theatre & Dance

University Carillonist Tiffany Ng & Musicology PhD student Eric Whitmer perform on the Charles Baird Carillon, an instrument of 53 bronze bells located inside the Burton Memorial Tower. The largest bell, which strikes the hour, weighs 12 tons, while the smallest bell, 4½ octaves above, weighs just 15 pounds.

Thirty-minute recitals are performed on the Charles Baird Carillon at noon every weekday that classes are in session, followed by visitor Q&A with the carillonist. The bell chamber may be accessed via a combination of elevator and stairs. Take the elevator to the highest floor possible (floor 8), and then climb two flights of stairs (39 steps) to the bell chamber (floor 10). Earplugs are available from the carillonist upon request. Be prepared to walk on ice and snow in the bell chamber during winter. Built in 1936, the Charles Baird Carillon is not ADA accessible. Visitors with mobility concerns are invited to visit the Lurie Carillon: https://smtd.umich.edu/facilities/ann-and-robert-h-lurie-carillon/

The rising USD continues to ... rise still.

EUR/USD is circa 1.0555 and at its lowest since November last year.

The Federal Reserve appears to be on track for a December rate cut but its not bothering dollar bulls, taking their cues from the world of politics dollar-bostering Trump policies. Trump, of course, won't in the big chair until after January 20 but markets discount the future. Or what they expect in the future anyway. And that's a stronger dollar for now.

Not the cheapest, but may be of interest to some.

Whittakers Peanut Slab Bar 50g (Pack of 50) also available for the same price.

Kate Beckinsale has found her way onto Prime Video's top charts thanks to her latest action thriller, which is being streamed in large numbers around the world.

At what point does the refresh rate of a gaming monitor reach diminishing returns, or otherwise become inconsequential? Ask any monitor maker and they'll tell you, 'Get out of here with such silly questions, gaming peasant!'. Okay, they probably wouldn't be as crass in their answer, but the latest evidence that monitor makers have no intention

Amazon just dropped a new lineup of Kindles. I reviewed the 2024 Kindle Paperwhite, and it's the best e-reader out there.

Bluesky is having a very good week as some users abandon Elon Musk's X after the U.S. presidential election.

Pinnacle® Pristine built with HP Technology is oversized.

En el Hitch se siente de otra forma la noche de Madriz

El Radar estrena la nueva canción de The Dead Weather, Die By The Drop. El grupo de Jack White y Alisson Mosshart publicará su segundo álbum el 11 de mayo.

New storms and flooding hit Spain's southern Malaga province as EU debates crisis management

Bata India is adjusting its strategies due to changing consumer spending patterns. The company is introducing more affordable products and partnering with quick commerce platforms like Zepto to cater to budget-conscious consumers while continuing its premiumization efforts and offline expansion plans.

India's quick commerce market is booming and is set to reach USD 40 billion by 2030. This surge is driven by consumer demand for fast deliveries, with 46% of consumers reducing their reliance on traditional Kirana shops. Quick commerce platforms are projected to capture 21% of total Kirana sales by 2024.

Tracklist A1 Mein Weg Zur Schule 2:32 A2 Hallo Siehst Du Mich? 2:56 A3 Schulbus 3:26 A4 Alle Machen Fehler 3:18 A5 Rot Und Grün 2:30 A6 Es Ist Rot, Elfriede 3:14 A7 Was Zieh' Ich An? 3:00 A8 Aus Der Traum 2:54 B1 Ich Hab' Mich Verlaufen 4:12 B2 Mein Platz Im Auto Ist Hinten 2:16 B3 Zebrastreifen 3:....

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This item has files of the following types: Metadata

President-elect Donald Trump and President Joe Biden met for nearly two hours at the White House on Wednesday.

The post White House Meeting Between Trump, Biden Ran Nearly 2 Hours appeared first on Breitbart.

President Joe Biden welcomed President-elect Donald Trump back to the White House on Wednesday and congratulated him on his landslide victory. 

The post Joe Biden Welcomes Donald Trump Back to White House, Congratulates Him on Victory appeared first on Breitbart.

President-elect Donald Trump announced members of his White House senior staff on Wednesday.

The post Donald Trump Makes White House Senior Staff Announcements: ‘Best in Class’ appeared first on Breitbart.

Rachel Zegler, the star of Disney's upcoming live-action "Snow White" remake, has a message for the 75.6 million Americans who voted for President-elect Donald Trump this year: may you "never know peace."

The post Disney’s ‘Snow White’ Star Rachel Zegler Hopes Trump Supporters ‘Never Know Peace’ — Are Part of a ‘Deep, Deep Sickness in This Country’ appeared first on Breitbart.

Actor Josh Gad, who is set to reprise his role as Olaf in Disney's upcoming Frozen 3, has smeared the incoming Trump administration as Nazis -- naturally using a musical theater analogy involving "Springtime for Hitler" from The Producers.

The post Disney’s ‘Frozen 3’ Star Josh Gad Smears Incoming Trump Admin. as Nazis: ‘Springtime for Hitler and Germany’ appeared first on Breitbart.

Ella Langley and Riley Green brought their massive hit song 'you look like you love me' to the stage for their debut late night performance

Taylor Carrick’s campaign at the Men’s White Oaks Squash Cup 2024 concluded in the first round following a hard-fought encounter with England’s Robert Downer, the ninth seed. Held at the prestigious White Oaks Resort and Spa in Niagara-on-the-Lake, Ontario, the match saw Downer assert his dominance early on, taking the first two games with scores […]

A double missing person's case blurs the lines between the personal and the professional, as Calder and Tosh are drawn into a labyrinthine investigation.

Please visit Hunk du Jour.

Please visit Hunk du Jour.

Please visit Hunk du Jour.

Please visit Hunk du Jour.

Please visit Hunk du Jour.

Please visit Hunk du Jour.

Please visit Hunk du Jour.

Please visit Hunk du Jour.

Please visit Hunk du Jour.

Please visit Hunk du Jour.

Have you ever heard a radio announcer say, "That was (song) from the movie (title)," and you thought, "Wow, I've always loved that song, but I never knew it was from a movie." It may well have been from a movie you never saw or never even heard of because it wasn't all that great. Plenty of film productions commission songs specifically for the film, and even more find appropriate but unreleased songs to use that are then released in conjunction with the film. That leaves us with a lot of songs that became hits from movies that flopped so badly we don't even remember them -or maybe the film is just too old.  

Back in 2014, you couldn't escape the Pharrell song "Happy." It was the biggest song of the year, won two Grammys, and we posted about it quite bit. Yet few people recall that is was written for the 2013 movie Despicable Me 2. The movie was honestly a hit, but it was aimed at children. Even more obscure is the origin of the song "Unchained Melody," which was a big hit for the Righteous Brothers in 1965 and you might associate it with the 1990 film Ghost. However, it was written for the 1955 prison movie Unchained, and that's how it got its title.

Some of your favorite songs may have been spawned by a movie you've never seen. Read up on 21 of those songs, with videos, at Cracked.

MicroStrategy Inc. (NASDAQ:MSTR) director Leslie J. Rechan has executed a significant sale of company shares, amounting to approximately $12 million, as per a recent SEC filing. The transactions were disclosed on Wednesday. Don't Miss: Over the last five years, the price of gold has increased by…